My Favorite Movie Composers
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A classmate of director Sergio Leone with whom he would form one of the great director/composer partnerships (right up there with Eisenstein & Prokofiev, Hitchcock & Herrmann, Fellini & Rota), Ennio Morricone studied at Rome's Santa Cecilia Conservatory, where he specialized in trumpet. His first film scores were relatively undistinguished, but he was hired by Leone for A Fistful of Dollars (1964) on the strength of some of his song arrangements. His score for that film, with its sparse arrangements, unorthodox instrumentation (bells, electric guitars, harmonicas, the distinctive twang of the jew's harp) and memorable tunes, revolutionized the way music would be used in Westerns, and it is hard to think of a post-Morricone Western score that doesn't in some way reflect his influence. Although his name will always be synonymous with the spaghetti Western, Morricone has also contributed to a huge range of other film genres: comedies, dramas, thrillers, horror films, romances, art movies, exploitation movies - making him one of the film world's most versatile artists. He has written nearly 400 film scores, so a brief summary is impossible, but his most memorable work includes the Leone films, Gillo Pontecorvo's The Battle of Algiers (1966) , Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988), plus a rare example of sung opening credits for Pier Paolo Pasolini's The Hawks and the Sparrows (1966).- Composer
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Born in Burano (Venice) in 1941, Pino Donaggio studied violin at the Conservatory of Venice and Milan.
After a period of adolescent performer of classical music with the Solisti Veneti and the Soloists of Milan, in 1959 he began to devote himself to the pop music that soon led to international success.
He has participated in ten editions of the Sanremo Festival getting a 3rd place in 1963 with the song "Giovane giovane" and a 4th place in 1966 with the song "Una casa in cima al mondo". His best-known song and performed is 1965 "Io che non vivo (senza te)" starring, among others, also by Elvis Presley.
Since 1973, Donaggio began gradually to abandon pop music to devote himself to composing music for films. In over forty years of activity it has put together more than two hundred soundtracks for the big and small screen, both in Italy and abroad.
He lives and works in Venice.- Composer
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Film composer Harry Manfredini specializes in writing for horror films, but is also a song writer and jazz soloist. From his haunting dramatic scores for The Friday the 13th films, to his adventurous music for The Omega Code, Harry Manfredini has established himself as a motion picture music composer of the same style as Bernard Herrmann.
Manfredini's works in the film industry began when he joined Sean S. Cunningham for his low budget film Manny's Orphans (1978) in 1978, but it was his haunting score for Paramount's 1980 major motion picture Friday the 13th (1980) that really gave the film its ideal and realistic and suspenseful score. Friday the 13th was also directed by Sean Cunningham, and Manfredini continued creating the scores for all the Friday the 13th sequels except for Part 8 which was taken over by Fred Mollin.
Manfredini's scores for House (1985), DeepStar Six (1989) and Cameron's Closet (1988) also confirmed his appeal as a popular horror film composer, but he also composed for adventure, comedy and family films including Spring Break (1983), Aces: Iron Eagle III (1992) and Follow Your Heart (1999). In recent years, he composed the scores for major motion pictures, including Wes Craven's Wishmaster (1997), The Omega Code (1999) and recently Jason X (2001) for New Line Cinema.- Composer
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Talented, prolific and versatile film composer Charles Bernstein was born on February 28, 1943 in Minneapolis, Minnesota. He conducted his own orchestral music at age sixteen and studied composition with Vitorio Giannini and Vincent Persichetti at Juilliard. Bernstein also attended the University of California; he received an Outstanding Graduate of the College Award, a Woodrow Wilson National Fellowship and a Chancellor's Doctoral Teaching Fellowship while working with American composer Roy Harris. His impressively eclectic musical style ranges from comedy to drama to action to horror. Bernstein has supplied the scores for a bunch of enjoyably down'n'dirty 70's drive-in exploitation features: he turned up the funk with "That Man Bolt," went all-out groovy for the "Invasion of the Bee Girls," and kicked out the tuneful swinging country jams on "White Lightning" (a snippet of this score was used in the "Kill Bill Vol. 1" soundtrack), "Gator," "A Small Town in Texas," and "Nightmare in Badham County." Bernstein's scores in the horror genre are especially chilling and effective: Among his finest fright film scores are "Hex," "Sweet Kill," "The Entity" (this is one of Bernstein's most inspired, inventive and underrated scores; it was nominated for a Saturn Award for Best Music), "Cujo," Wes Craven's terrifying classic "A Nightmare on Elm Street," and "April Fool's Day." Moreover, Bernstein has done scores for a large number of made-for-TV movies. He won an Emmy Award for his score for the "Little Miss Perfect" episode of the "CBS Schoolbreak Special." His scores for "Enslavement" and "The Sea Wolf" were nominated for Emmy Awards while his score for "The Man Who Broke A 1,000 Chains" received a Cable ACE Award nomination for Original Score. Outside of his substantial film and television work, Bernstein has also done music for Off-Broadway theater, modern dance, and the World Festival of Sacred Music, played jazz in the cellars of Paris, and danced and played folk music with the Greeks and gypsies from the Balkans. Moreover, Bernstein has written the acclaimed books "Film Music and Everything Else - Volume 1: Limitations" and "Movie Music: An Insider's View." He won an ASCAP Deems Taylor Award for his writing on music. Bernstein is a member of the Board of Governors of the Academy of Motion Picture Arts and Sciences, the Board of Directors of the Society of Composers and Lyricists, and the Board of Directors of the ASCAP Foundation. In addition, Charles Bernstein has taught on the graduate film scoring faculty at USC and holds an annual film scoring seminar in the summer at UCLA Extension.- Music Department
