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Vittorio De Sica grew up in Naples, and started out as an office clerk in order to raise money to support his poor family. He was increasingly drawn towards acting, and made his screen debut while still in his teens, joining a stage company in 1923. By the late 1920s he was a successful matinee idol of the Italian theatre, and repeated that achievement in Italian movies, mostly light comedies. He turned to directing in 1940, making comedies in a similar vein, but with his fifth film The Children Are Watching Us (1943), he revealed hitherto unsuspected depths and an extraordinarily sensitive touch with actors, especially children. It was also the first film he made with the writer Cesare Zavattini with whom he would subsequently make Shoeshine (1946) and Bicycle Thieves (1948), heartbreaking studies of poverty in postwar Italy which won special Oscars before the foreign film category was officially established. After the box-office disaster of Umberto D. (1952), a relentlessly bleak study of the problems of old age, he returned to directing lighter work, appearing in front of the camera more frequently. Although Yesterday, Today and Tomorrow (1963) won him another Oscar, it was generally accepted that his career as one of the great directors was over. However, just before he died he made The Garden of the Finzi-Continis (1970), which won him yet another Oscar, and his final film A Brief Vacation (1973). He died following the removal of a cyst from his lungs.Bicycle thieves- Actor
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Considered to be a man ahead of his time, Guru Dutt was one of the greatest icons of commercial Indian cinema. Although he made less than ten films, they are believed to be the best to come from Bollywood's Golden Age, known both for their ability to reach out to the common man and for their artistic and lyrical content, and they went on to become trend-setters that have influenced Bollywood ever since. But for all his genius, there was a shroud of tragedy that overshadowed his career and life.
Dutt was born in Mysore on July ninth, 1925, the eldest son of a headmaster and a housewife who was a part-time writer. As a child, he had to deal with a strained relationship between his parents, hostility from his mother's family, and the death of a close relative. He received his early education in Calcutta, and in 1941, he joined the Uday Shankar India Culture Center, where he received basic training in the performing arts under dance maestro Uday Shankar. Afterward, in 1944, he had a short stint as a telephone operator.
Dutt entered the Indian film industry in 1944, working as a choreographer in Prabhat Studios. There, he became friends with Dev Anand (whom he met when they worked on the film Hum Ek Hain (1946)) and Rehman Khan. These early friendships helped ease his way into Bollywood. After Prabhat went under in 1947, Dutt moved to Mumbai, where he worked with the leading directors of the time: Amiya Chakrabarty in Girls' School (1949) and Gyan Mukherjee in Sangram (1946).
He got his big break when Dev Anand invited him to direct a film in his newly formed company Navketan Films. Dutt made his directorial debut with Gamble (1951), which starred Dev Anand. The film was an urban crime thriller that paid homage to classic film noir. However, it also carried its own elements that ensured it was not a remake of a Hollywood film: notably, songs were used to further the story's narrative, and close-up shots were used frequently. The film was a success and became a trend-setter for future crime films. On the personal front, Dutt met his wife, playback singer Geeta Dutt (née Roy), during the song-recording sessions of Gamble (1951), and they married May twenty-sixth, 1953.
Dutt's next releases were Jaal (1952) and Baaz (1953). Dutt made his acting debut in the latter film, which he also directed. But while they were average successes, he finally tasted success with Aar-Paar (1954), another crime thriller, but with a far more polished story and look. Then came Mr. & Mrs. '55 (1955), a frothy romantic comedy focusing on women's' rights; and C.I.D. (1956), yet another crime thriller in which Waheeda Rehman made her debut.
His next films, Thirst (1957) and Paper Flowers (1959), are regarded as his best work. Thirst (1957) was his masterpiece, about a poet trying to achieve success in a hypocritical, uncaring world. It was a box-office hit and is ranked as his greatest film ever. In contrast, Paper Flowers (1959) was a miserable flop at the box office: the semi-autobiographical story of a tragic love affair set against the backdrop of the film industry was deemed too morbid for the audience to swallow and went right over audience's heads. Although in later years the film received critical acclaim for its cinematography and has gained a cult following, Dutt, who had put his soul into the film, was devastated over its failure and never directed another film.
Although he had sworn off directing, Dutt continued to produce and act in films, notably the period dramas Chaudhvin Ka Chand (1960) and Sahib Bibi Aur Ghulam (1962). The latter film, interestingly, is controversial because it is debated whether Dutt had ghost-directed the film. Dutt's personal life had become complicated: he had gotten romantically involved with his protégé Waheeda Rehman and his wife Geeta Dutt had separated from him as a result. Rehman too had distanced herself from him. Also, Dutt, an ambitious person, felt he had achieved too much too soon professionally - there was nothing better to be achieved, and this caused a vacuum in his life. Unable to cope with all the trauma and emptiness, he took to heavy drinking.
On October tenth, 1964, Dutt was found dead in his bed. The cause of death was deemed a combination of alcohol and sleeping pills, although a debate still lingers over whether his death was by accident or a successful suicide attempt. Geeta Dutt suffered a nervous break-down as a result of his death and also took to alcohol, eventually drinking herself to death, dying in 1972 as a result of cirrhosis of the liver.
His death was an irreplaceable loss to Indian cinema. And it was a tragic twist of fate that his films, most of which were discounted in his life-time, would be regarded as cult classics after his death. Guru Dutt would always be known, even if posthumously, as the Guru of Bollywood's Golden Age and one of the world's most important international auteurs.- Director
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Stanley Kubrick was born in Manhattan, New York City, to Sadie Gertrude (Perveler) and Jacob Leonard Kubrick, a physician. His family were Jewish immigrants (from Austria, Romania, and Russia). Stanley was considered intelligent, despite poor grades at school. Hoping that a change of scenery would produce better academic performance, Kubrick's father sent him in 1940 to Pasadena, California, to stay with his uncle, Martin Perveler. Returning to the Bronx in 1941 for his last year of grammar school, there seemed to be little change in his attitude or his results. Hoping to find something to interest his son, Jack introduced Stanley to chess, with the desired result. Kubrick took to the game passionately, and quickly became a skilled player. Chess would become an important device for Kubrick in later years, often as a tool for dealing with recalcitrant actors, but also as an artistic motif in his films.
Jack Kubrick's decision to give his son a camera for his thirteenth birthday would be an even wiser move: Kubrick became an avid photographer, and would often make trips around New York taking photographs which he would develop in a friend's darkroom. After selling an unsolicited photograph to Look Magazine, Kubrick began to associate with their staff photographers, and at the age of seventeen was offered a job as an apprentice photographer.
In the next few years, Kubrick had regular assignments for "Look", and would become a voracious movie-goer. Together with friend Alexander Singer, Kubrick planned a move into film, and in 1950 sank his savings into making the documentary Day of the Fight (1951). This was followed by several short commissioned documentaries (Flying Padre (1951), and (The Seafarers (1953), but by attracting investors and hustling chess games in Central Park, Kubrick was able to make Fear and Desire (1952) in California.
Filming this movie was not a happy experience; Kubrick's marriage to high school sweetheart Toba Metz did not survive the shooting. Despite mixed reviews for the film itself, Kubrick received good notices for his obvious directorial talents. Kubrick's next two films Killer's Kiss (1955) and The Killing (1956) brought him to the attention of Hollywood, and in 1957 he directed Kirk Douglas in Paths of Glory (1957). Douglas later called upon Kubrick to take over the production of Spartacus (1960), by some accounts hoping that Kubrick would be daunted by the scale of the project and would thus be accommodating. This was not the case, however: Kubrick took charge of the project, imposing his ideas and standards on the film. Many crew members were upset by his style: cinematographer Russell Metty complained to producers that Kubrick was taking over his job. Kubrick's response was to tell him to sit there and do nothing. Metty complied, and ironically was awarded the Academy Award for his cinematography.
Kubrick's next project was to direct Marlon Brando in One-Eyed Jacks (1961), but negotiations broke down and Brando himself ended up directing the film himself. Disenchanted with Hollywood and after another failed marriage, Kubrick moved permanently to England, from where he would make all of his subsequent films. Despite having obtained a pilot's license, Kubrick was rumored to be afraid of flying.
Kubrick's first UK film was Lolita (1962), which was carefully constructed and guided so as to not offend the censorship boards which at the time had the power to severely damage the commercial success of a film. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) was a big risk for Kubrick; before this, "nuclear" was not considered a subject for comedy. Originally written as a drama, Kubrick decided that too many of the ideas he had written were just too funny to be taken seriously. The film's critical and commercial success allowed Kubrick the financial and artistic freedom to work on any project he desired. Around this time, Kubrick's focus diversified and he would always have several projects in various stages of development: "Blue Moon" (a story about Hollywood's first pornographic feature film), "Napoleon" (an epic historical biography, abandoned after studio losses on similar projects), "Wartime Lies" (based on the novel by Louis Begley), and "Rhapsody" (a psycho-sexual thriller).
The next film he completed was a collaboration with sci-fi author Arthur C. Clarke. 2001: A Space Odyssey (1968) is hailed by many as the best ever made; an instant cult favorite, it has set the standard and tone for many science fiction films that followed. Kubrick followed this with A Clockwork Orange (1971), which rivaled Lolita (1962) for the controversy it generated - this time not only for its portrayal of sex, but also of violence. Barry Lyndon (1975) would prove a turning point in both his professional and private lives. His unrelenting demands of commitment and perfection of cast and crew had by now become legendary. Actors would be required to perform dozens of takes with no breaks. Filming a story in Ireland involving military, Kubrick received reports that the IRA had declared him a possible target. Production was promptly moved out of the country, and Kubrick's desire for privacy and security resulted in him being considered a recluse ever since.
Having turned down directing a sequel to The Exorcist (1973), Kubrick made his own horror film: The Shining (1980). Again, rumors circulated of demands made upon actors and crew. Stephen King (whose novel the film was based upon) reportedly didn't like Kubrick's adaptation (indeed, he would later write his own screenplay which was filmed as The Shining (1997).)
