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- Following over two dozen different people in the almost wordless atmosphere of a dark night in a Brussels town, Akerman examines acceptance and rejection in the realm of romance.
- A look at life in Eastern Europe after the collapse of the Soviet Union.
- We call those who suffer from the melancholy of eternity, eternals. Convinced that death cannot triumph over their lives, they believe that they are doomed to wander in anticipation of the day when they will be freed from their existence. This film is a story of wandering and fleeing, on the borders of Nagorno-Karabakh, an Armenian enclave in Azerbaijan. Inhabited by the ghosts of genocide and by the war that has raged there for over twenty years, the characters who pass through this film carry within themselves the melancholy of the eternals.
- Summertime in the north Italian countryside. Giacomo, a nineteen year old who went deaf when he was young, and Stefania, his childhood friend, take a stroll along the river for a picnic. Having left the beaten track, they get lost and stumble across a paradise where they find themselves alone and free for an afternoon that seems to last the entire summer.
- The question of domestic slavery in our globalized world, while emphasizing those women's determination, sisterhood and the strategies they find to face the obstacles that awaits them in the near future.
- Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.
- 12-year old Anton is spending his summer holidays at Kaskad military training camp, where he and 60 other Russian children are subjected to tough exercise regimens created by President Putin for the fight against Muslim Chechens.
- In Ulan Bator, Mongolia, the cur Baatar is shot by a hunter hired by the authorities to get rid off the dogs in the city. Its soul recalls its life, when it was a shepherd dog of a family and was abandoned in the field and walked to the city. Then it recalls when it meets a young woman that is near to have a baby.
- Fabienne Roelants and Christine Watremez, anesthetists at the St Luc clinic in Brussels, are among the most renowned specialists in surgical hypnosis. Their voices guide thoughts and can recompose reality. As practitioners, they nurture the doctor-patient relationships that are often damaged by modern medicine, and invite our imaginations to take center-stage in operating theaters.
- Twelve young women aged 20 to 25 tell the story of their sexuality since childhood. In their room, face camera, they address the two women directors in prey to the same questions. They remember the first sensations, the hazardous explorations, the conversations in the dark and the unexpected obstacles. All are moved, each in their own way, by the same impulse: the quest for a fulfilling, free and egalitarian sexuality.
- Two Palestinian lovers, parted during the 60s when he is imprisoned for resisting the Israeli occupation and she sorrowfully emigrates to the US, come together again in Jerusalem some 18 years later. He works for an agricultural aid organization, she is a scholar researching the meaning of sacrifice in Palestinian society. Around them rages the turmoil of the first Intifada
- Tahiti, French Polynésia, another face of contemporary colonization born of the thirty years of French nuclear tests and the vital impetus of the Maohi people trying to survive and who, silently, are seeking the path of independence.
- Hazem arrives in Belgium after a painful journey from Gaza. Elettra arrives in Brussels to study documentary film. Their first moments together trigger the desire to know each other and the camera becomes the tool they share for understanding. Exiles and inner migrations find a way to just and softened gazes.
- Sabri left to combat in Syria, leaving his family alone in the face of such sudden and unbearable absence. Saliha, his mother, decided not to keep silent. Her story intertwines that of other parents who unite and fight against the youth indoctrination by the jihadist networks.
- Rima who fled Syria with her family, struggles with her integration in Brussels. Caught between tradition and modernity, she draws her memories of her previous life in dialogue with an Iranian filmmaker, herself a newcomer to Belgium.
- Thiery Michel takes an in-depth look at the reign of Mobutu Sese Seko. A man of "modest roots" who had a Catholic upbringing, Mobutu was sent to the army by his father for insubordination. Soon he would be Patrice Lumumba's right-hand man...
- Since the recent death of Nicolae Neacsu, star violinist of the Taraf de Haïdouks, things have taken a turn for the worse in Clejani, a village in the south of Romania. Young musicians without work chase away their depression with drugs and dreams of the West. Marius grabs his accordion and plays some gypsy blues to charm the moneylenders who demand their due, to seduce a beautiful chick or maybe even attract Johnny Depp who, it seems, promised to be godfather to his youngest child. Won, stolen, borrowed or exchanged, money is the only way to thwart the fate that dogs this small gypsy community. Clejani is a chasm at the end of a road. Some are willing to do anything to get away.
- This movie-letter is for my father who had this dream: me I my sisters living in Comoros. It never happens. This movie-letter is also a road-movie all around the four comorian islands.
- Documentary about a couple of American tourists on a two-week European tour.
