Oscar Legends Presents: Famous Directors-Writers that had involvement with Academy Award films
Rows 1-184: Directors
Rows 185-212: Writers
Rows 213-242: Producers
Rows 243-324: Animation Creators
For that is not is on the list are companies that had involvement with Academy Award films while not doing the production.
* Broadway Video (Poetic Justice, On the Ropes, Lost in Translation, Julie & Julia and A Star Is Born)
* Funny or Die (Boyhood)
* Ralph Edwards Productions (Scrooged, Avalon and Hacksaw Ridge)
* Fred Rogers Productions (A Beautiful Day in the Neighborhood)
* Dr. Seuss Enterprises (Addams Family Values, The American President, How the Grinch Stole Christmas, I Am Sam, The Lovely Bones and Salt)
* Worldwide Pants (One Fine Day, Jackie Brown, Bulworth, In the Bedroom, Amy and Steve Jobs)
* Sid & Marty Krofft Pictures (Indiana Jones and the Dial of Destiny)
* Nelvana (Ryan)
* Bardel Entertainment (Anastasia, The Prince of Egypt and Spirit: Stallion of the Cimarron)
* House of Cool Studios (The Incredibles, Rio, Hugo and Ferdinand)
* Cuppa Coffee Studios (Eastern Promises)
* C.O.R.E. (Fly Away Home and The Time Machine)
* Rainmaker Studios (Titanic, Armageddon, A Simple Plan and I, Robot)
* DiC Entertainment (Short Cuts)
* FilmFair (The Periwig-Maker)
* Titmouse (Her, Borat Subsequent Moviefilm and Spider-Man: Across the Spider-Verse)
* Colossal Pictures/WildBrain (The Black Stallion, One from the Heart, The Right Stuff, The Cotton Club, Top Gun, Children of a Lesser God, Peggy Sue Got Married, Tucker: The Man and His Dream, Common Threads: Stories from the Quilt, Dracula and Ice Age)
* Cookie Jar Group/DHX Media (A Boy Named Charlie Brown and The Red Violin)
* Kurtz & Friends (City Slickers, Jurassic Park and Minority Report)
* Rick Reinert Production (Mrs. Doubtfire)
* Filmation (Footloose)
* Epoch Ink and Lanterna Magica (Treasure Planet)
* Curious Pictures (Star Trek: The Motion Picture and Black Swan)
* Stoopid Buddy Stoodios (The Lego Movie and Spider-Man: Across the Spider-Verse)
* David Allen Productions (Young Sherlock Holmes and Willow)
* Wang Film Productions Company (TRON, The Little Mermaid, Aladdin, The Lion King, Mulan, Tarzan, The Emperor's New Groove and Lilo & Stitch)
* Hanho Heung-Up Company/Steve Hahn Productions (Technological Threat, Pocahontas and Hercules)
* Akom Production Company (The Longest Daycare)
* Sunwoo Entertainment (The Wild Thornberrys Movie and The Illusionist)
* Cactus Animation, Dargaud Media, Ellipse Animation and M6 (No Time to Die)
* Oh! Production (Spirited Away, Howl's Moving Castle, La Maison
en Petits Cubes, The Tale of the Princess Kaguya, When Marine Was There and Mirai)
* Production I.G (Spirited Away, Howl's Moving Castle, The Tale of the Princess Kaguya and The Boy and the Heron)
* Doga Kobo (Spirited Away, Howl's Moving Castle, The Tale of the Princess Kaguya and When Marine Was There)
* Studio Deen, Gainax, AIC and Studio Hibari (Spirited Away)
* Shaft (Spirited Away and Mirai)
* Gonzo (Howl's Moving Castle)
* Studio Khara (The Wind Rises, When Marnie Was There and The Boy and the Heron)
* Telecom Animation Film (Spirited Away and The Wind Rises)
* Toei Animation (War of the Worlds)
* Tatsunoko Production (The Lego Movie, The Tale of the Princess Kaguya, When Marine Was There and Ready Player One)
* Vega Entertainment, David Production, C2C, Studio Comet, Nippon Animation, Studio Pierrot, Bones and Studio A.P.P.P. (The Tale of the Princess Kaguya)
* Studio 4°C (The Tale of the Princess Kaguya and The Boy and the Heron)
* Liden Films and Magic Bus (The Tale of the Princess Kaguya and Mirai)
* Pacific Animation Corporation/Disney Animation Japan/The Answer Studio (The Tale of the Princess Kaguya, When Marine Was There and Mirai)
* Asahi Production (When Marine Was There and Mirai)
* Studio Ponoc and CoMix Wave Films (Mirai and The Boy and the Heron)
* A-1 Pictures, MAPPA, Kinema Citrus, Shin-Ei Animation, White Fox and Satelight (Mirai)
* ufotable and Yostar Pictures (The Boy and the Heron)
* Kodansha (Ready Player One and Mirai)
* Shueisha and Gakken (Mirai)
* Takara Tomy (Transformers, Transformers: Revenge of the Fallen and The Muppets)
* TV Asahi (Lost in Translation)
* MTV (Toys, The Bodyguard, Mr. Saturday Night, Being John Malkovich, American Splendor, Lost in Translation, Shark Tale, Sideways, Tropic Thunder, Straight Outta Compton and Amy)
* Nickelodeon (Big Fish, War of the Worlds, The Big Sick, Vice and Ready Player One)
* Spike TV (Tropic Thunder)
* FOX (Avalon, Independence Day, Tupac: Resurrection, Licorice Pizza and Blonde)
* The Carsey-Werner Company (Tupac: Resurrection)
* Stephen J. Cannell Productions (Bolt)
* Sony Pictures Television (Basic Instinct, Apollo 13, Wonder Boys, Tupac: Resurrection, Borat, Little Children, The Lovely Bones, Rise of the Planet of the Apes, X-Men: Days of Future Past, Straight Outta Compton, Incredibles 2, Ford v Ferrari, The Eyes of Tammy Faye, Licorice Pizza and The Holdovers)
* 20th Century Fox Television (Bulworth, Unfaithful, Minority Report, Rise of the Planet of the Apes, Birdman, Steve Jobs and Avengers: Infinity War)
* Capcom (Wreck-It Ralph, Ready Player One, Ralph Breaks the Internet, No Time to Die and Tár)
* Konami (Lost in Translation, Wreck-It Ralph, Ready Player One and Ralph Breaks the Internet)
* Microsoft (Avatar, 13 Hours, Ready Player One, The Suicide Squad and No Time to Die)
* Disney Interactive (The Little Mermaid, Toy Story, The Hunchback of Notre Dame, The Emperor's New Groove, "Monsters, Inc.", Treasure Planet, Lilo & Stitch, Finding Nemo, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Cars, Ratatouille, WALL·E, Bolt, Up, The Princess and the Frog, Toy Story 3, Tangled, TRON: Legacy, Brave, Wreck-It Ralph, Frozen, Big Hero 6, Inside Out and Zootopia)
* Atari (Superman, TRON, Terminator 2, The Pursuit of Happyness, WALL·E, TRON: Legacy, Wreck-It Ralph, The Boss Baby, Ready Player One and Ralph Breaks the Internet)
* Mojang AB (Wonder and Ready Player One)
* Square Enix (Ready Player One, The One and Only Ivan, No Time to Die and Godzilla Minus One)
* Value, Bethesda Softworks, Rare and Activision Blizzard (Ready Player One)
* Acclaim Entertainment (Total Recall and Terminator 2)
* Midway Games/Warner Bros. Interactive Entertainment (Terminator 2)
* THQ/THQ Nordic (Finding Nemo, The Incredibles, Cars, Ratatouille, WALL·E and Up)
* Eizo (Lost in Translation)
* Epic Games (Bridesmaids, Iron Man 3, Ralph Breaks the Internet and WAR IS OVER! Inspired by the Music of John and Yoko)
* Insomniac Games (Spider-Man: Across the Spider-Verse)
* McDonald's Corporation (Mickey's Christmas Carol, Coming to America and The Fifth Element)
* Playboy Enterprises (Beverly Hills Cop II, Forest Gump, Minority Report, Big Fish and The Muppets)
* National Lampoon (The Eyes of Tammy Faye)
* Archie Comics (The Shawshank Redemption)
* Penguin Random House (Ayn Rand: A Sense of Life, Tupac: Resurrection, Eternal Sunshine of the Spotless Mind, The Reader and Rabbit Hole)
* Wizards of the Coast (Ready Player One and Onward)
* Crayola (The Boss Baby)
* National Public Radio (NPR) (Common Threads: Stories from the Quilt, The Savages, La La Land, Vice and RBG)
Rows 185-212: Writers
Rows 213-242: Producers
Rows 243-324: Animation Creators
For that is not is on the list are companies that had involvement with Academy Award films while not doing the production.
* Broadway Video (Poetic Justice, On the Ropes, Lost in Translation, Julie & Julia and A Star Is Born)
* Funny or Die (Boyhood)
* Ralph Edwards Productions (Scrooged, Avalon and Hacksaw Ridge)
* Fred Rogers Productions (A Beautiful Day in the Neighborhood)
* Dr. Seuss Enterprises (Addams Family Values, The American President, How the Grinch Stole Christmas, I Am Sam, The Lovely Bones and Salt)
* Worldwide Pants (One Fine Day, Jackie Brown, Bulworth, In the Bedroom, Amy and Steve Jobs)
* Sid & Marty Krofft Pictures (Indiana Jones and the Dial of Destiny)
* Nelvana (Ryan)
* Bardel Entertainment (Anastasia, The Prince of Egypt and Spirit: Stallion of the Cimarron)
* House of Cool Studios (The Incredibles, Rio, Hugo and Ferdinand)
* Cuppa Coffee Studios (Eastern Promises)
* C.O.R.E. (Fly Away Home and The Time Machine)
* Rainmaker Studios (Titanic, Armageddon, A Simple Plan and I, Robot)
* DiC Entertainment (Short Cuts)
* FilmFair (The Periwig-Maker)
* Titmouse (Her, Borat Subsequent Moviefilm and Spider-Man: Across the Spider-Verse)
* Colossal Pictures/WildBrain (The Black Stallion, One from the Heart, The Right Stuff, The Cotton Club, Top Gun, Children of a Lesser God, Peggy Sue Got Married, Tucker: The Man and His Dream, Common Threads: Stories from the Quilt, Dracula and Ice Age)
* Cookie Jar Group/DHX Media (A Boy Named Charlie Brown and The Red Violin)
* Kurtz & Friends (City Slickers, Jurassic Park and Minority Report)
* Rick Reinert Production (Mrs. Doubtfire)
* Filmation (Footloose)
* Epoch Ink and Lanterna Magica (Treasure Planet)
* Curious Pictures (Star Trek: The Motion Picture and Black Swan)
* Stoopid Buddy Stoodios (The Lego Movie and Spider-Man: Across the Spider-Verse)
* David Allen Productions (Young Sherlock Holmes and Willow)
* Wang Film Productions Company (TRON, The Little Mermaid, Aladdin, The Lion King, Mulan, Tarzan, The Emperor's New Groove and Lilo & Stitch)
* Hanho Heung-Up Company/Steve Hahn Productions (Technological Threat, Pocahontas and Hercules)
* Akom Production Company (The Longest Daycare)
* Sunwoo Entertainment (The Wild Thornberrys Movie and The Illusionist)
* Cactus Animation, Dargaud Media, Ellipse Animation and M6 (No Time to Die)
* Oh! Production (Spirited Away, Howl's Moving Castle, La Maison
en Petits Cubes, The Tale of the Princess Kaguya, When Marine Was There and Mirai)
* Production I.G (Spirited Away, Howl's Moving Castle, The Tale of the Princess Kaguya and The Boy and the Heron)
* Doga Kobo (Spirited Away, Howl's Moving Castle, The Tale of the Princess Kaguya and When Marine Was There)
* Studio Deen, Gainax, AIC and Studio Hibari (Spirited Away)
* Shaft (Spirited Away and Mirai)
* Gonzo (Howl's Moving Castle)
* Studio Khara (The Wind Rises, When Marnie Was There and The Boy and the Heron)
* Telecom Animation Film (Spirited Away and The Wind Rises)
* Toei Animation (War of the Worlds)
* Tatsunoko Production (The Lego Movie, The Tale of the Princess Kaguya, When Marine Was There and Ready Player One)
* Vega Entertainment, David Production, C2C, Studio Comet, Nippon Animation, Studio Pierrot, Bones and Studio A.P.P.P. (The Tale of the Princess Kaguya)
* Studio 4°C (The Tale of the Princess Kaguya and The Boy and the Heron)
* Liden Films and Magic Bus (The Tale of the Princess Kaguya and Mirai)
* Pacific Animation Corporation/Disney Animation Japan/The Answer Studio (The Tale of the Princess Kaguya, When Marine Was There and Mirai)
* Asahi Production (When Marine Was There and Mirai)
* Studio Ponoc and CoMix Wave Films (Mirai and The Boy and the Heron)
* A-1 Pictures, MAPPA, Kinema Citrus, Shin-Ei Animation, White Fox and Satelight (Mirai)
* ufotable and Yostar Pictures (The Boy and the Heron)
* Kodansha (Ready Player One and Mirai)
* Shueisha and Gakken (Mirai)
* Takara Tomy (Transformers, Transformers: Revenge of the Fallen and The Muppets)
* TV Asahi (Lost in Translation)
* MTV (Toys, The Bodyguard, Mr. Saturday Night, Being John Malkovich, American Splendor, Lost in Translation, Shark Tale, Sideways, Tropic Thunder, Straight Outta Compton and Amy)
* Nickelodeon (Big Fish, War of the Worlds, The Big Sick, Vice and Ready Player One)
* Spike TV (Tropic Thunder)
* FOX (Avalon, Independence Day, Tupac: Resurrection, Licorice Pizza and Blonde)
* The Carsey-Werner Company (Tupac: Resurrection)
* Stephen J. Cannell Productions (Bolt)
* Sony Pictures Television (Basic Instinct, Apollo 13, Wonder Boys, Tupac: Resurrection, Borat, Little Children, The Lovely Bones, Rise of the Planet of the Apes, X-Men: Days of Future Past, Straight Outta Compton, Incredibles 2, Ford v Ferrari, The Eyes of Tammy Faye, Licorice Pizza and The Holdovers)
* 20th Century Fox Television (Bulworth, Unfaithful, Minority Report, Rise of the Planet of the Apes, Birdman, Steve Jobs and Avengers: Infinity War)
* Capcom (Wreck-It Ralph, Ready Player One, Ralph Breaks the Internet, No Time to Die and Tár)
* Konami (Lost in Translation, Wreck-It Ralph, Ready Player One and Ralph Breaks the Internet)
* Microsoft (Avatar, 13 Hours, Ready Player One, The Suicide Squad and No Time to Die)
* Disney Interactive (The Little Mermaid, Toy Story, The Hunchback of Notre Dame, The Emperor's New Groove, "Monsters, Inc.", Treasure Planet, Lilo & Stitch, Finding Nemo, The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Cars, Ratatouille, WALL·E, Bolt, Up, The Princess and the Frog, Toy Story 3, Tangled, TRON: Legacy, Brave, Wreck-It Ralph, Frozen, Big Hero 6, Inside Out and Zootopia)
* Atari (Superman, TRON, Terminator 2, The Pursuit of Happyness, WALL·E, TRON: Legacy, Wreck-It Ralph, The Boss Baby, Ready Player One and Ralph Breaks the Internet)
* Mojang AB (Wonder and Ready Player One)
* Square Enix (Ready Player One, The One and Only Ivan, No Time to Die and Godzilla Minus One)
* Value, Bethesda Softworks, Rare and Activision Blizzard (Ready Player One)
* Acclaim Entertainment (Total Recall and Terminator 2)
* Midway Games/Warner Bros. Interactive Entertainment (Terminator 2)
* THQ/THQ Nordic (Finding Nemo, The Incredibles, Cars, Ratatouille, WALL·E and Up)
* Eizo (Lost in Translation)
* Epic Games (Bridesmaids, Iron Man 3, Ralph Breaks the Internet and WAR IS OVER! Inspired by the Music of John and Yoko)
* Insomniac Games (Spider-Man: Across the Spider-Verse)
* McDonald's Corporation (Mickey's Christmas Carol, Coming to America and The Fifth Element)
* Playboy Enterprises (Beverly Hills Cop II, Forest Gump, Minority Report, Big Fish and The Muppets)
* National Lampoon (The Eyes of Tammy Faye)
* Archie Comics (The Shawshank Redemption)
* Penguin Random House (Ayn Rand: A Sense of Life, Tupac: Resurrection, Eternal Sunshine of the Spotless Mind, The Reader and Rabbit Hole)
* Wizards of the Coast (Ready Player One and Onward)
* Crayola (The Boss Baby)
* National Public Radio (NPR) (Common Threads: Stories from the Quilt, The Savages, La La Land, Vice and RBG)
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- Director
- Actor
- Producer
Joseph Sargent was born on 22 July 1925 in Jersey City, New Jersey, USA. He was a director and actor, known for Jaws: The Revenge (1987), The Taking of Pelham One Two Three (1974) and Nightmares (1983). He was married to Carolyn Nelson and Mary Carver. He died on 22 December 2014 in Malibu, California, USA.From Here to Eternity
Tobruk- Second Unit Director or Assistant Director
- Writer
- Director
Sergio Leone was virtually born into the cinema - he was the son of Roberto Roberti (A.K.A. Vincenzo Leone), one of Italy's cinema pioneers, and actress Bice Valerian. Leone entered films in his late teens, working as an assistant director to both Italian directors and U.S. directors working in Italy (usually making Biblical and Roman epics, much in vogue at the time). Towards the end of the 1950s he started writing screenplays, and began directing after taking over The Last Days of Pompeii (1959) in mid-shoot after its original director fell ill. His first solo feature, The Colossus of Rhodes (1961), was a routine Roman epic, but his second feature, A Fistful of Dollars (1964), a shameless remake of Akira Kurosawa's Yojimbo (1961), caused a revolution. It was the first Spaghetti Western, and shot T.V. cowboy Clint Eastwood to stardom (Leone wanted Henry Fonda or Charles Bronson but couldn't afford them). The two sequels, For a Few Dollars More (1965) and The Good, the Bad and the Ugly (1966), were shot on much higher budgets and were even more successful, though his masterpiece, Once Upon a Time in the West (1968), in which Leone finally worked with Fonda and Bronson, was mutilated by Paramount Pictures and flopped at the U.S. box office. He directed Duck, You Sucker! (1971) reluctantly (as producer he hired Peter Bogdanovich to direct but he left before shooting began), and turned down offers to direct The Godfather (1972) in favor of his dream project, which became Once Upon a Time in America (1984). He died in 1989 after preparing an even more expensive Soviet co-production on the World War II siege of Leningrad.Bicycle Thieves
Quo Vadis
The Nun's Story
Ben-Hur
Unforgiven- Actor
- Writer
- Director
Giovanni Brass was born on 26 March 1933 into the family of a famous artist, Italico Brass, who was his grandfather. Italico gave his grandson a nickname "Tintoretto," which Giovanni later adapted into his cinematic name, Tinto Brass.
