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John Wayne was born Marion Robert Morrison in Iowa, to Mary Alberta (Brown) and Clyde Leonard Morrison, a pharmacist. He was of English, Scottish, Ulster-Scots, and Irish ancestry.
Clyde developed a lung condition that required him to move his family from Iowa to the warmer climate of southern California, where they tried ranching in the Mojave Desert. Until the ranch failed, Marion and his younger brother Robert E. Morrison swam in an irrigation ditch and rode a horse to school. When the ranch failed, the family moved to Glendale, California, where Marion delivered medicines for his father, sold newspapers and had an Airedale dog named "Duke" (the source of his own nickname). He did well at school both academically and in football. When he narrowly failed admission to Annapolis he went to USC on a football scholarship 1925-7. Tom Mix got him a summer job as a prop man in exchange for football tickets. On the set he became close friends with director John Ford for whom, among others, he began doing bit parts, some billed as John Wayne. His first featured film was Men Without Women (1930). After more than 70 low-budget westerns and adventures, mostly routine, Wayne's career was stuck in a rut until Ford cast him in Stagecoach (1939), the movie that made him a star. He appeared in nearly 250 movies, many of epic proportions. From 1942-43 he was in a radio series, "The Three Sheets to the Wind", and in 1944 he helped found the Motion Picture Alliance for the Preservation of American Ideals, a Conservative political organization, later becoming its President. His conservative political stance was also reflected in The Alamo (1960), which he produced, directed and starred in. His patriotic stand was enshrined in The Green Berets (1968) which he co-directed and starred in. Over the years Wayne was beset with health problems. In September 1964 he had a cancerous left lung removed; in 1977 when Star Wars: Episode IV - A New Hope was being made, John Waynes archive voice was used for the character Garindan ezz Zavor, later in March 1978 there was heart valve replacement surgery; and in January 1979 his stomach was removed. He received the Best Actor nomination for Sands of Iwo Jima (1949) and finally got the Oscar for his role as one-eyed Rooster Cogburn in True Grit (1969). A Congressional Gold Medal was struck in his honor in 1979. He is perhaps best remembered for his parts in Ford's cavalry trilogy - Fort Apache (1948), She Wore a Yellow Ribbon (1949) and Rio Grande (1950).- Actor
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Actor and musician Bruce Willis is well known for playing wisecracking or hard-edged characters, often in spectacular action films. Collectively, he has appeared in films that have grossed in excess of $2.5 billion USD.
Walter Bruce Willis was born on March 19, 1955, in Idar-Oberstein, West Germany, to a German mother, Marlene Kassel, and an American father, David Andrew Willis (from Carneys Point, New Jersey), who were then living on a United States military base. His family moved to the U.S. shortly after he was born, and he was raised in Penns Grove, New Jersey, where his mother worked at a bank and his father was a welder and factory worker. Willis picked up an interest for the dramatic arts in high school, and was allegedly "discovered" whilst working in a café in New York City and then appeared in a couple of off-Broadway productions. While bartending one night, he was seen by a casting director who liked his personality and needed a bartender for a small movie role.
After countless auditions, Willis contributed minor film appearances, usually uncredited, before landing the role of private eye "David Addison" alongside sultry Cybill Shepherd in the hit romantic comedy television series Moonlighting (1985). His sarcastic and wisecracking P.I. is seen by some as a dry run for the role of hard-boiled NYC detective "John McClane" in the monster hit Die Hard (1988), in which Willis' character single-handedly battled a gang of ruthless international thieves in a Los Angeles skyscraper. He reprised the role of McClane in the sequel, Die Hard 2 (1990), set at a snowbound Washington's Dulles International Airport as a group of renegade Special Forces soldiers seek to repatriate a corrupt South American general. Excellent box office returns demanded a further sequel Die Hard with a Vengeance (1995), this time co-starring Samuel L. Jackson as a cynical Harlem shop owner unwittingly thrust into assisting McClane during a terrorist bombing campaign on a sweltering day in New York.
Willis found time out from all the action mayhem to provide the voice of "Mikey" the baby in the very popular family comedies Look Who's Talking (1989), and its sequel Look Who's Talking Too (1990) also starring John Travolta and Kirstie Alley. Over the next decade, Willis starred in some very successful films, some very offbeat films and some unfortunate box office flops. The Bonfire of the Vanities (1990) and Hudson Hawk (1991) were both large scale financial disasters that were savaged by the critics, and both are arguably best left off the CVs of all the actors involved, however Willis was still popular with movie audiences and selling plenty of theatre tickets with the hyper-violent The Last Boy Scout (1991), the darkly humored Death Becomes Her (1992) and the mediocre police thriller Striking Distance (1993).
During the 1990s, Willis also appeared in several independent and low budget productions that won him new fans and praise from the critics for his intriguing performances working with some very diverse film directors. He appeared in the oddly appealing North (1994), as a cagey prizefighter in the Quentin Tarantino directed mega-hit Pulp Fiction (1994), the Terry Gilliam directed apocalyptic thriller 12 Monkeys (1995), the Luc Besson directed sci-fi opus The Fifth Element (1997) and the M. Night Shyamalan directed spine-tingling epic The Sixth Sense (1999).
Willis next starred in the gangster comedy The Whole Nine Yards (2000), worked again with "hot" director M. Night Shyamalan in the less than gripping Unbreakable (2000), and in two military dramas, Hart's War (2002) and Tears of the Sun (2003) that both failed to really fire with movie audiences or critics alike. However, Willis bounced back into the spotlight in the critically applauded Frank Miller graphic novel turned movie Sin City (2005), the voice of "RJ" the scheming raccoon in the animated hit Over the Hedge (2006) and "Die Hard" fans rejoiced to see "John McClane" return to the big screen in the high tech Live Free or Die Hard (2007) aka "Die Hard 4.0".
Willis was married to actress Demi Moore for approximately thirteen years and they share custody to their three daughters.- Actor
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Jean-Alexis Moncorgé started his career with 15 years at the theatre and debuted at the "Moulin Rouge" in Paris in 1929. Despite of his rude aspect he knew to be the gentleman of the French cinema in the time between the two World Wars. One of his most popular personalities was inspector Maigret. But he was also able to play all other kind of people: aristocrats, farmers, thieves and managers. He never stopped working and when death surprised him in 1976 he was still an institution for the French audience.- Actor
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The apocryphal biography of Fernand Contandin tells the invention of his artistic name Fernandel by his sister-in-law ("Voici le Fernand d'elles"). At the beginning of the thirties he became a typical actor of the comedy genre: popular, common, likable and with a concealed grain of drama. Marc Allégret was the director of his first successful film La meilleure bobonne (1931). He tried to work as director twice during World War II but was unsuccessful.- Actor
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Louis Germain David de Funès de Galarza was born on July 31, 1914, in Courbevoie, France. His father, named Carlos Luis de Funes de Galarza, was a former lawyer of Seville, Spain, who became a diamond cutter. His mother, named Leonor Soto Reguera, was of Spanish and Portugese extraction.
Young Louis de Funès was fond of drawing and piano playing. He dropped out of school and worked various jobs, mostly as a jazz pianist at Pigalle, making his customers laugh every time he made a grimace. He studied acting for one year at the Simon acting school. There he made some useful contacts, including Daniel Gélin among others. During the occupation of Paris in the Second World War, he continued his piano studies at a music school, where he fell in love with a secretary, named Jeanne de Maupassant, a grand-niece of writer Guy de Maupassant. She had fallen in love with "the young man who played jazz like god"; they married in 1943, and had two sons born in 1944 and 1949. Funès continued playing piano at clubs, knowing there wasn't much call for a short, balding, skinny actor. His wife and Daniel Gelin encouraged him until he managed to overcome his rejection. He made his film debut in 1945, at the age of 31, and went on playing about one hundred film roles in the next twenty years.
Louis de Funès shot to international fame in the 1960's after his roles in such slapstick comedies as The Gendarme of Saint-Tropez (1964) and the Fantomas (1964) trilogy. He brilliantly portrayed a funny French policeman, whose hilarious hyperactivity, uncontrolled anger, and sardonic laughter produced a highly comic effect. Funès was voted the most favorite actor in France in 1968, and remained very popular in Europe during the 1970's. He also continued to play on stage during his career as a film star, and was acclaimed for his stage works in classic French theatre. Funès was instrumental in making film adaptations of such theatre plays as 'Oscar continues' and the Molière's 'The Miser', among other plays.
Nicknamed "the man with the forty faces per minute", Louis de Funès played bit parts in over eighty films, before he got his first leading roles, eventually becoming the leading French comedian. He co-starred with the major French actors of the time, including Jean Marais and Mylène Demongeot in the Fantomas trilogy, and also Jean Gabin, Fernandel, Bourvil, Coluche, Annie Girardot, and Yves Montand. Funès's collaboration with director Gérard Oury produced a memorable tandem of Funès-Bourvil. He also worked with Jean Girault in the famous 'Gendarmes' series. In a departure from the Gendarme image, Funès collaborated with Claude Zidi, who wrote for him a new character full of nuances and frankness in The Wing or The Thigh? (1976), which is arguably the best of his roles.
Funès played over 130 roles in film and over 100 roles on stage. From 1943-1983 Louis de Funès was married to Jeanne Barthelemy de Maupassant. Their son, Olivier De Funès , had a brief acting career before becoming a pilot with Air France, his other son, named Patrick de Funès, became a medical doctor. Louis de Funès was also a rose grower, a variety of roses has been named the "Louis de Funès rose" after him. He died of a heart attack and complications of a stroke on January 27, 1983, in Nantes, France. He was laid to rest in the Cimetière du Cellier, and a monument of him was erected in the rose-garden of his wife's castle.- Actor
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Marlon Brando is widely considered the greatest movie actor of all time, rivaled only by the more theatrically oriented Laurence Olivier in terms of esteem. Unlike Olivier, who preferred the stage to the screen, Brando concentrated his talents on movies after bidding the Broadway stage adieu in 1949, a decision for which he was severely criticized when his star began to dim in the 1960s and he was excoriated for squandering his talents. No actor ever exerted such a profound influence on succeeding generations of actors as did Brando. More than 50 years after he first scorched the screen as Stanley Kowalski in the movie version of Tennessee Williams' A Streetcar Named Desire (1951) and a quarter-century after his last great performance as Col. Kurtz in Francis Ford Coppola's Apocalypse Now (1979), all American actors are still being measured by the yardstick that was Brando. It was if the shadow of John Barrymore, the great American actor closest to Brando in terms of talent and stardom, dominated the acting field up until the 1970s. He did not, nor did any other actor so dominate the public's consciousness of what WAS an actor before or since Brando's 1951 on-screen portrayal of Stanley made him a cultural icon. Brando eclipsed the reputation of other great actors circa 1950, such as Paul Muni and Fredric March. Only the luster of Spencer Tracy's reputation hasn't dimmed when seen in the starlight thrown off by Brando. However, neither Tracy nor Olivier created an entire school of acting just by the force of his personality. Brando did.
Marlon Brando, Jr. was born on April 3, 1924, in Omaha, Nebraska, to Marlon Brando, Sr., a calcium carbonate salesman, and his artistically inclined wife, the former Dorothy Julia Pennebaker. "Bud" Brando was one of three children. His ancestry included English, Irish, German, Dutch, French Huguenot, Welsh, and Scottish; his surname originated with a distant German immigrant ancestor named "Brandau." His oldest sister Jocelyn Brando was also an actress, taking after their mother, who engaged in amateur theatricals and mentored a then-unknown Henry Fonda, another Nebraska native, in her role as director of the Omaha Community Playhouse. Frannie, Brando's other sibling, was a visual artist. Both Brando sisters contrived to leave the Midwest for New York City, Jocelyn to study acting and Frannie to study art. Marlon managed to escape the vocational doldrums forecast for him by his cold, distant father and his disapproving schoolteachers by striking out for The Big Apple in 1943, following Jocelyn into the acting profession. Acting was the only thing he was good at, for which he received praise, so he was determined to make it his career - a high-school dropout, he had nothing else to fall back on, having been rejected by the military due to a knee injury he incurred playing football at Shattuck Military Academy, Brando Sr.'s alma mater. The school booted Marlon out as incorrigible before graduation.
Acting was a skill he honed as a child, the lonely son of alcoholic parents. With his father away on the road, and his mother frequently intoxicated to the point of stupefaction, the young Bud would play-act for her to draw her out of her stupor and to attract her attention and love. His mother was exceedingly neglectful, but he loved her, particularly for instilling in him a love of nature, a feeling which informed his character Paul in Last Tango in Paris (1972) ("Last Tango in Paris") when he is recalling his childhood for his young lover Jeanne. "I don't have many good memories," Paul confesses, and neither did Brando of his childhood. Sometimes he had to go down to the town jail to pick up his mother after she had spent the night in the drunk tank and bring her home, events that traumatized the young boy but may have been the grain that irritated the oyster of his talent, producing the pearls of his performances. Anthony Quinn, his Oscar-winning co-star in Viva Zapata! (1952) told Brando's first wife Anna Kashfi, "I admire Marlon's talent, but I don't envy the pain that created it."
Brando enrolled in Erwin Piscator's Dramatic Workshop at New York's New School, and was mentored by Stella Adler, a member of a famous Yiddish Theatre acting family. Adler helped introduce to the New York stage the "emotional memory" technique of Russian theatrical actor, director and impresario Konstantin Stanislavski, whose motto was "Think of your own experiences and use them truthfully." The results of this meeting between an actor and the teacher preparing him for a life in the theater would mark a watershed in American acting and culture.
Brando made his debut on the boards of Broadway on October 19, 1944, in "I Remember Mama," a great success. As a young Broadway actor, Brando was invited by talent scouts from several different studios to screen-test for them, but he turned them down because he would not let himself be bound by the then-standard seven-year contract. Brando would make his film debut quite some time later in Fred Zinnemann's The Men (1950) for producer Stanley Kramer. Playing a paraplegic soldier, Brando brought new levels of realism to the screen, expanding on the verisimilitude brought to movies by Group Theatre alumni John Garfield, the predecessor closest to him in the raw power he projected on-screen. Ironically, it was Garfield whom producer Irene Mayer Selznick had chosen to play the lead in a new Tennessee Williams play she was about to produce, but negotiations broke down when Garfield demanded an ownership stake in "A Streetcar Named Desire." Burt Lancaster was next approached, but couldn't get out of a prior film commitment. Then director Elia Kazan suggested Brando, whom he had directed to great effect in Maxwell Anderson's play "Truckline Café," in which Brando co-starred with Karl Malden, who was to remain a close friend for the next 60 years.
During the production of "Truckline Café," Kazan had found that Brando's presence was so magnetic, he had to re-block the play to keep Marlon near other major characters' stage business, as the audience could not take its eyes off of him. For the scene where Brando's character re-enters the stage after killing his wife, Kazan placed him upstage-center, partially obscured by scenery, but where the audience could still see him as Karl Malden and others played out their scene within the café set. When he eventually entered the scene, crying, the effect was electric. A young Pauline Kael, arriving late to the play, had to avert her eyes when Brando made this entrance as she believed the young actor on stage was having a real-life conniption. She did not look back until her escort commented that the young man was a great actor.
The problem with casting Brando as Stanley was that he was much younger than the character as written by Williams. However, after a meeting between Brando and Williams, the playwright eagerly agreed that Brando would make an ideal Stanley. Williams believed that by casting a younger actor, the Neanderthalish Kowalski would evolve from being a vicious older man to someone whose unintentional cruelty can be attributed to his youthful ignorance. Brando ultimately was dissatisfied with his performance, though, saying he never was able to bring out the humor of the character, which was ironic as his characterization often drew laughs from the audience at the expense of Jessica Tandy's Blanche Dubois. During the out-of-town tryouts, Kazan realized that Brando's magnetism was attracting attention and audience sympathy away from Blanche to Stanley, which was not what the playwright intended. The audience's sympathy should be solely with Blanche, but many spectators were identifying with Stanley. Kazan queried Williams on the matter, broaching the idea of a slight rewrite to tip the scales back to more of a balance between Stanley and Blanche, but Williams demurred, smitten as he was by Brando, just like the preview audiences.
For his part, Brando believed that the audience sided with his Stanley because Jessica Tandy was too shrill. He thought Vivien Leigh, who played the part in the movie, was ideal, as she was not only a great beauty but she WAS Blanche Dubois, troubled as she was in her real life by mental illness and nymphomania. Brando's appearance as Stanley on stage and on screen revolutionized American acting by introducing "The Method" into American consciousness and culture. Method acting, rooted in Adler's study at the Moscow Art Theatre of Stanislavsky's theories that she subsequently introduced to the Group Theatre, was a more naturalistic style of performing, as it engendered a close identification of the actor with the character's emotions. Adler took first place among Brando's acting teachers, and socially she helped turn him from an unsophisticated Midwestern farm boy into a knowledgeable and cosmopolitan artist who one day would socialize with presidents.
Brando didn't like the term "The Method," which quickly became the prominent paradigm taught by such acting gurus as Lee Strasberg at the Actors Studio. Brando denounced Strasberg in his autobiography "Songs My Mother Taught Me" (1994), saying that he was a talentless exploiter who claimed he had been Brando's mentor. The Actors Studio had been founded by Strasberg along with Kazan and Stella Adler's husband, Harold Clurman, all Group Theatre alumni, all political progressives deeply committed to the didactic function of the stage. Brando credits his knowledge of the craft to Adler and Kazan, while Kazan in his autobiography "A Life" claimed that Brando's genius thrived due to the thorough training Adler had given him. Adler's method emphasized that authenticity in acting is achieved by drawing on inner reality to expose deep emotional experience
Interestingly, Elia Kazan believed that Brando had ruined two generations of actors, his contemporaries and those who came after him, all wanting to emulate the great Brando by employing The Method. Kazan felt that Brando was never a Method actor, that he had been highly trained by Adler and did not rely on gut instincts for his performances, as was commonly believed. Many a young actor, mistaken about the true roots of Brando's genius, thought that all it took was to find a character's motivation, empathize with the character through sense and memory association, and regurgitate it all on stage to become the character. That's not how the superbly trained Brando did it; he could, for example, play accents, whereas your average American Method actor could not. There was a method to Brando's art, Kazan felt, but it was not The Method.
After A Streetcar Named Desire (1951), for which he received the first of his eight Academy Award nominations, Brando appeared in a string of Academy Award-nominated performances - in Viva Zapata! (1952), Julius Caesar (1953) and the summit of his early career, Kazan's On the Waterfront (1954). For his "Waterfront" portrayal of meat-headed longshoreman Terry Malloy, the washed-up pug who "coulda been a contender," Brando won his first Oscar. Along with his iconic performance as the rebel-without-a-cause Johnny in The Wild One (1953) ("What are you rebelling against?" Johnny is asked. "What have ya got?" is his reply), the first wave of his career was, according to Jon Voight, unprecedented in its audacious presentation of such a wide range of great acting. Director John Huston said his performance of Marc Antony was like seeing the door of a furnace opened in a dark room, and co-star John Gielgud, the premier Shakespearean actor of the 20th century, invited Brando to join his repertory company.
It was this period of 1951-54 that revolutionized American acting, spawning such imitators as James Dean - who modeled his acting and even his lifestyle on his hero Brando - the young Paul Newman and Steve McQueen. After Brando, every up-and-coming star with true acting talent and a brooding, alienated quality would be hailed as the "New Brando," such as Warren Beatty in Kazan's Splendor in the Grass (1961). "We are all Brando's children," Jack Nicholson pointed out in 1972. "He gave us our freedom." He was truly "The Godfather" of American acting - and he was just 30 years old. Though he had a couple of failures, like Désirée (1954) and The Teahouse of the August Moon (1956), he was clearly miscast in them and hadn't sought out the parts so largely escaped blame.
In the second period of his career, 1955-62, Brando managed to uniquely establish himself as a great actor who also was a Top 10 movie star, although that star began to dim after the box-office high point of his early career, Sayonara (1957) (for which he received his fifth Best Actor Oscar nomination). Brando tried his hand at directing a film, the well-reviewed One-Eyed Jacks (1961) that he made for his own production company, Pennebaker Productions (after his mother's maiden name). Stanley Kubrick had been hired to direct the film, but after months of script rewrites in which Brando participated, Kubrick and Brando had a falling out and Kubrick was sacked. According to his widow Christiane Kubrick, Stanley believed that Brando had wanted to direct the film himself all along.
Tales proliferated about the profligacy of Brando the director, burning up a million and a half feet of expensive VistaVision film at 50 cents a foot, fully ten times the normal amount of raw stock expended during production of an equivalent motion picture. Brando took so long editing the film that he was never able to present the studio with a cut. Paramount took it away from him and tacked on a re-shot ending that Brando was dissatisfied with, as it made the Oedipal figure of Dad Longworth into a villain. In any normal film Dad would have been the heavy, but Brando believed that no one was innately evil, that it was a matter of an individual responding to, and being molded by, one's environment. It was not a black-and-white world, Brando felt, but a gray world in which once-decent people could do horrible things. This attitude explains his sympathetic portrayal of Nazi officer Christian Diestl in the film he made before shooting One-Eyed Jacks (1961), Edward Dmytryk's filming of Irwin Shaw's novel The Young Lions (1958). Shaw denounced Brando's performance, but audiences obviously disagreed, as the film was a major hit. It would be the last hit movie Brando would have for more than a decade.
One-Eyed Jacks (1961) generated respectable numbers at the box office, but the production costs were exorbitant - a then-staggering $6 million - which made it run a deficit. A film essentially is "made" in the editing room, and Brando found cutting to be a terribly boring process, which was why the studio eventually took the film away from him. Despite his proved talent in handling actors and a large production, Brando never again directed another film, though he would claim that all actors essentially direct themselves during the shooting of a picture.
Between the production and release of One-Eyed Jacks (1961), Brando appeared in Sidney Lumet's film version of Tennessee Williams' play "Orpheus Descending," The Fugitive Kind (1960) which teamed him with fellow Oscar winners Anna Magnani and Joanne Woodward. Following in Elizabeth Taylor's trailblazing footsteps, Brando became the second performer to receive a $1-million salary for a motion picture, so high were the expectations for this re-teaming of Kowalski and his creator (in 1961 critic Hollis Alpert had published a book "Brando and the Shadow of Stanley Kowalski"). Critics and audiences waiting for another incendiary display from Brando in a Williams work were disappointed when the renamed The Fugitive Kind (1960) finally released. Though Tennessee was hot, with movie versions of Cat on a Hot Tin Roof (1958) and Suddenly, Last Summer (1959) burning up the box office and receiving kudos from the Academy of Motion Picture Arts & Sciences, The Fugitive Kind (1960) was a failure. This was followed by the so-so box-office reception of One-Eyed Jacks (1961) in 1961 and then by a failure of a more monumental kind: Mutiny on the Bounty (1962), a remake of the famed 1935 film.
Brando signed on to Mutiny on the Bounty (1962) after turning down the lead in the David Lean classic Lawrence of Arabia (1962) because he didn't want to spend a year in the desert riding around on a camel. He received another $1-million salary, plus $200,000 in overages as the shoot went overtime and over budget. During principal photography, highly respected director Carol Reed (an eventual Academy Award winner) was fired, and his replacement, two-time Oscar winner Lewis Milestone, was shunted aside by Brando as Marlon basically took over the direction of the film himself. The long shoot became so notorious that President John F. Kennedy asked director Billy Wilder at a cocktail party not "when" but "if" the "Bounty" shoot would ever be over. The MGM remake of one of its classic Golden Age films garnered a Best Picture Oscar nomination and was one of the top grossing films of 1962, yet failed to go into the black due to its Brobdingnagian budget estimated at $20 million, which is equivalent to $120 million when adjusted for inflation.
Brando and Taylor, whose Cleopatra (1963) nearly bankrupted 20th Century-Fox due to its huge cost overruns (its final budget was more than twice that of Brando's Mutiny on the Bounty (1962)), were pilloried by the show business press for being the epitome of the pampered, self-indulgent stars who were ruining the industry. Seeking scapegoats, the Hollywood press conveniently ignored the financial pressures on the studios. The studios had been hurt by television and by the antitrust-mandated divestiture of their movie theater chains, causing a large outflow of production to Italy and other countries in the 1950s and 1960s in order to lower costs. The studio bosses, seeking to replicate such blockbuster hits as the remakes of The Ten Commandments (1956) and Ben-Hur (1959), were the real culprits behind the losses generated by large-budgeted films that found it impossible to recoup their costs despite long lines at the box office.
While Elizabeth Taylor, receiving the unwanted gift of reams of publicity from her adulterous romance with Cleopatra (1963) co-star Richard Burton, remained hot until the tanking of her own Tennessee Williams-renamed debacle Boom! (1968), Brando from 1963 until the end of the decade appeared in one box-office failure after another as he worked out a contract he had signed with Universal Pictures. The industry had grown tired of Brando and his idiosyncrasies, though he continued to be offered prestige projects up through 1968.
Some of the films Brando made in the 1960s were noble failures, such as The Ugly American (1963), The Appaloosa (1966) and Reflections in a Golden Eye (1967). For every "Reflections," though, there seemed to be two or three outright debacles, such as Bedtime Story (1964), Morituri (1965), The Chase (1966), A Countess from Hong Kong (1967), Candy (1968), The Night of the Following Day (1969). By the time Brando began making the anti-colonialist picture Burn! (1969) in Colombia with Gillo Pontecorvo in the director's chair, he was box-office poison, despite having worked in the previous five years with such top directors as Arthur Penn, John Huston and the legendary Charles Chaplin, and with such top-drawer co-stars as David Niven, Yul Brynner, Sophia Loren and Taylor.
The rap on Brando in the 1960s was that a great talent had ruined his potential to be America's answer to Laurence Olivier, as his friend William Redfield limned the dilemma in his book "Letters from an Actor" (1967), a memoir about Redfield's appearance in Burton's 1964 theatrical production of "Hamlet." By failing to go back on stage and recharge his artistic batteries, something British actors such as Burton were not afraid to do, Brando had stifled his great talent, by refusing to tackle the classical repertoire and contemporary drama. Actors and critics had yearned for an American response to the high-acting style of the Brits, and while Method actors such as Rod Steiger tried to create an American style, they were hampered in their quest, as their king was lost in a wasteland of Hollywood movies that were beneath his talent. Many of his early supporters now turned on him, claiming he was a crass sellout.
Despite evidence in such films as The Appaloosa (1966) and Reflections in a Golden Eye (1967) that Brando was in fact doing some of the best acting of his life, critics, perhaps with an eye on the box office, slammed him for failing to live up to, and nurture, his great gift. Brando's political activism, starting in the early 1960s with his championing of Native Americans' rights, followed by his participation in the Southern Christian Leadership Conference's March on Washington in 1963, and followed by his appearance at a Black Panther rally in 1968, did not win him many admirers in the establishment. In fact, there was a de facto embargo on Brando films in the recently segregated (officially, at least) southeastern US in the 1960s. Southern exhibitors simply would not book his films, and producers took notice. After 1968, Brando would not work for three years.
Pauline Kael wrote of Brando that he was Fortune's fool. She drew a parallel with the latter career of John Barrymore, a similarly gifted thespian with talents as prodigious, who seemingly threw them away. Brando, like the late-career Barrymore, had become a great ham, evidenced by his turn as the faux Indian guru in the egregious Candy (1968), seemingly because the material was so beneath his talent. Most observers of Brando in the 1960s believed that he needed to be reunited with his old mentor Elia Kazan, a relationship that had soured due to Kazan's friendly testimony naming names before the notorious House un-American Activities Committee. Perhaps Brando believed this, too, as he originally accepted an offer to appear as the star of Kazan's film adaptation of his own novel, The Arrangement (1969). However, after the assassination of Martin Luther King, Brando backed out of the film, telling Kazan that he could not appear in a Hollywood film after this tragedy. Also reportedly turning down a role opposite box-office king Paul Newman in a surefire script, Butch Cassidy and the Sundance Kid (1969), Brando decided to make Burn! (1969) with Pontecorvo. The film, a searing indictment of racism and colonialism, flopped at the box office but won the esteem of progressive critics and cultural arbiters such as Howard Zinn. He subsequently appeared in the British film The Nightcomers (1971), a prequel to "Turn of the Screw" and another critical and box office failure.
Kazan, after a life in film and the theater, said that, aside from Orson Welles, whose greatness lay in film making, he only met one actor who was a genius: Brando. Richard Burton, an intellectual with a keen eye for observation if not for his own film projects, said that he found Brando to be very bright, unlike the public perception of him as a Terry Malloy-type character that he himself inadvertently promoted through his boorish behavior. Brando's problem, Burton felt, was that he was unique, and that he had gotten too much fame too soon at too early an age. Cut off from being nurtured by normal contact with society, fame had distorted Brando's personality and his ability to cope with the world, as he had not had time to grow up outside the limelight.
Truman Capote, who eviscerated Brando in print in the mid-'50s and had as much to do with the public perception of the dyslexic Brando as a dumbbell, always said that the best actors were ignorant, and that an intelligent person could not be a good actor. However, Brando was highly intelligent, and possessed of a rare genius in a then-deprecated art, acting. The problem that an intelligent performer has in movies is that it is the director, and not the actor, who has the power in his chosen field. Greatness in the other arts is defined by how much control the artist is able to exert over his chosen medium, but in movie acting, the medium is controlled by a person outside the individual artist. It is an axiom of the cinema that a performance, as is a film, is "created" in the cutting room, thus further removing the actor from control over his art. Brando had tried his hand at directing, in controlling the whole artistic enterprise, but he could not abide the cutting room, where a film and the film's performances are made. This lack of control over his art was the root of Brando's discontent with acting, with movies, and, eventually, with the whole wide world that invested so much cachet in movie actors, as long as "they" were at the top of the box-office charts. Hollywood was a matter of "they" and not the work, and Brando became disgusted.
Charlton Heston, who participated in Martin Luther King's 1963 March on Washington with Brando, believes that Marlon was the great actor of his generation. However, noting a story that Brando had once refused a role in the early 1960s with the excuse "How can I act when people are starving in India?," Heston believes that it was this attitude, the inability to separate one's idealism from one's work, that prevented Brando from reaching his potential. As Rod Steiger once said, Brando had it all, great stardom and a great talent. He could have taken his audience on a trip to the stars, but he simply would not. Steiger, one of Brando's children even though a contemporary, could not understand it. When James Mason' was asked in 1971 who was the best American actor, he had replied that since Brando had let his career go belly-up, it had to be George C. Scott, by default.
Paramount thought that only Laurence Olivier would suffice, but Lord Olivier was ill. The young director believed there was only one actor who could play godfather to the group of Young Turk actors he had assembled for his film, The Godfather of method acting himself - Marlon Brando. Francis Ford Coppola won the fight for Brando, Brando won - and refused - his second Oscar, and Paramount won a pot of gold by producing the then top-grossing film of all-time, The Godfather (1972), a gangster movie most critics now judge one of the greatest American films of all time. Brando followed his iconic portrayal of Don Corleone with his Oscar-nominated turn in the high-grossing and highly scandalous Last Tango in Paris (1972) ("Last Tango in Paris"), the first film dealing explicitly with sexuality in which an actor of Brando's stature had participated. He was now again a top ten box office star and once again heralded as the greatest actor of his generation, an unprecedented comeback that put him on the cover of "Time" magazine and would make him the highest-paid actor in the history of motion pictures by the end of the decade. Little did the world know that Brando, who had struggled through many projects in good faith during the 1960s, delivering some of his best acting, only to be excoriated and ignored as the films did not do well at the box office, essentially was through with the movies.
