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Dilip Kumar (1922-2021) is widely considered the greatest acting exponent India ever produced. Born Muhammad Yusuf Khan on December 11, 1922, in Qissa Khwani Bazaar, Peshawar, British India (present-day Pakistan), he is better known by his stage name Dilip Kumar given to him by actress and owner of Bombay Talkies, Devika Rani. Credited with pioneering method acting in Indian cinema in mid-1940s, before Marlon Brando introduced it to Hollywood in 1950s, he has been often called as "Abhinay Samrat" (Hindi for "Emperor of Acting") by the audience. He was the biggest Indian star since Post-Independence period throughout 1960s, starring in some of the biggest commercial and critical successes of Indian cinema. It is to be noted that according to major trade analysts, many of his big commercial successes were films with apparently no commercial/entertainment value, which relied heavily on his histrionics to succeed, an extremely rare feat in the annals of cinema worldwide. Box Office India quoted that any such an instance has never happened with any other star, as their films had to be backed by at least few commercial elements/genres to succeed. Irrfan Khan, while saying that Kumar is the only one who should be called "legend", justifiably quoted the reason as, "the combination of artiste and star that he brought, started and ended with him."
Born to a fruit merchant, Lala Ghulam Sarvar Khan and his wife Ayesha Begum, Yousuf Khan and his family would migrate to Bombay Province, to expand their family business in 1930s which had come to a halt due to the complications of WWII. He had his schooling in Deolali and graduation in Mumbai. He started with managing a shop and selling fruits in an army canteen in Pune. Upon a rebellion in the canteen during Indian National Movement, he gave a speech justifying India's struggle for Independence, which resulted in his eviction from the canteen. A chance encounter with Devika Rani, got him opportunity to work for Bombay Talkies, at remuneration of Rs 1250/- per month. Having no clear intention of working there, he still accepted the job because of the high salary. Kumar later accepted that by the age of 14, he hadn't watched a film, and later in his teenage, watched few English films. Devika Rani selected Dilip Kumar as his stage name (a common tradition back then) from the 3 names suggested by Pandit Bhagvati Charan Verma, which also included Vasudev and Jehangir. Kumar in 1970, in an interview told that, one of the main reason, he agreed to adopt a stage name was out of fear of his father, who was strictly against films due to their poor reputation among the masses at the time. He further said that on being offered to choose among the three names, he expressed that he was okay with any of them. Later, he got to know his stage name, when it was first published in a newspaper.
Kumar's first film as an actor was Jwara Bhata (1944), which was the 6th highest grossing Hindi film of the year, according to some sources, though not really profitable. His performance was severely criticized by the major critic of the time, Baburao Patel of FilmIndia. Similarly the next venture, Pratima (1945) was also flop and his work again criticized. The next venture, Milan (1946), directed by Nitin Bose, proved to be fruitful for Kumar, not only because it was successful commercially, but his acting sensibilities greatly improved during the period of its filming. However his performance was still criticized by FilmIndia. The success of the next film Jugnu (1947), which was the highest grossing Indian film of the year, established him as the first star of Post-Independence India and arguably, the biggest star of the country at that moment. His performance was appreciated by Baburao Patel for the first time. However, he severely criticized the film, writing a letter to the then Home Minister (who later went on to become Prime Minister under Janata Dal in 1977), Moraji Desai, asking him to ban the film. It was banned for a few months, after which the ban was uplifted. The film, already a roaring success, became an even bigger hit, after it was re-released. The period starting from here till at least 1961, was a period of raging success in Kumar's career, both critically and commercially, which cemented his legacy notch above his contemporaries. Post 1961, the workload slowed, with fewer releases thereafter and also slowed their commercial success, although his earlier films still doing great in re-releases, many times higher than many of his contemporaries' fresh releases. During this period, his two main contemporaries were Raj Kapoor and Dev Anand. The three of them were sometimes referred collectively as "the golden trio" of this period, with camaraderie between the three contemporary actors famous and each renowned for their own style.
Shaheed (1948) is cited by many to be the first true Dilip Kumar film, in the sense his legacy was to be built on performances like this in the years to come. It was a roaring success, highest grossing Hindi film of the year. Andaz (1949), a record grosser at the time, starring Nargis and Raj Kapoor along with Kumar, popularized the theme of love triangles in Indian cinema. His performance in the film was superlatively appreciated by masses and critics alike. Baburao Patel's review headline read "Dilip Kumar draws crowd to cinemas". His dramatic performances in the next films till early 1950s, brought him the title of "Tragedy King". These intense performances, in which he immersed himself, had an adverse affect on his psyche. He consulted psychiatrists in London, who advised him to take up lighter roles. Interestingly, almost all of his lighter roles starting from Aan (1952) and Aazad (1955) were huge commercial successes. His performance in these roles were appreciated by masses and critics alike. Aan (1952) was the highest grossing Indian film ever at the time both in India and overseas. Post Aan, Kumar's popularity again took a big leap, establishing him as undisputedly the biggest star of the country. Devdas released on 30 December, 1955 is considered one of the most iconic performance of his career. Although a moderate success when initially released, the film found greater success in subsequent years though re-releases, making it amongst the most popular role essayed by Kumar. All three Andaz (1949), Aan (1952) and Naya Daur (1957) briefly became the highest grossing Indian film upto that point, a feat later achieved by Kumar's Mughal-e-Azam (1960) in which he essayed the role of Prince Saleem (amongst his most popular roles), a record it held for 15 years. By adjusting for inflation, it is still the Highest-grossing Indian film of all time, as of 2022.