Kubrick's subsequent work has been well spaced: it was seven years before Full Metal Jacket (1987) was released. By this time, Kubrick was married with children and had extensively remodeled his house. Seen by one critic as the dark side to the humanist story of Platoon (1986), Full Metal Jacket (1987) continued Kubrick's legacy of solid critical acclaim, and profit at the box office.
In the 1990s, Kubrick began an on-again/off-again collaboration with Brian Aldiss on a new science fiction film called "Artificial Intelligence (AI)", but progress was very slow, and was backgrounded until special effects technology was up to the standard the Kubrick wanted.
Kubrick returned to his in-development projects, but encountered a number of problems: "Napoleon" was completely dead, and "Wartime Lies" (now called "The Aryan Papers") was abandoned when Steven Spielberg announced he would direct Schindler's List (1993), which covered much of the same material.
While pre-production work on "AI" crawled along, Kubrick combined "Rhapsody" and "Blue Movie" and officially announced his next project as Eyes Wide Shut (1999), starring the then-married Tom Cruise and Nicole Kidman. After two years of production under unprecedented security and privacy, the film was released to a typically polarized critical and public reception; Kubrick claimed it was his best film to date.
Special effects technology had matured rapidly in the meantime, and Kubrick immediately began active work on A.I. Artificial Intelligence (2001), but tragically suffered a fatal heart attack in his sleep on March 7th, 1999.
After Kubrick's death, Spielberg revealed that the two of them were friends that frequently communicated discreetly about the art of filmmaking; both had a large degree of mutual respect for each other's work. "AI" was frequently discussed; Kubrick even suggested that Spielberg should direct it as it was more his type of project. Based on this relationship, Spielberg took over as the film's director and completed the last Kubrick project.
How much of Kubrick's vision remains in the finished project -- and what he would think of the film as eventually released -- will be the final great unanswerable mysteries in the life of this talented and private filmmaker.Clockwork Orange- Second Unit Director or Assistant Director
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Sergio Leone was virtually born into the cinema - he was the son of Roberto Roberti (A.K.A. Vincenzo Leone), one of Italy's cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and U.S. directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over The Last Days of Pompeii (1959) in mid-shoot after its original director fell ill. His first solo feature, The Colossus of Rhodes (1961), was a routine Roman epic, but his second feature, A Fistful of Dollars (1964), a shameless remake of Akira Kurosawa's Yojimbo (1961), caused a revolution. It was the first Spaghetti Western, and shot T.V. cowboy Clint Eastwood to stardom (Leone wanted Henry Fonda or Charles Bronson but couldn't afford them). The two sequels, For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), were shot on much higher budgets and were even more successful, though his masterpiece, Once Upon a Time in the West (1968), in which Leone finally worked with Fonda and Bronson, was mutilated by Paramount Pictures and flopped at the U.S. box office. He directed Duck, You Sucker! (1971) reluctantly (as producer he hired Peter Bogdanovich to direct but he left before shooting began), and turned down offers to direct The Godfather (1972) in favor of his dream project, which became Once Upon a Time in America (1984). He died in 1989 after preparing an even more expensive Soviet co-production on the World War II siege of Leningrad.Once upon a time in the west- Writer
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The women who both attracted and frightened him and an Italy dominated in his youth by Mussolini and Pope Pius XII - inspired the dreams that Fellini started recording in notebooks in the 1960s. Life and dreams were raw material for his films. His native Rimini and characters like Saraghina (the devil herself said the priests who ran his school) - and the Gambettola farmhouse of his paternal grandmother would be remembered in several films. His traveling salesman father Urbano Fellini showed up in La Dolce Vita (1960) and 8½ (1963). His mother Ida Barbiani was from Rome and accompanied him there in 1939. He enrolled in the University of Rome. Intrigued by the image of reporters in American films, he tried out the real life role of journalist and caught the attention of several editors with his caricatures and cartoons and then started submitting articles. Several articles were recycled into a radio series about newlyweds "Cico and Pallina". Pallina was played by acting student Giulietta Masina, who became his real life wife from October 30, 1943, until his death half a century later. The young Fellini loved vaudeville and was befriended in 1940 by leading comedian Aldo Fabrizi. Roberto Rossellini wanted Fabrizi to play Don Pietro in Rome, Open City (1945) and made the contact through Fellini. Fellini worked on that film's script and is on the credits for Rosselini's Paisan (1946). On that film he wandered into the editing room, started observing how Italian films were made (a lot like the old silent films with an emphasis on visual effects, dialogue dubbed in later). Fellini in his mid-20s had found his life's work.8 1/2- Producer
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One of the most influential personalities in the history of cinema, Steven Spielberg is Hollywood's best known director and one of the wealthiest filmmakers in the world. He has an extraordinary number of commercially successful and critically acclaimed credits to his name, either as a director, producer or writer since launching the summer blockbuster with Jaws (1975), and he has done more to define popular film-making since the mid-1970s than anyone else.
Steven Allan Spielberg was born in 1946 in Cincinnati, Ohio, to Leah Frances (Posner), a concert pianist and restaurateur, and Arnold Spielberg, an electrical engineer who worked in computer development. His parents were both born to Russian Jewish immigrant families. Steven spent his younger years in Haddon Township, New Jersey, Phoenix, Arizona, and later Saratoga, California. He went to California State University Long Beach, but dropped out to pursue his entertainment career. Among his early directing efforts were Battle Squad (1961), which combined World War II footage with footage of an airplane on the ground that he makes you believe is moving. He also directed Escape to Nowhere (1961), which featured children as World War Two soldiers, including his sister Anne Spielberg, and The Last Gun (1959), a western. All of these were short films. The next couple of years, Spielberg directed a couple of movies that would portend his future career in movies. In 1964, he directed Firelight (1964), a movie about aliens invading a small town. In 1967, he directed Slipstream (1967), which was unfinished. However, in 1968, he directed Amblin' (1968), which featured the desert prominently, and not the first of his movies in which the desert would feature. Amblin' also became the name of his production company, which turned out such classics as E.T. the Extra-Terrestrial (1982). Spielberg had a unique and classic early directing project, Duel (1971), with Dennis Weaver. In the early 1970s, Spielberg was working on TV, directing among others such series as Rod Serling's Night Gallery (1969), Marcus Welby, M.D. (1969) and Murder by the Book (1971). All of his work in television and short films, as well as his directing projects, were just a hint of the wellspring of talent that would dazzle audiences all over the world.
Spielberg's first major directorial effort was The Sugarland Express (1974), with Goldie Hawn, a film that marked him as a rising star. It was his next effort, however, that made him an international superstar among directors: Jaws (1975). This classic shark attack tale started the tradition of the summer blockbuster or, at least, he was credited with starting the tradition. His next film was the classic Close Encounters of the Third Kind (1977), a unique and original UFO story that remains a classic. In 1978, Spielberg produced his first film, the forgettable I Wanna Hold Your Hand (1978), and followed that effort with Used Cars (1980), a critically acclaimed, but mostly forgotten, Kurt Russell/Jack Warden comedy about devious used-car dealers. Spielberg hit gold yet one more time with Raiders of the Lost Ark (1981), with Harrison Ford taking the part of Indiana Jones. Spielberg produced and directed two films in 1982. The first was Poltergeist (1982), but the highest-grossing movie of all time up to that point was the alien story E.T. the Extra-Terrestrial (1982). Spielberg also helped pioneer the practice of product placement. The concept, while not uncommon, was still relatively low-key when Spielberg raised the practice to almost an art form with his famous (or infamous) placement of Reese's Pieces in "E.T." Spielberg was also one of the pioneers of the big-grossing special-effects movies, like "E.T." and "Close Encounters", where a very strong emphasis on special effects was placed for the first time on such a huge scale. In 1984, Spielberg followed up "Raiders" with Indiana Jones and the Temple of Doom (1984), which was a commercial success but did not receive the critical acclaim of its predecessor. As a producer, Spielberg took on many projects in the 1980s, such as The Goonies (1985), and was the brains behind the little monsters in Gremlins (1984). He also produced the cartoon An American Tail (1986), a quaint little animated classic. His biggest effort as producer in 1985, however, was the blockbuster Back to the Future (1985), which made Michael J. Fox an instant superstar. As director, Spielberg took on the book The Color Purple (1985), with Whoopi Goldberg and Oprah Winfrey, with great success. In the latter half of the 1980s, he also directed Empire of the Sun (1987), a mixed success for the occasionally erratic Spielberg. Success would not escape him for long, though.
The late 1980s found Spielberg's projects at the center of pop-culture yet again. In 1988, he produced the landmark animation/live-action film Who Framed Roger Rabbit (1988). The next year proved to be another big one for Spielberg, as he produced and directed Always (1989) as well as Indiana Jones and the Last Crusade (1989), and Back to the Future Part II (1989). All three of the films were box-office and critical successes. Also, in 1989, he produced the little known comedy-drama Dad (1989), with Jack Lemmon and Ted Danson, which got mostly mixed results. Spielberg has also had an affinity for animation and has been a strong voice in animation in the 1990s. Aside from producing the landmark "Who Framed Roger Rabbit", he produced the animated series Tiny Toon Adventures (1990), Animaniacs (1993), Pinky and the Brain (1995), Freakazoid! (1995), Pinky, Elmyra & the Brain (1998), Family Dog (1993) and Toonsylvania (1998). Spielberg also produced other cartoons such as The Land Before Time (1988), We're Back! A Dinosaur's Story (1993), Casper (1995) (the live action version) as well as the live-action version of The Flintstones (1994), where he was credited as "Steven Spielrock". Spielberg also produced many Roger Rabbit short cartoons, and many Pinky and the Brain, Animaniacs and Tiny Toons specials. Spielberg was very active in the early 1990s, as he directed Hook (1991) and produced such films as the cute fantasy Joe Versus the Volcano (1990) and An American Tail: Fievel Goes West (1991). He also produced the unusual comedy thriller Arachnophobia (1990), Back to the Future Part III (1990) and Gremlins 2: The New Batch (1990). While these movies were big successes in their own right, they did not quite bring in the kind of box office or critical acclaim as previous efforts. In 1993, Spielberg directed Jurassic Park (1993), which for a short time held the record as the highest grossing movie of all time, but did not have the universal appeal of his previous efforts. Big box-office spectacles were not his only concern, though. He produced and directed Schindler's List (1993), a stirring film about the Holocaust. He won best director at the Oscars, and also got Best Picture. In the mid-90s, he helped found the production company DreamWorks, which was responsible for many box-office successes.