Tinto inherited his grandfather's artistic skills, but he applied them to film instead of canvas. When he joined the Italian film industry, he worked with such famous directors as Federico Fellini (his idol) and Roberto Rossellini. In 1963 he directed his first film, Chi lavora è perduto (In capo al mondo) (1963). Afterwards, he went on to make such avante garde art films as Attraction (1969) and L'urlo (1966). He was approached in 1976 to directed a sexploitation quickie, Madam Kitty (1976), but he wisely chose to have the script rewritten, turning it into a dark, political satire. The success of "Salon Kitty" lead Penthouse magazine publisher Bob Guccione to choose Brass to helm Caligula (1979), the big-budget adaption of Gore Vidal's novel "Caligula." Tinto finished shooting the film, but when he refused to convert it into the "flesh flick" that Guccione wanted it to be by including footage of Penthouse centerfolds making out and romping, he was fired and locked out of the editing room. He later disowned the film when he saw the botched editing (the film was spliced together amateurishly from outtakes and rehearsal footage) and Guccione's hardcore sex scenes spliced in with his work. Ironically, "Caligula" remains Tinto's most famous film. After it became a huge international box-office hit, Brass was hired to shoot a spy thriller Snack Bar Budapest (1988). Afterwards, he decided that he should focus on erotica, as a way to rebel against the hypocrisy of censors, explaining that sex is a normal part of life and we should just deal with it.
With his latest films Black Angel (2002) (an update of the classic novella "Senso") and the erotic comedy Fallo (1988), Brass cemented his reputation of an undisputed master of erotica and avante-garde art films.General Della Rovere- Writer
- Director
- Actor
Born in 1930 in Genoa. Still a young student in 1950 when director Carlo Lizzani gave him a role in the film Achtung Banditi!. Following this experience he traveled to Rome where, after acting in film and theater, he became the assistant director to Lizzani, Gillo Pontecorvo, Sergio Leone, Francesco Rosi. In 1960 he made his debut as a Director with Pigeon Shoot, a film about the Partisan Resistance, on competition at the 1961 Venice Film Festival. In 1964 he directed La Moglie Svedese, an episode of the film Extramarital. His second movie, The Reckless, won the special prize of the jury at the Berlin Film Festival in 1965; it's about a social climber in Italy during the time of the economic miracle. That year he also directed the second unit of Pontecorvo's masterpiece The Battle Of Algiers.
After having filmed for Paramount the heist movie Grand Slam (1967) and the gangster film Machine Gun McCain (1969) in the US, Montaldo returned to Italy to direct The Fifth Day of Peace (1970), Sacco and Vanzetti (in competition at Cannes Film Festival, where it won Best Actor 1971) and Giordano Bruno (1973). These films received great recognition and were widely appreciated at various film festivals around the world. The theme of the Resistance underlined And Agnes Chose to Die (1977).
In 1980 the director engaged in the production of a television series about the exploration of Marco Polo, an international co-production with RAI, BBC and NBC. It was filmed in Italy, the Middle East, Tibet, Mongolia and China. It was shown in 76 nations, and won 4 Emmy Awards. Other awards worldwide for cinematography, production design and costumes were received. Montaldo's experience with China reveals a turning point in his work.
Other films he directed are Closed Circuit (in competition at the Berlinale in 1978 and in permanent exhibition at the Museum of Modern Art), A Dangerous Toy (1979), The Gold Rimmed Glasses (1987), Control (1987), and Time to Kill (1989).
Always worked with an international cast. Some of the actors that worked with him are: Burt Lancaster, Rupert Everett, Nicolas Cage, Philippe Noiret, Janet Leigh, Edward G. Robinson, John Cassavetes, Peter Falk, Rade Serbedzija, Charlotte Rampling, Ingrid Thulin, Anne Bancroft, John Gielgud, F. Murray Abraham, Leonard Nimoy.
Some of his usual collaborators have been score composer Ennio Morricone and cinematographer Vittorio Storaro.
Montaldo is also internationally recognized as a Opera director, directed commercials, documentaries and experimental film technology projects. From 1999 he was president of RAI Cinema, a major film production company, for 5 years in which the movies he produced became box office hits, won awards all over the world and formed a new generation of Italian directors.
In 2001 he was appointed Cavaliere di Gran Croce by the president of Italy, one of the top honors of the Republic.Kapò
The Battle of Algiers- Writer
- Director
- Actor
Lucio Fulci, born in Rome in 1927, remains as controversial in death as he was in life. A gifted craftsman with a sharp tongue and a wicked sense of dark humor, Fulci achieved some measure of notoriety for his gore epics of the late 1970s and early 1980s, but respect was long in coming.
Abandoning his early career as a med student, Fulci entered the film industry as a screenwriter and assistant director, working alongside such directors as Steno and Riccardo Freda. Granted his debut feature in 1959, with a seldom seen comedy called I ladri (1959) (The Thieves), Fulci quickly established himself as a prolific craftsman adept at musicals, comedies and westerns.
In 1968, Fulci made his first mystery thriller, One on Top of the Other (1969), and its success was sufficient to garner the backing for his pet project The Conspiracy of Torture (1969). Based on a true story, the film details the trial of a young woman accused of murdering her sexually abusive father amid fear and superstition in 16th Century Italy. A scathing commentary on church and state, the film was the first to give voice to its director's passionate hatred of the Catholic Church. Predictably, the film was misunderstood, and Fulci's career was thrown into jeopardy. Deciding it would be best to leave his political feelings on the back burner, Fulci pressed on with a series of slickly commercial ventures.
In 1971 and 1972, Fulci re-established himself in the thriller arena, directing two excellent giallos: the haunting A Lizard in a Woman's Skin (1971) and the disturbing Don't Torture a Duckling (1972). The former, with its vivid hallucinations involving murderous hippies and vivisected canines, and the latter, with its psychotic religious zealots and brutal child killings, were -- to say the least -- controversial. In particular, Don't Torture a Duckling (1972), despite a huge box-office success, painted too graphic a portrait of perverted Catholicism, and Fulci's career was derailed... some would say, permanently. Blacklisted (albeit briefly) and despised in his homeland, Fulci at least found work in television and with the adventure genre with two financially successful Jack London 'White Fang' adventure movies in 1973 and 1974 which were Zanna Bianca, and Il ritorno di Zanna Bianca. Also during the mid and late 1970s, Fulci also directed two 'Spaghetti Westerns'; The Four of the Apocalypse... (1975) and Silver Saddle (1978), (Silver Saddle) and another 'giallo'; The Psychic (1977), as well as a few sex-comedies which include the political spoof The Eroticist (1972) (aka: The Eroticist), and the vampire spoof Dracula in the Provinces (1975) (aka: Young Dracula), and the violent Mafia crime-drama Contraband (1980).
In 1979, Fulci's film making career hit another high point with him breaking into the international market with Zombie (1979), an in-name-only sequel to George A. Romero's Dawn of the Dead (1978), which had been released in Italy as 'Zombi'. With its flamboyant imagery, graphic gore and moody atmospherics, the film established Fulci as a gore director par excellence. It was a role he accepted, but with some reservations.
Over the next three years, Fulci plied his trade with finesse and flair, rivaling even the popularity of his "opponent" Dario Argento, with such sanguine classics as City of the Living Dead (1980) and The Beyond (1981). Frequently derided as sheer sensationalism, these films, as well as the reviled The New York Ripper (1982) are actually intelligently crafted, with sound commentaries on everything from American life to religion. High on vivid imagery and pure cinematic style, Fulci's films from this period of the early 1980s represent some of his most popular work in America and abroad, even if they do pale in comparison to his 1972 masterpiece and personal favorite Don't Torture a Duckling (1972) (an impossible act to follow, as it happens).
In the mid-1980s, at the peak of his most prolific period, Fulci became beset with personal problems and worsening health. Much of his work from the mid-1980s onward is disappointing, to say the least, but flashes of his brilliance can be seen in works like Murder-Rock: Dancing Death (1984) and The Devil's Honey (1986). A Cat in the Brain (1990), one of Fulci's last works, remains one of his most original. Though strapped by budgetary restraints and marred by mediocre photography, the film is wickedly subversive and comical. With Fulci playing the lead role (as more or less himself, no less -- a harried horror director who fears that his obsession with sex and violence is a sign of mental disease), Fulci also proves to be an endearing and competent actor (he also has cameos in many of his films, frequently as a detective or doctor figure).
By the 1990s, Fulci went on a hiatus with film making for further health and personal reasons as the Italian cinema market went into a further decline. While in pre-production for the Dario Argento-produced The Wax Mask (1997), Lucio Fulci passed away at his home on March 13, 1996 at the age of 68. A serious diabetic most of his adult life, he inexplicably forgot to take his insulin before retiring to bed; some consider his death a suicide, others consider it an accident, but his many fans all consider it to be a tragedy. Whether one considers him to be a hack or a genius, there's no denying that he was unique.Nine
Ida- Actor
- Director
- Writer
Robert Downey Sr. served in the army, played minor-league baseball, was a Golden Gloves champion and off-off Broadway playwright, all before he was 22 years old.
Downey was born in New York City, New York, the son of Elizabeth (McLoughlin), a model, and Robert Elias, who worked in hotel/restaurant management. He took the surname of his stepfather, James Downey, when enlisting in the army. His father was of Lithuanian Jewish descent, while his mother was of half-Irish and half-Hungarian Jewish ancestry. In 1960, he began writing and directing basement-budgeted, absurdist films that gained an underground following: Balls Bluff (1961), Babo 73 (1964), Chafed Elbows (1966) and No More Excuses (1968). Putney Swope (1969) was the first Downey-directed film to earn a mainstream release. A devastating satire of Madison Avenue, it explored what happens when an African-American activist is given carte blanche at an advertising agency. The film was among the year's Top 10 Films in New York Magazine.
Downey thrived in the laissez-faire film world of the 1970s with such irreverent films as Pound (1970), where humans play dogs waiting to be adopted. Around this time he worked on projects for Joseph Papp and the New York Public Theatre, directing David Rabe's play "Sticks and Bones" for CBS (Sticks and Bones (1973)). The strong anti-war sentiments expressed in this live broadcast resulted in a major controversy when its sponsors pulled out at the last minute, and the network had to air the film uninterrupted because it couldn't find a sponsor. His Greaser's Palace (1972) is an outrageous restaging of the life of Christ in "spaghetti western" terms. Time Magazine put this film on its list of the year's Top 10 movies. Downey's take-no-prisoners sense of humor is also apparent in Two Tons of Turquoise to Taos Tonight (1975) and Hugo Pool (1997) (world premiere at the Sundance festival in 1997), a film that examines a day in the life of a female pool cleaner in Hollywood. Rittenhouse Square (2005) was the feature presentation of the Galway Film Festival and his second teaming with Max L. Raab, having been a consultant on Raab's award-winning Strut! (2001).
From time to time, Downey acted (badly, according to him) and he can be seen in films such as Boogie Nights (1997), Magnolia (1999) and The Family Man (2000). He appeared twice on The Tonight Show Starring Johnny Carson (1962), The Dick Cavett Show (1968), IFC's At the IFC Center (1997), Sundance Channel and countless other TV and radio shows. In addition, Downey was a guest speaker at film festivals and universities throughout the country. He developed an update of "Putney Swope." He lived in New York City with his wife, Rosemary Rogers.
Robert was the father of actors Robert Downey Jr. and Allyson Downey.Boogie Nights
Magnolia
Licorice Pizza- Writer
- Actor
- Producer
Born and raised in New York City: in both Queens & Manhattan. He attended the school of Communication at Boston University. He often collaborates with his brother Josh Safdie. He is a director, writer, editor and actor known for Daddy Longlegs(2009),Heaven Knows What(2014), Good Time (2017), Uncut Gems (2019) and Oppenheimer (2023).Pieces of a Woman
Licorice Pizza
Oppenheimer- Director
- Second Unit Director or Assistant Director
- Writer
John Flynn was a very fine, efficient and sadly underrated director who excelled at making mean'n'lean crime pictures. His movies are distinguished by tight plots, a hard, no-nonsense tone, and a taut, streamlined and fiercely economical directorial style. John was born on March 14, 1932 in Chicago, Illinois and raised in Manhattan Beach, California. He served in the coast guard, where he studied journalism with "Roots" author Alex Haley. Flynn received a degree in journalism from UCLA. John began his cinematic career as an apprentice to director Robert Wise on "Odds Against Tomorrow" and was the script supervisor for "West Side Story." He then went on to work as a second unit director on such features as "Kid Galahad," "Two for the Seesaw," and "The Great Escape." Flynn made his debut as director with the obscure "The Sergent." He followed this film with the equally little seen "The Jerusalem File." John scored his first substantial commercial success with the superbly gritty "The Outfit." Flynn achieved his greatest enduring cult popularity with the marvelously tough and potent revenge thriller winner "Rolling Thunder." His subsequent movies are likewise solid and worthwhile; they include the exciting urban vigilante opus "Defiance," the terrific "Best Seller," the sturdy Sylvestor Stallone prison drama "Lock Up," the above average Steven Seagal action vehicle "Out for Justice," and the nifty virtual reality horror outing "Brainscan." John did two made-for-cable-TV pictures in the early 90s: the fun Dennis Hopper cop flick "Nails" and the enjoyable crime drama "Scam." His last film was the passable direct-to-video mobster item "Protection." John Flynn died at age 75 on April 4, 2007.West Side Story
Two for Seesaw
The Great Escape
What a Way to Go!- Producer
- Additional Crew
- Actor
Born David Weizer in London, England, as a child and teenager David Winters acted in many television shows and Broadway productions, including the initial line-up of the stage production of the musical "West Side Story," playing the role of Baby John.
In 1961, he appeared as A-Rab in the movie version of West Side Story (1961), recreating the "Cool" dance sequence, which was choreographed for him. He, Carole D'Andrea, Jay Norman, Tommy Abbott, William Bramley, and Tony Mordente, were the only members of the original Broadway Musical to be cast in the film. West Side Story (1961) was the highest-grossing Motion Picture that year and won 10 Academy Awards, including Best Picture. The feature established David as a young star. He began to release music and had steady work acting.
In 1964, he choreographed Viva Las Vegas (1964), starring Elvis Presley and Ann-Margret. He was seen regularly with his dance troupe in major TV shows such as Shindig! (1964) and Hullabaloo (1965). To his resume, he added three more Elvis Presley films (Girl Happy (1965), Tickle Me (1965), Easy Come, Easy Go (1967)), four films with Ann-Margret (Kitten with a Whip (1964), Bus Riley's Back in Town (1965), Made in Paris (1966), The Swinger (1966)), The T.A.M.I. Show (1964), and many more projects for film and television.
In 1967, he choreographed the television special Movin' with Nancy (1967), for which he received an Emmy nomination for his choreography in the category Special Classification of Individual Achievements. Also that year, he began to direct. His first assignments were for two episodes of the television show The Monkees (1965).
Shortly after he started producing, directing, and doing the choreography for star-studded television specials. These include The Ann-Margret Show (1968), Ann-Margret: From Hollywood with Love (1969) (for which he received his second Emmy nomination for dance choreography), Raquel (1970), Once Upon a Wheel (1971), The Special London Bridge Special (1972), Dr. Jekyll and Mr. Hyde (1973) (nominated for three Emmys), and Timex All-Star Swing Festival (1972) (which won a Peabody Award and a Christopher Award for Winters as producer).
Winters began to produce and direct films in 1975. His first effort was the concert film Alice Cooper: Welcome to My Nightmare (1975). Shortly after he was hired to choreograph A Star Is Born (1976), starring Barbra Streisand. In 1982, he produced, directed, wrote, and co-starred in The Last Horror Film (1982). The film received several accolades through its festival run.
In 1986, he directed the first film about skateboarding Thrashin' (1986), starring Josh Brolin and Pamela Gidley. The movie is known for its soundtrack ,with songs by Red Hot Chili Peppers (who play a set in the film), Fine Young Cannibals, and The Bangles. The film also maintains a following. The next year, he founded his production and distribution company, "Action International Pictures", later renamed "West Side Studios", which he ran until the late 1990s.
In the 2000s, he directed Welcome 2 Ibiza (2003) which won the Bangkok Film Festival Audience Award. He also produced the historical epic The King Maker (2005). In 2015, he released Dancin': It's on! (2015), starring winners and runner-ups of So You Think You Can Dance (2005) and Dancing with the Stars (2005). He reconnected with his passion for dancing and won the best director award at the WideScreen Film Festival.The Last Angry Man
West Side Story
Captain Newman, M.D.
A Star is Born (1976 film)- Producer
- Director
- Additional Crew
Clement Virgo is one of Canada's foremost film directors. In 2015 he directed and co-wrote a six part miniseries adaptation of the Lawrence Hill novel The Book of Negroes (2015) which debuted to record-breaking numbers on the CBC in Canada and on BET in the U.S. and won twelve Canadian Screen Awards and was nominated for two U.S. Critics Choice Television Awards for Best Limited Series and Best Actress in a Limited Series (Aunjanue Ellis). Additional accolades include the 2015 Cablefax Award and C21 International Drama Award for Best Miniseries and four 2015 NAACP Image Award Nominations including Best Miniseries, Best Actor (Cuba Gooding Jr.), Best Actress (Ellis), and Best Writing (Virgo, Hill).
His TV directing credits include American Crime (2015), The Wire (2002), and the entire first season of the OWN network drama series Greenleaf (2016), on which he is also serving as Executive Producer with _Oprah Winfrey_. Virgo's feature films include the 2007 boxing drama Poor Boy's Game (2007), (Berlin, TIFF, AFF Audience Award), Lie with Me (2005 - Berlin, TIFF, Pusan), and Love Come Down (2000 -Berlin, Toronto). Virgo's first feature Rude (1995) premiered at the 1995 Cannes Film Festival in Un Certain Regard and went on to screen at numerous festivals around the world including Toronto, London and Sundance. Since 2010, Virgo has also presented a series of intimate annual talks to celebrate Black History Month in Toronto with such notable guests as Lee Daniels, _Norman Jewison_, _Spike Lee_, _Pam Grier_, John Singleton, and _Chris Tucker (I)_.Away from Her- Actor
- Writer
- Director
Melvin Van Peebles was born on 21 August 1932 in Chicago, Illinois, USA. He was an actor and writer, known for The Shining (1997), Sweet Sweetback's Baadasssss Song (1971) and Don't Play Us Cheap (1972). He was married to Maria Marx. He died on 21 September 2021 in Manhattan, New York City, New York, USA.Bulworth- Actor
- Director
- Producer
Mario Van Peebles is a highly regarded director, actor, producer and writer. His directorial skills can be seen in the retelling of the epic mini-series "Roots" starring Forest Whitaker and Matthew Goode. Van Peebles has directed award-winning shows such as the recent hit "Empire" and "The Last Ship," as well as "Sons of Anarchy," "Lost," "Damages," and "Boss." As an actor Van Peebles has credits are as equally impressive.
An independent filmmaker to his core, Van Pebbles grew up watching Melvin Van Peebles, his maverick filmmaker father. A true master craftsman in his own right, Van Peebles is defined as a director, screenwriter, playwright, novelist and composer; known for funding his own work.
His many talents can be seen in films like his directorial breakout hit "New Jack City," "Posse" and "Panther;" plus Michael Mann's Oscar® nominated "Ali," in which he received critical acclaim for his role as real life minister and human rights activist Malcom X; the multi-award-winning "Cotton Club" written and directed by Francis Ford Coppola; Clint Eastwood's "Heartbreak Ridge;" and several projects with Ava DuVernay.
Throughout his career, Van Peebles has brought challenging, compelling material to the screen, including his hip hop coming-of-age film "We the Party," for which he wrote, directed and produced; his documentary short "Bring You're a Game;" and, of course, "Baadasssss!" This was Van Peebles' odyssey about the making of his father's groundbreaking film "Sweet Sweetback's Baadasssss Song" and was one of Ebert and Roeper's ten best movies of the year for 2004.