After reaching the summit of his career, a rarefied atmosphere never reached before or since by any actor, Brando essentially walked away. He would give no more of himself after giving everything as he had done in Last Tango in Paris (1972)," a performance that embarrassed him, according to his autobiography. Brando had come as close to any actor to being the "auteur," or author, of a film, as the English-language scenes of "Tango" were created by encouraging Brando to improvise. The improvisations were written down and turned into a shooting script, and the scripted improvisations were shot the next day. Pauline Kael, the Brando of movie critics in that she was the most influential arbiter of cinematic quality of her generation and spawned a whole legion of Kael wannabes, said Brando's performance in Last Tango in Paris (1972) had revolutionized the art of film. Brando, who had to act to gain his mother's attention; Brando, who believed acting at best was nothing special as everyone in the world engaged in it every day of their lives to get what they wanted from other people; Brando, who believed acting at its worst was a childish charade and that movie stardom was a whorish fraud, would have agreed with Sam Peckinpah's summation of Pauline Kael: "Pauline's a brilliant critic but sometimes she's just cracking walnuts with her ass." He probably would have done so in a simulacrum of those words, too.
After another three-year hiatus, Brando took on just one more major role for the next 20 years, as the bounty hunter after Jack Nicholson in Arthur Penn's The Missouri Breaks (1976), a western that succeeded neither with the critics or at the box office. Following The Godfather and Tango, Brando's performance was disappointing for some reviewers, who accused him of giving an erratic and inconsistent performance. In 1977, Brando made a rare appearance on television in the miniseries Roots: The Next Generations (1979), portraying George Lincoln Rockwell; he won a Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie for his performance. In 1978, he narrated the English version of Raoni (1978), a French-Belgian documentary film directed by Jean-Pierre Dutilleux and Luiz Carlos Saldanha that focused on the life of Raoni Metuktire and issues surrounding the survival of the indigenous Indian tribes of north central Brazil.
Later in his career, Brando concentrated on extracting the maximum amount of capital for the least amount of work from producers, as when he got the Salkind brothers to pony up a then-record $3.7 million against 10% of the gross for 13 days work on Superman (1978). Factoring in inflation, the straight salary for "Superman" equals or exceeds the new record of $1 million a day Harrison Ford set with K-19: The Widowmaker (2002). He agreed to the role only on assurance that he would be paid a large sum for what amounted to a small part, that he would not have to read the script beforehand, and his lines would be displayed somewhere off-camera. Brando also filmed scenes for the movie's sequel, Superman II, but after producers refused to pay him the same percentage he received for the first movie, he denied them permission to use the footage.
Before cashing his first paycheck for Superman (1978), Brando had picked up $2 million for his extended cameo in Francis Ford Coppola's Apocalypse Now (1979) in a role, that of Col. Kurtz, that he authored on-camera through improvisation while Coppola shot take after take. It was Brando's last bravura star performance. He co-starred with George C. Scott and John Gielgud in The Formula (1980), but the film was another critical and financial failure. Years later though, he did receive an eighth and final Oscar nomination for his supporting role in A Dry White Season (1989) after coming out of a near-decade-long retirement. Contrary to those who claimed he now only was in it for the money, Brando donated his entire seven-figure salary to an anti-apartheid charity. He then did an amusing performance in the comedy The Freshman (1990), winning rave reviews. He portrayed Tomas de Torquemada in the historical drama 1492: Conquest of Paradise (1992), but his performance was denounced and the film was another box office failure. He made another comeback in the Johnny Depp romantic drama Don Juan DeMarco (1994), which co-starred Faye Dunaway as his wife. He then appeared in The Island of Dr. Moreau (1996), co-starring Val Kilmer, who he didn't get along with. The filming was an unpleasant experience for Brando, as well as another critical and box office failure.
Brando had first attracted media attention at the age of 24, when "Life" magazine ran a photo of himself and his sister Jocelyn, who were both then appearing on Broadway. The curiosity continued, and snowballed. Playing the paraplegic soldier of The Men (1950), Brando had gone to live at a Veterans Administration hospital with actual disabled veterans, and confined himself to a wheelchair for weeks. It was an acting method, research, that no one in Hollywood had ever heard of before, and that willingness to experience life.- Actress
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Greta Garbo was born Greta Lovisa Gustafsson on September 18, 1905, in Stockholm, Sweden, to Anna Lovisa (Johansdotter), who worked at a jam factory, and Karl Alfred Gustafsson, a laborer. She was fourteen when her father died, which left the family destitute. Greta was forced to leave school and go to work in a department store. The store used her as a model in its newspaper ads. She had no film aspirations until she appeared in short advertising film at that same department store while she was still a teenager. Erik A. Petschler, a comedy director, saw the film and gave her a small part in his Luffar-Petter (1922). Encouraged by her own performance, she applied for and won a scholarship to a Swedish drama school. While there she appeared in at least one film, En lyckoriddare (1921). Both were small parts, but it was a start. Finally famed Swedish director Mauritz Stiller pulled her from the drama school for the lead role in The Saga of Gösta Berling (1924). At 18 Greta was on a roll.
Following The Joyless Street (1925) both Greta and Stiller were offered contracts with MGM, and her first film for the studio was the American-made Torrent (1926), a silent film in which she didn't have to speak a word of English. After a few more films, including The Temptress (1926), Love (1927) and A Woman of Affairs (1928), Greta starred in Anna Christie (1930) (her first "talkie"), which not only gave her a powerful screen presence but also garnered her an Academy Award nomination as Best Actress (she didn't win). Later that year she filmed Romance (1930), which was somewhat of a letdown, but she bounced back in 1931, landing another lead role in Mata Hari (1931), which turned out to be a major hit.
Greta continued to give intense performances in whatever was handed her. The next year she was cast in what turned out to be yet another hit, Grand Hotel (1932). However, it was in MGM's Anna Karenina (1935) that she gave what some consider the performance of her life. She was absolutely breathtaking in the role as a woman torn between two lovers and her son. Shortly afterwards, she starred in the historical drama Queen Christina (1933) playing the title character to great acclaim. She earned an Oscar nomination for her role in the romantic drama Camille (1936), again playing the title character. Her career suffered a setback the following year in Conquest (1937), which was a box office disaster. She later made a comeback when she starred in Ninotchka (1939), which showcased her comedic side. It wasn't until two years later she made what was to be her last film, Two-Faced Woman (1941), another comedy. But the film drew controversy and was condemned by the Catholic Church and other groups and was a box office failure, which left Garbo shaken.
After World War II Greta, by her own admission, felt that the world had changed perhaps forever and she retired, never again to face the camera. She would work for the rest of her life to perpetuate the Garbo mystique. Her films, she felt, had their proper place in history and would gain in value. She abandoned Hollywood and moved to New York City. She would jet-set with some of the world's best-known personalities such as Aristotle Onassis and others. She spent time gardening and raising flowers and vegetables. In 1954 Greta was given a special Oscar for past unforgettable performances. She even penned her biography in 1990.
On April 15, 1990, Greta died of natural causes in New York and with her went the "Garbo Mystique". She was 84.- Actor
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Pierre Fresnay was born on 4 April 1897 in Paris, France. He was an actor and writer, known for The Grand Illusion (1937), The Murderer Lives at Number 21 (1942) and Monsieur Vincent (1947). He was married to Berthe Bovy and Rachel Bérendt. He died on 9 January 1975 in Neuilly-sur-Seine, Hauts-de-Seine, Île-de-France, France.- Noël Roquevert, later to develop into the archetypal bossy retired military officer, was born into a family of actors in Brittany. Before embodying all those old grumpy characters which made him famous he first appeared on stage as a ... baby ! Incredible but true. He performed in 150 plays and was among Sacha Guitry's regulars. He never stopped working in his long career. Only a broken heart (he didn't recover from his wife Paulette's death) caused him to call it quits.
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Kim Basinger was born December 8, 1953, in Athens, Georgia, the third of five children. Both her parents had been in entertainment, her dad had played big-band jazz, and her mother had performed water ballet in several Esther Williams movies. Kim was introspective, from her father's side. As a schoolgirl, she was very shy. To help her overcome this, her parents had Kim study ballet from an early age. By the time she reached sweet sixteen, the once-shy Kim entered the Athens Junior Miss contest. From there, she went on to win the Junior Miss Georgia title, and traveled to New York to compete in the national Junior Miss pageant. Kim, who had blossomed to a 5' 7" beauty, was offered a contract on the spot with the Ford Modeling Agency. At the age of 20, Kim was a top model commanding $1,000 a day. Throughout the early 1970s, she appeared on dozens of magazine covers and in hundreds of ads, most notably as the Breck girl. Kim took acting classes at the Neighborhood Playhouse, performed in various Greenwich Village clubs, and she sang under the stage name Chelsea. Kim moved to Los Angeles in 1976, ready to conquer Hollywood. Kim broke into television doing episodes of such hit series as Charlie's Angels (1976). In 1980, she married Ron Snyder (they divorced in 1989). In movies, she had roles like being a Bond girl in Never Say Never Again (1983) and playing a small-town Texan beauty in Nadine (1987). Her breakout role was as photojournalist Vicki Vale in the blockbuster hit Batman (1989). There was no long-orchestrated campaign on her part to snag this plum role, Kim was a last-minute replacement for Sean Young. This took her to a career high.
With perhaps too much disposable income, Kim headed up an investment group that purchased the entire town of Braselton, in her native Georgia, for $20 million (she would later have to sell it). In 1993, Kim married Alec Baldwin, and in 1995 they had a daughter, Ireland Eliesse. Kim took some time off to stay at home with her child. Kim, who loves animals and is a strict vegetarian, devoted energy to animal rights issues, and PETA (People for the Ethical Treatment of Animals), even posing for some ads. In 1997, Kim gave an Oscar-winning performance in the film noir classic L.A. Confidential (1997). Kim's salary for I Dreamed of Africa (2000) was $5,000,000, putting her firmly in the category of big-name movie star. And no doubt there are still many great things ahead, in the career of cover girl turned Oscar-winning actress Kim Basinger.- Actor
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Jack Nicholson, an American actor, producer, director and screenwriter, is a three-time Academy Award winner and twelve-time nominee. Nicholson is also notable for being one of two actors - the other being Michael Caine - who have received an Oscar nomination in every decade from the '60s through the '00s.
Nicholson was born on April 22, 1937, in Neptune, New Jersey. He was raised believing that his grandmother was his mother, and that his mother, June Frances Nicholson, a showgirl, was his older sister. He discovered the truth in 1975 from a Time magazine journalist who was researching a profile on him. His real father is believed to have been either Donald Furcillo, an Italian American showman, or Eddie King (Edgar Kirschfeld), born in Latvia and also in show business. Jack's mother's ancestry was Irish, and smaller amounts of English, German, Scottish, and Welsh.
Nicholson made his film debut in a B-movie titled The Cry Baby Killer (1958). His rise in Hollywood was far from meteoric, and for years, he sustained his career with guest spots in television series and a number of Roger Corman films, including The Little Shop of Horrors (1960).
Nicholson's first turn in the director's chair was for Drive, He Said (1971). Before that, he wrote the screenplay for The Trip (1967), and co-wrote Head (1968), a vehicle for The Monkees. His big break came with Easy Rider (1969) and his portrayal of liquor-soaked attorney George Hanson, which earned Nicholson his first Oscar nomination. Nicholson's film career took off in the 1970s with a definitive performance in Five Easy Pieces (1970). Nicholson's other notable work during this period includes leading roles in Roman Polanski's noir masterpiece Chinatown (1974) and One Flew Over the Cuckoo's Nest (1975), for which he won his first Best Actor Oscar.
The 1980s kicked off with another career-defining role for Nicholson as Jack Torrance in Stanley Kubrick's adaptation of Stephen King's novel The Shining (1980). A string of well-received films followed, including Terms of Endearment (1983), which earned Nicholson his second Oscar; Prizzi's Honor (1985), and The Witches of Eastwick (1987). He portrayed another renowned villain, The Joker, in Tim Burton's Batman (1989). In the 1990s, he starred in such varied films as A Few Good Men (1992), for which he received another Oscar nomination, and a dual role in Mars Attacks! (1996).
Although a glimpse at the darker side of Nicholson's acting range reappeared in The Departed (2006), the actor's most recent roles highlight the physical and emotional complications one faces late in life. The most notable of these is the unapologetically misanthropic Melvin Udall in As Good as It Gets (1997), for which he won his third Oscar. Shades of this persona are apparent in About Schmidt (2002), Something's Gotta Give (2003), and The Bucket List (2007). In addition to his Academy Awards and Oscar nominations, Nicholson has seven Golden Globe Awards, and received a Kennedy Center Honor in 2001. He also became one of the youngest actors to receive the American Film Institute's Life Achievement award in 1994.
Nicholson has six children by five different women: Jennifer Nicholson (b. 1963) from his only marriage to Sandra Knight, which ended in 1966; Caleb Goddard (b. 1970) with Five Easy Pieces (1970) co-star Susan Anspach, who was automatically adopted by Anspach's then-husband Mark Goddard; Honey Hollman (b. 1982) with Danish supermodel Winnie Hollman; Lorraine Nicholson (b. 1990) and Ray Nicholson (b. 1992) with minor actress Rebecca Broussard; and Tessa Gourin (b. 1994) with real estate agent Jennine Marie Gourin. Nicholson's longest relationship was the 17 nonmonogamous years he spent with Anjelica Huston; this ended when Broussard announced she was pregnant with his child.- Actor
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John Joseph Travolta was born in Englewood, New Jersey, one of six children of Helen Travolta (née Helen Cecilia Burke) and Salvatore/Samuel J. Travolta. His father was of Italian descent and his mother was of Irish ancestry. His father owned a tire repair shop called Travolta Tires in Hillsdale, NJ. Travolta started acting appearing in a local production of "Who'll Save the Plowboy?". His mother, herself an actress and dancer, enrolled him in a drama school in New York, where he studied voice, dancing and acting. He decided to combine all three of these skills and become a musical comedy performer. At 16 he landed his first professional job in a summer stock production of the musical "Bye Bye Birdie". He quit school at 16 and moved to New York, and worked regularly in summer stock and on television commercials. When work became scarce in New York, he went to Hollywood and appeared in minor roles in several series. A role in the national touring company of the hit 1950s musical "Grease" brought him back to New York. An opening in the New York production of "Grease" gave him his first Broadway role at age 18. After "Grease", he became a member of the company of the Broadway show "Over Here", which starred The Andrews Sisters. After ten months in "Over Here", he decided to try Hollywood once again. Once back in Hollywood, he had little trouble getting roles in numerous television shows. He was seen on The Rookies (1972), Emergency! (1972) and Medical Center (1969) and also made a movie, The Devil's Rain (1975), which was shot in New Mexico. The day he returned to Hollywood from New Mexico, he was called to an audition for a new situation comedy series ABC was planning to produce called Welcome Back, Kotter (1975). He got the part of Vinnie Barbarino and the series went on the air during the 1975 fall season.
He starred in a number of monumental films, earning his first Oscar and Golden Globe nominations for his role in the blockbuster Saturday Night Fever (1977), which launched the disco phenomenon in the 1970s. He went on to star in the big-screen version of the long-running musical Grease (1978) and the wildly successful Urban Cowboy (1980), which also influenced trends in popular culture. Additional film credits include the Brian De Palma thrillers Carrie (1976) and Blow Out (1981), as well as Amy Heckerling's hit comedy Look Who's Talking (1989) and Nora Ephron's comic hit Michael (1996). Travolta starred in Phenomenon (1996) and took an equally distinctive turn as an action star in John Woo's top-grossing Broken Arrow (1996). He also starred in the classic Face/Off (1997) opposite Nicolas Cage, and The General's Daughter (1999), co-starring Madeleine Stowe. In 2005, Travolta reprised the role of ultra cool Chili Palmer in the Get Shorty (1995) sequel Be Cool (2005). In addition, he starred opposite Scarlett Johansson in the critically-acclaimed independent feature film A Love Song for Bobby Long (2004), which was screened at the Venice Film Festival, where both Travolta and the films won rave reviews. In February 2011, John was honored by Europe's leading weekly program magazine HORZU, with the prestigious Golden Camera Award for "Best Actor International" in Berlin, Germany. Other recent feature film credits include box-office hit-comedy "Wild Hogs", the action-thriller Ladder 49 (2004), the movie version of the successful comic book The Punisher (2004), the drama Basic (2003), the psychological thriller Domestic Disturbance (2001), the hit action picture Swordfish (2001), the infamous sci-fi movie Battlefield Earth (2000), based upon the best-selling novel by L. Ron Hubbard, and Lonely Hearts (2006).
Travolta has been honored twice with Academy Award nominations, the latest for his riveting portrayal of a philosophical hit-man in Quentin Tarantino's Pulp Fiction (1994). He also received BAFTA and Golden Globe nominations for this highly-acclaimed role and was named Best Actor by the Los Angeles Film Critics Association, among other distinguished awards. Travolta garnered further praise as a Mafioso-turned-movie producer in the comedy sensation Get Shorty (1995), winning the Golden Globe Award for Best Actor in a Motion Picture, Musical or Comedy. In 1998, Travolta was honored by the British Academy of Film and Television Arts with the Britanna Award: and in that same year he received the Lifetime Achievement Award at the Chicago Film Festival. Travolta also won the prestigious Alan J. Pakula Award from the US Broadcast Critics Association for his performance in A Civil Action (1998), based on the best-selling book and directed by Steven Zaillian. He was nominated again for a Golden Globe for his performance in Primary Colors (1998), directed by Mike Nichols and co-starring Emma Thompson and Billy Bob Thornton, and in 2008, he received his sixth Golden Globe nomination for his role as "Edna Turnblad" in the big-screen, box-office hit, Hairspray (2007). As a result of this performance, the Chicago Film Critics and the Santa Barbara Film Festival decided to recognize Travolta with a Lifetime Achievement Award for his role.
In addition, Travolta starred opposite Denzel Washington in Tony Scott's remake The Taking of Pelham 123 (2009), and he provided the voice of the lead character in Walt Disney Pictures' animated hit Bolt (2008), which was nominated for a 2009 Academy Award for Best Animated Feature Film and a Golden Globe for Best Animated Film, in addition to Best Song for John and Miley Cyrus' duet titled, "I Thought I Lost You".
Next, Travolta starred in Walt Disney Pictures' Old Dogs (2009), along with Robin Williams, Kelly Preston and Ella Bleu Travolta, followed by the action thriller From Paris with Love (2010), starring opposite Jonathan Rhys Meyers. In 2012, John starred alongside Taylor Kitsch, Blake Lively, Aaron Taylor-Johnson, Benicio Del Toro, Salma Hayek, Emile Hirsch and Demián Bichir in Oliver Stone's, Savages (2012). The film was based on Don Winslow's best-selling crime novel that was named one of The New York Times' Top 10 Books of 2010. John was most recently seen in Killing Season (2013), co-starring Robert De Niro, and directed by Mark Steven Johnson. John recently completed production on the Boston-based film, The Forger (2014), alongside Academy Award winner Christopher Plummer and Critic's Choice nominee Tye Sheridan. John plays a second-generation petty thief who arranges to get out of prison to spend time with his ailing son (Sheridan) by taking on a job with his father (Plummer) to pay back the syndicate that arranged his release. John has received 2 prestigious aviation awards: in 2003, the American Institute of Aeronautics and Astronautics Foundation Award for Excellence for his efforts to promote commercial flying, and, in 2007, The Living Legends Ambassador of Aviation award.
John holds 11 jet licenses: 747, 707, Gulfstream II, Lear 24, Hawker 1251A, Eclipse Jet, Vampire Jet, Canadair CL-141 Jet, Soko Jet, Citation ISP and Challenger. Travolta is the Qantas Airways Global Goodwill "Ambassador-at-Large" and piloted the original Qantas 707 during "Spirit of Friendship" global tour in July/August 2002. John is also a business aircraft brand ambassador for Learjet, Challenger and Global jets for the world's leading business aircraft manufacturer, Bombardier. John flew the 707 to New Orleans after the 2005 hurricane disaster bringing food and medical supplies, and in 2010, again flew the 707, this time to Haiti after the earthquake, carrying supplies, doctors and volunteers.
John, along with his late wife, actress Kelly Preston (1962-2020), were very involved in their charity, The Jett Travolta Foundation, which raises money for children with educational needs.- Actor
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Errol Flynn was born to parents Theodore Flynn, a respected biologist, and Marrelle Young, an adventurous young woman. Young Flynn was a rambunctious child who could be counted on to find trouble. Errol managed to have himself thrown out of every school in which he was enrolled. In his late teens he set out to find gold, but instead found a series of short lived odd jobs. Information is sketchy, however the positions of police constable, sanitation engineer, treasure hunter, sheep castrator, ship-master for hire, fisherman, and soldier seem to be among his more reputable career choices. Staying one jump ahead of the law and jealous husbands forced Flynn to England. He took up acting, a pastime he had previously stumbled into when asked to play (ironically) Fletcher Christian in a film called In the Wake of the Bounty (1933). Flynn's natural athletic talent and good looks attracted the attention of Warner Brothers and soon he was off to America. His luck held when he replaced Robert Donat in the title role of Captain Blood (1935). He quickly rocketed to stardom as the undisputed king of adventure films, a title inherited from Douglas Fairbanks, though which remains his to this day. Onscreen, he was the freedom loving rebel, a man of action who fought against injustice and won the hearts of damsels in the process. His off-screen passions; drinking, fighting, boating and sex, made his film escapades seem pale. His love life brought him considerable fame, three statutory rape trials, and a lasting memorial in the expression "In like Flynn". Serious roles eluded him, and as his lifestyle eroded his youthful good looks, his career declined. Troubles with lawsuits and the IRS plagued him at this time, eroding what little money he had saved. A few good roles did come his way late in life, however, these were usually that of aging alcoholic, almost mirror images of Flynn. Regardless of any perceived similarity; he was making a name as a serious actor before his death.- Actor
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Born to Alice Cooper and Charles Cooper. Gary attended school at Dunstable school England, Helena Montana and Grinnell College, Grinnell, Iowa (then called Iowa College). His first stage experience was during high school and college. Afterwards, he worked as an extra for one year before getting a part in a two-reeler by the independent producer Hans Tiesler . Eileen Sedgwick was his first leading lady. He then appeared in The Winning of Barbara Worth (1926) for United Artists before moving to Paramount. While there he appeared in a small part in Wings (1927), It (1927), and other films.- Writer
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Considered to be one of the most pivotal stars of the early days of Hollywood, Charlie Chaplin lived an interesting life both in his films and behind the camera. He is most recognized as an icon of the silent film era, often associated with his popular character, the Little Tramp; the man with the toothbrush mustache, bowler hat, bamboo cane, and a funny walk.
Charles Spencer Chaplin was born in Walworth, London, England on April 16, 1889, to Hannah Harriet Pedlingham (Hill) and Charles Chaplin, both music hall performers, who were married on June 22, 1885. After Charles Sr. separated from Hannah to perform in New York City, Hannah then tried to resurrect her stage career. Unfortunately, her singing voice had a tendency to break at unexpected moments. When this happened, the stage manager spotted young Charlie standing in the wings and led him on stage, where five-year-old Charlie began to sing a popular tune. Charlie and his half-brother, Syd Chaplin spent their lives in and out of charity homes and workhouses between their mother's bouts of insanity. Hannah was committed to Cane Hill Asylum in May 1903 and lived there until 1921, when Chaplin moved her to California.
Chaplin began his official acting career at the age of eight, touring with the Eight Lancashire Lads. At age 18, he began touring with Fred Karno's vaudeville troupe, joining them on the troupe's 1910 United States tour. He traveled west to California in December 1913 and signed on with Keystone Studios' popular comedy director Mack Sennett, who had seen Chaplin perform on stage in New York. Charlie soon wrote his brother Syd, asking him to become his manager. While at Keystone, Chaplin appeared in and directed 35 films, starring as the Little Tramp in nearly all.
In November 1914, he left Keystone and signed on at Essanay, where he made 15 films. In 1916, he signed on at Mutual and made 12 films. In June 1917, Chaplin signed up with First National Studios, after which he built Chaplin Studios. In 1919, he and Douglas Fairbanks, Mary Pickford and D.W. Griffith formed United Artists (UA).
Chaplin's life and career was full of scandal and controversy. His first big scandal was during World War I, at which time his loyalty to England, his home country, was questioned. He had never applied for American citizenship, but claimed that he was a "paying visitor" to the United States. Many British citizens called Chaplin a coward and a slacker. This and other career eccentricities sparked suspicion with FBI chief J. Edgar Hoover and the House Un-American Activities Committee (HUAC), who believed that he was injecting Communist propaganda into his films. Chaplin's later film The Great Dictator (1940), which was his first "talkie", also created a stir. In the film, Chaplin plays a humorous caricature of Adolf Hitler. Some thought the film was poorly done and in bad taste. However, the film grossed over $5 million and earned five Academy Award Nominations.
Another scandal occurred when Chaplin briefly dated 22 year-old Joan Barry. However, Chaplin's relationship with Barry came to an end in 1942, after a series of harassing actions from her. In May 1943, Barry returned to inform Chaplin that she was pregnant and filed a paternity suit, claiming that the unborn child was his. During the 1944 trial, blood tests proved that Chaplin was not the father, but at the time, blood tests were inadmissible evidence, and he was ordered to pay $75 a week until the child turned 21.
Chaplin also was scrutinized for his support in aiding the Russian struggle against the invading Nazis during World War II, and the United States government questioned his moral and political views, suspecting him of having Communist ties. For this reason, HUAC subpoenaed him in 1947. However, HUAC finally decided that it was no longer necessary for him to appear for testimony. Conversely, when Chaplin and his family traveled to London for the premier of Limelight (1952), he was denied re-entry to the United States. In reality, the government had almost no evidence to prove that he was a threat to national security. Instead, he and his wife decided to settle in Switzerland.
Chaplin was married four times and had a total of 11 children. In 1918, he married Mildred Harris and they had a son together, Norman Spencer Chaplin, who lived only three days. Chaplin and Harris divorced in 1920. He married Lita Grey in 1924, who had two sons, Charles Chaplin Jr. and Sydney Chaplin. They were divorced in 1927. In 1936, Chaplin married Paulette Goddard, and his final marriage was to Oona O'Neill (Oona Chaplin), daughter of playwright Eugene O'Neill in 1943. Oona gave birth to eight children: Geraldine Chaplin, Michael Chaplin, Josephine Chaplin, Victoria Chaplin, Eugene Chaplin, Jane Chaplin, Annette-Emilie Chaplin, and Christopher Chaplin.
In contrast to many of his boisterous characters, Chaplin was a quiet man who kept to himself a great deal. He also had an "un-millionaire" way of living. Even after he had accumulated millions, he continued to live in shabby accommodations. In 1921, Chaplin was decorated by the French government for his outstanding work as a filmmaker and was elevated to the rank of Officer of the Legion of Honor in 1952. In 1972, he was honored with an Academy Award for his "incalculable effect in making motion pictures the art form of the century". He was appointed Knight Commander of the Order of the British Empire in the 1975 New Year's Honours List. No formal reason for the honour was listed. The citation simply reads "Charles Spencer Chaplin, Film Actor and Producer".
Chaplin's other works included musical scores that he composed for many of his films. He also authored two autobiographical books, "My Autobiography" (1964) and its companion volume, "My Life in Pictures" (1974).
Chaplin died at age 88 of natural causes on December 25, 1977 at his home in Vevey, Switzerland. His funeral was a small and private Anglican ceremony according to his wishes. In 1978, Chaplin's corpse was stolen from its grave and was not recovered for three months; he was re-buried in a vault surrounded by cement.
Six of Chaplin's films have been selected for preservation in the National Film Registry by the United States Library of Congress: The Immigrant (1917), The Kid (1921), The Gold Rush (1925), City Lights (1931), Modern Times (1936), and The Great Dictator (1940).
Charlie Chaplin is considered one of the greatest filmmakers in the history of American cinema, whose movies were and still are popular throughout the world and have even gained notoriety as time progresses. His films show, through the Little Tramp's positive outlook on life in a world full of chaos, that the human spirit has and always will remain the same.- Actor
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Eugene Curran Kelly was born in Pittsburgh, Pennsylvania, the third son of Harriet Catherine (Curran) and James Patrick Joseph Kelly, a phonograph salesman. His father was of Irish descent and his mother was of Irish and German ancestry.
Metro-Goldwyn-Mayer was the largest and most powerful studio in Hollywood when Gene Kelly arrived in town in 1941. He came direct from the hit 1940 original Broadway production of "Pal Joey" and planned to return to the Broadway stage after making the one film required by his contract. His first picture for Metro-Goldwyn-Mayer was For Me and My Gal (1942) with Judy Garland. What kept Kelly in Hollywood were "the kindred creative spirits" he found behind the scenes at Metro-Goldwyn-Mayer. The talent pool was especially large during World War II, when Hollywood was a refuge for many musicians and others in the performing arts of Europe who were forced to flee the Nazis. After the war, a new generation was coming of age. Those who saw An American in Paris (1951) would try to make real life as romantic as the reel life they saw portrayed in that musical, and the first time they saw Paris, they were seeing again in memory the seventeen-minute ballet sequence set to the title song written by George Gershwin and choreographed by Kelly. The sequence cost a half million dollars (U.S.) to make in 1951 dollars. Another Kelly musical of the era, Singin' in the Rain (1952), was one of the first 25 films selected by the Library of Congress for its National Film Registry. Kelly was in the same league as Fred Astaire, but instead of a top hat and tails Kelly wore work clothes that went with his masculine, athletic dance style.
Gene Kelly died at age 83 of complications from two strokes on February 2, 1996 in Beverly Hills, Los Angeles, California.- Actor
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Denzel Hayes Washington, Jr. was born on December 28, 1954 in Mount Vernon, New York. He is the middle of three children of a beautician mother, Lennis, from Georgia, and a Pentecostal minister father, Denzel Washington, Sr., from Virginia. After graduating from high school, Denzel enrolled at Fordham University, intent on a career in journalism. However, he caught the acting bug while appearing in student drama productions and, upon graduation, he moved to San Francisco and enrolled at the American Conservatory Theater. He left A.C.T. after only one year to seek work as an actor. His first paid acting role was in a summer stock theater stage production in St. Mary's City, Maryland. The play was "Wings of the Morning", which is about the founding of the colony of Maryland (now the state of Maryland) and the early days of the Maryland colonial assembly (a legislative body). He played the part of a real historical character, Mathias Da Sousa, although much of the dialogue was created. Afterwards he began to pursue screen roles in earnest. With his acting versatility and powerful presence, he had no difficulty finding work in numerous television productions.
He made his first big screen appearance in Carbon Copy (1981) with George Segal. Through the 1980s, he worked in both movies and television and was chosen for the plum role of Dr. Philip Chandler in NBC's hit medical series St. Elsewhere (1982), a role that he would play for six years. In 1989, his film career began to take precedence when he won the Oscar for Best Supporting Actor for his portrayal of Tripp, the runaway slave in Edward Zwick's powerful historical masterpiece Glory (1989).
Washington has received much critical acclaim for his film work since the 1990s, including his portrayals of real-life figures such as South African anti-apartheid activist Steve Biko in Cry Freedom (1987), Muslim minister and human rights activist Malcolm X in Malcolm X (1992), boxer Rubin "Hurricane" Carter in The Hurricane (1999), football coach Herman Boone in Remember the Titans (2000), poet and educator Melvin B. Tolson in The Great Debaters (2007), and drug kingpin Frank Lucas in American Gangster (2007). Malcolm X and The Hurricane garnered him Oscar nominations for Best Actor, before he finally won that statuette in 2002 for his lead role in Training Day (2001).
Through the 1990s, Denzel also co-starred in such big budget productions as The Pelican Brief (1993), Philadelphia (1993), Crimson Tide (1995), The Preacher's Wife (1996), and Courage Under Fire (1996), a role for which he was paid $10 million. He continued to define his onscreen persona as the tough, no-nonsense hero through the 2000s in films like Out of Time (2003), Man on Fire (2004), Inside Man (2006), and The Taking of Pelham 123 (2009). Cerebral and meticulous in his film work, he made his debut as a director with Antwone Fisher (2002); he also directed The Great Debaters (2007) and Fences (2016).
