After a several decade-long career, famous director and animator John Musker is slowly preparing to retire. The 70-year old director is responsible for revitalizing Disney in the late 80s and 90s, so he is definitely one of the most important animators in history. His classic works include The Great Mouse Detective (1986), The Little Mermaid (1989), Aladdin (1992), Hercules (1997), and Treasure Planet (2002), but he has also worked on The Princess and the Frog (2009) and Moana (2016); although he won’t be returning for the sequel, Musker definitely left his mark on that movie as well.
The director recently attended the Animayo International Summit in Gran Canaria, where he promoted his new short film, I’m Hip!, but he also talked to El País about his beginnings at Disney, as well as about his opinions on the current state of things at the House of the Mouse.
At the time when Musker came to Disney,...
The director recently attended the Animayo International Summit in Gran Canaria, where he promoted his new short film, I’m Hip!, but he also talked to El País about his beginnings at Disney, as well as about his opinions on the current state of things at the House of the Mouse.
At the time when Musker came to Disney,...
- 5/31/2024
- by Arthur S. Poe
- Fiction Horizon
Exclusive: SpongeBob SquarePants voice actor Mr. Lawrence is writing and directing a comedy-horror toon billed as “The Office meets Frankenstein.”
Mr. Lawrence (real name Douglas Osowski) is working with Canadian Copernicus Studios on Death Castle, which is currently being developed as a six-minute short that will act as the pilot for a full adult animation series. The actor is best known for his work on Nickelodeon’s SpongeBob, having written scripts, animated scenes and voiced several characters including Plankton, Potty the Parrot and Larry the Lobster.
He will be writer and director on Death Castle, which is being positioned as “a satire of scary monster movies paired with a screwball relationship comedy.” Further plot details are under wraps for now.
The plan is for a “high-end traditional 2D animation style with distinctive visual appeal,” with several international animation industry experts attached. Emmy winner Craig Kellman, whose credits include Penguins of Madagascar...
Mr. Lawrence (real name Douglas Osowski) is working with Canadian Copernicus Studios on Death Castle, which is currently being developed as a six-minute short that will act as the pilot for a full adult animation series. The actor is best known for his work on Nickelodeon’s SpongeBob, having written scripts, animated scenes and voiced several characters including Plankton, Potty the Parrot and Larry the Lobster.
He will be writer and director on Death Castle, which is being positioned as “a satire of scary monster movies paired with a screwball relationship comedy.” Further plot details are under wraps for now.
The plan is for a “high-end traditional 2D animation style with distinctive visual appeal,” with several international animation industry experts attached. Emmy winner Craig Kellman, whose credits include Penguins of Madagascar...
- 5/30/2024
- by Jesse Whittock
- Deadline Film + TV
Broadway box office was down just a bit last week, about 3%, with the first week of the 2024-2025 season reporting a total gross of $35,295,405 for 34 productions. Total attendance was off just shy of 2% from the previous week, settling at 287,246.
The total attendance figure for the week ending May 26 indicates that a healthy 91% of available seats were filled.
In all, 21 of the 34 productions reported some slippage heading into the Memorial Day Weekend holiday. A couple productions played either fewer or comped shows: Mother Play canceled two performances due to illness in the company, with total receipts dropping $186,154 to $451,737. Cabaret had a fully comped Tuesday performance, with receipts off a commensurate $243,584 to $1,721,760.
Among the shows playing full schedules, the biggest slides in dollar amounts were reported by A Beautiful Noise; The Who’s Tommy, Illinoise; and The Great Gatsby. Gatsby remained at a 90%+ capacity/attendance figure, with 93% of seats filled.
The total attendance figure for the week ending May 26 indicates that a healthy 91% of available seats were filled.
In all, 21 of the 34 productions reported some slippage heading into the Memorial Day Weekend holiday. A couple productions played either fewer or comped shows: Mother Play canceled two performances due to illness in the company, with total receipts dropping $186,154 to $451,737. Cabaret had a fully comped Tuesday performance, with receipts off a commensurate $243,584 to $1,721,760.
Among the shows playing full schedules, the biggest slides in dollar amounts were reported by A Beautiful Noise; The Who’s Tommy, Illinoise; and The Great Gatsby. Gatsby remained at a 90%+ capacity/attendance figure, with 93% of seats filled.
- 5/29/2024
- by Greg Evans
- Deadline Film + TV
John Musker has hit out at Disney for prioritising politics over plot in their live-action remakes.The 70-year-old animator has helmed classic movies such as 'The Little Mermaid' and 'Aladdin' for the studio and has urged film chiefs to put "compelling stories and characters" before political agendas in their current work.John told the Spanish publication El Pais: "We weren't trying to be woke, although I understand the criticism."The classic Disney films didn't start out trying to have a message. They wanted you to get involved in the characters and the story and the world, and I think that's still the heart of it."You don't have to exclude agendas, but you have to first create characters who you sympathise with and who are compelling."I think they need to do a course correction a bit in terms of putting the message secondary, behind entertainment and compelling story and engaging characters.
- 5/28/2024
- by Joe Graber
- Bang Showbiz
While John Musker's name won't necessarily be instantly familiar to a lot of you, he's written and directed iconic Disney movies such as The Great Mouse Detective, The Little Mermaid, Aladdin, Hercules, Treasure Planet, The Princess and the Frog, and Moana.
However, despite his lengthy working relationship with the House of Mouse, the filmmaker has now lashed out at the studio's recent offerings. Like many fans, Musker believes Disney needs to dial back the political messaging in its movies, something even Disney CEO Bob Iger has strongly hinted will take a backseat moving forward.
"I think they need to do a course correction a bit in terms of putting the message secondary, behind entertainment and compelling story and engaging characters," he told Spanish outlet El País (via Toonado.com). "The classic Disney films didn’t start out trying to have a message."
"They wanted you to get involved in...
However, despite his lengthy working relationship with the House of Mouse, the filmmaker has now lashed out at the studio's recent offerings. Like many fans, Musker believes Disney needs to dial back the political messaging in its movies, something even Disney CEO Bob Iger has strongly hinted will take a backseat moving forward.
"I think they need to do a course correction a bit in terms of putting the message secondary, behind entertainment and compelling story and engaging characters," he told Spanish outlet El País (via Toonado.com). "The classic Disney films didn’t start out trying to have a message."
"They wanted you to get involved in...
- 5/27/2024
- ComicBookMovie.com
Disney is one of the leading studios in Hollywood, having built its success upon a series of blockbuster animated films back in the day. However, in recent years the studio’s money-spinning and cultural juggernaut IPs have received flack from critics and audiences alike, particularly when it comes to the live-action re-imaginings of its biggest animated hits.
Disney’s Aladdin co-director John Musker talked about the studio’s recent struggles.
John Musker, the animator and director, who has been involved in some of Disney’s biggest animated blockbusters including Aladdin, Moana, and The Little Mermaid. During a recent interview, Musker spoke about Disney’s recent struggles when it comes to connecting with audiences. Musker provided a simple and elegant solution to the problem, one that fans themselves have suggested in the past, and here is what he had to say.
Aladdin Filmmaker John Musker Reveals His Plan to Save Disney...
Disney’s Aladdin co-director John Musker talked about the studio’s recent struggles.
John Musker, the animator and director, who has been involved in some of Disney’s biggest animated blockbusters including Aladdin, Moana, and The Little Mermaid. During a recent interview, Musker spoke about Disney’s recent struggles when it comes to connecting with audiences. Musker provided a simple and elegant solution to the problem, one that fans themselves have suggested in the past, and here is what he had to say.
Aladdin Filmmaker John Musker Reveals His Plan to Save Disney...
- 5/27/2024
- by Pratik Handore
- FandomWire
Warner Bros.’ “Furiosa” pulled out to a narrow lead over Sony/Alcon/Dneg’s “The Garfield Movie,” though that is not much of a victory as the $32 million extended opening earned by the “Mad Max” prequel is part of the worst Memorial Day weekend box office results seen since the 1990s.
“Furiosa” scored the lowest total for a No. 1 Memorial Day film since “Casper” in 1995, while the overall estimated 4-day total of $128 million is a sharp 37% drop from last year’s Memorial Day weekend.