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John Howard Carpenter was born in Carthage, New York, to mother Milton Jean (Carter) and father Howard Ralph Carpenter. His family moved to Bowling Green, Kentucky, where his father, a professor, was head of the music department at Western Kentucky University. He attended Western Kentucky University and then USC film school in Los Angeles. He began making short films in 1962, and won an Academy Award for Best Live-Action Short Subject in 1970, for The Resurrection of Broncho Billy (1970), which he made while at USC. Carpenter formed a band in the mid-1970s called The Coupe de Villes, which included future directors Tommy Lee Wallace and Nick Castle. Since the 1970s, he has had numerous roles in the film industry including writer, actor, composer, producer, and director. After directing Dark Star (1974), he has helmed both classic horror films like Halloween (1978), The Fog (1980), and The Thing (1982), and noted sci-fi tales like Escape from New York (1981) and Starman (1984).- Composer
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For 25 years, Goblin has been scoring soundtracks for Italian films, mainly Giallo-style films directed by Dario Argento. The group consisted of keyboardist Claudio Simonetti, percussionist Walter Martino, bassist Fabio Pignatelli, guitarist Massimo Morante, percussionist Agostino Marangolo, and saxophone player, Antonio Marangolo. Simonetti and Morante were the two original founders of Goblin, which originally wanted to go under the name, "Oliver". Pignatelli had previously worked on other projects before joining Goblin. In 1975, he became a member of Cherry Five and released an album with them. Their film scoring debut was in 1975 with Argento's _Profondo Rosso (1975)_, under the direction of 'Giorgio Gaslini' . Immediately, the soundtrack had become a success with their '70s Rock style music, which had been preferred more than Gaslini's scores. Two years after the success of the Profondo Rosso Soundtrack, Goblin scored music for Argento's next film, Suspiria (1977). It was the first time that they had used sequencers. Then, in 1978, they scored the soundtrack to the Italian cut of 'George A. Romero''s Dawn of the Dead (1978). After that, the group made an album called "Il Fantastico Viaggio Del 'Bagarozzo' Mark", which spoke against heroin use. Then, the group had many problems and were unable to work together. Some members continued scoring films under the name of Goblin. Simonetti scored films like _Squadra Antigangsters (1979)_, _Amo Non Amo (1979)_, _Demons (1985)_, and Opera (1987). Pignatelli, and the Marangolos scored films like _Patrick (1979)_, _Contamination (1980)_, and _Notturno (1983)_. In 1982, Goblin had reunited to score Dario Argento's next film, Tenebrae (1982). They were credited as Simonetti-Pignatelli-Morante for Tenebre, but were credited as Goblin for Argento's film, _Phenomena (1984)_. The last film that Goblin scored, was Michele Soavi's film, _La Chiesa(1989)_.- Composer
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Claudio Simonetti was born on 19 February 1952 in São Paulo, São Paulo, Brazil. He is a composer and actor, known for Demons (1985), The Editor (2014) and Bangkok Dangerous (2008).- Composer
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Massimo Morante was born on 6 October 1952 in Rome, Lazio, Italy. He was a composer, known for Tenebrae (1982), Deep Red (1975) and Shaun of the Dead (2004). He died on 23 June 2022 in Italy.- Composer
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Fabio Frizzi was born on 2 July 1951 in Bologna, Emilia-Romagna, Italy. He is a composer and actor, known for Kill Bill: Vol. 1 (2003), Zombie (1979) and Saint Frankenstein (2015).- Composer
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Jay Chattaway was born on 8 July 1946 in Monongahela, Pennsylvania, USA. He is a composer, known for Star Trek: Voyager (1995), Star Trek: Deep Space Nine (1993) and Star Trek: Enterprise (2001).- Composer
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John Murphy is a British film composer from Liverpool. He began composing music scores for films in the early 1990s, working on several successful British movies, enjoying particular success with the soundtracks to Lock, Stock and Two Smoking Barrels (1998) and Snatch (2000).
Since 2000, Murphy has been based in Los Angeles. From here, he has worked with some of the industry's most respected and luminary filmmakers, including Danny Boyle, Stephen Frears and Michael Mann, and produced several prominent and diverse successes, including 28 Days Later, Miami Vice, Sunshine and 28 Weeks Later.- Composer
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Composer Christopher Young was born in Red Bank, New Jersey. After graduating from Hampshire College in Massachusetts with a Bachelor of Arts degree in music, Young went on to pursue his post-graduate studies at North Texas State University. After college Christopher moved to Los Angeles, California. He was originally a jazz drummer, but decided to become a film composer instead after listening to some of Bernard Herrmann's work. Moreover, Young not only has studied with noted composer David Raksin at UCLA Film School, but also teaches at the Thornton School of Music at the University of Southern California. Christopher was honored with the prestigious Richard Kirk Award at the 2008 BMI Film and TV Awards.- Composer
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François-Eudes Chanfrault was born on 2 December 1974 in Suresnes, Hauts-de-Seine, France. He was a composer and actor, known for The Hills Have Eyes (2006), High Tension (2003) and Inside (2007). He was married to Lauranne. He died on 11 March 2016 in Paris, France.- Composer
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Born in Baltimore, Maryland, Glass worked in his father's radio store and discovered music listening to the offbeat Western classical records customers didn't seem to want. He studied the violin and flute, and obtained early admission to the University of Chicago. After graduating in mathematics and philosophy, he went to New York's Juilliard school, drove a cab, and studied composition with Darius Milhaud and others.
