Destined to Doom Movies of 2015, Which were Surprisingly Great or Decent or Maybe Just About Average!
Every year we predict certain films as turkeys, because they simply stink in all departments right from the day they were conceived on the drawing board. But there's no more an exhilarating felling, than when these type of films shockingly end up being really good. While some just about make the cut, few others, and very few others might ultimately achieve cult-classic status too. So I hope this list will be informative to you'll, and yes, adulation and criticism are both appreciated, so please, keep your views coming.
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- DirectorRyan CooglerStarsMichael B. JordanSylvester StalloneTessa ThompsonThe former World Heavyweight Champion Rocky Balboa serves as a trainer and mentor to Adonis Johnson, the son of his late friend and former rival Apollo Creed.“Creed” scrapes the “Rocky” franchise off its deadbeat ass for an astonishingly powerful seventh bout that takes the boxer's saga toward promisingly new horizons while remaining faithful to its predecessors’ roots. After “Rocky” and its immediate sequel, this is the series’ best film, no two ways about it. Director Ryan Coogler (“Fruitvale Station”) instills the film with sincere passion and an innovative style while retaining the best qualities from the first two movies, particularly the fine balance between agony and victory.
The surest sign that Coogler has honored his source material is that “Creed” is populist cinema through and through. His achievement is that he gives his audience exactly what they want and makes it feel like a gift rather than a bribe. But Coogler manages to soar beyond simply making an entertaining boxing movie by infusing “Creed” with a chief detail that makes it so good: perspective. The smartest thing Sylvester Stallone did was to not write and/or direct this film. Ryan Coogler brings a fresh set of eyes to the project. It's a triumphant return to form for the “Rocky” franchise that kept losing its way further and further since the third entry.
“Creed” soars beyond its well-known plot elements to offer a riveting sports drama that's simultaneously stylish, engrossing, and stirring. The gritty direction, sensational performances from Jordan and Stallone, and surprising depth delivers an onslaught of punches that make the film both brilliant and entertaining. - DirectorGuy RitchieStarsHenry CavillArmie HammerAlicia VikanderIn the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.With great action sequences, deadpan humor, charming wit, unbelievable chemistry between its two leads, and Director Guy Ritchie’s signature panache of slick execution stamped all over the canvas, “The Man from U.N.C.L.E.” is everything a fun spy film should be, and above all, a fun homage to action-thrillers centered around the Cold War. Along with remaining faithful to the spirit of the original TV show, the film unfolds with a hyper stylish mix of action and comedy that seduces by virtue of its visual appeal, which should please fans of the original series while also entertaining modern moviegoers.
The story, though relatively straightforward, works well and is infused with intriguing plot elements to keep you enthralled. In terms of being an origins story, it does the job perfectly well by introducing its characters – and more importantly, arouses interest in them – creating a defined cinematic world, and setting things into motion to establish a new franchise.
This latest Guy Ritchie offering boasts highly charismatic leads, exotic locations, high fashion, romping action, clap-inducing moments, and a cool soundtrack (mixing Morricone with Holmes)…what’s not to enjoy? It provides solid, crowd-pleasing entertainment that excites and amuses in equal measure, and certainly merits a sequel or two, regardless of its subpar box-office returns. - DirectorLevan GabriadzeStarsHeather SossamanMatthew BohrerCourtney HalversonA group of online chatroom friends find themselves haunted by a mysterious, supernatural force using the account of their dead friend.“Unfriended” takes full advantage of social media and other online apps to create a believable universe that feels close and ordinary to modern audiences, and in doing so, it wraps a simple, scary story inside a decidedly contemporary package. It may initially appear as a story we’ve seen a million times before in the genre, but with unexpected twists, smart pacing, and an innovate narration technique, you’ll be thoroughly captivated in no time. Most importantly, it resoundingly succeeds in its main missions: to amuse and thrill us and to take us to the edge of our seats. Refreshingly unique and chilling, “Unfriended” transcends found-footage horror clichés to deliver a surprisingly scary and suspense-filled teen slasher with a technological twist. It also manages to be a perfect representation of teenage angst created by technology in modern day life.
