Whether you like Quentin Tarantino's wild and idiosyncratic approach to filmmaking or not, it's hard to deny that his work has made an immeasurable contribution to the development of pop culture as we know it today. But none of this would be the case if Tarantino weren't arguably one of the biggest movie buffs in the modern film industry. So if you haven't seen these 20 movies personally recommended by Quentin Tarantino, we suggest you do so as soon as possible!
20 Great Movies Tarantino Recommends Watching
20. Abbott and Costello Meet Frankenstein
19. Apocalypse Now
18. The Bad News Bears
17. Black Sabbath
16. Dazed and Confused
15. Deep Red
14. Easy Rider
13. Enter the Void
12. Frances Ha
11. The Great Escape
10. Mad Max: Fury Road
9. Rio Bravo
8. The Skin I Live In
7. The Social Network
6. Sorcerer
5. There Will Be Blood
4. Top Gun: Maverick
3. Toy Story 3
2. Unfaithfully Yours
1. West Side Story
The filmmaker's oeuvre is characterized by...
20 Great Movies Tarantino Recommends Watching
20. Abbott and Costello Meet Frankenstein
19. Apocalypse Now
18. The Bad News Bears
17. Black Sabbath
16. Dazed and Confused
15. Deep Red
14. Easy Rider
13. Enter the Void
12. Frances Ha
11. The Great Escape
10. Mad Max: Fury Road
9. Rio Bravo
8. The Skin I Live In
7. The Social Network
6. Sorcerer
5. There Will Be Blood
4. Top Gun: Maverick
3. Toy Story 3
2. Unfaithfully Yours
1. West Side Story
The filmmaker's oeuvre is characterized by...
- 5/16/2024
- by louise.everitt@startefacts.com (Louise Everitt)
- STartefacts.com
Mark Damon, who starred in the Vincent Price horror classic House of Usher and spaghetti Westerns before revolutionizing the foreign sales and distribution film business and producing features including 9 1/2 Weeks, Monster and Lone Survivor, has died. He was 91.
Damon died Sunday of natural causes in Los Angeles, his daughter, Alexis Damon Ribaut, told The Hollywood Reporter.
Damon spent the first 20 years of his career as an actor, including about a dozen as a leading man in Italian action movies, before he transitioned to the business side.
He had early success as an executive producer with two movies written and directed by Wolfgang Petersen: the German-language World War II drama Das Boot (1981), which received six Oscar nominations, and The NeverEnding Story (1984), a big-budget fantasy film that featured a Damon-commissioned score by Giorgio Moroder for non-German audiences.
He shared an Independent Spirit Award with director Patty Jenkins and others...
Damon died Sunday of natural causes in Los Angeles, his daughter, Alexis Damon Ribaut, told The Hollywood Reporter.
Damon spent the first 20 years of his career as an actor, including about a dozen as a leading man in Italian action movies, before he transitioned to the business side.
He had early success as an executive producer with two movies written and directed by Wolfgang Petersen: the German-language World War II drama Das Boot (1981), which received six Oscar nominations, and The NeverEnding Story (1984), a big-budget fantasy film that featured a Damon-commissioned score by Giorgio Moroder for non-German audiences.
He shared an Independent Spirit Award with director Patty Jenkins and others...
- 5/13/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Mark Damon, an actor-turned-independent sales executive who was a force in the foreign sales world and at film markets for many decades, died Sunday in Los Angeles, according to his wife. He was 91.
Damon won the Golden Globe for Most Promising Newcomer for his starring role in 1960’s “House of Usher” for director Roger Corman, who died Thursday, then went on to appear in numerous Spaghetti Westerns and other B-movies shot in Europe, from “Johnny Yuma” to Mario Bava’s “Black Sabbath.”
Born Alan Harris in Chicago, Damon earned an Mba at UCLA, then moved to Rome where he established a busy acting career. When he returned to the U.S., he founded Producers Sales Organization to bring American independent films to international distributors, helping launch the American Film Market and Independent Film & Television Alliance.
He explained how his business started in a 2013 Variety profile: “Back in 1975, it was very tough.
Damon won the Golden Globe for Most Promising Newcomer for his starring role in 1960’s “House of Usher” for director Roger Corman, who died Thursday, then went on to appear in numerous Spaghetti Westerns and other B-movies shot in Europe, from “Johnny Yuma” to Mario Bava’s “Black Sabbath.”
Born Alan Harris in Chicago, Damon earned an Mba at UCLA, then moved to Rome where he established a busy acting career. When he returned to the U.S., he founded Producers Sales Organization to bring American independent films to international distributors, helping launch the American Film Market and Independent Film & Television Alliance.
He explained how his business started in a 2013 Variety profile: “Back in 1975, it was very tough.
- 5/13/2024
- by Pat Saperstein
- Variety Film + TV
Imagine what it was like in the 1990s -- and being constantly told and reminded that Tarantino was revolutionizing cinema.
Not only was Quentin Tarantino's indie project being worshiped by film critics in 1994, but it was also being staged as the antithesis to the year's other subversive comedy, Forrest Gump, starring Tom Hanks.
Forrest Gump represented traditional values and innocence. (Though screenwriter Eric Roth nor Winston Groom ever intended the character that way)
Pulp Fiction represented cynicism and brutality triumphing over good intentions. It was an Oscar race partly conceived by Miramax and Harvey Weinstein, who, believe it or not, used to be good at other things besides...well, you know.
It was impossible for Gen X not to embrace Pulp Fiction as their generation's movie and the one that most spoke to their maturing culture. Maybe amid the media storm, I was the only one who saw what was happening.
Not only was Quentin Tarantino's indie project being worshiped by film critics in 1994, but it was also being staged as the antithesis to the year's other subversive comedy, Forrest Gump, starring Tom Hanks.
Forrest Gump represented traditional values and innocence. (Though screenwriter Eric Roth nor Winston Groom ever intended the character that way)
Pulp Fiction represented cynicism and brutality triumphing over good intentions. It was an Oscar race partly conceived by Miramax and Harvey Weinstein, who, believe it or not, used to be good at other things besides...well, you know.
It was impossible for Gen X not to embrace Pulp Fiction as their generation's movie and the one that most spoke to their maturing culture. Maybe amid the media storm, I was the only one who saw what was happening.
- 5/4/2024
- by Michael Arangua
- TVfanatic
With Chucky Season 3 coming to an end this Wednesday, I had the opportunity to catch up with Don Mancini! We talked all about the second half of Chucky Season 3, including expanding the franchise mythology, writing for the series' recurring characters, and old Chucky's nod to a Mario Bava classic!
Whether it's the films or the TV series, I've always appreciated how you've continued to evolve and expand the mythology in a really organic way. Now in this season, we have old-man Chucky, the afterlife, and more. Can you talk about your approach to expanding the world of Chucky?
Don Mancini: It's a lot of fun! The White House setting is something I've been interested in for a long time, and not even necessarily for a Chucky project. I did a lot of research over the course of several years, and I knew that the White House was a great...
Whether it's the films or the TV series, I've always appreciated how you've continued to evolve and expand the mythology in a really organic way. Now in this season, we have old-man Chucky, the afterlife, and more. Can you talk about your approach to expanding the world of Chucky?
Don Mancini: It's a lot of fun! The White House setting is something I've been interested in for a long time, and not even necessarily for a Chucky project. I did a lot of research over the course of several years, and I knew that the White House was a great...
- 4/29/2024
- by Jonathan James
- DailyDead
One of the all-time foundational fixtures in horror is the vampire. That means over a century’s worth of bloodsuckers in film, in various styles and mythology, from across the globe.
As prominent as this movie monster is, with dozens of adaptations of Bram Stoker’s Dracula alone, there’s an overwhelming selection of vampire fare that makes it easy for many worthwhile gems to fall through the cracks. This week’s streaming picks are dedicated to underseen vampire horror movies worth seeking out.
As always, here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Mr. Vampire – The Criterion Channel – Plex, the Roku Channel
This supernatural genre-bender from director Ricky Lau stands far apart from standard vampire fare thanks to its comedy, martial arts, and jiangshi. Taoist priest Master Kau (Lam Ching-ying) guards the realm of the living by maintaining control...
As prominent as this movie monster is, with dozens of adaptations of Bram Stoker’s Dracula alone, there’s an overwhelming selection of vampire fare that makes it easy for many worthwhile gems to fall through the cracks. This week’s streaming picks are dedicated to underseen vampire horror movies worth seeking out.