At 23, he moved to Paris to study under the legendary Nadia Boulanger, who taught almost all of the major Western classical composers of the 20th century. While there, he discovered Indian classical music while transcribing the works of Ravi Shankar into Western musical notation for a French filmmaker. A creative turning point, Glass researched non-Western music in India and parts of Africa, and applied the techniques to his own composition.
Back in the United States, Glass spent the late 1960s and early 1970s driving a taxi cab in New York and creating a major collection of new music. In 1976, his landmark opera "Einstein on the Beach" was staged by Robert Wilson to a baffling variety of reviews. His compositions were so avant-garde that he had to form the Philip Glass Ensemble to give them a venue for performance. Although called a minimalist by the Western classical mainstream, he denies this categorization. His major works include opera, theater pieces, dance, and song.
His work in film, beginning with Koyaanisqatsi (1982), gave filmmakers such as Godfrey Reggio and Errol Morris a new venue of expression through the documentary form. His many recordings have also widened his audience. He was commissioned by the Metropolitan Opera to compose "The Voyage" for the Columbus quinquacentennial in 1992. In 1996, he composed original music for the Atlanta Olympic Games, which, perhaps, made Glass almost mainstream. Glass remains one of the most important American composers. His music is distinctive, haunting, and evocative. Either performed by itself or in collaboration with other media, his compositions move the listener to unexplored places. More recently, a major reexamination of Glass's oeuvre has led him to be labeled the Last Romantic by the musical press.- Music Department
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The man behind the low woodwinds that open Citizen Kane (1941), the shrieking violins of Psycho (1960), and the plaintive saxophone of Taxi Driver (1976) was one of the most original and distinctive composers ever to work in film. He started early, winning a composition prize at the age of 13 and founding his own orchestra at the age of 20. After writing scores for Orson Welles's radio shows in the 1930s (including the notorious 1938 "The War of the Worlds" broadcast), he was the obvious choice to score Welles's film debut, Citizen Kane (1941), and, subsequently, The Magnificent Ambersons (1942), although he removed his name from the latter after additional music was added without his (or Welles's) consent when the film was mutilated by a panic-stricken studio. Herrmann was a prolific film composer, producing some of his most memorable work for Alfred Hitchcock, for whom he wrote nine scores. A notorious perfectionist and demanding (he once said that most directors didn't have a clue about music, and he blithely ignored their instructions--like Hitchcock's suggestion that Psycho (1960) have a jazz score and no music in the shower scene). He ended his partnership with Hitchcock after the latter rejected his score for Torn Curtain (1966) on studio advice. He was also an early experimenter in the sounds used in film scores, most famously The Day the Earth Stood Still (1951), scored for two theremins, pianos, and a horn section; and was a consultant on the electronic sounds created by Oskar Sala on the mixtrautonium for The Birds (1963). His last score was for Martin Scorsese's Taxi Driver (1976) and died just hours after recording it. He also wrote an opera, "Wuthering Heights", and a cantata, "Moby Dick".- Music Department
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Hailed as a keyboard legend, Keith Emerson has been one of the most important figures to emerge from the thriving UK rock scene of the 1960s and 70s. He is known as one of the most prominent leaders in the progressive rock movement, fusing rock 'n' roll with a myriad of musical styles, such as classical, jazz and world music. A modern wizard of electronic and acoustic keyboards, most notably the organ and synthesizer, he has set a standard by which others multiply. With both "The Nice" and "Emerson, Lake & Palmer," Emerson has written and recorded some of rock's most adventurous music and brought it to the masses with unmatched virtuosity and skillful showmanship. Born November 2, 1944 in Todmorden, Lancashire, England, Keith Emerson soon became a piano sensation in his hometown of Worthing, Sussex by the time he was fourteen years old. In his late teens, he moved to London, joined the band "V.I.P.'s" and later "Gary Farr and the T-Bones," backing their mentor T-Bone Walker at the Marquee Club in London, also touring Germany, France and the UK. Some of his early influences were jazz artists Fats Waller, Oscar Peterson, Dave Brubeck, Jack McDuff and Big John Patton. Classical composers also became influential to his music including J.S. Bach, Aaron Copland, Demetri Shostokovich, Bela Bartok and Alberto Ginestera amongst others. In his twenties, he formed a band called "The Nice" with bassist/vocalist Lee Jackson, drummer Brian Davison and guitarist David O'List, which backed ex-Ike and Tina Turner's singer P.P. Arnold. The group struck out on its own with a unique blend of classical, blues, jazz and rock. Emerson adopted the Hammond Organ as his instrument of choice during this period and soon gained fame for his outrageous stage antics and inspired musical performances. "The Nice" recorded numerous albums and appeared in a notorious concert at London's Royal