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1-8 of 8
- Filming in subjective camera, the author follows her Japanese mother on a trip to Japan in 2013. From Kôbe to the areas affected by the March 2011 tsunami and the house of writer Natsume Sôseki, we discover a poetic mother, and the complex relationship between the two. Gradually, emerges a portrait of two « in between » With the archive films shot In Japan by the grandfather between 1931 and 1940, the trans-generational question arises, with its connection to the disaster too. This travel through the country is also an initiation trip through time, an intimate confrontation with the impermanence of things, the Mujô.
- Marin lives alone in a hut in the middle of the grand extents of Argentina. A few visits sometimes break his solitude. The meeting with a foal gives a human dimension to this wild tale. A western without shots nor fights.
- The Californian military base, Twentynine Palms, is a transit point for very young Marines who stay there after returning from Iraq or Afghanistan. How can they"kill" time from now on?
- Tarpan is a road-movie by feet, an adventure film in rural areas. Launched on the road into a mysterious quest, they are interrupted by an unexpected encounter. The stranger leads them in a delicate situation and leaves them alone. Telling more would undermine the suspense.
- A bunch of teens is involved in the shooting of a movie by two directors. Soon, the fiction seems to take gradually over the real life. Through the doubts and impulses of adolescence, CLIFFS proposes to return on that age to better remember how to get out of there.