As a producer, he was very active in the late 90s, responsible for such films as The Mask of Zorro (1998), Men in Black (1997) and Deep Impact (1998). However, it was on the directing front that Spielberg was in top form. He directed and produced the epic Amistad (1997), a spectacular film that was shorted at the Oscars and in release due to the fact that its release date was moved around so much in late 1997. The next year, however, produced what many believe was one of the best films of his career: Saving Private Ryan (1998), a film about World War Two that is spectacular in almost every respect. It was stiffed at the Oscars, losing best picture to Shakespeare in Love (1998).
Spielberg produced a series of films, including Evolution (2001), The Haunting (1999) and Shrek (2001). he also produced two sequels to Jurassic Park (1993), which were financially but not particularly critical successes. In 2001, he produced a mini-series about World War Two that definitely *was* a financial and critical success: Band of Brothers (2001), a tale of an infantry company from its parachuting into France during the invasion to the Battle of the Bulge. Also in that year, Spielberg was back in the director's chair for A.I. Artificial Intelligence (2001), a movie with a message and a huge budget. It did reasonably at the box office and garnered varied reviews from critics.
Spielberg has been extremely active in films there are many other things he has done as well. He produced the short-lived TV series SeaQuest 2032 (1993), an anthology series entitled Amazing Stories (1985), created the video-game series "Medal of Honor" set during World War Two, and was a starting producer of ER (1994). Spielberg, if you haven't noticed, has a great interest in World War Two. He and Tom Hanks collaborated on Shooting War: World War II Combat Cameramen (2000), a documentary about World War II combat photographers, and he produced a documentary about the Holocaust called Eyes of the Holocaust (2000). With all of this to Spielberg's credit, it's no wonder that he's looked at as one of the greatest ever figures in entertainment.E.T , Schindler's List- Producer
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Martin Charles Scorsese was born on November 17, 1942 in Queens, New York City, to Catherine Scorsese (née Cappa) and Charles Scorsese, who both worked in Manhattan's garment district, and whose families both came from Palermo, Sicily. He was raised in the neighborhood of Little Italy, which later provided the inspiration for several of his films. Scorsese earned a B.S. degree in film communications in 1964, followed by an M.A. in the same field in 1966 at New York University's School of Film. During this time, he made numerous prize-winning short films including The Big Shave (1967), and directed his first feature film, Who's That Knocking at My Door (1967).
He served as assistant director and an editor of the documentary Woodstock (1970) and won critical and popular acclaim for Mean Streets (1973), which first paired him with actor and frequent collaborator Robert De Niro. In 1976, Scorsese's Taxi Driver (1976), also starring De Niro, was awarded the Palme d'Or at the Cannes Film Festival, and he followed that film with New York, New York (1977) and The Last Waltz (1978). Scorsese directed De Niro to an Oscar-winning performance as boxer Jake LaMotta in Raging Bull (1980), which received eight Academy Award nominations, including Best Picture and Best Director, and is hailed as one of the masterpieces of modern cinema. Scorsese went on to direct The Color of Money (1986), The Last Temptation of Christ (1988), Goodfellas (1990), Cape Fear (1991), The Age of Innocence (1993), Casino (1995) and Kundun (1997), among other films. Commissioned by the British Film Institute to celebrate the 100th anniversary of the birth of cinema, Scorsese completed the four-hour documentary, A Personal Journey with Martin Scorsese Through American Movies (1995), co-directed by Michael Henry Wilson.
His long-cherished project, Gangs of New York (2002), earned numerous critical honors, including a Golden Globe Award for Best Director; the Howard Hughes biopic The Aviator (2004) won five Academy Awards, in addition to the Golden Globe and BAFTA awards for Best Picture. Scorsese won his first Academy Award for Best Director for The Departed (2006), which was also honored with the Director's Guild of America, Golden Globe, New York Film Critics, National Board of Review and Critic's Choice awards for Best Director, in addition to four Academy Awards, including Best Picture. Scorsese's documentary of the Rolling Stones in concert, Shine a Light (2008), followed, with the successful thriller Shutter Island (2010) two years later. Scorsese received his seventh Academy Award nomination for Best Director, as well as a Golden Globe Award, for Hugo (2011), which went on to win five Academy Awards.
Scorsese also serves as executive producer on the HBO series Boardwalk Empire (2010) for which he directed the pilot episode. Scorsese's additional awards and honors include the Golden Lion from the Venice Film Festival (1995), the AFI Life Achievement Award (1997), the Honoree at the Film Society of Lincoln Center's 25th Gala Tribute (1998), the DGA Lifetime Achievement Award (2003), The Kennedy Center Honors (2007) and the HFPA Cecil B. DeMille Award (2010). Scorsese and actor Leonardo DiCaprio have worked together on five separate occasions: Gangs of New York (2002), The Aviator (2004), The Departed (2006), Shutter Island (2010) and The Wolf of Wall Street (2013).The Departed- Actor
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Raj Kapoor was the son of well-known Indian actor Prithviraj Kapoor, who acted both in film and on stage. After apprenticing in the Bollywood production studios of the 1940's, at 24 years of age Raj Kapoor produced, directed and acted in Aag (1948), with his new company, RK Films. His next production, Barsaat (1949), was a smash hit. In 1951, he also produced, directed and starred in Awaara (1951), which was another megahit, and costarred Nargis, who had appeared in Aag and Barsaat. Awaara also gained popular acclaim in Russia, where the movie and songs were dubbed into Russian. The theme song, Awaara Hoon, was popular in the East for many years. Kapoor has been dubbed "a great showman," and a filmmaker in the purest Romantic tradition, as he strove to entertain as well as address social themes close to his heart. Awaara dealt with the question of what forms an individual's moral grounding, ("nurture or nature") while incorporating comedy and stirring love scenes; in Shree 420 (1955) he addressed issues of poverty, unemployment and national pride in the new Indian state at the same time maintaining the audience's interest in the romantic plot. While never revolutionary in tone, many of his films explore the ability of the individual to overcome economic and environmental injustice while maintaining his/her innocence and integrity. He is quoted as believing that the individual's struggles ultimately lead to the desire for love, to care and be cared for. This is consistent with his admiration of Charles Chaplin, and Kapoor's own "tramp" (Awaara, Shree 420, Mera Naam Joker (1970) is modeled somewhat on his mentor, though with a definite individual flair.
His films demonstrate an understanding of music and direction that continue to influence Bollywood filmmaking today. Also a musician, his understanding of the musical feel of his movies gives them a storytelling fluidity equal to that of the best American movie musicals. He surrounded himself with the foremost talents in filmmaking, acting, writing (Kwaja Ahmad Abbas'), music composition (Jaikishan Dayabhai Panchal, 'Shankarsinh Raguwanshi'), and playback singers, including Mukesh, 'Mohamed Rafi', and Lata Mangeshkar. Kapoor continued to make films of varying critical and popular success up until his death in 1988, and apparently considered Mera Naam Joker his personal favorite. He is still a well-known name not only in India, but in the Middle East, SE Asia, and Eastern Europe. His descendants have attempted to continue the RK Films banner.- Producer
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Francis Ford Coppola was born in 1939 in Detroit, Michigan, but grew up in a New York suburb in a creative, supportive Italian-American family. His father, Carmine Coppola, was a composer and musician. His mother, Italia Coppola (née Pennino), had been an actress. Francis Ford Coppola graduated with a degree in drama from Hofstra University, and did graduate work at UCLA in filmmaking. He was training as assistant with filmmaker Roger Corman, working in such capacities as sound-man, dialogue director, associate producer and, eventually, director of Dementia 13 (1963), Coppola's first feature film. During the next four years, Coppola was involved in a variety of script collaborations, including writing an adaptation of "This Property is Condemned" by Tennessee Williams (with Fred Coe and Edith Sommer), and screenplays for Is Paris Burning? (1966) and Patton (1970), the film for which Coppola won a Best Original Screenplay Academy Award. In 1966, Coppola's 2nd film brought him critical acclaim and a Master of Fine Arts degree. In 1969, Coppola and George Lucas established American Zoetrope, an independent film production company based in San Francisco. The company's first project was THX 1138 (1971), produced by Coppola and directed by Lucas. Coppola also produced the second film that Lucas directed, American Graffiti (1973), in 1973. This movie got five Academy Award nominations, including one for Best Picture. In 1971, Coppola's film The Godfather (1972) became one of the highest-grossing movies in history and brought him an Oscar for writing the screenplay with Mario Puzo The film was a Best Picture Academy Award-winner, and also brought Coppola a Best Director Oscar nomination. Following his work on the screenplay for The Great Gatsby (1974), Coppola's next film was The Conversation (1974), which was honored with the Golden Palm Award at the Cannes Film Festival, and brought Coppola Best Picture and Best Original Screenplay Oscar nominations. Also released that year, The Godfather Part II (1974), rivaled the success of The Godfather (1972), and won six Academy Awards, bringing Coppola Oscars as a producer, director and writer. Coppola then began work on his most ambitious film, Apocalypse Now (1979), a Vietnam War epic that was inspired by Joseph Conrad's Heart of Darkness (1993). Released in 1979, the acclaimed film won a Golden Palm Award at the Cannes Film Festival, and two Academy Awards. Also that year, Coppola executive produced the hit The Black Stallion (1979). With George Lucas, Coppola executive produced Kagemusha: The Shadow Warrior (1980), directed by Akira Kurosawa, and Mishima: A Life in Four Chapters (1985), directed by Paul Schrader and based on the life and writings of Yukio Mishima. Coppola also executive produced such films as The Escape Artist (1982), Hammett (1982) The Black Stallion Returns (1983), Barfly (1987), Wind (1992), The Secret Garden (1993), etc.