As always, here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Mr. Vampire – The Criterion Channel – Plex, the Roku Channel
This supernatural genre-bender from director Ricky Lau stands far apart from standard vampire fare thanks to its comedy, martial arts, and jiangshi. Taoist priest Master Kau (Lam Ching-ying) guards the realm of the living by maintaining control...
- 4/23/2024
- by Meagan Navarro
- bloody-disgusting.com
In “Sting,” a giant-spider-grows-in-Brooklyn thriller that’s cheeky, bloody, and (most important) very gooey, Sting is the name given by Charlotte (Alyla Browne), a precocious tween, to the elegant two-inch-long black spider that becomes her pet (she keeps it in a jar and feeds it bugs). Yet given how much slaughter is caused by this omnivorous arachnid, which grows bigger and bigger with each feeding, the moniker turns out to be a major understatement. It’s as if Jason Vorhees were named “Paper Cut.”
“Sting” is a wee sliver of a horror film that’s tongue-in-cheek but also quite matter-of-fact about its creature-feature jokiness. It’s the monster-bug thriller as light dessert. The spider, it turns out, is an alien — after a gruesome prologue with lots of whooshing “Evil Dead” camera movement, the movie cuts to four days earlier, when a fiery meteorite crashes through an apartment roof in South...
“Sting” is a wee sliver of a horror film that’s tongue-in-cheek but also quite matter-of-fact about its creature-feature jokiness. It’s the monster-bug thriller as light dessert. The spider, it turns out, is an alien — after a gruesome prologue with lots of whooshing “Evil Dead” camera movement, the movie cuts to four days earlier, when a fiery meteorite crashes through an apartment roof in South...
- 4/12/2024
- by Owen Gleiberman
- Variety Film + TV
Mario Bava’s The Whip and the Body is a Technicolor fever dream of violent, unquenchable desire that extends beyond the grave. It’s also a gothic tale steeped in murder and revenge, with added elements of sadomasochistic eroticism and just a whiff of necrophilia. Wedged between Black Sabbath and Blood and Black Lace in Bava’s canon, The Whip and the Body shares those films’ consummate use of color cinematography to refine mood and convey disturbing shades of atmosphere. Acting as his own cinematographer, with credited Dp Ubaldo Terzano working as de facto camera operator, Bava revels in a riotous palette of sickly greens, otherworldly purples, and sanguine reds.
The opening of The Whip and the Body brings to mind Emily Brontë’s Wuthering Heights, an equally disturbing tale of mad love that was celebrated by the surrealists. Heathcliffe stand-in Kurt Menliff (Christopher Lee) returns to his seaside castle...
The opening of The Whip and the Body brings to mind Emily Brontë’s Wuthering Heights, an equally disturbing tale of mad love that was celebrated by the surrealists. Heathcliffe stand-in Kurt Menliff (Christopher Lee) returns to his seaside castle...
- 4/2/2024
- by Budd Wilkins
- Slant Magazine
"Immaculate" isn't.
Michael Mohan's new nunsploitation thriller doesn't possess the artistry or thoughtfulness to be a stirring analysis of Roman Catholic sexism, nor does it have the temerity to be an enjoyably trashy, violent, sex-soaked drive-in flick. To be sure, it possesses elements of both arthouse and grindhouse, but Mohan hasn't mastered either, leaving "Immaculate" in a frustrating middle-ground that will please no one. Some may be temporarily distracted by cinematographer Elisha Christian's clever, classy lighting choices -- there is a late-film chase through pitch-black catacombs that provides some modest thrills -- or by the funereal, liturgical score by Will Bates, but many will surely recognize a B-movie when they see it.
"Immaculate" clearly wants to be, in its heart, fun/violent and ultra-salacious; it features multiple characters who clumsily wield a nine-inch nail that is said to have once affixed Christ's hand to the cross. There...
Michael Mohan's new nunsploitation thriller doesn't possess the artistry or thoughtfulness to be a stirring analysis of Roman Catholic sexism, nor does it have the temerity to be an enjoyably trashy, violent, sex-soaked drive-in flick. To be sure, it possesses elements of both arthouse and grindhouse, but Mohan hasn't mastered either, leaving "Immaculate" in a frustrating middle-ground that will please no one. Some may be temporarily distracted by cinematographer Elisha Christian's clever, classy lighting choices -- there is a late-film chase through pitch-black catacombs that provides some modest thrills -- or by the funereal, liturgical score by Will Bates, but many will surely recognize a B-movie when they see it.
"Immaculate" clearly wants to be, in its heart, fun/violent and ultra-salacious; it features multiple characters who clumsily wield a nine-inch nail that is said to have once affixed Christ's hand to the cross. There...
- 3/19/2024
- by Witney Seibold
- Slash Film
It’s no secret that horror too often elicits kneejerk reactions from narrow-minded critics who, for some reason or another, aren’t willing to give its particular brand of storytelling a fair shake. There are countless examples of films that have received lukewarm to scathing critiques from reviewers upon their release only to be embraced as classics years later, sometimes even by the same writers that originally did them dirty. Last House on the Left (1972), The Shining (1980) and, perhaps most famously, The Thing (1982) were all savaged for various reasons during their initial runs but are now not only thought of as staples of their genre but of cinema as a whole.
This was also the case for Mario Bava’s Blood and Black Lace (1964). Barely making a splash with audiences and critics alike when it was released in Italy 60 years ago this month, the picture’s impact would soon be gargantuan.
This was also the case for Mario Bava’s Blood and Black Lace (1964). Barely making a splash with audiences and critics alike when it was released in Italy 60 years ago this month, the picture’s impact would soon be gargantuan.
- 3/19/2024
- by Patrick Brennan
- bloody-disgusting.com
Nunsploitation appears to be alive and well in 2024 with this week’s arrival of Immaculate, a convent-set horror movie that borrows heavily from ’70s Italian horror, the peak era of the exploitation film. Nunsploitation, a subgenre of exploitation films that hit its prime in the late ’70s and early ’80s, often features nuns behaving badly. More importantly, nunsploitation films explore themes of sexual or religious repression, frequently unleashing scathing critiques of the Church through blasphemous imagery and nuns behaving badly.
This week’s streaming picks are dedicated to nunsploitation horror. These taboo-shattering horror movies have more on their mind than their low-budget exploitation origins suggest.
Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Alucarda – Cultpix
Directed and co-written by Juan López Moctezuma, this English-language Mexican horror film stars Tina Romero as Alucarda, who was raised by nuns at a repressive Catholic convent.
This week’s streaming picks are dedicated to nunsploitation horror. These taboo-shattering horror movies have more on their mind than their low-budget exploitation origins suggest.
Here’s where you can stream them this week.
For more Stay Home, Watch Horror picks, click here.
Alucarda – Cultpix
Directed and co-written by Juan López Moctezuma, this English-language Mexican horror film stars Tina Romero as Alucarda, who was raised by nuns at a repressive Catholic convent.
- 3/18/2024
- by Meagan Navarro
- bloody-disgusting.com
Stars: Lauren Lavera, Claudia Gerini, Giovanni Lombardo Radice, Linda Zampaglione, Yassine Fadel, Melanie Gaydos, Gianluigi Galvani, Courage Osabohine | Written by Federico Zampaglione, Stefano Masi | Directed by Federico Zampaglione
Lisa Gray, a budding art restorer who travels to the small Italian village of Sambuci just outside Rome to bring a medieval painting back to its former glory for a wealthy and titled client. Little does she know she is placing her life in danger from an evil curse and a monster born of myth and brutal pain.
I have been a fan of Federico Zampaglione’s genre work since I saw his film Shadow in 2009. Then came the original cut of Tulpa back at Frighfest 2012. It’s safe to say I was one of the Only people who reviewed that screening and that cut positively (and then went on to review the recut just as glowingly) and saw what Zampaglione was trying to achieve.
Lisa Gray, a budding art restorer who travels to the small Italian village of Sambuci just outside Rome to bring a medieval painting back to its former glory for a wealthy and titled client. Little does she know she is placing her life in danger from an evil curse and a monster born of myth and brutal pain.
I have been a fan of Federico Zampaglione’s genre work since I saw his film Shadow in 2009. Then came the original cut of Tulpa back at Frighfest 2012. It’s safe to say I was one of the Only people who reviewed that screening and that cut positively (and then went on to review the recut just as glowingly) and saw what Zampaglione was trying to achieve.