- DirectorJohn CrowleyStarsSaoirse RonanEmory CohenDomhnall GleesonAn Irish immigrant lands in 1950s Brooklyn, where she quickly falls into a romance with a local. When her past catches up with her, however, she must choose between two countries and the lives that exist within.Undeniably heartwarming, emotional, and touching, “Brooklyn” is also a surprisingly intellectual, introspective, and cognizant period drama thanks mostly to the assured, detailed vision of Director John Crowley and the deeply-layered, meticulously-textured perspective of Nick Hornby’s screenplay adapted from Colm Toibin’s novel. Due credit also goes to Saoirse Ronan’s nuanced, conflicted, transformative, at times detestable, and wholly identifiable portrayal of an entirely complex and inherently tenuous protagonist. If not for her indelibly brilliant performance of a character around whom the entire fate of the film’s narrative and culmination revolved, the experience of sitting through “Brooklyn’s” journey could have become exceedingly painful and embarrassingly awry, regardless of any amount of superlative writing or fluid direction.
- DirectorAlan TaylorStarsArnold SchwarzeneggerJason ClarkeEmilia ClarkeWhen John Connor, leader of the human resistance, sends Sgt. Kyle Reese back to 1984 to protect Sarah Connor and safeguard the future, an unexpected turn of events creates a fractured timeline.“Terminator Genisys” is an amazing twist to an old story, and a film bursting with loads of action, surprises, and intriguing sci-fi mystery interlaced with futuristic gizmo-schizmo wizardry. Forget everything you think you know about the “Terminator” galaxy because Director Alan Taylor and his screenwriters have turned the story on its head. When Reese (Courtney) meets up with Sarah Connor (Emilia Clarke), he is surprised to find her with a Terminator of her own who has been protecting her since she was nine. This is just one of the twists that come at you as fast and furious as the explosions on screen. And, of course, there is Schwarzenegger. Reprising the role that made him a star, he makes his re-programmed T-800 feel, dare I say it, almost human. He also has a great sense of humor but we’ve already witnessed that in plenty of his erstwhile action and sci-fi classics. Ignore the naysayers, this one is a worthy successor to the first two "Terminators" - the story moves fast, has plenty of action coupled with sci-fi imagery, and just enough humor to keep you chuckling. Arnold promised he’d be back, and boy did he keep his word!
- DirectorRamin BahraniStarsAndrew GarfieldMichael ShannonLaura DernA recently unemployed single father struggles to get back his foreclosed home by working for the real estate broker who is the source of his frustration.Fueled by powerful acting and a taut, patiently constructed narrative, “99 Homes” is a modern economic parable whose righteous fury is matched by its intelligence and compassion. It’s a searing morality story pleading for justice for the vulnerable middle-class workers who lose their homes to power-hungry bankers, conglomerates, and real estate sharks. The film is a timely topical drama that packs real punch the deeper it goes into the rabbit hole of capitalization and gentrification through deception and wanton manipulation of the law, resulting in the destruction of families and their hard-earned livelihoods.
The rackets and scams the movie exposes are all real, and the result of extensive research. It’s gripping storyline highlights how everyone’s a victim here, good guys or bad guys, including chief antagonist Rick Carver, which is a testament of Ramin Bahrani’s pitch-perfect direction. If not for anything, “99 Homes” should be watched for the acting on display, especially the two powerful lead performances that make for strong recommendations on their own in this tough, emotional film. This is easily Andrew Garfield’s best performance hitherto, and the ever-reliable Michael Shannon should be an automatic lock for the best supporting actor category at the upcoming Oscars.
“99 Homes” is a smartly narrated with a flair for capturing moments of heightened emotions. It’s also perhaps the most compelling film yet made about the global economic downturn and the everyday people whose lives it tore apart. - DirectorMark BurtonRichard StarzakStarsJustin FletcherJohn SparkesOmid DjaliliWhen Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it's up to Shaun and the flock to return everyone safely to the green grass of home.Warm, funny, and brilliantly animated, “Shaun the Sheep Movie” is yet another stop-motion jewel in Aardman’s family-friendly crown. It’s an endearing gem of sweetness, charm, adorability, and fun, making it that rare film that’s legitimately “fun for the whole family”. There’s no denying the silly pleasures of its modest offerings – it’s not just fun, the characters and their behavior in front of adversity, allow the film to transcend its simplistic milieu, and seamlessly venture into deeper territory with a strong message. The focus on slapstick animal antics makes it clear that the film is aimed at kids, but there’s plenty to like for adults as well, especially animation buffs. And the fact that there’s almost no dialogue only makes the message and the impact of the animation all the more stronger. “Shaun the Sheep Movie” will go down as one of the best of the Aardman animated features, very similar to their best “Wallace and Gromit” offerings. It’s fast-paced, has sharply-defined characters, and oozes copious wit and fun.