It’s a drop that can be attributed to an industry-wide slump as Hollywood and exhibitors weather weeks of reduced theatrical output due to delays caused by last year’s strikes, including Marvel Studios’ “Deadpool & Wolverine,” which has enjoyed exceptional presales but moved from May to late July and left theaters without their customary comic book film boost to kick off the summer.
As for “Furiosa,...
“Furiosa” scored the lowest total for a No. 1 Memorial Day film since “Casper” in 1995, while the overall estimated 4-day total of $128 million is a sharp 37% drop from last year’s Memorial Day weekend.
It’s a drop that can be attributed to an industry-wide slump as Hollywood and exhibitors weather weeks of reduced theatrical output due to delays caused by last year’s strikes, including Marvel Studios’ “Deadpool & Wolverine,” which has enjoyed exceptional presales but moved from May to late July and left theaters without their customary comic book film boost to kick off the summer.
As for “Furiosa,...
- 5/27/2024
- by Jeremy Fuster
- The Wrap
Animayo Gran Canaria’s top two winners this year, one from Iran, another Central American, touch on the same theme that is encapsulated in what a character says in Guatemalan Pablo León’s 2D animated short, “Remember Us,” winner of the festival’s best short film of Spanish-Speaking Nationality – Animation with Ñ.
“You fight your wars twice, first in the battlefield, then in your memory,” says the journalist in “Remember Us” who chronicles three stories of the civil war that tore El Salvador apart for 12 years.
“In the Shadow of the Cypress,” winner of Animayo’s Best International Short Film prize, centers on a war veteran struggling with post-traumatic stress disorder (Ptsd) who takes out his pent-up rage on his daughter until something unexpected washes up on the beach before their house.
With Animayo being the first and only animation festival in Spain designated a qualifying festival by the Academy...
“You fight your wars twice, first in the battlefield, then in your memory,” says the journalist in “Remember Us” who chronicles three stories of the civil war that tore El Salvador apart for 12 years.
“In the Shadow of the Cypress,” winner of Animayo’s Best International Short Film prize, centers on a war veteran struggling with post-traumatic stress disorder (Ptsd) who takes out his pent-up rage on his daughter until something unexpected washes up on the beach before their house.
With Animayo being the first and only animation festival in Spain designated a qualifying festival by the Academy...
- 5/27/2024
- by Anna Marie de la Fuente
- Variety Film + TV
Animated filmmaker John Musker — who directed such Disney films as “The Little Mermaid,” “Aladdin” and “Hercules” — called out the Walt Disney Company for prioritizing political messaging over story in its recent films.
“I think they need to do a course correction a bit in terms of putting the message secondary, behind entertainment and compelling story and engaging characters,” Musker told Spanish outlet El País at this year’s Animayo International Summit in Gran Canaria, Spain.
“The classic Disney films didn’t start out trying to have a message. They wanted you to get involved in the characters and the story and the world, and I think that’s still the heart of it,” Musker added. “You don’t have to exclude agendas, but you have to first create characters who you sympathize with and who are compelling.”
Musker has collaborated with fellow director Ron Clements on several Disney animated features,...
“I think they need to do a course correction a bit in terms of putting the message secondary, behind entertainment and compelling story and engaging characters,” Musker told Spanish outlet El País at this year’s Animayo International Summit in Gran Canaria, Spain.
“The classic Disney films didn’t start out trying to have a message. They wanted you to get involved in the characters and the story and the world, and I think that’s still the heart of it,” Musker added. “You don’t have to exclude agendas, but you have to first create characters who you sympathize with and who are compelling.”
Musker has collaborated with fellow director Ron Clements on several Disney animated features,...
- 5/26/2024
- by Michaela Zee
- Variety Film + TV
Memorial Day weekend is upon us, and the box office is looking grim. The “Mad Max” prequel “Furiosa” is on track to score the lowest No. 1 Memorial Day weekend in nearly three decades, since 1998’s “Casper,” with an estimated $31 million take. But traditionally, the holiday weekend is a big one for moviegoing – kids are out of school, adults have three days off and the summer movie season is ready to roll.
For that reason, it feels like a good time to look back at the highest-grossing Memorial Day weekend box office openings of all time, dating back to 1996. Now it’s important to note these are Memorial Day weekend openings not Memorial Day weekend box office champions – “The Day After Tomorrow” pulled in over $85 million when it opened in 2004, but the top film at the box office for the holiday weekend was holdover “Shrek 2.”
Interestingly enough, while the acclaimed...
For that reason, it feels like a good time to look back at the highest-grossing Memorial Day weekend box office openings of all time, dating back to 1996. Now it’s important to note these are Memorial Day weekend openings not Memorial Day weekend box office champions – “The Day After Tomorrow” pulled in over $85 million when it opened in 2004, but the top film at the box office for the holiday weekend was holdover “Shrek 2.”
Interestingly enough, while the acclaimed...
- 5/25/2024
- by Adam Chitwood
- The Wrap
It is a truth foretold that Robin Williamsʼs brilliance burned too bright for it to ever be replicated by any artist who came after him. This goes even for the most gifted of comedians that the industry ever produced, so much so that there have been very few artists who could even scratch the surface of unbridled creativity that Williams innately possessed.
Will Smith, for his part, is no less accomplished than the dozen other musically and comedically gifted actors of Hollywood. Within his filmography, the A-lister has delivered an oeuvre of work that rivals even the most sincere artists in this industry. Ranging from sci-fi to drama to Disney musicals to biographies to buddy comedies, there isnʼt one genre that Will Smith is incapable of mastering.
Aladdin [Credit: Walt Disney Studios Motion Pictures]However, there is a limit to every artist, especially when it comes to stepping into the very large shoes of Robin Williams.
Will Smith, for his part, is no less accomplished than the dozen other musically and comedically gifted actors of Hollywood. Within his filmography, the A-lister has delivered an oeuvre of work that rivals even the most sincere artists in this industry. Ranging from sci-fi to drama to Disney musicals to biographies to buddy comedies, there isnʼt one genre that Will Smith is incapable of mastering.
Aladdin [Credit: Walt Disney Studios Motion Pictures]However, there is a limit to every artist, especially when it comes to stepping into the very large shoes of Robin Williams.
- 5/25/2024
- by Diya Majumdar
- FandomWire
It’s a bit of a wasteland out there for theaters this summer, as Memorial Day weekend is closing out a very underwhelming May on a down note. Warner Bros.’ “Furiosa: A Mad Max Saga” is projected to open well short of the industry’s prior estimates for a $40 million-plus bow over the four-day window. The high-budget action epic is practically neck-and-neck for first place over Sony’s animated adaptation “The Garfield Movie” on domestic charts.
The fireball “Mad Max” prequel sputtered to $10.2 million from 3,804 locations across Friday and preview screenings. It’s got Imax and other premium large-format auditoriums to bolster its ticket sales, too. It’s another tough underperformance this summer. The film’s 2015 predecessor “Mad Max: Fury Road” got to $16 million in its opening day. That movie also put together an impressive awards season run and got canonized by action genre fans. Even so, “Furiosa” seems unable...
The fireball “Mad Max” prequel sputtered to $10.2 million from 3,804 locations across Friday and preview screenings. It’s got Imax and other premium large-format auditoriums to bolster its ticket sales, too. It’s another tough underperformance this summer. The film’s 2015 predecessor “Mad Max: Fury Road” got to $16 million in its opening day. That movie also put together an impressive awards season run and got canonized by action genre fans. Even so, “Furiosa” seems unable...
- 5/25/2024
- by J. Kim Murphy
- Variety Film + TV
Following persistent rumors, we got word that Disney was officially moving forward with a live-action remake of Hercules back in 2022, with Aladdin director Guy Ritchie set to helm the project and Avengers: Endgame directors Joe and Anthony Russo on board as producers.
Updates have been few and far between since then, and we're still waiting to find out which actors are going to bring life to the main characters.
Previous rumors have claimed that Taron Edgerton and Ariana Grande were up for the roles of Hercules and Meg, and while there's every chance they will end up being cast, we may be able to add another name to the mix for the movie's female lead.
According to reliable Disney source the DisInsider, pop megastar turned actress Dua Lipa might be a contender to play Meg. He doesn't say whether she's actually in talks, only that the studio "likes" her for the part.