- 3/14/2024
- by Phil Wheat
- Nerdly
Brewing underneath the surface of many horror films is an ancient force that has haunted humanity’s nightmares for centuries—witchcraft. Witches, with their enigmatic powers and complex history, have always been a rich source of fear and fascination, making them perfect subjects for the horror genre. Whether veiled in Gothic atmospheres or presented in bone-chilling modern narratives, witch horror movies capture something profoundly unsettling about the unknown.
From classic tales of demonic pacts to contemporary stories of isolation and paranoia, these films tap into the primal fear of what lies beyond the boundaries of the known. So, if you’re ready to dive into the world of dark spells and arcane rituals, here are ten must-watch witch horror movies that embody the enchanting terror of this age-old lore.
20th Century Studios 10. The Lords of Salem (2012)
Rob Zombie’s The Lords of Salem presents a mesmerizing take on witchcraft lore,...
From classic tales of demonic pacts to contemporary stories of isolation and paranoia, these films tap into the primal fear of what lies beyond the boundaries of the known. So, if you’re ready to dive into the world of dark spells and arcane rituals, here are ten must-watch witch horror movies that embody the enchanting terror of this age-old lore.
20th Century Studios 10. The Lords of Salem (2012)
Rob Zombie’s The Lords of Salem presents a mesmerizing take on witchcraft lore,...
- 1/29/2024
- by Kimberley Elizabeth
Ahead of the Jan 20 launch of Frightfest Saturday Scares With Alan Jones on Fast TV channel Nyx, Alan recounts his rise to journalistic prominence – from stealing shocker posters and partying with Abba to falling out with filmmakers and writing his upcoming autobiography.
Did you know from a young age that you wanted to be a journalist?
No, I loved horror and fantasy movies from the age of ten, or rather the idea of them because obviously I couldn’t go to the cinema and see anything of that nature. I read horror novels nonstop, stole shocker posters pasted up on the billboards at the end of my street, cut out all the wonderfully lurid adverts from newspapers and pasted them into scrapbooks. I was literally waiting for the moment I could pass for sixteen so I could get into X films and start watching all the movies I was desperate to catch up on.
Did you know from a young age that you wanted to be a journalist?
No, I loved horror and fantasy movies from the age of ten, or rather the idea of them because obviously I couldn’t go to the cinema and see anything of that nature. I read horror novels nonstop, stole shocker posters pasted up on the billboards at the end of my street, cut out all the wonderfully lurid adverts from newspapers and pasted them into scrapbooks. I was literally waiting for the moment I could pass for sixteen so I could get into X films and start watching all the movies I was desperate to catch up on.
- 1/18/2024
- by Phil Wheat
- Nerdly
Mario Bava, Lucio Fulci, or even Sergio Martino may pop into cinephile’s heads when thinking of Giallo’s greatest directors. But only one name is truly synonymous with the Italian sub-genre, and that’s Dario Argento. Don’t believe us? Maybe “Dario Argento Panico,” a new doc about the director that premieres on Shudder next month, will convince the uninitiated.
Read More: The 100 Most Anticipated Films Of 2024
Simone Scafidi‘s doc takes a retrospective look at Argento’s life and career, from his early days making classic Giallos like “The Girl Who Knew Too Much” to his aesthetically daring apex of “Suspiria,” “Inferno,” and “Tenebrae.” “Dario Argento Panico” features interview with Argento, his daughter Asia Argento, as well as filmmakers like Guillermo Del Toro, Gaspar Noé, and Nicolas Winding Refn, and screenwriter Franco Ferrini.
Continue reading ‘Dario Argento Panico’ Trailer: Doc About The Giallo Master Premieres On Shudder On February 2 at The Playlist.
Read More: The 100 Most Anticipated Films Of 2024
Simone Scafidi‘s doc takes a retrospective look at Argento’s life and career, from his early days making classic Giallos like “The Girl Who Knew Too Much” to his aesthetically daring apex of “Suspiria,” “Inferno,” and “Tenebrae.” “Dario Argento Panico” features interview with Argento, his daughter Asia Argento, as well as filmmakers like Guillermo Del Toro, Gaspar Noé, and Nicolas Winding Refn, and screenwriter Franco Ferrini.
Continue reading ‘Dario Argento Panico’ Trailer: Doc About The Giallo Master Premieres On Shudder On February 2 at The Playlist.
- 1/5/2024
- by Ned Booth
- The Playlist
It’s a brand new year, and Deep Cuts Rising is back to spotlight less talked about horror movies. The first installment of 2024 features selections reflecting the month of January.
Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.
This month’s offerings feature zombies, a killer New Year’s party and more.
Knife of Ice (1972)
Image: All but too late, Ida Galli (as Evelyn Stewart) spots the knife-wielding killer behind her in Knife of Ice.
Directed by Umberto Lenzi.
Giallo fans have designated both January and July as months for celebrating the genre. So it’s a great time to get acquainted with these stylish mysteries. Novices will naturally be drawn to the more popular and acclaimed filmmakers that gialli have to offer — Dario Argento, Mario Bava, Lucio Fulci — but others like Umberto Lenzi shouldn’t be disregarded.
Regardless of how they came to be here, or what they’re about, these past movies can generally be considered overlooked, forgotten or unknown.
This month’s offerings feature zombies, a killer New Year’s party and more.
Knife of Ice (1972)
Image: All but too late, Ida Galli (as Evelyn Stewart) spots the knife-wielding killer behind her in Knife of Ice.
Directed by Umberto Lenzi.
Giallo fans have designated both January and July as months for celebrating the genre. So it’s a great time to get acquainted with these stylish mysteries. Novices will naturally be drawn to the more popular and acclaimed filmmakers that gialli have to offer — Dario Argento, Mario Bava, Lucio Fulci — but others like Umberto Lenzi shouldn’t be disregarded.
- 1/2/2024
- by Paul Lê
- bloody-disgusting.com
Highly Acclaimed The Goldsmith is out now from Cinephobia Releasing on DVD and VOD/Streaming
In the shock filled tradition of Italian horror masters Mario Bava, Dario Argento and Lucio Fulci comes Vincenzo Ricchiuto’s The Goldsmith. A group of young thieves break into an older couple’s home, looking for valuable jewelry but the doddering goldsmith and his wife have their own plans for their “guests.”
The Goldsmith is exclusively on VOD at Amazon Prime Video (also available on AppleTV, Vudu, GooglePlay this month) and the DVD is available on most online sellers like Amazon, Movies Unlimited and Kino Lorber to name a few.
The post Twisted horror film The Goldsmith out now on DVD & VOD appeared first on Horror Asylum.
In the shock filled tradition of Italian horror masters Mario Bava, Dario Argento and Lucio Fulci comes Vincenzo Ricchiuto’s The Goldsmith. A group of young thieves break into an older couple’s home, looking for valuable jewelry but the doddering goldsmith and his wife have their own plans for their “guests.”
The Goldsmith is exclusively on VOD at Amazon Prime Video (also available on AppleTV, Vudu, GooglePlay this month) and the DVD is available on most online sellers like Amazon, Movies Unlimited and Kino Lorber to name a few.
The post Twisted horror film The Goldsmith out now on DVD & VOD appeared first on Horror Asylum.
- 12/28/2023
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
Of all the leading Italian horror filmmakers, including auteurs like Mario Bava and Lucio Fulci, Dario Argento is the most recognized and widely renowned. Per Deadline, the Giallo Maestro will be featured in Dario Argento Panico, a documentary retrospective acquired by Shudder.
The documentary will arrive on Shudder on February 2, 2024, after making its world premiere at the 2023 Venice Film Festival.
Dario Argento Panico follows “an insightful journey through the life and legacy of the legendary Italian filmmaker, revealing his profound impact on horror and his lasting influence on cinema. It was in the secluded ambience of hotel rooms that Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest script and participate in an intimate interview, all while being followed...
The documentary will arrive on Shudder on February 2, 2024, after making its world premiere at the 2023 Venice Film Festival.
Dario Argento Panico follows “an insightful journey through the life and legacy of the legendary Italian filmmaker, revealing his profound impact on horror and his lasting influence on cinema. It was in the secluded ambience of hotel rooms that Argento crafted his greatest cinematic creations, seeking solace from the outside world to delve into his nightmares. Now, he finds himself in a hotel room to return to the very setting that ignited his creative fervor to conclude his latest script and participate in an intimate interview, all while being followed...