He helped to make a star of his nephew, Nicolas Cage. Personal tragedy hit in 1986 when his son Gio died in a boating accident. Francis Ford Coppola is one of America's most erratic, energetic and controversial filmmakers.The GodFather- Actor
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Kamal Haasan was born November 7, 1954 in Paramakudi, Ramanathapuram District, Tamil Nadu. He debuted as a child artiste in the film "Kalathoor Kannamma" (1960). Since then, he has starred in nearly 220 films in the major Indian languages - Tamil, Telugu, Kannada, Malayalam and Hindi. He has been a part of the film industry for 60 years, as of 2020. His journey in cinema has seen him do various roles - from child artiste, to romantic lead to one of the most respected and revered heroes of the film industry today.
He has famously said that he is a reluctant actor. He has an avid interest in every aspect of film making and is known for his work as a choreographer, director, and writer, as well.
He wrote his first script at age 18 for the film "Unarchigal" (1976), which was then followed by films that have gone on to become cult classics - Rajapaarvai (1981), Sathya (1988), Apoorva Sahotharargal (1989), Thevar Magan (1992), Mahanadi (1994), Kurudhippunal (1995), Avvai Shanmugi (1996), Hey Ram (2000), Pammal K Sambandam (2002), Panchathanthiram (2002), Anbe Sivam (2003), are a few of the films etched in popular memory for having set the bar for craftsmanship in the fields of screenplay, script, and dialogue.
He is also a prolific writer of fiction and non-fiction in Tamil and his published work is testament to his constant exploration of structure and form.
Kamal Haasan's strong convictions in his art have led to some of Indian cinema's most path-breaking films like Pushpak / Pushpaka Vimaanam / Pesum Padam (1987). Kamal Haasan also worked as a choreographer while transitioning as a well-known child artiste to the lead actor in a feature length film. Some of his best-known work as a dancer can be seen in Saagara Sangamam (1983) and the popular hit Punnagai Mannan (1986).
Kamal Haasan is also a student of Carnatic music, studying under musical maestro Dr. Balamuralikrishna. One of his biggest hits as a playback singer was the song "Inji Iduppazhagi" for the film Thevar Magan.
His career as a director began with the film Chachi 420 (1997), the Hindi remake of Avvai Shanmugi. Since then he has called the shots for critically acclaimed films like "Hey Ram" and "Virumaandi".
He has never hesitated to state his opinions and encourage debate about topics that are socially relevant. He is a rationalist in thought and moderate in opinion and a humanist in philosophy. The need to be socially conscious is seen in the way his fan clubs have revamped themselves into entities that carry out charity and volunteer work.Virumaandi, vishwaroopam- Writer
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Best known for his cerebral, often nonlinear, storytelling, acclaimed Academy Award winner writer/director/producer Sir Christopher Nolan CBE was born in London, England. Over the course of more than 25 years of filmmaking, Nolan has gone from low-budget independent films to working on some of the biggest blockbusters ever made and became one of the most celebrated filmmakers of modern cinema.
At 7 years old, Nolan began making short films with his father's Super-8 camera. While studying English Literature at University College London, he shot 16-millimeter films at U.C.L.'s film society, where he learned the guerrilla techniques he would later use to make his first feature, Following (1998), on a budget of around $6,000. The noir thriller was recognized at a number of international film festivals prior to its theatrical release and gained Nolan enough credibility that he was able to gather substantial financing for his next film.
Nolan's second film was Memento (2000), which he directed from his own screenplay based on a short story by his brother Jonathan Nolan. Starring Guy Pearce, the film brought Nolan numerous honors, including Academy Award and Golden Globe Award nominations for Best Original Screenplay. Nolan went on to direct the critically acclaimed psychological thriller, Insomnia (2002), starring Al Pacino, Robin Williams and Hilary Swank.
The turning point in Nolan's career occurred when he was awarded the chance to revive the Batman franchise in 2005. In Batman Begins (2005), Nolan brought a level of gravitas back to the iconic hero, and his gritty, modern interpretation was greeted with praise from fans and critics alike. Before moving on to a Batman sequel, Nolan directed, co-wrote, and produced the mystery thriller The Prestige (2006), starring Christian Bale and Hugh Jackman as magicians whose obsessive rivalry leads to tragedy and murder.
In 2008, Nolan directed, co-wrote, and produced The Dark Knight (2008). Co-written with by his brother Jonathan, the film went on to gross more than a billion dollars at the worldwide box office. Nolan was nominated for a Directors Guild of America (D.G.A.) Award, Writers Guild of America (W.G.A.) Award and Producers Guild of America (P.G.A.) Award, and the film also received eight Academy Award nominations. The film is widely considered one of the best comic book adaptations of all times, with Heath Ledger's performance as the Joker receiving an extremely high acclaim. Ledger posthumously became the first Academy Award winning performance in a Nolan film.
In 2010, Nolan captivated audiences with the Sci-Fi thriller Inception (2010), starring Leonardo DiCaprio in the lead role, which he directed and produced from his own original screenplay that he worked on for almost a decade. The thought-provoking drama was a worldwide blockbuster, earning more than $800,000,000 and becoming one of the most discussed and debated films of the year, and of all times. Among its many honors, Inception received four Academy Awards and eight nominations, including Best Picture and Best Screenplay. Nolan was recognized by his peers with a W.G.A. Award accolade, as well as D.G.A. and P.G.A. Awards nominations for his work on the film.
As one of the best-reviewed and highest-grossing movies of 2012, The Dark Knight Rises (2012) concluded Nolan's Batman trilogy. Due to his success rebooting the Batman character, Warner Bros. enlisted Nolan to produce their revamped Superman movie Man of Steel (2013), which opened in the summer of 2013. In 2014, Nolan directed, wrote, and produced the Science-Fiction epic Interstellar (2014), starring Matthew McConaughey, Anne Hathaway and Jessica Chastain. Paramount Pictures and Warner Bros. released the film on November 5, 2014, to positive reviews and strong box-office results, grossing over $670 million dollars worldwide.
In July 2017, Nolan released his acclaimed War epic Dunkirk (2017), that earned him his first Best Director nomination at the Academy Awards, as well as winning an additional 3 Oscars. In 2020 he released his mind-bending Sci-Fi espionage thriller Tenet (2020) starring John David Washington in the lead role. Released during the COVID-19 pandemic, the movie grossed relatively less than Nolan's previous blockbusters, though it did do good numbers compared to other movies in that period of time. Hailed as Nolan's most complex film yet, the film was one of Nolan's less-acclaimed films at the time, yet slowly built a fan-base following in later years.
In July 2023, Nolan released his highly acclaimed biographic drama Oppenheimer (2023) starring Nolan's frequent collaborator Cillian Murphy- in the lead role for the first time in a Nolan film. The movie was a cultural phenomenon that on top of grossing almost 1 billion dollars at the Worldwide Box office, also swept the 2023/2024 award-season and gave Nolan his first Oscars, BAFTAs, Golden Globes, D.G.A. and P.G.A. Awards, as well as a handful of regional critics-circles awards and a W.G.A. nomination. Cillian's performance as quantum physicist J. Robert Oppenheimer was highly acclaimed as well, and became the first lead performance in a Nolan film to win the Academy Award.
During 2023, Nolan also received a fellowship from the British Film Institute (BFI). In March 2024, it was announced that Nolan is to be knighted by King Charles III and from now on will go by the title 'Sir Christopher Nolan'.
Nolan resides in Los Angeles, California with his wife, Academy Award winner producer Dame Emma Thomas, and their children. Sir Nolan and Dame Thomas also have their own production company, Syncopy.The Dark Knight- Writer
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Is the son of a Spanish mother and a Chilean father. His family moved back to Spain when he was 1 year old, and he grew up and studied in Madrid. He wrote, produced and directed his first short film La cabeza at the age of 19, and he was 23 when he directed his feature debut Thesis (1996). His film Open Your Eyes (1997) was a huge success in Spain and was distributed worldwide. It was remade in Hollywood by Cameron Crowe as Vanilla Sky (2001), starring Tom Cruise, Penelope Cruz (also the star of the original version) and Cameron Diaz. The Others (2001) is Amenábar's first English language film.Open your Eyes, The Others- Writer
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Vamsy started writing stories from the age of 15, his first story is "Satya Sundari Navvindi" was read in All India Radio in 1975., and has also written 2 novels "Manchu Pallaki" & "Karma Sakshi" which were published in "Andhra Jyothy Weekly" before beginning his film career.
In 1976 he started to explore his career in Madras started working with V. Madhusudhan Rao as assistant director for many films, later worked as an assistant director to K Viswanath on Sankarabharanam, Bharathiraja on Seethakoka Chiluka before making his first film Manchupallaki with Chiranjeevi, Suhasini,Tripuraneni Sai Chand and Rajendra Prasad in 1982. This movie was a remake of the Tamil film Palaivana Solai directed by Robert-Rajasekaran.[1] In 1984, Vamsy made the critically acclaimed Sitaara, with which he introduced Bhanupriya to the Telugu film industry. The movie was adapted from his own novel Mahal lo Kokila (The Nightingale in the Palace). The movie won the National Film Award for Best Feature Film in Telugu. In 1985, he made 'Preminchu Pelladu', the first movie with Rajendra Prasad as the sole lead.[2]
For a significant period of his career, Vamsy collaborated with the music director Ilayaraja, and their duo had produced best music in Telugu till date. Some of their best work has been in co-operation with each other. The two were so attuned to each other's way of thinking that for a song in his movie Ladies Tailor, Vamsy shot the song picturization ("Ekkada Ekkada") before the song was recorded by music director.[3] This is against the norm as usually the songs are recorded first and the filming made later in most movies.
Vamsy is also closely associated with Bapu (director) and had most of Bapu's lifetime work done for Vamsy with over 400 arts for his stories and Bapu (director) also designed all Vamsy's film titles. Vamsy directed a documentary "Bommarshi Bapu" and won a Nandi Award for Best Director from the State Government of Andhra Pradesh in 1996.