The decade 1950s was the most prolific decade of Kumar's career, with 21 releases of which only 1 film, namely Hulchul (1951) failed commercially. 5 (or even 6) of his films were placed in top 10 highest grossers of the decade by Box Office India. Similarly 9 (or even 10) of his 21 releases were placed among the top 30 highest grossers of the decade. The period from late 1940s to early 1960s is often referred to as the "Golden Age of Hindi cinema and music". The 1950s decade is also important in terms of popularising cinema and filmi music in India and establishing it as a part of popular culture. The decade also saw the rise of stars (in true sense), commercialisation of industry as well as rise in the number of theatres. Kumar was the representative of this period, holding the status of a matinée idol and the country's highest paid actor.
Gunga Jumna released on 6 Jan, 1961, few months after the release of Mughal-e-Azam (1960) and Kohinoor (1960), represents the peak of Kumar's career both as an actor and star. His performance as robust and defiant Gunga is considered by many to be the greatest acting performance in the history of Indian cinema. It won him international laurels. His performance was profoundly appreciated by actors in the West. The film set the template for the "Angry Young Man" films starring Bachchan in 1970s and the theme of brothers on the opposite side of the law. After Gunga Jumna (1961), Kumar's workload slowed significantly, his next venture Leader (1964), failed to be a big commercial success. It did mediocre business. Next film Dil Diya Dard Liya (1966) is the first flop film of Kumar in over 15 years. Ram aur Shyam (1967) is the last big hit of Kumar's first innings (as an actor) in Hindi cinema. It was his first double role film and popularized "double role" and "lost and found" films in mainstream Indian cinema. 1970s saw Kumar's career as a lead actor take a downturn. Age was becoming a factor, and the onset of new stars further convinced Kumar to take a hiatus. Out of his 4 Hindi films released in 1970s, Gopi (1970) was the only clean box office hit. As per the new reports of Box Office India, Bairaag (1976), is either "Hit" or "Semi-Hit". In 1970, he acted in his only Bengali film, Sagina Mahato (which also has a Hindi version, Sagina released in 1974, starring Kumar). The film was reportedly a huge success in Bengal. He won BFJA (Bengal Film Journalist Associations) award for Best Actor for his performance in the film. In 1976, he took a five-year hiatus aligning on the above mentioned reasons.
He returned to the big screen playing the title role of Kranti (1981), the highest grossing Indian film of the decade, when adjusted for inflation. In this phase of his career, he played senior, mature roles who were the main characters of the films. Films were specifically written for him which also starred other actors playing young roles. Films like Kranti (1981), Vidhaata (1982), Karma (1986), and Saudagar (1991) were among the biggest hits of the time and all driven by him despite playing senior roles, a feat that had remained unprecedented even after him as per trade analysts. Some other films also found average success, including Shakti (1982), which starred Kumar along with Amitabh Bachchan in the lead roles. The film won him his last Filmfare Award for Best Actor. His next venture after Saudagar (1991) was the commercially unsuccessful Qila (1998), which also turned out to be his last. He retired from film industry in 1999.
Kumar had been involved in many relationships including Kamini Kaushal, with whom he fell in love on the sets of Shaheed (1948). Their relationship fell apart as Kaushal was married to her brother-in-law after her sister-in-law died in a car accident. Reportedly she married on the insistence of her family to look after the little children of her sister-in-law. His next relationship was with Madhubala, which started on the sets of Tarana (1951). It was a seven year long relationship that ended after the Naya Daur court case in which Kumar sided with the producer B.R. Chopra and testified against Madhubala's father, Ataullah Khan as he declined her to travel to the planned shooting locations at the last moment. However Kumar in his autobiography cites another reason that played an important role in the fallout; Madhubala's father insisted him to act only under his own banner after their marriage. In 1966, he married actress Saira Banu in a private ceremony. Their marriage survived for over 50 years until Kumar's death in 2021-despite undergoing an upheaval-Kumar's alleged second marriage with Asma Rehman in 1981, whom he met at a cricket match in Hyderabad, where she lived. He soon divorced her in 1983, describing this incident as a "grave mistake taken in pressure" in his autobiography.
Kumar died on 7 July 2021, due to kidney complications and other age related issues. He had no children through his marriage. At the time of his death he was survived by his wife Saira Banu.
As of 2022, he holds the record for winning 8 Filmfare awards for Best Actor ( later equalled by Shah Rukh Khan) and was also the inaugural recipient of the award. He has also won numerous other awards including Dadasaheb Phalke award in 1994. He is the recipient of Padma Vibhushan (in 2015) and Padma Bhushan (in 1991), India's second and third highest civilian honour respectively. He is also the only Indian recipient of Pakistan's highest civilian honour, Nishan-e-Imtiaz (in 1998). As of 2021, he holds the Guinness World record for having received the most awards by an Indian actor.