As a director, Van Pebbles has affected unusually strong performances from his fellow actors. They often remark that he creates a collaborative climate where they feel free to do their best work. He believes his background as an actor helps him approach the actor's character development process internally. Conversely, he believes being a director has made him a more trusting, nuanced actor. Being able to do both is like creative crop rotation for Van Peebles. Not many directors get the privilege of being directed by other strong filmmakers. Acting for others is still "super exciting" to him.
In 1994, Hofstra University awarded Van Peebles an honorary doctorate of humane letters. After earning a Bachelor of Arts in Economics from Columbia University, Van Peebles spent two years working at New York's Department of Environmental Protection before moving to Hollywood to try his hand at acting writing and directing.
In addition to directing and acting in features, Van Peebles is passionate about supporting education and eco-consciousness through media. With his reality show, Mario's Green House, he teamed up with his five children and his father to chronicle the Van Peebles family's often-humorous attempts to raise their eco-consciousness as they try to go green in Hollywood. Green "We never got to the full green, more like Olive green," jokes Van Peebles.The Cotton Club
Heartbreak Ridge
Ali- Director
- Writer
- Camera and Electrical Department
Darnell Martin was born on 7 January 1964 in Bronx, New York, USA. She is a director and writer, known for I Like It Like That (1994), Cadillac Records (2008) and Do the Right Thing (1989). She is married to Giuseppe Ducrot.Do the Right Thing- Writer
- Director
- Producer
Malcolm D. Lee was born on 11 January 1970 in the USA. He is a writer and director, known for Girls Trip (2017), The Best Man (1999) and The Best Man: The Final Chapters (2022). He has been married to Camilla Banks since 2000. They have three children.Malcolm X (1992 film)- Director
- Producer
- Actor
Kevin Hooks was born on 19 September 1958 in Philadelphia, Pennsylvania, USA. He is a director and producer, known for Innerspace (1987), Last Resort (2012) and Passenger 57 (1992). He is married to Cheryl. They have two children. He was previously married to Regina Hooks.Sounder
Innerspace- Director
- Producer
- Writer
Albert and Allen Hughes began making movies at age 12, but their formal film education began their freshman year of high school when Allen took a TV production class. They soon made a short film entitled How To Be A Burglar and people began to take notice. Their next work, Uncensored videos, was broadcast on cable, introducing them to a wider audience. After high school Albert began taking classes at LACC Film School: two shorts established the twins' reputation as innovative filmmakers and allowed them to direct Menace II Society (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as much as its $3 million budget. After following up with Dead Presidents (1995) they directed the feature-length documentary American Pimp (1999).Tupac: Resurrection- Producer
- Director
- Writer
Albert and Allen Hughes began making movies at age 12, but their formal film education began their freshman year of high school when Allen took a TV production class. They soon made a short film entitled How To Be A Burglar and people began to take notice. Their next work, Uncensored videos, was broadcast on cable, introducing them to a wider audience. After high school Albert began taking classes at LACC Film School: two shorts established the twins' reputation as innovative filmmakers and allowed them to direct Menace II Society (1993), which made its world premiere at the Cannes Film Festival and grossed nearly 10 times as much as its $3 million budget. After following up with Dead Presidents (1995) they directed the feature-length documentary American Pimp (1999) .Tupac: Resurrection- Director
- Producer
- Actor
Timothy Kevin Story was born on March 13, 1970 in Los Angeles, California. Attended Westchester High School in Los Angeles, California with jazz pianist Eric Reed and actresses Regina King and Nia Long. Graduated from USC film school.Away from Her- Producer
- Actor
- Writer
Christopher Julius Rock was born in Andrews, South Carolina and raised in Bedford-Stuyvesant, Brooklyn, New York. He is the son of Rosalie (Tingman), a teacher and social worker for the mentally handicapped, and Julius Rock, a truck driver and newspaper deliveryman, whose own father was a preacher.
Rock has been in stand-up comedy for several decades. He made his big screen debut in Beverly Hills Cop II (1987) and spent three years on the cast of Saturday Night Live (1975). He does commercials for 1-800 Collect and Nike and covered the presidential campaign for the show Politically Incorrect (1993). He lives in Alpine, New Jersey.Beverly Hills Cop II
A.I. Artificial Intelligence
Bowling for Columbine
Summer of Soul (...Or, When the Revolution Could Not Be Televised)
Rustin- Actor
- Director
- Writer
Vondie Curtis-Hall was born on 30 September 1950 in Detroit, Michigan, USA. He is an actor and director, known for Romeo + Juliet (1996), Falling Down (1993) and Waist Deep (2006). He has been married to Kasi Lemmons since 19 August 1995. They have two children.Coming to America
Black Rain
The Mambo Kings
Passion Fish
Clear and Present Danger
Tuesday Morning Ride
Romeo + Juliet
Harriet- Director
- Actor
- Producer
Robert Townsend transcends any medium he touches whether he's performing stand up, acting, writing, directing, producing, or running a television network. A Chicago native, Townsend is often referred to as one of the "Godfathers" of the Independent Film World." With over 30 years in the business, he has made an indelible mark in Hollywood with an extensive list of credits. Robert's genius first revealed itself in elementary school. As a kid Robert was always fascinated with television, watching and studying it tirelessly, he began to practice acting out scenes and impersonating famous characters. At his school during a reading of Shakespeare's Oedipus Rex he dazzled the class with his ability to transform effortlessly into character, as a result Robert's remarkable versatile talent as a young actor was born and caught the attention of Chicago's Experimental Bag Theatre. Robert made an unforgettable mark in his hometown of Chicago, where he went onto New York's renowned comedy club the Improvisation that initiated his career as a stand-up comedian. Then for Robert it was on to Hollywood, where he dabbled in a mixture of industries and found that with his versatile talent, he was able to adapt easily from being a comedian to a full-screen actor. Robert's first film appearance was (uncredited) in popular urban classic, Cooley High (1975). His break came while performing on various television comedy specials including Rodney Dangerfield: It's Not Easy Bein' Me (1986) and Uptown Comedy Express (1987). Although comedy had been his forte during the early part of his career, he knew he was destined to be on the big screen. He landed the role of a lifetime co-starring opposite Denzel Washington in A Soldier's Story (1984), and appeared with Diane Lane in Streets of Fire (1984) and Kevin Costner in American Flyers (1985).
Once in Hollywood, seeing the difficulty Black Actors had and the lack of good work available in the film industry, left a burning desire for Robert to step behind the camera. With his acting career in high gear, Robert's career took a turn for the best when Robert Townsend the "independent filmmaker" was born. He wanted to do something to fill this void and without formal film education or outside funding (he used his own credit cards to finance), Robert wrote, directed, produced and starred in his own first film. The result was the critically acclaimed Hollywood Shuffle (1987), a satire, depicting the trials and tribulations of Black Actors in Hollywood. The success of this film forced "Hollywood" to recognize and appreciate the visionary versatile talent of "Robert Townsend", Tinseltown's newest, talented actor and filmmaker.
Following the success of "Hollywood Shuffle," film projects continued to pour in. He was soon directing Eddie Murphy in Eddie Murphy: Raw (1987). His next film endeavor was the popular tearjerker classic The Five Heartbeats (1991)," a semi-autobiographical piece; reminiscent of the 60s R & B male groups and the ups and downs of the music industry. This classic continues to be a favorite amongst audiences and one of the most talked about films in the industry. The Meteor Man (1993) that he also wrote, directed and starred in included a stellar cast: James Earl Jones, Bill Cosby and Eddie Griffin.
In between features, Robert created and produced his ground breaking Cable Ace award-winning Partners in Crime (2005) variety specials for HBO and highly praised Townsend Television (1993) for FOX television. He also created and starred in the WB Network hit series The Parent 'Hood (1995).
Townsend has made history by being nominated for over 30 NAACP Image Awards for film and television. At the 2001 NAACP Image Awards he directed three performers nominated in the best actor/actress category in three different films: Leon, for his role in NBC's Little Richard (2000); Alfre Woodard in the Showtime Movie Holiday Heart (2000) (which also garnered her a Golden Globe nomination) and Natalie Cole for her gripping self-portrayal in Livin' for Love: The Natalie Cole Story (2000) (for which she won the coveted Image Award for best actress). Townsend continued to helm films for the small screen: Carmen: A Hip Hopera (2001) for MTV Films, starring Beyoncé (one of the highest rated shows for MTV) and Image Award winner, 10,000 Black Men Named George (2002) for Showtime, a highly acclaimed period piece about the Pullman porter strike, starring Andre Braugher and Charles S. Dutton.
Robert has worked with some of the top talent in Hollywood including: Ossie Davis, Ruby Dee, Denzel Washington, Halle Berry, Morgan Freeman, Alfre Woodard, Louis Gossett Jr., Keenen Ivory Wayans and Chris Tucker, just to name a few and is responsible for discovering many of Hollywood's A-List talent before they became household names. He is the mastermind behind many of Hollywood's favorite and best-remembered movies and hit series. Robert's body of work has been seen on MGM, Disney, Fox, NBC, HBO, WB and MTV.
While busy as a performer and filmmaker, Robert always makes time to participate in humanitarian efforts and speak to various organizations. As a longtime speaker for the United Negro College Fund and the NAACP, his concern for inner city youth takes him through out the country to inspire young people to follow their dreams. In addition, Robert shares his business expertise with various Fortune 500 companies. Townsend is also a spokesman for the Milken Family Fund an organization created to recognize outstanding educators in the country, and stress to children the importance of education and respect for teachers. He has traveled with The Milken Family Fund to Chicago, Boston, Sacramento, Philadelphia, Washington, DC and Los Angeles to recognize deserving teachers and inspire and motive students around the country.
Although he has many accolades, but none are more important than his family. His four children are the center of his heart. Following in his footsteps, his 3 daughters; Grace, Sierra and Skylar aka "The T Unit". They have received their first TV credit for the "B5 Christmas Special" aired on the BFC, a concept they came up with and pitched to their father. Despite his demanding schedule, Robert makes sure he spends quality time with his son, Max and his three daughters.
Always a pioneer, Townsend took the helm as President and CEO of Production for The Black Family Channel (BFC) creating and spearheading production for BFC's top rated shows. Where he ran the cable network for four years before it was sold to the Gospel Music Channel in the Spring of 2007. During his reign, he created unprecedented original programming for the network. Showing his unstoppable genius, in his short time as a television executive Townsend reached several milestones; he created over 15 new shows for the network with limited financing; of which two shows were nominated for a prestigious NAIMC Vision Award (National Association for Multi-ethnicity in Communications), The Thou$and Dollar Bee and Lisa Knight and the Round Table), and he was voted one of the Most Influential Minorities in Cable by Cable World Magazine.
Townsend has recently returned in front of the camera to star opposite Angela Bassett in the faith based film Of Boys and Men (2008). He has also directed Golden Globe winner Ving Rhames in a biopic about the troubled boxing legend Sonny Liston entitled Phantom Punch (2008). Townsend also directed Why We Laugh: Black Comedians on Black Comedy (2009), a comedy documentary on the history of African America Comedians from slavery to present, with interviews including such legends as Bill Cosby, Dick Gregory, Chris Rock and the Wayans. As a Hollywood Icon and humanitarian, Townsend's mission is to create quality programming for everyone to enjoy and to create a classic body of work that would be timeless.Mahogany
A Solider's Story- Actor
- Writer
- Director
Ossie Davis was born on 18 December 1917 in Cogdell, Georgia, USA. He was an actor and writer, known for Do the Right Thing (1989), Bubba Ho-Tep (2002) and Grumpy Old Men (1993). He was married to Ruby Dee. He died on 4 February 2005 in Miami Beach, Florida, USA.The Cardinal
Malcolm X (1972 film)
Do the Right Thing
Malcolm X (1992 film)
The Client
4 Little Girls
Why Can't We Be A Family Again?- Actor
- Director
- Producer
Duke Media Entertainment, led by actor, director, producer, writer and humanitarian, Bill Duke, is dedicated to bringing quality Edutainment to audiences around the globe. Formerly Yagya Productions, Duke Media has successfully produced critically acclaimed film and television content for more than 30 years. Additionally, Duke Media is in process of expanding the brand to involve itself in the development of new media technologies, i.e. cellphone apps, games, and virtual world experiences. Since the early 70s, Bill Duke along with industry veterans Michael Shultz and Gordon Parks, have long paved the way for African Americans in the industry.
Mr. Duke excels in front of and behind the camera. His acting and directing credits are extensive and include stints on such ground breaking television series as Falcon Crest, Fame, Hill Street Blues, Knotts Landing, Dallas, and New York Undercover. His feature credits include Sister Act 2: Back in the Habit, Get Rich or Die Trying, Deep Cover, Hoodlum, Predator, Menace II Society and Not Easily Broken, to name a few. He has recently completed production on, Blexicans, a new television pilot that takes a comedic look at a mixed race family. His documentaries, Dark Girls and Light Girls, both NAACP Image Award nominees, aired on OWN and were two of the most successful documentaries on the network.
Bill Duke's invaluable contributions to the industry have been recognized by both his peers and the entertainment community. Appointed by former President Bill Clinton to the National Endowment of Humanities, he was appointed to the Board of the California State Film Commission by former Governor Arnold Schwarzenegger and he has been honored by the Directors Guild of America with a Lifetime Achievement Tribute.Predator- Actor
- Writer
- Composer
Robert Fitzgerald Diggs better known by his stage name the RZA, is an American rapper, actor, filmmaker, and record producer. He is the DE factor leader of the hip hop group Wu-Tang Clan, having produced most albums for the group and its respective members. He is a cousin of two other original Wu-Tang Clan members: GZA and Ol' Dirty Bastard. He has also released solo albums under the alter-ego Bobby Digital, along with executive producing credits for side projects. After forming the Wu-Tang Clan, RZA was a founding member of the horror-core group Gravediggaz, where he went by the name The RZArector.Bulworth
8 Mile
American Gangster
Django Unchained
Straight Outta Compton
Don't Look Up- Actor
- Producer
- Director
Charles S. Dutton was born on 30 January 1951 in Baltimore, Maryland, USA. He is an actor and producer, known for Gothika (2003), Alien 3 (1992) and A Time to Kill (1996). He was previously married to Debbi Morgan.Alien³
Se7en- Writer
- Producer
- Director
Acclaimed and highly discussed filmmaker Neil LaBute has made himself a force to be reckoned with and a name to watch. With his true-to-life cynical and self-absorbed characters and all-too-true social themes, he has firmly established himself as an unforgiving judge of the ugliest side of human nature.
LaBute was originally a playwright. He attended Brigham Young University and took theater as his major. Many say that Pulitzer-Prize winner David Mamet was a strong influence on him. He chose to attack subjects that many people don't really want to talk about and showed the way that people really talk among themselves. His first stage piece, an off-off-Broadway play which was entitled "Filthy Talk for Troubled Times", debuted in 1989 and it featured two men just sitting around a bar and making small talk and ridiculing women, minorities, homosexuals and their ways, in a manner not unlike the conversations in his In the Company of Men (1997). The foul-mouthed play was, not unsurprisingly, a hit with the critics.
After LaBute graduated from the University of Kansas and New York University, he got a scholarship to London's Royal Court Theatre in the US in Chicago, Los Angeles and New York City. Then he got into cinema. He made his films like his plays: showing characters just sitting and talking and revealing how evil, scared, ignorant, arrogant, emotionally wounded, delusional, disillusioned and cynical they are.
LaBute made his first major mark with the low-budget (and frighteningly realistic) cautionary fable In the Company of Men (1997), about two sexist male office co-workers fed up with what they believe is the way women have taken over American society and how it is no longer a man's world. They set out to find a vulnerable woman - one looking for male attention - and wine her, dine her, then cruelly dump her, just to gain some "dignity" for their gender. Shot for $25,000 in less than two weeks, the film won the Sundance Filmmaker's trophy, awards for LaBute's screenplay and the star Aaron Eckhart's performance as a heartless and misogynist creep with ambition and cockiness to spare.
His next movie and sophomore cinema effort, Your Friends and Neighbors (1998), was considerably less well-received (a casualty of what is often referred to as "the sophomore jinx"). The film was about a group of six very different, but misanthropic people (three men and three women) connected by their relationships; when unhappy in them, they begin to shamelessly lie and cheat on one another with their lovers, and even with their friends. The movie got some strong reviews, but other reviewers felt LaBute was pretty much repeating himself. The prevailing attitude seeming to be that this time he had made an entire movie with all of its characters being nothing but villains, so why should anyone care about or want these six unlikable people to ever find happiness?
Nurse Betty (2000) was LaBute's next directorial effort, from a script he didn't write himself. It was was a radical departure from LaBute's other work, about a sweet-natured waitress obsessed with a particular soap opera and especially the show's star, George McCord (Greg Kinnear). The film received the Cannes Film Festival's Best Screenplay trophy for its authors. Renée Zellweger was honored with a Golden Globe Award. LaBute had finally made a good-nature, mainstream film, and a damn good one, but he didn't spend ALL his time basking - he had put out several other things that year, such as a TV movie based on his "Bash" plays and another original work entitled Tumble (2000), none of which got wide recognition.
In 2002 LaBute got himself noticed again with another less-caustic movie - a costume period piece called Possession (2002), based on the best-selling novel, which many believed to be about his love for early English culture. It starred LaBute stalwart Eckhart and Gwyneth Paltrow, who specializes in having the most authentic sounding British accent around. It wasn't a huge box-office success, but it did have many fervent admirers.
In 2003 LaBute brought to the screen another adaptation of his own work, a play he wrote and directed and had performed in England. He brought his original cast (Paul Rudd, Rachel Weisz, Gretchen Mol and Frederick Weller) back to appear in this one. It was entitled The Shape of Things (2003), about how a seductive art student, named Evelyn, takes Paul, a nerdy, insecure, out-of-shape guy, and begins molding him to look more and more desirable, much to the confusion of his friends. He enjoys being desirable, but is unaware of where all this remodeling will lead as Evelyn gets more and more possessive and controlling.
With pieces like "In the Company of Men" and Your Friends and Neighbors (1998), LaBute has proven that he has his hand on the pulse and minds of everyday and ordinary people (not heroes or villains), just average people who sound and behave horribly for no reason, and you cringe all the more because you know and identify with those characters. With "Nurse Betty" and "Possession", however, LaBute has shown that he has more than just one really incredibly note. He's no one-hit wonder. Here is a man whose entire body of work should be watched and studied by all.The Danish Girl- Director
- Writer
- Actor
Moved to New York City at the age of seventeen from Akron, Ohio. Graduated from Columbia University with a B.A. in English, class of '75. Without any prior film experience, he was accepted into the Tisch School of the Arts, New York.American Dream
Sling Blade
Enron: The Smartest Guys in the Room- Actor
- Writer
- Director
With his bald head, firm jawline and bristling moustache, Lionel Jeffries played a nice line of English eccentrics. This belied his RADA training. Following military service in WWII, he played his major roles - everything from Grandpa Potts in Chitty Chitty Bang Bang (1968) to the Marquis of Queensberry in The Trials of Oscar Wilde (1960) - in the 1960s.