Albert Hall. Immediately after hearing "Switched on Bach" by Walter Carlos, Emerson purchased and experimented with one of the first modular Moog Synthesizers and became the first artist to tour with "The Moog" internationally with the help of its inventor, Dr. Robert Moog. In 1970, "The Nice" broke up and Emerson formed the legendary group, "Emerson, Lake & Palmer" (ELP) with bassist/vocalist Greg Lake and drummer Carl Palmer. They achieved instant fame with their debut at the Isle Of Wight Festival in 1970. The trio announced their arrival on the scene by tearing into a furious rock adaptation of Mussorgsky's classic "Pictures At An Exhibition," which concluded with a barrage of cannon fire. Their first single, entitled "Lucky Man," from their debut album, "Emerson, Lake & Palmer," ended with a startling new sound, the lead Moog synthesizer solo. This sound took the world by storm, and the band was on its way. ELP released six platinum albums between 1970 and 1977, including "E, L&P," "Tarkus," "Trilogy," the cryptically entitled "Brain Salad Surgery," "Welcome Back My Friends To The Show That Never Ends�" and "Works Vol. 1." They headlined the massive 1974 festival California Jam playing to an audience of over 500,000. Later in 1977, ELP toured with a handpicked orchestra, which performed Emerson's "Piano Concerto No. 1." After touring with the orchestra, ELP continued on the road as a trio, releasing two more albums "Works Vol. 2" and "Love Beach" before they disbanded in 1979. Between 1985 and 1990, Emerson collaborated with Lake and Palmer in two separate efforts, "Emerson, Lake & Powell" and the band "3" respectively. In 1992, ELP reunited with the critically acclaimed "Black Moon." Subsequent world tours which resulted in the live performance releases of "Live at the Royal Albert Hall" in 1993 and "Then And Now" in 1999. In 1980, Emerson issued his first solo album, a Caribbean island inspired work called "Honky." In addition, he recorded and released "The Christmas Album," displaying his own unique interpretation of many classic Christmas songs along with original seasonal pieces. Soon thereafter, he turned to motion picture soundtrack composition, producing several film scores between 1979 and 1989, including the orchestral score for Universal Studios feature release, "Nighthawks," starring Sylvester Stallone and Billy Dee Williams and cult Italian horror master Dario Argento's "Inferno." Emerson also realized a full length Japanese animated film entitled "Harmagedon" in which he received a gold record for the main title theme, "Children of The Light" sung by Rosemary Butler. Emerson also composed the music for Marvel Animation's cartoon action TV series, "Iron Man" in 1994. Emerson went on to release the occasional collection of new material appearing on-stage. He even reunited with Nice band mates Brian Davison and Lee Jackson for a show in Glasgow, Scotland, in 2002 (Vivacitas). Along with the EMI classic release of the solo piano, "Emerson plays Emerson" in the same year He penned an autobiography, "Pictures of an Exhibitionist" in 2003. He received the compilation treatment from Castle Records in 2005 with the two-disc "Hammer It Out: The Anthology." He toured in the USA, UK, Europe and Japan in 2004, 2005 & 2006 with his own "Keith Emerson Band", along with occasional collaborations with various orchestras in Naples, Italy and Beijing, China to promote the environmental issues. Always diverse in musical tastes, he sometimes sits in with jazz bands while encouraging others to take a safer road. Throughout the years, Emerson has consistently won the Overall Best Keyboardist award in the annual Keyboard Magazine Readers' Poll, since the magazine debuted in 1975 and holds a seat of honor on their advisory board. He was recently honored at The Smithsonian Institution, along with Dr. Robert Moog, for his pioneering work in electronic music. Emerson is currently (Jan 2009) working on another with regular collaborator Marc Bonilla and producer Keith Wechsler. The new album has been released in mid 2008, and the band has been touring in Europe, Baltic, and Japan. Forthcoming tour dates to be announced.- Composer
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Canadian composer and songwriter Paul Zaza started out as a classically trained pianist. Zaza has a degree from the prestigious Toronto Conservatory of Music. Moreover, Paul played bass in a Canadian touring company production of the hit musical "Hair" and toured with the The 5th Dimension in the 1970s. Zaza first began doing film scores in the late '70s. He's worked in a diverse of array of genres that include comedy (Hog Wild (1980), Gas (1981)), drama (Isaac Littlefeathers (1984), which was nominated for a Genie Award for Best Music Score), thriller (American Nightmare (1983), _Blindside_), action (Bullies (1986), No Contest (1995)), and science fiction (The Vindicator (1986), The Pink Chiquitas (1986)). Paul frequently collaborated with director Robert Clark: Among the Clark movies he composed the scores for are Murder by Decree (1979) (Zaza won the Genie Award for Best Music Score for his terrific score on this particular picture), the first two uproariously raunchy "Porky's" flicks, the delightful A Christmas Story (1983), Turk 182 (1985), From the Hip (1987), and both Baby Geniuses (1999) films. In addition, Zaza has supplied chillingly effective scores throughout the years for such horror features as Prom Night (1980) (he also composed the music for the sequels), Ghost Keeper (1981), My Bloody Valentine (1981) (this is perhaps Paul's single most spooky and melodic horror film score to date), Curtains (1983), The Brain (1988), Popcorn (1991), The Club (1994), and The Dark (1993). Paul also did the theme music for the long-running Nickelodeon children's TV series Mr. Wizard's World (1983). Besides a Genie Award, Zaza has received fourteen SOCAN Awards as well. Paul Zaza has his own state-of-the-art studio called Zaza Sound Productions Ltd.- Composer