In 2010, Washington headlined The Book of Eli (2010), a post-Apocalyptic drama. Later that year, he starred as a veteran railroad engineer in the action film Unstoppable (2010), about an unmanned, half-mile-long runaway freight train carrying dangerous cargo. The film was his fifth and final collaboration with director Tony Scott, following Crimson Tide (1995), Man on Fire (2004), Déjà Vu (2006) and The Taking of Pelham 1 2 3. He has also been a featured actor in the films produced by Jerry Bruckheimer and has been a frequent collaborator of director Spike Lee.
In 2012, Washington starred in Flight (2012), for which he was nominated for an Academy Award for Best Actor. He co-starred with Ryan Reynolds in Safe House (2012), and prepared for his role by subjecting himself to a torture session that included waterboarding. In 2013, Washington starred in 2 Guns (2013), alongside Mark Wahlberg. In 2014, he starred in The Equalizer (2014), an action thriller film directed by Antoine Fuqua and written by Richard Wenk, based on the television series of same name starring Edward Woodward. During this time period, he also took on the role of producer for some of his films, including The Book of Eli and Safe House.
In 2016, he was selected as the recipient for the Cecil B. DeMille Lifetime Achievement Award at the 73rd Golden Globe Awards.
He lives in Los Angeles, California with his wife, Pauletta Washington, and their four children.- Actor
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Along with fellow actors Lon Chaney, Bela Lugosi and Vincent Price, Boris Karloff is recognized as one of the true icons of horror cinema, and the actor most closely identified with the general public's perception of the "Monster" from the classic Mary Shelley novel "Frankenstein". William Henry Pratt was born on November 23, 1887, in Camberwell, London, England, UK, the son of Edward John Pratt Jr., the Deputy Commissioner of Customs Salt and Opium, Northern Division, Indian Salt Revenue Service, and his third wife, Eliza Sarah Millard.
He was educated at London University in anticipation that he would pursue a diplomatic career; however, he emigrated to Canada in 1909, joined a touring company based out of Ontario and adopted the stage name of "Boris Karloff." He toured back and forth across the U.S. for over 10 years in a variety of low budget theater shows and eventually ended up in Hollywood, reportedly with very little money to his name. Needing cash to support himself, Karloff secured occasional acting work in the fledgling silent film industry in such pictures as The Deadlier Sex (1920), Omar the Tentmaker (1922), Dynamite Dan (1924) and Tarzan and the Golden Lion (1927), in addition to a handful of serials (the majority of which, sadly, have not survived). Karloff supplemented his meager film income by working as a truck driver in Los Angeles, which allowed him enough time off to continue to pursue acting roles.
His big break came in 1931 when he was cast as "the Monster" in the Universal production of Frankenstein (1931), directed by James Whale, one of the studio's few remaining auteur directors. The aura of mystery surrounding Karloff was highlighted in the opening credits, as he was listed as simply "?". The film was a commercial and critical success for Universal, and Karloff was instantly established as a hot property in Hollywood. He quickly appeared in several other sinister roles, including Scarface (1932) (filmed before Frankenstein (1931)), the black-humored The Old Dark House (1932), as the namesake Chinese villain of Sax Rohmer's Dr. Fu Manchu novels in The Mask of Fu Manchu (1932), as the undead Im-ho-tep in The Mummy (1932) and as the misguided Prof. Morlant in The Ghoul (1933). He thoroughly enjoyed his role as a religious fanatic in John Ford's The Lost Patrol (1934), although contemporary critics described it as a textbook example of overacting.
He donned the signature make-up, neck bolts and asphalt spreader's boots again to play the Frankenstein Monster twice, in the sensational Bride of Frankenstein (1935) and the less thrilling Son of Frankenstein (1939). Karloff, on loan to Fox, appeared in one of the best of the Warner Oland Charlie Chan films, Charlie Chan at the Opera (1936), before beginning his own short-lived Mr. Wong detective series. He was a wrongly condemned doctor in Devil's Island (1938), shaven-headed executioner "Mord the Merciless" in Tower of London (1939), another misguided scientist in The Ape (1940), a crazed scientist surrounded by monsters, vampires and werewolves in House of Frankenstein (1944), a murderous cabman in The Body Snatcher (1945) and a Greek general fighting vampirism in the Val Lewton thriller Isle of the Dead (1945).
While Karloff continued appearing in a plethora of films, many of them were not up to the standards of his previous efforts, including appearances in two of the hokey Bud Abbott and Lou Costello monster films (he had appeared with them in an earlier, superior film, Bud Abbott Lou Costello Meet the Killer Boris Karloff (1949), of which theater owners often added his name to the marquee), the low point of the Universal-International horror film cycle. During the 1950s he was a regular guest on many high-profile TV shows, including The Milton Berle Show (1948), Tales of Tomorrow (1951), The Veil (1958), The Donald O'Connor Show (1954), The Red Skelton Hour (1951) and The Dinah Shore Chevy Show (1956), to name a few, and he appeared in a mixed bag of films, including Sabaka (1954) and Voodoo Island (1957). On Broadway, he appeared as the murderous Brewster brother in the hit "Arsenic and Old Lace" (his role, or rather the absence of him in it, was amusingly parodied in the 1944 film version) and 10 years later he enjoyed a long run in "Peter Pan," perfectly cast as "Captain Hook."
His career experienced something of a revival in the 1960s thanks to hosting the TV anthology series Thriller (1960) and indie director Roger Corman, with Karloff contributing wonderful performances in The Raven (1963), The Terror (1963), the ultra-eerie Black Sabbath (1963) and the H.P. Lovecraft-inspired Die, Monster, Die! (1965). Karloff's last great film role was as Byron Orlok, an aging horror film star on the brink of retirement confronting a modern-day sniper in the Peter Bogdanovich film Targets (1968). In 1970, he played the blind sculptor Franz Badulescu in Cauldron of Blood (1968) which was produced, directed and written by Edward Mann, who had also come to the art of film from the stage and the theater. His TV career was capped off by achieving Christmas immortality as both the voices of the titular character and the narrator of Chuck Jones's perennial animated favorite, How the Grinch Stole Christmas! (1966). Four low-budget Mexican-produced horror films starring an ailing Karloff were released in the two years after his death; however, they do no justice to this actor. In retrospect, he never took himself too seriously as an actor and had a tendency to downplay his acting accomplishments. Renowned as a refined, kind and warm-hearted gentleman with a sincere affection for children and their welfare, Karloff passed away on February 2, 1969 from emphysema. Respectful of his Indian roots and in true Hindu fashion, he was cremated at Guildford Crematorium, Godalming, Surrey, England, UK, where he is commemorated by a plaque in Plot 2 of the Garden of Remembrance.- Actor
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With features chiseled in stone, and renowned for playing a long list of historical figures, particularly in Biblical epics, the tall, well-built and ruggedly handsome Charlton Heston was one of Hollywood's top leading men of his prime and remained active in front of movie cameras for over sixty years. As a Hollywood star, he appeared in 100 films over the course of 60 years. He played Moses in the epic film, The Ten Commandments (1956) , for which he received his first Golden Globe Award nomination. He also starred in Touch of Evil (1958) with Orson Welles; Ben-Hur, for which he won the Academy Award for Best Actor (1959); El Cid (1961); and Planet of the Apes (1968). He also starred in the films The Greatest Show on Earth (1952); Secret of the Incas (1954); The Big Country (1958); and The Agony and the Ecstasy (1965). A supporter of Democratic politicians and civil rights in the 1960s, Heston later became a Republican, founding a conservative political action committee and supporting Ronald Reagan. Heston's most famous role in politics came as the five-term president of the National Rifle Association, from 1998 to 2003.
Heston was born John Charles Carter on October 4, 1923, in No Man's Land, Illinois, to Lila (Charlton) and Russell Whitford Carter, who operated a sawmill. He had English and Scottish ancestry, with recent Canadianforebears.
Heston made his feature film debut as the lead character in a 16mm production of Peer Gynt (1941), based on the Henrik Ibsen play. In 1944, Heston enlisted in the United States Army Air Forces. He served for two years as a radio operator and aerial gunner aboard a B-25 Mitchell stationed in the Alaskan Aleutian Islands with the 77th Bombardment Squadron of the Eleventh Air Force. He reached the rank of Staff Sergeant. Heston married Northwestern University student Lydia Marie Clarke, who was six months his senior. That same year he joined the military.
Heston played 'Marc Antony' in Julius Caesar (1950), and firmly stamped himself as genuine leading man material with his performance as circus manager 'Brad Braden' in the Cecil B. DeMille spectacular The Greatest Show on Earth (1952), also starring James Stewart and Cornel Wilde. The now very popular actor remained perpetually busy during the 1950s, both on TV and on the silver screen with audience pleasing performances in the steamy thriller The Naked Jungle (1954), as a treasure hunter in Secret of the Incas (1954) and another barn storming performance for Cecil B. DeMille as "Moses" in the blockbuster The Ten Commandments (1956).
Heston delivered further dynamic performances in the oily film noir thriller Touch of Evil (1958), and then alongside Gregory Peck in the western The Big Country (1958) before scoring the role for which he is arguably best known, that of the wronged Jewish prince who seeks his freedom and revenge in the William Wyler directed Ben-Hur (1959). This mammoth Biblical epic running in excess of three and a half hours became the standard by which other large scale productions would be judged, and its superb cast also including Stephen Boyd as the villainous "Massala", English actor Jack Hawkins as the Roman officer "Quintus Arrius", and Australian actor Frank Thring as "Pontius Pilate", all contributed wonderful performances. Never one to rest on his laurels, steely Heston remained the preferred choice of directors to lead the cast in major historical productions and during the 1960s he starred as Spanish legend "Rodrigo Diaz de Vivar" in El Cid (1961), as a US soldier battling hostile Chinese boxers during 55 Days at Peking (1963),played the ill-fated "John the Baptist" in The Greatest Story Ever Told (1965), the masterful painter "Michelangelo" battling Pope Julius II in The Agony and the Ecstasy (1965), and an English general in Khartoum (1966). In 1968, Heston filmed the unusual western Will Penny (1967) about an aging and lonely cowboy befriending a lost woman and her son, which Heston has often referred to as his favorite piece of work on screen. Interestingly, Heston was on the verge of acquiring an entirely new league of fans due to his appearance in four very topical science fiction films (all based on popular novels) painting bleak futures for mankind.
In 1968, Heston starred as time-traveling astronaut "George Taylor", in the terrific Planet of the Apes (1968) with its now legendary conclusion as Heston realizes the true horror of his destination. He returned to reprise the role, albeit primarily as a cameo, alongside fellow astronaut James Franciscus in the slightly inferior sequel Beneath the Planet of the Apes (1970). Next up, Heston again found himself facing the apocalypse in The Omega Man (1971) as the survivor of a germ plague that has wiped out humanity leaving only bands of psychotic lunatics roaming the cities who seek to kill the uninfected Heston. And fourthly, taking its inspiration from the Harry Harrison novel "Make Room!, Make Room!", Heston starred alongside screen legend Edward G. Robinson and Chuck Connors in Soylent Green (1973). During the remainder of the 1970s, Heston appeared in two very popular "disaster movies" contributing lead roles in the far-fetched Airport 1975 (1974), plus in the star-laden Earthquake (1974), filmed in "Sensoround" (low-bass speakers were installed in selected theaters to simulate the earthquake rumblings on screen to movie audiences). He played an evil Cardinal in the lively The Four Musketeers: Milady's Revenge (1974), a mythical US naval officer in the recreation of Midway (1976), also filmed in "Sensoround", an LA cop trying to stop a sniper in Two-Minute Warning (1976) and another US naval officer in the submarine thriller Gray Lady Down (1978). Heston appeared in numerous episodes of the high-rating TV series Dynasty (1981) and The Colbys (1985), before moving onto a mixed bag of projects including TV adaptations of Treasure Island (1990) and A Man for All Seasons (1988), hosting two episodes of the comedy show, Saturday Night Live (1975), starring as the "Good Actor" bringing love struck Mike Myers to tears in Wayne's World 2 (1993), and as the eye patch-wearing boss of intelligence agent Arnold Schwarzenegger in True Lies (1994). He also narrated numerous TV specials and lent his vocal talents to the animated movie Hercules (1997), the family comedy Cats & Dogs (2001) and an animated version of Ben Hur (2003). Heston made an uncredited appearance in the inferior remake of Planet of the Apes (2001), and his last film appearance to date was in the Holocaust-themed drama of My Father (2003).
Heston narrated for highly classified military and Department of Energy instructional films, particularly relating to nuclear weapons, and "for six years Heston [held] the nation's highest security clearance" or Q clearance. The Q clearance is similar to a DoD or Defense Intelligence Agency (DIA) clearance of Top Secret.
Heston was married to Lydia Marie Clark Heston since March 1944, and they have two children. His highly entertaining autobiography was released in 1995, titled appropriately enough "Into The Arena". Although often criticized for his strong conservative beliefs and involvement with the NRA, Heston was a strong advocate for civil right many years before it became fashionable, and was a recipient of the Jean Hersholt Humanitarian Award, plus the Kennedy Center Lifetime Achievement Award. In 2002, he was diagnosed with Alzheimer's disease, and did appear in a film or TV production after 2003. He died in April 2008, a memorable figure in the history of US cinema.- Actor
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Actor, raconteur, art collector and connoisseur of haute cuisine are just some of the attributes associated with Vincent Price. He was born Vincent Leonard Price, Jr. in St. Louis, Missouri, to Marguerite Cobb "Daisy" (Wilcox) and Vincent Leonard Price, who was President of the National Candy Company. His grandfather, also named Vincent, invented Dr. Price's Baking Powder, which was tartar-based. His family was prosperous, as he said, "not rich enough to evoke envy but successful enough to demand respect." His uniquely cultivated voice and persona were the result of a well-rounded education which began when his family dispatched him on a tour of Europe's cultural centres. His secondary education eventually culminated in a B.A. in English from Yale University and a degree in art history from London's Courtauld Institute.
Famously, his name has long been a byword for Gothic horror on screen. However, Vincent Price was, first and foremost, a man of the stage. It is where he began his career and where it ended. He faced the footlights for the first time at the Gate Theatre in London. At the age of 23, he played Prince Albert in the premiere of Arthur Schnitzler 's 'Victoria Regina' and made such an impression on producer Gilbert Miller that he launched the play on Broadway that same year (legendary actress Helen Hayes played the title role). In early 1938, he was invited to join Orson Welles 's Mercury Theatre on a five-play contract, beginning with 'The Shoemaker's Holiday'. He gave what was described as "a polished performance". Thus established, Vincent continued to make sporadic forays to the Great White Way, including as the Duke of Buckingham in Shakespeare's 'Richard III' (in which a reviewer for the New Yorker found him to be "satisfactorily detestable") and as Oscar Wilde in his award-winning one man show 'Diversions and Delights', which he took on a hugely successful world-wide tour in 1978. While based in California, Vincent was instrumental in the success of the La Jolla Playhouse in San Diego, starring in several of their bigger productions, including 'Billy Budd' and 'The Winslow Boy'. In 1952, Vincent joined the national touring company of 'Don Juan in Hell' in which he was cast as the devil. Acting under the direction of Charles Laughton and accompanied by noted thespians Charles Boyer, Cedric Hardwicke and Agnes Moorehead, he later recalled this as one of his "greatest theatrical excitements".
As well as acting on stage, Vincent regularly performed on radio network programs, including Lux Radio Theatre, CBS Playhouse and shows for the BBC. He narrated or hosted assorted programs ranging from history (If these Walls Could Speak) to cuisine (Cooking Price-Wise). He wrote several best-selling books on his favourite subjects: art collecting and cookery. In 1962, he was approached by Sears Roebuck to act as a buying consultant "selling quality pictures to department store customers". As if that were not enough, he lectured for 15 years on art, poetry and even the history of villainy. He recorded numerous readings of poems by Edgar Allan Poe (nobody ever gave a better recital of "The Raven"!), Shelley and Whitman. He also served on the Arts Council of UCLA, was a member of the Fine Arts Committee for the White House, a former chairman of the Indian Arts & Crafts Board and on the board of trustees of the Los Angeles County Museum of Art.
And besides all of that, Vincent Price remained a much sought-after motion picture actor. He made his first appearance on screen as a romantic lead in Service de Luxe (1938), a frothy Universal comedy which came and went without much fanfare. After that, he reprized his stage role as Master Hammon in an early television production of 'The Shoemaker's Holiday'. For one reason or another, Vincent was henceforth typecast as either historical figures (Sir Walter Raleigh, Duke of Clarence, Mormon leader Joseph Smith, King Charles II, Cardinal Richelieu, Omar Khayyam) or ineffectual charmers and gigolos. Under contract to 20th Century Fox (1940-46), Laura (1944) provided one of his better vehicles in the latter department, as did the lush Technicolor melodrama Leave Her to Heaven (1945) which had Vincent showcased in a notably powerful scene as a prosecuting attorney. His performance was singled out by the L.A. Times as meriting "attention as contending for Academy supporting honors".
His first fling with the horror genre was Dragonwyck (1946), a Gothic melodrama set in the Hudson Valley in the early 1800's. For the first time, Vincent played a part he actually coveted and fought hard to win. His character was in effect a precursor of those he would later make his own while working for Roger Corman and American-International. As demented, drug-addicted landowner Nicholas Van Ryn, he so effectively terrorized Gene Tierney's Miranda Wells that the influential columnist Louella Parsons wrote with rare praise: "The role of Van Ryn calls for a lot of acting and Vincent admits he's a ham and loves to act all over the place, but the fact that he has restrained himself and doesn't over-emote is a tribute to his ability". If Vincent was an occasional ham, he proved it with his Harry Lime pastiche Carwood in The Bribe (1949). Much better was his starring role in a minor western, The Baron of Arizona (1950), in which he was convincingly cast as a larcenous land office clerk attempting to create his own desert baronetcy.
With House of Wax (1953) , Vincent fine-tuned the character type he had established in Dragonwyck, adding both pathos and comic elements to the role of the maniacal sculptor Henry Jarrod. It was arduous work under heavy make-up which simulated hideous facial scarring and required three hours to apply and three hours to remove. He later commented that it "took his face months to heal because it was raw from peeling off wax each night". However, the picture proved a sound money maker for Warner Brothers and firmly established Vincent Price in a cult genre from which he was henceforth unable to escape. The majority of his subsequent films were decidedly low-budget affairs in which the star tended to be the sole mitigating factor: The Mad Magician (1954), The Fly (1958) (and its sequel), House on Haunted Hill (1959), the absurd The Tingler (1959) (easily the worst of the bunch) and The Bat (1959). With few exceptions, Vincent's acting range would rarely be stretched in the years to come.
Vincent's association with the genial Roger Corman began when he received a script for The Fall of the House of Usher, beginning a projected cycle of cost-effective films based on short stories by Edgar Allen Poe. As Roderick Usher, Vincent was Corman's "first and only choice". Though he was to receive a salary of $50,000 for the picture, it was his chance "to express the psychology of Poe's characters" and to "imbue the movie versions with the spirit of Poe" that clinched the deal for Vincent. He made another six films in this vein, all of them box office winners. Not Academy Award stuff, but nonetheless hugely enjoyable camp entertainment and popular with all but highbrow audiences. Who could forget Vincent at his scenery chewing best as the resurgent inquisitor, luring Barbara Steele into the crypt in The Pit and the Pendulum (1961)? Or as pompous wine aficionado Fortunato Luchresi in that deliriously funny wine tasting competition with Montresor Herringbone (Peter Lorre) in Tales of Terror (1962)? Best still, the climactic battle of the magicians pitting Vincent's Erasmus Craven against Boris Karloff's malevolent Dr. Scarabus in The Raven (1963) (arguably, the best offering in the Poe cycle). The Comedy of Terrors (1963) was played strictly for laughs, with the inimitable combo of Price and Lorre this time appearing as homicidal undertakers.
For the rest of the 60s, Vincent was content to remain in his niche, playing variations on the same theme in City in the Sea (1965) and Witchfinder General (1968) (as Matthew Hopkins). He also spoofed his screen personae as Dr. Goldfoot and as perennial villain Egghead in the Batman (1966) series. He rose once more to the occasion in the cult black comedy The Abominable Dr. Phibes (1971) (and its sequel Dr. Phibes Rises Again (1972)) commenting that he had to play Anton Phibes "very seriously so that it would come out funny". The tagline, a parody of the ad for Love Story (1970), announced "love means never having to say you're ugly".
During the 70s and 80s, Vincent restricted himself mainly to voice-overs and TV guest appearances. His final role of note was as the inventor in Edward Scissorhands (1990), a role written specifically for him. The embodiment of gleeful, suave screen villainy, Vincent Price died in Los Angeles in October 1993 at the age of 82. People magazine eulogized him as "the Gable of Gothic." Much earlier, an English critic named Gilbert Adair spoke for many fans when he said "Every man his Price - and mine is Vincent."- Actor
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His mother was the French Lady Comynyplatt Henrietta de Gacher, his father was the British Lieutenant William Graham Niven, who died in the war when David was six years old. Niven was considered a difficult child to educate and had to change schools often until he finally went to Sandhurst Military Academy. He came to Malta as a soldier, left the army here and went to Canada, where he worked as a lumberjack, bridge builder, journalist and whiskey salesman. After detours via New York and Cuba, Niven settled in California in 1934, where he had his first roles as an extra. He appeared in smaller films until the Second World War and then had to go to war for the British army.
In between, he also starred in propaganda films. Niven fought on the British front at Dunkirk and was promoted to colonel in 1944. General Eisenhower decorated him with the medals of the American Legion of Merit. From his first marriage to Primula Rollo, whom he married in 1940, Niven had two sons, David and Jamie. After his wife died in an accident in 1946, he married the Swede Hjordis Tersmeden in 1948, and his daughters Kristine and Fiona came from this marriage. In 1952, Niven founded the television production "Four Star TV" with Charles Boyer and other colleagues and starred in the self-produced series "The David Niven Show" and "Rogues Against Crooks". He had already been successful as an actor for a long time.
Niven starred in the 1946 English production of Error in the Afterlife and then returned to Hollywood. He celebrated successes with "The Virgin on the Roof", "Bonjour Tristesse", "The Guns of Navarone", "55 Days in Peking", "The Pink Panther", "Lady L." and with "Casino Royale". In 1959 he reached the peak of his success when he was honored with the Oscar for Best Actor for Separated from Table and Bed. His most beautiful film role was that of "Phileas Fogg" in the Jules Verne film adaptation "Around the World in 80 Days". Niven later demonstrated his enormous skills in many other films. In the 1970s and 1980s he starred in "Vampira", "A Corpse for Dessert", "Death on the Nile", "The Lion Shows its Claws" and in "Grandpa Seldom Comes Alone".
In 1982 and 1983 he had his last two roles in "The Pink Panther is Hunted" and "The Curse of the Pink Panther". Niven retired and lived on the Cote d'Azur and in Switzerland.
David Niven died on July 29, 1983 in Switzerland as a result of the nervous disease ALS. He made part of his inheritance available to medical research.- Actor
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Alain Fabien Maurice Marcel Delon was born in Sceaux, Hauts-de-Seine, France, to Édith (Arnold) and Fabien Delon. His father was of French and Corsican Italian descent, and his mother was of French and German ancestry. His parents divorced early on, and Delon had a stormy childhood, being frequently expelled from school.
In 1953/1954 he served with the French Marines in Indochina. In the mid-'50s he worked at various odd jobs including waiter, salesman and porter in Les Halles market. He decided to try an acting career and in 1957 made his film debut in Yves Allégret's Quand la femme s'en mêle (1957). He declined an offer of a contract from producer David O. Selznick, and in 1960 he received international recognition for his role in Luchino Visconti's Rocco and His Brothers (1960). In 1961 he appeared on the stage in "'Tis a Pity She's a Whore", directed by Visconti, in Paris. In 1964 he formed his own production company, Delbeau Productions, and he produced a short film directed by Guy Gilles. In 1968 he found himself involved in murder, drug and sex scandal that indirectly implicated major politicians and show-business personalities, but he was eventually cleared of all charges. In the late 1960s he formed another company. Adel Film, and the next year he began producing features. In 1981 he directed his first film, To Kill a Cop (1981).
Delon was a sensation early in his career; he came to embody the young, energetic, often morally corrupted man. With his breathtaking good looks he was also destined to play tender lovers and romantic heroes, and he was a French embodiment of the type created in America by James Dean. His first outstanding success came with the role of the parasite Tom Ripley in 'Rene Clement''s sun-drenched thriller Purple Noon (1960). Delon presented a psychological portrait of a murderous young cynic who attempts to take on the identity of his victim. A totally different role was offered to him by Visconti in Rocco and His Brothers (1960). In this film Delon plays the devoted Rocco, who accepts the greatest sacrifices to save his shiftless brother Simon.
After several other films in Italy, Delon returned to the criminal genre with Jean Gabin in Any Number Can Win (1963). This work, a classic example of the genre, was distinguished not only by a soundly worked-out screenplay, but also by the careful production and the excellent performances of both Delon and Gabin. It was only in the late 1960s that the sleek and lethal Delon came to epitomize the calm, psychopathic hoodlum, staring into the camera like a cat assessing a mouse. His tough, ruthless side was first used to real effect by Jean-Pierre Melville in The Samurai (1967). In 1970 he had a huge success in the bloodstained Borsalino (1970)--which he also produced--playing a small-time gangster in the 1930s who, with Jean-Paul Belmondo, becomes king of the Marseilles underworld. Delon later won critical acclaim for his roles, against type, in Joseph Losey's Mr. Klein (1976) in which he played (brilliantly) the icily sinister title role, and the art-movie Swann in Love (1984). He has an older son Anthony Delon (who has also acted in a number of movies) from his first marriage to Nathalie Delon, and has a young son and daughter, Alain-Fabien and Anouchka with Rosalie.- Actor
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Jack Lemmon was born in Newton, Massachusetts, to Mildred Lankford Noel and John Uhler Lemmon, Jr., the president of a doughnut company. His ancestry included Irish (from his paternal grandmother) and English. Jack attended Ward Elementary near his Newton, MA home. At age 9 he was sent to Rivers Country Day School, then located in nearby Brookline. After RCDS, he went to high school at Phillips Andover Academy. Jack was a member of the Harvard class of 1947, where he was in Navy ROTC and the Dramatic Club. After service as a Navy ensign, he worked in a beer hall (playing piano), on radio, off Broadway, TV and Broadway. His movie debut was with Judy Holliday in It Should Happen to You (1954). He won Best Supporting Actor as Ensign Pulver in Mister Roberts (1955). He received nominations in comedy (Some Like It Hot (1959), The Apartment (1960)) and drama (Days of Wine and Roses (1962), The China Syndrome (1979), Tribute (1980) and Missing (1982)). He won the Best Actor Oscar for Save the Tiger (1973) and the Cannes Best Actor award for "Syndrome" and "Missing". He made his debut as a director with Kotch (1971) and in 1985 on Broadway in "Long Day's Journey into Night". In 1988 he received the Life Achievement Award of the American Film Institute.- Actor
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Screen legend, superstar, and the man with the most famous blue eyes in movie history, Paul Leonard Newman was born on January 26, 1925, in Cleveland, Ohio, the second son of Arthur Sigmund Newman (died 1950) and Theresa Fetsko (died 1982). His elder brother was Arthur S. Newman Jr., named for their father, a Jewish businessman who owned a successful sporting goods store and was the son of emigrants from Poland and Hungary. Newman's mother (born Terézia Fecková, daughter of Stefan Fecko and Mária Polenak) was a Roman Catholic Slovak from Homonna, Pticie (former Austro-Hungarian Empire), who became a practicing Christian Scientist. She and her brother, Newman's uncle Joe, had an interest in the creative arts, and it rubbed off on him. He acted in grade school and high school plays. The Newmans were well-to-do and Paul Newman grew up in affluent Shaker Heights. Before he became an actor, Newman ran the family sporting goods store in Cleveland, Ohio.
By 1950, the 25-year-old Newman had been kicked out of Ohio University, where he belonged to the Phi Kappa Tau fraternity, for unruly behavior (denting the college president's car with a beer keg), served three years in the United States Navy during World War II as a radio operator, graduated from Ohio's Kenyon College, married his first wife, Jacqueline "Jackie" Witte (born 1929), and had his first child, Scott. That same year, his father died. When he became successful in later years, Newman said if he had any regrets it would be that his father was not around to witness his success. He brought Jackie back to Shaker Heights and he ran his father's store for a short period. Then, knowing that wasn't the career path he wanted to take, he moved Jackie and Scott to New Haven, Connecticut, where he attended Yale University's School of Drama.
While doing a play there, Newman was spotted by two agents, who invited him to come to New York City to pursue a career as a professional actor. After moving to New York, he acted in guest spots for various television series and in 1953 came a big break. He got the part of understudy of the lead role in the successful Broadway play "Picnic". Through this play, he met actress Joanne Woodward (born 1930), who was also an understudy in the play. While they got on very well and there was a strong attraction, Newman was married and his second child, Susan, was born that year. During this time, Newman was accepted into the much admired and popular New York Actors Studio, although he did not actually audition.
In 1954, a film Newman was very reluctant to do was released, The Silver Chalice (1954). He considered his performance in this costume epic to be so bad that he took out a full-page ad in a trade paper apologizing for it to anyone who might have seen it. He had always been embarrassed about the film and reveled in making fun of it. He immediately wanted to return to the stage, and performed in "The Desperate Hours". In 1956, he got the chance to redeem himself in the film world by portraying boxer Rocky Graziano in Somebody Up There Likes Me (1956), and critics praised his performance. In 1957, with a handful of films to his credit, he was cast in The Long, Hot Summer (1958), co-starring Joanne Woodward.
During the shooting of this film, they realized they were meant to be together and by now, so did his then-wife Jackie, who gave Newman a divorce. He and Woodward wed in Las Vegas in January 1958. They went on to have three daughters together and raised them in Westport, Connecticut. In 1959, Newman received his first Academy Award nomination for Best Actor, in Cat on a Hot Tin Roof (1958). The 1960s would bring Newman into superstar status, as he became one of the most popular actors of the decade, and garnered three more Best Actor Oscar nominations, for The Hustler (1961), Hud (1963) and Cool Hand Luke (1967). In 1968, his debut directorial effort Rachel, Rachel (1968) was given good marks, and although the film and Woodward were nominated for Oscars, Newman was not nominated for Best Director. However, he did win a Golden Globe Award for his direction.
1969 brought the popular screen duo of Newman and Robert Redford together for the first time when Butch Cassidy and the Sundance Kid (1969) was released. It was a box office smash. Through the 1970s, Newman had hits and misses from such popular films as The Sting (1973) and The Towering Inferno (1974) to lesser known films as The Life and Times of Judge Roy Bean (1972) to a cult classic Slap Shot (1977). After the death of his only son, Scott, in 1978, Newman's personal life and film choices moved in a different direction. His acting work in the 1980s and on is what is often most praised by critics today. He became more at ease with himself and it was evident in The Verdict (1982) for which he received his sixth Best Actor Oscar nomination and, in 1987, finally received his first Oscar for The Color of Money (1986), almost thirty years after Woodward had won hers. Friend and director of Somebody Up There Likes Me (1956), Robert Wise accepted the award on Newman's behalf as the actor did not attend the ceremony.
Films were not the only thing on his mind during this period. A passionate race car driver since the early 1970s (despite being color-blind), he was co-founder of Newman-Haas racing in 1982, and also founded "Newman's Own", a successful line of food products that has earned in excess of $100 million, every penny of which Newman donated to charity. He also started The Hole in the Wall Gang Camps, an organization for children with serious illness. He was as well known for his philanthropic ways and highly successful business ventures as he was for his legendary actor status.