His surprisingly brief career as a director included the highly popular family films The Railway Children (1970) and The Amazing Mr. Blunden (1972).Lust for Life
The Nun's Story
Fanny
Camelot
Chitty Chitty Bang Bang
The Canterbury Tales- Producer
- Director
- Writer
Ari Aster is an American film director, screenwriter, and producer. He is known for writing and directing the A24 horror films Hereditary (2018) and Midsommar (2019). Aster was born into a Jewish family in New York City on July 15, 1986, the son of a poet mother and musician father. He has a younger brother. He recalled going to see his first movie, Dick Tracy, when he was four years old. The film featured a scene where a character fired a Tommy gun in front of a wall of fire. Aster reportedly jumped from his seat and "ran six New York City blocks" while his mother tried to catch him. In his early childhood, Aster's family briefly lived in England, where his father opened a jazz nightclub in Chester. Aster enjoyed living there, but the family returned to the U.S. and settled in New Mexico when he was 10 years old.The Lighthouse- Producer
- Writer
- Director
Tim Sullivan moved to Los Angeles where he worked in development at New Line Cinema, co-producing Detroit Rock City (1999) (1999) with Gene Simmons of KISS and current Warner Brothers Chairperson and former classmate Michael De Luca. Sullivan's mainstream directorial debut was the well-received LionsGate's horror-comedy 2001 Maniacs (2005) (2005), produced by Eli Roth. This was followed by Driftwood (2006) (2006), 2001 Maniacs: Field of Screams (2010) (2010), and Chillerama (2011) (2011). Sullivan gained additional notoriety as celebrity director of Vh1's hit series Scream Queens (2008) (2010) (handpicked by James Gunn to succeed him). Under his own production banner New Rebellion Entertainment, Sullivan will produce the psychological thriller Lullaby, to be directed by M.J. Bassett ( Reacher (2022)) , along with the romantic comedy A Boyfriend for My Wife) , also written by Sullivan.
Sullivan was previously married to Originals Film head Tania Landau (De Luca and current Universal president Donna Langley served as best man and maid of honor respectively).Coming to America
Scrooged
The Godfather: Part III- Make-Up Department
- Special Effects
- Writer
For more than three decades Robert Kurtzman has been an icon in the world of special make-up, creature effects, and genre filmmaking. His award-winning, photo-realistic effects work can be seen in hundreds of movies including Hollywood's biggest blockbusters, franchises and television series-most recently the Netflix hit series The Haunting of Hill House, Stephen King's Doctor Sleep, Russo Brothers/Apple TV's feature Cherry starring Tom Holland, Jerry Bruckheimer/Paramount's Secret Headquarters starring Owen Wilson, Jesse Williams and Michael Pena, Apple TV's The Last Days of Ptolemy Grey starring Samuel L. Jackson and the new Netflix series First Kill.Predator
Misery
City Slickers
Pulp Fiction
Men in Black
Boogie Nights
A Simple Plan
The Green Mile
Vanilla Sky- Director
- Writer
- Actor
Eli Raphael Roth was born in Newton, Massachusetts, to Cora (Bialis), a painter, and Sheldon H. Roth, a psychoanalyst, psychiatrist, and clinical professor. His family is Jewish (from Austria, Hungary, Russia, and Poland). He began shooting Super 8 films at the age of eight; after watching Ridley Scott's Alien (1979) and vomiting, and deciding he wanted to be a producer/director. With his brothers and friends, ketchup for blood, and his father's power tools, he made over 50 short films before attending film school at NYU, where he won a student Academy Award and graduated summa cum laude in 1994.
Eli worked in film and theater production in New York City for many years, doing every job from production assistant to assistant editor to assistant to the director. At the age of 20, Roth was development head for producer Fred Zollo, a position he soon left to write full time. To earn a living, Roth did budgets and schedules for the films A Price Above Rubies (1998) and Illuminata (1998), and often worked as a stand-in, where he could watch directors work with the actors. In 1995, Roth co-wrote the script that would eventually become Cabin Fever (2002) with friend Randy Pearlstein, and the two spent many years unsuccessfully trying to get the film financed. Roth left New York in 1999 to live in Los Angeles, and within four months got funding for his animation series Chowdaheads (1999). Roth and friend Noah Belson (Cabin Fever (2002)'s Guitar Man) wrote and voiced the episodes, which Roth produced, directed, and designed. The episodes were due to run on WCW's #1 rated series WCW Monday Nitro (1995) but the CEO was fired a day before they were scheduled to air, and the episodes never ran. Roth used the episodes to set up a stop motion series called The Rotten Fruit (2003) which he produced, directed, and animated, as well as co-wrote and voiced with friend Belson. Between the two animated series, Roth worked closely with director David Lynch, producing content for the website davidlynch.com.
In 2001, Roth filmed Cabin Fever (2002) on a shoestring budget of $1.5 million, with private equity he and his producers raised from friends and their family. The film was the subject of a bidding war at the 2002 Toronto Film Festival, eventually won by Lion's Gate, instantly doubling their investors' money. It went on to not only be the highest-grossing film for Lion's Gate in 2003, but the most profitable horror film released that year, garnering critical acclaim from The New York Times, Rolling Stone, Empire Magazine, and such filmmakers as Peter Jackson, Quentin Tarantino, and Tobe Hooper. Roth used the film's success to launch a slew of projects, including The Box (2009), a horror thriller he co-wrote with Richard Kelly. In May 2003, Roth joined forces with filmmakers Boaz Yakin, Scott Spiegel, and Greenestreet Films in New York to form Raw Nerve, LLC, a horror film production company.
In 2014, Eli married Chilean model and actress Lorenza Izzo.Quiz Show
The Mirror Has Two Faces
The Lost World: Jurassic Park
Inglourious Basterds- Producer
- Writer
- Director
Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.Pulp Fiction
Baby Driver
tick, tick...BOOM!- Director
- Actor
- Writer
Acknowledged as the founder of modern Chicano theatre and film, Luis Valdez was born to migrant farm workers Francisco and Armida Valdez and spent his early life traveling with the family, working in the fields himself. He eventually found himself at San Jose State College, where his play "The Shrunken Head of Pancho Villa" was staged in 1964. He later joined the United Farm Workers and staged improvisational theatre with the help of union actors to further their causes. This work lead to the formation of his El Teatro Campesino, which produced most of Valdez' early plays in both the US and Europe. His account of racism in 1940s Los Angeles, Zoot Suit (1981), was released in 1982 to less than critical acclaim. Valdez continued to write and direct throughout the period; his film La Bamba (1987), the tragic story of Chicano singer Ritchie Valens, proved wildly successful and launched the screen careers of Lou Diamond Phillips and Esai Morales. He continues to travel extensively while remaining true to his Chicano theatrical roots.Coco- Director
- Writer
- Second Unit Director or Assistant Director
Influential Japanese film director born May 7th, 1911, often credited as being the father of Godzilla. His name is a combination of "I" (or Ino), meaning "boar", and "shirô," meaning fourth son in the family. Originally, the young Honda had aspirations of becoming an artist; however, as he entered into his teens, it was cinema that became his number 1 interest.
He attended Nippon University studying art, but was drafted by the Japanese military and spent nearly eight years in uniform. After a period of imprisonment in China as a P.O.W., he returned to Japan to join Toho Studios, where, soon afterward, he became acquainted with its special effects director, Eiji Tsuburaya. The two worked on a handful of films before collaborating on the ground-breaking epic monster film Godzilla (1954). Honda was also at the director's helm for such films as Rodan (1956), The Mysterians (1957) and its loose sequel Battle in Outer Space (1959), Mothra (1961), Matango (1963), and Destroy All Monsters (1968). Although the Japanese monster films had been derided by some U.S. critics, Honda was especially proud of his contribution to this rather unique aspect of the fantasy and science fiction genres.
Honda was a life-long friend of fellow Japanese director Akira Kurosawa and worked on several of his landmark films, including Stray Dog (1949), Kagemusha: The Shadow Warrior (1980) (a.k.a. "Kagemusha the Shadow Warrior"), and Ran (1985).
Honda died at the age of 81 on February 28th, 1993, with Kurosawa delivering the eulogy at his funeral.Kagemusha
Ran
Godzilla Minus One- Director
- Stunts
- Actor
Woo-Ping Yuen was born on 1 January 1945 in Guangzhou, China. He is a director and actor, known for Crouching Tiger, Hidden Dragon (2000), Fearless (2006) and The Grandmaster (2013).The Matrix
Crouching Tiger, Hidden Dragon
The Grandmaster- Stunts
- Additional Crew
- Actor
Siu-Tung Ching was born in 1953. He is an actor, known for Hero (2002), A Chinese Ghost Story (1987) and Curse of the Golden Flower (2006).Spider-Man
Hero
House of Flying Daggers
Curse of the Golden Flower- Writer
- Director
- Actor
Felix Chong was born on 1 January 1968 in Hong Kong, British Crown Colony. He is a writer and director, known for Infernal Affairs (2002), Project Gutenberg (2018) and Overheard (2009).The Departed- Director
- Actor
- Writer
Alan Mak Siu Fai was born in Hong Kong in 1965. In 1986, he studied in the School of Drama at the Hong Kong Academy for Performance Arts. Upon graduation in 1990, he started his movie career.
Mak made his directorial debut in 1997, with his first film being Nude Fear, which was written and produced by Joe Ma. After that, Mak had directed more films such as Rave Fever (1999), A War Named Desire (2000), Final Romance (2001), and Stolen Love (2001), which would be his first collaboration with writer Felix Chong.
In 2002, Mak and Chong wrote their first script together. It was for the movie Infernal Affairs, which was produced by Mak's directing partner Andrew Lau (Andrew Lau), who also served as cinematographer. Lau and Mak also served as directors for the film, and it would be the first of many collaborations involving the directing duo.
The film starred the four top actors of its year--Andy Lau, Tony Leung Chiu-wai, Eric Tsang and Anthony Chau-Sang Wong--along with the year's two top actresses--Kelly Chen and Sammi Cheng.
Infernal Affairs was the number one box-office hit in Hong Kong that year, breaking several box office records alone. Furthermore, the film won many Hong Kong Film Awards, including Best Picture, Best Directors (Lau and Mak), Best Screenplay (Mak and co-writer Chong), and Best Supporting Actor (Wong). Infernal Affairs also went on win awards at the 40th Golden Horse Awards and the Golden Bauhinia Awards.
Not only was the film successful worldwide, but it later became the inspiration for Martin Scorsese's 2006 film, The Departed (2006).
In 2003, Lau and Mak had completed the trilogy with the prequel Infernal Affairs II and the sequel/prequel Infernal Affairs III. That same year, Mak received the '2003 Leader of the Year' award in the Sports/Culture/Entertainment category. This honor has made Mak's accomplishment scale new heights.
In 2004, Lau and Mak worked on another blockbuster, Initial D, which was shot in Japan and released in Hong Kong during the summer. Once again, it was also another successful film for Lau and Mak, winning multiple awards at the Hong Kong Film Awards, winning for Best New Performer (Jay Chou), Best Supporting Actor (Anthony Chau-Sang Wong), and Best Visual Effects.
In 2006, Lau, Mak and scriptwriter Felix Chong re-teamed to make the 2005 film, Moonlight in Tokyo. They re-teamed again for the 2006 film Confessions of Pain, once again re-teaming with Infernal Affairs star Tony Leung Chiu-wai.
To this day, along with his partners, Andrew Lau, and Felix Chong, Alan Mak, as a prolific director, continues to make films, that will continue to challenge and appeal a mass audience.The Departed- Actor
- Producer
- Director
Paul Michael Glaser (born Paul Manfred Glaser March 25, 1943) is an American actor and director best known for his role as Detective Dave Starsky on the 1970s television series, Starsky & Hutch. In between his work writing and directing, Glaser also played Captain Jack Steeper on the NBC series Third Watch from 2004 to 2005, appeared as Al in several episodes of Ray Donovan in the 2010s, and had his first U.S. exhibition of his artwork in 2018.Fiddler on the Roof
Butterflies Are Free
Special Effects: Anything Can Happen
Something's Gotta Give- Actor
- Producer
- Director
This tall, sandy-haired, mustachioed actor from Texas, born Justus McQueen, adopted the name of the character he portrayed in his first film, Battle Cry (1955). Jones, with his craggy, gaunt looks, first appeared in minor character roles in plenty of WWII films including The Young Lions (1958), The Naked and the Dead (1958), Hell Is for Heroes (1962) and Battle of the Coral Sea (1959). However, 1962 saw him team up with maverick director Sam Peckinpah for the first of Jones' five appearances in his films. Ride the High Country (1962) saw Jones play one of the lowlife Hammond brothers. Next he appeared alongside Charlton Heston in Major Dundee (1965), then Peckinpah cast him, along with his real-life friend Strother Martin, as one of the scummy, murderous bounty hunters in The Wild Bunch (1969). Such was the chemistry between Jones and Martin that Peckinpah teamed them again the following year in The Ballad of Cable Hogue (1970), and Jones' final appearance in a Peckinpah film was in another western, Pat Garrett & Billy the Kid (1973). Two years later Jones directed the cult post-apocalyptic film A Boy and His Dog (1975) starring a young Don Johnson. He has continued to work in Hollywood, and as the lines on his craggy face have deepened, he turns up more frequently as crusty old westerners, especially in multiple TV guest spots. He turned in an interesting performance as a seemingly good ol' boy Nevada cowboy who was actually a powerful behind-the-scenes player in state politics who leaned on Robert De Niro's Las Vegas mob gambler in Martin Scorsese's violent and powerful Casino (1995).Battle City
Between Heaven and Hell
Torpedo Run
Cimarron
The Wild Bunch
Casino
The Mask of Zorro- Producer
- Writer
- Director
George A. Romero never set out to become a Hollywood figure; by all indications, though, he was very successful. The director of the groundbreaking "Living Dead" films was born February 4, 1940 ,in New York City to Ann (Dvorsky) and Jorge Romero. His father was born in Spain and raised in Cuba, and his mother was Lithuanian. He grew up in New York until attending the renowned Carnegie-Mellon University in Pittsburgh, PA.
After graduation he began shooting mostly short films and commercials. He and his friends formed Image Ten Productions in the late 1960s and they all chipped in roughly $10,000 apiece to produce what became one of the most celebrated American horror films of all time: Night of the Living Dead (1968). Shot in black-and-white on a budget of just over $100,000, Romero's vision, combined with a solid script written by him and his "Image" co-founder John A. Russo (along with what was then considered an excess of gore), enabled the film to earn back far more than what it cost; it became a cult classic by the early 1970s and was inducted into the National Film Registry of the Library of Congress of the United States in 1999. Romero's next films were a little more low-key but less successful, including The Affair (1971), The Crazies (1973), Season of the Witch (1972) (where he met future wife Christine Forrest) and Martin (1977). Though not as acclaimed as "Night of the Living Dead" or some of his later work, these films had his signature social commentary while dealing with issues--usually horror-related--at the microscopic level. Like almost all of his films, they were shot in, or around, Romero's favorite city of Pittsburgh.
In 1978 he returned to the zombie genre with the one film of his that would top the success of "Night of the Living Dead"--Dawn of the Dead (1978). He managed to divorce the franchise from Image Ten, which screwed up the copyright on the original and allowed the film to enter into public domain, with the result that Romero and his original investors were not entitled to any profits from the film's video releases. Shot in the Monroeville (PA) Mall during late-night hours, the film told the tale of four people who escape a zombie outbreak and lock themselves up inside what they think is paradise before the solitude makes them victims of their own, and a biker gang's, greed. Made on a budget of just $1.5 million, the film earned over $40 million worldwide and was named one of the top cult films by Entertainment Weekly magazine in 2003. It also marked Romero's first work with brilliant make-up and effects artist Tom Savini. After 1978, Romero and Savini teamed up many times. The success of "Dawn of the Dead" led to bigger budgets and better casts for the filmmaker. First was Knightriders (1981), where he first worked with an up-and-coming Ed Harris. Then came perhaps his most Hollywood-like film, Creepshow (1982), which marked the first--but not the last--time Romero adapted a work by famed horror novelist Stephen King. With many major stars and big-studio distribution, it was a moderate success and spawned a sequel, which was also written by Romero.
The decline of Romero's career came in the late 1980s. His last widely-released film was the next "Dead" film, Day of the Dead (1985). Derided by critics, it did not take in much at the box office, either. His latest two efforts were The Dark Half (1993) (another Stephen King adaptation) and Bruiser (2000). Even the Romero-penned/Tom Savini-directed remake of Romero's first film, Night of the Living Dead (1990), was a box-office failure. Pigeon-holed solely as a horror director and with his latest films no longer achieving the success of his earlier "Dead" films, Romero has not worked much since, much to the chagrin of his following. In 2005, 19 years after "Day of the Dead", with major-studio distribution he returned to his most famous series and horror sub-genre it created with Land of the Dead (2005), a further exploration of the destruction of modern society by the undead, that received generally positive reviews. He directed two more "Dead" films, Diary of the Dead (2007) and Survival of the Dead (2009).
George died on July 16, 2017, in Toronto, Ontario, Canada. He was 77.North by Northwest
The Silence of the Lambs- Actor
- Director
- Writer
Paul Bartel was born in Brooklyn in 1938. He decided he wanted to direct animated movies when he was 11 and by 13 had spent a summer working at New York's UPA animation studio. He majored in theater arts at UCLA, and received a Fulbright scholarship to study film direction in Rome, producing a short that was presented at the 1962 Venice Fiom Festival. He later was hired by Roger Corman's brother, Gene, to direct a low-budget horror featured called Private Parts (1972). Roger Corman hired him as a second unit director on Big Bad Mama (1974), which led to his directing Death Race 2000 (1975). He could not persuade Corman to finance his pet project, Eating Raoul (1982). The $500,000 black comedy was made after his parents sold their New Jersey home and gave him the money. Shot in 22 days, mostly weekends, over the course of a year, Eating Raoul (1982) starred Bartel and Mary Woronov as gourmet cannibals who lure sex swingers to their apartment, smack them with a skillet, rob them and use the proceeds to buy a restaurant.Heartbeeps
Heart Like a Wheel
The Usual Suspects- Producer
- Actor
- Writer
Kevin Patrick Smith was born in Red Bank but grew up in Highlands, New Jersey, the son of Grace (Schultz) and Donald E. Smith, a postal worker. He is very proud of his native state; this fact can be seen in all of his movies. Kevin is of mostly German, with some Irish and English, ancestry.
His first movie, Clerks (1994), was filmed in the convenience store in which Smith worked. He was only allowed to shoot at night after the store closed. This movie won the highest award at the Sundance film festival and was brought to theaters by Miramax. The movie went over so well that Smith was able to make another movie, Mallrats (1995). This movie, as Kevin has said, was meant to be a "smart Porkys". Although it didn't do well at all in the box office, it has done more than well on video store shelves and is usually the favorite among many Smith fans.
During filming for the movie, Smith met his new close friends and stars of his next movie, Ben Affleck, Jason Lee, and his new girlfriend, Joey Lauren Adams. Smith has said that his relationship with Adams has been much of an inspiration for his next movie, Chasing Amy (1997), Smith's comedy drama which won two independent Spirit awards: Best Screenplay and Best Supporting Role (for Jason Lee). Around the time that Chasing Amy (1997) was wrapping, Smith broke up with Adams and, then when the Spirit awards were approaching, he met his soon-to-be wife, Jennifer Schwalbach Smith. After Chasing Amy (1997), Smith started on Dogma (1999), a controversial film about Christianity. Around this time, Smith's wife gave birth to their first baby girl, Harley Quinn Smith. Harley Quinn and Jennifer both have roles in Smith's next film,Jay and Silent Bob Strike Back (2001). In this road trip comedy, the cult heroes, Jay and Silent Bob, go on an adventure to stop the production of a movie being made about them, find true love, and save an orangutan.