- An investigation about Muslim women's sexuality in Tunisia, including virginity prior to wedding.
- The Belgian filmmaker Manu Bonmariage, known as the spiritual father of the Striptease show, now has Alzheimer's at 76. Although his memory plays tricks on him, his daughter Emmanuelle goes back in time to portray a direct cinema filmmaker who was always close to the characters he so loved to film.
- Arnaud is my little brother. One day I realized that he had grown up. He was born where people have no choices and he is trying to be what he should have been. Free.
- On January 14, 2011, four weeks of national wide uprisings throughout Tunisia resulted in the overthrow of dictator Zine El-Abidine Ben Ali after 23 years of unchallenged rule. But, as unexpected and dazzling as it may have appeared to the eyes of the whole world, the Tunisian revolution is part of a much larger story. Democracy Zero Year retraces the scenes of three years of struggle, which range from the first revolts in the mining basin of Gafsa in January 2008 until the first free elections in October 20112.
- Depicts contemporary Iran at a turning point in its history, exposing both an extreme fundamentalism being fostered by its leadership and the seeds for change in its youth culture.
- When Huntington's disease occurs, it changes body, soul, moods, thoughts, emotions, energy and also relationships with nearest and dearest. Once diagnosed, every carrier faces the test of time in a unique way. How to reinvent oneself, while evolving together with the disease? A film about the art of living in perpetual metamorphosis.
- Lubnan is a young man from Iraq who has just arrived in Belgium. While he is struggling to get his papers, he takes us on an existential journey through his feelings, thoughts and desires.
- 'The world escapes me, I can't find my place but in my dreams, I'm it belongs to me', seem to say. Congolese media and their audiences in the choir. A socio- economic portrait of the 'Jet Set' Congoles through the League of Ambianceurs and people of elegance.
- Men between 20 and 40 who have been confronted with an unforeseen pregnancy. In most cases, abortion followed. They reveal their feelings and thoughts about this event. Through these life stories, the film reflects on a man's place in the relations between women and men.
- Rooted in Polynesia, this wandering movie explores in 27 fragments the various way in which time can be represented. By putting together a multi-layered image of time, it questions the boundaries between art and sciences, between so called advanced civilization and native culture, between the past, present and future.
- A diffraction of the autobiography using family footage filmed between the 1940s and today, this "science fiction documentary" creates multiple "I"s and transcends a story of mourning.
- Portray of some families with financial problems in Charleroi.
- A woman of Turkish ascent, following ancient Anatolian healing rites, dreams her way through fragments of memory, both personal and collective. Guided by a mythological character, Kheiron the Centaur, she travels freely between the ruins of an ancient Roman hospital and the streets of a mountain village, high above the river Euphrates. Time and space become dislocated, opening up passages between worlds. An inner experience translated into a film poem, KAZARKEN explores memory as a place of struggle against oblivion and the violence of hidden history.
- A few moments in the life of four girls who are busy... growing up. Almost imperceptibly, they get to the age of twelve, then twelve and a half, then thirteen. The mother of one of them (the director) watched them, as they grew, with tenderness tinged with a slight touch of worry. A chronicle of passing time.
- Les Marolles, a working class district in central Brussels, just a stone's throw from the flea market. Built in 1949, inaugurated in 1953, the Baths continue to offer two swimming pools and public showers. A fabulous melting-pot, locals come to recharge their batteries, train, chat, find a sense of peace.
- Frans Masereel is one of the most fascinating Belgian artists of the 20th century. His work, essentially composed of black and white engravings, is a cry of rebellion against the tragedies of his time. Forced into exile for his pacifist convictions, he embodied, alongside writers like Stefan Zweig and Romain Rolland, the dream of a cultural and brotherly Europe. Through an imaginary correspondence the director addresses to the artist, the film sketches the portrait of a free, touching man who, throughout his life, attempted to break free of art dealers and put his creations in the hands of all.
- Two women's relationship, bound by the degenerating illness of one of them, who is blind and slowly dying. In this 'huis-clos', the Director finds himself cornered between reality and appearance, madness and reason, truth and lies.
- Berlin-Hohenschönhausen was no ordinary place of detention. This former STASI preventive prison did not appear on the maps of East Berlin and had the sinister particularity of having as many interrogation rooms as cells. Symbol of the repressive system of the former GDR, its real function was psychological "decomposition". Three testimonies today echo this topology of terror, in the absence of the torturers. "There are always people who say: you cannot change men by force. They say: it's not so sure, we know our job and have a lot of time.