- 12/19/2023
- by Meagan Navarro
- bloody-disgusting.com
One of my moments of dread is the threat of random violence. The moment in the original Terminator when the machine shows up at people’s homes, knocks on their door and asks if they are Sarah Connor then promptly shoots them when they answer yes is still chilling. Drawing inspiration for me from the classically brutal Martyrs (2008) and the odd cheapy eye transplant film Mansion Of The Doomed (1976) is this lovely gripping Italian horror thriller The Goldsmith (aka L’orafo) (2022)
The film opens on a chase scene in broad daylight over urban dirt fields, three children who turn out to be younger versions of the people in the film are fleeing from an older man. Arianna (Valentina Carbone), Stefano (Matthias Cavallo) and Roberto (Federico Graziani). During the chase, the girl drops a gold cross. The old man catches up to them and reaches down for the cross. The male children charge to stop him.
The film opens on a chase scene in broad daylight over urban dirt fields, three children who turn out to be younger versions of the people in the film are fleeing from an older man. Arianna (Valentina Carbone), Stefano (Matthias Cavallo) and Roberto (Federico Graziani). During the chase, the girl drops a gold cross. The old man catches up to them and reaches down for the cross. The male children charge to stop him.
- 12/5/2023
- by Terry Sherwood
- Horror Asylum
Thanksgiving came early this year for Eli Roth after his new holiday slasher film, Thanksgiving, arrived in cinemas to some of the best reviews of the filmmaker’s career. Well-regarded for groundbreaking 2000s horror films like Cabin Fever (2002) and Hostel (2005), Roth has been trying to make Thanksgiving for nearly as long. Originally conceived as a “joke” trailer to be inserted between Quentin Tarantino and Robert Rodriguez’s Grindhouse double feature in 2007, Thanksgiving has been an idea that never left Roth or his childhood friend Jeff Rendell, the latter of whom co-wrote both the Grindhouse trailer and the actual 2023 slasher that is making a bloody splash today.
When we spoke to Roth about Thanksgiving, we chatted about his and Rendell’s affection for the curious subgenre of holiday-themed slasher movies released in the 1970s and ‘80s, as well as how the director finally figured out the best way to spread the...
When we spoke to Roth about Thanksgiving, we chatted about his and Rendell’s affection for the curious subgenre of holiday-themed slasher movies released in the 1970s and ‘80s, as well as how the director finally figured out the best way to spread the...
- 11/21/2023
- by David Crow
- Den of Geek
“Diabolik – Who Are You,” which has its market premiere this week at AFM, following its world premiere at the Rome Film Festival, is the third in a series of adaptations of an Italian comic-book franchise. The books, written by sisters Angela and Luciana Giussani, have sold more than 150 million copies.
Kino Lorber has picked up U.S. rights for all three instalments of the stylish crime-comic movies, written and directed by brothers Marco and Antonio Manetti. Beta Cinema is handling world sales for the films. International buyers for the third film so far include Metropolitan Film in France, Spain’s Flins & Piniculas, Plaion Pictures in German-speaking territories, and Discovery Film in the former Yugoslavia. 01 Distribution is releasing the pic in Italy on Nov. 30.
The franchise centers on Diabolik, an ingenious gentleman thief, living in the fictional city of Clerville in the 1960s and 1970s. Luca Marinelli played the master criminal in the first film,...
Kino Lorber has picked up U.S. rights for all three instalments of the stylish crime-comic movies, written and directed by brothers Marco and Antonio Manetti. Beta Cinema is handling world sales for the films. International buyers for the third film so far include Metropolitan Film in France, Spain’s Flins & Piniculas, Plaion Pictures in German-speaking territories, and Discovery Film in the former Yugoslavia. 01 Distribution is releasing the pic in Italy on Nov. 30.
The franchise centers on Diabolik, an ingenious gentleman thief, living in the fictional city of Clerville in the 1960s and 1970s. Luca Marinelli played the master criminal in the first film,...
- 11/1/2023
- by Leo Barraclough
- Variety Film + TV
The episode of The Test of Time covering Pumpkinhead was Written by Andrew Hatfield, Narrated by Niki Minter, Edited by Mike Conway, Produced by John Fallon and Tyler Nichols, and Executive Produced by Berge Garabedian.
The horror landscape is filled to the brim with icons and mascots that were successful and failures. The big ones like Freddy, Jason, and Michale speak for themselves, hence only needing their first names mentioned here. You could even go another round with Pinhead, the Leprechaun or Leatherface for that matter. Looking down the aisle at the literal murderer’s row of horror movie villains, you can’t shake a stick without hitting some one-off baddies that were clearly meant for multi-movie stardom but due to box office or critical hate were relegated to one movie. Killers like Horace Pinker from Shocker, Dr. Decker from Nightbreed, and Cropsey from The Burning. What about those stuck...
The horror landscape is filled to the brim with icons and mascots that were successful and failures. The big ones like Freddy, Jason, and Michale speak for themselves, hence only needing their first names mentioned here. You could even go another round with Pinhead, the Leprechaun or Leatherface for that matter. Looking down the aisle at the literal murderer’s row of horror movie villains, you can’t shake a stick without hitting some one-off baddies that were clearly meant for multi-movie stardom but due to box office or critical hate were relegated to one movie. Killers like Horace Pinker from Shocker, Dr. Decker from Nightbreed, and Cropsey from The Burning. What about those stuck...
- 10/25/2023
- by Cody Hamman
- JoBlo.com
When cinephiles of a certain sensibility talk about the best decades for horror, they’ll probably point to the 1980s with its explosion of cutting-edge special effects and home video-induced demand for material. Or they might point to the era of Universal Pictures’ domination in the 1930s, followed up then by the moody Val Lewton thrillers of the 1940s. Maybe even a very unpopular kid will try to make an argument for the 2010s, at least until everyone pulls the A24 hat over his eyes and kicks him out.
But moviegoers would be foolish to overlook the 1960s. The decade saw not only two amazing horror flicks from Alfred Hitchcock but also caught the genre in an interesting time of transition. Filmmakers built on the Gothic approach of previous decades by adding a psychological dimension, finding new chills in an established model. Furthermore, the decade saw the first steps toward the ho,...
But moviegoers would be foolish to overlook the 1960s. The decade saw not only two amazing horror flicks from Alfred Hitchcock but also caught the genre in an interesting time of transition. Filmmakers built on the Gothic approach of previous decades by adding a psychological dimension, finding new chills in an established model. Furthermore, the decade saw the first steps toward the ho,...
- 10/21/2023
- by David Crow
- Den of Geek
Some horror films have the look of what is thought to be yesteryear. Many employ this for the story, the actors to be a certain style of the time for nostalgia. One of the moments you notice when viewing these is the Directorial choices that often are too modern for the time. The lighting is not for black and white photography that was often done by Europeans fleeing trouble in their countries. Casting your mind back to the days of Dead Of Night (1945), and The Ghost Train (1941) and sprinkling in the crime work of Director Basil Dearden you have the wonderful experience of Sean Hogan’s folk horror short film To Fire You Come at Last (2023)
Evocatively photographed in early Mario Bava ‘Black Sunday’ style in black and white you find a group of men who have been coerced into walking a coffin to the local graveyard for burial. However,...
Evocatively photographed in early Mario Bava ‘Black Sunday’ style in black and white you find a group of men who have been coerced into walking a coffin to the local graveyard for burial. However,...
- 10/17/2023
- by Terry Sherwood
- Horror Asylum
Though there had been earlier efforts, like Ealing Studios’s Dead of Night from 1945, the horror anthology film came into its own in the 1960s with titles like Kobayashi Masaki’s Kwaidan and the Poe-centric Spirits of the Dead from directors Roger Vadim, Louis Malle, and Federico Fellini. Hammer Films’s rival Amicus churned out no fewer than seven of them in a 10-year period starting with Dr. Terror’s House of Horrors. But the one that really got the omnibus rolling was Mario Bava’s Black Sabbath from 1963, an Italian-American co-production that resulted in two different versions of the film.
After the success of 1960’s Black Sunday, American International Pictures took a more active hand in producing several of Bava’s later films, altering them in the process to suit American audiences that tended to skew younger. The Aip cut of Black Sabbath rearranges its three segments, tones down some...