In 2004, he wrote and directed Jersey Girl (2004), starring Ben Affleck and Liv Tyler. Although there were some disappointing reviews and the movie was a disappointment at the box office, Smith says it did alright going up against the "Bennifer Massacre" known as Gigli (2003).
In 2005, Smith wrote the screenplay for Clerks II (2006), which he planned to start shooting in January of 2005. But then he got a call from Susannah Grant, who wanted Smith to audition for her new film. Smith went into the audition and, five minutes after finishing, he got a call saying he got the part. Filming began in January 2005 so Smith had to delay the filming of Clerks II (2006). After Catch and Release (2006) finished filming, Smith shot "Clerks II" in September 2005. After cutting "Clerks II", they submitted it to the Cannes film festival. It got accepted and, at Cannes, it got an 8 minute standing ovation.
In 2006, Smith also got offered a part in the fourth "Die Hard" film, Live Free or Die Hard (2007). Smith got to film a scene with one of his idols, Bruce Willis, the scene was supposed to take one day of filming, it ended up taking a week. In 2007, Smith was also hired to direct the pilot for the show Reaper (2007), which garnered favorable reviews.
In 2007 and 2008, Smith wrote two scripts: a comedy, Zack and Miri Make a Porno (2008), and a horror film called Red State (2011). Harvey Weinstein green-lighted "Zack and Miri", based just off the title, although they passed on "Red State", Smith plans to get "Red State" independently funded. Smith filmed "Zack and Miri" with comedy starSeth Rogen. The film did not meet expectations at the box office but got good reviews. It is Smith's highest grossing movie, although he says he was crushed by the disappointing box office of the film.
Smith was offered the chance to direct a film which was written by Robb Cullen and Mark Cullen called Cop Out (2010). Smith accepted, it would be two firsts; the first feature Smith has directed but not written and the first feature of Smith's that Scott Mosier has not produced (Mosier is trying to find a film to direct). Smith hired Bruce Willis for the film.Good Will Hunting
Gone Baby Gone
Star Wars: The Force Awakens
The Disaster Artist
Star Wars: The Rise of Skywalker- Director
- Writer
- Actor
Todd Solondz was born in Newark, New Jersey. One of his earliest jobs in the film industry was when, as a young man, he worked as a messenger for the Writers' Guild of America. During this time, he wrote several screenplays.
Solondz's first color film with sync sound was the short "Schatt's Last Shot" (1985). Solondz played a high schooler who wants to get into Stanford, but cannot because his sadistic gym teacher fails him. He also has no luck seducing the girl he desires. It was a student film, and is still screened at NYU, where Solondz made it.
Solondz's first feature was Fear, Anxiety & Depression (1989), a piece about a writer (Solondz) writing a play and sending it to Samuel Beckett.
Solondz found great critical acclaim with his second feature, Welcome to the Dollhouse (1995), a film about the cruelty of junior high school, parents, adult figures, and suburban life. The film won awards at Sundance, Berlin, and countless other festivals for its cruel realism, bitter humor, and unflinching portrayal of adolescence.
His third feature effort, Happiness (1998), was a wildly edgy and provocative film. The film revolves around a group of people who are miserable in their conventional lifestyles and pursue happiness in various forms of perverse sexuality. It featured a murderer, a rapist, a pedophile, and a man who harasses others with sexually obscene phone calls The film incited major controversy and was dropped by its original distributor, only to be picked up by another company. One of the particularly controversial aspects of the film was the element of the child psychologist as a repressed pedophile. In the film, he molests his son's friend at a sleep-over; but the character was sympathetic and deftly presented. Once again, the film was lauded with numerous awards and strong critical praise.
Solondz made it clear he was not softening up with his next effort, Storytelling (2001), which was about the artistic process. The film is divided into two halves, "Fiction" and "Non-Fiction." "Fiction" centers on a character in a creative-writing class, and "Non- Fiction" on a desperate filmmaker making a documentary about a depressed, listless, unmotivated teenager. "Fiction" concerns how fictional stories can be used to distort rather than illuminate reality, which is displayed via the exploits of the protagonist, a college student in a creative writing class. The film was in danger of being rated NC-17due to a racially charged sex scene. Solondz's response to the threat of the NC-17 was quite clever (and a bit tongue-in-cheek). Instead of trimming the scene, he simply blocked the image of the copulation with a large orange box. The film got an R rating. "Nonfiction" was loaded with social commentary. Topics covered in this part included a listless teenager and his overbearing family, homosexuality's current parallels to the scarlet letter, drug use, gun control in the home, and one's capability to murder.
Solondz's next film was Palindromes (2004), which was also controversial, due to the fact that the protagonist was played by eight people of differing size, race, and gender.
Solondz has established himself as a consistently engaging and unique filmmaker, as opposed to just one more cookie-cutter conformist director making his movies on the Hollywood assembly line. He is a real writer and filmmaker, agent provocateur, and a force with which to be reckoned.Married to the Mob
As Good as It Gets
Aftersun- Actor
- Director
- Writer
Throughout his years in the industry, Alex Cox, an English writer-director, has not only proven his loyalty and integrity to cult cinema, but also his love for it. This all began in 1977, when Cox dropped out of Oxford University to study Radio, Film & TV at Bristol until graduating in 1977. Seeing difficulties in the British film scene at the time, Cox first went to Los Angeles to attend film school at UCLA in 1977. Here he produced his first film, Edge City/Sleep is for Sissies.. The same year, Cox wrote a screenplay for Repo Man, which he hoped to produce for a budget of $70,000, and began seeking funding.
Sometime after, Monkees member Michael Nesmith agreed to produce Repo Man, and convinced Universal Studios to back the project with a budget of over a million dollars. The initial cinema release was limited to Chicago, followed by Los Angeles, and was short-lived. After the success of the soundtrack album, there was enough interest in the film to earn a re-release in a single cinema in New York City, but only after becoming available on video and cable. Nevertheless, it ran for 18 months, and eventually earned $4,000,000.
Continuing his fascination with punk music, Cox's next film was an independent feature shot in London and Los Angeles, following the career and death of bassist Sid Vicious and his girlfriend Nancy Spungen, initially titled Love Kills and later renamed Sid and Nancy. It was met warmly by critics and fans, though heavily criticized by some, including Pistols' frontman John Lydon, for its inaccuracies.
After this, Cox wrote and directed Straight To Hell, a neo-western starring Joe Strummer of The Clash. The film was widely panned critically, but was successful in Japan and retains a cult following.
On his next film, Cox's "Walker" followed the life of William Walker, set against a back drop of anachronisms that drew parallels between the story and modern American intervention in the area. The $6,000,000 production was backed by Universal, but the completed film was too political and too violent for the studio's tastes, and the film went without promotion. When Walker failed to perform at the box office, it ended the director's involvement with Hollywood studios, and led to a period of several years in which Cox would not direct a single film. Despite this, Cox and some critics maintain that it is his best film.
After this, Alex struggled to find work in America, and stopped writing/directing big budget films. Since then, he has written+directed many internationally funded films including Highway Patrolman, Searchers 2.0, Death And The Compass, Repo Chick and the cult classic Three Buisnessmen. Although, In 1998, Cox co-wrote "Fear And Loathing In Las Vegas" with Terry Gilliam, who also directed the film.Lost in Translation- Writer
- Composer
- Producer
Director, writer, producer and composer Tom Tykwer was born in 1965 in Wuppertal, Germany. He showed an interest in film-making from childhood, making super 8 films from the age of 11. Among his first jobs was working at a local art-house cinema. Tykwer eventually relocated to Berlin, first working as a film projectionist and then becoming head of programming at the Moviemento Theater.
Tykwer's friend, the director Rosa von Praunheim, encouraged him to experiment with film-making and the result was the short Because (2001). Other short films followed, and in 1993 Tykwer made his first full length feature Deadly Maria (1993). Tykwer's international breakthrough came in 1998 with Run Lola Run (1998), which was a hit with both audiences and critics alike. The film garnered many awards and was the most successful German film of the year.
Subsequent projects include Heaven (2002), Perfume: The Story of a Murderer (2006), The International (2009) and the ambitious epic Cloud Atlas (2012).Downfall
Inglourious Basterds
Pina
Citizenfour- Producer
- Writer
- Director
Welsh born writer/director, in 2003 directed a short film "Samurai Monogatari" telling the tale of a Samurai waiting to be executed. The short was in Japanese language and starred students from Tokyo who were studying at Cardiff University at the time.
In 2003 he also graduated with an MA in Scriptwriting for Film and Television at the University of Glamorgan but it was not until 2006 that he would see his first major production with the self-penned feature "Footsteps". In 2006 the film premiered at the Swansea Bay Film Festival where it was awarded the prize for "Best Film", it has since gone on to receive critical acclaim and is due to be released in the US through extreme cinema label, Unearthed Films in summer 2007.
Currently he is directing a documentary for Christine Hakim Films in Indonesia entitled "The Mystic Arts of Indonesia: Pencak Silat". The documentary is one of a five episode series covering the cultural heritage of Indonesia and is expected to broadcast once the series is complete in 2008.
Following this he is expected to begin work on a second feature in summer 2007.The Act of Killing
The Look of Silence- Actor
- Director
- Second Unit Director or Assistant Director
Jack Starrett was a superbly talented and versatile actor and director who specialized in making hugely enjoyable down-'n'-dirty low-budget drive-in exploitation pictures. Starrett was born on November 2, 1936, in Refugio, TX. He attended San Marcos Academy in the 1940s and the 1950s. He made his acting debut as "Coach Jennings" in Like Father, Like Son (1961) and his debut as a director with two superior biker features starring legendary B-movie tough guy William Smith: Run, Angel, Run! (1969) and The Losers (1970). The latter movie proved to be highly influential to subsequent action films made in the 1980s; its "bring the boys back home" Vietnam prisoners of war rescue operation premise was reused in such 1980s features as Uncommon Valor (1983), Missing in Action (1984) and Rambo: First Blood Part II (1985). His follow-up films Cry Blood, Apache (1970) and The Strange Vengeance of Rosalie (1972) were both regrettably mediocre, but Starrett bounced back with the exciting Jim Brown blaxploitation vehicle Slaughter (1972) and the delightful Cleopatra Jones (1973). The Dion Brothers (1974) was an amiable tongue-in-cheek crime caper romp, while the terrific devil worship/car chase/horror/action winner Race with the Devil (1975) was Starrett's biggest ever drive-in hit and one of his most well-regarded movies. A Small Town in Texas (1976) was a solid entry in the popular redneck exploitation genre that was hot in the 70s. Kiss My Grits (1982) rates as one of his most atypical and underrated films; it's a really sweet and low-key character study of two likable cowpokes. In addition to his film work, Starrett also directed episodes of such TV shows as Hill Street Blues (1981), The A-Team (1983), The Dukes of Hazzard (1979), Knight Rider (1982), Planet of the Apes (1974) and Starsky and Hutch (1975).
Big and burly, with a rough, ruddy complexion, thinning hair, a thick, furry mustache and a deep, booming, resonant rumble of a gravely voice, Jack Starrett had an extremely strong and commanding screen presence that he put to exceptionally fine use as an actor. Starrett was hilarious as the unintelligible old-timer "Gabby Johnson"--a take-off on iconic western sidekick George 'Gabby' Hayes--in Blazing Saddles (1974) and gave an outstanding performance as "Galt", the mean small-town deputy who ruthlessly antagonizes Sylvester Stallone in the fantastic First Blood (1982). Starrett was likewise memorable as strict factory foreman "Swick" in The River (1984), and in addition often took small roles in his own pictures.
He was married to soap opera actress Valerie Starrett. Their daughter, Jennifer Starrett, was also an actress. Alas, Jack Starrett had problems with alcoholism, which led to his tragic and untimely death at age 52 from kidney failure on March 27, 1989.Blazing Saddles
The Rose
The River- Director
- Actor
- Producer
Donald Petrie was born on 2 April 1954 in New York City, New York, USA. He is a director and actor, known for How to Lose a Guy in 10 Days (2003), Miss Congeniality (2000) and Grumpy Old Men (1993).The Turning Point- Director
- Actor
- Producer
You could almost say David Price's career began at birth. Price is the son of former Columbia and Universal studio President and Producer, Frank Price. (Ghostbusters, Gandhi, Tootsie, Out of Africa) and grandson to television pioneer Roy Huggins (Maverick, The Fugitive, 77 Sunset Strip)
In 2007 Price took a hiatus from the entertainment business to pursue his interest in the food world. As Owner/Executive chef of Terra restaurant in Malibu, he garnered coveted reviews from Zagat, being named favorite local restaurant. Price also owned Malibu Foods which catered food to the large music festival industry such as Coachella and Stage Coach festivals.
Now back in full swing ... Price is co-producing "Knight Rider" : The Movie from creator Glen A. Larson..
In 2009 Price directed the award winning short, "Laredo". Winning Best Cinematography and a Special Recognition Award from The Boston International Film Festival.
Oskar Fischinger: The Creative Spirit (Documentary) was a MOCA special documentary project that David produced and edited which debuted at the museum in 2000 before making a national tour ending at New York's Museum Of Modern Art.
Price recently produced and directed Miramax/Disney's "Passport to the World", a family travel series which he created. Passport takes families through a city with kids in mind. Passport to the world features presenters - Gail Porter and Reggie Yates.
In 1996 Price directed and created Savoy Pictures' "Dr. Jekyll and Ms. Hyde". A comedy based on the Robert Louis Stevenson classic, Dr. Jekyll & Mr. Hyde. Dr. Jekyll & Ms. Hyde stars Sean Young ("No Way Out", "Ace Ventura"), Tim Daly ("Diner", "Wings"), Lysette Anthony ("Husbands & Wives" ) and Harvey Fierstein ("Mrs. Doubtfire"). The Hollywood Reporter wrote: "An amusing sex farce buoyed by spirited performances and state of the art effects". Starburst Magazine said: "Price's impressively mounted fantasy... hits the belly laugh button more than once and causes a constant stream of sniggers... exactly the right commercial note. Price keeps the pace at breakneck speed".
In 1992 Price directed the highly successful Miramax/Dimension film, Children of the Corn II; grossing over 10 million dollars at the U.S. box office. Playboy magazine noted: "Price has the right stuff." and The Los Angeles Times wrote: "Director David Price doesn't flinch... Price's direction is better than this material deserves." From overseas, Britain's Starburst Magazine touted: "..the Price is right!... a well-mounted continuation of the 1984 saga... Skillfully paced horror from David Price."
With just under a million dollars to make the film, Miramax was elated with the results. In October '93, Corn II was released on video with over 80,000 units being shipped... adding an additional $4,000,000 to its domestic till. Corn II's worldwide gross is expected to reach over $25 million dollars. Children of the Corn II was added to Variety's Winner Circle list of 1993 for all time highest grossing Independent films.
Soon after Price co-produced, Leprechaun (Lionsgate/Trimark) starring Jennifer Aniston. Over eight sequels have been filmed since it's initial release.
David Price's professional career began as an actor. He studied at the highly acclaimed Lee Strassberg Institute and The Loft. Price appeared in such films as 9 to 5, Mommie Dearest and Fast Times at Ridgemont High. Having always been intrigued by the "behind the scenes" of motion pictures, he then decided to try the other side of the camera. He began as an assistant to producer Ray Stark ("Funny Girl", "The Way We Were" and "Secret of my Success"). While working for Stark, Price worked on such productions as Annie, Blue Thunder and The Toy.
It was while working on The Toy that Price met director Richard Donner (Superman, Lethal Weapon). He went on to spend the next two years as Donner's assistant. This included filming six months in Italy on the film, Ladyhawke.
After returning from Italy, Price attended The University of Southern California (USC). Price majored in Film and Italian. While at USC Price was a Vice President of the USC Student Senate and in charge of campus events as Executive Director of the USC Program Board. He was also President of the USC Italian Club.
Following U.S.C., Price made his directorial debut with the motion picture, Son of Darkness:To Die For 2 ('91). Daily Variety noted, "One of those genuine rarities: a sequel that's much better written, directed and acted than its predecessor". VideoHound's Video Guide® declared: "The acting, stunt work and special effects are first rate". Having cost just $500,000 to make, it was one of Trimark's top ten releases for 1991.
For television, Price directed multiple episodes of the successful syndicated series, "Nightman" for Glen Larson and Tribune.
Price has two sons Will and Dylan and has been with partner Charlotte Robinson since 2005.
David holds both Irish and American passports. Price is a member of The Directors Guild of America.
9/20199 to 5
Ladyhawke- Director
- Actor
- Writer
Alan Myerson was born on 8 August 1936 in Cleveland, Ohio, USA. He is a director and actor, known for The Larry Sanders Show (1992), Police Academy 5: Assignment: Miami Beach (1988) and A Session with the Committee (1969).The Prince of Egypt
Shrek- Actor
- Director
- Soundtrack
Brian G. Hutton was born on 2 May 1929 in New York City, New York, USA. He was an actor and director, known for Where Eagles Dare (1968), Kelly's Heroes (1970) and Sol Madrid (1968). He was married to Victoria Palacio Sierra. He died on 19 August 2014 in Los Angeles, California, USA.Gunfight at the O.K. Corral
The Big Fisherman- Producer
- Director
- Writer
Luis Llosa was born in 1951 in Lima, Peru. He is a producer and director, known for Anaconda (1997), The Specialist (1994) and Crime Zone (1988). He is married to Roxana Valdivieso. They have two children. He was previously married to Patricia Pinilla Cisneros.Sorcerer- Producer
- Director
- Writer
Andy Muschietti was born on 26 August 1973 in Buenos Aires, Federal District, Argentina. He is a producer and director, known for Mama (2013), It (2017) and It Chapter Two (2019).Evita- Producer
- Writer
- Director
Bill Holderman is known for Book Club (2018), The Old Man & the Gun (2018) and A Walk in the Woods (2015).The Motorcycle Diaries
All Is Lost- Actor
- Director
- Writer
John Stockwell is an American actor, director, producer and writer who is probably best known - as an actor - for his roles in the Tom Cruise vehicles Losin' It (1982) and Top Gun (1986), and the Stephen King - John Carpenter film Christine (1983).
John has since moved from acting into the director's chair. His directing credits include Blue Crush (2002), Into the Blue (2005), and Turistas (2006).
John was a close friend of Andy Warhol and is mentioned frequently in the latter's 'Warhol Diaries'.Top Gun
Nixon- Producer
- Writer
- Director
Bruce Paltrow was born on 26 November 1943 in Brooklyn, New York City, New York, USA. He was a producer and writer, known for St. Elsewhere (1982), The White Shadow (1978) and Nick & Hillary (1988). He was married to Blythe Danner. He died on 3 October 2002 in Rome, Lazio, Italy.Catch Me If You Can- Actor
- Director
- Writer
Nick Cassavetes was born in New York City, the son of actress Gena Rowlands and Greek-American actor and film director John Cassavetes. As a child, he appeared in two of his father's films: Husbands (1970) and A Woman Under the Influence (1974). After spending so much of his youth surrounded by the film industry, Cassavetes initially decided he did not want to go into the field. He instead attended Syracuse University on a basketball scholarship. His athletic career was effectively ended by an injury, and he decided to rethink his aspirations, ultimately deciding to attend his parents' alma mater, the American Academy of Dramatic Arts in New York. He has appeared in the films, Face/Off (1997), The Wraith (1986), Life (1999), Class of 1999 II: The Substitute (1994), Backstreet Dreams (1990) and The Astronaut's Wife (1999), among others. He has directed several films, including John Q (2002), Alpha Dog (2006), She's So Lovely (1997), Unhook the Stars (1996), The Notebook (2004), and My Sister's Keeper (2009). He also adapted the screenplay for Blow (2001) and wrote the dialogue for the Justin Timberlake music video, "What Goes Around... Comes Around". In 1985, Cassavetes married Isabelle Rafalovich. They had two daughters together, Virginia Cassavetes (Virginia Sara Cassavetes) (born in 1986) and Sasha Cassavetes (born in 1988), before divorcing. He then married Heather Wahlquist (Heather "Queenie" Wahlquist), who has appeared in several of his films, including a small role in The Notebook (2004) as Sara, a secondary character and best friend to the female lead Allie Hamilton, portrayed by Rachel McAdams. The movie is effectively a family project, as Cassavetes's own mother, Gena Rowlands, appears as the older, married Allie Calhoun.A Woman Under the Influence
Mask
Face/Off
Life- Writer
- Producer
- Additional Crew
Jeff Pollack was born on 15 November 1959 in Los Angeles, California, USA. He was a writer and producer, known for Above the Rim (1994), The Fresh Prince of Bel-Air (1990) and Monster (2003). He was married to Solange White Pollack. He died on 23 December 2013 in Hermosa Beach, California, USA.Monster- Director
- Writer
- Cinematographer
Born in New York City in 1938, Paul Morrissey studied literature at Fordham University. In the early 1960s, following a stint in the Army and jobs in insurance and as a social worker, he began directing short independent films.