He holds several long standing box office records including giving at least 1 clean hit for 15 years straight, which is at least an Indian record, according to a trade analyst. Since independence till late 2010s, he held the record for giving the maximum number of highest grossing film of the year, 9 times which was then surpassed by Salman Khan. However as per latest Box Office India reports, highest grossing Indian film of 1991 was Kumar's Saudagar (1991) and not Salman Khan's Saajan (1991), thus perhaps re-establishing his long standing record. In regards to his films' success ratio, he is the most successful Bollywood actor (quite possibly, Indian actor) of all time, by a distance, as of 2022. These gigantic records, his overwhelming popularity across Indian subcontinent, North Africa, Eastern Europe, and beyond, especially among South Asian diaspora around the world, makes him easily among the biggest stars cinema has ever seen across the globe. He famously turned down David Lean's offer of the role which ultimately went to Omar Sharif in one of West's greatest critical and commercial success, Lawrence of Arabia (1962), which made a major Hollywood star out of Sharif. Justifying his decision, Dilip Kumar had remarked, "In your own bazaar you enjoy a certain status. What's the point of venturing out into fields unknown where you have no say? No contact with the subject matter." He was also considered for a role in another film Lean was working on, titled "Taj Mahal". Elizabeth Taylor was supposed to play the part opposite Kumar. However, the project was eventually shelved.
According to many, he is probably the first person to perform method acting on screen in mid 1940s. Despite not knowing what it meant by then, he had been practising it since a time when, perhaps, the term wasn't even coined. Kumar, who never went to any acting school, was described by the renowned filmmaker Satyajit Ray as "the ultimate method actor", despite not having worked with him. There are innumerable such complements by numerous luminaries across professions to quote, which is quite not possible; from the likes of the recent statement by Indian born naturalised British economist Lord Meghnad Desai, claiming Kumar to be the greatest actor on global scale to age old statements like the one by, V. Shantaram, one of founding fathers and pioneers of Indian cinema, prompted by Kumar's versatility expressed, "Had Shakespeare met Dilip Kumar, he would have added one more character to the already well-defined ones he had created." Most importantly, Dilip Kumar's complete impact is realized definitely in the fact how he changed the rules of acting and influenced generations of future artistes in Indian subcontinent (even his contemporaries), but also in the truth that at his best, he was the catalyst in expanding the reach of quality cinema, from metros to rural India, from classes to masses, from serious connoisseurs to common entertainment seekers. Some of the greatest critical successes became some of the biggest hits when he acted in them, liked, revered and celebrated by classes and masses alike. His intense, in-depth performances, eloquent silences and the most nuanced expressions observed and enjoyed and celebrated at the same time by the most casual entertainment seekers of his time. There have been some great artistes across the history. And there have been some huge stars across the history. But the instance of both of them being a single entity, elevating and expanding the art form to an even greater point, is true, an extremely rare sight, but equally magical while it lasts.you can not compare any actor to DILIP KUMAR in bollywood he is the BEST forever, you can compare him to the Legand MARLON BRANDO in the world.- Actor
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Naseeruddin Shah was born on July 20 1950, in Barabanki, a small village in Uttar Pradesh. He is a seasoned Bollywood actor and has received several awards for his notable performance in several movies. The actor has also been awarded the Padma Shri and the Padma Bhushan awards for his enormous contributions to Indian cinema.
Shah was born into a Nawab family. He studied at St. Anselm's Ajmer School in Rajasthan and St. Joseph's College in Nainital. He completed his graduation from the Aligarh Muslim University in 1971. He also attended the National School of Drama, New Delhi.
At the age of 19, Shah married Manara Sikri, who was 36 years old and a divorcee. Post one year of their marriage, their daughter Heeba Shah was born. However, the relationship didn't work out, and they decided to part ways after 12 years of marriage.
Shah met Ratna Pathak Shah, daughter of Dina Pathak and a Bollywood actor in the 1970s. They fell in love and went on to co-star in several films. They tied the knot in 1982. They have two sons together - Imaaduddin Shah and Vivaan Shah. The couple currently resides with their children in Mumbai.
At the age of 18, Shah acted in Sapnon Ka Saudagar (1968), starring Hema Malini and Raj Kapoor. However, his scene was removed before the release of the movie.
He made his Bollywood debut with an uncredited role in Aman in 1967, a film starring Rajendra Kumar Tuli and Saira Banu. From then onwards, he went on to feature in various movies like Nishant (1975), Jaane Bhi Do Yaaro (1983), Jaane Bhi Do Yaaro (1983), Katha (1983) and Junoon (1979).
In 1974, Shah founded a theatre company called Motley Productions, and their inaugural production was Waiting for Godot. He is also part of a theatre troupe and has performed across different cities like New Delhi, Lahore, and Mumbai. He has directed a few plays written by Lavender Kumar, Ismat Chughtai and Saadat Hasan Manto.
He started gaining popularity with his films Hum Paanch (1980) and Masoom (1983), which was shot at St Joseph's College, Nainital, where Shah had studied during his childhood. Another movie called Karma (1986), where he starred beside Dilip Kumar gained much acclaim.