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He studied piano and harmony at Santa Cecilia Conservatory in Rome. In 1957 he started playing light music, being the pianist of important singers such as Rita Pavone. In USA he studied jazz with Dave Brubeck. In 1966 he was called by Cam to compose his first soundtrack: The Bounty Killer, a film directed by Tomas Milian. After the good success, he was asked to compose other soundtracks, among which was A Man, A Horse And A Gun in 1967, which was recorded in the same year by Henry Mancini. Worldwide fame, however, came in 1970, when he composed the score for Anonymous Venetian. This score was a hit all over the world, receiving all the major awards, and is still considered one of the most famous Italian soundtracks. Another very important soundtrack is Tentacles, an American film interpreted by John Huston, Shelley Winters and Henry Fonda. Stelvio Cipriani has composed over 200 film scores, still continuing his activity.- Composer
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Rick Wakeman's work on the classic albums of the progressive rock band Yes, his hugely successful solo albums, as well as his contributions to classic David Bowie songs, has earned him a reputation as one of rock's greatest ever keyboardists. Wakeman was educated at Drayton Manor County Grammar School. Classically trained on the piano, he later attended the Royal College of Music but left without graduating. He first made his name as a session musician at Trident Studios. Among his notable early work was playing Mellotron on David Bowie's breakthrough single "Space Oddity".
Bowie subsequently asked Wakeman to play on his "Hunky Dory" album, which has become one of his most acclaimed works and produced the songs "Life on Mars", "Changes" and "Oh! You Pretty Things", which all featured Wakeman on piano. In the early 1970s, Wakeman was one of the most sought after keyboardists in Britain. He played on albums by The Strawbs and was receiving offers to join the progressive rock band Yes and David Bowie's band The Spiders from Mars at the same time. He chose to join Yes and during his time with the band they recorded several of the most famous albums of the progressive rock genre, including "Fragile", "Close to the Edge" and "Tales from Topographic Oceans". Wakeman also recorded some hugely successful solo albums during the 1970s, principally "The Six Wives of Henry VIII", "Journey to the Centre of the Earth" and "The Myths and Legends of King Arthur and the Knights of the Round Table".
In the late 1970s, Wakeman and progressive rock in general fell out of favour with the arrival of punk rock. Nevertheless, he was able to continue with work as a musician and continued to record his own albums, although they were not as commercially successful. In his later life he has become just as well known as a radio and television broadcaster.- Music Department
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Born on February 10, 1929, Jerry Goldsmith studied piano with Jakob Gimpel and composition, theory, and counterpoint with Mario Castelnuovo-Tedesco. He also attended classes in film composition given by Miklós Rózsa at the Univeristy of Southern California. In 1950, he was employed as a clerk typist in the music department at CBS. There, he was given his first embryonic assignments as a composer for radio shows such as "Romance" and "CBS Radio Workshop". He wrote one score a week for these shows, which were performed live on transmission. He stayed with CBS until 1960, having already scored The Twilight Zone (1959). He was hired by Revue Studios to score their series Thriller (1960). It was here that he met the influential film composer Alfred Newman who hired Goldsmith to score the film Lonely Are the Brave (1962), his first major feature film score. An experimentalist, Goldsmith constantly pushed forward the bounds of film music: Planet of the Apes (1968) included horns blown without mouthpieces and a bass clarinetist fingering the notes but not blowing. He was unafraid to use the wide variety of electronic sounds and instruments which had become available, although he did not use them for their own sake.
He rose rapidly to the top of his profession in the early to mid-1960s, with scores such as Freud (1962), A Patch of Blue (1965) and The Sand Pebbles (1966). In fact, he received Oscar nominations for all three and another in the 1960s for Planet of the Apes (1968). From then onwards, his career and reputation was secure and he scored an astonishing variety of films during the next 30 years or so, from Patton (1970) to Star Trek: The Motion Picture (1979) and from Chinatown (1974) to The Boys from Brazil (1978). He received 17 Oscar nominations but won only once, for The Omen (1976) in 1977 (Goldsmith himself dismissed the thought of even getting a nomination for work on a "horror show"). He enjoyed giving concerts of his music and performed all over the world, notably in London, where he built up a strong relationship with London Symphony Orchestra.