After the success of 1960’s Black Sunday, American International Pictures took a more active hand in producing several of Bava’s later films, altering them in the process to suit American audiences that tended to skew younger. The Aip cut of Black Sabbath rearranges its three segments, tones down some...
- 10/16/2023
- by Budd Wilkins
- Slant Magazine
Bloody Disgusting has learned the sad news tonight that prolific horror filmmaker Jeff Burr, who notably directed Leatherface: The Texas Chainsaw Massacre III, has passed away.
Jeff Burr was just 60 years old.
Prior to making his mark on the Chainsaw franchise with the fan favorite third installment, Jeff Burr directed 1987’s Vincent Price-starring From a Whisper to a Scream and 1989’s Stepfather II: Make Room for Daddy. He later directed 1993 sequel Pumpkinhead II: Blood Wings.
Jeff Burr’s directorial credits also include 1990s horror movies Puppet Master 4, Puppet Master 5, and Night of the Scarecrow, as well as The Werewolf Reborn!, Phantom Town, The Boy With the X-Ray Eyes, Straight into Darkness, Devil’s Den, Resurrection, Gun of the Black Sun, Tornado Warning, and in more recent years, Puppet Master: Blitzkrieg Massacre.
Friend/writer Shane Bitterling writes on Twitter tonight, “Just got an awful phone call. One I’ve had far too many of recently.
Jeff Burr was just 60 years old.
Prior to making his mark on the Chainsaw franchise with the fan favorite third installment, Jeff Burr directed 1987’s Vincent Price-starring From a Whisper to a Scream and 1989’s Stepfather II: Make Room for Daddy. He later directed 1993 sequel Pumpkinhead II: Blood Wings.
Jeff Burr’s directorial credits also include 1990s horror movies Puppet Master 4, Puppet Master 5, and Night of the Scarecrow, as well as The Werewolf Reborn!, Phantom Town, The Boy With the X-Ray Eyes, Straight into Darkness, Devil’s Den, Resurrection, Gun of the Black Sun, Tornado Warning, and in more recent years, Puppet Master: Blitzkrieg Massacre.
Friend/writer Shane Bitterling writes on Twitter tonight, “Just got an awful phone call. One I’ve had far too many of recently.
- 10/11/2023
- by John Squires
- bloody-disgusting.com
There are a lot of niche horror genres, from Lovecraft riffs and zombie movies to body horror. But maybe no horror genre is more niche and simultaneously more historically important than the giallo films that took Italy by storm in the 1970s.
Not exactly a defined film movement, giallo originated in the world of literature. In Italy, a giallo novel is any crime or mystery fiction story, with the name (the word means “yellow” in Italian) coming from the 1929 series of pulp novels “Il Giallo Mondadori.” Before the 1960s, a giallo film was a literal adaptation of a giallo novel, but the term soon shifted to apply to a type of film from auteurs like Mario Bava, Dario Argento, and Lucio Fulci that took the crime and mystery stories and applied a new, stylish, and violent bent to them.
There are no set rules for what makes a movie a giallo,...
Not exactly a defined film movement, giallo originated in the world of literature. In Italy, a giallo novel is any crime or mystery fiction story, with the name (the word means “yellow” in Italian) coming from the 1929 series of pulp novels “Il Giallo Mondadori.” Before the 1960s, a giallo film was a literal adaptation of a giallo novel, but the term soon shifted to apply to a type of film from auteurs like Mario Bava, Dario Argento, and Lucio Fulci that took the crime and mystery stories and applied a new, stylish, and violent bent to them.
There are no set rules for what makes a movie a giallo,...
- 10/10/2023
- by Wilson Chapman
- Indiewire
Arrow Video have released Mario Bava’s Blood And Black Lace on Limited Edition Uhd, Limited Edition Blu-ray and Limited Edition Uhd with Arte Originale.
We have more details of these releases below.
Blood And Black Lace – Limited Edition Uhd
The Christian Haute Couture fashion house is a home to models… and backstabbing… and blackmail… and drug deals… and Murder.
Having established a template for the giallo with The Girl Who Knew Too Much, Mario Bava set about cementing its rules with Blood and Black Lace. In doing so, he created one of the most influential films ever made – an Italian classic that would spearhead the giallo genre, provide a prototype for the slasher movie, and have a huge effect on filmmakers as diverse as Dario Argento and Martin Scorsese.
Newly restored from the original camera negative and presented here in its original uncut form, this all-new 4K Ultra HD...
We have more details of these releases below.
Blood And Black Lace – Limited Edition Uhd
The Christian Haute Couture fashion house is a home to models… and backstabbing… and blackmail… and drug deals… and Murder.
Having established a template for the giallo with The Girl Who Knew Too Much, Mario Bava set about cementing its rules with Blood and Black Lace. In doing so, he created one of the most influential films ever made – an Italian classic that would spearhead the giallo genre, provide a prototype for the slasher movie, and have a huge effect on filmmakers as diverse as Dario Argento and Martin Scorsese.
Newly restored from the original camera negative and presented here in its original uncut form, this all-new 4K Ultra HD...
- 10/4/2023
- by Peter 'Witchfinder' Hopkins
- Horror Asylum
Guillermo del Toro doesn’t hold back about his love for his favorite movies. If you’ve spent any time on his Twitter feed over the years, you’ve likely seen him praise Stanley Donen’s use of the color red throughout the late director’s body of work, and hail everything from William Wellman’s 1931 film “Other Men’s Women” to David Cronenberg’s “Crimes of the Future” from 2022. The man has wide-ranging taste, and a deep awareness of cinematic history that’s informed his own films.
Now he follows Turner Classic Movies advisors Steven Spielberg, Martin Scorsese, and Paul Thomas Anderson in giving his own picks from TCM’s lineup, all titles that will be airing in October. Watch the video, exclusive to IndieWire, above.
First up, he picks one of the most sorely underrated titles from Alfred Hitchcock’s filmography, 1941’s “Suspicion,” airing on TCM at 2:00am...
Now he follows Turner Classic Movies advisors Steven Spielberg, Martin Scorsese, and Paul Thomas Anderson in giving his own picks from TCM’s lineup, all titles that will be airing in October. Watch the video, exclusive to IndieWire, above.
First up, he picks one of the most sorely underrated titles from Alfred Hitchcock’s filmography, 1941’s “Suspicion,” airing on TCM at 2:00am...
- 9/29/2023
- by Christian Blauvelt
- Indiewire
After 2018’s “Aquaman” grossed nearly $1.2 billion dollars, becoming the highest-earning entry in the DC Extended Universe, there was little surprise at the announcement of a sequel. It was a given, an expectation. What makes the prospect of “Aquaman and the Lost Kingdom” is the fact that it may very well see James Wan draw on his roots as a horror director.
Read More: Fall Film Preview: 60+ Most Anticipated Movies To Watch
In an interview with Total Film, Wan, the master behind the “Saw” and “Conjuring” franchises, revealed that he was looking to “Planet of the Vampires,” a 1965 space horror directed by Mario Bava for inspiration.
Continue reading ‘Aquaman: The Lost Kingdom’ Trailer: James Wan Adds A Pinch Of Horror To His December-Bound Superhero Film at The Playlist.
Read More: Fall Film Preview: 60+ Most Anticipated Movies To Watch
In an interview with Total Film, Wan, the master behind the “Saw” and “Conjuring” franchises, revealed that he was looking to “Planet of the Vampires,” a 1965 space horror directed by Mario Bava for inspiration.
Continue reading ‘Aquaman: The Lost Kingdom’ Trailer: James Wan Adds A Pinch Of Horror To His December-Bound Superhero Film at The Playlist.
- 9/14/2023
- by Megan Fisher
- The Playlist
On the road to Halloween, Screambox is unleashing another massive wave of spooky streaming here in September 2023, including 4 shot-on-video obscurities unearthed by our friends over at VHShitfest and Vinegar Syndrome! Now streaming, the lineup includes…
Satan’s Menagerie (1995): Demons from hell are on the loose murdering people for fun. The Cornshukker (1996): The townsfolk bother The Cornshukker because they don’t understand him. Justice Ninja Style (1985): A man blamed for rape and murder has a ninja help him prove his innocence. Blood Hunter (1995): A vampire in Kentucky tries to stop the crime rate.
All four of these VHS-made diamonds-in-the-rough are now streaming on Screambox alongside other new arrivals including the must-see RoboCop docuseries RoboDoc; Mario Bava’s giallo classic Blood and Black Lace; a double-dose of Lucio Fulci madness with The Psychic and Don’t Torture a Duckling; Open Windows, a found footage film starring Elijah Wood; ’70s...