Shah has been a part of several multi-star Bollywood movies like Ghulami (1985), Tridev (1989), and Tridev (1989). In 1994, he completed his 100th movie as an actor with Mohra (1994), where he played the role of a villain.
Shah has also been a part of international projects like the Hollywood adaptation of The League of Extraordinary Gentlemen (2003). He played the role of Captain Nemo in the film, which gained him a lot of praise.
In 2003, he acted in Vishal Bhardwaj's Maqbool (2003), an Indian adaptation of Macbeth, and in 2004, he appeared in Rajiv Rai's Asambhav (2004) with Arjun Rampal and Priyanka Chopra.
Shah has won several awards, including three National Film Awards, three Filmfare awards, one IIFA award and two Bengal Film Journalists' Association awards. He also received the Volpi Cup for Best Actor at the Venice Film Festival in 1984.HE is best actor now in bollywood.- Actor
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Dharmendra is one of the biggest stars of Indian cinema. Dharmendra Deol played the romantic hero in woman Cedric films from 1960-1968 and became romantic hero from 1968-69 and played the role of action hero from 1971-1997. Dharmendra has appeared in 306 films.
He is known as 'Garam' Dharam in Bollywood. Had the looks of a real gentle man, masculine body of a he-man and when it came to his films, he had a very humorous touch in his dialog-delivery and the timing.
Dharmendra's original name is Dharam Singh Deol. He was born in a Jat Sikh family in Phagwara in Kapurthala district in the Indian state of Punjab to Kewal Kishan Singh Deol and Satwant Kaur. He spent his early life in village Sahnewal and studied at Government Senior Secondary School at Lalton Kalan, Ludhiana. He did his intermediate from Ramgarhia College, Phagwara in 1952.
The heroics in his films - Phool Aur Patthar (1966), Jugnu (1973), Raja Jani (1972) and Loafer (1973) - are all quite remarkable and unforgettable. He got nominated for Filmfare best actor 4 times in his career though he couldn't get one but got "The Life Time Achievement" award in 1997 from Filmfare for his achievements, splendid performance during his times and wonderful career in Bollywood. Dharmendra was fond of movies from a young age. He participated in the Filmfare new talent contest, which he won and came to Mumbai from Punjab looking for work. He made his debut with Arjun Hingorani's Dil Bhi Tera Hum Bhi Tere (1960). After which he got supporting roles in the film Boy Friend (1961) and was cast as the romantic interest in several woman oriented films from 1960-1967, where the story revolved around the heroine's character and, he was usually cast as a romantic hero opposite senior established leading actress of the time and later, from 1974 on-wards, as an action hero. His major breakthrough was playing supporting role to hero Rajendra Kumar in Aaye Milan Ki Bela, where his character was negative and supporting role in patriotic film Haqeeqat (1964) and playing romantic interest in woman oriented films from 1960-1967 and playing supporting roles to Balraj Sahni, Ashok Kumar, Biswajit in some films from 1960-67 like Soorat Aur Seerat, Bandini, Mamta, Ghar Ka Chirag.His sensitive side was explored by Hrishikesh Mukherjee in Anupama (1966) and Satyakam (1969), the latter is considered one of the best performances of his career. He got solo hero stardom with the blockbuster, Phool Aur Patthar (1966), which was his first action film but he became established action hero from 1971 film Mera Gaon Mera Desh. He projected himself as romantic hero with films like Pyar Hi Pyar, Aaya Sawan Jhoom Ke, Mere Humdum Mere Dost and Aaye Din Bahar Ke. He cemented his image as action hero with successful films like Seeta Aur Geeta (1972), Raja Jani (1972), Jugnu (1973), Kahani Kismat Ki and Yaadon Ki Baarat (1973). Dharmendra formed a popular onscreen pair with Hema Malini who later became his second wife. Hema Malini was the biggest female star of 1970s and they went on to star in hits such as Tum Haseen Mein Jawan, Sharafat (1970), Seeta Aur Geeta (1972), Raja Jani (1972), Jugnu (1973), Pratiggya (1975), Sholay (1975), Charas (1976), Azaad(1977), Dillagi (1978), among many others. Dharmendra proved his versatility and comic timing through Pratiggya, Chupke Chupke and Sholay. In Ramesh Sippy's Sholay (1975) he shared screen space with Amitabh Bachchan, Sanjeev Kumar and Amjad Khan and is still remembered for his inimitable portrayal of Veeru. His best romantic pairing was with the actress Asha Parekh with whom he had 5 hits - Shikhar, Aaya Sawan Jhoom Ke, Aaye Din Bahar Ke, Samadhi and Mera Gaon Mera Desh. His next best pairing was with Hema Malini, with whom he did 35 films of them 31 had them as a leading romantic pair and Dharam Hema had 20 hits and 15 flops. Dharm Hema married in 1980 and Dharm-Hema have 2 children together, Esha and Ahana and he has two sons, Sunny Deol and Bobby Deol from previous marriage with Prakash Kaur.
