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- Images of surreal or grotesque body parts and babies invade photographic landscapes, set to humpback whale songs.
- Cameraless animation perfectly synched to the eponymous 1969 track by The Flock (Rick Canoff, John Gerber, Fred Glickstein, Jerry Goodman, Ron Karpman, Frank Posa, Jerry Smith, Tom Webb). The cameraless technique was essentially invented by Lawrence Janiak, Garland's instructor, well known in experimental film circles.
- Steve Reagan presents a prologue on symbolism, then Barbara introduces Marc, who has a task neither easy nor difficult. He walks the streets of Chicago with a bouncing ball animation on Willie Nelson's "Stay all Night", (stay a little longer). He then finds a metal ball under a box of McDonald's. Meanwhile, a man in a tuxedo top and tails and bell-bottom jeans starts a tape of Mozart's 40th symphony, and pretends to conduct it from a bridge over highway 240. Then Marc is covered in silver cloth and Christmas lights.
- Once we were all together you and the moon and I, but on the night you left me the moon raced back to the sky, racing with the moon sailing thru the midnight blue, and then all too soon it's lost from view.