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- An investigative journalist delves into the world of illegal underground fighting.
- With the desire to help answer unresolved questions and heal lingering wounds, Inay investigates the flawed immigration pathways between the Philippines and Canada that kept so many Filipino children from their mothers. Inay, which means "mama" in Tagalog, is an intimate and personal look at the experiences and trauma endured by many Filipino Canadians. Filmmaker Thea Loo and her husband Jeremiah Reyes, who is also the film's Director of Photography, explore the intersections of mental health and migrant labor and the effects that continue to be felt years later. Through intimate conversations, this self-reflexive documentary aims to bridge the silences and disconnect between the first and second generations of the Filipino community.
- The day of reckoning has begun. And the souls of mankind rest in the hands of Sierra, an atheist, junkie college girl, and Father Stone, a hunky young Catholic priest who must protect her from Satan's army of evil knights. It appears that the good guys will lose in the impending Armageddon unless some misplaced biblical relics find their way back into the hands of the church. Throughout their battle with evil, Stone and Sierra must deny their rising feelings for each other, as giving into them would jeopardize their responsibility to mankind.
- In 1945, following Nazi occupation, Hungary was again under siege. Russian troops looted the city, taking everything they wanted, setting homes on fire, and arresting innocent passers-by. Toward the end of the war the population had to live exclusively on whatever stocks or reserves it had piled up. By 1945 the situation was so desperate, that animal corpses (often flattened by tanks) had also been eaten. But the most tragic losses were the hundreds of thousands of people whom the Soviet Army seized for deportation to Russia. Malinka robot - "a little work" - was the slogan with which the population was taken. After the Soviet Army enters Hungary in the dead of winter, and destroys most of Budapest, Anna, her critically injured husband and their two children find refuge in a barn with a kind country family. The little they have left of their upper class family fortune is now useless in war-torn Hungary, as even gold can't buy food. Lacking even in the most essential ingredients to nurse her husband back to health, Anna takes her children to a broken down Russian supply truck hoping to bring back some of its cargo: salt.