- DirectorM. Night ShyamalanStarsOlivia DeJongeEd OxenbouldDeanna DunaganTwo siblings become increasingly frightened by their grandparents' disturbing behavior while visiting them on vacation.“The Visit” provides horror fans with a satisfying blend of thrills and laughs while signaling a welcome return to form for Writer-Director M. Night Shyamalan. “The Visit” provides horror fans with a satisfying blend of thrills and laughs while signaling a welcome return to form for Writer-Director M. Night Shyamalan. Essentially a horror-comedy at its core – “The Visit” has it all; from rap battles to a fair helping of freaky stuff to WTF-type moments to jump-scare scenes to tension that will truly unnerve you. The buildup to the nerve-wracking suspense until the jaw-dropping denouement proves that Shyamalan still has more than a few tricks up his sleeve.
With “The Visit”, M. Night has crafted a sow-burning, seat-squirming, genuinely scary, and unimaginably witty horror movie full of high-quality jolts, spooks, unpredictability, and some really good laughs. It’s a film you just can’t miss – one of the best horror movies of the year. Moreover, it isn’t something you would expect going into the film – it’s not always you see a comeback as spectacular as this. - DirectorJon WattsStarsKevin BaconJames Freedson-JacksonHays WellfordA small-town sheriff sets out to find the two kids who have taken his car on a joy ride.“Cop Car” may have two kids at its center, but don’t mistake this grim, wicked little thriller for a children’s film. Anchored by solid performances, a taut script, and the most evil monologue of the year, “Cop Car” is a perfectly, horribly, fascinatingly chilling, tension-filled thrill ride from start to finish. Director Jon Watts and his co-writer Christopher D. Ford cast a spell upon us with the highest attention to detail and the all-important awareness that so much of what makes a movie work unfolds below the surface of its plot. Boosting this quirky, assured, and unpredictable road movie are its performances – everyone is fantastic in their roles but it’s Kevin Bacon who pumps maximum blood into the proceedings without ever giving you the impression that’s he’s actually making an effort.
“Cop Car” fuses the nostalgic, kid’s-eye-view of Rob Reiner’s “Stand by Me” with the grisly, black comic tone of the Coen brothers’ masterpiece, “Fargo”. It’s a movie that lives entirely in the moment, and it’s one amazingly gripping thriller. - DirectorLeigh WhannellStarsDermot MulroneyStefanie ScottAngus SampsonA prequel set before the haunting of the Lambert family that reveals how gifted psychic Elise Rainier reluctantly agrees to use her ability to contact the dead in order to help a teenage girl who has been targeted by a dangerous supernatural entity.Straight from the jump-scare school of fright flicks comes this neat, highly effective, little haunted house number from Australian writer turned Director Leigh Whannell. “Insidious: Chapter 3” continues the terrifyingly scary vein of the first two films in this franchise while also boasting surprising thematic depth – more in keeping with the first chapter of the series – and another fine performance from franchise regular Lin Shaye. Whannell (who wrote the first entry in the franchise, and had served as co-writer alongside James Wan on the second “Insidious” film) does a credible job in his debut vehicle as Director – he’s not as bold as Wan when mounting a scary sequence, but he’s also no slouch about the psychology of screen horror and extracting the most from a scene meant to frighten his audience. Plus, the quiet stretches in this Blumhouse production actually serve their purpose, creating a sense of intimacy with the characters as opposed to simply marking time between the shocks and spooks. All things considered, “Insidious: Chapter 3” is a pleasant surprise, and a very entertaining, very scary horror movie from micro-budget producer Jason Blum and first-time Director Leigh Whanell.