Updates have been few and far between since then, and we're still waiting to find out which actors are going to bring life to the main characters.
Previous rumors have claimed that Taron Edgerton and Ariana Grande were up for the roles of Hercules and Meg, and while there's every chance they will end up being cast, we may be able to add another name to the mix for the movie's female lead.
According to reliable Disney source the DisInsider, pop megastar turned actress Dua Lipa might be a contender to play Meg. He doesn't say whether she's actually in talks, only that the studio "likes" her for the part.
- 5/24/2024
- ComicBookMovie.com
Attendance for Broadway’s just-ended 2023-2024 season held roughly steady with last year even as it remains nearly 17% below pre-pandemic levels, according to box office figures released today by the Broadway League.
The year-end stats indicate that the 71 Broadway productions on the boards from May 22, 2023, to May 19, 2024, grossed a combined $1.54 billion – $1,539,278,706, to be exact- with total attendance at about 12.3 million.
The dollar figure represents a very small slip in box office tallies from last season – about 2% from the $1,577,586,897 in 2022-2023. Total attendance was up less than a percentage point from last season.
This year’s total attendance indicates that about 90% of all available seats were filled, compared to last year’s 88%. Average ticket price for the season just ended was $125.27, about 2% lower that last season’s $128.43.
While roughly even with post-pandemic figures, the numbers continue to indicate that Broadway has yet to make a full recovery from the 18-month Covid shutdown.
The year-end stats indicate that the 71 Broadway productions on the boards from May 22, 2023, to May 19, 2024, grossed a combined $1.54 billion – $1,539,278,706, to be exact- with total attendance at about 12.3 million.
The dollar figure represents a very small slip in box office tallies from last season – about 2% from the $1,577,586,897 in 2022-2023. Total attendance was up less than a percentage point from last season.
This year’s total attendance indicates that about 90% of all available seats were filled, compared to last year’s 88%. Average ticket price for the season just ended was $125.27, about 2% lower that last season’s $128.43.
While roughly even with post-pandemic figures, the numbers continue to indicate that Broadway has yet to make a full recovery from the 18-month Covid shutdown.
- 5/22/2024
- by Greg Evans
- Deadline Film + TV
Get ready for a powerful and electrifying episode of “RuPaul’s Drag Race” with Season 16, Episode 10 titled “Werq the World.” Airing at 4:30 Am on Tuesday, 28 May 2024, on Logo, this episode sees the queens using their platform to make a bold statement. They will be creating and performing an inspirational political anthem, showcasing their voices and their passion for social change. This episode is sure to highlight the queens’ creativity, resilience, and dedication to making a difference.
In addition to their vocal performances, the queens will also have the chance to shine on the dance floor. They will exercise their right to shake their groove thing, bringing their best moves and undeniable energy to the stage. Renowned choreographer Jamal Sims, known for his work on “Aladdin,” will be the guest judge, offering his expert critique and guidance. Sims’ presence promises to elevate the performances, adding an extra layer of excitement and professionalism to the competition.
In addition to their vocal performances, the queens will also have the chance to shine on the dance floor. They will exercise their right to shake their groove thing, bringing their best moves and undeniable energy to the stage. Renowned choreographer Jamal Sims, known for his work on “Aladdin,” will be the guest judge, offering his expert critique and guidance. Sims’ presence promises to elevate the performances, adding an extra layer of excitement and professionalism to the competition.
- 5/22/2024
- by Jules Byrd
- TV Everyday
There’s something strange about the franchise reboot of the big orange tabby in The Garfield Movie. For one, the story completely sidelines the relationship between Jon Arbuckle and Garfield. Another issue is that all the characters are cardboard cutouts, and you know virtually nothing about them besides how Garfield came into Jon’s possession.
Perhaps most importantly, the trademark apathetic nature of the main character is non-existent. It’s as if the studios bought the brand name and turned the character into a clone of any fish-out-of-water animation adventure. That’s what’s wrong with The Garfield Movie. What makes the character great is washed away for a run-of-the-mill animated family film that you’ve seen nine lives over.
It’s purr-fectly predictable from start to its stagnant finish.
Harvey Guillén and Chris Pratt voice Odie and Garfield in The Garfield Movie (2024) | Image via Sony Pictures Suggested“Understand that it’s pretty embarrassing.
Perhaps most importantly, the trademark apathetic nature of the main character is non-existent. It’s as if the studios bought the brand name and turned the character into a clone of any fish-out-of-water animation adventure. That’s what’s wrong with The Garfield Movie. What makes the character great is washed away for a run-of-the-mill animated family film that you’ve seen nine lives over.
It’s purr-fectly predictable from start to its stagnant finish.
Harvey Guillén and Chris Pratt voice Odie and Garfield in The Garfield Movie (2024) | Image via Sony Pictures Suggested“Understand that it’s pretty embarrassing.
- 5/20/2024
- by M.N. Miller
- FandomWire
Hey there, movie buffs and fellow Robin Williams admirers! Get ready to take a delightful stroll down memory lane as we dive into the world of one of the most incredible actors ever to grace the big screen.
Yep, you guessed it – we’re talking about the one and only Robin Williams.
As someone who’s always been completely smitten by his talent, I’m thrilled to guide you through a list of his top 10 movies that have left an indelible mark on the film industry and our hearts.
So, pop some popcorn, grab a comfy blanket, and celebrate Robin Williams‘s genius together!
1. ‘Dead Poets Society’ (1989) – Carpe Diem!
“Dead Poets Society” is a masterpiece that captures the essence of Robin Williams‘ transformative abilities.
His portrayal of John Keating, an English teacher who inspires his students to seize the day, is both poignant and inspiring.
This film beautifully showcases Williams...
Yep, you guessed it – we’re talking about the one and only Robin Williams.
As someone who’s always been completely smitten by his talent, I’m thrilled to guide you through a list of his top 10 movies that have left an indelible mark on the film industry and our hearts.
So, pop some popcorn, grab a comfy blanket, and celebrate Robin Williams‘s genius together!
1. ‘Dead Poets Society’ (1989) – Carpe Diem!
“Dead Poets Society” is a masterpiece that captures the essence of Robin Williams‘ transformative abilities.
His portrayal of John Keating, an English teacher who inspires his students to seize the day, is both poignant and inspiring.
This film beautifully showcases Williams...
- 5/7/2024
- by Pia Vermaak
- buddytv.com
Summertime is the best time to transport yourself into a nostalgic world, as Freeform celebrates 30 Days of Disney with legendary Disney films starting June 1. Viewers can relive their childhood with films from the full Disney catalog, including Disney-Pixar’s Inside Out, National Treasure, Avatar, Spider-Man (2002), and many more.
The programming event will also feature the world television premiere of Disney-Pixar’s animated film Lightyear. Other Freeform premieres include Disney-Pixar’s Soul and Disney Animation’s Fantasia (1940 and 2000).
Throughout each week in June, fans can reminisce with special summer marathons that will stir up fond memories and reconnect them with the films they cherish.
During the first weekend of June, you can check out your Disney “faves” with classic films like Disney Animation’s Aladdin, Beauty and the Beast, and The Little Mermaid (1989). During the second weekend, check out your Pixar faves with movies like Inside Out, Coco, and Cars.
Celebrate...
The programming event will also feature the world television premiere of Disney-Pixar’s animated film Lightyear. Other Freeform premieres include Disney-Pixar’s Soul and Disney Animation’s Fantasia (1940 and 2000).
Throughout each week in June, fans can reminisce with special summer marathons that will stir up fond memories and reconnect them with the films they cherish.
During the first weekend of June, you can check out your Disney “faves” with classic films like Disney Animation’s Aladdin, Beauty and the Beast, and The Little Mermaid (1989). During the second weekend, check out your Pixar faves with movies like Inside Out, Coco, and Cars.
Celebrate...
- 5/1/2024
- by Mirko Parlevliet
- Vital Thrills
Guy Ritchie has been maintaining a consistent success rate with his films ever since his debut with Lock, Stock, and Two Smoking Barrels. However, his recent ventures like The Covenant and The Ministry of Ungentlemanly Warfare have not fared well at the box office. The situation seems to be similar for the Russo brothers post their hit Marvel run.