Vamsy is considered Golden Hand and has introduced many actors and technicians to the film industry like Rajendra Prasad (actor), Tanikella Bharani, Bhanupriya, Mallikarjuna Rao (actor), Maharshi Raghava, Kondavalasa, Pradeep Shakthi, Krishna Bhagavaan, Shantipriya, Hamsa Nandini, ...and many others., Introduced vilan role Jeeva (Telugu actor) as comedian.
He has published a short stories compilation called Maa Pasalapudi Kathalu. Besides that compilation, Vamsy has written a wide variety of short stories since 1974 when he was 16 years old. His major works include Mahallo kokila, Manchupallaki, Aa Naati Vaana Chinukulu, Venditera Kathalu (original scripts of Sankarabharanam and Anveshana), Vennela Bomma, Gokulam lo Radha, Ravvala kinda, Sree seetarama lanchi service Rajahmundry, Manyam rani, Rangularatnam. He has penned around 360 short stories published in Swathi (magazine) weekly under the title "Maa Diguwa Godavari Kathalu" For his contributions to the art of storytelling with a native approach through his books he was bestowed with "Sripada Puraskhaaram" at Rajamundry on 17 April 2011.
He also directed a TV serial named Lady Detective for ETV (Telugu) which was aired every Thursday in 1995-96.
Year Title Notes 2017 Fashion Designer s/o Ladies Tailor 2016 Vennello Hai Hai 2010 Saradaga Kasepu 2009 Gopi Gopika Godavari 2007 Anumanaspadam 2004 Konchem touch lo unte chepthanu 2003 Donga Ramudu and Party 2002 Avunu Valliddaru Ista Paddaru 1998 W/O V.Varaprasad 1995 Lingababu Love Story 1994 Neeku 16 Naaku 18 1994 Prema & Co 1993 Joker 1992 Detective Narada 1990 April 1st Vidudhala 1989 Swarakalpana 1989 Chettu Kinda Pleader 1988 Sri Kanaka Mahalaxmi Recording Dance Troupe 1988 Maharshi 1987 Lawyer Suhasini 1986 Ladies Tailor 1985 Aalaapana 1985 Preminchu Pelladu 1985 Anveshana 1984 Sitaara - National Film Award for Best Feature Film in Telugu 1982 ManchupallakiMaharshi- Director
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Ram Gopal Varma was born in Hyderabad, the capital city of the Indian state of Andhra Pradesh. He initially was a video store owner before eventually becoming one of India's leading film directors. A film buff during his youth, Varma would watch both American and Indian cinema regularly. As a young man, he attended Siddhartha Engineering College in Vijayawada. Varma started his career in telugu cinema (the Hyderabad film industry), where he made a huge mark with his debut film Shiva, a violent and stylized actioner set in a college backdrop. At the age of 28, with little film training, Varma was able to convince Nagarjuna, a young Telugu star, to act in his debut picture. Nagarjuna was drawn by the narration of the script and intelligence displayed by the young Varma. Shiva was a landmark hit for the industry and was remade by Varma in the hindi language a year later.
His next was the exciting adventure film, Kshana Kshanam, starring Venkatesh and Sridevi. Varma followed this up with such films as - Raatri, a homage to 'The Exorcist' starring Revati and Om Puri (which Varma would remake over a decade later in Hindi as Bhoot) and Antham, a stylized crime drama, with Nagarjuna and Urmila Matondkar (which Varma would also rework later as Satya) - but was not able to attain the commercial success of his first feature. His next release Gaayam, with Jagapathi Babu and Urmila Matondkar, was a violent crime drama set in Hyderabad. The screenplay was co-written by tamil film director Mani Ratnam, and the script based on 'The Godfather'. It became a success for Varma. He then decided to start his own production banner, Varma Corporation Limited, and produced successful telugu films such as Money (remade later as Love Ke Liye Kuchh Bhi Karega), Money Money (its sequel), Gulabi and Anaganaga Oka Roju.
His first huge success in hindi cinema (the Mumbai film industry) was the commercial blockbuster Rangeela, a stylish romantic drama with Aamir Khan and Urmila Matondkar. A.R. Rahman, a tamil music composer, was introduced to hindi audiences by Varma with this film and won the award for best film music.
Varma followed up with the ground breaking gangster saga Satya, a violent crime epic set in the Mumbai underworld. The film was gritty and realistic, reinventing the crime genre in Indian cinema. Varma had done extensive research for the film, and reworked certain elements of his earlier film Antham. Satya was widely considered Varma's first true masterwork. Made on a shoestring budget and with new faces, the film won awards for actor Manoj Bajpai and music composer Vishal Bharadwaj. Satya became a turning point in Varma's career, winning best picture of the year, and Varma would be forever associated with Mumbai noirs.
Varma then, with fellow director Shekhar Kapur, created a joint film production company in 1998 called India Talkies. The first venture of the production house was the ambitious terrorist drama 'Dil Se', with Shahrukh Khan and Manisha Koirala. The film was a box office dud, and India Talkies would be short lived. Varma would return to focusing on his own production house Varma Corp.
The hard hitting masterpiece 'Shool' followed shortly after, written and produced by Varma. The film depicted the life of an honest police officer in the violent and harsh rural setting of Bihar. The film was a commercial and critical success with both Manoj Bajpai and Sayaji Shinde winning awards for their performances. Varma lightened things up next with the romantic drama 'Mast'. The film was inspired by Varma's own college days, and featured Aftab Shivdasani in an award-winning turn as a film crazy college student.
Varma decided afterwards to only direct films in the Mumbai film industry. He believed there was more talent in Mumbai than in southern film cities like Chennai and Hyderabad. Varma had always admired directors such as Shyam Benegal, Govind Nihlani, and Gulzar. He considers Kalyug, Ardh Satya, and Mere Apne among his favorite Indian films of all time. At a time when popular Indian Cinema featured either over the top action films or glamorous love stories, Varma's films were more rooted and realistic. Varma is known to frequently cut out song and dance sequences in his films, which are usually commonplace in Bollywood. His films almost always deal with the contemporary and urban, usually set in the city of Mumbai. He often uses Indian stage actors in his films rather than established bollywood stars. Mainly known for creating the 'Mumbai noir', Varma brought psychological depth and cinematic virtuosity to genre films.
More recently, Varma returned with the organized crime masterpiece 'Company'. The film was again set in the Mumbai underworld, and was based on real life Underworld don Dawood Ibrahim and his criminal outfit D-Company. The film featured award-winning performances by Ajay Devgan, Vivek Oberoi and Manisha Koirala. The film also won awards for best editing by Chandan Arora and best story by Jaideep Sahni. The film was lauded by critics and audiences alike.
His latest release Naach, which Varma called his best film yet, was a largely self reflective piece, about the relationship between an idealistic choreographer and an ambitious actor. The film had a weak commercial run but was liked by critics. In a recent interview with the Indian Express newspaper, the filmmaker criticized Indian audiences saying "I gave Ayn Rand to a Municipal School."
He spends most of his time these days producing small budget films for his successful production house Varma Corp. Though not always credited, he is involved in all aspects of his productions, often believed to 'ghost direct' many of the films. He produces films at a fast speed that is unfamiliar to the Indian Film Industry. He has had many recent successes including - 'Ab Tak Chhappan', based on the experiences of famed Mumbai police Daya Naik, 'D', a prequel to his earlier hit Company based on the early years of Dawood Ibrahim during his days under Pathan underworld boss Karim Lala, 'Ek Hasina Thi', a female revenge thriller, and finally 'Road'. He has also produced lighter films such as 'Love Ke Liye Kuchh Bhi Karega' and 'Main Madhuri Dixit Banna Chahti Hoon'.Shiva- Director
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William Wyler was an American filmmaker who, at the time of his death in 1981, was considered by his peers as second only to John Ford as a master craftsman of cinema. The winner of three Best Director Academy Awards, second again only to Ford's four, Wyler's reputation has unfairly suffered as the lack of an obvious "signature" in his diverse body of work denies him the honorific "auteur" that has become a standard measure of greatness in the post-"Cahiers du Cinéma" critical community.
His directorial career spanned 45 years, from silent pictures to the cultural revolution of the 1970s. Nominated a record 12 times for the Academy Award for Best Director, he won three and in 1966, was honored with the Irving Thalberg Award, the Academy of Motion Picture Arts & Sciences' ultimate accolade for a producer. So high was his reputation in his lifetime that he was the fourth recipient of the American Film Institute's Lifetime Achievement Award, after Ford, James Cagney and Welles. Along with Ford and Welles, Wyler ranks with the best and most influential American directors, including Griffith, DeMille, Frank Capra, Howard Hawks, Alfred Hitchcock, Stanley Kubrick and Steven Spielberg.
Born Willi Wyler on July 1, 1902, in Mulhouse, Alsace (then a possession of Germany), to Jewish parents. His Swiss-born father, Leopold, started as a traveling salesman but later became a thriving haberdasher in Mulhouse. His mother, Melanie (née Auerbach; died February 13, 1955, Los Angeles, aged 77), was German-born, and a cousin of Carl Laemmle, founder of Universal Pictures. Melanie Wyler often took him and his older brother Robert to concerts, opera, and the theatre, as well as the early cinema. Sometimes at home his family and their friends would stage amateur theatricals for personal enjoyment.
He used his family connections to establish himself in the film industry. Upon being offered a job by his mother's first cousin, Universal Studios head Carl Laemmle, Wyler emigrated to the US in 1920 at the age of 18. After starting in Universal's New York offices as an errand boy, he moved his way up through the organization, ending up in the California operation in 1922. Wyler was given the opportunity to direct in July 1925, with the two-reel western The Crook Buster (1925). It was on this film that he was first credited as William Wyler, though he never officially changed his name and would be known as "Willi" all his life. For almost five years he performed his apprenticeship in Universal's "B" unit, turning out a score of low-budget silent westerns. In 1929 he made his first "A" picture, Hell's Heroes (1929), Universal's first all-sound movie shot outside a studio. The western, the first version of the "Three Godfathers" story, was a commercial and critical success.
