Living Up to Expectations: The Good, the Better, and the Best of 2014
This is my annual effort to filter the good, the better, and the best from the rest that cinema has to offer every year. It's an initiative I began back in 2010, and I hope that this year too the list will be enjoyable, informative, and up-to-the-mark. And yes, adulation and criticism are both appreciated, so keep your comments coming.
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- DirectorDan GilroyStarsJake GyllenhaalRene RussoBill PaxtonWhen Louis Bloom, a con man desperate for work, muscles into the world of L.A. crime journalism, he blurs the line between observer and participant to become the star of his own story.“Nightcrawler” is a great film on Los Angeles, a great film on the media, a great semi-noir, and a darn good thriller, powered by a supremely creepy performance from Jake Gyllenhaal in what is perhaps the best work of his eclectic career. But fundamentally, it’s also a film about the power of showmanship, and the danger of believing your own hype.
“Nightcrawler” attacks the seediness of contemporary TV journalism like network on steroids. Filmmaker Gilroy, makes every cinematic second count. If you blink you miss a tell-tale reaction shot, a vital visual plot clue, or a brilliant cut-in. For a first-time director, Gilroy demonstrates an uncommon assurance, not only in his audacious tonal shifts but in the stellar work he elicits from his cast and crew.
The most attention-grabbing contribution comes from Jake Gyllenhaal. Now 33 years old, Gyllenhaal is the same age that De Niro was in Taxi Driver and, like him, he is learning to channel an eerie, inner charisma, offering it up in glimpses and glimmers rather than all at once. Never one to shy away from the darkness of a character’s soul, Gyllenhaal, is absolutely in his element. He anchors “Nightcrawler” with a gonzo, transformative performance. Long since, it has just been Christian Bale, who’s been regarded as the dastardly endearing baddie, and true successor of De Niro and Nicholson-esque roles. Well, now, he finally has worthy company.
Although far from subtle, the metaphor of man as corporation in “Nightcrawler” is skillfully hidden behind black comedy, intense scenes, tense suspense, and artful cinematography. It’s a slinky black cat of a movie, commanding attention and reeling you in to follow down filthy, dangerous alleys. As much a character study as its a thriller, the film will get under your skin with its profile of a go-getter whose ambition and amorality know no bounds. “Nightcrawler” is a modern-noir portrait of the way we eat our news, but amid the media, it slowly turns its unblinking eye on something darker, and much closer to home. It presents a creepy world of urban blight with rawness as mesmerizing as it’s threatening.
Dark, funny, unsettling, restless, visually sleek, and powered by a lithe star performance from Jake Gyllenhaal, “Nightcrawler” offers dark, thought-provoking thrills. It’s indisputably one of the best thrillers ever made and offers a devil of a performance from its lead star. - DirectorChristopher NolanStarsMatthew McConaugheyAnne HathawayJessica ChastainWhen Earth becomes uninhabitable in the future, a farmer and ex-NASA pilot, Joseph Cooper, is tasked to pilot a spacecraft, along with a team of researchers, to find a new planet for humans.Christopher Nolan has reached deep into the stars to tell a story about mankind's demise and refusal to go quietly into the night. The film charts a course in the latest theories in quantum physics and other space-related sciences to tell a story that engages and entertains viewers. It also goes to exacting lengths to meticulously depict the theory of relativity — vetted by executive producer and renowned astrophysicist, Kip Thorne. Nolan’s starscape is the most mesmerizing visual of the year. It is as captivating as it is terrible: an undulating maelstrom of darkness and light; this is space imagined with a dizzying immensity. Yet to the Director's credit, he still manages to ground this epic tale through the relationship between humans.
For Nolan faithfuls, all his signature notes are also present: Michael Caine imparts wisdom in front of a blackboard, the story skips through time without a fade to black, Hans Zimmer provides a haunting score, and multiple action sequences are cut together in a frenetic crescendo. If there’s one area that Nolan is visibly more comfortable with, it’s tense, super-sized set pieces – and he more than delivers here - "Interstellar" contains more than its fair share of heart-in-mouth moments. Also, the film features without doubt some of the most inventive, immersive, and abstract outer-space visuals ever put up on the big screen. Thankfully, Nolan’s helped no end by his lead, the charismatic McConaughey cementing his A-list comeback with a powerful performance that helps ground the grand proceedings and provides the film with its emotional core.
“Interstellar" poses all the right questions and provides some highly cerebral answers to most of them, while leaving the others rightfully unanswered. For the first time, Nolan opens his heart as well as his mind. Never hitherto a comfortably emotional filmmaker, here he demonstrates a depth of feeling not present in his earlier work. “Interstellar” is a wish to re-instill the wonder of the heavens in a generation for whom the only space is cyber. Anchored in the bottomless depths of paternal love, it’s a story about feeling as much as thinking.
As a light-year-spanning quest to save the human race, this is the director’s broadest canvas by far, but also his most intimate. And against the alien backdrop of black holes, wormholes, and strange new worlds, "Interstellar" stands as Nolan’s most human film to date. - DirectorMatt ReevesStarsGary OldmanKeri RussellAndy SerkisThe fragile peace between apes and humans is threatened as mistrust and betrayal threaten to plunge both tribes into a war for dominance over the Earth.Just as its predecessor had memorably done three years ago, Dawn triumphs spectacularly in a way few films before it have done so; through unsolicited and unforced emotion and depth that makes the film a true modern science fiction classic, something that the original creators of the Charlton Heston classic would be very proud of. Stunning visuals, stupendous camerawork, pulsating action, rich production values, notable performances, and an emotionally stirring plot rooted in human tumult all culminate into making “Dawn of the Planet of the Apes” not just one of the best summer blockbusters ever, but an instant sci-fi classic that will surely wind up among the year’s best movies.
- DirectorJames GunnStarsChris PrattVin DieselBradley CooperA group of intergalactic criminals must pull together to stop a fanatical warrior with plans to purge the universe.The best marvel movie since “The Avengers”, bar none, and easily among the most loved sci-fi bonanzas ever, period. Guardians of the Galaxy is just as irreverent as fans of the frequently zany Marvel comic would expect – as well as funny, thrilling, full of heart, visually splendid, and packed with witty one-liners.
Director and co-writer James Gunn, brings a giddy, wondrous, endless sense of satisfaction to proceedings, which is possibly, dare I say it, reminiscent of the grand sci-fi space saga of your – the “Star Wars” trilogy. Gunn appears to remember the high of certain kinds of movie-going experiences, where when the credits are over, all you want to do is get back in line and enjoy the whole damn thing again.
Chris Pratt, overflowing with charisma, is so full of good will in his blissed-out space cowboy (with a love for 70s and 80s music) role that he buoys the film and its requisite whizbang special effects. Zoe Saldana is smoking hot and brings a sense of visceral sensuality and deadly dynamism to her role. For the first time Dave Bautista is well-cast in a role that actually exploits his physical prowess along with his unexpectedly bang-on deadpan humor. Bradley Cooper renders one of the best voice-overs ever for a computer-generated, cinematic character, and his “Rocket Racoon” along with the imposing, muscular, tree figure, “Groot”, literally steal more than a few scenes with their physical humor and witty dialogues.
“Guardians of the Galaxy” isn’t just a fun-filled, adrenaline-pumping, visually dashing, humor-laden, ripping space sci-fi adventure; it’s one of the best, most crowd-pleasing blockbusters in years. - DirectorZaza UrushadzeStarsLembit UlfsakElmo NüganenGiorgi NakashidzeIn 1992, war rages in Abkhazia, a breakaway region of Georgia. An Estonian man, Ivo, has decided to stay behind and harvest his crops of tangerines. In a bloody conflict at his door, a wounded man is left behind, and Ivo takes him in.About as perfect as an antiwar film can be. Small-scale and poignant with an accessible antiwar statement: that if two soldiers or just about anybody from opposite warring factions are brought together through circumstances, and lack of better alternatives make them stay in proximity over a few days, bonding over soup, shashlik, and a hard-boiled egg; they’ll eventually cease to care about the animosity and conflict uninitiated by them, set their differences aside, and if not become friends, they’ll at least have each others’ backs. "Tangerines" is a most effective antiwar movie with a simple yet profound message expressed lucidly and explicitly.
- DirectorAnthony RussoJoe RussoStarsChris EvansSamuel L. JacksonScarlett JohanssonAs Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.Not only is this arguably the best Marvel film since "The Avengers" film (Yes, I liked it even better than the first "Thor" and "Iron Man" movies - bothe mighty good films in their own right, which speaks volumes about how well this film's been assembled.), it's also one of the finest big-ticket, action-adventure movies in recent times.
While the action scenes are top notch (but then again, that's expected from a Marvel movie), they also merge seamlessly with a well-scripted plot, which is brilliantly intertwined with some smartly conceived twists and turns. In fact, three quarters of the film plays out like a neat suspenseful thriller that keeps audiences at the edge of their seats with its unpredictability and mystery. However, there's no shortage of action, albeit whenever it's required. The action thankfully occurs to take the story forward and not just to fill up gaps in the narrative, something most Marvel films have displayed a flair for.
The film opens up new and sumptuous horizons for the Avengers and SHIELD universe, and is sure to have a major impact in subsequent Marvel film ventures, especially those involving the honorable Captain America. "Captain America: The Winter Soldier" is certain to go down as one of the finest superhero film as well as action-adventure movies of all time. - DirectorDamien ChazelleStarsMiles TellerJ.K. SimmonsMelissa BenoistA promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.Intense, inspiring, and well-acted, “Whiplash” is a brilliant sophomore effort from Director Damien Chazelle, and a riveting vehicle for actors Miles Teller and J.K. Simmons. Chazelle delivers a dark and dazzling jive into the hidden world of competitive music. If you didn’t think music could involve actual blood, sweat, and tears, this breathtakingly visceral, coming-of-artistic-age drama will set you straight. Training a keen eye on the proceedings, the Director seems to delight in the spectacle of relentless punishment.
What gives the film such a kick, is its raw and brutal but also very subtle portrayal of the shifting, attritional relations between teacher and student, sorcerer and apprentice – a hugely entertaining, refreshingly subversive take on the well-worn “inspirational teacher” theme: Few relationships in recent cinema have been quite so compelling. Their relationship is so intense, nerve-wracking, dark, and incredibly complex, I suggest you take a defibrillator to “Whiplash”. The climax proves to be the tip of the iceberg, and is as gripping and as unexpected as one you’ve ever seen or will get to see.