Guy Ritchie’s Aladdin was a big hit for Disney in 2019
Their non-Marvel projects like Cherry and The Gray Man have not resonated with audiences. The Russos and Ritchie are returning to Disney for the live-action adaptation of Hercules. With Ritchie’s previous success with the company and the contributions from the Russos, the film can break the terrible trend that has plagued the recent Disney live-action remakes.
Guy Ritchie’s Hercules Film Can End the Terrible Streak of Disney Live-Action Remakes
The upcoming Hercules live-action film will be a modern...
Guy Ritchie’s Aladdin was a big hit for Disney in 2019
Their non-Marvel projects like Cherry and The Gray Man have not resonated with audiences. The Russos and Ritchie are returning to Disney for the live-action adaptation of Hercules. With Ritchie’s previous success with the company and the contributions from the Russos, the film can break the terrible trend that has plagued the recent Disney live-action remakes.
Guy Ritchie’s Hercules Film Can End the Terrible Streak of Disney Live-Action Remakes
The upcoming Hercules live-action film will be a modern...
- 4/28/2024
- by Rahul Thokchom
- FandomWire
Guy Ritchie has directed everything from low-budget hits like the crime caper "Snatch" to the $1 billion monster hit that was 2019's live-action "Aladdin" remake. But the director has also been behind some pretty big misfires, most notably 2017's "King Arthur: Legend of the Sword." Ritchie has been on a tear lately though, releasing three movies in theaters over the last 13 months. Unfortunately for the filmmaker and all involved, every single one of those movies has disappointed -- if not outright flopped -- at the box office.
This past weekend saw the release of "The Ministry of Ungentlemanly Warfare" in theaters in the U.S. Released by Lionsgate, the World War II film took in just $8.9 million, placing fourth on the charts behind "Godzilla x Kong: The New Empire" ($9.5 million), which was in its fourth weekend. That's a relatively lousy start for a movie with a $60 million production budget. Granted, Lionsgate...
This past weekend saw the release of "The Ministry of Ungentlemanly Warfare" in theaters in the U.S. Released by Lionsgate, the World War II film took in just $8.9 million, placing fourth on the charts behind "Godzilla x Kong: The New Empire" ($9.5 million), which was in its fourth weekend. That's a relatively lousy start for a movie with a $60 million production budget. Granted, Lionsgate...
- 4/24/2024
- by Ryan Scott
- Slash Film
Left to right: Wrath of Man (United Artists), Sherlock Holmes (Warner Bros.), Guy Ritchie (Shutterstock), Lock, Stock, And Two Smoking Barrels (Universal Pictures), The Gentlemen (Miramax)Graphic: The A.V. Club
Guy Ritchie’s two-and-a-half-decade career as a filmmaker has been a bit of a mixed bag, and that’s being generous.
Guy Ritchie’s two-and-a-half-decade career as a filmmaker has been a bit of a mixed bag, and that’s being generous.
- 4/23/2024
- by Cindy White
- avclub.com
Robin Williams will always be remembered as one of the most prolific actors that Hollywood has ever seen. He was a one-of-a-kind performer, who stood apart with his performances, establishing himself as a comedy legend. Throughout his career, the actor has done a plethora of iconic films such as Aladdin, Good Will Hunting, Dead Poets Society, and many more.
Robin Williams in Dead Poets Society
The world remembered Williams as an outstanding performer, doing stand-up comedy, films, and TV shows. However, the Popeye actor would consider himself a gamer at heart as he was addicted to gaming, and he was a huge Cod and Counter-Strike fan. The actor would spend hours in front of the screen, as he not only found gaming to be relaxing but also quite deflating as he got humbled by an 11-year-old.
The Day Robin Williams Got Humbled By An 11-Year-Old in Call of Duty
Known...
Robin Williams in Dead Poets Society
The world remembered Williams as an outstanding performer, doing stand-up comedy, films, and TV shows. However, the Popeye actor would consider himself a gamer at heart as he was addicted to gaming, and he was a huge Cod and Counter-Strike fan. The actor would spend hours in front of the screen, as he not only found gaming to be relaxing but also quite deflating as he got humbled by an 11-year-old.
The Day Robin Williams Got Humbled By An 11-Year-Old in Call of Duty
Known...
- 4/23/2024
- by Tushar Auddy
- FandomWire
Missing Pedro Pascal already? We completely understand you – after 2023 literally became the year of big releases with the actor, 2024 seems painfully empty without him.
That's why we've collected the most anticipated projects with Pedro Pascal.
1. Gladiator II
Release Date: November 22, 2024
The filming of the sequel to Ridley Scott's cult epic, Gladiator II, was frozen due to the strikes, but now work on the set has been successfully completed.
Talk of a sequel circulated throughout Hollywood for more than twenty years after the first film's successful release, suggesting almost biblical and fantastic tales of battles in the afterlife.
As a result, Gladiator II moderated its ambitions: Lucius, the nephew of Commodus, played by Joaquin Phoenix in the first film, will be at the center of the story. As a boy, he was inspired by the exploits of the gladiator Maximus in the arena and will apparently follow in the footsteps of Russell Crowe’s character.
That's why we've collected the most anticipated projects with Pedro Pascal.
1. Gladiator II
Release Date: November 22, 2024
The filming of the sequel to Ridley Scott's cult epic, Gladiator II, was frozen due to the strikes, but now work on the set has been successfully completed.
Talk of a sequel circulated throughout Hollywood for more than twenty years after the first film's successful release, suggesting almost biblical and fantastic tales of battles in the afterlife.
As a result, Gladiator II moderated its ambitions: Lucius, the nephew of Commodus, played by Joaquin Phoenix in the first film, will be at the center of the story. As a boy, he was inspired by the exploits of the gladiator Maximus in the arena and will apparently follow in the footsteps of Russell Crowe’s character.
- 4/19/2024
- by zoe-wallace@startefacts.com (Zoe Wallace)
- STartefacts.com
Netflix co-ceo Ted Sarandos has pushed back against a recent press report and said Netflix would not be reducing the number or quality of its features under new film head Dan Lin.
“There is no appetite to make fewer films,” Sarandos told a first quarter earnings call after an analyst asked about a recent article in The New York Times which said Lin would make “better, cheaper and less frequent” films.
The executive noted neither Lin nor any Netflix executive had taken part in the article, adding: “ut there is an unlimited appetite to make better films, always, even though...
“There is no appetite to make fewer films,” Sarandos told a first quarter earnings call after an analyst asked about a recent article in The New York Times which said Lin would make “better, cheaper and less frequent” films.
The executive noted neither Lin nor any Netflix executive had taken part in the article, adding: “ut there is an unlimited appetite to make better films, always, even though...
- 4/18/2024
- ScreenDaily
As Netflix’s new film chief, Dan Lin’s mandate is to focus on quality — and quantity.
Netflix’s co-ceo Ted Sarandos shed light on Lin’s strategy as the producer takes over film duties from Scott Stuber, who announced in January he was leaving the streamer.
“There is no appetite to make fewer films, but there is an unlimited appetite to make better films, always,” Sarandos said during the company’s Q1 earnings call. “Even though we have made, and we are making, great films. We want to make them better, of course.”
He was responding to a recent New York Times article, which reported that Lin aims to “improve the quality of the movies and produce a wider spectrum of films — at different budget levels — the better to appeal to the varied interests of Netflix’s 260 million subscribers.”
Though Sarandos mostly echoed those sentiments, he made a point...
Netflix’s co-ceo Ted Sarandos shed light on Lin’s strategy as the producer takes over film duties from Scott Stuber, who announced in January he was leaving the streamer.
“There is no appetite to make fewer films, but there is an unlimited appetite to make better films, always,” Sarandos said during the company’s Q1 earnings call. “Even though we have made, and we are making, great films. We want to make them better, of course.”
He was responding to a recent New York Times article, which reported that Lin aims to “improve the quality of the movies and produce a wider spectrum of films — at different budget levels — the better to appeal to the varied interests of Netflix’s 260 million subscribers.”
Though Sarandos mostly echoed those sentiments, he made a point...