Newman's marriage to Woodward lasted a half-century. Connecticut was their primary residence after leaving Hollywood and moving East in 1960. Renowned for his sense of humor, in 1998 he quipped that he was a little embarrassed to see his salad dressing grossing more than his movies. During his later years, he still attended races, was much involved in his charitable organizations, and in 2006, he opened a restaurant called Dressing Room, which helps out the Westport Country Playhouse, a place in which Newman took great pride. In 2007, while the public was largely unaware of the serious illness from which he was suffering, Newman made some headlines when he said he was losing his invention and confidence in his acting abilities and that acting was "pretty much a closed book for me". A smoker for many years, Newman died on September 26, 2008, aged 83, from lung cancer.- Actor
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Stan Laurel came from a theatrical family, his father was an actor and theatre manager, and he made his stage debut at the age of 16 at Pickard's Museum, Glasgow. He traveled with Fred Karno's vaudeville company to the United States in 1910 and again in 1913. While with that company he was Charles Chaplin's understudy, and he performed imitations of Chaplin. On a later trip he remained in the United States, having been cast in a two-reel comedy, Nuts in May (1917) (not released until 1918). There followed a number of shorts for Metro, Hal Roach Studios, then Universal, then back to Roach in 1926. His first two-reeler with Oliver Hardy was 45 Minutes from Hollywood (1926). Their first release through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). Their first feature-length starring roles were in Pardon Us (1931). Their work became more production-line and less popular during the war years, especially after they left Roach and MGM for Twentieth Century-Fox. Their last movie together was The Bullfighters (1945) except for a dismal failure made in France several years later (Utopia (1950)). In 1960 he was given a special Oscar "for his creative pioneering in the field of cinema comedy". He died five years later.- Actor
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Although his parents were never in show business, as a young boy Oliver Hardy was a gifted singer and, by age eight, was performing with minstrel shows. In 1910 he ran a movie theatre, which he preferred to studying law. In 1913 he became a comedy actor with the Lubin Company in Florida and began appearing in a long series of shorts; his debut film was Outwitting Dad (1914). He appeared in he 1914-15 series of "Pokes and Jabbs" shorts, and from 1916-18 he was in the "Plump and Runt" series. From 1919-21 he was a regular in the "Jimmy Aubrey" series of shorts, and from 1921-25 he worked as an actor and co-director of comedy shorts for Larry Semon.
In addition to appearing in two-reeler comedies, he found time to make westerns and even melodramas in which he played the heavy. He is most famous, however, as the partner of British comic Stan Laurel, with whom he had played a bit part in The Lucky Dog (1921). in the mid-1920s both he and Laurel wee working for comedy producer Hal Roach, although not as a team. In a moment of inspiration Roach teamed them together, and their first film as a team was 45 Minutes from Hollywood (1926). Their first release for Roach through MGM was Sugar Daddies (1927) and the first with star billing was From Soup to Nuts (1928). They became a huge hit as a comedy team, and after several years of two-reelers, Roach decided to star them in features, their first of which was Pardon Us (1931).
They clicked with audiences in features, too, and starred in such classics as Way Out West (1937), March of the Wooden Soldiers (1934) and Block-Heads (1938). They eventually parted ways with Roach and in the mid-1940s signed on with Twentieth Century-Fox.
Unfortunately, Fox did not let them have the autonomy they had at Roach, where Laurel basically wrote and directed their films, though others were credited, and their films became more assembly-line and formulaic. Their popularity waned and less popular during the war years, and they made their last film for Fox in 1946.
Several years later they made their final appearance as a team in a French film, a troubled and haphazard production eventually, after several name changes, called Utopia (1950), generally regarded to be their worst film. Hardy appeared without Laurel in a few features, such as Zenobia (1939) with Harry Langdon, The Fighting Kentuckian (1949) in a semi-comedic role as a frontiersman alongside John Wayne and Riding High (1950), in a cameo role. He died in 1957.- Actor
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Jim Carrey, Canadian-born and a U.S. citizen since 2004, is an actor and producer famous for his rubbery body movements and flexible facial expressions. The two-time Golden Globe-winner rose to fame as a cast member of the Fox sketch comedy In Living Color (1990) but leading roles in Ace Ventura: Pet Detective (1994), Dumb and Dumber (1994) and The Mask (1994) established him as a bankable comedy actor.
James Eugene Carrey was born on January 17, 1962 in Newmarket, Ontario, Canada, and is the youngest of four children of Kathleen (Oram), a homemaker, and Percy Carrey, an accountant and jazz musician. The family surname was originally "Carré", and he has French-Canadian, Scottish, and Irish ancestry. Carrey was an incurable extrovert from day one. As a child, he performed constantly, for anyone who would watch, and even mailed his résumé to The Carol Burnett Show (1967) at age 10. In junior high, he was granted a few precious minutes at the end of each school day to do stand-up routines for his classmates (provided, of course, that he kept a lid on it the rest of the day).
Carrey's early adolescence took a turn for the tragic, however, when the family was forced to relocate from their cozy town of Newmarket to Scarborough (a Toronto suburb). They all took security and janitorial jobs in the Titan Wheels factory, Jim working 8-hour shifts after school let out (not surprisingly, his grades and morale both suffered). When they finally deserted the factory, the family lived out of a Volkswagen camper van until they could return to Toronto.
Carrey made his stand-up debut in Toronto after his parents and siblings got back on their feet. He made his (reportedly awful) professional stand-up debut at Yuk-Yuk's, one of the many local clubs that would serve as his training ground in the years to come. He dropped out of high school, worked on his celebrity impersonations (among them Michael Landon and James Stewart), and in 1979 worked up the nerve to move to Los Angeles. He finessed his way into a regular gig at The Comedy Store, where he impressed Rodney Dangerfield so much that the veteran comic signed him as an opening act for an entire season. During this period Carrey met and married waitress Melissa Womer, with whom he had a daughter (Jane). The couple would later go through a very messy divorce, freeing Carrey up for a brief second marriage to actress Lauren Holly. Wary of falling into the lounge act lifestyle, Carrey began to look around for other performance outlets. He landed a part as a novice cartoonist in the short-lived sitcom The Duck Factory (1984); while the show fell flat, the experience gave Carrey the confidence to pursue acting more vigorously.
Carrey also worked on breaking into film around this time. He scored the male lead in the ill-received Lauren Hutton vehicle Once Bitten (1985), and had a supporting role in Peggy Sue Got Married (1986), before making a modest splash with his appearance as the alien Wiploc in Earth Girls Are Easy (1988). Impressed with Carrey's lunacy, fellow extraterrestrial Damon Wayans made a call to his brother, Keenen Ivory Wayans, who was in the process of putting together the sketch comedy show In Living Color (1990). Carrey joined the cast and quickly made a name for himself with outrageous acts (one of his most popular characters, psychotic Fire Marshall Bill, was attacked by watchdog groups for dispensing ill- advised safety tips).
Following his time on In Living Color (1990), Carrey's transformation from TV goofball to marquee headliner happened within the course of a single year. He opened 1994 with a starring turn in Ace Ventura: Pet Detective (1994), a film that cashed in on his extremely physical brand of humor (the character's trademark was talking out his derrière). Next up was the manic superhero movie The Mask (1994), which had audiences wondering just how far Carrey's features could stretch.
Finally, in December 1994, he hit theaters as a loveable dolt in the Farrelly brothers' Dumb and Dumber (1994) (his first multi-million dollar payday). Now a box-office staple, Carrey brought his manic antics onto the set of Batman Forever (1995), replacing Robin Williams as The Riddler. He also filmed the follow-up to his breakthrough, Ace Ventura: When Nature Calls (1995), and inked a deal with Sony to star in The Cable Guy (1996) (replacing Chris Farley) for a cool $20 million--at the time, that was the biggest up-front sum that had been offered to any comic actor. The movie turned out to be a disappointment, both critically and financially, but Carrey bounced back the next year with the energetic hit Liar Liar (1997). Worried that his comic shtick would soon wear thin, Carrey decided to change course.
In 1998, he traded in the megabucks and silly grins to star in Peter Weir's The Truman Show (1998) playing a naive salesman who discovers that his entire life is the subject of a TV show, Carrey demonstrated an uncharacteristic sincerity that took moviegoers by surprise. He won a Golden Globe for the performance, and fans anticipated an Oscar nomination as well--when it didn't materialize, Carrey lashed out at Academy members for their narrow-minded selection process. Perhaps inspired by the snub, Carrey threw himself into his next role with abandon. After edging out a handful of other hopefuls (including Edward Norton) to play eccentric funnyman Andy Kaufman in Man on the Moon (1999), Carrey disappeared into the role, living as Kaufman -- and his blustery alter-ego Tony Clifton -- for months (Carrey even owned Kaufman's bongo drums, which he'd used during his audition for director Milos Forman). His sometimes uncanny impersonation was rewarded with another Golden Globe, but once again the Academy kept quiet.
An indignant Carrey next reprised his bankable mania for the Farrelly brothers in Me, Myself & Irene (2000), playing a state trooper whose Jekyll and Hyde personalities both fall in love with the same woman (Renée Zellweger). Carrey's real-life persona wound up falling for her too--a few months after the film wrapped, the pair announced they were officially a couple. By then, Carrey had already slipped into a furry green suit to play the stingy antihero of Ron Howard's How the Grinch Stole Christmas (2000).
Although Carrey maintains a foothold in the comedy world with films such as Bruce Almighty (2003) and Mr. Popper's Penguins (2011), he is also capable of turning in nuanced dramatic performances, as demonstrated in films like Eternal Sunshine of the Spotless Mind (2004) and the drama/comedy Yes Man (2008). In 2013, he costars with Steve Carell in The Incredible Burt Wonderstone (2013).
Carrey has one child with his first wife, Melissa Carrey, whom he divorced in 1995. He married actress Lauren Holly in 1996, but they split less than a year later.- Actor
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Jerry Lewis (born March 16, 1926 - August 20, 2017) was an American comedian, actor, singer, film producer, screenwriter and film director. He is known for his slapstick humor in film, television, stage and radio. He was originally paired up with Dean Martin in 1946, forming the famed comedy team of Martin and Lewis. In addition to the duo's popular nightclub work, they starred in a successful series of comedy films for Paramount Pictures. Lewis was also known for his charity fund-raising telethons and position as national chairman for the Muscular Dystrophy Association (MDA). Lewis won several awards for lifetime achievements from The American Comedy Awards, Los Angeles Film Critics Association, and Venice Film Festival, and he had two stars on the Hollywood Walk of Fame. In 2005, he received the Governors Award of the Academy of Television Arts & Sciences Board of Governors, which is the highest Emmy Award presented. On February 22, 2009, the Academy of Motion Picture Arts and Sciences awarded Lewis the Jean Hersholt Humanitarian Award.
Jerry died on August 20, 2017, in Las Vegas.- Actor
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Often credited as the greatest comedian of all time, Peter Sellers was born Richard Henry Sellers to a well-off acting family in 1925 in Southsea, a suburb of Portsmouth. He was the son of Agnes Doreen "Peg" (Marks) and William "Bill" Sellers. His parents worked in an acting company run by his grandmother. His father was Protestant and his mother was Jewish (of both Ashkenazi and Sephardi background). His parents' first child had died at birth, so Sellers was spoiled during his early years. He enlisted in the Royal Air Force and served during World War II. After the war he met Spike Milligan, Harry Secombe and Michael Bentine, who would become his future workmates.
After the war, he set up a review in London, which was a combination of music (he played the drums) and impressions. Then, all of a sudden, he burst into prominence as the voices of numerous favorites on the BBC radio program "The Goon Show" (1951-1960), and then making his debut in films in Penny Points to Paradise (1951) and Down Among the Z Men (1952), before making it big as one of the criminals in The Ladykillers (1955). These small but showy roles continued throughout the 1950s, but he got his first big break playing the dogmatic union man, Fred Kite, in I'm All Right Jack (1959). The film's success led to starring vehicles into the 1960s that showed off his extreme comic ability to its fullest. In 1962, Sellers was cast in the role of Clare Quilty in the Stanley Kubrick version of the film Lolita (1962) in which his performance as a mentally unbalanced TV writer with multiple personalities landed him another part in Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964) in which he played three roles which showed off his comic talent in play-acting in three different accents; British, American, and German.
The year 1964 represented a peak in his career with four films in release, all of them well-received by critics and the public alike: Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), for which he was Oscar nominated, The Pink Panther (1963), in which he played his signature role of the bumbling French Inspector Jacques Clouseau for the first time, its almost accidental sequel, A Shot in the Dark (1964), and The World of Henry Orient (1964). Sellers was on top of the world, but on the evening of April 5, 1964, he suffered a nearly fatal heart attack after inhaling several amyl nitrites (also called 'poppers'; an aphrodisiac-halogen combination) while engaged in a sexual act with his second wife Britt Ekland. He had been working on Billy Wilder's Kiss Me, Stupid (1964). In a move Wilder later regretted, he replaced Sellers with Ray Walston rather than hold up production. By October 1964, Sellers made a full recovery and was working again.
The mid-1960s were noted for the popularity of all things British, from the Beatles music (who were presented with their Grammy for Best New Artist by Sellers) to the James Bond films, and the world turned to Sellers for comedy. What's New Pussycat (1965) was another big hit, but a combination of his ego and insecurity was making Sellers difficult to work with. When the James Bond spoof Casino Royale (1967) ran over budget and was unable to recoup its costs despite an otherwise healthy box-office take, Sellers received some of the blame. He turned down an offer from United Artists for the title role in Inspector Clouseau (1968), but was angry when the production went ahead with Alan Arkin in his place. His difficult reputation and increasingly erratic behavior, combined with several less successful films, took a toll on his standing. By 1970, he had fallen out of favor. He spent the early years of the new decade appearing in such lackluster B films as Where Does It Hurt? (1972) and turning up more frequently on television as a guest on The Dean Martin Show (1965) and a Glen Campbell TV special.
In 1974, Inspector Clouseau came to Sellers rescue when Sir Lew Grade expressed an interest in a TV series based on the character. Clouseau's creator, writer-director Blake Edwards, whose career had also seen better days, convinced Grade to bankroll a feature film instead, and The Return of the Pink Panther (1975) was a major hit release during the summer of Jaws (1975) and restored both men to prominence. Sellers would play Clouseau in two more successful sequels, The Pink Panther Strikes Again (1976) and Revenge of the Pink Panther (1978), and Sellers would use his newly rediscovered clout to realize his dream of playing Chauncey Gardiner in a film adaptation of Jerzy Kosinski's novel "Being There". Sellers had read the novel in 1972, but it took seven years for the film to reach the screen. Being There (1979) earned Sellers his second Oscar nomination, but he lost to Dustin Hoffman for Kramer vs. Kramer (1979).
Sellers struggled with depression and mental insecurities throughout his life. An enigmatic figure, he often claimed to have no identity outside the roles that he played. His behavior on and off the set and stage became more erratic and compulsive, and he continued to frequently clash with his directors and co-stars, especially in the mid-1970s when his physical and mental health, together with his continuing alcohol and drug problems, were at their worst. He never fully recovered from his 1964 heart attack because he refused to take traditional heart medication and instead consulted with 'psychic healers'. As a result, his heart condition continued to slowly deteriorate over the next 16 years. On March 20, 1977, Sellers barely survived another major heart attack and had a pacemaker surgically implanted to regulate his heartbeat which caused him further mental and physical discomfort. However, he refused to slow down his work schedule or consider heart surgery which might have extended his life by several years.
On July 25, 1980, Sellers was scheduled to have a reunion dinner in London with his Goon Show partners, Spike Milligan and Harry Secombe. However, at around 12 noon on July 22, Sellers collapsed from a massive heart attack in his Dorchester Hotel room and fell into a coma. He died in a London hospital just after midnight on July 24, 1980 at age 54. He was survived by his fourth wife, Lynne Frederick, and three children: Michael, Sarah and Victoria. At the time of his death, he was scheduled to undergo an angiography in Los Angeles on July 30 to see if he was eligible for heart surgery.
His last movie, The Fiendish Plot of Dr. Fu Manchu (1980), completed just a few months before his death, proved to be another box office flop. Director Blake Edwards' attempt at reviving the Pink Panther series after Sellers' death resulted in two panned 1980s comedies, the first of which, Trail of the Pink Panther (1982), deals with Inspector Clouseau's disappearance and was made from material cut from previous Pink Panther films and includes interviews with the original casts playing their original characters.- Stewart Granger was born James Lablache Stewart in London, the great grandson of the opera singer Luigi Lablache. He attended Epsom College but left after deciding not to pursue a medical degree. He decided to try acting and attended Webber-Douglas School of Dramatic Art, London. By 1935, he made his stage debut in "The Cardinal" at the Little Theatre Hull . He was with the Birmingham Repertory Company between 1936 and 1937 and, in 1938, he made his debut in the West End, London in "The Sun Never Sets". He joined the Old Vic company in 1939, appearing in 'Tony Draws a Horse' at the Criterion and 'A House in the Square' at the St Martins He had been gradually rising through the ranks of better stage roles when World War II began, and he joined the British Army in 1940. However, he developed an ulcer (1942) which brought his release from military service.
With a dearth of leading men for British movies he quickly landed his first film opportunity The Man in Grey (1943) for Gainsborough Pictures. This was the first installment of the company's successful series of romance films. Not to be confused with American actor James Stewart, James Lablanche Stewart became Stewart Granger (though he was "Jimmy" to his off-screen friends). But the film work was unsatisfying. He was forever cast as the dashing hero type, while fellow up-and-coming actor James Mason always garnered the more substantial Gainsborough part. When Mason got the nod from Hollywood, Granger inherited better parts and, in some star company in one case, the sophisticated Caesar and Cleopatra (1945) with Claude Rains and Vivien Leigh and a very young bit player already being noticed, Jean Simmons. Granger's lead roles to the end of the decade were substantial, but Simmons was unwittingly moving on into British film history with small but memorable roles for David Lean, Michael Powell, and, in a big way, Laurence Olivier, as "Ophelia" in his historic Hamlet (1948) for which she received an Oscar nomination. Granger and she were brought together as co-stars in the comedy Adam and Evalyn (1949). This time around, the chemistry off-camera was there as well, and they became engaged. About the same time, Granger's hope of interesting Hollywood was realized for him and his bride-to-be. He married Simmons and signed with MGM in 1950. Once in Hollywood, he was getting star billing leads in romantic roles that the audiences loved, but he found them still unsatisfying. He also found himself heir apparent to Errol Flynn as a swashbuckler in two popular films: the remake of The Prisoner of Zenda (1952) and Scaramouche (1952). He and Simmons were paired in Young Bess (1953), where Granger had the romantic lead, but Simmons was the focus of the movie.
Through the 50s, the films of each might have fairly equal production values, but as the fortunes of Hollywood go, Simmons was the more memorable star in films that were more popular-some very big hits, the later Elmer Gantry (1960) and Spartacus (1960). That sort of undeclared competition for a married Hollywood couple was poison to the marriage. In 1960, they divorced. Granger did a lot of work in Germany, along with some in Italy and Spain in the 60s. Interestingly, in the same period Simmons was finding the same lack of challenging roles in the US. In the 70s and 80s, Granger was relegated to small screen subsistence with regular TV roles along with a few movies and a stint on the New York stage. And ironically, Simmons was in the same boat during that period. Granger's typecasting was nothing new, but certainly his often scathing criticism of Hollywood and its denizens that came out in his autobiography "Sparks Fly Upward" was understandable and rang true with so many other stories dealing with illusive stardom. Though he was candid in his disgust with his whole career - and admittedly he did not have the depth for the range of roles allotted to bigger named actors - nonetheless he always turned in solid performances in the roles that became his legacy. - Actor
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Sir Christopher Frank Carandini Lee was perhaps the only actor of his generation to have starred in so many films and cult saga. Although most notable for personifying bloodsucking vampire, Dracula, on screen, he portrayed other varied characters on screen, most of which were villains, whether it be Francisco Scaramanga in the James Bond film, The Man with the Golden Gun (1974), or Count Dooku in Star Wars: Episode II - Attack of the Clones (2002), or as the title monster in the Hammer Horror film, The Mummy (1959).
Lee was born in 1922 in London, England, where he and his older sister Xandra were raised by their parents, Contessa Estelle Marie (Carandini di Sarzano) and Geoffrey Trollope Lee, a professional soldier, until their divorce in 1926. Later, while Lee was still a child, his mother married (and later divorced) Harcourt George St.-Croix (nicknamed Ingle), who was a banker. Lee's maternal great-grandfather was an Italian political refugee, while Lee's great-grandmother was English opera singer Marie (Burgess) Carandini.
After attending Wellington College from age 14 to 17, Lee worked as an office clerk in a couple of London shipping companies until 1941 when he enlisted in the Royal Air Force during World War II. Following his release from military service, Lee joined the Rank Organisation in 1947, training as an actor in their "Charm School" and playing a number of bit parts in such films as Corridor of Mirrors (1948). He made a brief appearance in Laurence Olivier's Hamlet (1948), in which his future partner-in-horror Peter Cushing also appeared. Both actors also appeared later in Moulin Rouge (1952) but did not meet until their horror films together.
Lee had numerous parts in film and television throughout the 1950s. He struggled initially in his new career because he was discriminated as being taller than the leading male actors of his time and being too foreign-looking. However, playing the monster in the Hammer film The Curse of Frankenstein (1957) proved to be a blessing in disguise, since the was successful, leading to him being signed on for future roles in Hammer Film Productions.
Lee's association with Hammer Film Productions brought him into contact with Peter Cushing, and they became good friends. Lee and Cushing often than not played contrasting roles in Hammer films, where Cushing was the protagonist and Lee the villain, whether it be Van Helsing and Dracula respectively in Horror of Dracula (1958), or John Banning and Kharis the Mummy respectively in The Mummy (1959).
Lee continued his role as "Dracula" in a number of Hammer sequels throughout the 1960s and into the early 1970s. During this time, he co-starred in The Hound of the Baskervilles (1959), and made numerous appearances as Fu Manchu, most notably in the first of the series The Face of Fu Manchu (1965), and also appeared in a number of films in Europe. With his own production company, Charlemagne Productions, Ltd., Lee made Nothing But the Night (1973) and To the Devil a Daughter (1976).
By the mid-1970s, Lee was tiring of his horror image and tried to widen his appeal by participating in several mainstream films, such as The Private Life of Sherlock Holmes (1970), The Three Musketeers (1973), The Four Musketeers: Milady's Revenge (1974), and the James Bond film The Man with the Golden Gun (1974).
The success of these films prompted him in the late 1970s to move to Hollywood, where he remained a busy actor but made mostly unremarkable film and television appearances, and eventually moved back to England. The beginning of the new millennium relaunched his career to some degree, during which he has played Count Dooku in Star Wars: Episode II - Attack of the Clones (2002) and as Saruman the White in the Lord of the Rings trilogy. Lee played Count Dooku again in Star Wars: Episode III - Revenge of the Sith (2005), and portrayed the father of Willy Wonka, played by Johnny Depp, in the Tim Burton film, Charlie and the Chocolate Factory (2005).
On 16 June 2001, he was created a Commander of the Order of the British Empire in recognition of his services to drama. He was created a Knight Bachelor on 13 June 2009 in the Queen's Birthday Honours List for his services to drama and charity. In addition he was made a Commander of the Order of St John on 16 January 1997.
Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.- Actor
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Jean Marais was a popular French cinema actor and director who played over 100 roles in film and on television, and was also known for his many talents as a writer, painter and sculptor.
He was born Jean Alfred Villain-Marais on December 11, 1913, in Cherbourg, France. His father practiced veterinarian medicine, then fought in the World War I, and eventually left the family. Young Jean Marais was taken to Paris at the age of 4. There he was raised by his mother and grandmother. He attended the Lycée Condorcet, a prestigious State school where also studied his future film partners such as Louis de Funes and Jean Cocteau, and the faculty had such figures as Jean-Paul Sartre. At the age of 13, Marais dropped out of Lycee Condorcet, he tried several other schools, albeit he did not complete his college education, instead he was placed in a Catholic boarding school. At 16, he left school and became involved in amateur acting. After being rejected from drama schools, he took a job as a photographer's assistant and also worked as a caddy at a golf club.
In 1933 Marais made his film debut in Les Amoureux (1933) (aka.. Les Amoureux), by director Marcel L'Herbier. In 1937, at a stage rehearsal of 'King Aedipus', Marais met Jean Cocteau, and they remained close friends until Cocteau's death. Cocteau had a major influence on life and career of Jean Marais who appeared in almost every one of Cocteau's films. Together they made such classics as Beauty and the Beast (1946), Orpheus (1950) and Testament of Orpheus (1960), to name a few.
During the World War II, Marais was an actor in the occupied Paris. After liberation of Paris in 1944, he became a truck driver for the French Army, he was decorated for his courage. During the war Marais was married to his film partner, actress Mila Parély, and their marriage was blessed by Cocteau, who wanted Marais to be happy. Marais and Mila Parély divorced after two years of marriage, and shortly after their divorce, they worked together again in 'Beauty and the Beast' (1946), under directorship of Jean Cocteau. During the 1950s, Marais shot to international fame, after starring in films directed by Cocteau, Visconti, and others.
During the 1960s and 1970s, Marais went on to star in several popular comedies, such as the Fantomas (1964) trilogy by director André Hunebelle. He co-starred with many major French actors of the time, including such stars as Louis de Funès and Mylène Demongeot in the Fantomas trilogy, and also Jean Gabin, Guy Delorme, Bourvil, Danielle Darrieux, Michèle Morgan, and Yves Montand.
Jean Marais was also a remarkable stage actor known for his association with Théâtre de Paris, Théâtre de l'Atelie, and the Comédie Francaise, among others. Marais received numerous international awards and recognitions for his contribution to film art, including the French Legion of Honour (1996). He spent his later years living in his house in Vallaruis, in the South of France where he was involved in painting, sculpture and pottery, and was visited by Pablo Picasso and other cultural figures. Jean Marais died of a heart failure on November 8, 1998, in Cannes, France, and was laid to rest in the small Cemetiere de Vallauris, France.- Actor
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Louis Jouvet was a living glory of the French theatre where he debuted in 1910. In his life he has worked as pharmacist, manager of a theatre, actor and theatre teacher. He debuted at the movies in 1932 and his best films were of the Golden Age of French cinema called the "poetical realism", e.g. "Hotel du Nord (1938)" or "La fin du jour (1939)". His character, his eagle-like profile and his unique way of speaking made him unforgettable.- Actor
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The son of a sausage-maker, Michel Simon was conscripted into the Swiss Army at the start of World War I, but was thrown out through a combination of tuberculosis and general insubordination. He was variously a boxer, photographer, general handyman and right-wing anarchist, finally becoming a stage actor in Geneva in 1920. His reputation soon grew, and he moved to Paris in 1923, appearing in his first film in 1925 (the same year he played Boudu for the first time on stage). With the coming of sound, Simon became firmly established as one of France's outstanding character actors, doing unforgettable work for Jean Renoir (La Chienne (1931), Boudu Saved from Drowning (1932)), Jean Vigo (L'Atalante (1934)) and Marcel Carné (Port of Shadows (1938), Bizarre, Bizarre (1937)). In the 1950s he worked less frequently, partly thanks to an accident involving makeup dye that paralyzed part of his body and face. Despite this, he still managed to appear in films right up to his death in 1975.- Writer
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French actor, dramatist and director, Sacha Guitry was born in 1885 in Saint-Petersburg where his father, actor Lucien Guitry, was under contract with the city's French theater. Early on, Sacha knew he was going to be an artist. Therefore, his studies were mediocre.
His acting debuts were not too encouraging either. It is as playwright that Guitry obtained his first success in 1905 with two comedies, the one act play 'Le K.W.T.Z' and the full-length play 'Nono'. Guitry's career as dramatist was launched. In the following years, he became a particularly prolific and popular writer, mostly of spiritual, caustic comedies. In 1907, Guitry went back on stage to act in his own play 'Chez les Zoaques' and would perform in most of his subsequent plays.
In 1916, he directed his first film, 'Ceux de chez nous', a patriotic documentary illustrating the works of some French artists like Auguste Renoir or Auguste Rodin. In 1917, he wrote and played in the movie 'Un Roman d'amour et d'aventures' under the direction of René Hervil and Louis Mercanton, an experience that left him unsatisfied.
It is only in 1935 that he came back in the movie studio to direct and act in 'Pasteur', a biography of the famous scientific. The film, based on a play Guitry wrote in 1919, was a commercial failure, but during the shooting, Guitry fell in love with the process of filmmaking. From then on, he would continue to write and act in new stage plays, but making movie also became an important part of his life.
He followed 'Pasteur' with 'Bonne chance', a comedy written directly for the screen. In 1936 alone, Guitry released no less than four movies, including the film versions of two of his best known plays: 'Faisons un rêve' (written in 1916), and 'Mon Père avait raison' (written in 1919). He also directed 'Le Roman d'un tricheur', this time from a short story he published in 1934. Despite lukewarm reviews, the movie was well received by the public and was also successful in the USA. It is now considered his most innovative film.
In 1937, he wrote 'Les perles de la couronne', and co-directed it with Christian-Jacque. An ambitious and expensive historical fantasy featuring a prestigious casting, the film was both a critical and commercial success. Guitry continued in the same vein the following year with 'Remontons les Champs Élysées'. The Second World War didn't stop his activities. During the occupation, he notably directed and played in the historical film 'Le Destin fabuleux de Désiré Clary' (1942), the sentimental drama 'Donne-moi tes yeux' (1943) and the biography 'La Malibran' (1944).
It is well established that during that period, Guitry had occasional contacts with members of the occupying forces, though he worked only with French independents producers, didn't allowed his plays to be performed in Germany, and had some problems with the German censorship. But he also managed to maintain a lavish lifestyle that was in sharp contrast with the life of deprivation that was the fate of most of his contemporaries.
It is possibly for that reason that, in August 1944, after the liberation of Paris, Guitry was arrested at his home following an anonymous denunciation. He was set free after two months in jail but though no official accusations were laid against him, he was forbidden to appear on stage or on screen. Finally, in 1947, he was cleared of any wrong-doings and allowed to resume his work. But his reputation was tarnished and in the years to come, he would frequently face the hostility of a certain press.
For his come-back, Guitry wanted to make a movie about historical figure Charles-Maurice de Talleyrand, but his screenplay was rejected by the authorities. So, Guitry adapted his scenario for the theatre and took the title role. Many commentators accused him to indulge in a self-justification attempt, but the play was a success and Guitry was finally able to turn it into the movie 'Le Diable boîteux' (1948).
Guitry continued to be as prolific, writing new plays, reviving old successes, penning screenplays, directing movies. But the cheerfulness of the pre-war works was replaced by a more acerbic humor like in the film 'La Poison' (1951), a movie that attracted mostly negative reviews when it came out but is today considered one of his best films.
There was a change of mood in 1953 with the release of 'Si Versailles m'était conté', another high budget historical fantasy that obtained a great success. At that time, Guitry's health was deteriorating, forcing him to give-up stage acting at the end of 1953. Despite his poor shape; Guitry, galvanized by the reception of 'Si Versailles m'était conté', wrote and directed two other historical dramas 'Napoléon' (1954) and 'Si Paris nous était conté' (1956). His general condition was so bad that, for that last film, he authorized the producer to use Henri-George Clouzot and Marcel Achard as back-ups, should he be in the impossibility to complete the film. Guitry finished his career with two comedies 'Assasins et voleurs' (1955), and 'Les Trois font la paire' (1957). He died during the summer of 1957.
Guitry's movies are only part of his legacy. He also left us above 100 plays, countless 'bons mots' and the memory of a flamboyant, often controversial personality. His films were often held in low esteem by the critics. Some of those movies were shot really fast (11 days for 'La Poison', 8 days for 'Faisons un rêve' and 'Mon Père avait raison'). Whether they are based on a play or not, dialogues are always paramount in his films, and when he adapted his plays, he never tried to hide their theatrical origin. Oddly enough, the films that were highly praised when they came out are not the ones best regarded today.- Actor
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In 1940 Gerard left school and his parents wanted him be a lawyer. But soon his mother noticed that he was only interested in acting, although his father was against the idea. After timely intervention from Marc Allégret, who decided he showed some promise, Gerard's debut was in Claude Dauphin's play "One plain girl". After this, Gerard decided to get into the conservatory. He was wonder even in music. He himself used to find necessary sounds - exact, unexpected, and unforeseen. All this helped him to portray amazing characters. Millions of people were inspired by him.