Often in 1960's till 1971 he played the romantic lead opposite female leading ladies in woman oriented films where the female protagonist's role overshadowed his roles with Dharam playing only supporting role in these films opposite Meena Kumari, Nutan, Mala Sinha, Sharmila Tagore. Phool Aur Paththar was the turning point in his career and established him as an action hero and as a solo lead hero.Artistically and popularity wise his peak period was the 1971-1979 where he did multi star as well as solo hero films in action and comedy genres and when his performances was appreciated by critics as well as audiences. Critics panned every film he did from 1985-2002 with exception being critically acclaimed films Burning Train, Ali Baba Aur 40 Chor, Jhutha Sach, Dharm Aur Qanoon, Rajput and Ghulami. He was the 2nd highest paid actor along with Vinod Khanna in Hindi films from 1976-1982 and Dharam alone was 3rd highest paid Hindi actor from 1987-1993 of A grade Hindi Films.
In the early 70s, Dharmendra became the first Indian actor to be voted among the most handsome men in the world. Through the 70s and 80s, Dharmendra worked with some of the biggest names in B'town such as Bimal Roy, Yash Chopra, Raj Khosla, Ramesh Sippy, Rajkumar Santoshi, Hrishikesh Mukherjee and Basu Chatterji. In 1983, Dharmendra diversified into production and launched his elder son Sunny in 'Betaab', which was produced by his banner Vijayta Films and was a huge hit. in 1990, he produced Ghayal starring Sunny Deol in lead. The film was the second biggest hit of the year and won 7 Filmfare Awards including Best Film award and the coveted National Film Award for Best Popular Film Providing Wholesome Entertainment. He would later go on to launch the successful careers of his younger son Bobby in 'Barsaat'(1995) and nephew Abhay Deol in 'Socha Na Tha'(2005) under the banner. He has also periodically made films in his native tongue of Punjabi, starring in Kankan De Ole (Special Appearance) (1970 ), Do Sher (1974), Dukh Bhanjan Tera Naam (1974), Teri Meri Ik Jindri (1975), Putt Jattan De (1982) and Qurbani Jatt Di (1990).
His commercial hits from 1981 included Ram Balram, Professor Pyarelal, Kaatilon Ke Katil, Naukar Biwi Ka, Jaani Dost, Samraat, Bhaghavat, Raaj Tilak, Jaagir, Qayamat, Insaaf Kaun Karega, Insaniyat Ke Dushman, Loha, Sone Pe Suhaga, Mardo Wali Baat, Khatron Ke Khiladi, Nafrat Ki Anandi, Batwara and Elaan E Jung. His film Hukumat in 1987 was highest grossing film of that year. He continued to be strong in 1990s as the best action hero even stronger than Sunny Deol, Sanjay Dutt and Jackie Shroff. His commercial hits in 1990s included Veeru Dada, Naka Bandi, Farishtay, Tehalka, Kshatriya, Maidan E Jung and Dharma Karma.
The low brow action films directed by likes of Kanti Shah damaged his action career in late 90s. Dharmendra was nominated 4 times for Best Actor Award at Filmfare Awards but never won. He was honored with Lifetime Achievement Award by Filmfare in 1997. He made a comeback to A grade films with a role in Pyar Kiya Toh Darna Kya (1998). He joined politics and was elected as a Member of the Parliament in the 2004 general elections, from Bikaner in Rajasthan, on a Bharatiya Janata Party ticket. He returned to acting in 2007 with films Life in a... Metro and Apne were acclaimed and successful. In the latter, he appears with both his sons, Sunny and Bobby for the first time. His other release was Johnny Gaddaar, where he played a villainous role. In 2011, he starred alongside his sons again in Yamla Pagla Deewana released on 14 January 2011 and was a success. A sequel Yamla Pagla Deewana 2 was released in 2013. His also acted with his daughter Esha in his wife Hema Malini's directorial venture Tell Me O Khuda in 2011. In 2011, Dharmendra replaced Sajid Khan as the male judge of the third series of popular reality show India's Got Talent. Dharmendra's first marriage was to Prakash Kaur at the age of 19 in 1954. From his first marriage, he has two sons, Sunny Deol and Bobby Deol both successful actors, and two daughters, Vijayta Deol Gill and Ajeeta Deol. He has 4 grand sons named Karan, Rajvir, Aryaman, and Dharam. Dharmendra fell in love with Hema Malini during the filming of Sholay. She eventually married him in 1980. As the Hindu Marriage Act forbade polygamy, he converted to Islam in 1979 to avoid protests and give legitimacy to his second marriage. The couple has two daughters, Esha Deol and Ahana Deol. Esha is an actress and Ahana is a dancer. Dharmendra has received several honors for his contribution to cinema and was awarded India's third highest civilian honor Padma Bhushan by the Government of India in 2012.dharmendra is the only actor who can do any role from drama to comedy and he was in 60s and 70s king of boxoffice and he gave HITS more than any actor in bollywood . He is the only superstar who gave hits every year form 1966 to 11987(in 1987 8 hits).He was looking so dashing and handsome comparable to all heros .But the film Industry was not fair to him.- Actor
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Balraj Sahni, born in Rawalpindi, British India (present-day Pakistan), was an acclaimed Indian film and stage actor. Known for his powerful and impactful performances, Balraj Sahni became a prominent figure in the golden era of Indian cinema.
Balraj Sahni initially pursued a career in the civil service but eventually found his true calling in acting. He became associated with the Indian People's Theatre Association (IPTA), a leftist cultural organization, where he honed his skills and passion for acting. His association with IPTA marked the beginning of his journey in theater.