In 1965, he was introduced to Andy Warhol, who asked him to contribute ideas and bring new direction to the film experiments he had been recently begun presenting -- others had been suggesting, and in a very limited sense, directing these early experiments, but they remained in a static, relatively primitive state. From then on, Morrissey not only directed all of the films but signed a management contract with Warhol putting him in charge of all operations at the Warhol studio with the exception of the sales of artwork. It was Morrissey's idea that Warhol's celebrity name be used to promote a rock n' roll group; to that end, he discovered 'the Velvet Underground', added Nico to the band and signed them all to a management contract. While administering the very successful early years of the group, he continued to add story ideas, casting, cinematography and direction to all of the film experiments that Warhol presented from My Hustler (1965) and Chelsea Girls (1966) through Imitation of Christ (1967) and Bike Boy (1967); Morrissey acted as the films' distributor as well.
After Lonesome Cowboys (1968), which was written, produced and directed by Morrissey from start to finish, he assumed total control of all subsequent films presented by Andy Warhol -- from the art house/cult classics Flesh (1968), Trash (1970) and Heat (1972) to his more mainstream successes with the Carlo Ponti/Jean-Pierre Rassam productions Flesh for Frankenstein (1973) and Blood for Dracula (1974).
Morrissey parted company with Warhol in 1975 when the artist chose to concentrate on his painting and business activities. Morrissey went on to pursue financing for his later films, one of the very few American film directors to remain independent of any Hollywood film companies, independent or otherwise.
He was always responsible for his films in their entirety, working consistently with mostly young unknown actors, writing and directing with no outside interference of any kind. Once financing from "independent" sources no longer allowed him the freedom from interference that he previously enjoyed, he stopped making films.Midnight Cowboy- Writer
- Producer
- Actor
Alan Spencer is an American writer, producer and director who is best known as the creator of the 1980s satirical TV series ''Sledge Hammer!'' as well as a script doctor for feature films.
While still in high school, Spencer sneaked onto Twentieth Century Fox Studios to observe Mel Brooks directing "Young Frankenstein". Sixteen years later, Spencer would co-create a short-lived NBC sitcom with Brooks entitled "The Nutt House". On the "Young Frankenstein" set, Spencer was befriended by British comedian Marty Feldman who encouraged Spencer to become a professional comedy writer.
Not long after, Spencer began selling jokes to established comedians including Rodney Dangerfield and Garry Shandling. Since the transactions were done through the mail, none of the comedians ever knew they were buying material from a teenager. When Spencer finally met Dangerfield many years later and revealed his age at the time, Dangerfield reportedly said: "Oh yeah, I remember those jokes--they read like they were written by a 15-year-old."
As Spencer's reputation as a gag man grew, producer Garry Marshall hired him to work on sitcoms at Paramount Studios while still attending high school. At the time, Spencer became one of the youngest people to ever join the Writers Guild of America. While working on the Paramount lot, Spencer befriended offbeat comedian Andy Kaufman who was co-starring on the sitcom "Taxi". Kaufman once invited Spencer to his home and subjected him to two-day marathon of "The People's Court" episodes, which has become the stuff of urban legend.
Spencer continued to accrue sitcom writing credits for traditional shows such as "One Day at a Time" and "The Facts of Life" but the relationship with Andy Kaufman focused him on developing more offbeat and unconventional ideas.
After seeing the first "Dirty Harry" film as an adolescent, Spencer wrote a satirical screenplay about a renegade cop in love with his gun entitled "Sledge Hammer!" The script was shown to various agents and executives. Featuring exaggerated, over the top violence and a trigger-happy main character, industry reactions were mostly negative. According to Spencer, one script reader for a production company wrote: "One must seriously wonder about the state of mind of this writer." One person who did appreciate the script was Leonard Stern, the executive producer of "Get Smart", who first learned of Spencer after Don Adams drafted him to write jokes for a troubled feature film. When approached by HBO to develop a "Get Smart meets Dirty Harry" concept, Stern recommended Spencer's "Sledge Hammer!" screenplay. The concept was first developed as a cable series before subsequently being picked up by ABC where it aired in prime time to great critical acclaim.
After "Sledge Hammer!" ended its two-year run, Anthony Perkins asked Spencer to create a sitcom for him to star in poking fun at his macabre image from the movie "Psycho". The pilot called "The Ghost Writer" for the Fox Network featured Perkins as a Stephen King style author trying to manage a blended family, but the pilot didn't sell partly due to Spencer having a prior commitment to NBC's series "The Nutt House" starring Harvey Korman and Cloris Leachman.
Spencer next wrote and directed the feature film "Hexed" released by Columbia Pictures. Originally conceived as a comedy thriller, after an early successful test screening the film was altered by the studio to target younger audiences. This version of the film was eventually marketed as a parody instead of a black comedy over Spencer's objections.
Spencer returned to television and wrote and produced two science fiction pilots for CBS. "Galaxy Beat" was a half hour comedy about "Galactic Peacekeepers" starring Gregory Harrison and Tracy Scoggins with Roddy McDowell providing the voice of an amphibian creature. When this wasn't picked up to series, Spencer next wrote and produced a serious sci-fi MOW called "The Tomorrow Man" starring Julian Sands and Giancarlo Esposito intended as a "backdoor pilot" but this too was not picked up.
Spencer began accepting offers to rewrite and punch up scripts for studios and production companies, garnering a reputation as a sought-after script doctor. Spencer discusses this aspect of his career in the Mike Sacks book "Poking a Dead Frog: Conversations with Today's Top Comedy Writers" for a chapter entitled "Working as a Hollywood Script Doctor".
Spencer also developed and produced his first cable series, the comedic action thriller ''Bullet in the Face'' for IFC/Just for Laughs. The series sparked controversy for mixing graphic violence with broad comedy while featuring a sadistic anti-hero.
In regards to current projects, Alan Spencer has been developing a reinvention of "Sledge Hammer!" which Rolling Stone magazine has ranked it among the "40 Best Cult TV Comedies Ever".The Affair of the Necklace- Actor
- Director
- Writer
Dennis Barton Dugan is an American film director, actor, comedian and screenwriter from Wheaton, Illinois who directed several films featuring Adam Sandler including Happy Gilmore, Big Daddy, Jack & Jill, Grown Ups, I Now Pronounce You Chuck & Larry and You Don't Mess With the Zohan. He also directed Beverly Hills Ninja and The Benchwarmers.The Hospital
The Day of the Locust
Parenthood- Writer
- Producer
- Director
Born on October 16, 1947 in Milwaukee, Wisconsin, USA, director/writer/producer David Zucker, along with brother Jerry (Ghost, 1990) Zucker and longtime friend, Jim (Hot Shots, 1991) Abrahams, has established himself among Hollywood's (or at least Wisconsin's) most successful filmmakers.
Starting out after college, with a borrowed video tape deck and camera, the soon to be legendary trio created the Kentucky Fried Theater, on the UW Madison campus, and moved to California in 1972, quickly becoming the most successful small theater group. in Los Angeles history. After parlaying this success into The Kentucky Fried Movie, the three conceived the idea that would create a whole new film genre. Airplane! (1980) broke all conventions, featuring dramatic actors like Robert Stack and Leslie Nielsen performing zany jokes with straight-laced sincerity. The spoof became the surprise hit of 1980, beginning a streak of hilarious movies including Top Secret! (1984) and Ruthless People (1986), after which David branched out on his own to direct The Naked Guns (1988, 1991, 1994), BASEketball (1998), Scary Movies 3 (2003), and 4 (2006), and others.
David also found time to produce the successful, but somewhat less hilarious A Walk in The Clouds (1995) and Phone Booth (2002), and recently completed a feature script, The Star of Malta, a comedy set in the Film Noir era, and an international spy thriller, "Counter Intellijence!".
Outside of the entertainment world, David has been a prominent advocate of environmental causes, having served on the board of TreePeople, an LA based organization committed to promoting community based tree planting and ecological solutions. David has worked closely with founder Andy Lipkis, taking a major role in charting the direction of the organization, and while doing so, receiving numerous honors, including the annual Evergreen Award.An Inconvenient Truth
O.J.: Made in America- Writer
- Producer
- Director
Jim Abrahams was born on 10 May 1944 in Shorewood, Wisconsin, USA. He is a writer and producer, known for Airplane! (1980), Top Secret! (1984) and Hot Shots! (1991). He is married to Nancy Cocuzzo.Coming to America- Writer
- Director
- Editor
Jack Hill, sometimes referred to as a legendary cult-film director, grew up around movies--his father was a set designer for Warner Brothers since 1925, and later for Walt Disney Studios, where he eventually designed the Disneyland Castle. Jack went to the University of California to study film, where he was a classmate of Francis Ford Coppola--they worked together on student productions and later both apprenticed with Roger Corman, working on The Terror, among other films. While Coppola went on to Oscardom, Jack continued with low-budget exploitation films, several of which were highly profitable, especially The Big Doll House, which initiated the short-lived women-in-prison genre. His so-called "blaxploitaton" films Coffy and Foxy Brown were major hits. Nowadays his films are hailed as cult classics, thanks primarily to Quentin Tarantino, who saw Jack Hill's work as it made its way to video, with almost all of his films now available for viewing on various streaming channels as well as DVD releases.Jackie Brown- Director
- Actor
- Second Unit Director or Assistant Director
Enzo G. Castellari was born on 29 July 1938 in Rome, Lazio, Italy. He is a director and actor, known for Light Blast (1985), Warriors of the Wasteland (1983) and The Big Racket (1976). He has been married to Mirella since 17 December 1961. They have two children.Inglourious Basterds- Director
- Editor
- Producer
Monte Hellman was born on July 12, 1929, in New York City, where his parents were visiting, but he grew up in Los Angeles. He studied drama at Stanford University--on an NBC scholarship--and film at UCLA. After a few years directing in summer theater, Hellman hooked up with legendary "B" movie producer Roger Corman in the late 1950s. Corman helped finance Hellman's production of "Waiting For Godot", the the first time that Samuel Beckett's play had been staged in Los Angeles; the Los Angeles Times said it was "directed with wisdom, devotion and perception." Hellman made his film directorial debut with Beast from Haunted Cave (1959) and directed portions of Corman's The Terror (1963).
Hellman joined forces with frequent collaborator Jack Nicholson for two pictures shot back-to-back in the Philippines: Back Door to Hell (1964) and Flight to Fury (1964), then re-teamed with Nicholson for two existential westerns filmed in Utah under similar conditions: The Shooting (1966) and Ride in the Whirlwind (1966). After editing several films for Corman, including The Wild Angels (1966), Hellman directed what many consider to be his best work, Two-Lane Blacktop (1971), which starred Warren Oates and featured singer James Taylor and The Beach Boys' drummer Dennis Wilson in dramatic roles. It was included in the National Film Registry of the Library of Congress in 2012.
Hellman's next film was Cockfighter (1974), an adaptation of Charles Willeford's novel, also starring Oates. Hellman collaborated with the actor once more on the European western China 9, Liberty 37 (1978). After completing Avalanche Express (1979) following the death of its original director, Mark Robson. Hellman made Iguana (1988) and the darkly humorous Silent Night, Deadly Night 3: Better Watch Out! (1989).
Hellman's work was a major influence on Quentin Tarantino, and he served as executive producer on Tarantino's directorial debut, Reservoir Dogs (1992). After a lengthy absence from the screen, he returned to directing with the short Stanley's Girlfriend (2006), included in the horror anthology Trapped Ashes (2006), and the feature film Road to Nowhere (2010), which won a Special Golden Lion at Venice: the award was presented by jury president Tarantino, who introduced Hellman as "a great cinematic artist and a minimalist poet".
Hellman was one of 70 directors asked to contribute a 90-second movie to _Venice 70: Future Reloaded (2013), which opened the 70th Venice Film Festival in 2013. His latest project is "Love or Die", which is scheduled to commence shooting in Lisbon, Portugal, in March 2014.
-------------- Biography by Woodyanders. Corrected by A. Nonymous. Revised, corrected and updated by Brad Stevens, author of 'Monte Hellman: His Life and Films', in 2014. Corrected by A. Nonymous.Inglourious Basterds- Writer
- Director
- Second Unit Director or Assistant Director
Sergio Sollima was born on April 27, 1921 in Rome, Italy. Like many of his colleagues, he began his career as a film critic before gaining entry into the movie industry as a screenwriter. After authorizing a number of book volumes on film history, Sollima used his contacts to began his career as a script writer and assistant director.
His early writing career includes penning a number of scripts for Italian-produced "sword-and-sandal" fantasy sagas like Ursus (1961) (The Mighty Ursus), Goliath contro i giganti (1961) (Goliath Against the Giants), and I dieci gladiatori (1963) (The Ten Gladiators). Working on pepla, Sollima also did double duty as both a writer and assistant director, working for various film directors such as Gianfraco Parolini and Domenico Paolella, filming action scenes as an 2nd unit director. This provided Sollima with invaluable experience and he was soon able to move into the director's chair with ease.
Although best known as a director of a few Spaghetti Westerns or Italo-Westerns alongside two other 'Sergio' directors whom include Sergio Leone and Sergio Corbucci, Sollima excelled at a number of different genres. After testing waters with the short film La Donne for the comedy L'amore difficile (1962) (Of Wayward Love), Sollima helmed a trio of spy films designed to capitalize on the popularity of the British produced James Bond film series. Sollima wrote the scripts to the first two films, Agente 3S3: Passaporto per l'inferno (1965) (Agent 3S3: Passport to Hell), and Agente 3S3, massacro al sole (1966) (Agent 3S3: Massacre in the Sun) on the condition that he would direct them personally. The films were shot back to back with Sollima credited under the pseudonym 'Simon Sterling'.
Sollima's third spy film, Requiem per un agente segreto (1966) was a far out more ambitious project that is seen as a re-working of the James Bond films. Here, Sollima peels away from the suave and sophisticated exterior of Bond by portraying the Italian spy Bingo (played by Stewart Granger) as a cold and sadistic thug.
The following year, Sollima made what some Spaghetti Western fans would say as one of the best Italo Western films ever which was La resa dei conti (1966) (The Big Gundown) which the director sought to transcend the traditional limits of the genre by capitalizing on the political aspects of the story. The central clash of the story is that a falsely accused Mexican peasant (played by Tomas Milian) and a corrupt businessman (played by Walter Barnes) was much broader in implication which Sollima compared to either an American solider to a Viet Cong, or a British Army officer against an African native youth. He also took a shot with comparing to the Sergio Leone westerns that audiences with sympathize better with Milian's character than a "cold and remote superhero like Clint Eastwood."
After the international success of The Big Gundown, Sollima made another Western which was Faccia a faccia (1967) (Face to Face), which Sollima claims it to be his personal favorite. Sollima claims that Face to Face was born from the idea that people change from good to bad or bad to good when they find themselves in exceptional circumstances where the role reversal of a bandit to a schoolteacher and vice versa.
Sollima's final Western was Corri uomo corri (1968) (Run Man Run) which was an indirect sequel to The Big Gundown in which featured Tomas Milian returning to his role as Cuchillo. Although entertaining and action packed, Run Man Run did not match the popularity of the first film and was never released internationally outside Italy. Its limited success motivated Sollima to explore different genres and his next picture was Città violenta (1970) transported the themes and concerns of his Westerns to an urban contemporary setting in Milan, Italy. Released as Violent City in the USA, the film featured Charles Bronson, Jill Ireland and Telly Savalas in a complex and serpentine story of betrayal and brutal vengeance. Despite its commercial success, Sollima had at this point grown tired of staging elaborate action scenes and in 1972 he directed the low-key, psychological mystery Il diavolo nel cervello (1972) (A Devil in the Brain). Sollima clashed with his producers who wanted to market the film as a fast-paced giallo and he later blamed the pictures misleading advertising for its disappointing box office returns.
Sollima returned to directing crime thrillers (poliziotteschi) with Revolver (1973) which starred Oliver Reed and Fabio Testi. Transporting the basic premise and character of The Big Showdown to a modern urban setting, Sollima also added a darker spin to the classic story of corruption and betrayal. The final film, with its uncompromisingly grim finale, is Sollima's most highly politicized work to date.
Throughout the late 1970s and early 1980s, Sollima worked almost exclusively for television, finding success with a mini-series of feature films which included "Sandokan" (1976), a desert adventure series based on a series of pulp fiction novels by Emilio Salgari. He briefly returned to the big screen with directing a feature film of the Sandokan series and then directed the action thriller Berlin '39 (1993). His latest TV film series "Il figlio di Sandokan" (1998) (Son of Sandokan) never aired, after which at age 77, Sollima retired from film making.
Sergio Sollima died on July 1, 2015 at his home in Rome, Italy at age 94 of undisclosed causes.Inglourious Basterds- Writer
- Director
- Actor
Sergio Corbucci was born on December 6, 1926, in Rome, Italy. He entered grade school with thoughts of becoming a businessman, but after earning a college degree in economics he took an abrupt detour into the world of cinema. Corbucci began his career as a film critic, first for the Italian film journal magazine "Schermi del Mondo" and later for the US Army newspaper "Stars and Stripes" during World War II.
Corbucci made his directorial debut with Salvate mia figlia (1951) and quickly made a name for himself as a capable and efficient filmmaker. His ability to make large-scale action sequences with a minimal budget kept him in demand as an assistant director as well. It was on one such assignment, while filming with a second unit in Spain for friend and director Sergio Leone on The Last Days of Pompeii (1959), that Corbucci claims that the idea for the so-called "spaghetti western" was born. Seeing the landscape of Spain with its wild horses, extraordinary canyons and semi-desert landscapes--which looked a lot like Mexico or Texas--Corbucci suggested making an American Wild West-themed film in Spain. He then directed his first western in Spain just before Leone completed the ground-breaking A Fistful of Dollars (1964).
Corbucci found early success in Italy by directing films in a number of different genres, as disparate as Totò, Peppino e... la dolce vita (1961)--a slapstick comedy spoof of Federico Fellini's box-office hit La Dolce Vita (1960)--as well as Duel of the Titans (1961) (aka "Duel of the Titans") and Goliath and the Vampires (1961). He also wrote screenplays for a few seminal horror films, such as Castle of Blood (1964) starring Barbara Steele, which he also co-directed. However, it was his Massacre at Grand Canyon (1964) that began a new path to his career to direct more spaghetti westerns. "Massacre at Grand Canyon"--which Corbucci co-directed, under the pseudonym Stanley Corbett. with Albert Band--differed little from the American westerns of that time, but his subsequent films would set a new and bold standard for on-screen violence and establish him as one of the most influential Italian directors of the Spaghetti Western.