Jerry Goldsmith died at age 75 on July 21, 2004 after a long battle with cancer.- Composer
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By the age of 15 (1973), Joseph LoDuca was opening for rock legends Bob Seger and Ted Nugent in smoky Detroit clubs and sneaking into Jeff Beck concerts. He was hooked. He went on to train formally in classical music at the University of Michigan and in New York City. He plugged into the jazz scene and submerged himself in cultures from around the world. Prior to his career as a movie composer, he performed through the United States and Europe as a jazz artist. Among his recordings is the Grammy-nominated "Nat Cole Songbook" with vocalist Mark Murphy in 1987. Joseph's credits include 2 Primetime Emmy Awards, 11 Primetime Emmy Nominations, and "Most Performed Underscore" recognitions from ASCAP for 4 consecutive years. He garnered a César Nomination; "Meilleure Musique Écrite Pour Un Film" (Best Music) for the French international movie Brotherhood of the Wolf (2001), as well as being lauded as "Horror Film Composer of the Year" for his score to Army of Darkness (1992). LoDuca created the soundtracks for the highest-rated syndicated TV Series Xena: Warrior Princess (1995), Hercules: The Legendary Journeys (1995), and the critically acclaimed American Gothic (1995), as well as over 20 movie scores, and TV Series Leverage (2008) for TNT and Spartacus (2010) for Starz!. His more recent work includes music for the British movie Patagonia (2010), which includes song collaborations with Duffy, Bryn Terfel and Angelo Badalamenti, and TV Series The Librarians (2014).- Director
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John Harrison began his career directing rock videos and working as 1st Asst. Director for famed horror director,George A. Romero (Night of the Living Dead (1968)/Creepshow (1982)). Harrison wrote and directed multiple episodes of Romero's classic TV series,Tales from the Darkside (1983)m], before helming Tales from the Darkside: The Movie (1990), for Paramount Pictures, which won Harrison the Grand Prix du Festival at Avoriaz, France. Harrison co-wrote the animated feature,Dinosaur (2000), for Disney. He also wrote the adaptation of Clive Barker's fantasy novels, "Abarat", also for Disney. In the Fall of '06, Harrison reunited with mentor George Romero to produce Romero's film, Diary of the Dead (2007). His action suspense thriller, Blank Slate (2008), for producer Dean Devlin, which Harrison wrote and directed, aired as a twenty-episode micro-series on TNT in the Fall of 2008. Clive Barker's Book of Blood (2009), which he wrote and directed, was released in the Fall 2009. His 6-hour miniseries adaptation of Frank Herbert's monumental bestseller, Dune (2000), which he directed, was an Emmy Award-winning success in the U.S., then internationally, both in its broadcast premieres and subsequently in home video. Harrison's Children of Dune (2003), another 6-hour miniseries encompassing the next two novels of Frank Herbert's mythic adventure series which he wrote and co-produced, was also an Emmy winner for the Sci-Fi Channel.- Sound Department
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Alan Howarth's sonic journey began in Cleveland, Ohio, where he engaged in various music-related activities. He played in regional rock bands like "Tree Stumps," "Renaissance Faire," and "The Silk," with notable performances opening for iconic bands such as "The Who" and "Cream." In addition to performing, Alan founded Braino and Pi Corp, and was a key figure in Pi Keyboards and Audio, a pioneering synthesizer and pro audio shop.
His illustrious career took off with his involvement in Hollywood, starting with his work on "Star Trek: The Motion Picture," which propelled him into the role of sound designer for the subsequent six Star Trek feature films. His collaboration on "Escape From New York" with director and composer John Carpenter marked the beginning of numerous successful partnerships, including scores for "Halloween 2-6," "Christine," "Big Trouble in Little China," "Prince of Darkness," and "They Live."
Alan's contributions to sound design have been recognized with placement on the Oscar-winning sound effects teams for "The Hunt for Red October" and "Dracula," directed by Francis Ford Coppola. His role as the audio advisor at Magic Leap and Chief Audio Officer at Electronic Arts further solidified his reputation as an industry leader.
At Dimension Audio, Alan played a pivotal role in developing the 48.6 multi-channel sound system, which laid the groundwork for today's immersive theatrical speaker array systems like Dolby Atmos. He continues to push boundaries as a producer, film composer, sound designer, and researcher. Alan is a visionary in the field, creating patents for Natural Frequency Resonance Music wellness sound applications and pioneering immersive spatial music and audio designs for AR and Spatial Computing applications.
Alan Howarth remains at the forefront of sonic innovation, shaping the future of audio experiences with his visionary approach and unparalleled expertise.- Composer
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Renato Serio is known for The Pumaman (1980), Jugando con la muerte (1982) and Savana: Violenza carnale (1979).- Composer
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Guido De Angelis was born on 22 December 1944 in Rocca di Papa, Lazio, Italy. He is a composer and producer, known for Yor: The Hunter from the Future (1983), Death Proof (2007) and All the Way Boys (1972).- Composer
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Maurizio De Angelis was born on 22 February 1947 in Rocca di Papa, Lazio, Italy. He is a composer and producer, known for Yor: The Hunter from the Future (1983), Death Proof (2007) and All the Way Boys (1972).- Composer
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Walter Rizzati is known for 1990: The Bronx Warriors (1982), The Secret of the Incas' Empire (1987) and Our Men in Bagdad (1966).- Composer
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Carlo Maria Cordio was born on 24 February 1952 in Rome, Italy. He is a composer and producer, known for Troll 2 (1990), Terminator II (1989) and 2020 Texas Gladiators (1983).- Composer
Librado Pastor is known for Pieces (1982), Extra Terrestrial Visitors (1983) and Guerra sucia (1984).- Composer
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'If you're a movie fan you'll certainly know his music: Simon Boswell is one of the UK's finest living soundtrack composers.' TIME OUT Magazine.