As infectious as the screenplay and Direction of “Whiplash” are, it’s the acting that walks away with the most accolades. J.K. Simmons is unnervingly good as a teacher who rules by intimidation and his own contorted theories, and excels in “Whiplash’s” hand-to-the throat storytelling style. To say he’s brilliant would be a gross understatement. Miles Teller – who is actually a drummer – convinces us that he’s easily among the best of a new crop of young actors from Hollywood’s roster.
Compelling, compulsive, and excruciatingly funny, “Whiplash” commands that you never take your eyes off the screen. Come the last beat, you’ll probably be exhausted. But you’ll also feel darkly entertained, inspired, introspective, and wonderfully alive. "Whiplash" is by far one of the most intense, complex, and brilliantly acted films ever. As the credits roll, you’ll feel like giving it a standing ovation. - DirectorIsao TakahataStarsChloë Grace MoretzJames CaanMary SteenburgenKaguya is a beautiful young woman coveted by five nobles. To try to avoid marrying a stranger she doesn't love, she sends her suitors on seemingly impossible tasks. But she will have to face her fate and punishment for her choices.Boasting narrative depth, unbridled candor, and exquisite visual beauty, “The Tale of the Princess Kaguya” is a modern animated treasure with timeless appeal. Legendary Studio Ghibli cofounder Isao Takahata (“Grave of the Fireflies”, “Pom Poko”) revisits Japan’s most famous folktale in this gorgeous, hand-drawn masterwork, decades in the making.
With its sumptuous images and impressionistic storytelling, the film is nothing short of a delicate, stirring fable – both joyous and melancholic. The animation notwithstanding, what makes “Princess Kaguya” stick in emotional terms is its depiction of an extraordinary girl, learning for herself that a life without real joy and spontaneity is only a shadow of a life. A charmingly sad story is sweetly told through breathtaking, hand-drawn sketches to give us a sweeping epic that’s lyrical and heartbreaking in ways which most live-action movies can only aspire to. If there’s a message here about the foolhardiness of parental expectations and societal conformations, it fades away in the face of the film’s rapturous visuals.
“Princess Kaguya” boasts one hauntingly beautiful sight after another, seemingly built on nothing more than slight sketches and quick brushstrokes – something Hollywood movie moguls could learn from if they’d ever seek a way out of the exorbitant costs invested in their tech-savvy animated films. Featuring a heart-tugging story with characters that stay with you, and showcasing some the most gorgeous artwork in Japan’s rich anime history, “The Tale of the Princess Kaguya” is a spellbinding spectacle that easily takes its position as one of Ghilbi’s best works. - DirectorRajkumar HiraniStarsAamir KhanAnushka SharmaSanjay DuttAn alien on Earth loses the only device he can use to communicate with his spaceship. His innocent nature and child-like questions force the country to evaluate the impact of religious views on people.Rajkumar Hirani has done it again, yet another instant classic from this master-auteur. Having proved himself as the undisputed king of satire films with erstwhile classics such as the “Munnabhai” series and “3 Idiots”, Hirani’s name can now be drawn in the same breath as Chaplin and Capra - the original legends of this genre - after “PK”.
Hirani is one of the few men in world cinema who’s still stoking the flames of this dying genre, and with each passing release delivers an explosion on-screen that lasts us a lifetime. In that vein, PK is quite similar to his previous efforts wherein he smartly conceals an open-ended and relevant social message behind innovatively conceived gags and dollops of genuine humor, with the only disparity or rather drawback being that the film has a few albeit negligible portions, which seem to stall the screenplay and jar the proceedings. But with such a fabulous screenplay, brilliant background score, stunning camerawork, and most of all, masterful direction, these flaws could easily be overlooked.
The ensemble cast too, pulls off a fantastic job, as is always the case with a Hirani film where all the actors – main or bit players – seem to feed off each other, with Anushka, Shukla, and above all Aamir being the standout performers. While there’s no doubt that Aamir always performs his roles well, after ages (the last time being “Rang De Basant” way back in 2006), his performance comes across as fresh, non-repetitive, and truly remarkable.
“PK” is vehemently and irrefutably the most engaging Bollywood film this year, providing wholesome entertainment; carrying brave, bold themes, and holding immense repeat value. If you haven’t watched the film yet, you’re missing out on something special. - DirectorDoug LimanStarsTom CruiseEmily BluntBill PaxtonA soldier fighting aliens gets to relive the same day over and over again, the day restarting every time he dies.The conceit may sound constricting, but Director, Doug Liman gets exceptional mileage out of it, presenting his ever-revolving tale with visual style, narrative velocity, and a wonderful dose of dark humor. Ultimately, it’s is a two-hour video game. But the filmmakers play it exceedingly well to churn out an instant sci-fi classic.
More story than testosterone, more time-jump-cuts than spacey filler, and more war-as-hell than war-as-cool. The biggest achievement of the movies is that it leaves you pondering if we’re ‘masters of our fate’ or just action-figures going through the emotions in some supreme player’s idea of a war game.
Tom Cruise once again shows why he’s still a bona-fide movie star and guaran-damn-tees us that he’s got at least a few more years of leading man material left in his arsenal. Along with the gorgeous Emily Blunt – in a kick-ass role – he takes you on a (literally) loopy ride that’s thoroughly entertaining and – baring a few pardonable moments in the second half – never wears out its welcome.
The film is such a refreshing departure from the run-of-the-mill genre yarns of countless modern sci-fi blockbusters, and offers a fascinating and enjoyable vehicle that creates an ambitious illusion. Wmart, unpredictable, expertly-designed, well-acted, astutely directed, shrewdly-edited, and boasting impressive special effects, “Edge of Tomorrow” is a model example of the sci-fi genre and summer blockbuster done right. Indeed, a deftly calibrated sci-fi spectacle! - DirectorJosh BooneStarsShailene WoodleyAnsel ElgortNat WolffHazel and Gus are teenagers who meet at a cancer support group and fall in love. They both share the same acerbic wit and a love of books, especially "An Imperial Affliction", so they embark on a journey to visit an author in Amsterdam."The Fault in Our Stars" had amazing pre-release hype, and it lived up to its expectations by all counts. I haven't read John Green's immensely popular novel - and now that I've seen the film, I don't foresee myself reading it in the future - but if the movie has adhered closely to its source, I can see why Green's romantic yarn is so loved. Speaking solely from the film's perspective, "The Fault in Our Stars" is nothing short of a masterpiece that leaves you with a lump in your throat, teary-eyed, and an almost palpable aura of love engulfing our senses. The Direction is exceptional with a smoothly-flowing narrative that draws you completely in and keeps you emotionally engaged. The writing is of the highest quality with beautifully fleshed out characters that you genuinely care about and want to invest time in, and the dialogues are witty, satirical, and emotional without being mushy.
The sheer standout performance undoubtedly comes from Shailene Woodley, who's literally head and shoulder above the rest of the cast. Whether it is her acerbic wit, acceptance of her fate, emoting through her eyes, or delivering gut-wrenching moments through emotionally harrowing sequences and monologues, Wodley, quite simply, knocks every scene and dialogue of hers out of the park. Shailene Woodley is surely a superstar in the making.
"The Fault in Our Stars" brings warmth to our hearts, makes us believe in the power of true love, and shows us that even in the most trying times, life can through us an unexpected, enchanting curve ball. It is definitely one of the most touching, emotionally haunting, and realistic films ever, and will eventually go down as one of the best romantic movies of all time. - DirectorClint EastwoodStarsBradley CooperSienna MillerKyle GallnerNavy S.E.A.L. sniper Chris Kyle's pinpoint accuracy saves countless lives on the battlefield and turns him into a legend. Back home with his family after four tours of duty, however, Chris finds that it is the war he can't leave behind.A great war film that beautifully merges heart, courage, patriotism, duty, passion, family, reality, and the horrors of war. Powered by Clint Eastwood’s sure-handed direction and a gripping central performance from Bradley Cooper, “American Sniper” delivers a tense, vivid tribute to its real-life subject. Director Clint Eastwood has crafted his best film in nearly a decade, as he fully captures the horrors of war and the brave men who put their lives on the line to defend our country. What’s truly amazing about Eastwood’s direction is that without resorting to any form of hagiography – something that could have easily crept and possibly been forgiven in a subject and theme like this – he triumphs with a measured, morally complex, and utterly gripping snapshot of what war can do to the men who fight it. Our old-horse auteur is less concerned with action heroism than the consequences of deadly action, and how it chips away at the fabric of the living. Still, whenever they transpire – and that’s more than a few times – the action sequences are edge-of-your-seat stuff – Eastwood, a veteran exponent of action, especially gunfights, since his acting days, once again teams with his long-time collaborators to deliver some of the best-edited (in terms of both video and sound), masterfully handed combat scenes assembled in a war film.
Irrespective of whether you’re American or not, any self-respecting national can feel for their soldiers through Cooper’s evocative, nuanced performance, and Eastwood’s assured hand while dealing with a topic of such sensitivity and complexity. We literally get to feel Kyle’s detachment and disorientation, as Cooper – in his finest performance yet – fully embodies Kyle and the PSTD he deals with, and we quietly cheer as he gradually tries to overcome it in his own uniquely patriotic way – one where he finally manages to strike a balance between his family and the inherent, overwhelming desire to perpetually serve his country and fellow soldiers. Cooper’s performance is precision personified – from the mannerisms to the accent to the gradations of Kyle’s character, personality, and trauma. If this isn’t exactly the man Chris Kyle was, it sure as hell is one indelible movie character.
Eastwood reprises that Old West melancholy in “American Sniper” with New West warfare in Iraq, extending the killing to enemy women and children, if necessary. Eastwood’s sympathy for Chris Kyle (and his increasingly frightened and frustrated wife, brilliantly played by a career-best act from Sienna Miller) is palpable. Kyle is justifiably portrayed as a true American hero with an overriding almost desperate need to “serve his country” over everything else in his life. In this bold, in-your-face, true-life drama, Eastwood bristles unhesitatingly at the horrors of war, but is metaphorically in the trenches with its soldiers, passing them ammo and lighting their cigarettes. - DirectorBryan SingerStarsPatrick StewartIan McKellenHugh JackmanThe X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants.Another golden entrant in the sterling "X-Men" legacy. If there’s been one film franchise that has stood the test of time and successfully maintained the superior echelons it set for itself among the plethora of superhero films out there, (barring an incongruously disappointing third installment) right from the time it debuted (I’m not taking the Wolverine spin-offs into account), then it’s got to be the “X-Men” chronology. In keeping with the rich vein of this adrenaline-pumping, prudently-executed franchise, Bryan Singer (back after directing the first two films that actually set the bar for all superhero films long before Marvel came and raised it a bit higher) weaves another richly-plotted, astutely-directed, high on testosterone film that pulls you into its adventurous journey and keeps you so engrossed that you’ll end up wishing that the movies never gets over.