Balraj Sahni made his film debut in 1946 with the film "Insaaf," but he gained widespread recognition and acclaim for his role in the film "Do Bigha Zamin" (1953), directed by Bimal Roy. His portrayal of Shambhu Mahato, a poor farmer struggling to save his land, showcased his acting prowess and earned him accolades. The film won the International Prize at the Cannes Film Festival in 1954.
Throughout the 1950s and 1960s, Balraj Sahni delivered memorable performances in films such as "Kabuliwala" (1961), "Waqt" (1965), and "Neel Kamal" (1968). He often played roles that reflected the socio-economic realities of the time, and his ability to bring depth and authenticity to his characters set him apart as one of the finest actors in Indian cinema.
Balraj Sahni's filmography includes a diverse range of roles, from intense and dramatic characters to light-hearted and comedic ones. He collaborated with renowned filmmakers like Bimal Roy, Guru Dutt, and Yash Chopra, leaving an indelible mark on Indian cinema.
Apart from his acting career, Balraj Sahni was also a noted writer and penned several books, including his autobiography "Meri Filmi Aatmakatha" (My Filmy Autobiography).
Balraj Sahni's contribution to Indian cinema was not only recognized within the industry but also by the government. He received the Padma Shri, one of the highest civilian awards in India, in 1969. Unfortunately, Balraj Sahni's life was cut short, and he passed away on April 13, 1973, leaving behind a legacy of remarkable performances and a lasting impact on Indian cinema.He was one of finest actor in india.- Actor
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Born Sahabzade Irfan Ali Khan, in Jaipur, Rajasthan (NW India) January 7, 1967 to a Pashto-speaking Muslim family. Khan's mother, Begum Khan, was from the Tonk Hakim family and his father, Jagirdar Khan, from the Khajuriya village near the Tonk district, ran a tire business.
The Khan family name comes from Turkish and Mongol languages and mean "king" or great leader. Descendants of Genghis Khan (13th century) in central Asia adopted Islam and became the Moghuls, who conquered India for several centuries until British rule.
Irfan was a skilled cricket player. In his early 20's he was selected for the CK Nayudu Tournament (a stepping stone to First Class cricket). He did not turn up for the tournament owing to lack of funds and as a result he focused on acting.
In 1984 he earned a scholarship to the National School of Acting in New Delhi.
He was awarded the Padma Shri, India's fourth highest civilian honor for his contribution to the field of arts.
His portrayal of Paan Singh Tomar in the acclaimed biographical sports drama Paan Singh Tomar (2011) won him the National Film Award for Best Actor and a Filmfare Critics Award for Best Actor. His performance in the BAFTA Award nominated romance The Lunchbox (2013) earned him universal acclaim by the critics and audiences.
Globally, Khan was in The Warrior (2001), The Namesake (2006), The Darjeeling Limited (2007), the Academy Award-winning film Slumdog Millionaire (2008), New York, I Love You (2009), The Amazing Spider-Man (2012), Life of Pi (2012), Jurassic World (2015) and Inferno (2016). As of 2017, his films have grossed $3.643 billion at the worldwide box office. In 2018, Khan was diagnosed with a neuroendocrine tumor.
Khan got married to his wife Sutapa Sikdar, in 1995. She is a Hindu of the Brahmin caste. She is a movie producer, dialogue writer and screenwriter. Among her famous movies are Khamoshi: The Musical (Dialogue Writer, 1996), Supari (Dialogue Writer, 2003), Kahaani (Dialogue Writer, 2003), Madaari (Producer, 2016), Qarib Qarib Singlle (Producer, 2017)
They have two kids: Ayaan Khan, Babil Khan
Unlike most Indian film stars, Irrfan has been outspoken on religion. On Arnab Goswami's talk show, he took on Muslim fundamentalists, including India's Grand Imam. Irrfan Khan argued against "transactional religious interaction" and for "personal religious discovery"..."to discover yourself, to find God". Though he admits he is "not an authority" on the Koran and Islamic Holy scriptures he has bravely stood by his comments despite heavy criticism and even threats of violence. He's aware of the dangers that his frank comments pose to him and his family. His wife commented, "We are very proud of him."He is good actor and will be legand if stay alive another ten years,no one compare to him now only the legand naseerudin shah.- Actor
- Director
Shamsher Raj "Shammi" Kapoor was the son of theater and film actor Prithviraj Kapoor and his wife Ramsarni "Rama" Mehra Kapoor. Shammi's acting career began in 1948, when he joined his father's theatrical company "Prithvi Theatres." Like his father and his brothers, Shammi eventually moved into the world of movie-making. He made his big screen debut in 1953. His earliest films were mostly low-budget swashbucklers and romances that failed to succeed at the box office. Shammi referred to himself at that point in his career as a "male starlet."
In April of 1955, on the sets of Rangin Raaten (1956), Shammi met and fell in love with the actress Geeta Bali. She was an established actress, and he was still struggling in his career. Four months later, Geeta agreed to marry Shammi and they wed in small ceremony witnessed by Hari Walia who produced and directed their next film together Coffee House (1957). The couple had two children, a son Aditya Raj Kapoor born in 1956 and a daughter Kanchan born in 1961.