Simon has scored films by some of independent cinema's incredible mavericks such as Danny Boyle's 'Shallow Grave', Alejandro Jodorowsky's 'Santa Sangre', Dario Argento's 'Phenomena', Michael Hoffman's 'A Midsummer Night's Dream', Alex de la Iglesias's 'Perdita Durango' and Richard Stanley's 'Hardware' and 'Dust Devil'.
Along the way Simon has garnered many international awards and nominations, including 2 BAFTAs and a Classical Brit Award.
After spending several young years in bands such as Advertising and Live Wire, Simon became a highly successful record producer and remixer. In 1982, his production of Italian superstar, Renato Zero, became one of the biggest selling Italian albums of all time, shifting a staggering 6 million copies. Later on his work with 23 Skidoo on 'Coup' evolved into the Chemical Brothers' 'Block Rockin Beats'. He has also produced, amongst many others, Elton John, Dolly Parton, Marianne Faithful, Andrea Bocelli and Orbital.
As a composer he is well known for combining electronic elements with orchestral instruments and his music has ranged vastly in style and tone since the mid 1980s. His work for horror and fantasy cinema is key, especially the Italian giallo films, and flicks like Clive Barker's detective horror 'Lord of Illusions'. Then there's the hybrid, cyberpunk riffings of 'Hackers' (Ian Softley) and 'Hardware', where he unusually combined acoustic, slide guitar with resonant, doomy synths to create a hugely popular, apocalyptic score for which he was nominated for BAFTA's prestigious Anthony Asquith Award.
Simon has also composed countless orchestral scores both melodic and experimental, including 'A Midsummer Night's Dream', 'Photographing Fairies', 'War Zone', 'Tin Man' and 'Jason and the Argonauts'. Highlights of Simon's recent work includes 'Johnnt Frank Garrett's Last Word' directed by Simon Rumley and 'Asher' directed by Michael Caton-Jones.
Simon continues to tour extensively worldwide with his band, The And, performing his music live with an immersive, video backdrop.- Composer
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It's anything but typical for the realms of film or music... Tyler Bates regularly transitions from scoring some of the world's biggest film and television franchises, such as Guardians of the Galaxy and John Wick, to rocking massive audiences with Marilyn Manson and back to the studio again writing and producing. The musical voice of this highly sought-after composer, guitarist, songwriter, and record producer can be heard in every corner of pop culture-from video games to the Disney California Adventure attraction, Guardians of the Galaxy - Mission Breakout! In 2004, he made waves by creating the menacing audio backdrop for the popular Zack Snyder Dawn of the Dead reboot followed by his soundtrack for the filmmaker's 300, which remains one of the 21st century's biggest-selling score albums. His oeuvre expanded to include Watchmen and Sucker Punch both helmed by Snyder, several collaborations with Rob Zombie-including The Devil's Rejects, Halloween, and Halloween II-and Killer Joe directed by Academy Award® winner William Friedkin. Beyond composing for Guardians of the Galaxy Vol. 1 & Vol2., he produced a fan favorite "disco version" of his "Guardians of the Galaxy" main theme, titled "Guardians Inferno," co-written with director and long-time collaborator, James Gunn [feat. David Hasselhoff] and performed the second installment's score at the 2017 MOSMA Festival in Spain. John Wick: Chapter 2 represents the nexus of his work as a composer, performer, and songwriter. He penned the closing credits tune "A Job To Do" alongside legendary Alice In Chains guitarist and vocalist Jerry Cantrell and performed on-screen during the climactic "Rock Opera" sequence. Elsewhere, his sonic presence reverberates throughout Showtime's Californication, Audience Network's Kingdom, WGN America's Salem, and more as well as video games such as Killzone: Shadow Fall, God of War: Ascension, Army of Two 40th Day, and China's massive Crossfire. He also wrote the theme for his favorite NFL team the Tennessee Titans, and performed the "Star-Spangled Banner" solo in the rain during a 2015 game. Bates co-wrote and produced Manson's 2015 epic, The Pale Emperor. A runaway success, it crashed the Top 10 of the Billboard Top 200 at #6 and earned widespread critical acclaim with Rolling Stone hailing it as the "#1 Metal Album of 2015." As the band's lead guitarist, he dedicated over a year to touring in support of the album on the headline Hell Not Hallelujah Tour, an arena run with Slipknot, and various festivals worldwide. In 2017, he once again joined forces in the studio with Manson on the follow-up Heaven Upside Down and returns to the road for a string of high-profile touring. In 2017, he scored the blockbuster Atomic Blonde, starring Academy Award® winner Charlize Theron in addition to producing Health's cover of "Blue Monday" and re-invigorating Ministry's "Stigmata" with Manson, for two of the film's key sequences. Bates' voice also permeates NETFLIX's upcoming The Punisher. With several exciting projects slated for 2018 including Deadpool 2, The Spy Who Dumped Me & the return of The Punisher for season 2. Tyler Bates will undoubtedly continue to redefine what a composer is.- Composer
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tomandandy is known for The Mothman Prophecies (2002), The Strangers (2008) and Resident Evil: Retribution (2012).- Composer
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Richard Howard Band is an American composer of film and television music. He has scored more than 100 films, including From Beyond which won the award for Best Original Soundtrack at the Sitges - Catalan International Film Festival. His score for Re-Animator was lauded by the magazine Music From the Movies, which said, "Band's music is dark and direct, creating an intense and eerie atmosphere, but always with a humorous touch... Surely, Richard Band is one of the most underrated composers in the film business."