“X-Men: Days of Future Past” brings together the ultimate X-Men ensemble and pits them in a war for the survival of their species across two time periods. This could have ended up looking extremely shoddy in the hands of a lesser Director, but Bryan Singer brings all his expertise and dexterity to the fore, and ends up creating a masterpiece that’s as high on its visual razzmatazz as it is on the sheer brilliance of deftly handling the intricacies of a complex storyline with multiple character arcs. As a viewer, you never end up being confounded at any point in the film and end up insatiably lapping up all the minute details of this time-bending plot.
With heart-pounding action, grandiose set pieces, dazzling visual effects, chuckle-inducing one-liners, endearing characters, and an intricate plot helmed by brilliant direction; “X-Men: Days of Future Past is certainly one of the most lavishly assembled and thoroughly entertaining summer blockbusters in recent memory. This “X-Men” franchise is well-alive and kicking vigorously, which almost makes us rub our palms in glee like a kid on Christmas Eve in anticipation of what the next installment shall bring to the table. Don’t make us wait to long Mr. Singer and 20th Century Fox; bring it on as quick as possible. - DirectorJay OlivaStarsSean AstinZach CallisonChristopher GorhamThe world's finest heroes found the Justice League in order to stop an alien invasion of Earth.A new high for DC Entertainment's direct-to-video animated features. It works as a terrific origin story for the Justice League and in spite of its approximately 80 minutes, short time frame, still manages to draw comparisons - albeit at a rudimentary level - with Marvel's blockbuster celluloid origin release, "The Avengers". Matter of fact, the direct-to-video section is the only avenue in which DC manages to consistently trump Marvel. As far as, Justice League: War" goes, it does a swell job of bringing all the famous DC superheroes together; setting up their interaction through witty retorts and smart interplay; fluently transcending the passage from their initial aversion to eventual solidarity for each other; and finally culminating into some stunning action scenes worthy of the pedestal this esteemed costumed ensemble deserves. What's more, we get to see superheroes like Shazam and Cyborg in action after eons, as also the supremely potent villain, Darkseid.
- DirectorBennett MillerStarsSteve CarellChanning TatumMark RuffaloU.S. Olympic wrestling champions and brothers Mark Schultz and Dave Schultz join "Team Foxcatcher", led by eccentric multi-millionaire John du Pont, as they train for the 1988 Olympic Games in Seoul, South Korea, but John's self-destructive behavior threatens to consume them all.Bennett Miller’s new film, based on true events, is an extremely cold, creepy, and brilliant examination of the spookiest edges of the male psyche. It is methodical, deliberate, kind of heartbreaking, but mostly simply chilling. Channing Tatum, Mark Ruffalo, and Steve Carell deliver magnetic, career-topping performances in a compelling, quietly disturbing drama about sport, wealth, lost manhood, mommy issues, and murder.
After many hints (“10 Years”, “Side Effects”, “Magic Mike”) Tatum proves himself a serious dramatic actor while Ruffalo, as the older brother, brings a mesmerizingly edgy protectiveness to the fore. But this is, ultimately, Carell’s film. Unrecognizable under brilliantly sculpted clumps of nose-enhancing face makeup, he simply sinks into the character of a man whose hope for his country is countered by his own self doubts.
The movie is admirably restrained in keeping everyone’s goals, if not obtuse, at least opaque; it’s an extremely intelligent film that allows for great degrees of analysis, interpretation, and speculation. Miller’s measured pacing and the film’s overwhelmingly bleak tone are not geared to the YouTube generation; this is a thoughtful, adult film, and quite brilliant. Because of its deliberately slow pace it must be said that “Foxcatcher” is not for everybody. Some might simply find it too slow and possibly, even, boring. Those who respond to it, however, will find themselves sucked into a world where pride, privilege, and a sizeable measure of perversion collide. - DirectorPhil LordChristopher MillerStarsChanning TatumJonah HillIce CubeAfter making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college.Hilarious scenes, rib-tickling dialogues, high-octane action, and crackling chemistry between Hill and Tatum. In short, it retains all the elements, which made its predecessor such a delight. While the first film came as a jolting surprise out of nowhere and surpassed all expectations, this one had to meet the loft standards etched by the first "Jump Street, and it does so with aplomb and an irresistible swagger throughout its proceedings. The plot, initially, may seem a rehash of the first movie, but as the narrative unfolds, it's clear that ace Director duo Phil Lord and Christopher Miller smartly recreate the magic of the first film through some carefully revamped scenes intertwined with hilariously new material, all the while upping the tempo to churn out that rare sequel that's even better than an already great original. "22 Jump Street" along with its predecessor will ultimately go down in the pantheon of action-comedy, buddy-cop films as a bonafide classic of the genre.
- DirectorJames MarshStarsEddie RedmayneFelicity JonesTom PriorStephen Hawking gets unprecedented success in the field of physics despite being diagnosed with motor neuron disease at the age of 21. He defeats awful odds as his first wife Jane aids him loyally.Part biopic, part love story; "The Theory of Everything" rises on James Marsh's polished direction and the strength of its two leads. Not an idealistic, all flowers and cuddles ordeal - it's a veritable depiction of true love and companionship. Also, the debate between theists and atheists has been played out in all matter of social circles for years now, yet it's only now that a film tackles this subject in such a beautiful, heartbreaking, subtle, and enlightening manner.
Devoid of anything flashy, but backed by one of the year's finest performances, this intimate romantic drama is a revealing look at one of the most fascinating individuals of our generation. How Redmayne, not just able-bodied but downright pretty, twists himself into the famously blighted professor, and then projects the thought processes behind the disability, has to be seen to be believed.
"The Theory of Everything" reveals the man behind the icon: courageous, mischievous, funny, loving, but also difficult and at times selfish. It offers interesting characters and standout acting. Sometimes you wish the movie had delved deeper into its characters, but for what it is - a romance tale involving one of the great minds of humanity, interspersed with bits and pieces of Hawkin's academic prowess and scientific theories - it's engaging and moving. "The Theory of Everything" is deftly funny on occasions, endearingly heartwarming at other times, and wholly inspiring. - DirectorMarc WebbStarsAndrew GarfieldEmma StoneJamie FoxxWhen New York is put under siege by Oscorp, it is up to Spider-Man to save the city he swore to protect as well as his loved ones.Nobody understands the dynamics, material, relationships, and character traits of our fabled wall-crawler as well as Director, Marc Webb, and all subsequent cinematic versions of Spider-Man should be churned out by nobody else but Webb and his keen visionary skills. Like an astute artisan, he seamlessly weaves together a stupendous plot replete with equal amounts of action, drama, emotions, romance, and mystery, to dish out one of the most enthralling summer blockbusters that memory can serve. Lending huge gravitas to Webb's opulent vision are the brilliant performances from Garfield, Stone, Foxx, DeHaan, along with terrific editing ,cinematography, and some of the most amazing visual effect and CGI rendered on screen.
If you thought that Webb's first cinematic rendition of Spidey was head and shoulder above Raimi's trilogy, then his latest film knocks all three of Raimi's mildly entertaining but poorly adapted movies right out of the park. Those who don't agree with this reboot of Spider-Man, need to view both the films against their predecessors and then perform a little research by way of the source material from the comics and the classic animated series, to see for themselves which versions stack up better against each other. Casual, impassive viewers who might feel that this would constitute as a waste time just for the sake of a film, would be quicker and more capable at differentiating between which is the better made franchise. - DirectorJorge R. GutiérrezStarsDiego LunaZoe SaldanaChanning TatumManolo, a young man who is torn between fulfilling the expectations of his family and following his heart, embarks on an adventure that spans three fantastic worlds where he must face his greatest fears.Producer Guillermo del Toro’s name is all over “The Book of Life”, even though it was conceived, co-written, and directed by animator Jorge Gutierrez. It’s an understandable association, though. The film is just macabre enough to feel as a companion piece with del Toro’s other films, which often fuse a child’s-eye view of the world with the grim and the uncanny. Gutierrez’s animated film is a family-friendly story that celebrates Mexico and Mexican culture, in particular, el Dia de los Muertos (the Day of the Dead), the holiday reserved for communing with one’s ancestors who have passed from this world. It’s a potentially grisly setup, but the actual movie brims with life and makes death look downright fun.
Without a doubt, the animation is a triple-shot latte to the eyes, with sweeping scenes that make Mexican folk-art come to colorful, cinematic life. This folk-art theme plays through with lead characters that are intricately hand-painted figurines made out of wood. Even with all that eye candy on display, Gutierrez manages to keep his pop-up-book spectacle from drowning out the movie’s noble intentions.
With its myth-building, large cast of characters, shifting narratives, and time periods, the whole setting is a risky thing to pull off. But the film juggles it capably, and in that way, it’s a true original, even if it adheres to a few obvious staples. Like many animated films, “The Book of Life” inserts snippets of well-known songs, along with some written for the screen. Still, as one of the lead characters is a musician, this fits into the script perfectly.
Such a crowded, colorful, more-is-not-nearly-enough aesthetic could easily have felt garish and confusing. But for some reason, it doesn't. Maybe it’s just the fact that, as the story becomes more and more predictable, the imagery gets more delirious. This eye-popping sense of wonder actually helps mitigate the film’s more conventional elements. The too-cute-by-half contemporary pop songs played by street musicians, for example, feel somehow more surreal when done against such a crazed colorful backdrop; and the hero’s predictable journey becomes something we anticipate, rather than just jadedly accept. “The Book of Life” may be all surface…but wow, what a surface it is!
The most memorable animated films devote equal energies to storytelling ingenuity and eye-popping visuals. Jorge R. Gutierrez’s “The Book of Life” balances both, creating glorious new worlds through words as well as imagery. The result is an enchanting 3D animated, family film that adults and kids both can relate to. Even though the movie isn't on a par with “The Lego Movie” or “Mr. Peabody and Sherman” released earlier this year, it comes mighty close, and surprisingly even nudges ahead of “How to Train Your Dragon 2″. Without a doubt, it is one of 2014’s best animated films; a holiday delight that exuberantly bursts at the seams with irresistible cultural pride. - DirectorVikas BahlStarsKangana RanautRajkummar RaoLisa HaydonA Delhi girl from a traditional family sets out on a solo honeymoon after her marriage gets cancelled.A Queen of hearts for Indian cinema. “Queen” is a film that is no less tangy than the “gol gappas” that Rani Mehra rustles up in an Italian pizzeria in faraway Amsterdam.The bright and breezy Rani does not require even “two minutes” (that is how long it takes the heroine’s culinary output to activate the first Dutch buyer’s unaccustomed taste buds) to work its magic. Similarly, the film too, hits its straps from the very outset.