- DirectorPaul KingStarsHugh BonnevilleSally HawkinsJulie WaltersA young Peruvian bear travels to London in search of a home. Finding himself lost and alone at Paddington Station, he meets the kindly Brown family, who offer him a temporary haven.“Fun for the whole family” is an overused cliche when it comes to movies. But in the case of “Paddington” – the first-ever feature length film about the iconic Peruvian bear who travels to London looking for a home, there is no better description. This big-screen adaptation is absolutely, positively delightful, and takes what could have been an easy cash-grab, and turns it into a generous, fun, ingenious little comedy.
As expected, the ace (almost entirely British) cast sells the material with warmth and wit. The real key, however, is Ben Wishaw (Skyfall), who hits just the right note of innocence as Paddington. This is voice-work at its most effective, in that the actor creates a whole emotional range for the character, independent of the outstanding animation. The Browns fall in love with Paddington, and so do we.
“Paddington” also has two things I normally dislike in family movies: “rude humor” (as the MPAA calls it) and plots that put the main character(s) in some kind of life-threatening peril. Nonetheless, both work here because writer/director Paul King doesn’t use them out of desperation or lack of inspiration. Instead, he uses them to tell a story about the importance of belonging to a family. Paddington is a benevolent, loving creature who tries so hard to fit in with the Browns, only to discover that it’s harder than it looks. He exasperates them at first with his destructive antics, yet over time they come to recognize him for who he is inside. Once they do, the family becomes extremely protective when he finds himself in danger. He is, after all, one of them now. This approach makes the silly scenes surprisingly hilarious, and the adventure subplot more meaningful than you would expect.
Everything about “Paddington” is fun and entertaining. It’s the kind of family film that shows everyone a good time, regardless of age. It’s a charming, uproarious, and totally delightful time at the movies – destined to be a classic. You could even say “it’s fun for the whole family”. Here’s hoping for more Paddington adventures down the line. - DirectorSteve MartinoStarsNoah SchnappBill MelendezHadley Belle MillerSnoopy embarks upon his greatest mission as he and his team take to the skies to pursue their archnemesis, while his best pal Charlie Brown begins his own epic quest back home to win the love of his life.Charlie Brown, Snoopy, and friends finally arrive on the big screen in a movie that sticks close to the simple, warm, humorous tone of the comic strip that launched in 1950 and the vintage TV specials that have held well from the 60s to the new millennium. “The Peanuts Movie” offers a colorful, charming, witty gateway into the world of its classic characters and a sweetly nostalgic treat for the adults who grew up with them.
Anyone who possesses even a passing familiarity with Charlie Brown and the gang from Peanuts should find some appreciable measure of delight with this super-faithful feature-film adaptation – a perfectly fine, perfectly innocent big-screen translation. What’s more, it’s both modern and traditional, pleasing on all fronts, which must have certainly been hard to achieve, and more importantly, convince the studio honchos, in today’s cynical times. What other films for children teach in an hour – about life, the universe, and everything in between – Schulz could teach in a line, and this film reflects that. It’s undeniably about decency, goodness, and love. And, of course, Snoopy too. “The Peanuts Movie” is just a good, emotional, fun ride, and a wonderful blast-from-the-past while also serving as a neat discovery for kids today. - DirectorJeff SiergeyStarsFred ArmisenBob BergenJeff BergmanLola Bunny invents a perfume with the adverse effect of turning people invisible, sending her and cab driver Bugs Bunny on the run from the FBI, while another shady group seeks the formula.Devoted fans of the classic 1940s and 50s “Merry Melodies” and “Looney Tunes” cartoons from Warner Brothers never know what they’re going to get these days when they see their favorite characters revived in new, updated versions. It’s pretty hit-or-miss since some current writers and animators get what made the old characters tick, while others, bless ’em, just plain don’t.
The people behind the original feature-length, direct-to-video cartoon movie “Looney Tunes: Rabbit Run” get it. But to their credit, instead of simply recreating the old stuff, they’ve taken familiar characters such as Bugs Bunny, Daffy Duck, Foghorn Leghorn, Elmer Fudd, Marvin the Martian, and Speedy Gonzales, among others, and cast them in a dizzying screwball comedy that’s a cross between a “Bringing Up Baby” and “It’s a Mad, Mad, Mad, Mad World”.