Minnesota Clay (1964), starring Cameron Mitchell, was Corbucci's next film in the genre and and his first Spaghetti Western to be distributed in the US under the director's own name. It was a moderate success, but Corbucci's next Spaghetti Western would break box-office records worldwide and brand his name in Western history alongside Sergio Leone. "A Fistful of Dollars' may have sparked the international popularity of the Spaghetti Western, but Corbucci's Django (1966) brought an entirely new level of style to the genre. The ultra-violent masterpiece not only signaled a move toward an even grittier and more nihilistic brand of Western, but it picture established a lasting relationship between Corbucci and the film's star, Franco Nero.
After the success of "Django", Corbucci embarked on a trail of directing more Italian Western films and quickly became one of the more prolific filmmakers in the genre. His subsequent Spaghetti Westerns, Ringo and His Golden Pistol (1966) (Johnny Oro), The Hellbenders (1967) (Hellbenders) and Navajo Joe (1966) were filmed and released in quick succession to great success in Italy. His next Western was The Great Silence (1968), which referred to Django as an "anti-Western" with the hero moving through cold rather than heat and fighting in the mud and snow rather than sweat and dust. It starred Jean-Louis Trintignant as a mute gunslinger and Klaus Kinski as a sadistic bounty hunter. The innovative script, which was co-written by Corbucci, makes great use of mountain locations (it was filmed in northern Italy in the snow-covered area of Cortina), and showed Corbucci edging close to the new type of political Westerns he is best known for.
His next Western film was The Mercenary (1968), which would began his semi-genre with what he called the "Zapata-Spaghetti Westerns" or proletarian fables, where the bad guys are on the right and the good guys are on the left. By setting the story in Mexico and fleshing out his characters with political awareness, Corbucci's intent became more clear and his left-wing political statements became more explicit. After directing the semi-successful The Specialists (1969), Corbucci re-teamed up with Franco Nero again with Compañeros (1970), which was his last box-office success and stands as one of the most accomplished Spaghetti Westerns, with a combination of humor, pathos, comic book-style action, and political commentary.
During the 1970s Corbucci made three more Spaghetti Westerns, but the popularity of the genre began to die out. Of the three, only Sonny and Jed (1972) stands out as one of the best in the late series genre Italian Westerns as a Bonnie & Clyde type fable. What Am I Doing in the Middle of a Revolution? (1972) is almost a parody of his Zapata-Spaghetti Westerns, while The White, the Yellow, and the Black (1975) is married by racial stereotypes of Japanese characters and was not well received.
By the late 1970s, with the era of Spaghetti Westerns over, Corbucci turned his film making career to comedy and found some success with, The Con Artists (1976) and Super Fuzz (1980). He continued to work off and on during the 1980s with comedies, until his death from a sudden heart attack on the late evening of December 1, 1990 at age 63. His last film was the made-for-Italian-TV-movie Donne armate (1991), which was completed a few months before his death as his health was starting to fail. Sergio Corbucci is remembered for revolutionizing the Spaghetti Western genre which was popularized by his friend Sergio Leone, who passed away a little over a year before Corbucci.Django Unchained
Once Upon a Time in Hollywood- Cinematographer
- Director
- Producer
Joseph Vilsmaier was born on 24 January 1939 in Munich, Bavaria, Germany. He was a cinematographer and director, known for Stalingrad (1993), The Harmonists (1997) and Brother of Sleep (1995). He was married to Dana Vávrová and Hanna Vilsmaier. He died on 11 February 2020 in Munich, Bavaria, Germany.The Periwig-Maker- Actor
- Producer
- Director
Stanley Lloyd Kaufman never really wanted to make movies, he wanted to work in Broadway musicals. During his years in Yale he was introduced to "B" pictures and the works of Roger Corman. Lloyd later got the opportunity to executive-produce a short movie made by a fellow student. The film, called "Rappacini", got him even more interested in movies. He bought his own camera and took it with him to Chad, Africa, were he spent his summer. There, he shot a 15-minute film of a pig being slaughtered. That was his first movie, and was the birth of what was later to become known as Troma Films. He showed the footage of the squealing pig being killed to his family, and their reaction to it made him wonder if making movies that shocked audiences would keep them in their seats to see what would happen next.
He wanted to be a director right then and there, so he got a couple of friends at Yale and made his second movie, The Girl Who Returned (1969). People loved it, and he went straight to work on other films, helping out on projects like Joe (1970), Rocky (1976) and Saturday Night Fever (1977).
Lloyd put in a lot of long, hard hours in the film business, just to be in the credits and to get money for his next project, a full-length feature. It was a tribute to Charles Chaplin, Harold Lloyd and the classic era of silent-film comedy. Even though Lloyd hated the movie when it was completed, people seemed to love it. He formed a studio called 15th Street Films with friends and producers Frank Vitale and Oliver Stone. Together, they made Sugar Cookies (1973) and Cry Uncle (1971), directed by John G. Avildsen. A friend from Yale, Michael Herz, saw Lloyd in a small scene in "Cry Uncle" and contacted him to try to get into the film business. Kaufman took Herz in, as the company needed some help after Oliver Stone quit to make his own movies. Michael invested in a film they thought would be their biggest hit yet, Schwartz: The Brave Detective (1973) (aka "Big Gus, What's the Fuss?"). It turned out to be a huge flop and 15th Street Films was ruined. Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture.
Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor. They were introduced to Joel M. Reed, who had an unfinished movie called "Master Sardu and the Horror Trio". The film was re-edited and completed at Troma Studios (which consisted of just one room) during 1975, re-titled and released in 1976 as Blood Sucking Freaks (1976) (aka "Bloodsucking Freaks"). It was enough of a success to enable them to pay the rent so they wouldn't lose the company.
Lloyd later got a call from a theater that wanted a "sexy movie" like The Divine Obsession (1976), but about softball (!). The resulting film, Squeeze Play (1979), used up all the money Troma had earned from "Bloodsucking Freaks" and, as it turned out, no one wanted to see it--not even the theater owner who wanted it made in the first place (he actually wanted a porno movie). Just when things looked their darkest, they got a call from another theater which was scheduled to show a film, but the distributor pulled it at the last minute. Troma rushed "Squeeze Play" right over, and it turned out to be a huge hit. Lloyd, Michael and Troma eventually made millions from it, and had enough money to buy their own building (which remains as Troma Headquarters). Troma then turned out a stream of "sexy" comedies-- Waitress! (1982), The First Turn-On!! (1983), Stuck on You! (1983)--but there was a glut of "T&A" films on the market. Lloyd noticed that a lot of comedies were being made and decided to make one, but much different than the rest. After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later re-titled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map.
Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma has distributed over 1000 films. Lloyd has continued his career as a director in addition to producing, and Troma has turned out such films as Monster in the Closet (1986), Class of Nuke 'Em High (1986), Combat Shock (1984), Troma's War (1988), and Fortress of Amerikkka (1989), and Poultrygeist: Night of the Chicken Dead (2006), which follows an army of undead chickens as they seek revenge on a fast food palace.Joe
Rocky
Saturday Night Fever
Guardians of the Galaxy
The Suicide Squad
Guardians of the Galaxy Vol. 3- Music Artist
- Writer
- Actor
Robert Bartleh Cummings, more famously known as Rob Zombie, was born in Haverhill, Massachusetts on January 12, 1965. He is the oldest son of Louise and Robert Cummings, and has a younger brother, Michael David (aka Spider One; b. 1968), who is the lead singer of Powerman 5000. Growing up, Zombie loved horror movies, which have greatly influenced his music and filmmaking career; in 1983, he graduated from Haverhill High School. After graduating, he moved to New York City to attend Parsons School of Design, also briefly working as a production assistant on Pee-wee's Playhouse (1986).
Zombie and his then-girlfriend, Sean Yseult, co-founded the band White Zombie, named after the Bela Lugosi classic horror film of the same name (White Zombie (1932)). The band released their debut studio album, 'Soul-Crusher', in 1987; their second, 'Make Them Die Slowly', followed in 1989, but generated little buzz.
Following the release of their fourth extended play, however, White Zombie caught the attention of Geffen Records, who in 1992 went on to release their third studio album, 'La Sexorcisto: Devil Music Volume One'. This album sold over two million copies in the U.S., becoming the band's breakout hit. White Zombie's fourth and final album, 'Astro-Creep: 2000 - Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head', was released in 1995 to critical and commercial success, ultimately becoming their most successful album. The band released a remix album in 1996 and disbanded the same year, officially breaking up in 1998.
Rob Zombie began working on a debut album in 1997; 'Hellbilly Deluxe: 13 Tales of Cadaverous Cavorting Inside the Spookshow International' came out in 1998, selling over three million copies. Zombie formed his own record label, Zombie-A-Go-Go Records, in 1998.
Zombie composed the original score for the video game Twisted Metal III (1998) and designed a haunted attraction for Universal Studios in 1999. In 2000, he began working on his directional debut, House of 1000 Corpses (2003). Inspired mainly by classics such as The Texas Chain Saw Massacre (1974), the film was delayed until 2003 due to distributional issues. Though criticized for its explicit depictions of violence and gore, it went on to gross over $16 million and has garnered a cult following.
Zombie's second studio album, 'The Sinister Urge', was released in 2001 and sold over a million copies. In 2002, he married his longtime girlfriend Sheri Moon Zombie, who has appeared in all of his movies to date and often accompanies him on tour to choreograph dance routines and create costumes. Zombie released a sequel to 'House of 1000 Corpses' in 2005, entitled The Devil's Rejects (2005). Although it received much more positive reviews than its predecessor, it was still criticized for its violent content. He released his third studio album, 'Educated Horses', the following year.
In 2007, Zombie decided to focus on his work as a filmmaker for a while; the same year, he would release his most polarizing movie to date: Halloween (2007), a remake of the 1978 classic of the same name (Halloween (1978)). It received a mixed reception, but was a box office hit, and still currently resides as the top Labor Day weekend grosser. Zombie directed a fictitious trailer entitled 'Werewolf Women of the SS' (inspired by the exploitation flick Ilsa: She Wolf of the SS (1975)) for Grindhouse (2007). In 2009, Zombie directed Halloween II (2009), which was critically panned, and The Haunted World of El Superbeasto (2009), which was based upon one of his comic book series.
Also in 2009, Zombie began working on a new album; 'Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool' came out the following year. In 2011, he directed a horror-themed commercial for Woolite, and began work on a new film, The Lords of Salem (2012). Unlike Zombie's previous efforts, 'The Lords of Salem' focused more on building suspense and a nightmarish, surreal atmosphere and less on brutal violence and excessive profanity. It ultimately received mixed reviews; just after its release, Zombie came out with his fifth studio album, 'Venomous Rat Regeneration Vendor', his lowest-selling to date.
Zombie lent his voice to the superhero movie Guardians of the Galaxy (2014). He also began work on 31 (2016), which tells the story of five carnival workers who are trapped and forced to fight for survival against a gang of murderous clowns. It premiered at the 2016 Sundance Film Festival in January, and will be released in September. In April, Zombie's sixth studio album, 'The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser', was released. Additionally, he has signed on to direct a film on the life of zany comic Groucho Marx, though a release date is uncertain.
Zombie is most recognized for his heavy metal style of music, influenced by his love of classic horror, and his exploitation/splatter-type movies. Overall, he has sold an estimated fifteen million albums worldwide, and his films have grossed over $150 million in total.The Matrix
Guardians of the Galaxy
Guardians of the Galaxy Vol. 2- Actor
- Director
- Writer
He recently directed the action film Blackout which stars Josh Duhamel, Nick Nolte and Abbie Cornish. In 2019 he wrote and directed the feature film Guest House. In 2018 he directed the VR action sequences with Keanu Reeves for John Wick 3. From 2014 to 2016 he worked for The Walt Disney Company. He wrote and directed viral videos for M&M's, Windex, AT&T, Canon Cameras, JCPenney, Hot Wheels, Sony Pictures, Pepsi, Disney, the NFL, and many more. Sam got his start in the entertainment industry by directing music videos for MCA/Universal Records when he was 18. Around that time he created and sold a television series to MTV. Macaroni Executive Produced a one-hour comedy special for Showtime starring Steve-O (Jackass), and directed a one-hour comedy special for Jay Mohr. Sam lives in the world of today's mass youth and pop culture marketplace, which makes him uniquely situated to deliver content to this fast changing environment. He has a passion for strong narrative driven content.The Jungle Book (2016 film)- Director
- Producer
- Writer
Mark Waters grew up in South Bend, Indiana, USA. His first film, The House of Yes, debuted at the Sundance Film Festival in 1997. He is a director and producer, known for Mean Girls (2004), 500 Days of Summer (2009) and He's All That (2021). He has been married to Dina Spybey-Waters since November 10, 2000.Requiem for a Dream- Writer
- Director
- Actor
Alejandro Jodorowsky was born in Tocopilla, Chile on February 17, 1929. In 1939 he moved to Santiago where he attended university, was a circus clown and a puppeteer. In 1953 he went to Paris and studied mime with Marcel Marceau. He worked with Maurice Chevalier there and made a short film, La cravate (1957). He also befriended the surrealists Roland Topor and Fernando Arrabal, and in 1962 these three created the "Panic Movement" in homage to the mythical god Pan. As part of this group Jodorowsky wrote several books and theatrical pieces. In the later 1960s he directed avant-garde theater in Paris and Mexico City, created the comic strip "Fabulas Panicas", and made his first "real" film, the surrealist love story Fando and Lis (1968), based on a play by Arrabal. In 1971, El Topo (1970) was released and became a cult classic, as did The Holy Mountain (1973). In 1975 he returned to France to begin work on a film that was never made: a colossal adaptation of Frank Herbert's "Dune", which was to star Orson Welles, Salvador Dalí and others, was to be scored by Pink Floyd, and which brought together the visionary talents of H.R. Giger, Dan O'Bannon, and 'Jean "Moebius' Giraud' (Giger and O'Bannon later collaborated on Alien (1979).) The project's financiers backed out, and "Dune" was eventually filmed by David Lynch. Jodorowsky's next film was 1979's Tusk (1980), a story of a young girl's friendship with an elephant, which quickly faded into obscurity. In the early 1980s he began working with Moebius and other artists on various comic strips, graphic novels and cartoons, and wrote several more books. He returned to film with 1989's Santa Sangre (1989), which was critically acclaimed and widely distributed. In 1990 he directed Omar Sharif and Peter O'Toole in the fantasy film The Rainbow Thief (1990). Throughout the 1990s he continued to produce cartoons with a variety of graphic artists and is reportedly to begin work on another film, the long-awaited "Sons Of El Topo", sometime in 2002 or 2003. Jodorowsky's wife Valerie and sons Brontis, Axel and Adan have all at times appeared in his films.Drive- Actor
- Writer
- Director
Growing up in Baltimore in the 1950s, John Waters was not like other children; he was obsessed by violence and gore, both real and on the screen. With his weird counter-culture friends as his cast, he began making silent 8mm and 16mm films in the mid-'60s; he screened these in rented Baltimore church halls to underground audiences drawn by word of mouth and street leafleting campaigns. As his filmmaking grew more polished and his subject matter more shocking, his audiences grew bigger, and his write-ups in the Baltimore papers more outraged. By the early 1970s he was making features, which he managed to get shown in midnight screenings in art cinemas by sheer perseverance. Success came when Pink Flamingos (1972) - a deliberate exercise in ultra-bad taste - took off in 1973, helped no doubt by lead actor Divine's infamous dog-crap eating scene.
Waters continued to make low-budget shocking movies with his Dreamland repertory company until Hollywood crossover success came with Hairspray (1988), and although his movies nowadays might now appear cleaned up and professional, they retain Waters' playfulness, and reflect his lifelong obsessions.Sweet and Lowdown
All the Beauty and the Bloodshed- Director
- Producer
- Cinematographer
Chris Smith was born in 1970. He is known for Tiger King (2020), Fyre (2019) and Jim & Andy: The Great Beyond (2017).Finding Vivian Maier- Producer
- Director
- Actress
Leni Riefenstahl's show-biz experience began with an experiment: she wanted to know what it felt like to dance on the stage. Success as a dancer gave way to film acting when she attracted the attention of film director Arnold Fanck, subsequently starring in some of his mountaineering pictures. With Fanck as her mentor, Riefenstahl began directing films.
Her penchant for artistic work earned her acclaim and awards for her films across Europe. It was her work on Triumph of the Will (1935), a documentary commissioned by the Nazi government about Adolf Hitler and the Third Reich, that would come back to haunt her after the atrocities of World War II. Despite her protests to the contrary, Riefenstahl was considered an intricate part of the Third Reich's propaganda machine. Condemned by the international community, she did not make another movie for over 50 years.The Last Days- Director
- Producer
- Additional Crew
Patricia Riggen was born on 2 June 1970 in Guadalajara, Jalisco, Mexico. She is a director and producer, known for The 33 (2015), La milpa (2002) and Under the Same Moon (2007). She is married to Checco Varese. They have one child.Four Good Days- Stunts
- Second Unit Director or Assistant Director
- Actor
Began as an actor in Kurt Russell-Disney Films in 1974. Made the switch to the Stunt world following a successful career as a junior pro surfer. Born, bred, and resided in Malibu. Many, many stunts later, David made the promotion to Stunt Coordinator in 1978 on Invasion of the Body Snatchers (1978). Coordinating TV and films all over the world brought him up to the position of 2nd Unit Director on Gorky Park (1983). "Action" movies proceeded to explode along with David's career. Befriending Harrison Ford, two of David's most notable 2nd units were Patriot Games (1992) and Clear and Present Danger (1994). As shown in Filmography, he worked back-to-back until the break from Disney, offering to 1st unit Direct the feature, Homeward Bound II: Lost in San Francisco (1996). Directorial debut grossed over $100 Million. Completed two features for 1997, Desperate Measures (1998) & Sphere (1998) with Barry Levinson.Rocky III
Lethal Weapon
Fatal Attraction
Anna
Days of Thunder
Misery
The Addams Family
Beethoven's 2nd
Waterworld
The Perfect Storm
Harry Potter and the Sorcerer's Stone
Master and Commander: The Far Side of the World- Cinematographer
- Camera and Electrical Department
- Writer
Ron Fricke is known for Samsara (2011), Baraka (1992) and Star Wars: Episode III - Revenge of the Sith (2005).The Living Sea
Star Wars: Episode III - Revenge of the Sith- Producer
- Writer
- Director
Filmmaker Len Wiseman's career began through his work in the art department on the blockbuster hits like Godzilla (1998), Men in Black (1997), and Independence Day (1996). His design talents soon got him behind the camera directing commercials for PlayStation, Time Warner, Oracle, Intel, and Activision, and quickly lead to work in music videos. Len received numerous award nominations, including Best Art Direction at the 2002 MTV Awards for Quarashi's Gargandi snilld (2005) (aka Stick 'Em Up) and Best Director at the 2002 MVPA Awards for the Rufus Wainwright video "Across the Universe." In addition, Wiseman directed music videos for Megadeth, En Vogue, Static-X, Paul Oakenfold and Brooke Allison.Independence Day
Men in Black- Director
- Producer
- Writer
Steve Barron started in films as a camera assistant on epic productions such as Richard Donner's 'Superman', Richard Attenborough's 'A Bridge Too Far' and Ridley Scott's The Duellists (1977). He began directing music videos in the early eighties for The Jam, Human League, and Adam & the Ants, his work helping to inspire the formation of MTV. In 1982 he conceived and directed the award winning 'Billie-Jean' - the first single of Michael Jackson's incredible 'Thriller' album. More seminal videos followed. Dire Straits' 'Money for Nothing' won Best Video at the 1986 MTV Awards and A-Ha's 'Take On Me' was awarded Best Director.