“Queen” is spicy, balmy and uplifting. Like good “gol gappas”, it leaves a zesty aftertaste that lingers on until long after the ride has ended. It warms the heart and tickles the funny bone with equal force. Thanks to a remarkably crisp and sophisticated screenplay and infectiously lively dialogues the film is like a wonderful puff of fresh air.It makes a female-oriented statement, but it does not put forth even an iota of feminism at its core for display. The statement is subtle yet clear, and more importantly it’s highly pertinent even in today’s pseudo-modern Indian demographic. "Queen" embeds its message (for want of a better word) within the structure of a thought-provoking drama that is consistently funny and frequently prudent.
And what a Queen Kangana Ranaut makes! Whoever knew that this often underrated actress had such enormous reserves of talent? Ranaut is given a character that is sweetly quirky and yet as everyday as they come. She embraces Rani Mehra with such lightness, grace, and understanding that her very presence lights up every frame she is in. But also do spare a thought for Rajkummar Rao, who plays the utterly unlikeable, if not out-and-out obnoxious, Vijay Dhingra. He brings remarkable restraint to bear upon his interpretation of the disgustingly conservative city slicker who cannot see beyond his nose. Rarely has an object of derision stood his ground with as much firm intent as he does.
Don’t miss “Queen” for anything. It is a sparkling gem of a film. - DirectorDean DeBloisStarsJay BaruchelCate BlanchettGerard ButlerWhen Hiccup and Toothless discover an ice cave that is home to hundreds of new wild dragons and the mysterious Dragon Rider, the two friends find themselves at the center of a battle to protect the peace.Exciting, emotionally resonant, and beautifully animated, “How to Train Your Dragon 2″ builds on its predecessor’s successes just the way a sequel should. The entire film is a romance – of visuals, of sprawling vistas, of the ecosystem, of parental sacrifice, of camaraderie, and mostly of the special bond one shares with a pet (don’t the dragons, especially Toothless, bear a stark resemblance to our canine friends; not so much in their appearance but more in their mannerisms). Moreover, it’s got the emotional, humorous, exciting sweep you want from a summer movie.
Although there are times when bits of the movie feel extraneous, the production as a whole comes across more like an organic extension of the original tale than something tacked on purely to score at the box office; something that can’t be said for most sequels of well-received blockbusters. This is truly a rare sequel – animated or otherwise – that expands the story of its predecessor without rehashing it, and an even rarer family-oriented film that manages to be fun and mature without being condescending to its audience. And yet, the sequel doesn’t attempt to take things in a completely new direction, choosing instead to expand its world and characters with great success.
Funny, big-hearted and – as you’d expect – a visual feast, this is a family film in every sense, and one to be lapped-up by both kids and grown-ups alike. It continues a very compelling mythology that I hope carries in to the third film. “How to Train Your Dragon 2″ isn’t just a great sequel, a great animated spectacle, or a great example of successful franchise-expansion/world-building. “How to Train Your Dragon 2″ is flat-out great film, period. - DirectorWes BallStarsDylan O'BrienKaya ScodelarioWill PoulterThomas is deposited in a community of boys after his memory is erased, soon learning they're all trapped in a maze that will require him to join forces with fellow "runners" for a shot at escape.Boasting a solid premise and a refreshingly dark approach to its dystopian setting, “The Maze Runner” stands out from the crowded field of young-adult sci-fi adventures. It generally has ambitious production values, is well-edited, briskly paced, decently acted, action packed, and features a thumping score. More importantly, it’s a fairly faithful adaptation of James Dashner’s brilliantly conceived, grim novel (the first in a trilogy if you exclude the prequel that was penned later), succinctly weaved together to satiate ardent fans of the series while being coherent enough to entertain viewers with no prior knowledge of Dashner’s post-apocalyptic books. The minor deviations from the source material, taken in the name of creative liberty and with a commitment to manage cinematic time constraints do not detract from the story, and instead churn a refreshing spin on proceedings for those already familiar with the story. Ultimately, “The Maze Runner” turns out to be a thrilling sci-fi adventure with great energy and considerable style.
- DirectorMorten TyldumStarsBenedict CumberbatchKeira KnightleyMatthew GoodeDuring World War II, the English mathematical genius Alan Turing tries to crack the German Enigma code with help from fellow mathematicians while attempting to come to terms with his troubled private life.A brilliant, sensitive character study of a brilliant, ostracized man. In a nutshell, “The Imitation Game” is a moving tribute to an extraordinary man. It both brings to life and pays tribute to Turing’s history-altering and pioneering work that paved the way for modern computing, with nearly every moment infused with apt and appreciable importance. An intense and haunting portrayal of a brilliant, complicated man, “The Imitation Game” follows a genius who under nail-biting pressure helped to shorten the war, and in turn, saved thousands of lives. If you don’t know who mathematician Alan Turing was, then the film is a solid introduction to this complex individual whose discoveries were the foundation of the modern computer.
What could have been a very dry and earnest film emerges, under the intelligent dexterity and watchfulness of Norwegian Director, Morten Tyldum – working from a screenplay by Graham Moore – as a engaging and rather extraordinary story. As gripping as its awe-inspiring, Tyldum’s deft direction goes a long way in building tension as Turing as his bunch of eggheads bond in a common cause against the Nazis, while Moore’s layered, pithy, and crisp script captures the highs and lows of Turing’s truly remarkable life.
Cumberbatch gives a performance that is, by turns, awkward, triumphant, heartbreaking, and, as a whole, superbly nuanced. Giving Cumberbatch fine company is Keira Knightley in the role of fellow mathematician and cryptanalyst, Joan Clarke.
“The Imitation Game” is a highly polished picture with beautiful acting. The film is fascinating, uplifting, and sad all at the same time. With an outstanding starring performance from Benedict Cumberbatch illuminating its fact-based story, “The Imitation Game” serves as an eminently well-made entry in the prestigious biopic-drama subgenre. - DirectorDavid FincherStarsBen AffleckRosamund PikeNeil Patrick HarrisWith his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.Suspense, social commentary, a breakout performance from its leading lady, and a seriously twisted outlook - "Gone Girl" is one killer movie. It's also a pitch-black satire of modern marriage, and one of the most unsettling films of the year: The premise is flat-out creepy. Make sure you're game for that before you see it.
Fincher and Flynn (adapting the screenplay from her own eponymous book) have fun playing with both our expectations and our sympathies. With the close-knit psychological ambiance, the film paints American middle class as a blood-curdling, emotional danger zone. It's a testament to David Fincher's skill as a filmmaker that he makes something as complex as "Gone Girl" feel so effortless yet riddled with palpable suspense and spellbinding twists.
Couching its commentary in a propulsive pulp tale, "Gone Girl" is a genre triumph - at once scary, silly, and deceptively sly. Dark, clever, twisted, and stylish, this riveting thriller plays to director David Fincher's sick strengths while bringing the best out of its female lead, Rosamund Pike. - DirectorPatrick HughesStarsSylvester StalloneJason StathamJet LiBarney augments his team with new blood for a personal battle: to take down Conrad Stonebanks, the Expendables co-founder and notorious arms trader who is hell bent on wiping out Barney and every single one of his associates.They don't make action movies like this anymore, because there are no more action stars like these anymore. Biff, Bang, Slam, Wang, Boom, Chop, Slash, Kick, Whack, Dash, Hack, Punch, wait.......some excellent one-liners too, and more than decent story-arc to draw you in; what more could an action movie fan ask for? Plus all the action demigods in one frame, this is every action buff's wet dream come true!
Moviegoers who don’t go all gung-ho over top-notch stunts, witty one-liners, and astounding action sequences, can revel in the fact that much like the second outing of this fictitious mercenary group, this one too has a decent enough script to engage your cognitive senses. The plot by Creighton Rothenberger, Katrin Benedikt, and Stallone himself is nothing startling or out-of-the-box. In fact it’s fairly simple, straightforward, and has been done before, which is exactly how it needed to be. This latest mission of the team becomes a clash of classic old-school style versus high-tech expertise in the Expendables' most personal battle yet. Considering the cast ensemble on-screen this is exactly the kind of plot befitting sufficient screen-time for all the characters to leave some kind of impact on the audience. Moreover, the writers embellish this plain premise with some neat touches and exciting moments to give you your money’s worth. Helming the proceedings is Director Patrick Hughes, who does a fair job of keeping the narrative uncomplicated and entertaining us throughout the 2-hour run-time of the movie.
“The Expendables” franchise is doing mighty well, and from the looks of it, we won’t mind another sequel or two more if the same entertaining standards are maintained. Just like the first two films in this action-bonanza franchise, “The Expendables 3” is a muscular treat for the ages. - DirectorKunal DeshmukhStarsEmraan HashmiHumaima MalikParesh RawalA small-time con man seeks assistance from his mentor with the intention of settling scores with a gangster.Raja Natwarlal is strewn with crackling scenes that are matched in equal measure by witty dialogues, which infuse the narrative with verve and chutzpah. The story is packed with money, cons, romance, friendship, greed, confidence, over-confidence, kisses, chases, corrupt cops, cricket associations, twists – all of which are astutely handled by director Kunal Deshmukh. The plot travels from Mumbai to Dharamshala to Cape Town, but Deshmukh retains firm control over proceedings. He also shrewdly ensures that Hashmi’s signature style kissing is inherently embedded in the script. The serial-kisser can give Hollywood a cutthroat competition in that department, hands down. Cinematographer, Raaj A. Chakravati’s work is also worth a mention.
Emraan Hashmi plays the street-smart conman trying to pull off a long con smoothly with equal swagger and vulnerability, and together with Paresh Rawal, creates a sizzling rapport that successfully holds the film together in instances where it wobbles slightly. These two class actors make even some of the filler scenes watchable. Paresh Rawal's get-up and dialogue delivery will certainly make you believe that the screen brightens up every time a senior actor like him makes his presence felt. Kay Kay Menon is fantastic as always, a savage in a suit, oil-slick and lean, desperately keen on acquiring a cricket team, ready to bludgeon his way towards this. Pakistani import Humaima Malick's acting talent is realistic, and she suits the role surprisingly well. Special reference needs to be given to Mohammed Zeeshan Ayyub, who’s mighty impressive in his small bit as a hit-man. Wish he had a meatier role in the movie. Besides Zeeshan, the other side-kicks in the film too have played their parts very well.