- 4/18/2024
- by Rebecca Rubin
- Variety Film + TV
Netflix Co-CEO Ted Sarandos says “there’s no appetite to make fewer films” at the streamer under the new film chief Dan Lin, disputing a recent New York Times article that said Netflix would move forward valuing quality over quantity and audience engagement over auteurs.
Sarandos on Thursday’s Netflix Q1 earnings call responded to a piece this week in the New York Times that said “the aim is to make Netflix’s movies better, cheaper and less frequent.”
“That was not a quote from Dan, and I would say that nor did we participate in that article. There is no appetite to make fewer films,” Sarandos responded. “But there is an unlimited appetite to make better films always, even though we have made and are making great films, we want to make them better of course.”
Lin joined Netflix at the start of April to replace Scott Stuber, who...
Sarandos on Thursday’s Netflix Q1 earnings call responded to a piece this week in the New York Times that said “the aim is to make Netflix’s movies better, cheaper and less frequent.”
“That was not a quote from Dan, and I would say that nor did we participate in that article. There is no appetite to make fewer films,” Sarandos responded. “But there is an unlimited appetite to make better films always, even though we have made and are making great films, we want to make them better of course.”
Lin joined Netflix at the start of April to replace Scott Stuber, who...
- 4/18/2024
- by Brian Welk
- Indiewire
Composer Howard Ashman’s body of work will be celebrated at ASCAP’s Musical Theatre Fest.
The conversation, titled “Part of Our World: Celebrating the Life & Lyrics of Howard Ashman,” will feature interviews and performances from “The Little Mermaid,” “Beauty and the Beast, “Aladdin” and more selections across the composer’s career.
Now in its second year, the ASCAP Foundation Musical Theatre Fest returns to the Wallis Annenberg Center for the Performing Arts from May 14 to 21.
The festival will focus on music from film and TV animation, featuring award-winning composers and top executives from film and TV animation studios, geared to aspiring musical theatre writers.
Glenn Slater, Heitor Pereira (“Despicable Me”), Future Vega (“Fast & Furious Spy Racers”) and Raye Zaragoza (“Spirit Rangers”) are some of the ASCAP composers scheduled to appear.
Panel discussions with studio executives include Alexandra Nickson, Vivian Buff, Joe D’Ambrosia and Jay Stutler. Conversations will focus...
The conversation, titled “Part of Our World: Celebrating the Life & Lyrics of Howard Ashman,” will feature interviews and performances from “The Little Mermaid,” “Beauty and the Beast, “Aladdin” and more selections across the composer’s career.
Now in its second year, the ASCAP Foundation Musical Theatre Fest returns to the Wallis Annenberg Center for the Performing Arts from May 14 to 21.
The festival will focus on music from film and TV animation, featuring award-winning composers and top executives from film and TV animation studios, geared to aspiring musical theatre writers.
Glenn Slater, Heitor Pereira (“Despicable Me”), Future Vega (“Fast & Furious Spy Racers”) and Raye Zaragoza (“Spirit Rangers”) are some of the ASCAP composers scheduled to appear.
Panel discussions with studio executives include Alexandra Nickson, Vivian Buff, Joe D’Ambrosia and Jay Stutler. Conversations will focus...
- 4/18/2024
- by Jazz Tangcay
- Variety Film + TV
The April of genre showers continues with four new wide releases and another expanding nationwide, offering quite a bit of variety. Can any of the take down reigning champion “Civil War”? Read on for Gold Derby’s box office preview.
First up is the new horror film, “Abigail,” from the filmmaking collective known as Radio Silence, who directed the last two “Scream” movies. This one involves a band of criminals who kidnap the young daughter of a powerful crime lord to get money from him, holding her in a mansion where they learn that … she’s a vampire! The filmmakers reunite with Melissa Barrera from their “Scream” films, who is joined by Dan Stevens, Kathryn Newton, Giancarlo Esposito, Matthew Goode and the title character is played by young Alisha Weir.
Universal does love its vampires. After all, it was the studio that made “Dracula” famous, going all the way back...
First up is the new horror film, “Abigail,” from the filmmaking collective known as Radio Silence, who directed the last two “Scream” movies. This one involves a band of criminals who kidnap the young daughter of a powerful crime lord to get money from him, holding her in a mansion where they learn that … she’s a vampire! The filmmakers reunite with Melissa Barrera from their “Scream” films, who is joined by Dan Stevens, Kathryn Newton, Giancarlo Esposito, Matthew Goode and the title character is played by young Alisha Weir.
Universal does love its vampires. After all, it was the studio that made “Dracula” famous, going all the way back...
- 4/17/2024
- by Edward Douglas
- Gold Derby
In early 2022, Disney announced a brand new kart racing game in partnership with developer and publisher Gameloft called Disney Speedstorm. The game lets players take control of different Disney and Pixar characters and race across tracks based on various Disney and Pixar films. Several films and franchises, such as Beauty and the Beast, Aladdin, Frozen, Monsters Inc., and Toy Story, are represented.
The game launched in September 2023. While it operated under the free-to-play model, it encouraged players to buy in-game currency to unlock more content. All content could be earned through player progression without paying.
In each new season in the game, new content is added and can be purchased through passes using in game tokens that can be either bought with real world money or earned in game. The upcoming seventh season will be Wreck-it-Ralph themed and will feature five new racers and a new track.
However, now the...
The game launched in September 2023. While it operated under the free-to-play model, it encouraged players to buy in-game currency to unlock more content. All content could be earned through player progression without paying.
In each new season in the game, new content is added and can be purchased through passes using in game tokens that can be either bought with real world money or earned in game. The upcoming seventh season will be Wreck-it-Ralph themed and will feature five new racers and a new track.
However, now the...
- 4/14/2024
- by Mr. Milo
- Pirates & Princesses
(Welcome to Tales from the Box Office, our column that examines box office miracles, disasters, and everything in between, as well as what we can learn from them.)
"Shrek" was a very important movie in animation history. It provided DreamWorks with its first true breakthrough hit, taking in $492 million in 2001. It ensured that Disney would have meaningful competition in the animation space for years to come, which has only been furthered in recent years with the dominance of Illumination in the marketplace. For DreamWorks though, it birthed what would become the studio's flagship franchise, one that has generated more than $3 billion since its inception. That franchise's biggest moment came in 2004 when "Shrek 2" hit theaters.
The animation house founded by former Disney executive Jeffrey Katzenberg hit a home run by pairing Mike Myers and Eddie Murphy as Shrek and Donkey in the first film, in no small part thanks to the stellar supporting cast.
"Shrek" was a very important movie in animation history. It provided DreamWorks with its first true breakthrough hit, taking in $492 million in 2001. It ensured that Disney would have meaningful competition in the animation space for years to come, which has only been furthered in recent years with the dominance of Illumination in the marketplace. For DreamWorks though, it birthed what would become the studio's flagship franchise, one that has generated more than $3 billion since its inception. That franchise's biggest moment came in 2004 when "Shrek 2" hit theaters.
The animation house founded by former Disney executive Jeffrey Katzenberg hit a home run by pairing Mike Myers and Eddie Murphy as Shrek and Donkey in the first film, in no small part thanks to the stellar supporting cast.
- 4/13/2024
- by Ryan Scott
- Slash Film
Jack Black's desire "to put on a show" keeps him coming back to the 'Kung Fu Panda' franchise.The 54-year-old actor lends his voice to the titular Po in the fourth installment of the martial arts animation comedy franchise and is always open to featuring in films that have good "stories".Speaking to the Metro newspaper, Jack said: "You know, I love to put on a show. And if someone's got a good idea for a new story, I'm always down. Whether it be a 'Kung Fu Panda', new journey or any kind of cool movie. I like to tell stories."The 'School of Rock' star revealed that he takes inspiration from the late Robin Williams as the Genie in 'Aladdin' and Steve Carell as Gru in the 'Despicable Me' franchise when it comes to voice roles.Jack explained:...
- 4/10/2024
- by Joe Graber
- Bang Showbiz
Netflix’s film division is being reorganized under new film chief Dan Lin.
While about 15 staffers are being let go, the reorganization does not represent a reduction in force — Lin will replace the departing executives in the coming weeks as part of his new vision for his group, which will now be split up by genre.