By the mid-80's Band was renowned for scoring horror and Sci-Fi films by employing strong, memorable and most often very melodic themes all recorded with orchestra. Films like 'Mutant (1984)', 'The Alchemist (1983)', 'The House on Sorority Row (1983)', 'Troll (1986)' and 'The Day Time Ended (1979)' all feature beautiful and lyrical themes that seem to operate as the antithesis of the genre for which the films were produced. As Band explains in liner notes in some of his soundtrack releases, he believes that "film scores exist to add a third dimension to a two-dimensional medium".
As the son of independent film producer, director and writer Albert Band, Richard and his brother Charles Band pursued their father's ambitions in film. Where Charles became a prolific producer, director and distributor, Richard's music and cinematic talent led him into the realm of film composing. Becoming interested in music while living in Europe, Richard toured with various rock groups between 1965 and 1971 before returning to the US. After studying music formally for several years Richard made his scoring debut, alongside Jerry Goldsmith's son Joel Goldsmith, on Compass Films production of 'Laserblast (1978)'. Richard rapidly moved from electronic to orchestral music, resulting in a number of full-bodied, orchestral thematic soundtracks that gave melodic power to a number of movies several of which Charles produced for Empire Pictures, among them The Day Time Ended (1979), Troll (1986), Zone Troopers (1985), ReAnimator (1985), Prison (1987), Ghoulies (1985) and From Beyond (1986).
He also brought on famed composer Shirley Walker as conductor and co-orchestrator on his score for Ghost Warrior (performed by the Royal Philharmonic Orchestra, 1984) as well as Ghoulies (1985). It was for the Universal 3D release of Metalstorm: The Destruction of Jared-Syn (1983), that Richard composed one of his most epic, and adventurous scores.
Beyond Charles' productions, Richard Band showed his diversity with the comedies Lunch Wagon (1981) and Dr. Heckyl and Mr. Hype (1980), while writing the chillingly melodic score for the slasher favorite The House on Sorority Row (1983). Richard found new acclaim when he teamed with filmmaker Stuart Gordon for the blackly comic Re-Animator (1985), a soundtrack famed for its tribute to the work of Psycho composer Bernard Herrmann. Band's H.P. Lovecraft-themed collaborations with Gordon include the otherworldly tonalities of From Beyond (1986) and the terrifying vengeance of Castle Freak (1995).
The director and composer also adapted the work of Edgar Allen Poe with darkly religious inquisition for their adaptation of Edgar Allen Poe's The Pit and the Pendulum (1991), with Band exploring one of Lovecraft's most terrifying works for director Dan O'Bannon on The Resurrected (1991).
When the direct-to-video label Full Moon Entertainment was launched, Richard would score some of the label's more ambitious productions, including numerous entries in the continuing PuppetMaster franchise, the twisted terror of Demonic Toys (1992) and Shrunken Heads (1994) with Danny Elfman. The children's' comedies Remote (1993), Prehysteria (1993) and the fantasy Dragonworld (1994) were films released through Paramount Pictures.
In the mid 1990's, Richard branched more into television co-scoring the A & E network's documentaries Weapons at War, Most Decorated as well as numerous episodes of Biography and The Civil War Journals. Later in the 90s Band scored multiple episodes of Stargate SG-1 (1997) and Walker, Texas Ranger (1997) His genre notoriety also saw him score three episodes of Masters of Horror, earning him his first Emmy nomination for the Stuart Gordon-directed episode of Dreams in The Witch House (2005).
Richard went on to work with the WB network creating promotional music for most of their prime-time shows such as Buffy the Vampire Slayer, Gilmore Girls, Dawson's Creek and Smallville amongst others. Band also scored over 200 animated vignettes for Orchestra for the WB's Kids Network.
During the mid 2000, Richard was one among some of the first Hollywood composers to delve into scoring Video Games some of which included Stonekeep, Casper, Waterworld, Star Trek:Judgment Rights, Descent under Mountain, Invictus: In the Shadow of Olympus and Clayfighter.
During this period Band continued to score various TV family films and comedies for Paramount such as In the Dog House (2001) My Horrible Year (2002) and Robo-Warriors while still scoring eccentric thrillers for his brother, including Head of the Family (1996), Unlucky Charms (2013), Trophy Heads (2015) and more recently Ravenwolf Towers (2016), a web series for Amazon.
More recently Richard scored the horror/comedy Exorcism@60,000 Feet (2019), Necropolis: Legend and The Deep ones (2020) for director Chad Ferrin.
Now with over 50 soundtracks to his credit, Richard Band's prolific and stylistic work has made him not only one of the most distinctive composers in the realms of horror and science fiction but arguably include comedy, family films and animation. Band's full-blooded talent remains vibrant to this day.