“Raja Natwarlal” wins you over by the sassy swagger of its tricks, its conmen, and scenes like the climax at the ‘HDMC Bank’, all with its tongue lodged firmly in cheek. The film begins with a small con game and towards the climax, ends with a huge, elaborately planned con, making the audience applaud with our hero, Emraan Hashmi. We can safely say that this time, the con is well and truly on, and it's beautiful. - DirectorAntoine FuquaStarsDenzel WashingtonMarton CsokasChloë Grace MoretzA man who believes he has put his mysterious past behind him cannot stand idly by when he meets a young girl under the control of ultra-violent Russian gangsters.With Antoine Fuqua behind the cameras and Denzel Washington dispensing justice, “The Equalizer” is a highly stylized, violent, and engaging action film that delivers on many counts. Fuqua infuses the film with a low-key energy and is in no hurry to rush into things, which is something many action films nowadays could learn from.
Though the plot looks familiar, this familiarity can be welcome when the practitioner is so good at what he does. And there are few actors more commanding than Washington (perhaps only Neeson and Wahlberg among post 2000 action stars) when he’s taking out bad guys. Washington, as always, holds your attention, finding in McCall a vulnerability that goes beyond the script’s lip service. Denzel’s performance and the film’s high-voltage action premise coupled with strong supporting acts by Marton Csokas and Chloë Grace Moretz make it one to watch this fall season. “The Equalizer” is without a semblance of doubt, Fuqua’s most accomplished effort along with 2001’s “Training Day” and 2013’s “Olympus Has Fallen”, and should give its veteran action star his very first movie franchise.
Along with “John Wick”, “The Equalizer” is the best R-rated, stylish, brutal, gory, adult-skewed action film to emerge from the Hollywood stable this year. - DirectorVinil MathewStarsSidharth MalhotraParineeti ChopraAdah SharmaNikhil is re-introduced to Meeta nearly ten years after their first meeting. Now, as Nikhil has one week to prove himself worth enough to marry Meeta's sister Karishma, the old acquaintances become quite close to each other.The best rom-com to emerge out of Bollywood since "Band Baaja Baaraat" (which was released back in 2010). The romance is refreshing, uplifting, and empathetic, while the humor is spot-on and nothing shorty of rib-tickling funny. Siddharth Malhotra has improved by leaps and bound since his debut outing, while veterans like Manoj Joshi and Sharat Saxena are so good that they completely steal some of the major scenes. But, the heart and soul of "Hasee Toh Phasee" is undoubtedly Parineeti Chopra who unwittingly hogs the limelight from first frame to last. She's the show stealer without even trying to.
However, equal credit must be given to the writers of the film for the manner in which they succinctly created such wonderful characters. While the script of the film lends many of the characters with tremendous emotional and humorous depth, which the audiences can easily relate to, the dialogues given to the characters are so beautifully written that viewers will instantly feel a sense of familiarity upon hearing them. What's more, the dialogues are supremely hilarious without even trying to be funny.
The first time Direction from Vinil Matthew is commendable and he should get better with future projects. If there's one area the film could have improved on it's the editing department. But, that's just a minor drawback and at the end of the day, "Hasee Toh Phasee" is a sublimely crafted, unrestrainedly funny, and emotionally uplifting rom-com that should definitely hold up well even for repeated viewings. - DirectorEthan SpauldingStarsJason O'MaraStuart AllanThomas GibsonBatman learns he has a violent, unruly pre-teen son, secretly raised by the terrorist group the League of Assassins.One of the best entries in the pantheon of prestigious direct-to-video features from DC. In fact, this movie is so good that it can easily be heralded as bearing shaded of Nolan's revered cinematic "Dark Knight" trilogy. The limited edition comic book storyline centered Batman's son, Damian Wayne, is seamlessly translated on-screen, and the build-up of Damian eventually teaming up with his celebrated crime-fighting Dad is handled with prudence and dexterity. Batman regulars, Nightwing and Talia al Ghul have key roles to play and their character arcs are deftly integrated into the plot. Slade Wilson aka Deathstroke is the main villain of the film, and he does prove to be a formidable foe to Batman and is offspring. With a delectable combination of well-done action sequences, fluid animation, sharp and witty dialogues, and an engaging plot, "Son of Batman" is a treat for the caped crusader's fans as well as an enthralling offering for those seeking a short burst of quality entertainment.
- DirectorWes AndersonStarsRalph FiennesF. Murray AbrahamMathieu AmalricA writer encounters the owner of an aging high-class hotel, who tells him of his early years serving as a lobby boy in the hotel's glorious years under an exceptional concierge.Typically stylish but deceptively thoughtful - "The Grand Budapest Hotel" is another comedy from Wes Anderson with quirky characters and oddball encounters. It is a film that maintains its illusion with grace and lives up to its surrealism with assured poise.
Any single frame in the movie qualifies for wall space in a cinematic museum, and all the actors - major or minor - deftly etch their emotive layers to fit this Anderson universe. Above all, Ralph Fiennes is magnificence personified, and effortlessly manages to convey the myriad depths and intertwining emotions of his character through seamless transitions between unassuming charm, subtle humor, fluent diction, impeccable inflections, sporadic outbursts, and inconspicuous eccentricity.
Eloquent, offbeat and charming, "The Grand Budapest Hotel" is a work of visceral, madcap comedic genius and is Wes Anderson's most accomplished film to date. - DirectorHomi AdajaniaStarsDeepika PadukoneArjun KapoorNaseeruddin ShahA man embarks on a road trip to find his lost love.Much like the niche-bending Delhi Belly, the mere existence of “Finding Fanny” is a minor miracle. For this, the producer, Dinesh Vijan, must be acknowledged. This film is exactly the kind of brave clutter-breaking effort that most critics wish for while lamenting the rigidness of mainstream stars. That it left me grinning long after the credit-roll is a testament to its ability to amuse, without resorting to toilet humor.
The use of time and space by Adajani amidst the unconventional treatment, the symmetry within frames, the rustic landscapes, breezy well-placed background score by Mathias Duplessy, and lingering strands of melancholy coupled with quirky humor all gel perfectly together to reflect a fine palette of nuanced filmmaking and soulful musings.
The trio of Shah, Kapur, and Kapadia almost lead us to believe that they’ve spent the better part of their life traversing the scenic Goan climes. In spite of the esteemed company he’s in, its that powerhouse performer, one of the country’s most brilliant actors, to run away with every scene he’s in. His entire body language, each mannerism he displays, his gait, dialogue delivery, and facial expressions all blend seamlessly together to convince us that his character is a thoroughbred Goan, and a man who’s still an innocent man-child nursing a broken heart. Deepika and Arjun aren’t exactly known for their dialogue delivery but they too steer clear of affectations and don’t try to sound like Oprah is interviewing them. And for once the English diction doesn’t sound unnatural amidst Indian actors, because it is uttered exactly the way it was meant to be – with an authentic Goan accent.
Even at its funniest, ““Finding Fanny” is not so much about seeking a person as it is about wanting closure. And because life, like love, has no rules, it’s conveyed here in a manner most strange, albeit cinematically inspiring. There is hope yet for Indian entertainment, and this is the ideal time. Otherwise, in the inimitable Don Pedro’s words, “It is impossible to conquer the dark in the day.” - DirectorEvan GoldbergSeth RogenStarsJames FrancoSeth RogenRandall ParkDave Skylark and his producer Aaron Rapaport run the celebrity tabloid show "Skylark Tonight". When they land an interview with a surprise fan, North Korean dictator Jong-Un Kim, they are recruited by the CIA to assassinate him.The best comedies provoke and even outrage, and Rogen, Franco and Goldberg certainly succeed on that score. “The Interview” is stupid; it’s in bad taste; it’s even impossible; but Director-duo, Evan Goldberg and Seth Rogen’s instincts to try anything for giggles and sticking it to dictatorial *beep* is worth fighting for. Screw Kim if he can’t take a joke.
The movie is as much about friendship and loyalty as it is about killing a foreign leader or even making fun of one – as satire it is very broad; as broad comedy it is surprisingly, and pleasingly, smart; as action it has its fun and exciting moments. The best thing about “The Interview” is that it maintains almost a similar level of hilarity as Rogen, Franco, and Goldber’s previous collaborations – “Pineapple Express” and “This is the End.”, which in itself is reason enough to catch this flick. And, though it may be caught up in turmoil – considering how smart it is about how dumb we can be when pop culture meets politics, that’s pretty funny – but it’s also a funny, risky and well-done comedy far ahead of most of its studio peers.
To sum it all up, “The Interview” is a silly, broad, very funny action-comedy about a couple of close male friends who go on a profoundly stupid, albeit extremely entertaining adventure. It also serves as a great reminder why we should never go to war over a Seth Rogen-Evan Goldberg collaboration, but we should go to the Cineplex for one. - DirectorBobby FarrellyPeter FarrellyStarsJim CarreyJeff DanielsRob Riggle20 years since their first adventure, Lloyd and Harry go on a road trip to find Harry's newly discovered daughter, who was given up for adoption.20 years in the making (if we choose to obliterate the abominable aberration that was “Dumb and Dumberer: When Harry Met Lloyd” from our collective psyche), and boy was the wait well worth it. The star headliners and famous comic Director-duo of the original classic are back, and they leave no-stone-unturned in making this sequel as hilarious and lovable as its predecessor.
As effectively constructed though a tad convoluted as the screenplay is, it's far surpassed by the wonderfully committed lead performances. Harking back to the rubber-face zaniness of his breakthrough years, Carrey elicits childlike wonder at his hyperactive expressions and movements. The comedian strives to entertain during every single second of the film, delivering an attention-demanding stunt of a performance that manages to never wear out its welcome. Daniels bridges the gap between Harry and Lloyd's aggressive clownishness and infuses some semblance of humanity to the proceedings, while showcasing his extreme versatility.
The brothers’ puerile humor and worldview may occasionally be hard to stomach (a scene where their leading men holler, "Show your tits", to the speaker at a conference being an apt example), but the movie is nevertheless a worthy and worthwhile sequel, a visit to that optimistic, unblemished era when movie comedies had just found a promising new future in Carrey, and when "The Heartbreak Kid" and “Hall Pass” were nothing but passing blemishes on the Farrellys’ resume. If you loved “Dumb and Dumber” and enjoy silly, juvenile humor in general, you’ll take to this movie like a fish to water. “Dumb and Dumber To” is the kind of unadulterated, unabashed, silly fun we used to enjoy from the Farrelly brothers in the 90s, and easily holds its own against the original 1994 classic. Both Carrey and Daniles are in fine form, and we hope that the film also signals a permanent return to form for the comedic Director-duo. - DirectorGraham AnnableAnthony StacchiStarsBen KingsleyJared HarrisNick FrostA young orphaned boy raised by underground cave-dwelling trash collectors tries to save his friends from an evil exterminator.American stop-motion animation studio, Laika’s, best offering since the stupendous “Coraline”, “The Boxtrolls” is packed with enough offbeat wit and visual splendor to offer a healthy dose of entertainment for all ages. The movie is the cherry on top of what has been a splendid year for animated fare.