One day Georges Lacombe offered Philipe a part in his movie Le pays sans étoiles (1946). Critical reaction was very favourable and he became a star, taking on prominent roles in films such as L'idiot (1946), Devil in the Flesh (1947), The Charterhouse of Parma (1948), Such a Pretty Little Beach (1949), Juliette ou La clef des songes (1951), Fanfan la Tulipe (1952), Beauties of the Night (1952), The Red and the Black (1954), La meilleure part (1955) and Le joueur (1958).
In 1951 Gerard Philipe married Annie. He dreamed of his own home and family, children. Their first child, Ann-Marie, was born in 1954, and in 1956 came Olivie. In 1959 Gerard returned to France. He seemed to be very tired. Doctors then gave him the bad news that he had a liver cancer. "He'll live 15 days or 6 months", - they decided. After that Gerard waited for death very calmly. On November 25, 1959 he died.- Actor
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The son of a Lancashire bookmaker, Albert Finney came to motion pictures via the theatre. In 1956, he won a scholarship to RADA where his fellow alumni included Peter O'Toole and Alan Bates. He joined the Birmingham Repertory where he excelled in plays by William Shakespeare. A member of the Royal Shakespeare Company, Finney understudied Laurence Olivier at Stratford-upon-Avon, eventually acquiring a reputation as 'the new Olivier'. He first came to critical attention by creating the title role in Keith Waterhouse's "Billy Liar" on the London stage. His film debut soon followed with The Entertainer (1960) by Tony Richardson with whom had earlier worked in the theatre. With the changing emphasis in 60s British cinema towards gritty realism and working-class milieus, Finney's typical screen personae became good-looking, often brooding proletarian types and rebellious anti-heroes as personified by his Arthur Seaton in Karel Reisz's Saturday Night and Sunday Morning (1960). His exuberant defining role, however, was in the bawdy period romp Tom Jones (1963) in which Finney revealed a substantial talent for comedy. In the same vein, he scored another hit opposite Audrey Hepburn in the charming marital comedy Two for the Road (1967).
By 1965, Finney had branched out into production, setting up Memorial Enterprises in conjunction with Michael Medwin. In 1968, he directed himself in Charlie Bubbles (1968) and three years later produced the Chandleresque homage Gumshoe (1971), in which he also starred as Eddie Ginley, a bingo-caller with delusions of becoming a private eye. From 1972 to 1975, Finney served as artistic director of the Royal Court Theatre. His intermittent forays to the screen confirmed him as a versatile international actor of note, though not what one might describe as a mainstream star. His roles have ranged from Ebenezer Scrooge in the musical version of Scrooge (1970) to Daddy Warbucks in Annie (1982) and (in flamboyant over-the-top make-up) Hercule Poirot in Murder on the Orient Express (1974). He appeared as Minister of Police Joseph Fouché in Ridley Scott's superb period drama The Duellists (1977) and as a grandiloquent Shakespearean actor in The Dresser (1983) for which he received an Oscar nomination. For the small screen Finney essayed Pope John Paul II (1984) and was a totally believable Winston Churchill in the acclaimed The Gathering Storm (2002). His final movie credit was in the James Bond thriller Skyfall (2012).
Finney was five-times nominated for Academy Awards in 1964, 1975, 1984, 1985 and 2001. He won two BAFTA Awards in 1961 and 2004. True to his working-class roots, he spurned a CBE in 1980 and a knighthood in 2000, later explaining his decision by stating that the 'Sir thing' "slightly perpetuates one of our diseases in England, which is snobbery". Albert Finney was diagnosed with kidney cancer in 2011. He died on February 7 2019 at a London hospital from a chest infection at the age of 82. Upon his death, John Cleese described him as "the best" and "our greatest actor".- Actor
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Roger Moore will perhaps always be remembered as the man who replaced Sean Connery in the James Bond series, arguably something he never lived down.
Roger George Moore was born on October 14, 1927 in Stockwell, London, England, the son of Lillian (Pope) and George Alfred Moore, a policeman. His mother was born in Calcutta, India, to a British family. Roger first wanted to be an artist, but got into films full time after becoming an extra in the late 1940s. He came to the United States in 1953. Suave, extremely handsome, and an excellent actor, he received a contract with Metro-Goldwyn-Mayer. His initial foray met with mixed success, with movies like Diane (1956) and Interrupted Melody (1955), as well as The Last Time I Saw Paris (1954).
Moore went into television in the 1950s on series such as Ivanhoe (1958) and The Alaskans (1959), but probably received the most recognition from Maverick (1957), as cousin Beau. He received his big breakthrough, at least internationally, as The Saint (1962). The series made him a superstar and he became very successful thereafter. Moore ended his run as the Saint, and was one of the premier stars of the world, but he was not catching on in America. In an attempt to change this, he agreed to star with Tony Curtis on ITC's The Persuaders! (1971), but although hugely popular in Europe, it did not catch on in the United States and was canceled. Just prior to making the series, he starred in The Man Who Haunted Himself (1970), which proved there was far more to Moore than the light-hearted roles he had previously accepted.
He was next offered and accepted the role of James Bond, and once audiences got used to the change of style from Connery's portrayal, they also accepted him. Live and Let Die (1973), his first Bond movie, grossed more outside of America than Diamonds Are Forever (1971); Connery's last outing as James Bond. He went on to star in another six Bond films, before bowing out after A View to a Kill (1985). He was age 57 at the time the film was made and was looking a little too old for Bond - it was possibly one film too many. In between times, there had been more success with appearances in films such as That Lucky Touch (1975), Shout at the Devil (1976), The Wild Geese (1978), Escape to Athena (1979) and North Sea Hijack (1980).
Despite his fame from the Bond films and many others, the United States never completely took to him until he starred in The Cannonball Run (1981) alongside Burt Reynolds, a success there. After relinquishing his role as Bond, his work load tended to diminish a little, though he did star in the American box office flop Feuer, Eis & Dynamit (1990), as well as the comedy Bullseye! (1990), with Michael Caine. He did the overlooked comedy Bed & Breakfast (1991), as well as the television movie The Man Who Wouldn't Die (1994), and then the major Jean-Claude Van Damme flop The Quest (1996). Moore then took second rate roles such as Spice World (1997), and the American television series The Dream Team (1999). Although his film work slowed down, he was still in the public eye, be it appearing on television chat shows or hosting documentaries.
Roger Moore was appointed Commander of the Order of the British Empire on December 31, 1998 in the New Years Honours for services to UNICEF, and was promoted to Knight Commander of the same order on June 14, 2003 in the Queen's Birthday Honours for services to the charities UNICEF and Kiwanis International.
Roger Moore died of cancer on 23 May, 2017, in Switzerland. He was 89.- Actor
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The refined and debonair English actor Jeremy Brett will forever be best remembered for his long-running and critically acclaimed portrayal of Sherlock Holmes for Britain's Granada Television. From a privileged background, Brett was educated at England's most prestigious independent school, Eton College. After training as an actor at the Central School of Speech and Drama in London, Brett made his professional stage debut in repertory in 1954. He became a noteworthy classical actor who was to make regular appearances on stage, including many with the National Theatre.
Brett was as cultured off screen as on. His interests included classical music, archery and horseback riding. His greatest popularity and acclaim would come with his portrayal of Sherlock Holmes on television from the 1980s through to the 1990s. Where so many have tried and failed to capture the essence of the character, either being derided or forgotten, Brett's widely praised take on it has been described by many as superlative and even definitive. Brett suffered from poor health towards the end of his life but he was still playing the role of Holmes shortly before his death in 1995 at the age of 61.- Actor
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Widely regarded as one of England's finest stage, screen and TV actors, David Suchet's international reputation has only grown over the years, greatly enhanced by his definitive interpretation of Agatha Christie's suave Belgian super-sleuth Hercule Poirot, a character he played for nearly 25 years in various TV episodes (1988-2013). Born in London on May 2, 1946, the son of actress Joan Patricia Jarché and renowned Lithuanian-Jewish obstetrician and gynecologist Jack Suchet, David, following boarding school, took an early desire in acting and was given a membership with the National Youth Theatre of Great Britain at age 16. He then studied for three years at the London Academy of Music and Dramatic Arts and, after a significant route in repertory work, became a company member of the Royal Shakespeare Company in 1973 where he evolved into one of its most dominant players.
In the 1970s, Suchet also began to come into his own on British television. In classical tradition, his first television movie was A Tale of Two Cities (1980). His first cinematic detective was as a Greek inspector in the Disney mystery comedy Trenchcoat (1983). This was followed by a versatile range of film roles that also express the width of his acting nationalities, such as a Middle Eastern terrorist in The Little Drummer Girl (1984), a Russian operative in The Falcon and the Snowman (1985), a French hunter in Harry and the Hendersons (1987), a Polish bishop in To Kill A Priest (1988), and the emperor Napoleon in Sabotage! (2000).
Suchet's masterful work in television roles also includes portrayals of historical, biblical, entertainment and fictional figures, such as Sigmund Freud in Freud (1984), news reporter William L. Shirer in Murrow (1986), Aaron in Moses (1995), movie mogul Louis B. Mayer in RKO 281 (1999), Cardinal Wolsey in Henry VIII (2003), vampire nemesis Van Helsing in Dracula (2006), and Robert Maxwell in Maxwell (2007).
Suchet's memorable theatre incarnations have included Shakespearean interps of Iago in "Othello", Tybalt in "Romeo and Juliet", Caliban in "The Tempest", and the title role of "Timon of Athens", as well as vibrant classical roles such as George in "Who's Afraid of Virginia Woolf?" (1996), as composer Salieri in "Amadeus" (1998), a mesmerizing performance that earned both Olivier and Tony nominations, as Joe Keller in "All My Sons" (2010), as James Tyrone in "Long Day's Journey Into Night" (2012) (and in the 2014 film), as Lady Bracknell in "The Importance of Being Earnest" (2015) (and in the 2015 film), and as Gregory Solomon in "The Price" (2019).
Long married to former actress Sheila Ferris, the couple have two children: Robert Suchet (born 1981) and Katherine Suchet (born 1983). His older brother is BBC newscaster-turned-journalist John Suchet. David was awarded Commander of the Order of the British Empire (CBE) at the 2011 Queen's Birthday Honours for his services to drama. He was awarded Knight Bachelor of the Order of the British Empire at the 2020 Queen's Birthday Honours for his services to drama and to charity.- Actor
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Lee Majors was born on 23 April 1939 in Wyandotte, Michigan, USA. He is an actor and producer, known for The Six Million Dollar Man (1974), The Fall Guy (1981) and Scrooged (1988). He has been married to Faith Majors since 9 November 2002. He was previously married to Karen Velez, Farrah Fawcett and Thelma Kathleen Robinson.- Actor
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Robert Conrad was a graduate of Northwestern University, spending his first few years out of school supporting himself and his family by driving a milk truck and singing in a Chicago cabaret. Conrad befriended up-and-coming actor Nick Adams during this period, and it was Adams who helped Conrad get his first Hollywood work in 1957. A few movie bit parts later, Conrad was signed for a comparative pittance by Warner Bros. studios, and in 1959 was cast as detective Tom Lopaka on the weekly adventure series Hawaiian Eye. Upon the 1963 cancellation of this series, Conrad made a handful of Spanish and American films and toured with a nightclub act in Australia and Mexico City. Cast as frontier secret agent James West in The Wild Wild West (1965) in 1965, Conrad brought home $5000 a week during the series' first season and enjoyed increasing remunerations as West remained on the air until 1969. There are those who insist that Wild Wild West would have been colorless without the co-starring presence of Ross Martin, an opinion with which Conrad has always agreed. The actor's bid to star in a 1970 series based on the venerable Nick Carter pulp stories got no further than a pilot episode, while the Jack Webb-produced 1971 Robert Conrad series The D.A. was canceled after 13 episodes. When Roy Scheider pulled out of the 1972 adventure weekly Assignment: Vienna, Conrad stepped in--and was out, along with the rest of Assignment: Vienna, by June of 1973. Conrad had better luck with 1976's Baa Baa Black Sheep, aka Black Sheep Squadron, a popular series based on the World War II exploits of Major "Pappy" Boyington. Cast as a nurse on this series was Conrad's daughter Nancy, setting a precedent for nepotism that the actor practiced as late as his tenth TV series, 1989's Jesse Hawkes, wherein Conrad co-starred with his sons Christian and Shane.
Though few of his series have survived past season one, Conrad has enjoyed success as a commercial spokesman and in the role of G. Gordon Liddy (whom the actor admired) in the 1982 TV movie Will: The Autobiography of G. Gordon Liddy (1982). As can be gathered from the Liddy assignment, Conrad's politics veered towards conservatism; in 1981, he and Charlton Heston were instrumental in toppling Ed Asner and his liberal contingent from power in the Screen Actors Guild.
As virile and athletic as ever in the 1990s, Robert Conrad continued to appear in action roles both on TV and in films; he also maintained strong ties with his hometown of Chicago, and could be counted on to show up at a moment's notice as a guest on the various all-night programs of Chicago radio personality Eddie Schwartz.- Actor
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Born in Grodek, Poland, Ross Martin grew up on New York City's Lower East Side. He spoke Yiddish, Polish, and Russian before even learning English and later added French, Spanish, and Italian to his amazing repertoire.
Despite academic training (and receiving honors in) business, instruction, and law, M. Martin chose a career of acting. His first film was the George Pal production Conquest of Space (1955). Soon after, he caught the eye of Blake Edwards who cast him in a number of widely varied roles, culminating with a fantastic part in The Great Race (1965).
Ross somehow managed a series in between, the short-lived Mr. Lucky (1959). With the release of The Great Race (1965), CBS cast him in what was to become his most famous part, Secret Service agent Artemus Gordon in The Wild Wild West (1965), opposite Robert Conrad. Perhaps the show's cancellation in 1969 was for the best - he suffered a near-fatal heart attack in 1968.
Afraid to take the risk of having a lead actor with a heart condition, the networks snubbed him with regards to a lead role, yet he appeared as a guest star in an amazing number of programs, not all dramatic masterpieces. Yet Ross loved to act, and took every role which came his way. Ross Martin collapsed while playing tennis, the heart condition finally taking its toll on July 3rd, 1981.- Actor
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William Shatner has notched up an impressive 70-plus years in front of the camera, displaying heady comedic talent and being instantly recognizable to several generations of cult television fans as the square-jawed Captain James T. Kirk, commander of the starship U.S.S. Enterprise.
Shatner was born in Côte Saint-Luc, Montréal, Québec, Canada, to Anne (Garmaise) and Joseph Shatner, a clothing manufacturer. His father was a Jewish emigrant from Bukovina in the Austro-Hungarian Empire, while his maternal grandparents were Lithuanian Jews. After graduating from university, he joined a local Summer theatre group as an assistant manager. He then performed with the National Repertory Theatre of Ottawa and at the Stratford, Ontario, Shakespeare Festival as an understudy working with such as Alec Guinness, James Mason, and Anthony Quayle. He came to the attention of New York critics and was soon playing important roles in major shows on live television.
Shatner spent many years honing his craft before debuting alongside Yul Brynner in The Brothers Karamazov (1958). He was kept busy during the 1960s in films such as Judgment at Nuremberg (1961) and The Intruder (1962) and on television guest-starring in dozens of series such as Alfred Hitchcock Presents (1955), The Defenders (1961), The Outer Limits (1963) and The Twilight Zone (1959). In 1966, Shatner boarded the USS Enterprise for three seasons of Star Trek (1966), co-starring alongside Leonard Nimoy, with the series eventually becoming a bona-fide cult classic with a worldwide legion of fans known variously as "Trekkies" or "Trekkers".
After "Star Trek" folded, Shatner spent the rest of the decade and the 1970s making the rounds, guest-starring on many prime-time television series, including Hawaii Five-O (1968), Marcus Welby, M.D. (1969) and Ironside (1967). He has also appeared in several feature films, but they were mainly B-grade (or lower) fare, such as the embarrassingly bad Euro western White Comanche (1968) and the campy Kingdom of the Spiders (1977). However, the 1980s saw a major resurgence in Shatner's career with the renewed interest in the original Star Trek (1966) series culminating in a series of big-budget "Star Trek" feature films, including Star Trek: The Motion Picture (1979), Star Trek II: The Wrath of Khan (1982), Star Trek III: The Search for Spock (1984), Star Trek IV: The Voyage Home (1986), Star Trek V: The Final Frontier (1989) and Star Trek VI: The Undiscovered Country (1991). In addition, he starred in the lightweight police series T.J. Hooker (1982) from 1982 to 1986, alongside spunky Heather Locklear, and surprised many fans with his droll comedic talents in Airplane II: The Sequel (1982), Loaded Weapon 1 (1993) and Miss Congeniality (2000).
He has most recently been starring in the David E. Kelley television series The Practice (1997) and its spin-off Boston Legal (2004).
Outside of work, he jogs and follows other athletic pursuits. His interest in health and nutrition led to him becoming spokesman for the American Health Institute's 'Know Your Body' program to promote nutritional and physical health.- Actor
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Leonard Simon Nimoy was born in Boston, Massachusetts, to Dora (Spinner) and Max Nimoy, who owned a barbershop. His parents were Ukrainian Jewish immigrants. Raised in a tenement and acting in community theaters since age eight, Nimoy did not make his Hollywood debut until he was 20, with a bit part in Queen for a Day (1951) and another as a ballplayer in the perennial Rhubarb (1951). After two years in the United States Army, he was still getting small, often uncredited parts, like an Army telex operator in Them! (1954). His part as Narab, a Martian finally friendly to Earth, in the closing scene in the corny Republic serial Zombies of the Stratosphere (1952), somewhat foreshadowed the role which would make him a household name: Mr. Spock, the half-human/half-Vulcan science officer on Star Trek (1966) one of television's all-time most successful series. His performance won him three Emmy nominations and launched his career as a writer and director, notably of Star Trek IV: The Voyage Home (1986), the story of a humpback whale rescue that proved the most successful of the Star Trek movies. Stage credits have included "Fiddler on the Roof", "Oliver", "Camelot" and "Equus". He has hosted the well-known television series In Search of... (1977) and Ancient Mysteries (1994), authored several volumes of poetry and guest-starred on two episodes of The Simpsons (1989). In the latter years of his career, he played Mustafa Mond in NBC's telling of Aldous Huxley's Brave New World (1998), voiced Sentinel Prime in the blockbuster Transformers: Dark of the Moon (2011), and played Spock again in two new Star Trek films, Star Trek (2009) and Star Trek Into Darkness (2013).
Leonard Nimoy died on February 27, 2015 in Bel Air, Los Angeles, California, of end-stage chronic obstructive pulmonary disease. He was 83.- Actor
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British actor Patrick Macnee was born on February 6, 1922 in London, England into a wealthy and eccentric family. His father, Daniel Macnee, was a race horse trainer, who drank and gambled away the family fortune, leaving young Patrick to be raised by his lesbian mother, Dorothea Mary, and her partner. Shortly after graduating from Eton (from which he was almost expelled for running a gambling ring), Macnee first appeared on stage and made his film debut as an extra in Pygmalion (1938). His career was interrupted by World War II, during which he served in the Royal Navy. After military service, Macnee attended the Webber Douglas School of Dramatic Art in London on scholarship. He also resumed his stage and film career, with bit parts such as Young Jacob Marley in A Christmas Carol (1951). Disappointed with his limited roles, Macnee left England for Canada and the United States.
In 1954, he went to Broadway with an Old Vic troupe and later moved on to Hollywood, where he made occasional television and film appearances until returning to England in 1959. Once back home, he took advantage of his producing experience in Canada to become co-producer of the British television series Winston Churchill: The Valiant Years (1960). Shortly thereafter, Macnee landed the role that brought him worldwide fame and popularity in the part of John Steed, in the classic British television series The Avengers (1961). His close identification with this character limited his career choices after the cancellation of the series in 1969, prompting him to reprise the role in The New Avengers (1976), which, though popular, failed to recapture the magic of the original series. During the 1980s and 1990s, Macnee became a familiar face on American television in such series as Gavilan (1982), Empire (1984), Thunder in Paradise (1994) and NightMan (1997). In the past decade, Macnee has also made several audio recordings of book fiction.- Actor
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Christopher Lloyd is an American actor with a relatively long career. His better known roles include drug-using taxicab driver Jim Ignatowski in the sitcom Taxi (1978), Klingon Commander Kruge in Star Trek III: The Search for Spock (1984), inventor Dr. Emmett "Doc" Brown in the Back to the Future trilogy (1985-1990), the evil Judge Doom in Who Framed Roger Rabbit (1988), and deranged Uncle Fester in The Addams Family (1991) and Addams Family Values (1993).
Lloyd was born on October 22, 1938 in Stamford, Connecticut. His parents were lawyer Samuel R. Lloyd and singer Ruth Lapham (1896-1984). His maternal uncle was politician Roger Lapham, Mayor of San Francisco (1883-1966, term 1944-1948). His maternal grandfather was businessman Lewis Henry Lapham (1858-1934), co-founder of Texaco Oil Company. Lloyd is a distant descendant of indentured servant John Howland (c. 1592-1673), one of the passengers of the ship Mayflower and signers of the Mayflower Compact.
Lloyd was raised in the town Westport, Connecticut, which changed from a community of farmers to a suburban development during the 20th century. Many artists and writers from New York City settled in the town. Lloyd was educated at Staples High School. He was a co-founder of the Staples Players, the school's theatre company. Lloyd was interested in an acting career, and served as an apprentice at summer theaters in Mount Kisco, New York and Hyannis, Massachusetts. In 1957, he started pursuing acting classes in New York City. He took lessons at the Neighborhood Playhouse School of the Theatre, a full-time professional conservatory for actors. His acting teacher was Sanford Meisner (1905-1997), eponymous creator of the Meisner technique.
Lloyd made his New York theatrical debut in a 1961 production of the play "And They Put Handcuffs on the Flowers" by Fernando Arrabal (1932-). He was reportedly a replacement for another actor. He made his Broadway debut in a 1969 performance of Red, White and Maddox (1969). Until the mid-1970s, Lloyd was primarily a theatrical actor. He performed both on Off-Broadway shows and in Broadway. Lloyd made his film debut in the role of psychiatric patient Max Taber in the drama One Flew Over the Cuckoo's Nest (1975). His first major role in television was drug-using taxicab driver Jim Ignatowski in the sitcom Taxi (1978). His character was an aging hippie, son of an affluent Boston family , and former student of Harvard University. Ignatowski was one of the sitcom's most colorful characters and Lloyd won two Primetime Emmy Awards for Outstanding Supporting Actor in a Comedy Series.
In the 1980s and early 1990s, Lloyd played most of his most notable film roles. Lloyd was first nominated for the Saturn Award for Best Supporting Actor, for his role as Dr. Emmett "Doc" Brown in Back to the Future (1985). The award was instead won by rival actor Roddy McDowall (1928-1998). He was nominated for the same award for his role as the evil Judge Doom in Who Framed Roger Rabbit (1988). The award was instead won by rival actor Robert Loggia (1930-2015). Lloyd also performed as a voice actor, voicing the evil sorcerer Merlock in DuckTales the Movie: Treasure of the Lost Lamp (1990) and historical figure Grigori Rasputin (1869-1916) in Anastasia (1997). Lloyd had another notable television role when cast in the role of villain Sebastian Jackal in the sci-fi series Deadly Games (1995). He also played the character Dr. Jordan Kenneth Lloyd, the despised father of the series' protagonist Dr. Gus Lloyd (played by James Calvert).
Lloyd's last notable film role in the 1990s was playing the Martian Uncle Martin in My Favorite Martian (1999). The film was an adaptation of the classic sitcom My Favorite Martian (1963), and the character was previously played by Ray Walston (1914-2001). The film under-performed at the box office. In the 2000s, Lloyd played the role of recurring character Cletus Poffenberger in the comic sci-fi series Tremors (2003), and recurring character Professor Harold March in the sitcom Stacked (2005). As March, Lloyd played a retired rocket scientist who was a regular customer of the bookstore which served as the series' setting. In the 2010s, Lloyd returned to the role of Dr. Emmett "Doc" Brown in cameo appearances in A Million Ways to Die in the West (2014) and Donald Trump's The Art of the Deal: The Movie (2016), and as the protagonist of the short film Back to the Future: Doc Brown Saves the World (2015). By 2020, Lloyd has never retired from acting and continues to appear in various roles.- Actor
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Michael J. Fox was born Michael Andrew Fox on June 9, 1961 in Edmonton, Alberta, Canada, to Phyllis Fox (née Piper), a payroll clerk, and William Fox. His parents moved their 10-year-old son, his three sisters, Kelli Fox, Karen, and Jacki, and his brother Steven, to Vancouver, British Columbia, after his father, a sergeant in the Canadian Army Signal Corps, retired. During these years Michael developed his desire to act. At 15 he successfully auditioned for the role of a 10-year-old in a series called Leo and Me (1978). Gaining attention as a bright new star in Canadian television and movies, Michael realized his love for acting when he appeared on stage in "The Shadow Box." At 18 he moved to Los Angeles and was offered a few television-series roles, but soon they stopped coming and he was surviving on boxes of macaroni and cheese. Then his agent called to tell him that he got the part of Alex P. Keaton on the situation comedy Family Ties (1982). He starred in the feature films Teen Wolf (1985), High School U.S.A. (1983), Poison Ivy (1985) and Back to the Future (1985).- Actor
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Henry Franklin Winkler was born on October 30, 1945, in Manhattan, New York. His parents, Ilse Anna Maria (Hadra) and Harry Irving Winkler, were German Jewish immigrants who escaped the Holocaust by moving to the US in 1939. His father was the president of an international lumber company while his mother worked alongside his father. Winkler is a cousin of Richard Belzer.
Winkler grew up with "a high level of low self-esteem." Throughout elementary school and high school, he struggled with academics. This was due to what he would later identify as dyslexia. His parents expected him to eventually work with them at the lumber company. However, he had other plans as he saw roles on stage as the key to his happiness. Winkler's acting debut came in the eighth grade when he played the role of Billy Budd in the school play of the same name. Following his graduation from McBurney High School, Winkler was able to incorporate his learning disability and succeed in higher education. He received a Bachelor's degree from Emerson College in 1967 and a Master of Fine Arts degree from the Yale School of Drama in 1970. He later received an honorary PhD in Hebrew Literature in 1978 from Emerson College.
Following college, his top priority was to become an actor. However, if this was unsuccessful, he wanted to become a child psychologist because of his deep interest in working with children. Like many other actors, he began his career by appearing in 30 commercials. His first major film role was in The Lords of Flatbush (1974) in which he played a member of a Brooklyn gang. After that, he was cast on a new ABC series which was set in the 1950s, Happy Days (1974). He was given the role of high school dropout and greaser Arthur "Fonzie" Fonzarelli. The character was seldom seen during the first few episodes as ABC initially feared he would be perceived as a hoodlum. However, the character became extremely popular with viewers, and the show's producers decided to give Fonzie a more prominent role in the series.
Following this, the show's ratings began to soar, and Fonzie became a 1970s icon and the epitome of cool. His motorcycle, leather jacket, thumbs-up gesture, and uttering of the phrase "Aayyyy!" became television trademarks. Unlike many other 1970s stars who rose to fame in a short period of time and developed "big heads", Winkler managed to stay well-grounded and avoided falling into this trap. He was said to be more polite and agreeable even after his popularity soared. He remained on the series until its cancellation in 1984.
In the mid-1980s, with his Happy Days (1974) now behind him, Winkler decided to change his focus toward producing and directing. He produced and directed several television shows and movies, most notably MacGyver (1985) and Sabrina the Teenage Witch (1996). In the mid-1990s and early 2000s, he was able to re-establish himself with a younger generation of moviegoers and TV viewers, appearing in the popular films, Scream (1996) and The Waterboy (1998) and on shows such as The Practice (1997) and Arrested Development (2003).
In 2018 after over 45 years in the entertainment industry, he won his first-ever Prime Time Emmy Award: Outstanding Supporting Actor in a Comedy Series for his role on the HBO series Barry (2018). In addition to his movie and film credits, Winkler is a well-accomplished author. Between 2003 and 2007, he co-authored 12 children's novels with Lin Oliver. The series is called "Hank Zipzer, the World's Greatest Underachiever." The books are based on his early struggles with dyslexia, and they sold more than two million books in that time.
Winkler has been married since 1978 to Stacey Winkler (nee Weitzman) with whom he has three children. Together, they are actively involved with various children's charities. In 1990, they co-founded the Children's Action Network (CAN), which provides free immunization to over 200,000 children. Winkler is also involved with the Annual Cerebral Palsy Telethon, the Epilepsy Foundation of America, the annual Toys for Tots campaign, the National Committee for Arts for the Handicapped, and the Special Olympics.
In September 2003, Winkler suffered a personal setback when John Ritter unexpectedly passed away. Winkler was on the set of 8 Simple Rules (2002) that day for a guest appearance and was one of the last people to talk to Ritter.- Actor
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Thomas Jacob "Jack" Black was born on August 28, 1969 in Santa Monica, California and raised in Hermosa Beach, California to Judith Love Cohen & Thomas William Black, both satellite engineers. He is of Russian Jewish & British-German ancestry. Black attended the University of California at Los Angeles. While at UCLA, he was a member of Tim Robbins' acting troupe & it was through this collaboration that led to his 1992 film debut in Bob Roberts (1992). Although he was just a background voice in his first film, Jack's appearances in such television shows as The X-Files (1993), his breakthrough performance in High Fidelity (2000) & his rock-comedy band, Tenacious D have created an ever-growing cult following.- Actor
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Nicolas Cage was born Nicolas Kim Coppola in Long Beach, California, the son of comparative literature professor August Coppola (whose brother is director Francis Ford Coppola) and dancer/choreographer Joy Vogelsang. He is of Italian (father) and Polish and German (mother) descent. Cage changed his name early in his career to make his own reputation, succeeding brilliantly with a host of classic, quirky roles by the late 1980s.
Initially studying theatre at Beverly Hills High School (though he dropped out at seventeen), he secured a bit part in Fast Times at Ridgemont High (1982) -- most of which was cut, dashing his hopes and leading to a job selling popcorn at the Fairfax Theater, thinking that would be the only route to a movie career. But a job reading lines with actors auditioning for uncle Francis' Rumble Fish (1983) landed him a role in that film, followed by the punk-rocker in Valley Girl (1983), which was released first and truly launched his career.
His one-time passion for method acting reached a personal limit when he smashed a street-vendor's remote-control car to achieve the sense of rage needed for his gangster character in The Cotton Club (1984).
In his early 20s, he dated Jenny Wright for two years and later linked to Uma Thurman. After a relationship of several years with Christina Fulton, a model, they split amicably and share custody of a son, Weston Cage (b. 1990). He also has a son with his ex-wife, Alice Kim Cage.- Actor
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Michael Caine was born as Maurice Joseph Micklewhite in London, to Ellen (née Burchell), a cook, and Maurice Micklewhite Sr., a fish-market porter. He had a younger brother, Stanley Caine, and an older maternal half-brother named David Burchell. He left school at age 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean War, where he saw combat. Upon his return to England, he gravitated toward the theater and got a job as an assistant stage manager. He adopted the name of Caine on the advice of his agent, taking it from a marquee that advertised The Caine Mutiny (1954). In the years that followed, he worked in more than 100 television dramas, with repertory companies throughout England and eventually in the stage hit "The Long and the Short and the Tall".
Zulu (1964), the epic retelling of a historic 19th-century battle in South Africa between British soldiers and Zulu warriors, brought Caine to international attention. Instead of being typecast as a low-ranking Cockney soldier, he played a snobbish, aristocratic officer. Although "Zulu" was a major success, it was the role of Harry Palmer in The Ipcress File (1965) and the title role in Alfie (1966) that made Caine a star of the first magnitude. He epitomized the new breed of actor in mid-1960s England, the working-class bloke with glasses and a down-home accent. However, after initially starring in some excellent films, particularly in the 1960s, including Gambit (1966), Funeral in Berlin (1966), Play Dirty (1969), Battle of Britain (1969), Too Late the Hero (1970), The Last Valley (1971) and especially Get Carter (1971), he seemed to take on roles in below-average films, simply for the money he could by then command.
