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- In April, 1975, civil war breaks out; Beirut is partitioned along a Moslem-Christian line. Tarek is in high school, making Super 8 movies with his friend, Omar. At first the war is a lark: school has closed, the violence is fascinating, getting from West to East is a game. His mother wants to leave; his father refuses. Tarek spends time with May, a Christian, orphaned and living in his building. By accident, Tarek goes to an infamous brothel in the war-torn Olive Quarter, meeting its legendary madam, Oum Walid. He then takes Omar and May there using her underwear as a white flag for safe passage. Family tensions rise. As he comes of age, the war moves inexorably from adventure to tragedy.
- Roger uses his son Igor to ruthlessly traffic and exploit undocumented immigrants. When one of the immigrants is killed, Igor is guilt-ridden and wants to care for the dead man's family against his father's orders.
- The true story of controversial leader of independent Congo Patrice Lumumba.
- The story is set in the 12th century in Arab-ruled Spanish province Andalusia, where famed philosopher Averroes is appointed grand judge by the caliph and his liberal court judgments are not liked by everyone. The caliph's political rivals, centered around the leader of a fanatical Islamic sect, force the caliph to send Averroes into exile, but his ideas keep on living thanks to his students.
- A young woman attending a conference in Tangier with her husband is kidnapped and raped, but rebuilds her relationship with her husband on a trip to the south of Morocco.
- A young Egyptian with acting ambitions leaves his country for France with dreams of becoming a movie star, much to the disgust of his father, who wants him to move to Saudi Arabia and get rich.
- After the end of the Cambodian Civil War, people in Cambodia struggled in their return to their normal lives. Among them is a kick boxer Savannah (Narith Roeun). A survivor of the war, who lost most of his family to the horrors of the Khmer Rouge, he lives with his uncle in Phnom Penh. Savannah begins a romance with a 19-year-old bar girl, Srey Poeuv (Chea Lyda Chan). She is humiliated by her debts to the bar's owner, and is forced to keep working. Savannah wants to help Srey clear her debt, so he teams up with an ex-soldier and plans a crime that could net him some money.
- In West Africa during the late 17th century, King Adanggaman leads a war against his neighboring tribes, ordering his soldiers to torch enemy villages, kill the elderly and capture the healthy tribesmen to sell to the European slave traders. When his village falls prey to one of Adanggaman's attacks, Ossei manages to escape, but his family is murdered except for his captured mother. Chasing after the soldiers in an effort to free her, Ossei is befriended by a fierce warrior named Naka.
- Inspired by the book of Genesis, this film tells the power struggle between two families: a clan of herders led by Jacob and another clan of hunters fronted by his brother Esau.
- Cameroonian filmmaker Bassek ba Kobhio provides a fascinating revisionist perspective on Albert Schweitzer, Noble Peace Prize winner and secular saint of the colonial era. Like FRANTZ FANON: BLACK SKIN, WHITE MASK, this film begins to rewrite the history of colonialism from the point of view of the colonized. LE GRAND BLANC DE LAMBARÉNÉ is not, however, a facile exercise in iconoclasm but rather a deeply-felt lament for a missed opportunity, for a cross-cultural encounter between Africa and Europe which never happened. The film reveals that the ultimate tragedy of colonialism may have been its refusal to see and value the colonized as autonomous, creative human beings. The film's epigraph, ironically, is a famous remark by Schweitzer himself: "All we can do is allow others to discover us, as we discover them."
- A young family move into an apartment in a modern high-rise building ... what could be more normal? But why is the young wife afraid to leave her toddler alone? What other dark thing could also be living in the apartment building, in the service ducts and elevator shafts where people seldom go?