“The Boxtrolls” is set in a world that runs in a parallel universe akin to that of a Charles Dickens novel, with creatively named characters involved in seemingly outlandish adventures in a Victorian-era society, which is strongly metaphorical of our own pseudo-moralities and misguided ideologies. Based on the well-received children’s novel, “Here Be Monsters”, by Alan Snow, the film brilliantly showcases the stealth allegory of the insidious nature of gossip as a tool of domination, and the scathing class satire of misbegotten and socially unjust personal goals, which carry a productive sting that should leave kids smarting but a bit wiser. While the film contains some scary images and dark moments that could frighten the very little kiddies, it should entertain a wide swath of the public as the humor is easily relatable to multiple generations. “The Boxtrolls” combines heart with a streak of Roald Dahl’s perversity, and will have special appeal for viewers who get British humor. The movie also has many of the studio’s signature elements: bizarre angles, strange-looking characters, and a kind of fearlessness, an ability to gaze at darkness head-on.
Overall, “The Boxtrolls” is delightfully weird fare that treats its audience intelligently. Although the plot does have sparse moments where it lags, the writers are Directors are smart enough to quickly overcome such minor haggles with a unique turn of events of some kind or another. Grim in tone and featuring a lively cast of voice-actors, the film is a visual treat and its tale should provide immense satisfaction to those who revel in a touch of macabre, adults and children alike. Quirkily narrated, weird in tone, and beautifully unusual, “The Boxtrolls” is almost impossible to not love. - DirectorSiddharth AnandStarsHrithik RoshanKatrina KaifPawan MalhotraA young bank receptionist gets mixed up with Rajveer Nanda, a man who has a mysterious background."Bang Bang" is an unbridled, indulgent treat for action movie fans, something unprecedented and hitherto unseen on an Indian film canvas. Yes, Indian cinema, mostly Bollywood does boast of some better action films, with more fluid story-arcs and characters with more depth. But where slick, modern-style action is concerned, no movie even comes within a whisker of "Bang Bang". As far as its fight scene choreography, stunts, chase scenes, shootouts, action set pieces, and overall look and feel go, the film is leagues ahead of its contemporaries and other action classics to emerge from the Indian shores.
Agreed, just as as a stand alone film, this one might not float the boat of a section of moviegoers, who aren't fans of pure action films in the league of Stallone and Schwarzenegger's movies. It especially won't work for the typical Bollywood viewer seeking mindless masala entertainment, nor will it augur well with pseudo-intellectual types who can't accept a movie for what it is.
But for the rest of the audience who'll go in expecting nothing but a hell of a good time - particularly for action junkies - "Bang Bang" is nothing short of pure, unadulterated, adrenaline-fueled entertainment. Hrithik Roshan more than makes up for the rest of the cast's lackluster roles by carrying the entire film on his broad shoulders with aplomb and panache. Wherever the script falters and the direction becomes messy, Roshan appears with unmatched grace and unassuming charm to save the day.
Though not without its faults, "Bang Bang" will indubitably assume a special place as being a first-of-its-kind action film for Bollywood and Indian cinema in general. - DirectorRob ThomasStarsKristen BellJason DohringEnrico ColantoniYears after walking away from her past as a young private eye, Veronica Mars gets pulled back to her hometown, just in time for her high school reunion, in order to help her old flame Logan Echolls, who's embroiled in a murder mystery.Everything about “Veronica Mars” spells quality thriller interspersed with witty humor right off the bat. But then again, what else would you expect from a movie version of one of the greatest TV shows of all time.
The movie is replete with the quirkiness of the TV show, it’s riddled with several witty dialogues, the characters are developed further exactly from where they left off, and even all the classic twists and turns of the whodunit appear to be straight out from one of the umpteen riveting episodes of the show. What transpires is a good old-fashioned whodunit that will take viewers to brink with excitement and unpredictability, only to leave them stunned when the final pieces start converging together.
The entire gang’s back over here and they’re all in fine form. Rob Thomas does an exemplary job of adapting his own baby onto the silver screen. It’s a good thing that the producers hired the TV show’s creator to helm the project, because even an esteemed movie Director wouldn’t be able to recreate the essence of the show and still take it forward as movie by itself, in the manner which Thomas has done.
"Veronica Mars" is the film that fans of the TV series yearned for and deserved after the show was abruptly discontinued three seasons into its run. As a film by itself, it can hold its high as a crowd-pleasing whodunit that’s sure to keep anybody who love’s a good thriller guessing till the end. - DirectorSeth MacFarlaneStarsSeth MacFarlaneCharlize TheronLiam NeesonAs a cowardly farmer begins to fall for the mysterious new woman in town, he must put his newly found courage to the test when her husband, a notorious gun-slinger, announces his arrival.MacFarlane’s Bback with another side-splitting romp. The script while uneven, is no doubt uproariously funny; helped in great part due to MacFarlane’s simple but effective directorial skills. The screenplay mostly serves as fodder for one comic gag after another, but they are neatly crafted together too form a lucid, coherent, and enjoyable film. There are plenty of fart and genitalia jokes – some admittedly too gross – but MacFarlane smartly weaves them into the narrative so that they aren’t felt contrived or forced. Besides these familiar elements from MacFarlane’s repertoire, there are also plenty of sublime moments that elevate this deliberately silly comedy, meant for those who enjoy silly, playful banter without being smug about it. Special mention needs to be given to Joel McNeely’s retro background score and Michael Barrett’s cinematography. Their work lends the whole package an aura of genre authenticity.
Both Theron and Neeson bring weight to their roles, and although no-one is given much to do apart from MacFarlane, they run brilliantly with what they've got. The jury is still out on MacFarlane’s on-camera future as a lead, for nothing about his individual performance screams out as anything more than functional. He’s outclassed in the company of seasoned talents such as Charlize Theron and Liam Neeson. Sadly, he also comes up short in scenes with supporting cast members such as Amanda Seyfried, Giovanni Ribisi, Sarah Silverman, and Neil Patrick Harris – all deliver inspired work and contribute towards elevating the laugh quotient of the film – and this does take away a bit from the final outcome of this otherwise outrageously funny and unabashedly irreverent laugh riot. - DirectorSam MillerStarsTaraji P. HensonIdris ElbaLeslie BibbAn unstable escaped convict terrorizes a woman who is alone with her two children.It might be generic and derivative, but it’s also terrifically entertaining and wholly gripping. What elevates the film way higher that it was ever meant to be are the engaging performances by its two leads. While Taraji P. Henson plays the victim with verve, gumption, and thankfully, a whole lot of common sense, Idris Elba completely chews the scenery in every frame he’s in. Not since Anthony Perkins as Norman Bates and Robert De Niro as Travis Bickle has someone played a psycho with such brutality, intelligence, and raw menace. He brings a sense of vulnerability and dare I say charm to the role that makes his sinister act look utterly believable, downright haunting, and something that gives credence to what a real-life psychopathic killer would be like. Credit must also be given to writer, Aimee Lagos, and Director, Sam MIller, for not making their characters come across as mundane caricatures.
With a taut screenplay; a Director who’s well aware of his limitations and manages to adeptly work within them; an utterly convincing Taraji P. Henson; and a totally mesmerizing Idris Elba, “No Good Deed” is a great way to spend an entertaining 80 minutes. - DirectorSamar IqbalStarsVidya BalanAli FazalMahima ABobby Jasoos starring Vidya Balan, is a film that celebrates the aspiration of Bobby, who wants to become the number one detective in the old city area of Hyderabad. The film is directed by Samar Shaikh, produced by Dia Mirza and Sahil Sangha under their banner Born Free Entertainment and is presented by Reliance Entertainment. Bobby Jasoos releases on July 4th,2014.“Bobby Jasoos” is a Hyderabadi pearl of a movie, worn with terrific aplomb by its star Vidya Balan. Playing the 30-year-old Bilquis or Bobby, who has no detective course but fearless passion, Vidya dazzles as Bobby Jasoos, tracking mysteries as a buck-toothed palmist, a dreadlocked sadhu, a hobbling fakir – suddenly distilled into a tongue-tied girl who discovers love.
Debutant Director, Samar Shaikh, impresses as he deftly balances the primary detective track with the personal travails of Vidya’s character. An aspiring female detective in Hyderabad has her work cut out to be taken seriously, and the often bumbling but ever optimistic Bobby wins clients and hearts with equal ease. But the outright winner is the film’s writing, the quality of which is not often seen in Bollywood today, and no more amount of praise would be too great for Sanyukta Chawla’s screenplay and dialogues.
There are many fine things about “Bobby Jasoos” – a terrific lead performance, a great supporting cast, surprising attention to detail, and Hyderabad in full glory. The old-world charm of Hyderabad is ideal foil for the narrative. It is one of the lovely touches that give the film real texture. The authenticity of the setting, locations, and the flawlessly consistent diction of every major and minor character contribute in making the proceedings all the more engaging. Minor quibbles aside, “Bobby Jasoos” is a clever and joyful film. It’s a light, breezy, and delightful caper with a lot of heart, and you root for both the film and its protagonist all the way till the end. - DirectorKen'ichi ShimizuStarsJennifer CarpenterBrian BloomJohn Eric BentleyPunisher and Black Widow are sent on a mission to stop Leviathan, a global terrorist organization that plans to sell stolen S.H.I.E.L.D. technology to the highest bidder.A terrific feature for two of Marvel's relatively unsung heroes - Black Widow and Punisher. Black Widow is presented with all her sex appeal, charisma, spunk, and martial arts skills, while Punisher is shown as an eternally laconic cynic with raw muscle power, toughness, and copious amounts of gray shades - just how we've come to love them from the comics. We're also introduced to a new villainous organization (with hints of a possible link to HYDRA) that could make its presence felt in future Marvel outings, even in the upcoming movie ventures. During the climax, the fans are even treated to special appearances from some of the more famous members of the Avengers. The screenplay is very good and keeps us engrossed for the film's short runtime. The animation is more than decent for a direct-to-video offering. Marvel studios is consistently bringing us memorable tales like these in the form of neat, little videos to accompany their top quality, big-budget, full-length feature films. First is was the two "Ultimate Avengers" videos, then came "Thor: Tales of Asgard", and now this. All in all, this is a thoroughly enjoyable little fare that admirably doffs its hat to two heroes of the Marvel universe that have contributed a lot in the background, but never really been given top billing.