However, there were some gems amongst the dross. He gave a magnificent performance opposite Sean Connery in The Man Who Would Be King (1975) and turned in a solid one as a German colonel in The Eagle Has Landed (1976). Educating Rita (1983), Blame It on Rio (1984) and Hannah and Her Sisters (1986) (for which he won his first Oscar) were highlights of the 1980s, while more recently Little Voice (1998), The Cider House Rules (1999) (his second Oscar) and Last Orders (2001) have been widely acclaimed. Caine played Nigel Powers in the parody sequel Austin Powers in Goldmember (2002), and Alfred Pennyworth in Christopher Nolan's Dark Knight trilogy. He appeared in several other of Nolan's films including The Prestige (2006), Inception (2010) and Interstellar (2014). He also appeared as a supporting character in Alfonso Cuarón's Children of Men (2006) and Pixar's sequel Cars 2 (2011).
As of 2015, films in which Caine has starred have grossed over $7.4 billion worldwide. He is ranked the ninth highest grossing box office star. Caine is one of several actors nominated for an Academy Award for acting every decade from five consecutive decades (the other being Laurence Olivier and Meryl Streep). He was appointed Commander of the Order of the British Empire in the 1992 Birthday Honours, and was knighted by Queen Elizabeth II in the 2000 Birthday Honours in recognition for his contributions to the cinema.
Caine has been married twice. First to actress Patricia Haines from 1954 to 1958. They had a daughter, Dominique, in 1957. A bachelor for some dozen-plus years after the divorce, he was romantically linked to Edina Ronay (for three years), Nancy Sinatra, Natalie Wood, Candice Bergen, Bianca Jagger, Françoise Pascal and Jill St. John. In 1971 he met his second wife, fashion model Shakira Caine (née Baksh), and they married in 1973, six months before their daughter Natasha was born. The couple has three grandchildren, and in 2023, they celebrated their 50th wedding anniversary.- Actor
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- Editorial Department
Christian Charles Philip Bale was born in Pembrokeshire, Wales, UK on January 30, 1974, to English parents Jennifer "Jenny" (James) and David Bale. His mother was a circus performer and his father, who was born in South Africa, was a commercial pilot. The family lived in different countries throughout Bale's childhood, including England, Portugal, and the United States. Bale acknowledges the constant change was one of the influences on his career choice.
His first acting job was a cereal commercial in 1983; amazingly, the next year, he debuted on the West End stage in "The Nerd". A role in the 1986 NBC mini-series Anastasia: The Mystery of Anna (1986) caught Steven Spielberg's eye, leading to Bale's well-documented role in Empire of the Sun (1987). For the range of emotions he displayed as the star of the war epic, he earned a special award by the National Board of Review for Best Performance by a Juvenile Actor.
Adjusting to fame and his difficulties with attention (he thought about quitting acting early on), Bale appeared in Kenneth Branagh's 1989 adaptation of Shakespeare's Henry V (1989) and starred as Jim Hawkins in a TV movie version of Treasure Island (1990). Bale worked consistently through the 1990s, acting and singing in Newsies (1992), Swing Kids (1993), Little Women (1994), The Portrait of a Lady (1996), The Secret Agent (1996), Metroland (1997), Velvet Goldmine (1998), All the Little Animals (1998), and A Midsummer Night's Dream (1999). Toward the end of the decade, with the rise of the Internet, Bale found himself becoming one of the most popular online celebrities around, though he, with a couple notable exceptions, maintained a private, tabloid-free mystique.
Bale roared into the next decade with a lead role in American Psycho (2000), director Mary Harron's adaptation of the controversial Bret Easton Ellis novel. In the film, Bale played a murderous Wall Street executive obsessed with his own physicality - a trait for which Bale would become a specialist. Subsequently, the 10th Anniversary issue for "Entertainment Weekly" crowned Bale one of the "Top 8 Most Powerful Cult Figures" of the past decade, citing his cult status on the Internet. EW also called Bale one of the "Most Creative People in Entertainment", and "Premiere" lauded him as one of the "Hottest Leading Men Under 30".
Bale was truly on the Hollywood radar at this time, and he turned in a range of performances in the remake Shaft (2000), Captain Corelli's Mandolin (2001), the balmy Laurel Canyon (2002), and Reign of Fire (2002), a dragons-and-magic commercial misfire that has its share of defenders.
Two more cult films followed: Equilibrium (2002) and The Machinist (2004), the latter of which gained attention mainly due to Bale's physical transformation - he dropped a reported 60+ pounds for the role of a lathe operator with a secret that causes him to suffer from insomnia for over a year.
Bale's abilities to transform his body and to disappear into a character influenced the decision to cast him in Batman Begins (2005), the first chapter in Christopher Nolan's definitive trilogy that proved a dark-themed narrative could resonate with audiences worldwide. The film also resurrected a character that had been shelved by Warner Bros. after a series of demising returns, capped off by the commercial and critical failure of Batman & Robin (1997). A quiet, personal victory for Bale: he accepted the role after the passing of his father in late 2003, an event that caused him to question whether he would continue performing.
Bale segued into two indie features in the wake of Batman's phenomenal success: The New World (2005) and Harsh Times (2005). He continued working with respected independent directors in 2006's Rescue Dawn (2006), Werner Herzog's feature version of his earlier, Emmy-nominated documentary, Little Dieter Needs to Fly (1997). Leading up to the second Batman film, Bale starred in The Prestige (2006), the remake of 3:10 to Yuma (2007), and a reunion with director Todd Haynes in the experimental Bob Dylan biography, I'm Not There (2007).
Anticipation for The Dark Knight (2008) was spun into unexpected heights with the tragic passing of Heath Ledger, whose performance as The Joker became the highlight of the sequel. Bale's graceful statements to the press reminded us of the days of the refined Hollywood star as the second installment exceeded the box-office performance of its predecessor.
Bale's next role was the eyebrow-raising decision to take over the role of John Connor in the Schwarzenegger-less Terminator Salvation (2009), followed by a turn as federal agent Melvin Purvis in Michael Mann's Public Enemies (2009). Both films were hits but not the blockbusters they were expected to be.
For all his acclaim and box-office triumphs, Bale would earn his first Oscar in 2011 in the wake of The Fighter (2010)'s critical and commercial success. Bale earned the Best Supporting Actor award for his portrayal of Dicky Eklund, brother to and trainer of boxer "Irish" Micky Ward, played by Mark Wahlberg. Bale again showed his ability to reshape his body with another gaunt, skeletal transformation.
Bale then turned to another auteur, Yimou Zhang, for the epic The Flowers of War (2011), in which Bale portrayed a priest trapped in the midst of the Rape of Nanking. Bale earned headlines for his attempt to visit with Chinese civil-rights activist Chen Guangcheng, which was blocked by the Chinese government.
Bale capped his role as Bruce Wayne/Batman in The Dark Knight Rises (2012); in the wake of the Aurora, Colorado tragedy, Bale made a quiet pilgrimage to the state to visit with survivors of the attack that left theatergoers dead and injured. He also starred in the thriller Out of the Furnace (2013) with Crazy Heart (2009) writer/director Scott Cooper, and the drama-comedy American Hustle (2013), reuniting with David O. Russell.
Bale will re-team with The New World (2005) director Terrence Malick for two upcoming projects: Knight of Cups (2015) and an as-yet-untitled drama.
In his personal life, he devotes time to charities including Greenpeace and the World Wildlife Foundation. He lives with his wife, Sibi Blazic, and their two children.- Producer
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Few actors in the world have had a career quite as diverse as Leonardo DiCaprio's. DiCaprio has gone from relatively humble beginnings, as a supporting cast member of the sitcom Growing Pains (1985) and low budget horror movies, such as Critters 3 (1991), to a major teenage heartthrob in the 1990s, as the hunky lead actor in movies such as Romeo + Juliet (1996) and Titanic (1997), to then become a leading man in Hollywood blockbusters, made by internationally renowned directors such as Martin Scorsese and Christopher Nolan.
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, the only child of Irmelin DiCaprio (née Indenbirken) and former comic book artist George DiCaprio. His father is of Italian and German descent, and his mother, who is German-born, is of German, Ukrainian and Russian ancestry. His middle name, "Wilhelm", was his maternal grandfather's first name. Leonardo's father had achieved minor status as an artist and distributor of cult comic book titles, and was even depicted in several issues of American Splendor, the cult semi-autobiographical comic book series by the late 'Harvey Pekar', a friend of George's. Leonardo's performance skills became obvious to his parents early on, and after signing him up with a talent agent who wanted Leonardo to perform under the stage name "Lenny Williams", DiCaprio began appearing on a number of television commercials and educational programs.
DiCaprio began attracting the attention of producers, who cast him in small roles in a number of television series, such as Roseanne (1988) and The New Lassie (1989), but it wasn't until 1991 that DiCaprio made his film debut in Critters 3 (1991), a low-budget horror movie. While Critters 3 (1991) did little to help showcase DiCaprio's acting abilities, it did help him develop his show-reel, and attract the attention of the people behind the hit sitcom Growing Pains (1985), in which Leonardo was cast in the "Cousin Oliver" role of a young homeless boy who moves in with the Seavers. While DiCaprio's stint on Growing Pains (1985) was very short, as the sitcom was axed the year after he joined, it helped bring DiCaprio into the public's attention and, after the sitcom ended, DiCaprio began auditioning for roles in which he would get the chance to prove his acting chops.
Leonardo took up a diverse range of roles in the early 1990s, including a mentally challenged youth in What's Eating Gilbert Grape (1993), a young gunslinger in The Quick and the Dead (1995) and a drug addict in one of his most challenging roles to date, Jim Carroll in The Basketball Diaries (1995), a role which the late River Phoenix originally expressed interest in. While these diverse roles helped establish Leonardo's reputation as an actor, it wasn't until his role as Romeo Montague in Baz Luhrmann's Romeo + Juliet (1996) that Leonardo became a household name, a true movie star. The following year, DiCaprio starred in another movie about doomed lovers, Titanic (1997), which went on to beat all box office records held before then, as, at the time, Titanic (1997) became the highest grossing movie of all time, and cemented DiCaprio's reputation as a teen heartthrob. Following his work on Titanic (1997), DiCaprio kept a low profile for a number of years, with roles in The Man in the Iron Mask (1998) and the low-budget The Beach (2000) being some of his few notable roles during this period.
In 2002, he burst back into screens throughout the world with leading roles in Catch Me If You Can (2002) and Gangs of New York (2002), his first of many collaborations with director Martin Scorsese. With a current salary of $20 million a movie, DiCaprio is now one of the biggest movie stars in the world. However, he has not limited his professional career to just acting in movies, as DiCaprio is a committed environmentalist, who is actively involved in many environmental causes, and his commitment to this issue led to his involvement in The 11th Hour, a documentary movie about the state of the natural environment. As someone who has gone from small roles in television commercials to one of the most respected actors in the world, DiCaprio has had one of the most diverse careers in cinema. DiCaprio continued to defy conventions about the types of roles he would accept, and with his career now seeing him leading all-star casts in action thrillers such as The Departed (2006), Shutter Island (2010) and Christopher Nolan's Inception (2010), DiCaprio continues to wow audiences by refusing to conform to any cliché about actors.
In 2012, he played a mustache twirling villain in Django Unchained (2012), and then tragic literary character Jay Gatsby in The Great Gatsby (2013) and Jordan Belfort in The Wolf of Wall Street (2013).
DiCaprio is passionate about environmental and humanitarian causes, having donated $1,000,000 to earthquake relief efforts in 2010, the same year he contributed $1,000,000 to the Wildlife Conservation Society.- Producer
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Thomas Jeffrey Hanks was born in Concord, California, to Janet Marylyn (Frager), a hospital worker, and Amos Mefford Hanks, an itinerant cook. His mother's family, originally surnamed "Fraga", was entirely Portuguese, while his father was of mostly English ancestry. Tom grew up in what he has called a "fractured" family. He moved around a great deal after his parents' divorce, living with a succession of step-families. No problems, no alcoholism - just a confused childhood. He has no acting experience in college and credits the fact that he could not get cast in a college play with actually starting his career. He went downtown, and auditioned for a community theater play, was invited by the director of that play to go to Cleveland, and there his acting career started.
Ron Howard was working on Splash (1983), a fantasy-comedy about a mermaid who falls in love with a business executive. Howard considered Hanks for the role of the main character's wisecracking brother, which eventually went to John Candy. Instead, Hanks landed the lead role and the film went on to become a surprise box office success, grossing more than $69 million. After several flops and a moderate success with the comedy Dragnet (1987), Hanks' stature in the film industry rose. The broad success with the fantasy-comedy Big (1988) established him as a major Hollywood talent, both as a box office draw and within the film industry as an actor. For his performance in the film, Hanks earned his first Academy Award nomination as Best Actor.
Hanks climbed back to the top again with his portrayal of a washed-up baseball legend turned manager in A League of Their Own (1992). Hanks has stated that his acting in earlier roles was not great, but that he subsequently improved. In an interview with Vanity Fair, Hanks noted his "modern era of movie making ... because enough self-discovery has gone on ... My work has become less pretentiously fake and over the top". This "modern era" began for Hanks, first with Sleepless in Seattle (1993) and then with Philadelphia (1993). The former was a blockbuster success about a widower who finds true love over the radio airwaves. Richard Schickel of Time magazine called his performance "charming", and most critics agreed that Hanks' portrayal ensured him a place among the premier romantic-comedy stars of his generation.
In Philadelphia, he played a gay lawyer with AIDS who sues his firm for discrimination. Hanks lost 35 pounds and thinned his hair in order to appear sickly for the role. In a review for People, Leah Rozen stated, "Above all, credit for Philadelphia's success belongs to Hanks, who makes sure that he plays a character, not a saint. He is flat-out terrific, giving a deeply felt, carefully nuanced performance that deserves an Oscar." Hanks won the 1993 Academy Award for Best Actor for his role in Philadelphia. During his acceptance speech, he revealed that his high school drama teacher Rawley Farnsworth and former classmate John Gilkerson, two people with whom he was close, were gay.
Hanks followed Philadelphia with the blockbuster Forrest Gump (1994) which grossed a worldwide total of over $600 million at the box office. Hanks remarked: "When I read the script for Gump, I saw it as one of those kind of grand, hopeful movies that the audience can go to and feel ... some hope for their lot and their position in life ... I got that from the movies a hundred million times when I was a kid. I still do." Hanks won his second Best Actor Academy Award for his role in Forrest Gump, becoming only the second actor to have accomplished the feat of winning consecutive Best Actor Oscars.
Hanks' next role - astronaut and commander Jim Lovell, in the docudrama Apollo 13 (1995) - reunited him with Ron Howard. Critics generally applauded the film and the performances of the entire cast, which included actors Kevin Bacon, Bill Paxton, Gary Sinise, Ed Harris, and Kathleen Quinlan. The movie also earned nine Academy Award nominations, winning two. Later that year, Hanks starred in Disney/Pixar's computer-animated film Toy Story (1995), as the voice of Sheriff Woody. A year later, he made his directing debut with the musical comedy That Thing You Do! (1996) about the rise and fall of a 1960s pop group, also playing the role of a music producer.
As of 2022, Hanks is 66-years-old. He has never retired from acting, and has remained active in the film industry for more than four decades.- Actor
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William Clark Gable was born on February 1, 1901 in Cadiz, Ohio, to Adeline (Hershelman) and William Henry Gable, an oil-well driller. He was of German, Irish, and Swiss-German descent. When he was seven months old, his mother died, and his father sent him to live with his maternal aunt and uncle in Pennsylvania, where he stayed until he was two. His father then returned to take him back to Cadiz. At 16, he quit high school, went to work in an Akron, Ohio, tire factory, and decided to become an actor after seeing the play "The Bird of Paradise". He toured in stock companies, worked oil fields and sold ties. On December 13, 1924, he married Josephine Dillon, his acting coach and 15 years his senior. Around that time, they moved to Hollywood, so that Clark could concentrate on his acting career. In April 1930, they divorced and a year later, he married Maria Langham (a.k.a. Maria Franklin Gable), also about 17 years older than him.
While Gable acted on stage, he became a lifelong friend of Lionel Barrymore. After several failed screen tests (for Barrymore and Darryl F. Zanuck), Gable was signed in 1930 by MGM's Irving Thalberg. He had a small part in The Painted Desert (1931) which starred William Boyd. Joan Crawford asked for him as co-star in Dance, Fools, Dance (1931) and the public loved him manhandling Norma Shearer in A Free Soul (1931) the same year. His unshaven lovemaking with bra-less Jean Harlow in Red Dust (1932) made him MGM's most important star.
His acting career then flourished. At one point, he refused an assignment, and the studio punished him by loaning him out to (at the time) low-rent Columbia Pictures, which put him in Frank Capra's It Happened One Night (1934), which won him an Academy Award for his performance. The next year saw a starring role in Call of the Wild (1935) with Loretta Young, with whom he had an affair (resulting in the birth of a daughter, Judy Lewis). He returned to far more substantial roles at MGM, such as Fletcher Christian in Mutiny on the Bounty (1935) and Rhett Butler in Gone with the Wind (1939).
After divorcing Maria Langham, in March 1939 Clark married Carole Lombard, but tragedy struck in January 1942 when the plane in which Carole and her mother were flying crashed into Table Rock Mountain, Nevada, killing them both. A grief-stricken Gable joined the US Army Air Force and was off the screen for three years, flying combat missions in Europe. When he returned the studio regarded his salary as excessive and did not renew his contract. He freelanced, but his films didn't do well at the box office. He married Sylvia Ashley, the widow of Douglas Fairbanks, in 1949. Unfortunately this marriage was short-lived and they divorced in 1952. In July 1955 he married a former sweetheart, Kathleen Williams Spreckles (a.k.a. Kay Williams) and became stepfather to her two children, Joan and Adolph ("Bunker") Spreckels III.
On November 16, 1959, Gable became a grandfather when Judy Lewis, his daughter with Loretta Young, gave birth to a daughter, Maria. In 1960, Gable's wife Kay discovered that she was expecting their first child. In early November 1960, he had just completed filming The Misfits (1961), when he suffered a heart attack, and died later that month, on November 16, 1960. Gable was buried shortly afterwards in the shrine that he had built for Carole Lombard and her mother when they died, at Forest Lawn Cemetery.
In March 1961, Kay Gable gave birth to a boy, whom she named John Clark Gable after his father.- Actor
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Once told by an interviewer, "Everybody would like to be Cary Grant", Grant is said to have replied, "So would I."
Cary Grant was born Archibald Alec Leach on January 18, 1904 in Horfield, Bristol, England, to Elsie Maria (Kingdon) and Elias James Leach, who worked in a factory. His early years in Bristol would have been an ordinary lower-middle-class childhood, except for one extraordinary event. At age nine, he came home from school one day and was told his mother had gone off to a seaside resort. However, the real truth was that she had been placed in a mental institution, where she would remain for years, and he was never told about it (he would not see his mother again until he was in his late 20s).
He left school at age 14, lying about his age and forging his father's signature on a letter to join Bob Pender's troupe of knockabout comedians. He learned pantomime as well as acrobatics as he toured with the Pender troupe in the English provinces, picked up a Cockney accent in the music halls in London, and then in July 1920, was one of the eight Pender boys selected to go to the United States. Their show on Broadway, "Good Times", ran for 456 performances, giving Grant time to acclimatize. He would stay in America. Mae West wanted Grant for She Done Him Wrong (1933) because she saw his combination of virility, sexuality and the aura and bearing of a gentleman. Grant was young enough to begin the new career of fatherhood when he stopped making movies at age 62.
One biographer said Grant was alienated by the new realism in the film industry. In the 1950s and early 1960s, he had invented a man-of-the-world persona and a style - "high comedy with polished words". In To Catch a Thief (1955), he and Grace Kelly were allowed to improvise some of the dialogue. They knew what the director, Alfred Hitchcock, wanted to do with a scene, they rehearsed it, put in some clever double entendres that got past the censors, and then the scene was filmed. His biggest box-office success was another Hitchcock 1950s film, North by Northwest (1959) made with Eva Marie Saint since Kelly was by that time Princess of Monaco.
Although Grant retired from the screen, he remained active. He accepted a position on the board of directors at Faberge. By all accounts this position was not honorary, as some had assumed. Grant regularly attended meetings and traveled internationally to support them. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother Dyan Cannon, was working. He later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle - Hollywood, California), Western Airlines (acquired by Delta Airlines in 1987) and MGM.
Grant expressed no interest in making a career comeback. He was in good health until almost the end of his life, when he suffered a mild stroke in October 1984. In his last years, he undertook tours of the United States in a one-man-show, "A Conversation with Cary Grant", in which he would show clips from his films and answer audience questions. On November 29, 1986, Cary Grant died at age 82 of a cerebral hemorrhage in Davenport, Iowa.
In 1999, the American Film Institute named Grant the second male star of Golden Age of Hollywood cinema (after Humphrey Bogart). Grant was known for comedic and dramatic roles; his best-known films include Bringing Up Baby (1938), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), An Affair to Remember (1957), North by Northwest (1959) and Charade (1963).- Georges Descrières was born on 15 April 1930 in Bordeaux, Gironde, France. He was an actor, known for Would-Be Gentleman (1958), The Three Musketeers: Part I - The Queen's Diamonds (1961) and Ce diable d'homme (1978). He was married to Nicolette Felbert and Geneviève Brunet. He died on 19 October 2013 in Le Cannet, Alpes-Maritimes, France.
- Harry Baur was born on 12 April 1880 in Paris, France. He was an actor, known for Life Dances On (1937), The Golem: The Legend of Prague (1936) and Les Misérables (1934). He was married to Rika Radifé and Rose Grane. He died on 8 April 1943 in Paris, France.
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Maurice Chevalier's first working job was as an acrobat, until a serious accident ended that career. He turned his talents to singing and acting, and made several short films in France. During World War I he enlisted in the French army. He was wounded in battle, captured and placed in a POW camp by the Germans. During his captivity he learned English from fellow prisoners. After the war he returned to the film business, and when "talkies" came into existence, Chevalier traveled to the US to break into Hollywood. In 1929 he was paired with operatic singer/actress Jeanette MacDonald to make The Love Parade (1929). Although Chevalier was attracted to the beautiful MacDonald and made several passes at her, she rejected him firmly, as she had designs on actor Gene Raymond, who she eventually married. He did not take rejection lightly, being a somewhat vain man who considered himself quite a catch, and derided MacDonald as a "prude". She, in turn, called him "the quickest derrière pincher in Hollywood". They made three more pictures together, the most successful being Love Me Tonight (1932). In the late 1930s he returned to Europe, making several films in France and England. World War II interrupted his career and he was dogged by accusations of collaboration with the Nazi authorities occupying France, but he was later vindicated. In the 1950s he returned to Hollywood, older and gray-headed. He made Gigi (1958), from which he took his signature songs, "Thank Heaven for Little Girls" and "I Remember it Well". He also received a special Oscar that year. In the 1960s he made a few more films, and in 1970 he sang the title song for Walt Disney's The Aristocats (1970). This marked his last contribution to the film industry.- Actor
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Charles Boyer studied philosophy before he went to the theater where he gave his debut in 1920. Although he had at first no intentions to pursue a career at the movies (his first movie was Man of the Sea (1920) by Marcel L'Herbier) he used his chance in Hollywood after several filming stations all over Europe. In the beginning of his career his beautiful voice was hidden by the silent movies but in Hollywood he became famous for his whispered declarations of love (like in movies with Greta Garbo, Marlene Dietrich or Ingrid Bergman). In 1934 he married Pat Paterson, his first and (unusual for a star) only wife. He was so faithful to her that he decided to commit suicide two days after her death in 1978.- Actor
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Michel Galabru was born on 27 October 1922 in Safi, French Protectorate of Morocco [now Morocco]. He was an actor and writer, known for Subway (1985), La Cage aux Folles (1978) and Asterix and Obelix vs. Caesar (1999). He was married to Claude Etevenon and Annette Jacquot. He died on 4 January 2016 in Paris, France.- Actor
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Sidney Poitier was a native of Cat Island, Bahamas, although born, two months prematurely, in Miami during a visit by his parents, Evelyn (Outten) and Reginald James Poitier. He grew up in poverty as the son of farmers, with his father also driving a cab in Nassau. Sidney had little formal education and at the age of 15 was sent to Miami to live with his brother, in order to forestall a growing tendency toward delinquency. In the U.S., he experienced the racial chasm that divides the country, a great shock to a boy coming from a society with a majority of African descent.
At 18, he went to New York, did menial jobs and slept in a bus terminal toilet. A brief stint in the Army as a worker at a veterans' hospital was followed by more menial jobs in Harlem. An impulsive audition at the American Negro Theatre was rejected so forcefully that Poitier dedicated the next six months to overcoming his accent and improving his performing skills. On his second try, he was accepted. Spotted in rehearsal by a casting agent, he won a bit part in the Broadway production of "Lysistrata", for which he earned good reviews. By the end of 1949, he was having to choose between leading roles on stage and an offer to work for Darryl F. Zanuck in the film No Way Out (1950). His performance as a doctor treating a white bigot got him plenty of notice and led to more roles. Nevertheless, the roles were still less interesting and prominent than those white actors routinely obtained. But seven years later, after turning down several projects he considered demeaning, Poitier got a number of roles that catapulted him into a category rarely if ever achieved by an African-American man of that time, that of leading man. One of these films, The Defiant Ones (1958), earned Poitier his first Academy Award nomination as Best Actor. Five years later, he won the Oscar for Lilies of the Field (1963), the first African American to win for a leading role.
He remained active on stage and screen as well as in the burgeoning Civil Rights movement. His roles in Guess Who's Coming to Dinner (1967) and To Sir, with Love (1967) were landmarks in helping to break down some social barriers between blacks and whites. Poitier's talent, conscience, integrity, and inherent likability placed him on equal footing with the white stars of the day. He took on directing and producing chores in the 1970s, achieving success in both arenas.- Actress
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Danielle Darrieux was born in 1917 in Bordeaux, France, to Marie-Louise (Witkowski) and Germain Jean Darrieux, a physician. She was raised in Paris. She was only fourteen when she auditioned for a secondary role in Le bal (1931): she got the part, and the producer offered her a five-year contract. She had her first romantic lead in La crise est finie (1934) and scored an international hit with the historical drama Mayerling (1936) in which she played Marie Vetsera opposite Charles Boyer. In 1938, she went to Hollywood to appear in the fine comedy The Rage of Paris (1938) but quickly returned to Paris.
Darrieux remained in France during the Occupation and was one of the leading actresses during this period, starring in major hits such as Premier Rendez-Vous (1941). In 1945, she appeared both on stage (in "Tristan et Isolde") and on screen (in Au petit bonheur (1946)). In the next three decades, she found several important roles, in films like La Ronde (1950), The Earrings of Madame De... (1953) -- in which she gave her best performance, as a society lady torn between her husband and her lover -- and The Young Girls of Rochefort (1967).
In 1970, she replaced Katharine Hepburn on Broadway in "Coco." Afterwards, she made occasional screen and stage appearances. But she made a triumphant comeback in 2002, playing Catherine Deneuve's mother in the international hit 8 Women (2002).
She died on October 17, 2017 in Bois-le-Roi, Eure, France. She was 100.- Actress
- Soundtrack
Pauline Carton was born on 4 July 1884 in Biarritz, Pyrénées-Atlantiques, France. She was an actress, known for The Longest Day (1962), Ce cochon de Morin (1932) and The New Testament (1936). She died on 17 June 1974 in Paris, France.- Actor
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Peter Michael Falk was born on September 16, 1927, in New York City, New York. At the age of 3, his right eye was surgically removed due to cancer. He graduated from Ossining High School, where he was president of his class. His early career choices involved becoming a certified public accountant, and he worked as an efficiency expert for the Budget Bureau of the state of Connecticut before becoming an actor. On choosing to change careers, he studied the acting art with Eva Le Gallienne and Sanford Meisner. His most famous role is that of the detective Columbo (1971); however, this was not his first foray into acting the role of a detective. During a high school play, he stood in for such a role when the original student actor fell sick. He has been married twice, and is the father of two children:Catherine, a private detective in real life, and Jackie. He was diagnosed with dementia in 2008, which was most likely brought on by Alzheimer's disease, from which he died on June 23, 2011.- Actor
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Born Spangler Arlington Brugh, Robert Taylor began displaying a diversity of talents in his youth on the plains of Nebraska. At Beatrice High School, he was a standout track athlete, but also showed a talent for using his voice, winning several oratory awards. He was a musician and played the cello in the school orchestra. After graduating he thought of music as a vocation and started studying music at Doane College in Crete, Nebraska. In the early 1930s he decided to follow in his father's footsteps and study medicine. He enrolled at Pomona College but also joined the campus theater group and found himself in many lead roles because of his handsome features. He was inspired to go on to the Neely Dixon Dramatic School, but about a year after graduating from Pomona, he was spotted by an MGM talent scout and given a contract in 1934. That same year, he appeared in his first movie, on loan-out to Fox for a Will Rogers entry, Handy Andy (1934). He also did an MGM short, Buried Loot (1935), for its "Crime Does Not Pay" series, which provided good exposure. However, the next year he did even better by being cast as the lead, again on loan-out, this time to then struggling Universal Pictures, in Magnificent Obsession (1935) with Irene Dunne, the story of a happy-go-lucky party guy who inadvertently causes blindness to the young lady he wishes to impress and then becomes a doctor in order to cure her. The movie was a big hit, and Taylor had a taste of instant box-office stardom. Along with his good looks, Taylor already showed solid dramatic skill. However, critics viewed of him as a no-talent flash-in-the-pan getting by on his looks (a charge levied at his closest contemporary comparison, Tyrone Power over at Fox). He had to endure some brutal reviews through his first years in Hollywood, but they would soon fade away. In 1935 alone, he appeared in seven films, and by the end of the year, he was at the top of his form as a leading man and being offered substantial scripts. The next year he appeared with Greta Garbo in Camille (1936), and for the remainder of the decade MGM's vehicles for him--not to mention a pantheon of top actresses--clicked with audiences. On a personal level, despite his impressive family background and education, Taylor would often strike those who met him as a mental lightweight. Intellectually inclined actress Luise Rainer was shocked when she struck up a conversation with him at a studio function in 1937 when, after asking him what his goals were, he sincerely replied that his most important goal was to accumulate "a wardrobe of ten fine custom-tailored suits." That he usually comes across on screen as having a confident, commanding presence is more of a testimony to his acting talent than his actual personality. He held rigid right-wing political beliefs that he refused to question and, when confronted with an opposing viewpoint, would simply reject it outright. He rarely, if ever, felt the need to be introspective. Taylor simply felt blessed to be working behind the walls of MGM. His affection for the studio would blind him to the fact that boss Louis B. Mayer masterfully manipulated him for nearly two decades, keeping Taylor's salary the lowest of any major Hollywood star. But this is also indicative of how much trust he placed in the hands of the studio's leaders. Indeed, Taylor remained the quintessential MGM company man and would be rewarded by remaining employed there until the demise of the studio system in the late 1950s, outlasting its legend, Clark Gable. Though not quite considered treasures to be locked away in film vaults, Taylor's films during the first five years of his career gave him the opportunity to explore a wide spectrum of romantic characters, playing young officers or doctors more than once. Some noticeable examples of the variety of roles he took over a year's time were his chip-on-the-shoulder Lee Sheridan in A Yank at Oxford (1938), ladies' man/boxer Tommy McCoy in The Crowd Roars (1938) and cynical southern gentleman Blake Cantrell in Stand Up and Fight (1939). Taylor would truly become a first-rate actor in the following decade. By the 1940s, he was playing edgier and somewhat darker characters, such as the title roles in Billy the Kid (1941) and smooth criminal Johnny Eager (1941). With the arrival of the war, Taylor was quick to make his contribution to the effort. As an actor, he made two memorable combat movies: Stand by for Action (1942) and the better known (and for the time, quite graphic) Bataan (1943). From 1943 to 1946, he was in the US Naval Air Corps as a lieutenant, instructing would-be pilots. He also found time to direct two flight instruction training films (1943) and other training films for the Navy. Rather didactic in his ultra-conservative political beliefs, he became involved in 1947 as a "friendly witness" for the House Un-American Activities Committee investigating "Communist subversion" in the film industry. Anyone who knew Taylor knew he was an arch conservative but doubted that he could articulate why. He publicly stated that his accepting a role in Song of Russia (1944) was bad judgment (in reality, it was against his nature to balk at any film assignment while at MGM) and that he considered the film "pro-Communist." He also--rather unwittingly--fingered fellow actor Howard Da Silva as a disruptive force in the Screen Actors Guild. Although he didn't explicitly accuse Da Silva of being a Communist, his charges of "disruption" had the same effect, and the veteran actor found himself blacklisted by the studios for many years. After the war and through the remainder of the decade, Taylor was getting action roles to match his healthy box office draw, but there were fewer of them being offered. He was aging, and though he had one of his best known roles as the faith-challenged Gen. Marcus Vinicius in the monster hit Quo Vadis (1951), he was now being seen more as a mature lead. MGM, now under the aegis of Dore Schary, made the decision to move a significant amount of production to England to cut costs and opted to film several big-budget costume epics there starring Taylor. With Walter Scott's Ivanhoe (1952), he was back (as once before in 1949) with the dazzling young Elizabeth Taylor pining for him as the exotic young Jewish woman Rebecca, effectively pulling off a role ideally suited for an actor a decade younger. With a great script and lots of action (forget about the mismatch of some matte backdrops!), the movie was a smash hit. He had a new look--rakish goatee and longer hair--that fit the youthful illusion. The movie did so well that MGM opted for a follow-up film based on the King Arthur legend, Knights of the Round Table (1953). It was not quite as good, but Taylor had the same look, and it worked. To his credit, Taylor continued to push for challenging roles in his dramatic output; the old "pretty face" stigma still seemed to drive him. He played an intriguing and most unlikely character in Devil's Doorway (1950)--an American Indian (dark-stained skin with blue eyes!) who wins a Medal of Honor for heroism in the Civil War but comes home to his considerable land holdings to encounter the continued racial bigotry and envy of his white neighbors. It contained pushing-the-envelope dialog with many thought-provoking scenes dealing with the social plight of the Indian. Taylor did several noteworthy pictures after this film (e.g., the edgy Rogue Cop (1954)) and was even more swashbuckling in one of the lesser known of Sir Walter Scott's romantic novels, Quentin Durward (1955), again successful in a younger-man role. Though his contract with MGM expired in 1958, he accepted a few more films into the 1960s. He put on some weight in his 50s, and the effects of heavy chain smoking began to affect his looks, but Taylor successfully alternated between starring film roles and television, albeit at a somewhat reduced pace. He founded his own production company, Robert Taylor Productions, in 1958 and moved comfortably into TV work. From 1959 to 1962, he was the star of the TV series The Detectives (1959), and when Ronald Reagan bowed out of TV's popular western anthology Death Valley Days (1952) for a political career, Taylor took over as host and sometime actor (1966-1968) until his death from lung cancer at the age of only 57.- Actor
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Matthew Perry was born in Williamstown, Massachusetts, to Suzanne Marie (Langford), a Canadian journalist, and John Bennett Perry, an American actor. His ancestry includes English, Irish, German, Swiss-German, and French-Canadian.