Satan’s Menagerie (1995): Demons from hell are on the loose murdering people for fun. The Cornshukker (1996): The townsfolk bother The Cornshukker because they don’t understand him. Justice Ninja Style (1985): A man blamed for rape and murder has a ninja help him prove his innocence. Blood Hunter (1995): A vampire in Kentucky tries to stop the crime rate.
All four of these VHS-made diamonds-in-the-rough are now streaming on Screambox alongside other new arrivals including the must-see RoboCop docuseries RoboDoc; Mario Bava’s giallo classic Blood and Black Lace; a double-dose of Lucio Fulci madness with The Psychic and Don’t Torture a Duckling; Open Windows, a found footage film starring Elijah Wood; ’70s...
- 9/13/2023
- by Brad Miska
- bloody-disgusting.com
Now on its ninth feature entry in just a decade, the “Conjuring” franchise has proved something of a powerhouse in the continued growth of horror as one of the most reliably popular (not to mention cost-effective) mainstream film genres. Their mythologies may be garbled and silly, the scares mostly “jump” ones, yet these movies provide a kind of creepy comfort food — familiarly formulaic jolts unlikely to trouble any non-child viewer’s sleep later on — whose satisfactions are amplified by the good actors and superior atmospherics deployed.
Defying the law of diminishing returns, 2018’s spinoff “The Nun” was (and so far remains) the franchise’s biggest hit to date. Ergo enter “The Nun II,” a direct sequel. In some respects an improvement on its predecessor, in others not, this is finally one more good-enough if unmemorable entry sure to extend the series’ life in lucrative fashion.
Storywise, the prior “Nun” entry...
Defying the law of diminishing returns, 2018’s spinoff “The Nun” was (and so far remains) the franchise’s biggest hit to date. Ergo enter “The Nun II,” a direct sequel. In some respects an improvement on its predecessor, in others not, this is finally one more good-enough if unmemorable entry sure to extend the series’ life in lucrative fashion.
Storywise, the prior “Nun” entry...
- 9/7/2023
- by Dennis Harvey
- Variety Film + TV
Based on a 19th century Gothic novella by Aleksey Tolstoy, The Vourdalak is the debut feature film from French writer-director Adrien Beau. It tells of the Marquis d'Urfé (Kacey Mottet Klein), an emissary of the King of France who seeks shelter with a family when he becomes lost travelling through Eastern Europe. The family are anxiously awaiting the return of their patriarch, Gorcha, who has gone to capture an outlaw. Before leaving, he forewarned his family that if he does not return within six days, he has been killed and, if he reappears, they must refuse him entry to the house as he has become a vourdalak; a walking corpse returned from the grave seeking the blood of its loved ones...
Prior to the rise of the literary vampire, beginning with Bram Stoker's Dracula, Sheridan Le Fanu's Carmilla, and John Polidori's The Vampyre, Eastern...
Prior to the rise of the literary vampire, beginning with Bram Stoker's Dracula, Sheridan Le Fanu's Carmilla, and John Polidori's The Vampyre, Eastern...
- 9/2/2023
- by James Gracey
- eyeforfilm.co.uk
On the road to Halloween, Screambox is unleashing another massive wave of spooky streaming here in September 2023, and we’ve got the full lineup for you today.
First up, a horde of cretaceous creatures attack a coastal town on prom night in Crabs! The indie horror-comedy is streaming exclusively on Screambox right now.
Ahead of Netflix’s new series “Gamera: Rebirth” on September 7, the Gamera Collection stomps onto Screambox on September 4. All 12 films in the giant monster movie franchise are included, from the classic Gamera: The Giant Monster to the influential ’90s reboot, Gamera: Guardian of the Universe, and the latest installment, Gamera the Brave.
Screambox delves into The History of Metal and Horror on September 15. Explore how the two genres have intersected with horror icons like John Carpenter, Sid Haig, Bill Moseley, Kane Hodder, Doug Bradley, and Tom Savini alongside such metal luminaries as Rob Zombie, Kirk Hammett, Dave Mustaine,...
First up, a horde of cretaceous creatures attack a coastal town on prom night in Crabs! The indie horror-comedy is streaming exclusively on Screambox right now.
Ahead of Netflix’s new series “Gamera: Rebirth” on September 7, the Gamera Collection stomps onto Screambox on September 4. All 12 films in the giant monster movie franchise are included, from the classic Gamera: The Giant Monster to the influential ’90s reboot, Gamera: Guardian of the Universe, and the latest installment, Gamera the Brave.
Screambox delves into The History of Metal and Horror on September 15. Explore how the two genres have intersected with horror icons like John Carpenter, Sid Haig, Bill Moseley, Kane Hodder, Doug Bradley, and Tom Savini alongside such metal luminaries as Rob Zombie, Kirk Hammett, Dave Mustaine,...
- 9/2/2023
- by John Squires
- bloody-disgusting.com
While it’s certainly nice to get a change of scenery from the Boston travelogue of the first two films in the Equalizer series, Italy, at least on paper, might seem like an odd, random choice of locale for Antoine Fuqua to wrap up the trilogy. But not long after The Equalizer 3 opens on an Italian man and his son cruising toward a Sicilian vineyard, it all starts to make sense: The fertile soil and pathways to the main villa are strewn with mutilated bodies, all the way down into a basement where the shadowy figure of Robert McCall (Denzel Washington) looks upon the aforementioned man with a casually predatory indifference.
Those opening minutes justify the trek to Italy more than any of the delicious-looking cappuccinos that McCall downs later in the film. Despite always being on the side of swift justice for the little guys of the world,...
Those opening minutes justify the trek to Italy more than any of the delicious-looking cappuccinos that McCall downs later in the film. Despite always being on the side of swift justice for the little guys of the world,...
- 9/1/2023
- by Justin Clark
- Slant Magazine
Plot: When filmmaker Mason Maestro throws a private party after production wraps on his new slasher flick, someone dressed like the killer in the movie starts knocking off the partiers one-by-one.
Review: After working together on the stalker film Blind (read my review at This Link) and its sequel Pretty Boy (which we’re still anxiously waiting to see), director Marcel Walz, screenwriter Joe Knetter, and star Sarah French have teamed up once again to launch a production company called Neon Noir. Their first production is That’s a Wrap, a giallo slasher that takes both clear inspiration from the works of Italian filmmakers like Mario Bava and Dario Argento – especially due to the fact that Walz and cinematographer Marcus Friedlander have soaked nearly every shot in colorful lighting – and from the Scream franchise, in that it’s a meta film where the characters work in the horror business.
As Terry Alexander...
Review: After working together on the stalker film Blind (read my review at This Link) and its sequel Pretty Boy (which we’re still anxiously waiting to see), director Marcel Walz, screenwriter Joe Knetter, and star Sarah French have teamed up once again to launch a production company called Neon Noir. Their first production is That’s a Wrap, a giallo slasher that takes both clear inspiration from the works of Italian filmmakers like Mario Bava and Dario Argento – especially due to the fact that Walz and cinematographer Marcus Friedlander have soaked nearly every shot in colorful lighting – and from the Scream franchise, in that it’s a meta film where the characters work in the horror business.
As Terry Alexander...
- 8/25/2023
- by Cody Hamman
- JoBlo.com
Are you ready to dive into the lurid world of essential Giallo horror movies, filled with garish murders, striking visuals, and twisting plots?
Born in the ’60s and thriving throughout the ’70s, Giallo takes its name from the Italian word for “yellow,” a nod to the cheap, pulpy mystery novels with yellow covers that inspired the genre. Characterized by elaborate set pieces, vivid colors, and convoluted plot twists, Giallo films are as intellectual as they are visceral. Renowned directors like Dario Argento and Mario Bava helped define the genre with their visual flair and innovative storytelling.
So grab your black leather gloves and let’s uncover 13 essential Giallo horror movies that will carve their way into your psyche.
Cineriz 1. Deep Red (1975)
In 1975, Dario Argento’s Deep Red captivated audiences with its masterful blend of suspense and horror. This enigmatic Giallo film tells the gripping story of Marcus Daly, a music...