- DirectorJaume Collet-SerraStarsLiam NeesonJulianne MooreScoot McNairyAn air marshal springs into action during a transatlantic flight after receiving a series of text messages demanding $150 million into an off-shore account, or someone will die every 20 minutes.A solid action thriller with a solid star turnover from the great Liam Neeson. Terrific excitement, hard-boiled action, edge-of-the seat thrills. Though the movie has its share of plot holes, narrative contrivances, and even a few logical defiances, they can be overlooked in the face of such all round, heart-stopping, entertainment.
- DirectorJ.C. ChandorStarsOscar IsaacJessica ChastainDavid OyelowoIn New York City 1981, an ambitious immigrant fights to protect his business and family during the most dangerous year in the city's history.A compelling if slightly undercooked crime yarn. Multilayered and morally nuanced – “A Most Violent Year” – is a crime drama about the sort of character who is a peripheral figure in most crime dramas. The protagonist, Abel is neither cop nor crook; he’s just a compromised man with problems to solve. The underside of the “American Dream” is abundantly on display in this story about an immigrant endeavoring to make his way to the top while keeping his family safe and striving to maintain his position as the head-of-the-house.
Writer-director J. C. Chandor charts the moral decline accompanying financial gain with weary-eyed aplomb. It might not be the next great mob movie it’s been advertised as, but it’s still an articulately-knitted crime story, a thoughtful character study, and a terrific concoction of pressure cooker situations.
Some of the film’s best moments center on those in which Isaac and Chastain argue the merits of the course their future should take. And just in case you hadn’t noticed yet, Oscar Isaac is the real deal – even drawing analogies with a young Pacino in “The Godfather”, nonetheless.Albert Brooks and Elyes Gabel (in a small role) from the TV show “Scorpion” also get noticed. Sadly, David Oyelowo, after mesmerizing us with his true potential in this year’s “Selma”, is cast in yet another under-written role.
If one were to gripe about this crime drama, I guess it would have to be about the apparent lack – or watered-down portrayal – of violence in a movie centering on violence, depicting a famous city’s most violent times, and bearing the term “violence” in its title. Though it might never be held in the same regard as some other American crime classics, “A Most Violent Year” is, nevertheless, well-made, focused, gritty, and grips our attention and morals – not many films could claim to take a hold of both – from start to finish, presenting another strong entry in writer-director J.C. Chandor’s impressive filmography. - DirectorAngelina JolieStarsJack O'ConnellMiyaviDomhnall GleesonAfter a near-fatal plane crash in WWII, Olympian Louis Zamperini spends a harrowing 47 days in a raft with two fellow crewmen before he's caught by the Japanese navy and sent to a prisoner-of-war camp.War is hell, but few soldiers endured as much purgatory and perdition as Louis Zamperini. As such, his story is a compelling one that shows just how much the human spirit and body can endure. Unfortunately this tale of survival has little else to offer beyond its tale of survival.
Jolie is flanked by a stellar crew that have helped make “Unbroken” one of the better technically crafted films of the year, with special mention to the eternal Roger Deakins’ crisp, vivid cinematography, and the excellent work by the film’s sound department. (Both technical faculties rightfully bagging Oscar nominations this year).
Exceptional too are the performances, especially by Jack O’Connell who caps off an extraordinary breakthrough year (which includes brilliant lead turns in “Starred Up” and “’71″) with an all-encompassing turn as Zamperini, giving body and a palpable, unshakeable strength to a man whose physical and mental torture only invigorated his resolve. As the ill-fated runner/soldier, O’Connell effectively portraying the pain, stoicism and large emotional range the role requires. Another noteworthy performance comes from Ishihara, as the Japanese POW camp commander, Mutsuhiro “Bird” Watanabe, who conveys the right amount of repulsiveness – sans any caricatured bits – for us to genuinely loathe him.
Hence, it’s certainly no fault of O’Connell’s and the supporting cast that we don’t get a clear understanding of what made Zamperini tick. That fault lies with the script, which is so focused on its events that it forgets to give us much in the way of the story’s characters. As a result, Zamperini is portrayed as little more than “the guy that survived” – we get no sense of what he was like as a man beyond the fact that his spirit was “unbreakable”, and that he was a fairly decent guy. We are left with no idea about what really drove him and kept him going through such horrific experiences, and even less of an idea about his fellow POWs.
It’s hard to fault Jolie’s direction too much either. The film takes a little while to get going but moves at a decent pace in its latter half. She also avoids making the necessary violence overtly gratuitous. The problem lies with the script and its “events, not characters” approach. Also, the movie is not filled with scintillating dialogue or amazing set pieces – although the opening aerial dog fight is pretty cool and the Olympic sequence is done well – so without character depth to drive the necessary emotional punch we are left with little more beyond an hour of hardship.
I guess if one were to fault Jolie’s direction it would have to be in her hurriedness to conclude Zamperini’s amazing journey. While she does not flinch in depicting the inhumane, despicable brutality which Zamperini endured, there is too much fixation on the savagery which befell this man, and not enough time dedicated to Zamperini’s post-war journey into a strong Christian belief, that saw him eventually forgive the captors that tormented him.
It’s that kind of thing that great filmmakers pick up on and form into great movies. One day Jolie may well get that instinct. She has talent, no doubt about that, and may one day make a really outstanding film. As for “Unbroken”, the film is certainly worth a look as it’s a compelling story, but you will walk away knowing what happened to Zamperini and not who Zamperini really was. Jolie’s second directorial stint could be considered as more of a strong learning curve than a grand statement. - DirectorBrad AndersonStarsKate BeckinsaleJim SturgessDavid ThewlisAn Oxford graduate takes up a job in a mental asylum, only to discover that the "revolutionary" new treatments are inhumane, and that there is more going on than meets the eye.If you like period pieces, psychopathic characters, excellent actors, and plenty of atmospherics, then "Stonehearst Asylum" should be right up your alley. Between its distinctly modern intelligence and razor-sharp plotting, Director, Brad Anderson's clever contraption almost matches the heights of Gothic grandeur that keep Poe held in high esteem even today. Anderson clearly takes delight in all the proceedings, which is one of the reasons the film feels fresh. While the film might lack some the macabre drama and dark humor of the original Edgar Allan Poe tale, it still does a fine job of conveying a creepy, engaging thriller with a brilliant Gothic atmosphere and fine performances from its terrific ensemble cast. There's probably a brilliant, award-worthy film to be made about the inhumane way the medical practice dealt with the mentally ill in the past. This one isn't it, but it is nonetheless a solid, sturdy piece of entertainment. "Stonehearst Asylum" is an insane, Gothic thriller with a lot of chills, thrills, and fun to be had along the way.
- DirectorJames BobinStarsRicky GervaisTy BurrellTina FeyWhile on a grand world tour, The Muppets find themselves wrapped into an European jewel-heist caper headed by a Kermit the Frog look-alike and his dastardly sidekick.While it may not reach the delirious heights of "The Muppets", this sequel still packs in enough clever gags, catchy songs, and celebrity cameos to satisfy fans of all ages. Kids will enjoy it, and the film offers enough smart humor to keep the adults amused as well. In fact, the movie overflows with funny moments, the songs are infectious, the human cast including Ricky Gervais, Tina Fey, and Ty Burrell are simply fantastic, and Constantine - legendary Muppet character, Kermit's evil doppelganger - is a terrific addition to the cast. Alas, "Muppets Most Wanted" lacks the tenderness and rich nostalgia that made the first installment of the Muppets' reboot such a savoring delight. Even though "Muppets Most Wanted" isn't as giddily entertaining as its predecessor but much of the charm still remains, making it another enjoyable treat in the adventurous world of these adorable marionettes.
- DirectorAnurag KashyapStarsRahul BhatRonit RoyTejaswini KolhapureThe case of a missing girl takes us through a journey of human greed and brushes upon the egos and repressed emotions of the characters.Yet another highly recommended movie from the highly creative mind and dexterous guidance of Anurag Kashyap. His direction and script are, as usual, spot-on, and instantaneously draw us into a terrible tale of corruption, indifference, and systemic violence that starts when the ten year old daughter of an aspiring actor disappears.
Elevating the film further are the measured performances by Rahul Bhat, Tejaswini Kolhapure, Vineet Singh, and above all Ronit Roy, who completely steals the show in every frame he's in. Though the film falls somewhat short of Kashyap's erstwhile masterpieces – there are moments when the tension eases and the narrative loosens its grip for a few unnecessary, artsy allegories - it's still an extremely gripping thriller that will leave you in perennial anticipation of what comes next.
Nikos Andritsakis' cinematography also aides the script to a huge extent by capturing the gritty underbelly and moldy by-lanes of Mumbai, and the slow-burn tone of proceedings is exactly what was needed for the layered drama to unfold its unexpected twists and turns. However, the film's sound mixing leaves a lot to be desired and is a huge letdown, especially since it drowns out important dialogues at times. Nevertheless, Kashyap's latest offering is one helluva ugly tale with dark, ugly characters who have ugly motives fueled by uglier morals, which eerily serve as a grim reflection of our own societal state. - DirectorRichard GlatzerWash WestmorelandStarsJulianne MooreAlec BaldwinKristen StewartA linguistics professor and her family find their bonds tested when she is diagnosed with Alzheimer's Disease.Elevated by a gripping central performance from Julianne Moore, “Still Alice” is a heartfelt drama that honors its delicate themes with bravery and sensitivity. It provides a valuable lesson in empathy and understanding, with a message for all of us in accepting what we’ve lost, and celebrating what hasn’t yet gone.
However, there’s a directness to the production that might feel blunt were it not elevated by Moore and Baldwin’s heartbreaking duet performance. Indeed, the movie explicitly shows what a terrible thing the mind (especially if it’s as brilliant as Alice Howland’s) is to watch waste away, and rarely has the horror of losing one’s inner self to Alzheimer’s been conveyed as precisely and powerfully as it is here. It’s just that it could have been more worthwhile and aware than it is.