Perry was raised in Ottawa, Ontario, where he became a top-ranked junior tennis player in Canada. However, after moving to Los Angeles at the age of 15 to live with his father, he became more interested in acting. In addition to performing in several high school stage productions, he remained an avid tennis player. Perry ranked 17th nationally in the junior singles category and third in the doubles category. Upon graduating from high school, Perry intended to enroll at the University of Southern California. However, when he was offered a leading role on the television series, Boys Will Be Boys (1987), he seized the opportunity to begin his acting career.
Perry appeared in the hit comedy film The Whole Nine Yards (2000), as the neighbor of a hit man, played by Bruce Willis. His other feature film credits included Fools Rush In (1997), A Night in the Life of Jimmy Reardon (1988), She's Out of Control (1989) and Parallel Lives (1994). He also co-starred with Chris Farley in the buddy comedy Almost Heroes (1998) and in the romantic comedy, Three to Tango (1999), opposite Neve Campbell. Perry resided in Los Angeles. He enjoyed playing ice hockey and softball in his spare time.- Actor
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As one of Hollywood's leading men, Bruce Boxleitner has starred in a major motion picture franchise, numerous feature films, and several popular television series, produced a major network film and TV series, performed on Broadway, and authored two science fiction novels.
Boxleitner received his formal acting training on stage. A native mid-westerner, he is an alumnus of Chicago's prestigious Goodman Theatre. In 1972, he starred in the Broadway production of Status Quo Vadis with Ted Danson. He then relocated to Los Angeles and quickly landed a guest spot on the legendary TV series The Mary Tyler Moore Show (1970) as well as numerous guest roles on series, including Hawaii Five-O (1968), Baretta (1975), Police Woman (1974), and Gunsmoke (1955).
Boxleitner's big break occurred when he was cast opposite James Arness in the pilot for the epic TV series How the West Was Won (1976). He went on to star in the CBS series Bring 'Em Back Alive (1982); mini-series East of Eden (1981); and TV movie The Last Convertible (1979).
In 1982, Boxleitner was cast as the title role in Disney's cult film Tron (1982) which garnered him science fiction fans worldwide. However, it was in Boxleitner's four-year run for CBS's Scarecrow and Mrs. King (1983), starring opposite Kate Jackson, which endeared him to fans everywhere and made him a household name. In 1994, Boxleitner joined the cast of the popular TV series Babylon 5 (1993) as John Sheridan, President of the Interstellar Alliance, a war hero-turned-diplomat at the helm of Earth Alliance Space Station in the year 2259. The show aired for five seasons.
Boxleitner most recently starred with Jeff Bridges in Tron: Legacy (2010), the popular motion picture sequel to TRON. The cast includes Garrett Hedlund and Olivia Wilde. In addition, Boxleitner reprised his role in Tron: Uprising (2012) on Disney's XD TV network, his first animated TV series. The multi-talented cast includes Elijah Wood, Mandy Moore, Lance Henriksen, and Paul Reubens. The original TRON recently celebrated its 30th anniversary.
Several motion pictures include Gods and Generals (2003) with Robert Duvall, Jeff Daniels, Stephen Lang and Mira Sorvino; The Babe (1992) with John Goodman and Kelly McGillis; Kuffs (1992) with Christian Slater; and The Baltimore Bullet (1980) with James Coburn.
Numerous TV movie credits include The Secret (1992) with Kirk Douglas; Perfect Family (1992) with Jennifer O'Neill and Joanna Cassidy; Double Jeopardy (1992) with Rachel Ward, Sally Kirkland and Sela Ward; Passion Flower (1986) with Barbara Hershey and Nicol Williamson; and Hallmark Channel movies, Love's Everlasting Courage (2011) and Falling in Love with the Girl Next Door (2006); among many others. The veteran actor has appeared in numerous recurring roles on TV series including GCB (2012) and Heroes (2006), and has guest-starred on NCIS (2003) and Chuck (2007), among others.
A skilled horseman, Boxleitner utilized his talents in numerous western TV series and films including The Gambler television movie series that aired on CBS and NBC, starring opposite Kenny Rogers; Gunsmoke: One Man's Justice (1994) with James Arness (Arness' final film); CBS' remake of Red River with Gregory Harrison, James Arness and Laura Johnson; Wyatt Earp: Return to Tombstone (1994) with Hugh O'Brian; and Louis L'Amour's Down the Long Hills (1986), based on legendary western author Louis L'Amour's novel of the same name.
Boxleitner was inducted into the Hall of Great Western Performers at the National Cowboy and Western Heritage Museum in Oklahoma City in April 2012 honoring him for his illustrious career in western films. He is a two-time recipient of the Wrangler Award.
In 2013, Boxleitner co-starred with Andie MacDowell and Dylan Neal in Hallmark Channel's first-ever prime-time series, Debbie Macomber's Cedar Cove (2013) to rave reviews and an average of 2 million viewers. The #1 rated cable program was renewed for a third season and is scheduled to premiere in the summer of 2015.
In 1999, Boxleitner authored "Frontier Earth" and in 2001, its sequel "Frontier Earth: Searcher", published by The Berkley Publishing Group. Boxleitner resides in Los Angeles with his wife, publicist Verena King, and has three sons: Sam, Lee and Michael.- Actor
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Lorne Greene was born Lyon Himan "Chaim" Green on February 12, 1915, in Ottawa, Ontario, Canada. He began acting while attending Canada's Queen's University, and after graduation got a job in radio broadcasting. His rich, deep, authoritarian voice quickly propelled him to prominence as Canada's top newscaster. He left Canada in the early 1950s for a film career in Hollywood, and soon began appearing regularly in television, films and on radio. His greatest successes came in two television series, the long-running Western Bonanza (1959), in which he played the patriarch of a wealthy frontier family, and the science-fiction series Battlestar Galactica (1978). In 1969 he was awarded Officer of the Order of Canada for his services to the performing arts and community.
Lorne Greene died at age 72 of pneumonia following heart surgery on September 11, 1987, in Santa Monica, CA.- Actor
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Ed O'Neill is an American actor best known for playing Al Bundy on Married... with Children (1987), the most iconic working class character on television since Archie Bunker. Upon his debut on the world stage in Youngstown, Ohio on April 12, 1946, he was christened Edward Philip O'Neill, Jr. Both his father, Ed, Sr., a steelworker and truck driver, and his social worker mother, the former Ruth Ann Quinlan, were Irish-Americans.
A gifted athlete, the 6'1" O'Neill attended Ohio University on a football scholarship, but transferred after his sophomore year to Youngstown State University, where he played as a defensive lineman. In 1969, he was drafted by the Pittsburgh Steelers, but was cut in training camp. (Al Bundy was a former high-school football star constantly reminiscing about his glory days on the high school gridiron. Terry Bradshaw, the Hall of Fame Pittsburgh Steelers quarterback, twice appeared on "Married with Children".)
After being cut by the Steelers, O'Neill went back to YSU to join the new theater department. After graduating, he became a social studies teacher at his alma mater, Ursuline High School, before fully committing to acting. He was a member of the company at the American Repertory Theater in Cambridge, Massachusetts, one of the top regional theaters in America.
After numerous supporting parts in movies and television, he was cast as the New York City detective Popeye Doyle in the 1986 television movie that was a pilot for a proposed television series. "Popeye Doyle" was based on the classic police drama The French Connection (1971), with O'Neill playing the role originated by Gene Hackman). The television movie and O'Neill's performance got good reviews, but it was not picked up as a series.
A year later, O'Neill was cast as Al Bundy in the sitcom "Married with Children", which debuted on the then-new Fox Network in April 1987. It ran 10 years, until June 1997, and made O'Neill a star.
During the production of "Married with Children" and after its cancellation, O'Neill appeared in movies, guested on television shows, and made television commercials. The second iconic fictional policeman role that O'Neill took over was Sgt. Joe Friday in his 2003 remake of Jack Webb's classic crime series Dragnet (2003), which appeared on ABC. The network canceled the show during its second season. Since 2009, O'Neill has played Jay Pritchett on the ABC's sitcom Modern Family (2009), for which he was nominated for an Emmy Award in 2011.
Since 1986, O'Neill has been married to actress Catherine Rusoff. They have two daughters, Claire and Sophia.- Actor
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Scott Stewart Bakula was born on October 9, 1954 in St. Louis, Missouri, to Sally (Zumwinkel) and J. Stewart Bakula, a lawyer. He is of German, as well as Czech, Austrian, Scottish and English ancestry. He comes from a musical family. In the fourth grade, he started a rock band and wrote songs for them, he later sang with the St. Louis Symphony. He studied Law at the University of Kansas until his sophomore year when he left to pursue acting. In 1976, he was first hired professionally in the role of Sam in "Shenandoah" and went to New York. After several small roles on television, he starred opposite Dean Stockwell in the science fiction series Quantum Leap (1989). Bakula played Dr. Sam Beckett, a physicist who was trapped by a malfunction of his time machine to correct things gone wrong in the past. He won a Golden Globe in 1992 for Best Performance by an Actor in a TV series - Drama for Quantum Leap (1989) and was nominated for a Tony Award in 1988. He also starred in the prequel series Star Trek: Enterprise (2001) as Jonathan Archer, the captain of Earth's first long-range starship. Today, he lives in Los Angeles, California and has a farm in upstate New York.- Actor
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John Stephen Goodman's an American film, TV & stage actor. He was born in Affton, Missouri to Virginia Roos (Loosmore), a waitress and saleswoman & Leslie Francis Goodman, a postal worker who died when he was a small child. He's of English, Welsh & German ancestry. He's best known for his role as Dan Conner on the TV show Roseanne (1988), which ran until 1997 & for which he earned him a Best Actor Golden Globe in 1993. He's also noted for appearances in films of the Coen brothers, w/ prominent roles in Raising Arizona (1987) as an escaped convict, in Barton Fink (1991) as a congenial murderer, in The Big Lebowski (1998) as a volatile bowler & in O Brother, Where Art Thou? (2000) as a cultured thief. Additionally, he has done voice work in numerous Disney & Pixar films, including the Sulley in Monsters, Inc. (2001). Having contributed to more than 50 films, he has also won 2 American Comedy Awards & hosted Saturday Night Live (1975) 14 times.- Actor
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Jonathan Niven Cryer is an American actor, comedian and filmmaker. Born into a show business family, he made his motion picture debut as a teenager photographer in the 1984 romantic comedy No Small Affair; his breakout role came in 1986, in the John Hughes-written film Pretty in Pink. In 1998, he wrote and produced the independent film Went to Coney Island on a Mission from God... Be Back by Five.- Actor
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When hunky, twenty-year-old heart-throb Heath Ledger first came to the attention of the public in 1999, it was all too easy to tag him as a "pretty boy" and an actor of little depth. He spent several years trying desperately to sway this image, but this was a double-edged sword. His work comprised nineteen films, including 10 Things I Hate About You (1999), The Patriot (2000), A Knight's Tale (2001), Monster's Ball (2001), Ned Kelly (2003), The Brothers Grimm (2005), Lords of Dogtown (2005), Brokeback Mountain (2005), Casanova (2005), Candy (2006), I'm Not There (2007), The Dark Knight (2008) and The Imaginarium of Doctor Parnassus (2009). He also produced and directed music videos and aspired to be a film director.
Heath Ledger was born on the fourth of April 1979, in Perth, Western Australia, to Sally (Ramshaw), a teacher of French, and Kim Ledger, a mining engineer who also raced cars. His ancestry was Scottish, English, Irish, and Sephardi Jewish. As the story goes, in junior high school it was compulsory to take one of two electives, either cooking or drama. As Heath could not see himself in a cooking class he tried his hand at drama. Heath was talented, however the rest of the class did not acknowledge his talent. When he was seventeen he and a friend decided to pack up, leave school, take a car and rough it to Sydney. Heath believed Sydney to be the place where dreams were made or, at least, where actors could possibly get their big break. Upon arriving in Sydney with a purported sixty-nine cents to his name, Heath tried everything to get a break.
His first real acting job came in a low-budget movie called Blackrock (1997), a largely unimpressive cliché; an adolescent angst film about one boy's struggle when he learns his best mate raped a girl. He only had a very small role in the film. After that small role Heath auditioned for a role in a T.V. show called Sweat (1996) about a group of young Olympic hopefuls. He was offered one of two roles, one as a swimmer, another as a gay cyclist. Heath accepted the latter because he felt to really stand out as an actor one had to accept unique roles that stood out from the bunch. It got him small notice, but unfortunately the show was quickly axed, forcing him to look for other roles. He was in Home and Away (1988) for a very short period, in which he played a surfer who falls in love with one of the girls of Summer Bay. Then came his very brief role in Paws (1997), a film which existed solely to cash in on guitar prodigy Nathan Cavaleri's brief moment of fame, where he was the hottest thing in Australia. Heath played a student in the film, involved in a stage production of a Shakespeare play, in which he played "Oberon". A very brief role, this offered him a small paycheck but did nothing to advance his career. Then came Two Hands (1999). He went to the U.S. trying to audition for film roles, showcasing his brief role in Roar (1997) opposite then unknown Vera Farmiga.
Then Australian director Gregor Jordan auditioned him for the lead in Two Hands (1999), which he got. An in your face Aussie crime thriller, Two Hands (1999) was outstanding and helped him secure a role in 10 Things I Hate About You (1999). After that, it seemed Heath was being typecast as a young hunk, which he did not like, so he accepted a role in a very serious war drama The Patriot (2000).
What followed was a stark inconsistency of roles, Ledger accepting virtually every single character role, anything to avoid being typecast. Some met with praise, like his short role in Monster's Ball (2001), but his version of Ned Kelly (2003) was an absolute flop, which led distributors hesitant to even release it outside Australia. Heath finally had deserved success with his role in Brokeback Mountain (2005). For his portrayal of Ennis Del Mar in in the film, Ledger won the New York Film Critics Circle Award for Best Actor and Best International Actor from the Australian Film Institute, and was nominated for the BAFTA Award for Best Actor in a Leading Role and for the Academy Award for Best Actor.
Ledger was found dead on January 22, 2008 in his apartment in the Manhattan neighborhood of SoHo, with a bottle of prescription sleeping pills near-by. It was concluded weeks later that he died of an accidental overdose of prescription drugs that included pain-killers, sleeping pills and anti-anxiety medication. His death occurred during editing of The Dark Knight (2008) and in the midst of filming his last role as Tony in The Imaginarium of Doctor Parnassus (2009).
Posthumously, he shared the 2007 Independent Spirit Robert Altman Award with the rest of the ensemble cast, the director, and the casting director for the film I'm Not There (2007), which was inspired by the life and songs of American singer-songwriter Bob Dylan. In the film, Ledger portrayed a fictional actor named Robbie Clark, one of six characters embodying aspects of Dylan's life and persona.
A few months before his death, Ledger had finished filming his performance as the Joker in 'The Dark Knight (2008). His untimely death cast a somber shadow over the subsequent promotion of the $185 million Batman production. Ledger received more than thirty posthumous accolades for his critically acclaimed performance as the Joker, the psychopathic clown prince of crime, in the film, including the Academy Award for Best Supporting Actor, a Best Actor International Award at the 2008 Australian Film Institute Awards (for which he is the second actor to win an acting award posthumously after Peter Finch who won an Oscar for Network (Best Actor 1977)), the 2008 Los Angeles Film Critics Association Award for Best Supporting Actor, the 2009 Golden Globe Award for Best Supporting Actor - Motion Picture, and the 2009 BAFTA Award for Best Supporting Actor.- Bruno Cremer went to Paris following high school. He always knew he was made to be an actor and his mother helped him. He was admitted to the Paris Conservatory. He rose to prominence in the theater playing in Shakespeare's "Pericles," Oscar Wilde's "An Ideal Husband" and Jean Anouilh's "Poor Bitos" and "Becket."
He has appeared in dozens of films, including The 317th Platoon, Is Paris Burning?, William Friedkin's Sorcerer and Bertrand Blier's Ménage. Cremer also appeared in over fifty television movies as the popular Commissaire Jules Maigret. In 2000, he wrote his memoirs in "Un certain jeune homme". - Actor
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Benoît Poelvoorde was born on 22 September 1964 in Namur, Wallonia, Belgium. He is an actor and writer, known for Man Bites Dog (1992), The Brand New Testament (2015) and Romantics Anonymous (2010).- Actor
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Roland Magdane was born on 3 July 1949 in Grenoble, Isère, Rhône-Alpes, France. He is an actor and writer, known for Cherchez l'erreur (1980), The Children of the Marshland (1999) and Êtes-vous plus fort qu'un élève de 10 ans? (2007).- Actor
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Albert Dupontel was born on 11 January 1964 in Saint-Germain-en-Laye, Seine-et-Oise, France. He is an actor and writer, known for Irreversible (2002), 9-Month Stretch (2013) and See You Up There (2017).- Actress
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When people gave Louis Malle credit for making a star of Jeanne Moreau in Elevator to the Gallows (1958) immediately followed by The Lovers (1958), he would point out that Moreau by that time had already been "recognized as the prime stage actress of her generation." She had made it to the Comédie Française in her 20s. She had appeared in B-movie thrillers with Jean Gabin and Ascenseur was in that genre. The technicians at the film lab went to the producer after seeing the first week of dailies for Ascenseur and said: "You must not let Malle destroy Jeanne Moreau". Malle explained: "She was lit only by the windows of the Champs Elysées. That had never been done. Cameramen would have forced her to wear a lot of make-up and they would put a lot of light on her, because, supposedly, her face was not photogenic". This lack of artifice revealed Moreau's "essential qualities: she could be almost ugly and then ten seconds later she would turn her face and would be incredibly attractive. But she would be herself".
Moreau has told interviewers that the characters she played were not her. But even the most famous film critic of his generation, Roger Ebert, thinks that she is a lot like her most enduring role, Catherine in François Truffaut's Jules and Jim (1962). Behind those eyes and that enigmatic smile is a woman with a mind. In a review of The Clothes in the Wardrobe (1993) Ebert wrote: "Jeanne Moreau has been a treasure of the movies for 35 years... Here, playing a flamboyant woman who nevertheless keeps her real thoughts closely guarded, she brings about a final scene of poetic justice as perfect as it is unexpected".
Moreau made her debut as a director in Lumiere (1976) -- also writing the script and playing Sarah, an actress the same age as Moreau whose romances are often with directors for the duration of making a film. She made several films with Malle.
Still active in international cinema, Moreau presided over the jury of the 1995 Cannes Film Festival.- Actor
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Edward Regan Murphy was born April 3, 1961 in Brooklyn, New York, to Lillian Lynch (born: Lillian Laney), a telephone operator, and Charles Edward Murphy, a transit police officer who was also an amateur comedian and actor. After his father died, his mother married Vernon Lynch, a foreman at a Breyer's Ice Cream plant. His brothers are Charlie Murphy & Vernon Lynch Jr. Eddie had aspirations of being in show business since he was a child. A bright kid growing up in the streets of New York, Murphy spent a great deal of time on impressions and comedy stand-up routines rather than academics. His sense of humor and wit made him a stand out amongst his classmates at Roosevelt Junior-Senior High School. By the time he was fifteen, Murphy worked as a stand-up comic on the lower part of New York, wooing audiences with his dead-on impressions of celebrities and outlooks on life.
In the early 1980s, at the age of 19, Murphy was offered a contract for the Not-Ready-For-Prime-Time Players of Saturday Night Live (1975), where Murphy exercised his comedic abilities in impersonating African American figures and originating some of the show's most memorable characters: Velvet Jones, Mr. Robinson, and a disgruntled and angry Gumby. Murphy made his feature film debut in 48 Hrs. (1982), alongside Nick Nolte. The two's comedic and antagonistic chemistry, alongside Murphy's believable performance as a streetwise convict aiding a bitter, aging cop, won over critics and audiences. The next year, Murphy went two for two, with another hit, pairing him with John Landis, who later became a frequent collaborator with Murphy in Coming to America (1988) and Beverly Hills Cop III (1994). Beverly Hills Cop (1984) was the film that made Murphy a box-office superstar and most notably made him a celebrity worldwide, and it remains one of the all-time biggest domestic blockbusters in motion-picture history. Murphy's performance as a young Detroit cop in pursuit of his friend's murderers earned him a third consecutive Golden Globe nomination. Axel Foley became one of Murphy's signature characters. On top of his game, Murphy was unfazed by his success, that is until his box office appeal and choices in scripts resulted into a spotty mix of hits and misses into the late 1980s and early 1990s.
Films like The Golden Child (1986) and Beverly Hills Cop II (1987) were critically panned but were still massive draws at the box office. In 1989, Murphy, coming off another hit, Coming to America (1988), found failure with his directorial debut, Harlem Nights (1989). Another 48 Hrs. (1990), his turn as a hopeless romantic in Boomerang (1992) and as a suave vampire in Vampire In Brooklyn did little to resuscitate his career. However, his remake of Jerry Lewis's The Nutty Professor (1996) brought Murphy's drawing power back into fruition. From there, Murphy rebounded with occasional hits and misses but has long proven himself as a skilled comedic actor with laudable range pertaining to characterizations and mannerisms. Though he has grown up a lot since his fast-lane rise as a superstar in the 1980s, Murphy has lived the Hollywood lifestyle with controversy, criticism, scandal, and the admiration of millions worldwide for his talents. As Murphy had matured throughout the years, learning many lessons about the Hollywood game in the process, he settled down with more family-oriented humor with Doctor Dolittle (1998), Mulan (1998), Bowfinger (1999), and the animated smash Shrek (2001), in a supporting role that showcased Murphy's comedic personality and charm. Throughout the 2000s, he further starred in the hits The Haunted Mansion (2003), Shrek 2 (2004), Dreamgirls (2006) (for which he was nominated for a Best Supporting Actor Oscar), Norbit (2007), Shrek the Third (2007), and Shrek Forever After (2010).
Murphy was married to Nicole Mitchell Murphy from 1993 to 2006. Murphy has ten children.- Actress
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Isabelle Huppert was born March 16, 1953, in Paris, France, but spent her childhood in Ville d'Avray. Encouraged by her mother Annick Huppert (who was a teacher of English), she followed the Conservatory of Versailles and won an acting prize for her work in Alfred de Musset's "Un caprice". She then studied at the Conservatoire d'Art Dramatique and followed an illustrious theatrical career, which includes Ivan Turgenev's "A Month in the Country", Euripides' "Medea" (title role) etc. She made her movie debut in Le Prussien (1971) and soon became one of the top actresses of her generation, giving fine performances in important films, like Claude Goretta's The Lacemaker (1977), as a simple-minded girl who falls in love with - and is betrayed by - a student, Jean-Luc Godard's Every Man for Himself (1980), as a prostitute, and Maurice Pialat's Loulou (1980), as an upper-class woman who is physically attracted by a young vagabond. She made an inconsequential US debut in Otto Preminger's Rosebud (1975) before playing a brothel madam in Michael Cimino's disastrous Heaven's Gate (1980), but she fared better in Curtis Hanson's The Bedroom Window (1987) (as an adulteress who witnesses an attack). Huppert has an extremely productive collaboration with Claude Chabrol, who cast her in several movies, including Violette (1978), in which she played a woman who murders her parents, and Story of Women (1988), in which she gave an excellent performance as a shameless abortionist, the last woman to be executed in France. More recent good films include Patricia Mazuy's Saint-Cyr (2000) and Michael Haneke's controversial The Piano Teacher (2001), as a sexually repressed piano teacher.- Actress
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Considered by many critics to be the greatest living actress, Meryl Streep has been nominated for the Academy Award an astonishing 21 times, and has won it three times. Meryl was born Mary Louise Streep in 1949 in Summit, New Jersey, to Mary Wolf (Wilkinson), a commercial artist, and Harry William Streep, Jr., a pharmaceutical executive. Her father was of German and Swiss-German descent, and her mother had English, Irish, and German ancestry.
Meryl's early performing ambitions leaned toward the opera. She became interested in acting while a student at Vassar and upon graduation she enrolled in the Yale School of Drama. She gave an outstanding performance in her first film role, Julia (1977), and the next year she was nominated for her first Oscar for her role in The Deer Hunter (1978). She went on to win the Academy Award for her performances in Kramer vs. Kramer (1979) and Sophie's Choice (1982), in which she gave a heart-wrenching portrayal of an inmate mother in a Nazi death camp.
A perfectionist in her craft and meticulous and painstaking in her preparation for her roles, Meryl turned out a string of highly acclaimed performances over the next decade in great films like Silkwood (1983); Out of Africa (1985); Ironweed (1987); and A Cry in the Dark (1988). Her career declined slightly in the early 1990s as a result of her inability to find suitable parts, but she shot back to the top in 1995 with her performance as Clint Eastwood's married lover in The Bridges of Madison County (1995) and as the prodigal daughter in Marvin's Room (1996). In 1998 she made her first venture into the area of producing, and was the executive producer for the moving ...First Do No Harm (1997). A realist when she talks about her future years in film, she remarked that "...no matter what happens, my work will stand..."- Actress
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Julia Elizabeth Wells was born on October 1, 1935, in England. Her mother, Barbara Ward (Morris), and stepfather, both vaudeville performers, discovered her freakish but undeniably lovely four-octave singing voice and immediately got her a singing career. She performed in music halls throughout her childhood and teens, and at age 20, she launched her stage career in a London Palladium production of "Cinderella".
Andrews came to Broadway in 1954 with "The Boy Friend", and became a bona fide star two years later in 1956, in the role of Eliza Doolittle in the unprecedented hit "My Fair Lady". Her star status continued in 1957, when she starred in the TV-production of Cinderella (1957) and through 1960, when she played "Guenevere" in "Camelot".
In 1963, Walt Disney asked Andrews if she would like to star in his upcoming production, a lavish musical fantasy that combined live-action and animation. She agreed on the condition if she didn't get the role of Doolittle in the pending film production of My Fair Lady (1964). After Audrey Hepburn was cast in My Fair Lady, Andrews made an auspicious film debut in Walt Disney's Mary Poppins (1964), which earned her an Academy Award for Best Actress.
Andrews continued to work on Broadway, until the release of The Sound of Music (1965), the highest-grossing movie of its day and one of the highest-grossing of all time. She soon found that audiences identified her only with singing, sugary-sweet nannies and governesses, and were reluctant to accept her in dramatic roles in The Americanization of Emily (1964) and Alfred Hitchcock's thriller Torn Curtain (1966). In addition, the box-office showings of the musicals Julie subsequently made increasingly reflected the negative effects of the musical-film boom that she helped to create. Thoroughly Modern Millie (1967) was for a time the most successful film Universal had released, but it still couldn't compete with Mary Poppins or The Sound of Music for worldwide acclaim and recognition. Star! (1968) and Darling Lili (1970) also bombed at the box office.
Fortunately, Andrews did not let this keep her down. She worked in nightclubs and hosted a TV variety series in the 1970s. In 1979, Andrews returned to the big screen, appearing in films directed by her husband Blake Edwards, with roles that were entirely different from anything she had been seen in before. Andrews starred in 10 (1979), S.O.B. (1981) and Victor/Victoria (1982), which earned her an Oscar nomination for Best Actress in a Leading Role.
She continued acting throughout the 1980s and 1990s in movies and TV, hosting several specials and starring in a short-lived sitcom. In 2001, she starred in The Princess Diaries (2001), alongside then-newcomer Anne Hathaway. The family film was one of the most successful G-Rated films of that year, and Andrews reprised her role as Queen Clarisse Renaldi in The Princess Diaries 2: Royal Engagement (2004). In recent years, Andrews appeared in Tooth Fairy (2010), as well as a number of voice roles in Shrek 2 (2004), Shrek the Third (2007), Enchanted (2007), Shrek Forever After (2010), and Despicable Me (2010).- Actor
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Robin McLaurin Williams was born on Saturday, July 21st, 1951, in Chicago, Illinois, a great-great-grandson of Mississippi Governor and Senator, Anselm J. McLaurin. His mother, Laurie McLaurin (née Janin), was a former model from Mississippi, and his father, Robert Fitzgerald Williams, was a Ford Motor Company executive from Indiana. Williams had English, German, French, Welsh, Irish, and Scottish ancestry.