Born in the ’60s and thriving throughout the ’70s, Giallo takes its name from the Italian word for “yellow,” a nod to the cheap, pulpy mystery novels with yellow covers that inspired the genre. Characterized by elaborate set pieces, vivid colors, and convoluted plot twists, Giallo films are as intellectual as they are visceral. Renowned directors like Dario Argento and Mario Bava helped define the genre with their visual flair and innovative storytelling.
So grab your black leather gloves and let’s uncover 13 essential Giallo horror movies that will carve their way into your psyche.
Cineriz 1. Deep Red (1975)
In 1975, Dario Argento’s Deep Red captivated audiences with its masterful blend of suspense and horror. This enigmatic Giallo film tells the gripping story of Marcus Daly, a music...
- 8/17/2023
- by Jonathan Dehaan
Like laughter, fear is a universal language. That’s especially true in horror and the slasher subgenre as well. Case in point? Today brings Lithuania’s first slasher movie, We Might Hurt Each Other, to Bloody Disgusting’s Screambox, now streaming exclusively!
Lithuania’s first slasher pays tribute to the golden age of the subgenre while infusing an influence from Eastern European folklore. In Screambox Original We Might Hurt Each Other, “After classmates destroy life-size wooden folk art statues during a wild high school graduation party at a remote cottage, a mysterious killer starts picking them off one by one.”
This week’s streaming picks adhere to an international slasher theme, delivering brutal kills from around the globe. As always, here’s where you can stream them this week…
For more Stay Home, Watch Horror picks, click here.
A Bay of Blood – freevee, Kanopy, Plex, Shout TV
Also known as Twitch of the Death Nerve,...
Lithuania’s first slasher pays tribute to the golden age of the subgenre while infusing an influence from Eastern European folklore. In Screambox Original We Might Hurt Each Other, “After classmates destroy life-size wooden folk art statues during a wild high school graduation party at a remote cottage, a mysterious killer starts picking them off one by one.”
This week’s streaming picks adhere to an international slasher theme, delivering brutal kills from around the globe. As always, here’s where you can stream them this week…
For more Stay Home, Watch Horror picks, click here.
A Bay of Blood – freevee, Kanopy, Plex, Shout TV
Also known as Twitch of the Death Nerve,...
- 7/11/2023
- by Meagan Navarro
- bloody-disgusting.com
Our friends over at Severin Films just kicked off their epic Summer Sale with prices slashed by 50% on most catalogue releases, along with a handful of brand new offerings.
One of the standout new arrivals this week is the controversial 1981 horror movie Nightmare – also known as Nightmares in a Damaged Brain – now available on 4K Ultra HD from Severin. The 1980s horror film has been scanned from the internegative and various foreign print sources to create the most complete version Ever assembled.
The film’s 4K Uhd debut comes complete with a brand new roster of extras, including the first time Tom Savini has gone on camera about his controversial involvement!
Severin is also publishing a 193 page novelization of the film, written by Rue Morgue’s Michael Gingold, based on the original screenplay by Romano Scavolini.
Nightmare was famously named one of the “Video Nasties” back in the 1980s, a...
One of the standout new arrivals this week is the controversial 1981 horror movie Nightmare – also known as Nightmares in a Damaged Brain – now available on 4K Ultra HD from Severin. The 1980s horror film has been scanned from the internegative and various foreign print sources to create the most complete version Ever assembled.
The film’s 4K Uhd debut comes complete with a brand new roster of extras, including the first time Tom Savini has gone on camera about his controversial involvement!
Severin is also publishing a 193 page novelization of the film, written by Rue Morgue’s Michael Gingold, based on the original screenplay by Romano Scavolini.
Nightmare was famously named one of the “Video Nasties” back in the 1980s, a...
- 6/30/2023
- by John Squires
- bloody-disgusting.com
Who needs summer blockbusters when there are so many gripping new and recent books related to the world of cinema? This column includes books highlighting creative heavyweights with new projects on the way, like Paul Thomas Anderson and Roman Polanski, and titans who have left us, like Abbas Kiarostami and Elizabeth Taylor. Other releases swim in the bloody waters of giallo, examine African American westerns, and offer reflections on horror cinema from queer and trans writers.
One thing is certain––unlike Guardians of the Galaxy Volume 3, Fast X, and The Flash––everything here is worth your time and money.
The Cinema of Paul Thomas Anderson: American Apocrypha by Ethan Warren (Wallflower Press)
While there have been fine books exploring the work of Paul Thomas Anderson (such as Adam Nayman’s Paul Thomas Anderson: Masterworks) Ethan Warren’s American Apocrypha stands as an important accounting of PTA’s energy and influence.
One thing is certain––unlike Guardians of the Galaxy Volume 3, Fast X, and The Flash––everything here is worth your time and money.
The Cinema of Paul Thomas Anderson: American Apocrypha by Ethan Warren (Wallflower Press)
While there have been fine books exploring the work of Paul Thomas Anderson (such as Adam Nayman’s Paul Thomas Anderson: Masterworks) Ethan Warren’s American Apocrypha stands as an important accounting of PTA’s energy and influence.
- 6/26/2023
- by Christopher Schobert
- The Film Stage
The gothic mode in Italian horror was effectively launched, and reached its early apotheosis, with the release of Mario Bava’s Black Sunday in 1960. An ensuing tidal wave of likeminded films flooded the market throughout the ’60s, before starting to dry up in the early ’70s, as the more modernist-inclined (and frequently more graphic) giallo came into prominence. Now Severin Films has gathered together four vintage examples of the Italian gothic trend in their new box set Danza Macabra Volume One. When it comes to sex and violence, those two requisite mainstays of the genre, the films run the gamut from almost timidly titillating to unabashedly lurid.
Renato Polselli’s The Monster of the Opera, from 1964, opens with arguably its strongest set piece, which is revealed to have been a dream sequence. This allows Polselli to openly embrace a surrealist aesthetic through oneiric slow motion, tilted cameras, disorienting high- and low-angle shots,...
Renato Polselli’s The Monster of the Opera, from 1964, opens with arguably its strongest set piece, which is revealed to have been a dream sequence. This allows Polselli to openly embrace a surrealist aesthetic through oneiric slow motion, tilted cameras, disorienting high- and low-angle shots,...
- 5/16/2023
- by Budd Wilkins
- Slant Magazine
This Friday brings the release of Malum, a demonic new reimagining of 2014’s Last Shift. It seems to kick off a month-long trend dedicated to demonic horror, with April releasing The Pope’s Exorcist and Evil Dead Rise. So, we’re getting into the Halfway-to-Halloween celebrations earlier with streaming picks dedicated to the horror that unleashes demonic mayhem. Some bring the laughs, while others get under your skin and refuse to leave.
Here’s where to watch these five titles this week.
For more Stay Home, Watch Horror picks, click here.
The Convent – AMC+, freevee, Pluto TV, Roku, Shudder, Tubi
The Convent is what happens when you blend director Mike Mendez’s sense of humor, a colorful Uv light aesthetic, and influences from films like Evil Dead II, Demons, and Night of the Demons. And it features Adrienne Barbeau refusing to put up with any demonic bullshit. In the film,...
Here’s where to watch these five titles this week.
For more Stay Home, Watch Horror picks, click here.
The Convent – AMC+, freevee, Pluto TV, Roku, Shudder, Tubi
The Convent is what happens when you blend director Mike Mendez’s sense of humor, a colorful Uv light aesthetic, and influences from films like Evil Dead II, Demons, and Night of the Demons. And it features Adrienne Barbeau refusing to put up with any demonic bullshit. In the film,...
- 3/27/2023
- by Meagan Navarro
- bloody-disgusting.com
Shazam! Fury Of The Gods has flown its way into theaters. The new DC film catches up with the adopted family as they now live life as teenagers who act as superheroes in their spare time. Last we saw them, they all had superpowers when they said the magic word Shazam! A new threat has shown up to try and disrupt their happy home. The film is absolutely jam-packed with Shazam easter eggs and references to other superhero properties and even some horror films. What did you miss?
WArning!!!! There will be spoilers for Shazam! and Shazam! Fury Of The Gods!!!!!!!!!!!!!!
Annabelle
The creepy doll from The Conjuring universe has once again made an appearance in a DC movie. This marks her third appearance as she appeared in the first Shazam! and Aquaman. When we find out that Shazam is using his pediatrician as a therapist,...
WArning!!!! There will be spoilers for Shazam! and Shazam! Fury Of The Gods!!!!!!!!!!!!!!