The initial years of the Great Depression brought hard times for the film industry, and Universal went into receivership in 1932, partially due to financial troubles brought about by rampant nepotism and the runaway production costs rung up by producer Carl Laemmle Jr., the son of the boss. There were 70 Laemmle family members on the Universal payroll at one point, including Wyler. In 1935 "Uncle" Carl was forced to sell the studio he had created in 1912 with the 1912 merger of his Independent Motion Picture Co. with several other production companies. Wyler continued to direct for Universal up until the end of the family regime, helming Counsellor at Law (1933), the film version of Elmer Rice's play featuring one of John Barrymore's more restrained performances, and The Good Fairy (1935), a comedy adapted from a Ferenc Molnár play by Preston Sturges and starring Margaret Sullavan, who was Wyler's wife for a short time. Both films were produced by his cousin, "Junior" Laemmle. Emancipated from the Laemmle family, Wyler subsequently established himself as a major director in the mid-1930s, when he began directing films for independent producer Samuel Goldwyn. During this key period, he alternated between adaptations of famous plays and filming versions of classic novels. Willi would soon find his freedom fettered by the man with the fabled "Goldwyn touch," which entailed bullying his directors to recast, rewrite and re-cut their films, and sometimes even replacing them during shooting.
The first of the Wyler-Goldwyn collaborations was These Three (1936), based on Lillian Hellman's lesbian-themed play "The Children's Hour" (the Sapphic theme was jettisoned and sanitized into a conventional heterosexual love triangle due to censorship concerns, but it resurfaced intact when Wyler remade the film a quarter-century later). His first unqualified success for Goldwyn was Dodsworth (1936), an adaptation of Sinclair Lewis' portrait of a disintegrating American marriage, a marvelous film that still resonates with audiences in the 21st century. He received his first Best Director Oscar nomination for this picture. The film was nominated for Best Picture, the first of seven straight years in which a Wyler-directed movie would earn that accolade, culminating with Oscars for both William Wyler and Mrs. Miniver (1942) in 1942.
Wyler's potential greatness can be seen as early as "Hell's Heroes," an early talkie that is not constrained by the restrictions of the new technology. The climax of the picture, with Charles Bickford's dying badman walking into town, is a long tracking shot that focuses not on the actor himself but the detritus that he shucks off to lighten his load as he brings a baby back to a cradle of civilization. The scene is a harbinger of the free-flowing style that would become a hallmark of his work. However, it was with "Dodsworth" that Wyler began to establish his critical reputation. The film features long takes and a probing camera, a style that Wyler would make his own. Now established as Goldwyn's director of choice, Wyler made several films for him, including Dead End (1937) and Wuthering Heights (1939). Essentially an employee of the producer, Wyler clashed with Goldwyn over aesthetic choices and longed for his freedom. Goldwyn had demanded that the ghetto set of "Dead End" be spruced up and that "clean garbage" be used in the water tank representing the East River, over Wyler's objections. Goldwyn prevailed, as he did later with the ending of "Wuthering Heights." After he had finished principal photography on the film, Goldwyn demanded a new ending featuring the ghosts of Heathcliff and Cathy reunited and walking away towards what the audience would assume is heaven and an eternity of conjoined bliss. Wyler opposed the new ending and refused to shoot it. Goldwyn had his ending shot without Wyler and had it tacked onto the final cut. It was an artistic betrayal that rankled Wyler.
Goldwyn loaned out Wyler to other studios, and he made Jezebel (1938) and The Letter (1940) for Warner Bros. Working with Bette Davis in the two masterpieces, as well as in Goldwyn's The Little Foxes (1941), Wyler elicited three of the great diva's finest performances. In these films and his films of the mid-to-late 1930s, Wyler pioneered the use of deep-focus cinematography, most famously with lighting cameraman Gregg Toland. Toland shot seven of the eight films Wyler directed for Goldwyn: "These Three", Come and Get It (1936), "Dead End," "Wuthering Heights" (for which Toland won his only Academy Award), The Westerner (1940), "The Little Foxes" and The Best Years of Our Lives (1946). Compositions in Wyler pictures frequently featured multiple horizontal planes with various characters arranged in diagonals at varying distances from the camera lens. Creating an illusion of depth, these deep-focus shots enhanced the naturalism of the picture while heightening the drama. As the photography of Wyler's films was used to serve the story and create mood rather than call attention to itself, Toland was later mistakenly given credit for creating deep-focus cinematography along with another great director, Orson Welles, in Citizen Kane (1941). His first use of deep-focus cinematography was in 1935, with "The Good Fairy", on which Norbert Brodine was the lighting cameraman. It was the first of his films featuring deep-focus shots and the diagonal compositions that became a Wyler leitmotif. The film also includes a receding mirror shot a half-decade before Toland and Welles created a similar one for "Citizen Kane."
Wyler won his first Oscar as Best Director with "Mrs. Miniver" for MGM, which also won the Oscar for Best Picture, the first of three Wyler films that would be so honored. Made as a propaganda piece for American audiences to prepare them for the sacrifices necessitated by World War II, the movie is set in wartime England and elucidates the hardships suffered by an ordinary, middle-class English family coping with the war. An enthusiastic President Franklin D. Roosevelt, after seeing the film at a White House screening, said, "This has to be shown right away." The film also won Oscars for star Greer Garson and co-star Theresa Wright, for cinematographer Joseph Ruttenberg and for Best Screenplay.
After "Miniver," Wyler went off to war as an officer in the U.S. Army Air Forces. One of his more memorable propaganda films of the period was a documentary about a B-17 bomber, The Memphis Belle: A Story of a Flying Fortress (1944), He also directed the Navy documentary The Fighting Lady (1944), an examination of life aboard an American aircraft carrier. Though the later film won an Oscar as Best Documentary, "The Memphis Belle" is considered a classic of its form. The making of the documentary was even the subject of a 1990 feature film of the same name. "The Memphis Belle" focuses on the eponymous B-17 bomber and its 25th, and last, air raid flown from a base in England. The documentary features aerial battle footage that Wyler and his crew shot over the skies of Germany. One of his photographic crew, flying in another plane, was killed during the filming of the air battles. Wyler himself lost the hearing in one ear and became partially deaf in the other due to the noise and concussion of the flak bursting around his aircraft.
Wyler's first picture upon returning from World War II would prove to be the last movie he made for Goldwyn. A returning veteran like those portrayed in "The Best Years of Our Lives" (1946), this film won Wyler his second Oscar. The movie, which featured a moving performance by real-life veteran and double amputee Harold Russell, struck a universal chord with Americans and was a major box office hit. It was the second Wyler-directed picture to be named Best Picture at the Academy Awards. The film also won Oscars for star Fredric March and co-star Russell (who was also given an honorary award "for bringing hope and courage to his fellow veterans"), film editor Daniel Mandell, composer Hugo Friedhofer and screenwriter Robert E. Sherwood, and was instrumental in garnering the Irving Thalberg Award for Samuel Goldwyn, who also took home the Best Picture Oscar that year as "Best Years" producer.
Though Wyler elicited some of the finest performances preserved on film, ironically he could not communicate what he wanted to an actor. A perfectionist, he became known as "40-Take Wyler", shooting a scene over and over again until the actors played it the way he wanted. With his use of long takes, actors were forced to act within each take as their performances would not be covered in the cutting room. His long takes and lack of cutting slowed down the pacing of his films, providing a greater feeling of continuity within each scene and intimately involving the audience in the development of the drama. The story in a Wyler film was allowed to unfold organically, with no tricky editing to cover up holes in the script or to compensate for an inadequate performance. Wyler typically rehearsed his actors for two weeks before the beginning of principal photography.
While more actors won Academy Awards in Wyler movies, 14 out of a total of 36 nominations (more than any other two directors combined), few actors worked more than once or twice with him. Bette Davis worked on three films with him and won Academy Award nominations for each performance and an Oscar for "Jezebel." On their last collaboration, "The Little Foxes" (1941), Davis walked off the production for two weeks after clashing with Wyler over how her character should be played.
He proved hard on other experienced actors, such as Laurence Olivier in "Wuthering Heights," who gave credit to Willi for turning him from a stage actor into a movie actor. "This isn't the Opera House in Manchester," Wyler told Olivier, his way of conveying that he should tone down his performance. A year earlier, Wyler had forced Henry Fonda through 40 takes on the set of "Jezebel," Wyler's only direction being "Again" after each repeated take. When Fonda demanded some input on what he was doing wrong, Wyler replied only: "It stinks. Do it again." According to Charlton Heston, Wyler approached him early in the shooting of Ben-Hur (1959) and told him that his performance was inadequate. When a dismayed Heston asked him what he should do, "Be better" is all that Wyler could supply. In his autobiography, Elia Kazan, a famed "actor's director", tells how he offered advice to an actor acquaintance of his who was making a Wyler picture as he knew that the great director was inarticulate about acting and would be unable to give advice.
Wyler believed that after many takes, actors got angry and began to shed their preconceived ideas about acting in general and the part in particular. Stripped of these notions, actors were able to play at a truer level. It is a process that Stanley Kubrick would subsequently use on his post-2001: A Space Odyssey (1968) films, though to different results, creating an otherworldly anti-realism rather than the more naturalistic truth of a Wyler movie performance. His methods often meant that his films went over schedule and over budget, but he got results.
Wyler's reputation has suffered as he is not considered an "auteur," or "author" of his films. However, in his postwar career, he definitely was the auteur, or controlling consciousness, behind his films. Although he never took a screenwriting credit (other than for an early horse opera, Ridin' for Love (1926)), he selected his own stories and controlled the screenwriting, hiring his own writers in a development process that could take years. His postwar period films include The Heiress (1949), a fine version of Henry James' novel "Washington Square," with an Oscar-winning performance by Olivia de Havilland; Detective Story (1951), a police drama that takes place on a minimal, controlled set almost as restricted as that of Hitchcock's Rope (1948); and Roman Holiday (1953), which won Audrey Hepburn an Oscar in her first leading role. The other films of this period are Carrie (1952), The Desperate Hours (1955) and Friendly Persuasion (1956).