As for the film, it has two strong performances and enough grace notes to make quite an impression. Julianne Moore isn’t merely good in the lead role. She’s devastatingly, heartrendingly good, and she’s a big reason why “Still Alice” is as moving as it is. As films about people with devastating diseases go, “Still Alice” is understated, thought-provoking, brilliantly acted, and written and directed with a steady hand. - DirectorDavid AyerStarsBrad PittShia LaBeoufLogan LermanA grizzled tank commander makes tough decisions as he and his crew fight their way across Germany in April, 1945.David Ayer has directed a work that moves with a cinematic force; even grace. It is a difficult film to discount. From the vivid, fluid photography (Roman Vasyanov) to the mournful and muscular score (Steven Price), “Fury” is irrefutably crafted. Over two hours long it is tense going, a sturdily acted affair, and yet, as the author of this drama, Ayer has penned a work that takes us no place new, or illuminating, or even exciting, but what it does manage to do is give us a brutally realistic war film. “Fury” is a war movie as much as an anti-war movie, with an emphasis on the horrors of war, and which minimizes the heroic aspects of being a soldier. In this film, war really is hell.
- DirectorRichard LinklaterStarsEllar ColtranePatricia ArquetteEthan HawkeThe life of Mason, from early childhood to his arrival at college.A nice, lighthearted, coming-of-age drama. It provides some breezy entertainment, but there’s certainly nothing earth-shattering about the film as is being touted. Neither the plot nor the narrative style or even the technical aspects (such as the cinematography, editing, or production design) take your breath away; quite frankly, the only path-breaking aspect of the film is the format in which it has been shot – over a period of 12 years, making it a rare experience where you see the actors playing out their characters in a situation where their age graph runs parallel to real-life, giving the film an elevated, transient quality of space and time.
In that sense it’s the actors who deserve the most praise (especially Arquette and Hawke; Ellar Coltrane as the main protagonist plays his character like a typical, whiny emo adolescent, and mouth his dialogues in a pseudo-cool mumbling tone that’s extremely difficult to decipher.) for maintaining their character traits and seamlessly portraying the numerous shifts in their character arcs over such a prolonged duration.
No doubt, Director Richard Linklater also merits due credit for being the crux holding it all together, and just for being insane and courageous enough to not only embark on his innovative cerebral germ, but also realize it to its ultimate fruition. However, all things said, if you get past this sole novel feature of the movie, you’re left with just another run-of-the-mill tale of a kid growing up, albeit told with a lot of sensitivity and heart. - DirectorScott FrankStarsLiam NeesonDan StevensDavid HarbourPrivate investigator Matthew Scudder is hired by a drug kingpin to find out who kidnapped and murdered his wife.The pace could have been a tad brisker, but a decent film-noir nevertheless, and you would take that any day considering the dearth of film-noirs been released, let alone well-made ones. As usual Liam Neeson's engaging screen presence, rugged appeal, and unassuming charm, along with Scott Frank's measured direction prevents our interest from wavering as this slow-burner of a mystery unfolds.
- DirectorGareth EdwardsStarsAaron Taylor-JohnsonElizabeth OlsenBryan CranstonThe world is beset by the appearance of monstrous creatures, but one of them may be the only one who can save humanity.A more than enjoyable rendition of sci-fi/monster mayhem, which serves as much a worthy homage to the "Toho" Japanese monster classics, as it does to old-school American sci-fi films, while not wavering too far away from pleasing a modern audience.
- DirectorDavid DhawanStarsVarun DhawanIleana D'CruzNargis FakhriSeenu and Sunaina fall in love with each other when he saves her from a corrupt policeman who wishes to marry her. Meanwhile, Ayesha, a girl Seenu meets on a train journey, wants to marry him."Main Tera Hero" is a typical madcap David Dhawan comedy, with all the silly fun, rambunctious pacing, over-the-top characters, and zany music that we've come to lover over the years. Let's just call it for what it is - old formulaic David Dhawan wine smartly packaged by the veteran Director in a new bottle via a contemporary look and the re-invention of his staple comedy hero in an entertainingly modern avatar. We get all the typical jokes and gags Dhawan is so well known for; some old and revamped, some new and refreshing, some surprisingly brilliant brilliant, some beyond ludicrous, but all highly entertaining and rib-ticklingly funny.
The plot like in most Dhawan films has a simple humorous premise, constructed together by a series of gags, witty one-liners, slapstick events, and hilariously silly dialogues. What's really invigorating for all Dhawan fans is that the Director seems to have regained his mojo, which had temporarily evaded him after a few cringingly bad comedies and unnecessary remakes since "Partner" - his last good effort.This film will certainly not be counted among his best in coming years, but he's at least back in form.
"Main Tera Hero" doesn't shamelessly ask you to leave your brain at home in the name of entertainment; that's just plain inane and signals a movie's complete absence of merit from the onset itself. Instead, it gives you an opportunity to relax your brain and enjoy two hours of unadulterated, madcap, fan in David Dhawan's archetypal style. - DirectorImtiaz AliStarsAlia BhattRandeep HoodaDurgesh KumarRight before her wedding, a young woman finds herself abducted and held for ransom. As the initial days pass, she begins to develop a strange bond with her kidnapper.A thought-proving take on human relationships and their changing dynamics as shown through the actions and decisions of its lead characters. As usual, more than the film itself, Director Imtiaz Ali displays his talent for extracting brilliant performances from his main cast. Randeep Hoods delivers his best performance till date and finally gets the scope to showcase his latent talent. But its Alia Bhatt who completely steals the show. She's riveting as the vulnerable girl who graciously accepts the drastic and scary situation she's thrust into with gusto and heart. Her body language is enough to demonstrate her realization that it's this situation, which provides her with a new lease of life and complete freedom. She discovers a degree of honesty, truth, and acceptance with her kidnappers that she never experienced before in the decent world. Ms. Bhatt does enough to convince us that "SOTY" was an aberration and everybody should anticipate her forthcoming releases. "Highway" is a good film on its own. What makes it better are Hooda's and Alia's class acts.
- DirectorNitesh TiwariStarsAmitabh BachchanBoman IraniParth BhaleraoA ghost returns back from his world to prove something. But on earth, he has something more to do for his country.Topical, thought-provoking, and immensely relevant in today's times. While "Bhoothnath Returns" is by no means a perfectly made film, it still demands mandatory viewing for the crucial topics it addresses and the simple solutions it offers; solutions that we're well aware of and know what a major difference they could create on future, but seem to be too apathetic or just plain lazy to follow them. What's more, the film presents these issue and the highly vital topic of voting with oodles of humor and charmingly fun moments. The voting conundrum that is raised becomes all the more synonymous with our impending elections staring us in the face.
However, the film does have quite a few flaws. Director, Nitesh Tiwari, doesn't exhibit the exhibit the same deft touches, assuredness, and control as his debut film "Chillar Party" (an instant classic). The screenplay takes way too many liberties and at times asks a bit too much of its audience in terms of suspension of disbelief. Also, what begins and continues as a somewhat neatly woven, smart political satire for most of the film's proceedings, delves into contrived and cliched territory towards the climax.
Yet, the film still manages to punch above its weight due to the truly delightful performances. Amitabh Bachchan, Boman Irani, Sanjay Mishra, and Usha Jadhav are magnificent as ever. But, it's the debutant child actor, Parth Balerao, who completely steals the show and even manages to overshadow the omnipotent Bachchan in some scenes; something even accomplished senior actors find difficult. While, not nearly as skillfully helmed and heartwarming as Tiwari's debut venture, "Bhootnath Returns" is still an enjoyable film once you overlook the flaws. Moreover, it subtly drives home an extremely strong, poignant message, without being preachy. - DirectorAndrey ZvyagintsevStarsAleksey SerebryakovElena LyadovaRoman MadyanovIn a Russian coastal town, Kolya is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits a lawyer friend to help, but the man's arrival brings further misfortune for Kolya and his family.Good but not as special as it’s being touted. This 140-minute Russian drama contains two significant plot-lines, neither of which illuminates anything other than a corrupt society’s ability to screw people over and writers arbitrarily introducing infidelity to drive a story. The characters though interesting – with the actors really chewing into the roles – you never felt like you get to know them, and as a result you end up not caring for them enough. Though it holds your attention, why is “Leviathan” so acclaimed is beyond my comprehension; am I missing something here? Frankly, the Estonian/Georgian co-production. “Tangerines” is a much better choice to take home the Academy award this year in the foreign language category.
“Leviathan” plays like downer Tolstoy, unflinchingly allegorical toward the country at large, but ambiguous towards its own characters. If the movie had a clearer sense of how Russian politics infect small towns, “Leviathan” might have been more lucid and devastating. Alas, it’s unclear what’s actually happening and what’s being driven by the sleazebags in control. Maybe that’s director/co-writer Andrey Zvyagintsev’s attempt at showing that when there is no truth in the law, it almost doesn’t matter what happens or why. Except “Leviathan” doesn’t pull back the curtain on anything.
There is, however, something to empathize over here – the angry grandeur of the movie’s despair over how ordinary people get screwed by the powerful may be uniquely Russian, but it will hit home everywhere. - DirectorNitin KakkarStarsSharib HashmiInaamulhaqKumud MishraIn Mumbai, affable Bollywood buff and wanna-be-actor Sunny, who works as an assistant director, fantasizes on becoming a heart-throb star. However, at every audition he is summarily thrown out. Undeterred, he goes with an American crew to remote areas in Rajasthan to work on a documentary. One day an Islamic terrorist group kidnaps him for the American crew-member. Sunny finds himself on enemy border amidst guns and pathani-clad guards, who decide to keep him hostage until they locate their original target. The house In which he is confined belongs to a Pakistani, whose trade stems from pirated Hindi films, which he brings back every time he crosses the border. Soon, the two factions realize that they share a human and cultural bond. The film shows how cinema can be the universal panacea for co-existence.An Endearing Tribute to Cinema that Somewhat Misses the Mark. A string of charming moments don’t add up to form a whole, especially in a dramatic second half that fails to capitalize on solid characterization. Scrambled memorable sequences that stand out for their sheer originality actually tend to make the desperate last minutes seem like an aberration.
The two lead characters' equation is fun to watch but inconsistent, particularly when they have their Jai-Veeru moments towards the end. Hashmi typifies the longing that drives majority of this industry; he stops short of the naive Bharat Bhushan from Bheja Fry (Vinay Pathak’s crowning moment of glory), and combines well with the conflicted presence of the tolerant terrorists (Mishra, Dutt; intense). Inaamulhaq is uninhibited, and even when his character is saddled with sentiment, he makes you believe that he is a delusional filmmaker scripting his own climax.
“Filmistaan” could have worked as an untiring situational comedy without the heavy-handedness of borders and antagonists. The movie is still worth a watch, at least for a genuinely unique protagonist that almost overshadows the final botched-up third act of the film.