Robin briefly studied political science at Claremont Men's College and theater at College of Marin before enrolling at The Juilliard School to focus on theater. After leaving Juilliard, he performed in nightclubs where he was discovered for the role of "Mork, from Ork", in an episode of Happy Days (1974). The episode, My Favorite Orkan (1978), led to his famous spin-off weekly TV series, Mork & Mindy (1978). He made his feature starring debut playing the title role in Popeye (1980), directed by Robert Altman.
Williams' continuous comedies and wild comic talents involved a great deal of improvisation, following in the footsteps of his idol Jonathan Winters. Williams also proved to be an effective dramatic actor, receiving Academy Award nominations for Best Actor in a Leading Role in Good Morning, Vietnam (1987), Dead Poets Society (1989), and The Fisher King (1991), before winning the Academy Award for Best Actor in a Supporting Role in Good Will Hunting (1997).
During the 1990s, Williams became a beloved hero to children the world over for his roles in a string of hit family-oriented films, including Hook (1991), FernGully: The Last Rainforest (1992), Aladdin (1992), Mrs. Doubtfire (1993), Jumanji (1995), Flubber (1997), and Bicentennial Man (1999). He continued entertaining children and families into the 21st century with his work in Robots (2005), Happy Feet (2006), Night at the Museum (2006), Night at the Museum: Battle of the Smithsonian (2009), Happy Feet Two (2011), and Night at the Museum: Secret of the Tomb (2014). Other more adult-oriented films for which Williams received acclaim include The World According to Garp (1982), Moscow on the Hudson (1984), Awakenings (1990), The Birdcage (1996), Insomnia (2002), One Hour Photo (2002), World's Greatest Dad (2009), and Boulevard (2014).
On Monday, August 11th, 2014, Robin Williams was found dead at his home in Tiburon, California USA, the victim of an apparent suicide, according to the Marin County Sheriff's Office. A 911 call was received at 11:55 a.m. PDT, firefighters and paramedics arrived at his home at 12:00 p.m. PDT, and he was pronounced dead at 12:02 p.m. PDT.- Actor
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Kurt Vogel Russell was born on March 17, 1951 in Springfield, Massachusetts and raised in Thousand Oaks, California to Louise Julia Russell (née Crone), a dancer & Bing Russell, an actor. He is of English, German, Scottish and Irish descent. His first roles were as a child on television series, including a lead role on the Western series The Travels of Jaimie McPheeters (1963). Russell landed a role in the Elvis Presley movie, It Happened at the World's Fair (1963), when he was eleven years old. Walt Disney himself signed Russell to a 10-year contract, and, according to Robert Osborne, he became the studio's top star of the 1970s. Having voiced adult Copper in the animated Disney film The Fox and the Hound (1981), Russell is one of the few famous child stars in Hollywood who has been able to continue his acting career past his teen years.
Kurt spent the early 1970s playing minor league baseball. In 1979, he gave a classic performance as Elvis Presley in John Carpenter's ABC TV movie Elvis (1979), and married the actress who portrayed Priscilla Presley in the film, Season Hubley. He was nominated for an Emmy Award for the role. He followed with roles in a string of well-received films, including Used Cars (1980) and Silkwood (1983), for which he was nominated for the Golden Globe Award for Best Supporting Actor - Motion Picture. During the 1980s, he starred in several films by director Carpenter; they created some of his best-known roles, including the infamous anti-hero Snake Plissken in the futuristic action film Escape from New York (1981) (and later in its sequel Escape from L.A. (1996)), Antarctic helicopter pilot R.J. MacReady in the horror film The Thing (1982), and Jack Burton in the fantasy film Big Trouble in Little China (1986), all of which have since become cult classics.
In 1983, he became reacquainted with Goldie Hawn (who appeared with him in The One and Only, Genuine, Original Family Band (1968)) when they worked together on Swing Shift (1984). The two have lived together ever since. They made another film together, Garry Marshall's comedy Overboard (1987). His other 1980s titles include The Best of Times (1986), Tequila Sunrise (1988), Winter People (1989) and Tango & Cash (1989).
In 1991, he headlined the firefighter drama Backdraft (1991), he starred as Wyatt Earp in the Western film Tombstone (1993), and had a starring role as Colonel Jack O'Neil in the science fiction film Stargate (1994). In the mid-2000s, his portrayal of U.S. Olympic hockey coach Herb Brooks in Miracle (2004) won the praise of critics. In 2006, he appeared in the disaster-thriller Poseidon (2006), and in 2007, in Quentin Tarantino's Death Proof (2007) segment from the film Grindhouse (2007). Russell appeared in The Battered Bastards of Baseball (2014), a documentary about his father and the Portland Mavericks, which debuted at the Sundance Film Festival in 2014. Russell starred in the Western films Bone Tomahawk (2015) and The Hateful Eight (2015), and had a leading role in the dramatization Deepwater Horizon (2016). He also co-starred in the action sequels Furious 7 (2015) and The Fate of the Furious (2017).
Russell and Goldie Hawn live on a 72-acre retreat, Home Run Ranch, outside of Aspen. He has two sons, Boston Russell (from his marriage to Hubley) and Wyatt Russell (with Hawn). He also raised Hawn's children, actors Oliver Hudson and Kate Hudson, who consider him their father. Russell is also an avid gun enthusiast, a hunter and a staunch supporter of the Second Amendment of the United States Constitution. He is also an FAA-licensed private pilot holding single/multi-engine and instrument ratings, and is an Honorary Board Member of the humanitarian aviation organization Wings of Hope.- Actor
- Producer
- Director
In 1979 with his Detroit friends, Sam Raimi and Rob Tapert, Bruce Campbell raised $350,000 for a low-budget film, The Evil Dead (1981), in which he starred and co-executive produced. Completed piecemeal over four years, the film first gained notoriety in England where it became the best-selling video of 1983, beating out The Shining (1980). After its appearance at Cannes, where Stephen King dubbed it "the most ferociously original horror film of the year", New Line Cinema stepped forward to release "Evil Dead" in the U.S.
After co-producing Crimewave (1985), a cross-genre comedy written by Sam Raimi, Ethan and Joel Coen, Campbell moved to Los Angeles and quickly gained a foothold producing or starring in genre films such as the Maniac Cop (1988) series, Lunatics: A Love Story (1991), Moontrap (1988), and Mindwarp (1991), a post-apocalyptic "Jeremiah Johnson", during which he met his wife-to-be, filmmaker, Ida Gearon.
Campbell then rejoined his Detroit colleagues to star and co-produce the second and third films in the Evil Dead trilogy (Evil Dead II (1987) & Army of Darkness (1992)), completing 12 years of work on the cult favorite.
This rough-and-tumble background was a plus as Campbell made his foray into television, first starring in the highly touted Fox series The Adventures of Brisco County, Jr. (1993), then as a recurring guest-star on the hit show Lois & Clark: The New Adventures of Superman (1993).
With these under his belt, Campbell easily made the transition to director, helming numerous episodes and recurring as the King of Thieves in the #1 syndicated Hercules: The Legendary Journeys (1995), and its follow-up phenomenon, Xena: Warrior Princess (1995).
Bruce has since expanded his range on television, appearing in anything from Disney's update of The Love Bug (1997), to decidedly dramatic turns on the acclaimed series Homicide: Life on the Street (1993) and The X-Files (1993). At the invitation of ABC, Campbell ventured into the world of sitcoms with a recurring role on ABC's Emmy-nominated Ellen (1994), participating in one of the three touted "out" episodes.
But Campbell didn't abandon his film roots. During that time, he had featured roles in the blockbuster Congo (1995), John Carpenter's Escape from L.A. (1996), and the award-winning independent crime drama, Running Time (1997). He followed these up with roles in Paramount's romantic comedy, Serving Sara (2002), Jim Carrey's The Majestic (2001), and all three of Sam Raimi's blockbuster Spider-Man movies.
After a return to episodic television in the swashbuckling series, Jack of All Trades (2000), Campbell took the title role in MGM's cult sleeper Bubba Ho-Tep (2002). His directorial debut, Man with the Screaming Brain (2005) premiered on the Sci Fi Channel, and Dark Horse Comics published the comic adaptation.
Campbell then directed and starred as himself in My Name Is Bruce (2007), a spoof of his B-movie career, then re-teamed with Disney for their fun-filled hit, Sky High (2005).
Campbell has since made the leap into other forms of entertainment, and is enjoying his role as an author with back-to-back New York Times bestsellers: a memoir entitled "If Chins Could Kill: Confessions of a B Movie Actor", and his first novel, "Make Love the Bruce Campbell Way".
In the multi-media industry, Bruce has enjoyed voicing characters for Disney's animated TV series The Legend of Tarzan (2001) and the Warner Brothers feature The Ant Bully (2006). He also portrayed the character of "Mayor Shelbourne" in the animated hit film, Cloudy with a Chance of Meatballs (2009). Recently, Campbell voiced the role of "Rod Torque Redline" in Cars 2 (2011), the sequel to the smash Disney animated feature and for the immensely popular game, "Call of Duty".
In 2013, Bruce co-produced the hit remake of Evil Dead (2013), joined his filmmaking pal Sam Raimi on Oz the Great and Powerful (2013), and completed an impressive seven-year run on the spy show, Burn Notice (2007) (2007-2013), USA's #1 show on cable.
More than two decades after the release of Army of Darkness (1992), Bruce returned to his most iconic role for Ash vs Evil Dead (2015), a highly-anticipated series premiering on the Starz network on Halloween 2015.- Actress
- Soundtrack
Prototype of the sexy cheeky French lady, Suzy Delair was discovered by Henri-Georges Clouzot, who became her companion and gave her two memorable roles : Mila Malou, inspector Wens' unbearable girlfriend in two films, Le dernier des six (1941), which he wrote, and The Murderer Lives at Number 21 (1942), which he penned and directed; and the mythical one of Jenny Lamour, a frivolous music-hall singer prepared to do anything to become famous who makes her poor husband insanely jealous in Jenny Lamour (1947). The rest of her filmography is rather disappointing, with a few exceptions such as Jean Grémillon's White Paws (1949) , where she is -once again - an unfaithful companion ; Gervaise (1956), René Clément's masterpiece as Gervaise's obnoxious rival or Luchino Visconti's Rocco and His Brothers (1960), another cinema milestone, even if her part in this film is minor. An excellent singer (Who has forgotten "Avec son tra la la"?), delightful in operettas, Suzy Delair could hardly choose between her two careers. This may be the reason why she missed out on more great roles than she finally interpreted. Nevertheless, Mila Malou and Jenny Lamour are now part of the French film heritage. Not everybody can boast having left such an imprint on several generations of movie-goers.- Actor
- Producer
- Music Department
Dennis William Quaid was born on April 9, 1954 in Houston, Texas to Juanita Bonniedale "Nita" Quaid (née Jordan), a real estate agent & William Rudy Quaid, an electrician. He grew up in the Houston suburban city of Bellaire. He was raised a Baptist, and studied drama, Mandarin Chinese, and dance while a student at Bellaire High School. He continued study at the University of Houston, but dropped out before completing his degree. He moved to Los Angeles to pursue a film career where his brother, Randy Quaid, had already began to build a successful career. However, Dennis initially had trouble finding film roles, but began to gain notice when he appeared in Breaking Away (1979) and earned strong reviews for his role in The Right Stuff (1983). Aside from acting, Quaid is also a musician, and plays with his band, "The Sharks". He holds a flying license and is a five handicap golfer.- Actor
- Producer
- Writer
Jeffrey Lynn Goldblum was born October 22, 1952 in Pittsburgh, Pennsylvania, one of four children of Shirley (Temeles), a radio broadcaster who also ran an appliances firm, and Harold L. Goldblum, a doctor. His father was of Russian Jewish descent and his mother was of Austrian Jewish ancestry.
Goldblum began his career on the New York stage after moving to the city at age seventeen. Possessing his own unique style of delivery, Goldblum made an impression on moviegoers with little more than a single line in Woody Allen's Annie Hall (1977), when he fretted about having forgotten his mantra. Goldblum went on to appear in the remake Invasion of the Body Snatchers (1978) and co-starred with Ben Vereen in the detective series Tenspeed and Brown Shoe (1980) before a high-profile turn in the classic ensemble film The Big Chill (1983).
The quirky actor turned up in the suitably quirky film The Adventures of Buckaroo Banzai Across the 8th Dimension (1984), which became a 1980s cult classic, starred in the modern-day film noir Into the Night (1985), then went on to a breakthrough role in the David Cronenberg remake The Fly (1986), which also featured actress Geena Davis, Goldblum's wife from 1987-1990 and co-star in two additional films: Transylvania 6-5000 (1985) and Julien Temple's Earth Girls Are Easy (1988).
Goldblum was the rather unlikely star of some of the biggest blockbusters of the 1990s: Steven Spielberg's dinosaur adventure Jurassic Park (1993) and its sequel The Lost World: Jurassic Park (1997), as well as the alien invasion film Independence Day (1996). These films saw Goldblum playing the type of intellectual characters he has become associated with. More recently, roles have included critically acclaimed turns in Igby Goes Down (2002) and Wes Anderson's The Life Aquatic with Steve Zissou (2004). In 2009, he returned to television to star in his second crime series Law & Order: Criminal Intent (2001).- Desmond Llewelyn was born in South Wales in 1914, the son of a coal mining engineer. In high school, he worked as a stagehand in the school's productions and then picked up sporadic small parts. His family would not give up their effort to prevent him from a life on stage, so an uncle who was a high-ranking police officer arranged for Llewelyn to take the department's physical exam.
"Thank God, I flunked the eye test, and they wouldn't take me. I suspect the inspector had a hangover because he also failed this other chap I knew, who went out the same day and passed the physical for the Royal Navy, which had a lot tougher test."
After failing the police exam, Llewelyn thought about becoming a minister, realizing after a week-long retreat of quiet and meditation that the ministry "was definitely not for me." Llewelyn persevered in his acting quest, and was accepted to the Royal Academy for the Dramatic Arts in the mid 1930s.
The outbreak of World War II in September 1939, halted his acting career, and Llewelyn was commissioned as a second lieutenant in the British army. He was assigned to the Royal Welsh Fusiliers and was sent to France in early 1940.
In a short time, his regiment was fighting the Germans, and Llewelyn's company was holding off a division of German tanks. Llewelyn explained that "eventually, the tanks broke through and many of us jumped into this canal and started swimming down it to the other side, figuring that our chaps were still over there. But the Germans were the only ones there," and Llewelyn was captured, and held as a prisoner of war for five years.
At one prison camp, the prisoners had dug a tunnel and were planning to escape the next morning. Llewelyn was down in the tunnel doing some maintenance work in preparation of the escape when the Germans found out about the tunnel and caught him down in it, a crime that earned Llewelyn 10 days in solitary, which Llewelyn called "a blessing of sorts. After spending every day of several years sleeping in a room with 50 other people, the quiet and privacy was rather nice."
After the war, Llewelyn returned to London and revived his career, eventually being cast as his trademark Q in From Russia with Love (1963). Since 1963, Llewelyn has appeared as Q in every Eon Productions Bond film, except Live and Let Die (1973).
Llewelyn was omitted from Live and Let Die (1973) because producers Harry Saltzman and Albert R. Broccoli felt that too much was being made of the gadgets and they would play it down. Llewelyn said he "was quite disappointed" at being left out of Live and Let Die (1973).
Fans, however, missed Q, and Llewelyn got a call shortly after the release of Live and Let Die (1973) telling him that he would be in the next Bond film, The Man with the Golden Gun (1974).
Llewelyn, who admits that his mechanical abilities in real life are virtually nil, is geared up for the next Bond movie. "I'd love to be in the next one," Llewelyn said. "Of course, if you consider my age, they should have put me out to grass a long time ago." - Actor
- Additional Crew
- Writer
Jean Le Poulain was born on 12 September 1924 in Marseille, Bouches-du-Rhône, France. He was an actor and writer, known for Le Tour du monde en 80 jours (1975), Le Bossu (1959) and Les mystères de Paris (1962). He died on 1 March 1988 in Paris, France.- Producer
- Actor
- Writer
Vincent Anthony Vaughn was born on March 28, 1970, in Minneapolis, Minnesota, USA, and was raised in Lake Forest, Illinois. His parents, Vernon Vaughn (a salesman and character actor), and Sharon Vaughn, née Sharon Eileen DePalmo (a real-estate agent and stockbroker) divorced in 1991. He has two older sisters, Victoria Vaughn and Valeri Vaughn. His recent ancestry includes Lebanese (from his paternal grandmother), Italian (from his maternal grandfather), English, Irish, German, and Scottish. His mother was born in Brantford, Ontario.
Vince was interested in theater early on and grabbed a spot in a Chevy commercial. In 1988 he moved to Hollywood. He managed to hit a few spots on television, but his real goal was to make it to the big screen. He made his first credited role in the film Rudy (1993) where he met his friend Jon Favreau, who was writing a script detailing his life as an out-of-work actor. Vince was written into Swingers (1996) by Jon to play the character of "Trent". He signed on just as a favor to his buddy, not realizing it would be a career changing role. Though not a commercial success, it was a critical success in which Steven Spielberg saw him and cast him in the big budget sequel The Lost World: Jurassic Park (1997). This role gave Vince the exposure he needed to become a movie star and, for the first time, choose the roles he wanted to take. A Cool, Dry Place (1998) put him as a loving father, Return to Paradise (1998) cast him as a man having to make a life or death decision to save a friend, and Clay Pigeons (1998) cast him as an interesting serial killer. Since then his roles have been primarily in comedies such as Old School (2003), Dodgeball: A True Underdog Story (2004), Wedding Crashers (2005), and Couples Retreat (2009).- Actor
- Director
Robert Francis Vaughn was born on November 22, 1932 at Charity Hospital in New York City, the son of show business parents, Marcella Frances (Gaudel) and Gerald Walter Vaughn. His father was a radio actor and his mother starred on stage. Robert came to the public's attention first with his Oscar-nominated role, in The Young Philadelphians (1959). The next year, he was one of the seven in the western classic The Magnificent Seven (1960). Despite being in such popular films, he generally found work on television. He appeared over 200 times in guest roles in the late 1950s to early 1960s. It was in 1963 that he received his first major role in The Lieutenant (1963). Robert took the role with the intention of making the transition from being a guest-star actor to being a co-star on television. It was due to his work in this series that producer Norman Felton offered him the role of Napoleon Solo in The Man from U.N.C.L.E. (1964).
Four extremely successful years (1964-68) followed as the series became one of the most popular television series of the 1960s. It made Vaughn an international television star, but he wanted to embark on a career in film, and did so soon after the series ended in 1968 by co-starring in Bullitt (1968) with Steve McQueen. Now working in film full-time, he starred in The Bridge at Remagen (1969) and The Mind of Mr. Soames (1970), before making a change by going back to television, this time in England. He took a lead role in the series The Protectors (1972) and stayed in England for the first half of the 1970s. He returned to the United States in the mid-1970s and embarked on a very successful run of television miniseries roles that resulted in his receiving an Emmy Award in 1978 for Washington: Behind Closed Doors (1977) and a nomination the following year for Backstairs at the White House (1979).
The 1970s proved a important time in Robert's life, as in 1974, he married actress Linda Staab, and completed his thesis on Hollywood blacklisting during the McCarthy "Red Scare" era, published in 1972 as "Only Victims: A Study of Show Business Blacklisting". During the 1980s, he mixed television with film. Roles in such films as S.O.B. (1981), Superman III (1983), The Delta Force (1986) and Black Moon Rising (1986) were highlights. In television, he appeared in many successful series, most notably in The A-Team (1983) and Emerald Point N.A.S. (1983).
He continued with a diverse range of projects, appearing on stage on numerous occasions. The 1990s saw the same variety of roles. Made-for-TV movies were a popular choice for him, as well as such series as As the World Turns (1956), The Nanny (1993) and Law & Order (1990). He had a role in the 1998 series remake of the classic film in which he appeared, The Magnificent Seven (1998). He also appeared in major features such as Joe's Apartment (1996) and BASEketball (1998), and in smaller roles in subsequent years.
Robert died of acute leukemia on November 11, 2016 in Ridgefield, Connecticut. His last acting credit, Gold Star (2017), was released the year of his death.- Actor
- Soundtrack
Since David McCallum's father, David McCallum Sr., was first violinist for the London Philharmonic Orchestra and his mother, Dorothy Dorman, was a cellist, it's not surprising that David was originally headed for a career in music, playing oboe. He studied briefly at the Royal Academy of Music. He left that, however, for the Royal Academy of Dramatic Art and joined Actor's Equity in 1946, his first acting work being for BBC Radio. He made nearly a dozen movies in the United Kingdom before his critically acclaimed work as Lt. Wyatt in Billy Budd (1962).
To the older generation, he is perhaps best known for his portrayal of U.N.C.L.E. agent Illya Kuryakin in the hit TV series The Man from U.N.C.L.E. (1964). To younger audience, he is best known for his superlative portrayal of Dr. Donald "Duckie" Mallard on NCIS (2003).
McCallum was first married to actress Jill Ireland, whom he met while filming Hell Drivers (1957). In 1962 he introduced Ireland to Charles Bronson when both were filming The Great Escape (1963). She eventually left McCallum and married Bronson in 1968. McCallum and Ireland had three sons: Paul, Jason (an adopted son who died from an accidental drug overdose in 1989), and Val (short for Valentine).
He met fashion model Katherine Carpenter during a photo shoot for Glamour in 1965 and married her two years later. The couple had a son, Peter, and a daughter, Sophie. They were together for 58 years and were active with charitable organizations that support the The United States Marine Corps: Katherine's father was a Marine who served in the Battle of Iwo Jima, and her brother lost his life in the Vietnam War. McCallum had eight grandchildren.
David McCallum died on September 25 2023 in New York City from natural causes at the age of 90.- Actor
- Producer
- Director
Imposing, barrel-chested and often silver-haired Brian Dennehy was a prolific US actor, well respected on both screen and stage over many decades. He was born in July 1938 in Bridgeport, CT, and attended Columbia University in New York City on a football scholarship. Brian majored in history, before moving on to Yale to study dramatic arts. He first appeared in minor screen roles in such fare as Looking for Mr. Goodbar (1977), Semi-Tough (1977) and Foul Play (1978) and proved popular with casting directors, leading to regular work. However, he really got himself noticed by movie audiences in the box-office hit First Blood (1982) as the bigoted sheriff determined to run Vietnam veteran "John Rambo" (played by Sylvester Stallone) out of his town. Dennehy quickly escalated to stronger supporting or co-starring roles in films including the Cold War thriller Gorky Park (1983), as a benevolent alien in Cocoon (1985), a corrupt sheriff in the western Silverado (1985), a tough but smart cop in F/X (1986) and a cop-turned-writer alongside hit man James Woods in Best Seller (1987). In 1987, Dennehy turned in one of his finest performances as cancer-ridden architect "Stourley Kracklite" in Peter Greenaway's superb The Belly of an Architect (1987), for which he won the Best Actor Award at the 1987 Chicago Film Festival. More strong performances followed. He reprised prior roles for Cocoon: The Return (1988) and F/X2 (1991), and turned in gripping performances in three made-for-TV films: a sadistic small-town bully who gets his grisly comeuppance in In Broad Daylight (1991), real-life serial killer John Wayne Gacy in the chilling To Catch a Killer (1992) and a corrupt union boss in Teamster Boss: The Jackie Presser Story (1992). In 1993, Dennehy appeared in the role of police "Sgt. Jack Reed" in the telemovie Jack Reed: Badge of Honor (1993), and reprised the role in four sequels, which saw him for the first time become involved in co-producing, directing and writing screen productions! Demand for his services showed no signs of abating, and he put in further memorable performances in Romeo + Juliet (1996), as bad-luck-ridden "Willy Loman" in Death of a Salesman (2000) (which earned him a Golden Globe Award), he popped up in the uneven Spike Lee film She Hate Me (2004) and appears in the remake Assault on Precinct 13 (2005). The multi-talented Dennehy also had a rich theatrical career and appeared both in the United States and internationally in dynamic stage productions including "Death of a Salesman" (for which he picked up the 1999 Best Actor Tony Award and a Drama Desk Award), "A Touch of the Poet", "Long Day's Journey into Night" (for which he picked up another Tony Award in 2003) and in Eugene O'Neill's heart-wrenching "The Iceman Cometh."- Actor
- Soundtrack
In many ways the most successful and familiar character actor of American sound films and the only actor to date to win three Oscars for Best Supporting Actor, Walter Brennan attended college in Cambridge, Massachusetts, studying engineering. While in school he became interested in acting and performed in school plays. He worked some in vaudeville and also in various jobs such as clerking in a bank and as a lumberjack. He toured in small musical comedy companies before entering the military in 1917. After his war service he went to Guatemala and raised pineapples, then migrated to Los Angeles, where he speculated in real estate. A few jobs as a film extra came his way beginning in 1923, then some work as a stuntman. He eventually achieved speaking roles, going from bit parts to substantial supporting parts in scores of features and short subjects between 1927 and 1938. In 1936 his role in Come and Get It (1936) won him the very first Best Supporting Actor Academy Award. He would win it twice more in the decade, and be nominated for a fourth. His range was enormous. He could play sophisticated businessmen, con artists, local yokels, cowhands and military officers with apparent equal ease. An accident in 1932 cost him most of his teeth, and he most often was seen in eccentric rural parts, often playing characters much older than his actual age. His career never really declined, and in the 1950s he became an even more endearing and familiar figure in several television series, most famously The Real McCoys (1957). He died in 1974 of emphysema, a beloved figure in movies and TV, the target of countless comic impressionists, and one of the best and most prolific actors of his time.- Actor
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Ron Perlman is a classically-trained actor who has appeared in countless stage plays, feature films and television productions.
Ronald N. Perlman was born April 13, 1950 in Washington Heights, Manhattan, New York. His mother, Dorothy (Rosen), is retired from the City Clerk's Office. His father, Bertram "Bert" Perlman, now deceased, was a repairman and a drummer. His parents were both from Jewish families (from Hungary, Germany and Poland).
With a career spanning over three decades, Perlman has worked alongside such diverse actors as Marlon Brando, Sean Connery, Dominique Pinon, Brad Dourif, Ed Harris, John Hurt, Jude Law, Christina Ricci, Federico Luppi, Sigourney Weaver, Michael Wincott and Elijah Wood to name a few.
While he has never been a bankable star, Perlman has always had a large fan-base. He started out strong as Amoukar, one of the tribesmen in Jean-Jacques Annaud's Academy Award-winning film Quest for Fire (1981), for which he earned a Genie Award nomination. Perlman teamed up with Annaud again, this time as a hunchback named Salvatore in The Name of the Rose (1986). His first real breakthrough came later when he landed the role of the noble lion-man Vincent, opposite Linda Hamilton on the fantasy series Beauty and the Beast (1987). His work in this role earned him not only a Golden Globe Award but an underground fan following. Sadly the series was canceled in its third season shortly after Hamilton's character's death.
After that, he spent time doing supporting work on television and independent films such as Guillermo del Toro's debut Cronos (1992) (where a lifelong friendship and collaboration between the director and Perlman would blossom) as Angel and his first lead role as One in Jean-Pierre Jeunet's surreal The City of Lost Children (1995). His first real big role in a mainstream film came when Jeunet wanted him for the brutish Johner in his first Hollywood outing Alien: Resurrection (1997). Perlman has also used his distinctive voice to his advantage, appearing in many animated films/series, commercials and he is a video game fan favorite because of his work on such games as the Fallout series.
It was not until much later he received worldwide fame when his good friend Guillermo del Toro helped him land the title role in the big-budget comic book movie Hellboy (2004). Del Toro fought the studio for four years because they wanted a more secure name, but he stood his ground and in 2004, after almost 25 years in and out of obscurity, Perlman became a household name and a sought out actor. Perlman has had one of the most offbeat careers in film, playing everything from a prehistoric ape-man to an aging transsexual and will always be a rarity in Hollywood.
Other notable roles include the cunning Norman Arbuthnot in The Last Supper (1995), sniper expert Koulikov in Enemy at the Gates (2001), vampire leader Reinhardt in Blade II (2002), his reprisal of Hellboy in Hellboy II: The Golden Army (2008) and biker chief Clarence Morrow on the popular series Sons of Anarchy (2008).
He currently resides in Los Angeles, California with his wife, Opal, and their two children, Blake and Brandon.- Actor
- Producer
- Writer
Michael Landon was born Eugene Maurice Orowitz, on Saturday, October 31st, 1936, in Forest Hills, Queens, New York. In 1941, he and his family moved to Collingswood, New Jersey.
When Eugene was in high school, he participated -- and did very well -- in track and field, especially javelin throwing, and his athletic skills earned him a scholarship to USC. However, an accident injured his arm, ending his athletic career -- and his term at USC -- and he worked a number of odd jobs and small roles to make ends meet and decided that acting was for him. However, he thought that his real name was not a suitable one for an aspiring actor, and so "Michael Landon" was born.
Two of his first big roles were as Tony Rivers in I Was a Teenage Werewolf (1957) and as Tom Dooley in the western The Legend of Tom Dooley (1959). That same year he was approached by producer David Dortort to star in a pilot called The Restless Gun (1957), which was renamed when the series was picked up to Bonanza (1959). Landon played Little Joe Cartwright, the youngest of the three Cartwright brothers, a cocky and somewhat rebellious youth nevertheless had a way with the ladies. For 14 years, Landon became the heart and soul of the show, endearing himself to both younger and older viewers, and he became a household name during the 1960s and 1970s.
In 1968, after almost ten years of playing Little Joe, he wanted an opportunity to direct and write some episodes of the show. After the season finale in 1972, Dan Blocker, who played his older brother Hoss and was also a close friend, died from a blood clot in his lung, after gall bladder surgery, but Michael decided to go back to work, revisiting his own character in a two-part episode called "Forever."
Bonanza (1959) was finally canceled in early 1973, after 14 years and 430 episodes. Michael didn't have to wait long until he landed another successful role that most TV audiences of the 1970s would thoroughly enjoy, his second TV western, for NBC, Little House on the Prairie (1974). That show was based on a popular book written by Laura Ingalls Wilder, and he played enduring patriarch and farmer Charles Ingalls. Unlike Bonanza (1959), where he was mostly just a "hired gun," on this show he served as the producer, writer, director, and executive producer. By the end of its eighth season in 1982, Landon decided to step down from his role on "Little House" as he saw his TV children grown up and moved out of their father's house, and a year later, the show was canceled. After 14 years on Bonanza (1959) and 8 years on Little House on the Prairie (1974), it was about time to focus on something else, and once again, he didn't have to wait too long before Highway to Heaven (1984) came along. Unlike the western shows that he did for 23 years, this NBC fantasy/drama show focused on Jonathan Smith, an angel whose job was to save peoples' lives and work for God, his boss. Victor French played ex-cop Mark Gordon, who turned down a fortune but had redeemed himself by meeting Jonathan.
By the end of the fifth season in 1989, French was diagnosed with lung cancer and died in June of that same year. Landon was devastated by the loss and pulled the plug on Highway to Heaven (1984). In early 1991, after 35 years of working on NBC, he was axed by the network, so he moved to CBS to star in the pilot of a two-hour movie, Us (1991), in which he played Jeff Hayes, a man freed from prison by new evidence after 18 years wrongfully spent inside. This was going to be another one of Landon's shows but, in April 1991, he was diagnosed with pancreatic cancer. He later appeared on The Tonight Show Starring Johnny Carson (1962) to talk about his battle with the disease, and many people in the audience were affected by the courage and energy he showed. Unfortunately, he was already terminally ill by that time, and on Monday, July 1st, 1991, after a three-month battle, he finally succumbed to the disease. His family, his colleagues, and his children were all by his side. His life-time: Saturday, October 31st, 1936 to Monday, July 1st, 1991, was 19,966 days, equaling 2,852 weeks & 2 days.- Actor
- Soundtrack
Jules Berry was born on 9 February 1883 in Poitiers, Vienne, France. He was an actor, known for Les Visiteurs du Soir (1942), Aventure à Paris (1936) and Le Jour Se Leve (1939). He was married to Josseline Gaël. He died on 23 April 1951 in Paris, France.