The film Tumsa Nahin Dekha (1957) was a turning point in Shammi's career. For this film, he cut his hair and shaved off his pencil-thin mustache; creating a new look and persona. The film was a success and was soon followed by more hits. By 1961, Shammi's boisterous shout of "Yahoo!" and his exuberant hip-shaking dance moves, in his first color picture Junglee (1961), had made him a star. His natural talent for dancing and his modern and casual fashion sense brought him comparisons to Elvis Presley, and Shammi became known as the "Rebel Star."
In 1965, while Shammi was filming Teesri Manzil (1966), his wife Geeta fell ill with smallpox and passed away. After months away from the set, Shammi eventually returned to film the song "Tumne Mujhe Dekha." Shammi's success continued and in 1968, his acting talent was formally recognized. He received the Filmfare Best Actor award for his role in Brahmachari (1968).
In 1969, Shammi married Neila Devi from the former royal family of Bhavanagar. Their families had long been friends and they first met when Neila was 9 and Shammi was 19. Neila later recalled that Shammi had pulled her pigtails while she was watching one of his plays from the backstage wings. Shammi's sister-in-law first suggested the match to him. Eventually, Shammi called Neila on the phone to propose. They spent hours talking, and were married the next day.
By the 1970s, Shammi's weight gain and competition from other popular actors was taking a toll on his status as a romantic hero. Andaz (1971) was one of his last hits as a leading man.
Shammi enjoyed directing two films, Manoranjan (1974) and Bundal Baaz (1976). The films met with some critical success but neither did well at the box-office. As the '70s continued, Shammi began transferring his acting talents into supporting roles. He won another Filmfare Award for Best Supporting Actor in Vidhaata (1982).
Shammi took to the Internet early, and was the founder and chairman of Internet Users Community of India. He managed his own website and made online videos to speak directly to his fans. He loved to share stories about his career, his friends, and his famous family: father Prithviraj Kapoor, elder brother Raj Kapoor, younger brother Shashi Kapoor, and their spouses, children, and grandchildren; many of whom work in the film industry.
In later years, Shammi continued to take on supporting roles in film and TV. He was presented with the Filmfare Lifetime Achievement Award in 1995. His last film was the posthumously released Rockstar (2011), in which he appeared alongside his great-nephew Ranbir Kapoor.
The last seven years of his life, he suffered from chronic renal failure and underwent dialysis three times a week. But it never dampened his warmhearted spirit, until the end he continued to share his joy for life. Shammi Kapoor passed away around 5:15 am, August 14th, 2011 at Mumbai Breach Candy hospital.Yahooooo...he was good actor and had a style as dancer and dance with feelings.. no actor can dance like him all are robots without any feelings like SHAMMI.- Actor
- Producer
- Director
Raj Kapoor was the son of well-known Indian actor Prithviraj Kapoor, who acted both in film and on stage. After apprenticing in the Bollywood production studios of the 1940's, at 24 years of age Raj Kapoor produced, directed and acted in Aag (1948), with his new company, RK Films. His next production, Barsaat (1949), was a smash hit. In 1951, he also produced, directed and starred in Awaara (1951), which was another megahit, and costarred Nargis, who had appeared in Aag and Barsaat. Awaara also gained popular acclaim in Russia, where the movie and songs were dubbed into Russian. The theme song, Awaara Hoon, was popular in the East for many years. Kapoor has been dubbed "a great showman," and a filmmaker in the purest Romantic tradition, as he strove to entertain as well as address social themes close to his heart. Awaara dealt with the question of what forms an individual's moral grounding, ("nurture or nature") while incorporating comedy and stirring love scenes; in Shree 420 (1955) he addressed issues of poverty, unemployment and national pride in the new Indian state at the same time maintaining the audience's interest in the romantic plot. While never revolutionary in tone, many of his films explore the ability of the individual to overcome economic and environmental injustice while maintaining his/her innocence and integrity. He is quoted as believing that the individual's struggles ultimately lead to the desire for love, to care and be cared for. This is consistent with his admiration of Charles Chaplin, and Kapoor's own "tramp" (Awaara, Shree 420, Mera Naam Joker (1970) is modeled somewhat on his mentor, though with a definite individual flair.
His films demonstrate an understanding of music and direction that continue to influence Bollywood filmmaking today. Also a musician, his understanding of the musical feel of his movies gives them a storytelling fluidity equal to that of the best American movie musicals. He surrounded himself with the foremost talents in filmmaking, acting, writing (Kwaja Ahmad Abbas'), music composition (Jaikishan Dayabhai Panchal, 'Shankarsinh Raguwanshi'), and playback singers, including Mukesh, 'Mohamed Rafi', and Lata Mangeshkar. Kapoor continued to make films of varying critical and popular success up until his death in 1988, and apparently considered Mera Naam Joker his personal favorite. He is still a well-known name not only in India, but in the Middle East, SE Asia, and Eastern Europe. His descendants have attempted to continue the RK Films banner.he was good actor and better director.- Actor
- Producer
- Writer
Amitabh Bachchan was born on October 11, 1942 in Allahabad, British India (present-day Prayagraj, Uttar Pradesh, India) to legendary poet Harivansh Rai Bachchan & Teji Bachchan. He also has a brother named Ajitabh. He completed his education from Uttar Pradesh and moved to Bombay to find work as a film star, in vain though, as film-makers preferred someone with a fairer skin, and he was not quite fair enough. But they did use one of his other assets, his deep baritone voice, which was used for narration and background commentary. He was successful in being cast in Saat Hindustani. He got his break in Bollywood after a letter of introduction from the then Prime Minister Mrs. Indira Gandhi, as he was a friend of her son, Rajiv Gandhi. This is how Bachchan made an entry in Bollywood, starting with Zanjeer, co-starred with his future wife Jaya Bhaduri, and since then there has been no looking back.