Steve's debut feature film was the music-led romantic comedy 'Electric Dreams' starring Virginia Madsen, released worldwide in 1984.
In 1987 his foray into network television won an Emmy for 'Hans My Hedgehog' - the 'Jim Henson - Storyteller' pilot for NBC. His second show 'Fearnot' gained immense critical acclaim after broadcast in 1987, while a third, 'Sapsorrow', broadcast in 1988, was similarly revered. The Washington Post said of 'Fearnot' - "This fantasy turns the television screen into Alice's looking glass, Snow White's magic mirror and The Thief of Baghdad's all-seeing eye. It is so seductively imaginative that you can almost feel it pulling you into a bottomless tube".
In 1990 Steve's second movie stunned the movie industry by becoming the first independent feature to break the 100 million-dollar theatrical barrier in the U.S. 'Teenage Mutant Ninja Turtles' grossed over 350 million dollars worldwide. A Grammy nomination followed for Dire Straits' 'Calling Elvis' and the Billboard Best Director award for Natalie Cole's 'Unforgettable' duet with her father, which reached No.1 across the world, selling over 12 million albums on the way.
In the mid-nineties Steve directed the Dan Ackroyd feature 'Coneheads' for Paramount and he was Executive Producer on the Sylvester Stallone, Sharon Stone picture 'The Specialist', and the highly successful 'While You Were Sleeping' starring Sandra Bullock and Bill Pullman. He was also Executive Producer on 'ReBoot', the first fully computer animated network series.
In 1996 he directed 'The Adventures of Pinocchio', starring Oscar winner Martin Landau and Jonathan Taylor Thomas. Alexander Walker said in the London Evening Standard "Director Steve Barron's blend of human stars with the eponymous animatronic wooden hero has produced an amazing movie rooted in timeless fairyland but incorporating state-of-the-art wizardry.... The inventiveness lasts through the fable: it really is something to goggle at, whatever your age." Responses across the Atlantic in the U.S. were equally warm. The Washington Post wrote of the film, "The Adventures of Pinocchio evokes the look and language of traditional European picture book tales, and does so with so much charm that it offers a fresh new delight, not just a pale live-action imitation, of the Disney animated classic."
In autumn 1998, Steve directed 'Merlin', a $30 million television mega-series produced by Hallmark for NBC in America. Merlin attracted a stellar cast including Sam Neill, Helena Bonham-Carter, Miranda Richardson, Isabella Rossellini, Martin Short, Alan Bates, Sir John Geilguid and Rutger Hauer. In the US alone 58 million people tuned in to watch 'Merlin' and the critical reaction was overwhelmingly positive. Entertainment Weekly wrote... "Merlin cast a new spell on history posting the highest ratings in adults 18-49 since 1984... the result is nothing less than an instant classic - a four -hour TV movie that deserves to be shown annually, the way it used to be a tradition to broadcast 'The Wizard of Oz' every year. It's that good - that scary, that rich, that much fun."- 'Merlin' was nominated for 15 Emmy's, 4 Golden Globes and a DGA nod for outstanding Directing.
In 1999 Steve completed 'Arabian Nights', this time for the ABC network in America. Photographed in Turkey and Morocco its stars include Alan Bates, Jason Scott Lee, John Leguizamo, Dougray Scott and Rufus Sewell. The show aired to rave notices on ABC TV in the USA and BBC1 in the UK simultaneously, earning 5 more Emmy and a US National Television Critics nomination.
In October 2000 the Universal movie 'Rat' had it's theatrical premiere in Dublin. This dark comedy, co-produced and directed by Steve Barron, is the bizarre story of a Dublin man who comes home from the pub one day 'not feeling very well' and turns into a rat. Starring Imelda Staunton and Pete Postlethwaite the Irish press greeted the film with an ecstatic response. Brian Reddin of the Dublin Evening Herald said - "To miss this superb surreal comedy would be to miss one of the greatest Irish films ever made and perhaps the funniest."
Steve's next comedy was 'Mike Bassett-England Manager' a spoof documentary feature film starring Ricky Tomlinson as the national soccer coach. The film had a wide UK theatrical release in November 2001, through the government funded Film Council and Entertainment distributors, taking $6m and charting at number three in it's first four weeks.
Next was a $24m American Indian mini-series epic for ABC and Hallmark. 'Dreamkeeper' is the first big scale attempt to bring to life the myth's and legends of the Native American people. Tribes all across the United States were consulted and ninety-five speaking roles all cast with Native people. The production won Steve a Gold for Directorial Achievement at the Chicago International TV Festival and an Emmy for best visual effects.
In 2005 Steve wrote and directed the New York based independent feature film 'Choking Man' starring Mandy Patinkin and Aaron Paul. The contemporary feature follows the fortunes of an acutely shy Ecuadorian dishwasher. Set in an old traditional diner in Jamaica, Queens the movie's backdrop is the largest, most diverse immigrant population in North America.
Steve was presented with an 'Outstanding Achievement in Music Videos' award at the Hammersmith Palais in London. 2007 also brought a prestigious Gotham Award for his first original screenplay Choking Man. Through these years Steve Exec-Produced two feature documentaries for 'Peace One Day' and 'The Day After Peace' with Jude Law and Angelina Jolie, which premiered at the Edinburgh Film Festival and Cannes respectively. The film charts Jeremy Gilley's incredible journey to create a day of peace in the world calendar.
2009 Steve directed the Sci-Fi internet sensation Slingers, starring Sean Pertwee, with visual effects by the acclaimed company he was a founder of, Framestore. 2011 he Directed the miniseries Treasure Island, for Sky and SyFy, starring Eddie Izzard, Elijah Wood and Donald Sutherland. Filmed in Dublin and Puerto Rico Steve kept up his unbroken Emmy Nomination sequence for television with two more Emmy nods.
Steve completed the Artificial Intelligence thriller mini-series for Sonar Entertainment - 'Delete' premiering in 2013. Through Riley Productions he has signed a development deal with the British Film Institute to make a sequel to his now cult 'Mike Bassett' soccer movie.Superman- Director
- Writer
- Second Unit Director or Assistant Director
David Hogan was born on 14 August 1948 in Memphis, Tennessee, USA. He is a director and writer, known for Barb Wire (1996), Batman Forever (1995) and Life in a Basket (2003).Batman Forever- Producer
- Director
- Additional Crew
Douglas Eric Liman is a Jewish-American filmmaker and producer who directed Swingers, The Bourne Identity, Chaos Walking, Jumper, Go, Mr. & Mrs. Smith, Fair Game, Locked Down, Edge of Tomorrow, The Wall and American Made. He executive produced the Bourne sequels except The Bourne Legacy, The Phantom and The Killing Floor.Away from Her
The Bourne Ultimatum- Special Effects
- Make-Up Department
- Visual Effects
Stephen Norrington is a British filmmaker from London who is known for directing the Marvel vampire film Blade starring Wesley Snipes and the 20th Century Fox action fantasy film The League of Extraordinary Gentlemen starring Sean Connery. He provided visual effects for several films. After League of Extraordinary Gentlemen, he retired from filmmaking.Greystoke: The Legend of Tarzan, Lord of the Apes
Return to Oz
Young Sherlock Holmes
Aliens
Alien³- Director
- Producer
- Writer
Bill Norton was born on 13 August 1943 in Los Angeles County, California, USA. He is a director and producer, known for Buffy the Vampire Slayer (1997), Tour of Duty (1987) and Cisco Pike (1971). He was previously married to Rosanna Norton.The Fortune Cookie- Director
- Choreographer
- Producer
Kenny Ortega was born on 18 April 1950 in Palo Alto, California, USA. He is a director and producer, known for High School Musical 3: Senior Year (2008), Michael Jackson's 'This Is It': Auditions - Searching for the World's Best Dancers (2010) and Descendants 3 (2019).One from the Heart
Dirty Dancing
Quest for Camelot- Stunts
- Actor
- Second Unit Director or Assistant Director
Prolific American stunt man and occasional small part actor, formerly billed as Wayne Van Horn. The son of a veterinarian who ministered to animals at Universal studios, he first worked as a horse wrangler following a stint in the U.S. Army. This earlier expertise as a rider served him well after he joined his brother Jimmy in Hollywood. Van Horn's riding skills were showcased in many westerns of the 50s and 60s. He frequently doubled for Guy Williams on Disney's popular TV series Zorro (1957). Equally adept at fencing and fight scenes, Van Horn also made his mark in epic swashbucklers like Spartacus (1960) and The War Lord (1965). Major stars he doubled for have included Gregory Peck (Mackenna's Gold (1969) ), James Stewart (Firecreek (1968)]) and Henry Fonda ([The Cheyenne Social Club (1970)]). He was latterly best known as a long-standing collaborator of Clint Eastwood in the capacities of stunt double and stunt coordinator (The Enforcer (1976), The Gauntlet (1977), Sudden Impact (1983)), director (Any Which Way You Can (1980), The Dead Pool (1988), and Pink Cadillac (1989)) and second-unit director (Magnum Force (1973), The Rookie (1990), Pale Rider (1985) etc.). Van Horn was an inductee into the Stuntmen's Hall of Fame and a recipient of the Taurus Lifetime Achievement Stunt Award .Around the World in 80 Days
Spartacus
It's a Mad Mad Mad Mad World
Marooned
Thunderbolt and Lightfoot
The Deer Hunter
Heaven's Gate
Heartbreak Ridge
Unforgiven
In the Line of Fire
Space Cowboys
Mystic River
Million Dollar Baby
Flags of Our Fathers
Letters from Iwo Jima
Changeling- Producer
- Director
- Writer
Ruben Fleischer was born on 31 October 1974 in Washington, District of Columbia, USA. He is a producer and director, known for Zombieland (2009), Gangster Squad (2013) and Venom (2018). He has been married to Holly Shakoor Fleischer since 10 November 2012.Borat: Cultural Learnings of America for Making Benefit Glorious Nation of Kazakhstan- Director
- Producer
- Additional Crew
Michael Lehmann was born on 30 March 1957 in San Francisco, California, USA. He is a director and producer, known for Heathers (1988), Hudson Hawk (1991) and American Horror Story (2011). He is married to Holland Sutton.One from the Heart
Ed Wood- Actor
- Writer
- Producer
Highly talented, lightly built American actor who always looks unsettled and jumpy has become a favourite of cult/arthouse film aficionados with his compelling performances in a broad range of cinematic vehicles.
Turturro was born in Brooklyn, New York, to Italian-American parents, Katherine (Incerella), a jazz singer, and Nicholas Turturro, a construction worker and carpenter, who was born in Giovinazzo. His brother, also named Nicholas Turturro, is an actor, and actress Aida Turturro is his cousin.
Turturro has become a regular in the thought provoking films of Spike Lee and the off the wall comedies of Joel Coen & Ethan Coen. His wonderful performances include as the highly agitated "Pino" in Do the Right Thing (1989), as an intellectual playwright in Barton Fink (1991), a pedophile tenpin bowler in The Big Lebowski (1998), a confused boyfriend in Jungle Fever (1991) and as the voice of Harvey the dog in Summer of Sam (1999).
Turturro has continued to appeal to audiences despite his unconventional looks and the often annoying onscreen mannerisms of his characters which he used to great effect in films such as his blue collar tale of warring brothers in the construction business, Mac (1992), as the irate, dumped game show contestant, Herbie Stempel, in Robert Redford's dynamic Quiz Show (1994). One of modern American cinema's gems of acting, Turturro remains in strong demand for his high calibre thespian talents.Raging Bull
Hannah and Her Sisters
The Color of Money
Do the Right Thing
Barton Fink
Fearless
Quiz Show
Unstrung Heroes
O Brother, Where Art Thou?
The Moon and the Son: An Imagined Conversation
The Good Shepherd
Transformers
Transformers: Revenge of the Fallen
Transformers: Dark of the Moon
The Batman
Guillermo del Toro's Pinocchio- Actor
- Director
- Writer
Tim Blake Nelson was born on 11 May 1964 in Tulsa, Oklahoma, USA. He is an actor and director, known for The Ballad of Buster Scruggs (2018), O Brother, Where Art Thou? (2000) and Leaves of Grass (2009). He has been married to Lisa Benavides-Nelson since 12 June 1994. They have three children.Donnie Brasco
The Thin Red Line
O Brother, Where Art Thou?
Minority Report
Syriana
Lincoln
The Ballad of Buster Scruggs
Nightmare Alley
Guillermo del Toro's Pinocchio
Ninety-Five Senses- Producer
- Writer
- Music Department
Born November 9, 1965 in Indianapolis, Indiana, US as Ryan Patrick Murphy, he is an American writer, director, and producer, responsible for creating such hits as Nip/Tuck (2003), Glee (2009) and American Horror Story (2011). His mother, J. Andy Murphy, was a writer and communications worker and his father was a circulation director in the newspaper industry. He has one brother. He attended a Catholic school till the eighth grade and graduated from Warren Central High School. He went on to study journalism at the Indiana University Bloomington, where he was also a member of a vocal ensemble, and went on to intern in the style section of the The Washington Post in 1986. In 1990 he got into screenwriting, but only in 1999 was his first story produced: it was Popular (1999), a teen comedy show, which he co-created with Gina Matthews and which run for two seasons. In 2003 he created Nip/Tuck (2003), which brought him his first Emmy nomination. He won the award six years later, when in 2009 he directed the pilot of his hit series Glee (2009) which he co-created with Ian Brennan and Brad Falchuk. In 2011 he and Falchuk co-crated another highly popular series, American Horror Story (2011). in 2015 he was awarded the Award for Inspiration from amfAR, The Foundation for AIDS Research. In 2018 Murphy signed a five-year $300 million development deal with Netflix. He is a pan equal opportunities activist, both through his movies and television projects which very often focus on the LGBTQ+ community, and as a creator of the Half Initiative, which aims at making Hollywood more inclusive for women and minorities. He's been married to photographer David Miller since 2012. They have three sons, Logan Phineas, Ford, and Griffin Sullivan.Gods and Monsters- Writer
- Producer
- Actor
A native of Utica, New York, Steven Brill studied film, theater and acting at Boston University. It was there that he became a student of acclaimed, Nobel Prize winning poet and playwright, Derek Walcott. Brill became a part of Mr. Walcott's first theater group in Boston, Playwright's Theater, where he wrote and directed original plays.
Brill continued to write plays and moved to Los Angeles where he began auditioning as an actor and writing screenplays as well. In his spare time, Brill would go skating at public ice rinks - which proved a fortuitous hobby. One day while watching a Pee Wee hockey practice, he was struck by the idea for The Mighty Ducks.
Brill scripted the film, recalling his own youth hockey experience, and sold it to Walt Disney Pictures. Emilio Estevez was cast as Coach Gordon Bombay in the 1992 release. One year later, "The Mighty Ducks" of Anaheim entered their first NHL season. Brill next wrote and executive produced the 1995 sequel "D2-The Mighty Ducks Are Back" and in 1997, "D3-The Mighty Ducks".
Brills directorial debut was the Disney film "Heavyweights", a comedy about a group of kids at a weight loss summer camp starring Ben Stiller,. He co-wrote the script with Judd Apatow, who also served as the executive producer.
Next, Brill wrote and directed "Late Last Night" for Screenland Pictures. "Late Last Night" stars Emilio Estevez, Steven Weber and Catherine O'Hara. It chronicles one intense night in the life of a man in Los Angeles.
Brill wrote Ready to Rumble for Warner Brothers. He also worked as a writer on "The Wedding Singer, Big Daddy, and Doctor Dolittle" He then directed and co-wrote Little Nicky with Adam Sandler for New Line Cinema. Also starring in the picture are Harvey Keitel, Patricia Arquette and Reese Witherspoon.
Brill followed that up by directing "Mr. Deeds" with Adam Sandler.. Deed's, also starring Winona Ryder came out in June of 2002 and made over 170 million at the box office worldwide
Brill then re-wrote and directed "Without a Paddle," starring Burt Reynolds, Seth Green and Matthew Lillard, for Paramount Pictures. He directed "Drillbit Taylor" produced by Judd Apatow and starring Owen Wilson for Paramount Pictures.
His most recent film was "Walk of Shame," an original screenplay that directed, starring Elizabeth Banks, for Lakeshore Entertainment.
Aside from writing and directing, Brill has kept busy as an actor on such diverse films as "Sex, Lies, and Videotape", "Postcards from the Edge", "Edward Scissorhands", "Batman Returns", "When a Man Loves a Woman", "The Wedding Singer" and "Big Daddy", and "Knocked Up".Sex, Lies, and Videotape
Postcards from the Edge
Edward Scissorhands
Batman Returns- Actor
- Writer
- Producer
His father Ken was born in Co Durham, he married Vera and together took over her family's greengrocers shop in Quick Road, Chiswick, London. He convinced her that the way forward was to convert the shop into a bookmakers and before long they'd moved to a semi-detached house. Mel was born in 1952 and educated at Latymer Upper School in Hammersmith. where at the age of 12 he played Falstaff. He was captain of the school rugby team from the second form to the sixth. In 1971 he won a place at New College, Oxford where he studied experimental psychology and lodged at New College Lane which was where Edmund Halley (of Halley's comet fame) had his observatory. His attendance record was so bad that he was asked if he would get busy and do some work for his finals or spend all his time acting and directing; he chose the latter and in 1973 he became assistant director at the Royal Court Theatre in London. Through the mid-1970s he had assistant-director jobs around the country until he met actor Bob Goody; together they wrote and directed several productions including 'Have You Heard the One About Joey Baker' and 'The Gambler,' which was revived in London's West End. In 1979 they attracted the attention of a television sketch show which they joined, doing send-ups of shows such as 'Blue Peter,' then moved on to 'Not the Nine O'Clock News' In 1981, Mel and Griff Rhys Jones formed Talk Back Productions, starting off with their series 'Alas Smith and Jones' plus such as 'I'm Alan Partridge', 'Never Mind the Buzzcocks', and 'They Think It's All Over.' Mel moved on to producing and directing films such as 'Radioland Murders', 'Bean, the Ultimate Disaster Movie', and 'The Tall Guy.'The Snowman
The Princess Bride- Director
- Producer
- Writer
Mary Harron (born January 12, 1953) is a Canadian filmmaker and screenwriter. She gained recognition for her role in writing and directing several independent films, including I Shot Andy Warhol (1996), American Psycho (2000), and The Notorious Bettie Page (2005). She co-wrote American Psycho and The Notorious Bettie Page with Guinevere Turner. Although Harron has denied this title, she has been thought to be feminist filmmaker due to her film on lesbian feminist Valerie Solanas, in I Shot Andy Warhol (1996), and a queer story-line within her teenage Gothic horror, The Moth Diaries (2011).Rabbit Hole- Director
- Producer
- Additional Crew
Miguel Arteta was born in 1965 in San Juan, Puerto Rico. He is a director and producer, known for Beatriz at Dinner (2017), Succession (2018) and Enlightened (2011). He is married to Justine Arteta.The Visitor
Rabbit Hole
A Better Life