Included in that new regime are Ori Marmur, who will oversee action, fantasy, horror and sci-fi, Kira Goldberg, who will handle dramas, thrillers and family films, Niija Kuykendall on faith-based, holiday and young adult projects, and Jason Young overseeing comedies and rom-coms.
Lin only took his desk at the streamer a week ago, but has had nearly a month to ponder what the operation should look like. He was named as the streaming behemoth’s new film head in February, replacing Scott Stuber and reporting to chief content officer Bela Bajaria.
Lin and Netflix...
While about 15 staffers are being let go, the reorganization does not represent a reduction in force — Lin will replace the departing executives in the coming weeks as part of his new vision for his group, which will now be split up by genre.
Included in that new regime are Ori Marmur, who will oversee action, fantasy, horror and sci-fi, Kira Goldberg, who will handle dramas, thrillers and family films, Niija Kuykendall on faith-based, holiday and young adult projects, and Jason Young overseeing comedies and rom-coms.
Lin only took his desk at the streamer a week ago, but has had nearly a month to ponder what the operation should look like. He was named as the streaming behemoth’s new film head in February, replacing Scott Stuber and reporting to chief content officer Bela Bajaria.
Lin and Netflix...
- 4/8/2024
- by Katcy Stephan
- Variety Film + TV
The Willennium may have started nearly a quarter of a century ago, but Will Smith has been dominating on screen since the early 1990s. The Academy Award-winning star has been a blockbuster juggernaut with a commanding presence on screen, dabbling in anything and everything. Serious fare like "Concussion," edgy superhero stories like "Hancock" and "Suicide Squad," action-packed dramas like "Enemy of the State," sci-fi thrillers like "I, Robot," musicals like "Aladdin," and plenty of goofy nonsense like "Shark Tale" and "Wild Wild West" have all let Big Willy Style flex his acting muscles and show that he truly is a jack of all trades. From his humble beginnings in the ensemble piece "Where the Day Takes You" to the recently announced "Bad Boys: Ride or Die," Smith is one of Hollywood's most prolific and profitable performers. And fortunately, he's also one of the best. It's time to get jiggy wit'...
- 4/2/2024
- by BJ Colangelo
- Slash Film
It’s a familiar arc in movies: The person who doesn’t want the job is the best candidate for it. And so it was with Dan Lin, the producer and founder of Rideback, who this week starts his tenure as Netflix’s film head.
Lin was not looking for a new job, but then came an incoming call in early February from Netflix’s chief content officer, Bela Bajaria. According to two people familiar with the meeting that followed, Lin was blunt in his assessment of Netflix’s output: The movies were not great and the financials didn’t add up. Bajaria appreciated the honesty and, shortly after, she asked Lin if he would be open to leaving Rideback, the company the producer had spent the better part of two decades building.
Lin had been down this path before, being courted for a top studio post at a division...
Lin was not looking for a new job, but then came an incoming call in early February from Netflix’s chief content officer, Bela Bajaria. According to two people familiar with the meeting that followed, Lin was blunt in his assessment of Netflix’s output: The movies were not great and the financials didn’t add up. Bajaria appreciated the honesty and, shortly after, she asked Lin if he would be open to leaving Rideback, the company the producer had spent the better part of two decades building.
Lin had been down this path before, being courted for a top studio post at a division...
- 4/1/2024
- by Mia Galuppo and Borys Kit
- The Hollywood Reporter - Movie News
This year’s Tonys will be held on June 16, so the American Theatre Wing will likely be announcing its Lifetime Achievement Award recipient in the near future. Who do you think should take home this prestigious trophy, which honors an individual’s body of work? It has gone to veteran stage performers, directors, choreographers, playwrights, songwriters, producers and designers. In some years we get multiple recipients.
Last year these honors went to actor Joel Grey and composer John Kander. The following living male Broadway vets have also received this award in the past and thus won’t be chosen again: Paul Gemignani, Alan Ayckbourn, Athol Fugard, Marshall W. Mason, Tommy Tune, James Earl Jones, Andrew Lloyd Webber and Harold Wheeler.
Here are 10 possibilities featured in our poll below, all accomplished men over the age of 65. Vote to let us know who you’d like to see honored. And take a...
Last year these honors went to actor Joel Grey and composer John Kander. The following living male Broadway vets have also received this award in the past and thus won’t be chosen again: Paul Gemignani, Alan Ayckbourn, Athol Fugard, Marshall W. Mason, Tommy Tune, James Earl Jones, Andrew Lloyd Webber and Harold Wheeler.
Here are 10 possibilities featured in our poll below, all accomplished men over the age of 65. Vote to let us know who you’d like to see honored. And take a...
- 3/26/2024
- by Jeffrey Kare
- Gold Derby
Exclusive: Netflix’s hit conspiracy thriller The Night Agent has added three for guest roles in Season 2: Marwan Kenzari (Black Adam), Elise Kibler (The Sunlit Night), and Dikran Tulaine (The Blacklist).
Kenzari plays Reza, a decorated soldier court marshalled for another man’s crime, who’s been given the opportunity to be a night agent. Fiercely intelligent, with a wry sense of humor and a trigger temper, he doesn’t hesitate to become violent or lethal when backed into a corner.
Kibler’s character is Sloane, a glamorous British socialite. Smart, savvy, and glib, Sloane is the girlfriend of the wealthy Tomás Bala (Rob Heaps). She knows how toxic Tomás’s family is and tries to convince him to break ties…
Tulaine portrays Viktor, a smart, dangerous and manipulative man who was once the leader of his country, but has since been convicted of war crimes.
As previously announced...
Kenzari plays Reza, a decorated soldier court marshalled for another man’s crime, who’s been given the opportunity to be a night agent. Fiercely intelligent, with a wry sense of humor and a trigger temper, he doesn’t hesitate to become violent or lethal when backed into a corner.
Kibler’s character is Sloane, a glamorous British socialite. Smart, savvy, and glib, Sloane is the girlfriend of the wealthy Tomás Bala (Rob Heaps). She knows how toxic Tomás’s family is and tries to convince him to break ties…
Tulaine portrays Viktor, a smart, dangerous and manipulative man who was once the leader of his country, but has since been convicted of war crimes.
As previously announced...
- 3/26/2024
- by Matt Grobar
- Deadline Film + TV
Top 10 animated movies of all time ( Photo Credit – IMDb )
Let’s take a trip down memory lane as we explore a curated selection of the greatest animated films ever crafted. If your favorite isn’t included, don’t worry; there may be a follow-up if this piece strikes a chord with readers. Animated movies, particularly those tailored for young audiences, have traditionally been led by Disney and its offshoot Pixar. Despite their continuous reinvention of beloved tales, both studios have gifted us a wealth of timeless animated treasures. So, without delay, let’s begin our cinematic voyage through the enchanting world of animation.
10. Cars (2006)
Director: John Lasseter, Joe Ranft (co-director) Cast: Owen Wilson, Paul Newman, Bonnie Hunt, Larry the Cable Guy Rotten Tomatoes Score: 75% IMDb Score: 7./10 Runtime: 1 hour 57 minutes Available on: Disney Plus (US & India)
On his journey to the most important race of his career, Lightning McQueen gets separated from his hauler truck,...
Let’s take a trip down memory lane as we explore a curated selection of the greatest animated films ever crafted. If your favorite isn’t included, don’t worry; there may be a follow-up if this piece strikes a chord with readers. Animated movies, particularly those tailored for young audiences, have traditionally been led by Disney and its offshoot Pixar. Despite their continuous reinvention of beloved tales, both studios have gifted us a wealth of timeless animated treasures. So, without delay, let’s begin our cinematic voyage through the enchanting world of animation.
10. Cars (2006)
Director: John Lasseter, Joe Ranft (co-director) Cast: Owen Wilson, Paul Newman, Bonnie Hunt, Larry the Cable Guy Rotten Tomatoes Score: 75% IMDb Score: 7./10 Runtime: 1 hour 57 minutes Available on: Disney Plus (US & India)
On his journey to the most important race of his career, Lightning McQueen gets separated from his hauler truck,...