He married Jaya Bhaduri, an accomplished actress in her own right, and they had two children, Shweta and Abhishek. Shweta is married, lives a non-filmy life and has two children.
Being friends with Rajiv Gandhi, got him to decide to run for seat in the Indian National Congress (political party) from his home town but had to leave mid-term because of controversies, particularly after Rajiv and he were implicated in the now infamous "Bofors" case along with the U. K. based Hinduja Brothers.
After a four year break, he was back in the unsuccessful Mrityudaata (1997), a comeback which the actor wanted to forget. Critics written him off but his career was saved with Bade Miyan Chote Miyan (1998). But four flops in 1999 and incurring debt of over 90 crore rupees of his sinking company ABCL saw him at an all-time low. To make matters worse, after the defeat of the Congress party, Bachchan lost considerable political support, the opposition made him a target, and his credit rating deteriorated to such an extent that a leading nationalized bank, Canara Bank, sued him for outstanding loans. He did bounce back, presenting the Indian version of Who Wants To Be A Millionaire called Kaun Banega Crorepati? (2000). After a series of hits with Mohabbatein (2000), Kabhi Khushi Kabhie Gham... (2001) and Baghban (2003) and Khakee (2004), Bachchan is showing no signs of slowing down and proving the critics wrong once again.
Amitabh and Jaya were interested in getting their son Abhishek married to Karisma Kapoor, the daughter of Babita and Randhir Kapoor, they went through a formal engagement, but later broke it off.
The former Miss World and Bollywood actress, Aishwarya Rai and Abhishek, were formally engaged on Sunday January 14, 2007, at the Bachchan residence in Juhu, Bombay, with the marriage taking place at the Bachchan residence on April 20, 2007.
On November 16, 2011, he became a Dada (paternal grandfather) when Aishwarya gave birth to a daughter in a Mumbai Hospital. He is already a Nana (maternal grandfather) to Navya and Agastye - Shweta's children.
He continues to be one of the busiest actors and singers in Bollywood as well as on TV, as can be seen from the commercials that he appears on, especially on Sahara One. Looks like there are no limits for this super-star and once the "Angry Young Man" of Bollywood.SUPERSTAR AMITABH is good actor, he got most his important role in big movies like deewar,sholay,zanjeer by big sport of late Indera Ghandi family..He is LEGAND.- Harihar Jariwala a.k.a. Sanjeev Kumar was born in a Gujrati family in 1938. He portrayed many roles irrespective of the age or the type of chararcter. The actor ballooned in size in later years of his life due to the gastronomical pleasures he had inherited by sleeping in a kitchen while he was a child (which became the cause of his death in 1985 when he died of a heart ailment). Interestingly the actor was one of the very few who didn't have any competition within the industry. Sanjeev's notable performances were in films like Sholay, Parichay, Aandhi, Angoor and the Satyajit Ray masterpiece Shatranj Kay Khiladi.he was good actor and had his own style..
- Actor
- Producer
- Music Department
The Grandfather & Great Custodian of Indian Motion Pictures!
Ashok Kumar was one of India's most famous actors for over half a century, from before independence to the cusp of the new millennia!
As a young assistant to Bengali film-maker Himanshu Rai, he got his start in acting by accident when he volunteered to substitute for the lead actor, Jeevan Naya (1936), who fell ill before production on the film Achhut Kanya (1936) was to start. Kumar was terrified of acting in the first place, especially opposite lead actress Devika Rani, known as 'the dragon lady' for her smoking, drinking, cursing and legendary hot temper. After finishing shooting, Kumar continued with overseeing the process of the film with editing, mixing and processing. His unexpected acclaim to his role had him in demand for more acting roles, which he pursued in a few more 'Bombay Talkies' with Devika Rani.
His breakthrough performance was in Kismet (1943) which ran for three years in Bombay and Calcutta and was one of the first Hindi language mega-hits of India and gained him national fame through his charismatic performances and his talented singing. From then onwards, Kumar became a sought-after actor who appeared in over 200 Hindi and a few other Indian language films, playing romantic leads or threatening villains and making Rs.300-400 a month during the 1940s and 1950s.
Although his roles gradually decreased to supporting and minor parts as he got older and suffered more ill health, his popularity in India never diminished and he was often in demand for cameos and live convention appearances. From the 1990s to his death, he lived in a comfortable retirement in Bombay with a slew of Indian films to show for his work.he was not good looking actor or super starbut good in all movies he work