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1-17 of 17
- After "Sevillanas", "Flamenco" or "Fados, Carlos Saura gets once again behind the cameras to shoot a musical documentary about la Jota, the traditional dance and folk music from his homeland: Aragon During the shooting of "LA JOTA", Carlos Saura puts forward a new journey starting from the most basic and rooted to his land's folk singing and traditional dance, to those who anticipate the future of this powerful music; in a visual journey where the scenery and the light will be the support of the story, intending to leave a vital, historical and unique document to future generations, that serves as a memory and reference for everyone who loves music.
- TV Series
- Carlos Saura shows us in this piece his personal vision of the land where he was born. Throughout the seasons we enter a route that ranges from the green Pyrenean landscapes to the Monegros desert. The images offer us the beauty of this Aragonese land but also reflect the harshness of its contrasts.
- Inma is a dance teacher and she believes flamenco can heal the soul. Guided by her intuition, she undertakes a journey from Cadiz to the Balkans to teach women and children who live in the shadow of war, and who search to free their bodies from spaces that imprison them. During this interlude in their lives, Inma and her students explore their fears and most intimate desires to the limit, between damage and passion, bringing into play each one's true personality. In the dance hall, rigidity gives way to movement IN SILENCE.
- The Costarican sculptor José Sancho is invited by the Pera Museum (Instambul, Turkey) to make a retrospective exhibition of his art and job in the summer of 2017. For a complete year, previous to the exhibition opening, we will follow the sculptor and will see all the preparation for the exhibition, we discover his vision of arts and his expectations before this challenge. We will interview some experts who will talk us about his jobs, about the Costarican Art and about the place taken by Jose Sancho nowadays. By their hand, we will understand his work, the development of it through the years and we will meet the artist, his environment and his life.
- Zarzuela en Femenino is not just a lyrical recital. Zarzuela en Femenino is quite an audiovisual show where a different pictorial journey is proposed and walks with a selected and pampered musical repertoire: unusual lyrical treasures in a great staging that enable the singers to show off their talent. A freshness live performance, a theatrical show in a direct relationship with painting, a "romanzas" those show us women remembering absent men, missing men, desirable men, hateful men, beloved men. - Performed by actual women, with a real manly presence, with human behaviors that actually, have nothing to do with those lyrical letters meant. What will be the result? A feminist point of view about Zarzuela? Let's check it!!.
- Two singers, conservatory's fellows are at the unemployment office where they accept a job as museum guards. Their love anxieties and frustrations will be wiped away by songs and music. The baritone sacrifices his powerful voice for love, while the tenor succumbs to the charms of a despot director who has her own idea of how to run a museum. The organization of a musical gala will be the trigger to reformulate everything in a more harmonious way.
- Victor is a hermit desperately searching for a cow that has disappeared from his small ranch. He suspects an indigenous neighbor who he has had problems with before.
- A collective portrait of a country and an era with its frustrations, satisfactions, greatness and misery.