- 3/26/2024
- by Hari P N
- KoiMoi
It's a testament to Disney's branding that mainstream audiences don't necessarily know who directed or starred in some of their better-known movies. Although many have seen the studio's 1950 animated feature "Cinderella," most audiences wouldn't be able to tell you that Ilene Woods played the title character, or that Wilfred Jackson, Hamilton Luske, and Clyde Geronimi directed the film. Disney's "Aladdin" changed that with the casting of Robin Williams as the Genie. And the trend of hiring known screen celebrities, often not voice actors, to sell an animated feature to a broad audience went to a whole other level in the wake of DreamWorks' "Shrek." The advent of the internet also helped certain actresses become known among Disney fans. Nowadays, many adults know the names of the actresses who played characters like Snow White, Sleeping Beauty, or Ariel the Mermaid.
By Disney's own selection, there are thirteen "official" Disney Princesses: Snow White,...
By Disney's own selection, there are thirteen "official" Disney Princesses: Snow White,...
- 3/25/2024
- by Witney Seibold
- Slash Film
Billy Magnussen always understands the assignment. Whatever the medium or genre, the actor manages to stand out with an impressive range. He has literally played a Disney prince — twice! — in the film versions of “Into the Woods” and “Aladdin.” He earned a Tony nomination for his role as a dimwitted young lover in “Vanya and Sonia and Masha and Spike” and has stood out in ensemble films like “Game Night” and “The Big Short.”
But Magnussen also excels at playing the bad guy, such as the tech billionaire who installs a tracking device in his ex-wife in “Made for Love” to a Nazi officer in “The Survivor.” But never more deliciously than in “Road House,” a reimaging of the 1989 Patrick Swayze classic. The new version, hitting Amazon Prime Video this week, stars Jake Gyllenhaal as a former UFC fighter who becomes a bouncer at a roadhouse in the Florida Keys.
But Magnussen also excels at playing the bad guy, such as the tech billionaire who installs a tracking device in his ex-wife in “Made for Love” to a Nazi officer in “The Survivor.” But never more deliciously than in “Road House,” a reimaging of the 1989 Patrick Swayze classic. The new version, hitting Amazon Prime Video this week, stars Jake Gyllenhaal as a former UFC fighter who becomes a bouncer at a roadhouse in the Florida Keys.
- 3/21/2024
- by Jenelle Riley
- Variety Film + TV
Perhaps the only sane way to tell a story about the U.S. Immigration system is to make it as absurd and fantastical as possible, and Julio Torres’ “Problemista,” like his HBO series “Los Espookys,” is packed with visually elaborate set pieces that feel handmade and human. But the most complex build of the film — one that also features a child’s impossible dream castle and a maze of immigration offices laid out like the world’s worst ant farm — was located in Torres’ vision of the digital world.
Larry Owens personifies the website Craigslist, to which Torres’ character Alejandro turns to raise the cash to process his work sponsorship forms for his visa, assuming that the mercurial Elizabeth (Tilda Swinton) will, in fact, sign them. Over the course of “Problemista,” Alejandro and Craiglist commune several times, first and most spectacularly with Ale falling through, one assumes, the wormhole tubes...
Larry Owens personifies the website Craigslist, to which Torres’ character Alejandro turns to raise the cash to process his work sponsorship forms for his visa, assuming that the mercurial Elizabeth (Tilda Swinton) will, in fact, sign them. Over the course of “Problemista,” Alejandro and Craiglist commune several times, first and most spectacularly with Ale falling through, one assumes, the wormhole tubes...
- 3/19/2024
- by Sarah Shachat
- Indiewire
With a solid offshore hold, Denis Villeneuve’s Dune: Part Two is closing in on $500M globally. The overseas weekend brought in $51.2M across 73 markets, a 40% drop versus last session (-37% excluding China). The international box office cume through Sunday is $289.4M, and worldwide the running total is $494.7M. The latter figure means the film has already surpassed Villeneuve’s 2021 Dune worldwide.
Internationally in like-for-like markets and at today’s exchange rates, the Warner Bros/Legendary Entertainment sequel is tracking 67% ahead of 2021’s Dune, 47% bigger than Transformers: Rise of the Beasts, 20% over Godzilla Vs Kong, 7% above Mission: Impossible – Dead Reckoning Part One and 3% ahead of both Ready Player One and The Batman.
Japan was the new bow this session with $1.7M including previews; that’s 22% above the opening weekend of Dune.
Villeneuve recently visited China in support of Dune 2, and the sophomore frame there added $9.8M for a local cume of $36.1M.
Internationally in like-for-like markets and at today’s exchange rates, the Warner Bros/Legendary Entertainment sequel is tracking 67% ahead of 2021’s Dune, 47% bigger than Transformers: Rise of the Beasts, 20% over Godzilla Vs Kong, 7% above Mission: Impossible – Dead Reckoning Part One and 3% ahead of both Ready Player One and The Batman.
Japan was the new bow this session with $1.7M including previews; that’s 22% above the opening weekend of Dune.
Villeneuve recently visited China in support of Dune 2, and the sophomore frame there added $9.8M for a local cume of $36.1M.
- 3/17/2024
- by Nancy Tartaglione
- Deadline Film + TV
It isn’t every week that two of the biggest jobs in film are filled within a matter of days, but that was the case last week. On February 26, Disney’s live-action president of Walt Disney Studios Motion Picture Production Sean Bailey exited, making way for Searchlight’s David Greenbaum to take the top job. Two days later on Feb. 28, Rideback’s Dan Lin was tapped to take Scott Stuber’s open seat atop Netflix’s film division.
Greenbaum made his bones on prestige indie films and original, auteur-driven stories. He’s now taking the job at a company that has spent the last 15 years mining IP and playing the hits. Lin is a franchise builder now stepping into an environment known for chasing big prestige swings.
It appears Disney and Netflix are heading in opposite directions. One agent who spoke with IndieWire called it a role-reversal between Disney and Netflix; at one point,...
Greenbaum made his bones on prestige indie films and original, auteur-driven stories. He’s now taking the job at a company that has spent the last 15 years mining IP and playing the hits. Lin is a franchise builder now stepping into an environment known for chasing big prestige swings.
It appears Disney and Netflix are heading in opposite directions. One agent who spoke with IndieWire called it a role-reversal between Disney and Netflix; at one point,...
- 3/8/2024
- by Brian Welk
- Indiewire
Sarah Polley is no longer attached to direct the live-action remake of “Bambi” for Disney, IndieWire has learned. The remake of Disney’s 1942 animated classic is still in development at the studio, even after the recent exit of live-action film head Sean Bailey. An individual with knowledge of Polley’s exit said there’s no drama in the split but simply said things didn’t work out.
TheWrap first broke the news in an analysis of Bailey’s exit. Bailey, in his 15-year tenure at Walt Disney Studios, had pioneered and greenlit virtually all of Disney’s streak of live-action remakes of animated classics, some mega hits like “The Lion King,” “Aladdin,” and “Beauty and the Beast,” and some like the recent “The Little Mermaid,” “Haunted Mansion,” and others that underwhelmed at the box office. Some of Bailey’s lingering projects include live-action takes on “Moana,” “Lilo & Stitch,” and “Mufasa: The Lion King.
TheWrap first broke the news in an analysis of Bailey’s exit. Bailey, in his 15-year tenure at Walt Disney Studios, had pioneered and greenlit virtually all of Disney’s streak of live-action remakes of animated classics, some mega hits like “The Lion King,” “Aladdin,” and “Beauty and the Beast,” and some like the recent “The Little Mermaid,” “Haunted Mansion,” and others that underwhelmed at the box office. Some of Bailey’s lingering projects include live-action takes on “Moana,” “Lilo & Stitch,” and “Mufasa: The Lion King.
- 3/7/2024
- by Brian Welk
- Indiewire
Nibbler the Nibblonian first appeared on "Futurama" in the episode "Love's Labours Lost in Space", wherein Leela (Katey Sagal) assumed he was a poor, lost animal that merely needed a home. She put an adorable red cape on him and outfitted him with a diaper. Nibbler had a voracious appetite and could consume many, many, many times his own body weight in pork products in a single day. Nibbler would then poop out perfectly round spheres of solidified dark matter that, quite conveniently, could serve as starship fuel.