Wyler returned to the western genre one last time with The Big Country (1958), a picture far removed in scope from his two-reeler origins, featuring Gregory Peck, Heston, and Wyler's old "Hell's Heroes" star Bickford. Burl Ives won a Best Supporting Actor Oscar for his role as the patriarch of an outlaw clan in conflict with Bickford's family. Wyler was next enlisted by producer Sam Zimbalist to helm MGM's high-stakes "Ben-Hur" (1959), a remake of its 1925 classic. It was a high-budget ($15 million, approximately $90 million when factored for inflation), wide-screen (the aspect ratio of the film is 2.76 to 1 when properly shown in 70mm anamorphic prints, the highest ratio ever used for a film) epic that the studio had spent six years preparing. Principal photography required more than six months of shooting on location in Italy, with hundreds of crew members and thousands of extras. Wyler was the overlord of the largest crew and oversaw more extras than any other film had ever used. Wyler's "Ben-Hur" grossed $74 million (approximately $600 million at today's ticket prices, ranking it #13 film in terms of all-time box office performance, when adjusted for inflation), the film was the fourth highest-grossing film of all-time when it was released, surpassed only by Gone with the Wind (1939), DeMille's The Ten Commandments (1956), and Walt Disney's Snow White and the Seven Dwarfs (1937). "Ben-Hur" went on to win 11 Oscars out of 12 nominations, including a third Best Director Academy Award for Wyler. The 11 Oscars set a record since tied by Titanic (1997) and The Lord of the Rings: The Return of the King (2003).
In the last decade of his career, he remade "These Three" as The Children's Hour (1961), a franker version of Hellman's play than his 1936 version. The Collector (1965) was his last artistic triumph, and he had his last hit with Funny Girl (1968), for which Barbra Streisand repeated Audrey Hepburn's success of 15 years earlier, wining an Oscar in her first lead role. Wyler's last film was The Liberation of L.B. Jones (1970), an estimable failure that tackled the theme of racial prejudice, but which came out in the revolutionary time of Easy Rider (1969) and other such films and held little promise for such traditional warhorses as Wyler.
Although he reportedly dreamed of making more pictures, Wyler's failing health kept him from taking on another film. Instead, he and his wife Margaret Tallichet, the mother of his five children, contented themselves with travel. William Wyler died on July 27, 1981, in Beverly Hills, California.- Director
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Giuseppe Tornatore was born on 27 May 1956 in Bagheria, Sicily, Italy. He is a director and writer, known for The Best Offer (2013), Cinema Paradiso (1988) and The Legend of 1900 (1998). He is married to Roberta Pacetti.- Actor
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Gautham Vasudev Menon (born 25 February 1973), also known as GVM, is an Indian film director, screenwriter and producer who predominantly works in Tamil cinema. He has also directed Telugu and Hindi films, which are remakes of his own Tamil films. Many of his films have been critically acclaimed, most notably his romantic films Minnale (2001), Vaaranam Aayiram (2008), Vinnaithaandi Varuvaayaa (2010) and his thrillers Kaakha Kaakha (2003), Vettaiyaadu Vilaiyaadu (2006) and Yennai Arindhaal (2015). Vaaranam Aayiram won the National Film Award for Best Feature Film in Tamil. Menon produces films through his Photon Kathaas film production company. His production Thanga Meengal (2013) won the National Film Award for Best Feature Film in Tamil. Menon was born to a Malayali father and a Tamil mother on 25 February 1973 in Ottapalam, a town in the Palakkad district of Kerala. Although born in Kerala he grew up in Anna Nagar, Chennai. He earned a bachelor's degree in Mechanical Engineering from Mookambigai College of Engineering, Pudukkottai.Vaaranam Aayiram- Writer
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Krishna Vamsi was born on 28 July 1962 in Tadepalligudem, Andhra Pradesh, India. He is a writer and director, known for Khadgam (2002), Govindudu Andari Vaadele (2014) and Anthahpuram (1998). He has been married to Ramya Krishnan since 12 June 2003. They have one child.Antahpuram- Writer
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The man who revolutionized Tamil-language cinema, Mani Ratnam is the biggest director in south India and one of the most respected directors in all of India. Each of his films contain its own unique style, with beautifully photographed songs and unique back-lighting. However, his films contain substance as well as style--Ratnam has dealt with a wide variety of topics, from the classic Indian love story to political thrillers.
He was born in Madras in 1956. Filmmaking was in his blood; he was the son of film producer 'Venus Gopalratnam' and his brother was G. Venkateswaran, a film distributor turned producer. Ironically, however, he studied at Madras University and received a management degree at the Jamnalal Bajaj Institute of Management Studies in Mumbai, and had initially started out as a management consultant. His first film, Pallavi Anu Pallavi (1983), starring Anil Kapoor, didn't make many waves, although it won the State Award from Karnataka that year, but even though he made two films in Tamil and one in Malayalam, nothing worked for him until he broke through with Mouna Ragam (1986). Starring Revathi, the film told the tale of a woman who, although forced into an arranged marriage, chooses to maintain a platonic relationship with her husband. The film was noted for its sophisticated approach and execution of an extremely sensitive topic.
His next film, Nayakan (1987), was also arguably his greatest. A take-off on Francis Ford Coppola' legendary The Godfather (1972), it established Ratnam as the leading director of Tamil-language Cinema and won its leading actor Kamal Haasan the National Award for Best Actor. The film draws on 30 years of Tamil Nadu's celebrity images and directly played to the anti-Hindi feelings of Tamil Nadu when the protagonist, beaten up, tells the Hindi policeman in Bombay, "If I ever hit you, you will die!"
Then came the best of his early work - Agni Natchathiram (1988), Geethanjali (1989), and Anjali (1990). The first was a tale of conflict between two step-brothers. Shot with glossy camera work, the film resembled a cross between an advertisement and a music video, and set a trend for a whole new visual style in Tamil-language Cinema. The next, Geethanjali (1989), shot in Ooty to create a soft and poetic mood, was a touching love story between two terminally ill people with less than six months left. The third, Anjali (1990), about a disabled child brought back to her family with two normal children had been chosen by India to be sent to the Oscars for Best Foreign-language Film, but it did not receive a nomination. The next year saw his first, and only collaboration so far, with the Tamil superstar Rajni Kant in the film Thalapathi (1991). It also starred Mamooty, along side a host of other actor. This star studded film was a gritty tale of an orphan who grows up to become a notorious gang member in Chennai. The story was inspired by the great epic of Mahabharata.
It was Roja (1992) that made Ratnam a household name all over India. A patriotic love story set against the backdrop of Kashmiri terrorism, the film was dubbed in Hindi and became a huge national success. It enforced Ratnam as a director of style and substance, as well as proving a highly auspicious debut for the now-acclaimed music director A.R. Rahman, whom Ratnam had discovered. It helped that India's at-the-time election commissioner T. N. Seshan took the rare step of officially endorsing the film. Thiruda Thiruda (1993), a remake of Butch Cassidy and the Sundance Kid (1969) was a misfire, but Ratnam bounced back with Bombay (1995), a politically charged romance between a Hindu man and a Muslim woman during the 1993 riots in Mumbai. The film underwent some controversy due to its slightly anti-Muslim viewpoint, but it contributed widely to the success of the film.
Continuing his political obsession, Ratnam made Iruvar (1997), based on the MGR-Karunanidhi affair, and Dil Se.. (1998), which starred superstars Manisha Koirala and Shah Rukh Khan. The latter was Ratnam's first Hindi-language film. Based on the northeast Indian problem, it told the story of a radio executive and a revolutionary. It had an excellent cast, beautifully crafted scenes, and most of all one of A.R. Rahman's greatest tunes--but did not go down too well with the audience, who hailed it as a strange and confusing film that headed nowhere. However, today it is held as ahead of its time, being that it was shot pre-9/11, and is now hailed as a contemporary classic.
He returned to familiar ground with Alai Payuthey (2000), which tackled the story of a couple in love that goes through the trials and tribulations of marriage. His subsequent film, Kannathil Muthamittal (2002), which told the tale of an adopted girl meeting her terrorist mother, saw Ratnam back in form as one of the greatest storytellers in Indian Cinema. His next film, Yuva (2004), saw Ratnam return to Hindi-language cinema after six years, but in spite of some fine flourishes, the film largely failed to work. However, don't take him too lightly: he is sure to return with something new next time....Nayagan- Director
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Singeetam Srinivasa Rao was born on 21 September 1931 in Udayagiri, Nellore District, Andhra Pradesh, India. He is a director and writer, known for Pushpaka Vimana (1987), Mayuri (1984) and Little John (2001).- Producer
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Sanjay Leela Bhansali is among the most celebrated Film Makers of the Bollywood. Having worked with the biggest stars of Indian Film Industry, Bhansali is the most sought-for director of the Bollywood. He started his career as an assistant director to Vidhu Vinod Chopra. If one has to name his 'niche' genre, it would definitely be Mega-Musicals. From Devdas to Bajirao Mastani, Hum Dil De Chuke Sanam to Saawariya, love of cinema and music, proclaims through every movie he writes or direct.
His 1999 Romantic-Drama, Hum Dil De Chuke Sanam, starring heartthrob duo Salman-Aishwarya became one of the most critically cherished movies of the Genre. Amitabh Bachan, starrer Black was equally appreciated by the critics. But he made his presence felt with 2002 adaptation of the Hindi literary masterpiece, Devdas, for a silver-screen experience. He received a nomination for Best Foreign Film at BAFTA for the movie.
Devdas has become a name synonymous with a passionate, intense love that does not find consummation. This similar theme has been repeated numerous time in the literary work. And one of them is Romeo & Juliet. He translated this classic tale into Indian Folk Idiom.- Actor
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Tanikella Bharani is an Indian actor, screenwriter, poet, playwright and director who works predominantly in Telugu cinema. He has worked in more than 750 films, including Tamil, Kannada, and Hindi. He has won three Andhra Pradesh State Nandi Awards.