Annabelle
The creepy doll from The Conjuring universe has once again made an appearance in a DC movie. This marks her third appearance as she appeared in the first Shazam! and Aquaman. When we find out that Shazam is using his pediatrician as a therapist,...
- 3/20/2023
- by Bryan Wolford
- JoBlo.com
The Bloody Disgusting-powered Screambox has revealed the lineup of new films that are joining the horror streaming service in March 2023, including brand new The Outwaters companion shorts Card Zero & File Vl-624, original festival favorites Holy Shit! and Family Dinner, and the 1990s sequel Leatherface: The Texas Chainsaw Massacre III!
Joining Screambox on Wednesday, March 1, are Leatherface: The Texas Chainsaw Massacre III, the 1990 sequel starring Viggo Mortensen (The Lord of the Rings) and Ken Foree (Dawn of the Dead), and FeardotCom, the 2002 effort from director William Malone (House on Haunted Hill) that stars Stephen Dorff (Blade).
Created by Pandorum director Christian Alvart, the second season of “The Island” hits Screambox on March 7. Experience the world after its collapse with all six new episodes of the post-apocalyptic coming-of-age thriller series. The first season is streaming now.
‘Holy Shit!’
Following a rambunctious festival run, Screambox Original Holy Shit! drops on March 21. Living up to its title,...
Joining Screambox on Wednesday, March 1, are Leatherface: The Texas Chainsaw Massacre III, the 1990 sequel starring Viggo Mortensen (The Lord of the Rings) and Ken Foree (Dawn of the Dead), and FeardotCom, the 2002 effort from director William Malone (House on Haunted Hill) that stars Stephen Dorff (Blade).
Created by Pandorum director Christian Alvart, the second season of “The Island” hits Screambox on March 7. Experience the world after its collapse with all six new episodes of the post-apocalyptic coming-of-age thriller series. The first season is streaming now.
‘Holy Shit!’
Following a rambunctious festival run, Screambox Original Holy Shit! drops on March 21. Living up to its title,...
- 2/28/2023
- by Brad Miska
- bloody-disgusting.com
Hatchet for the Honeymoon doesn’t behave like other gialli. This Italian-Spanish movie does something unconventional at the beginning; the identity of the killer is revealed to the audience. It goes against tradition to spoil the mystery so early, but after feeling restrained while working under producer Dino De Laurentiis only a year earlier, director Mario Bava sought a fresh start in 1968. This almost forgotten movie was that creative reset, though it wouldn’t be until years later that everyone better appreciated this late entry in Bava’s unique oeuvre.
After taking a meat cleaver to a young bride and groom on a moving train, Stephen Forsyth’s character introduces himself. Not only is he a “madman, a dangerous murderer,” 30-year-old John Harrington is the movie’s protagonist. “I am a paranoiac,” he narrates during his morning rituals. From there John confesses to killing five brides and hiding their bodies,...
After taking a meat cleaver to a young bride and groom on a moving train, Stephen Forsyth’s character introduces himself. Not only is he a “madman, a dangerous murderer,” 30-year-old John Harrington is the movie’s protagonist. “I am a paranoiac,” he narrates during his morning rituals. From there John confesses to killing five brides and hiding their bodies,...
- 1/20/2023
- by Paul Lê
- bloody-disgusting.com
Germany has given the world some of its finest filmmakers, Lotte Reiniger, Ernst Lubitsch, Douglas Sirk, Wim Wenders, and Rainer Werner Fassbinder, to name but a few, as well as groundbreaking movements like German Expressionism and New German Cinema. The country has also produced some of the best horror movies in history, from terrifying silent classics about the supernatural to gripping crime thrillers and nerve-shredding cyberpunk tales.
While it's impossible to cover the depth and breadth of German horror movies in a short list, we can touch on some of the greats. Listed below are the 12 best German horror movies. All of these films prove that horror has always been political, mining the fears and anxieties of the times in which they were created to make a point about the world around us and that the genre has always been — and always will be — a vital part of movie history.
While it's impossible to cover the depth and breadth of German horror movies in a short list, we can touch on some of the greats. Listed below are the 12 best German horror movies. All of these films prove that horror has always been political, mining the fears and anxieties of the times in which they were created to make a point about the world around us and that the genre has always been — and always will be — a vital part of movie history.
- 1/15/2023
- by Jessica Scott
- Slash Film
Happy New Year! 2023 hits the ground running with rare horror gems, brand-new releases, and catchup titles from last year. If this is a sign of what’s to come, we might be in for another stellar year of horror. As always, we’ll be on the front lines each and every day.
Here are ten noteworthy horror titles available for streaming in January 2023 on some of the most popular streaming services, along with when/where you can watch them.
The Menu – HBO Max
Ralph Fiennes and Anya Taylor-Joy in the film The Menu. Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved
An ensemble of affluent patrons gathers at the exclusive Hawthorne Island for a dining experience run by prestigious Chef Slowik (Ralph Fiennes). The guests soon realize what devious, deadly dishes the Chef intends to serve. The Menu may have gathered a fine cast for this delectable culinary nightmare,...
Here are ten noteworthy horror titles available for streaming in January 2023 on some of the most popular streaming services, along with when/where you can watch them.
The Menu – HBO Max
Ralph Fiennes and Anya Taylor-Joy in the film The Menu. Photo by Eric Zachanowich. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved
An ensemble of affluent patrons gathers at the exclusive Hawthorne Island for a dining experience run by prestigious Chef Slowik (Ralph Fiennes). The guests soon realize what devious, deadly dishes the Chef intends to serve. The Menu may have gathered a fine cast for this delectable culinary nightmare,...
- 1/3/2023
- by Meagan Navarro
- bloody-disgusting.com
(Welcome to The Daily Stream, an ongoing series in which the /Film team shares what they've been watching, why it's worth checking out, and where you can stream it.)
The Movie: "A Wounded Fawn"
Where You Can Stream It: Shudder
The Pitch: Rod Serling's opening narration for "The Twilight Zone" teased "a dimension not only of sight and sound, but of mind." It's in this realm that filmmaker Travis Stevens is most comfortable, and the one he presents in "A Wounded Fawn." Stevens' third directed feature is his gnarliest thus far, and bodes well for the kind of original horror movie that fans have clamored for since the first jump scare.
The whole bloody affair of "A Wounded Fawn" concerns jaded museum curator Meredith Tanning (Sarah Lind) who lives out this writer's personal nightmare of jumping back into the dating pool only to find herself in a serial killer's living room.
The Movie: "A Wounded Fawn"
Where You Can Stream It: Shudder
The Pitch: Rod Serling's opening narration for "The Twilight Zone" teased "a dimension not only of sight and sound, but of mind." It's in this realm that filmmaker Travis Stevens is most comfortable, and the one he presents in "A Wounded Fawn." Stevens' third directed feature is his gnarliest thus far, and bodes well for the kind of original horror movie that fans have clamored for since the first jump scare.
The whole bloody affair of "A Wounded Fawn" concerns jaded museum curator Meredith Tanning (Sarah Lind) who lives out this writer's personal nightmare of jumping back into the dating pool only to find herself in a serial killer's living room.
- 12/15/2022
- by Anya Stanley
- Slash Film
A career high– and low– point for director Mario Bava, who was finally allowed to create a film entirely to his own taste with no interference from above, only to see it discarded when his original version proved too offbeat to attract a distributor. He never lived to see his cut rescued from the ash heap, believing it would be forever replaced by House of Exorcism, heavily revamped and recut with an added framing story ripped off from the much-imitated Friedkin film. But thanks to home video Bava’s original is now in circulation, though usually offered in tandem with its crass counterpart.
The post Lisa and the Devil appeared first on Trailers From Hell.
The post Lisa and the Devil appeared first on Trailers From Hell.
- 12/14/2022
- by TFH Team
- Trailers from Hell
Demons comes with quite a pedigree—directed by Mario Bava’s son Lamberto and produced by Dario Argento, the 1985 release is the ne plus ultra of heavy metal horror films with contributions from Motley Crue and Billy Idol. The extremely simple and very gory plot revolves around possessed moviegoers transforming into bloodthirsty zombies. The film’s success led to one sequel, Demons 2, and an unofficial sequel, Michele Soavi’s The Church.
The post Demons appeared first on Trailers From Hell.
The post Demons appeared first on Trailers From Hell.
- 12/13/2022
- by Charlie Largent
- Trailers from Hell
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