It was later revealed that Nibbler was, in fact, Lord Nibbler, an impossibly ancient being -- born around 274 Bce -- who could speak in a clear, deep voice. He belonged to a species that possessed fleets of tiny, adorable warships and who were occasionally kidnapped and farmed for their fuel-pooping abilities. For years, whenever someone saw Nibbler speak, he could activate his...
It was later revealed that Nibbler was, in fact, Lord Nibbler, an impossibly ancient being -- born around 274 Bce -- who could speak in a clear, deep voice. He belonged to a species that possessed fleets of tiny, adorable warships and who were occasionally kidnapped and farmed for their fuel-pooping abilities. For years, whenever someone saw Nibbler speak, he could activate his...
- 3/7/2024
- by Witney Seibold
- Slash Film
While forgettable to anyone not tasked with remembering it, Guy Ritchie’s 2019 feature film “The Gentlemen” does embody the two distinct halves shaping the writer-director’s career to date. At the height of its binary world are the aristocrats: affluent Englishmen whose titles and estates grant them access to a refined class of lords and ladies. On the other end are the criminals: conniving Brits who do the dirty work necessary just to get by. What brings them together is Mickey Pearson (Matthew McConaughey), an American living in London who builds a massive marijuana business by hiding his farms under the sweeping landscapes of the rich and fortified. The aristocrats get a hefty kickback to support their lavish lifestyle, and the criminals get the relative safety only wealth can offer. Two classes colliding — which happens once someone inevitably screws up — is what gives “The Gentlemen” its juice. Or it’s supposed to,...
- 3/7/2024
- by Ben Travers
- Indiewire
Exclusive: Effective immediately, Walt Disney’s President of Motion Picture Studios Sean Bailey, who turned the company’s animation vault into a multibillion-dollar live-action movie business, is departing after 15 years on the lot. Searchlight co-president David Greenbaum will take on a newly created role. He’ll be president of Disney Live action and president of 20th Century Studios.
Greenbaum’s new title will be President, Disney Live Action and 20th Century Studios. He’ll report to Disney Entertainment co-chairman Alan Bergman. Steve Asbell will continue to serve as President, 20th Century Studios, a role he’s had since March 2020. He will report to Greenbaum.
This splits up the Searchlight Pictures executive team of Greenbaum and Matthew Greenfield, two of the most highly regarded execs in the prestige film space who right now have Poor Things squarely in the Best Picture race and other Oscar categories. That duo succeeded longtime leaders Steve Gilula and Nancy Utley,...
Greenbaum’s new title will be President, Disney Live Action and 20th Century Studios. He’ll report to Disney Entertainment co-chairman Alan Bergman. Steve Asbell will continue to serve as President, 20th Century Studios, a role he’s had since March 2020. He will report to Greenbaum.
This splits up the Searchlight Pictures executive team of Greenbaum and Matthew Greenfield, two of the most highly regarded execs in the prestige film space who right now have Poor Things squarely in the Best Picture race and other Oscar categories. That duo succeeded longtime leaders Steve Gilula and Nancy Utley,...
- 2/26/2024
- by Anthony D'Alessandro and Mike Fleming Jr
- Deadline Film + TV
Before Blu-ray or DVD, before you could just open up an app on your phone and stream things, there was the beloved VHS tape, that most bulky of physical media. Whether you rented them from Blockbuster, owned a library of them and organized them neatly in the shelves running alongside your home entertainment center, used them to record your favorite movies or TV shows, or simply prayed for your teacher to pull one out on a Friday afternoon in middle school, the VHS tape was king of ’80s and ’90s home media.
There was simply nothing better than the experience that came with popping one of these bad boys into your Vcr — unless the film was a stinker, of course, but then again, you probably still at least remember watching it, unlike so much of the mindless filler on today’s streamers. In fact, let’s take a stroll down...
There was simply nothing better than the experience that came with popping one of these bad boys into your Vcr — unless the film was a stinker, of course, but then again, you probably still at least remember watching it, unlike so much of the mindless filler on today’s streamers. In fact, let’s take a stroll down...
- 2/24/2024
- by John Saavedra
- Den of Geek
Exclusive: An eclectic collection of upcoming projects ranging from Guy Ritchie’s debut TV series to Nicolas Winding Refn’s The Famous Five to an Italian-language series for Netflix are tied together by one constant: Moonage Pictures.
Frith Tiplady, Matthew Read and Will Gould’s London outfit has been one of the quieter British drama production houses of the past few years but is signaling itself this year with a wealth of long-gestating projects making their way to the screen, and they are buoyant in the face of a tricky market.
Shows incoming include the Miramax and STX Television co-produced Gentlemen TV series spin-off that has seen Moonage work with Snatch auteur Ritchie for the first time, a big-budget BBC adaptation of Holly Jackson’s A Good Girl’s Guide to Murder, The Famous Five for the BBC and Zdf, and Netflix Italy’s The Leopard – one of the streamer’s...
Frith Tiplady, Matthew Read and Will Gould’s London outfit has been one of the quieter British drama production houses of the past few years but is signaling itself this year with a wealth of long-gestating projects making their way to the screen, and they are buoyant in the face of a tricky market.
Shows incoming include the Miramax and STX Television co-produced Gentlemen TV series spin-off that has seen Moonage work with Snatch auteur Ritchie for the first time, a big-budget BBC adaptation of Holly Jackson’s A Good Girl’s Guide to Murder, The Famous Five for the BBC and Zdf, and Netflix Italy’s The Leopard – one of the streamer’s...
- 2/23/2024
- by Max Goldbart
- Deadline Film + TV
Kent Melton, the animation sculptor who created maquettes made of clay for iconic characters found in movies including Aladdin, The Lion King, Mulan, The Incredibles and Coraline, has died. He was 68.
Melton died Thursday at his home in Stone County, Missouri, of Lewy body dementia, family members told The Hollywood Reporter.
One of the few artists left in the industry who still sculpted in clay, Melton was a key player in the Disney animation renaissance of the 1990s. Later, he helped Laika Studios become a stop-motion powerhouse. Along the way, he was entrusted by animators to bring their two-dimensional drawings into a three-dimensional world.
Melton’s first Disney credit came on Aladdin (1992), followed by work on such other studio films as Thumbelina (1994), The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), Mulan (1998), The Prince of Egypt (1998), Tarzan (1999), The Road to El Dorado (2000), Atlantis: The Lost Empire (2001), Spirit: Stallion of the Cimarron...
Melton died Thursday at his home in Stone County, Missouri, of Lewy body dementia, family members told The Hollywood Reporter.
One of the few artists left in the industry who still sculpted in clay, Melton was a key player in the Disney animation renaissance of the 1990s. Later, he helped Laika Studios become a stop-motion powerhouse. Along the way, he was entrusted by animators to bring their two-dimensional drawings into a three-dimensional world.
Melton’s first Disney credit came on Aladdin (1992), followed by work on such other studio films as Thumbelina (1994), The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), Mulan (1998), The Prince of Egypt (1998), Tarzan (1999), The Road to El Dorado (2000), Atlantis: The Lost Empire (2001), Spirit: Stallion of the Cimarron...
- 2/22/2024
- by Mike Barnes
- The Hollywood Reporter - Movie News
Disney loves a live-action remake. The House of Mouse has discovered that instead of coming up with new ideas they can simply remake their classic animated flicks into live action. The results have been pretty darn profitable, and the studio shows no signs of stopping — there are currently live-action remakes of "Moana" and "Lilo and Stitch" on the way. One of their successful live-action remakes was the 2019 take on "Aladdin," helmed by — believe it or not — Guy Ritchie. The film was a smash, hauling in over $1 billion worldwide and going on to become the ninth highest-grossing film of 2019.
When you make numbers like that, a sequel can't be far behind. Sure enough, in 2019 the film's producer, Dan Lin, revealed that Disney was in the early stages of developing a sequel. But that's the last we've really heard of the potential follow-up. The live-action "Aladdin" starred Will Smith as the Genie...
When you make numbers like that, a sequel can't be far behind. Sure enough, in 2019 the film's producer, Dan Lin, revealed that Disney was in the early stages of developing a sequel. But that's the last we've really heard of the potential follow-up. The live-action "Aladdin" starred Will Smith as the Genie...
- 2/21/2024
- by Chris Evangelista
- Slash Film
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