Tanikella's ancestry includes poets and literary figures of Telugu literature. Diwakarla Venkatavadhani and Viswanatha Satyanarayana were his grand uncles. Divakarla Tirupati Sastry one of the Telugu poet duo Tirupati Venkata Kavulu was his great-grand-uncle.
Tanikella directed the Telugu drama film Mithunam (2012) featuring S.P. Balasubrahmanyam and Lakshmi. Tanikella Bharani received CineMAA Award Special Jury Award for Best Direction for this film.- Writer
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Born in precisely the kind of small-town American setting so familiar from his films, David Lynch spent his childhood being shunted from one state to another as his research scientist father kept getting relocated. He attended various art schools, married Peggy Lynch and then fathered future director Jennifer Lynch shortly after he turned 21. That experience, plus attending art school in a particularly violent and run-down area of Philadelphia, inspired Eraserhead (1977), a film that he began in the early 1970s (after a couple of shorts) and which he would work on obsessively for five years. The final film was initially judged to be almost unreleasable weird, but thanks to the efforts of distributor Ben Barenholtz, it secured a cult following and enabled Lynch to make his first mainstream film (in an unlikely alliance with Mel Brooks), though The Elephant Man (1980) was shot through with his unique sensibility. Its enormous critical and commercial success led to Dune (1984), a hugely expensive commercial disaster, but Lynch redeemed himself with the now classic Blue Velvet (1986), his most personal and original work since his debut. He subsequently won the top prize at the Cannes Film Festival with the dark, violent road movie Wild at Heart (1990), and achieved a huge cult following with his surreal TV series Twin Peaks (1990), which he adapted for the big screen, though his comedy series On the Air (1992) was less successful. He also draws comic strips and has devised multimedia stage events with regular composer Angelo Badalamenti. He had a much-publicized affair with Isabella Rossellini in the late 1980s.- Producer
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A whiz-kid with special effects, Robert is from the Spielberg camp of film-making (Steven Spielberg produced many of his films). Usually working with writing partner Bob Gale, Robert's earlier films show he has a talent for zany comedy (Romancing the Stone (1984), 1941 (1979)) and special effect vehicles (Who Framed Roger Rabbit (1988) and Back to the Future (1985)). His later films have become more serious, with the hugely successful Tom Hanks vehicle Forrest Gump (1994) and the Jodie Foster film Contact (1997), both critically acclaimed movies. Again, these films incorporate stunning effects. Robert has proved he can work a serious story around great effects.- Producer
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David Fincher was born in 1962 in Denver, Colorado, and was raised in Marin County, California. When he was 18 years old he went to work for John Korty at Korty Films in Mill Valley. He subsequently worked at ILM (Industrial Light and Magic) from 1981-1983. Fincher left ILM to direct TV commercials and music videos after signing with N. Lee Lacy in Hollywood. He went on to found Propaganda in 1987 with fellow directors Dominic Sena, Greg Gold and Nigel Dick. Fincher has directed TV commercials for clients that include Nike, Coca-Cola, Budweiser, Heineken, Pepsi, Levi's, Converse, AT&T and Chanel. He has directed music videos for Madonna, Sting, The Rolling Stones, Michael Jackson, Aerosmith, George Michael, Iggy Pop, The Wallflowers, Billy Idol, Steve Winwood, The Motels and, most recently, A Perfect Circle.
As a film director, he has achieved huge success with Se7en (1995), Fight Club (1999) and, Panic Room (2002).- Producer
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An accomplished and award-winning producer-director-writer-actor-singer, Farhan Akhtar is the ultimate Bollywood multi-hyphenate. Born in 1974 to prolific Indian film writer and poet, Javed Akhtar and writer-director, Honey Irani , Farhan was raised in an environment where creativity and originality of thought were encouraged. This has made him a maverick whose films reflect refreshingly new content that easily strikes a chord with filmgoers.
In 1999, Farhan collaborated with Ritesh Sidhwani, a friend who shared his passion for good cinema, to form Excel Entertainment, a production banner that has become synonymous with excellence in film-making.
Debuting at the age of 26, as a writer, director, and producer with Dil Chahta Hai (2001) a coming-of-age film that has gained cult status, Farhan came to be lauded for his honest, path-breaking writing and his ability to extract mature performances from his cast. The film won Farhan his first National Award for 'Best Hindi Feature Film' along with Filmfare awards for 'Best Feature Film - Critics Choice' and 'Best Screenplay'.
Almost two decades later, this film continues to influence a generation of filmmakers.
Seven years after his dream debut as a writer-director, Farhan debuted as an actor-singer in Rock On!! (2008) Yet another runaway success, the film secured him a second National Award for 'Best Hindi Feature Film' and a Filmfare award for 'Best Debut Performance'.
The dream run continued with Zindagi Na Milegi Dobara (2011) which released in 2011 to much popular and critical acclaim, winning him three Filmfare awards for 'Best Film', 'Best Actor in a supporting role' and 'Best Dialogue'.
His next, a biopic on Indian athlete Milkha Singh, popularly known as 'the Flying Sikh', was entitled Bhaag Milkha Bhaag (2013).
He essayed the role with such integrity that it set the standard for other actors considering to play titular protagonists in biopics. Deservingly, Farhan swept all awards that year for 'Best Actor' as did the film for 'Best Film'. It also claimed the National award for 'Best Popular Film providing Wholesome Entertainment.'
His most recent release The Sky Is Pink (2019) premiered at the Toronto International Film Festival and received a 15-minute standing ovation from the audience at the Roy Thomson Hall.
In addition to his contribution to Indian cinema, Farhan has initiated and supported a plethora of social causes. In 2012, he founded MARD (Men against Rape & Discrimination), an initiative that raises awareness about gender-related issues amongst the youth of India. Recognizing his sustained efforts, Farhan was made the first male UNwomen goodwill ambassador (South Asia) in 2014.
Additionally, Farhan feeds his passion for music by writing, composing and performing live with his band FarhanLive.
His English language debut album 'Echoes' released in March 2019 to critical acclaim.
He has 2 daughters and lives in Mumbai, India.- Writer
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Five feature films, three short films, one web series, six Filmfare awards, an Emmy nomination and India's official entry to the Oscars outlines Zoya Akhtar's unique ability to tell stories that break the conventional norms and create waves globally.
Zoya's directorial journey began with Luck By Chance (2009), followed by Zindagi Na Milegi Dobara (2011), Dil Dhadakne Do (2015), and the internationally acclaimed Gully Boy (2019), which have since acquired cult status, and won numerous global awards and accolades. The globally celebrated series Made in Heaven (2019) for Amazon Prime and the international Emmy nominated Lust Stories (2018) for Netflix have further extended Zoya's reach as a universal storyteller. Zoya's most recent directorial, The Archies (2023) is the official adaptation and the first ever feature film of the globally revered Archie comics.
Through Tiger Baby, Zoya has also turned producer - with Made in Heaven (2019), Eternally Confused and Eager for Love (2022), Dahaad (2023), The Archies (2023) and Kho Gaye Hum Kahan (2023) already under her belt, and many more exciting projects to come!- Writer
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Imtiaz Ali is an Indian film director, actor and writer. In 2005, he made his directorial debut with the film Socha Na Tha. However, it was his second film Jab We Met (2007) that brought him success and fame. His 2009 film Love Aaj Kal gained much critical success, and was declared a super hit at the box office. His movie Rockstar (2011) was also a commercial and critical success. Imtiaz Ali had his origins in Jamshedpur, Jharkhand.He was brought up in Patna and Jamshedpur. He had his early education in Patna- D.B.M.S. English school, Jamshedpur,and later attended University of Delhi in Delhi, where he took part in college theater. He started Ibtida the dramatic society of Hindu College. Thereafter he moved to Mumbai and did a diploma course from Xavier Institute of Communication.- Director
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Shekhar Kapur was born on 6 December 1945 in Lahore, Punjab, British India [now Pakistan]. He is a director and actor, known for Elizabeth (1998), Bandit Queen (1994) and The Four Feathers (2002). He was previously married to Suchitra Krishnamoorthi.- Writer
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He studied fine arts in Paris in 1990-1992. In 1993 he won the award for Best Screenplay from the Educational Institute of Screenwriting with "A Painter and A Criminal Condemned to Death". After two more screenplay awards, he made his directorial debut with Crocodile (1996) ("Crocodile"). Then he went on to direct Wild Animals (1997) ("Wild Animals"), Birdcage Inn (1998) ("Birdcage Inn"), The Isle (2000) ("The Isle") and the highly experimental Real Fiction (2000) ("Real Fiction"), shot in just 200 minutes. In 1999, Address Unknown (2001) ("Address Unknown") was selected by the Pusan Film Festival's Pusan Promotion Plan (PPP) for development.- Director
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Wesley Wales Anderson was born in Houston, Texas. His mother, Texas Ann (Burroughs), is an archaeologist turned real estate agent, and his father, Melver Leonard Anderson, worked in advertising and PR. He has two brothers, Eric and Mel. Anderson's parents divorced when he was a young child, an event that he described as the most crucial event of his brothers and his growing up. During childhood, Anderson also began writing plays and making super-8 movies. He was educated at Westchester High School and then St. John's, a private prep school in Houston, Texas, which was later to prove an inspiration for the film Rushmore (1998).
Anderson attended the University of Texas in Austin, where he majored in philosophy. It was there that he met Owen Wilson. They became friends and began making short films, some of which aired on a local cable-access station. One of their shorts was Bottle Rocket (1993), which starred Owen and his brother Luke Wilson. The short was screened at the Sundance Film Festival, where it was successfully received, so much so that they received funding to make a feature-length version. Bottle Rocket (1996) was not a commercial hit, but it gained a cult audience and high-profile fans, which included Martin Scorsese.
Success followed with films such as Rushmore (1998), The Life Aquatic with Steve Zissou (2004), The Royal Tenenbaums (2001) and an animated feature, Fantastic Mr. Fox (2009). The latter two films earned Anderson Oscar nominations.