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1-4 of 4
- Giano and Luc are traveling through the woods when a storm breaks, forcing them to take shelter in Luc's villa. Gradually and insidiously, a competition emerges between them, with terrible consequences.
- Following the movements of ten people from different social and cultural backgrounds in São Paulo, the filmmaker redraws the map of South America's largest metropolis. It is the railway tracks, the taxi routes and the underground lines that both structure the city and reveal its rhythm, its daily rituals and the diversity of cultures that live within it.
- It follows the roads that lead into the cold darkness of Italian decline of the family, of patriarchal society, of educational firms, of religion and a land where common shared space is molded by a drab, egotism, even its revolutionary.
- The "water roads" are at times the only practicable roads across the Amazonian forest. Even for the local inhabitants, life along the river means keeping it navigable and protecting it from the environmental damage caused by deforestation. Augusto Contento brings a light, lyrical touch to a world fast disappearing, never straying from the river itself, in an unusual road movie that rides Brazil's majestic watery highways and gives voice to a profusion of enough scholars, river dwellers, and travelers to do a magical South American novel proud.