For pure fun that’s fun to look at, “Looney Tunes: Rabbit Run” is well worth getting caught up in for its 70-minute duration. It’s made by people who appreciate the original Looney Tunes cartoons while easily avoiding being just a pallid facsimile of them. It’s not your typical Looney Tunes plot, but if you love the old cartoons, in addition to appreciating the cockeyed appeal of screwball comedies, you should find yourself having a rollicking good time with this breezy, lightning-paced, lighthearted adventure as much as your kids. (Or if you’re like me; somebody else’s kids.) - DirectorTim JohnsonStarsJim ParsonsRihannaSteve MartinAn alien on the run from his own people makes friends with a girl. He tries to help her on her quest, but can be an interference.A surprisingly moving tale of friendship and family, dressed up as an adorably frivolous animated, sci-fi comedy. The combination of “Home’s” layered message, fun score, and clever comedy make it a colorful choice for moviegoers of any age. There’s a lot of goofiness, to be sure, but the film pulls back at points where others might double down. Warming hearts and jerking tears are par for the course in kiddie flicks. But it’s rare to find one that has this many emotional crescendos, and manages them all gracefully and cinematically. It also probably helps that the film features a wonderful soundtrack, which includes Rihanna’s otherworldly “Towards the Sun”. The song works well, particularly with the finale’s images of apocalyptic grandeur. “Home” is corny and sentimental at times, but the corniness never feels cheap and opportunistic. More importantly, it’s a poignant tale of emotions, the little things that make us truly human, and not bothering to fit into conventional molds.
- DirectorRob LettermanStarsJack BlackDylan MinnetteOdeya RushA teenager teams up with the daughter of young-adult horror author R.L. Stine after the writer's imaginary demons are set free on the town of Madison, Delaware.“Goosebumps” boasts just enough of its spooky source material’s kid-friendly charm to go along with the script’s facile humor, irresistible charm, and a mostly enjoyable but sometimes distractingly frenzied pace. It’s thoroughly entertaining, a whole lot of fun, has oodles of charisma, and a premise that’s a total hoot. Moreover, it features a great amalgamation of fantasy, adventure, and comedy that’s entertaining and pleases everyone who watches it, regardless if you’re familiar with the books or TV series or neither of the two.
Filled with captivating special effects, a host of memorable monsters, and even a gag alluding Stephen King, “Goosebumps” is an infectiously charming, out-and-out fun film for the whole family that will hopefully spawn a good franchise. It’s also the first film I’ve seen that actually harks back to the more innocent times of the 80s and 90s by recreating the charm of something like “Gremlins” or “Jumanji”, and successfully updates it rather than merely imitating it. - DirectorBrian James O'ConnellStarsFran KranzPedro PascalJoey KernA down on his luck cubicle worker and his slacker best friend discover their new boss is a vampire who is turning their coworkers into the un-dead.The horror of “Bloodsucking Bastards” is not found through vampire bites, but in stinging corporate satire that seems too smart for a horror comedy, and too damn real. What we have here is a total package – laughs, chills, gore, and personality. The settings don’t reach farther than an office supply closet, the sales floor, a file storage room, and the building’s parking garage, but location restrictions mean nothing when working off of a tightly written screenplay. Quality is quality no matter what your budget is, as the (viscera-soiled) cream always rises to the top!
When the vampire theme starts to slowly creep in, comedic elements don’t wane in response. Action sequences are balanced dutifully with hilarious nods to anything you might learn in Management 101. It’s a bit of horror comedy that would make Mike Judge (“Office Space”, “Beavis and Butt-Head”) blush, and it never backs down from keeping an ongoing connection between business ethics and ghoulish monsters. More importantly, the film doesn’t skimp on any of the bloodsucking…or bastardization.
As expected, many office tools are utilized when dispatching each vampire, from paper cutters to fire extinguishers, and never once does the bloodshed feel repetitive or mundane. As the action gears up, and the supply closet is raided for vampire-hunting gear, the film sinks its teeth into toxic elements of office culture, such as the trampling of individuality in favor of productivity, or simply how no one ever bothers to learn the janitor’s name. Horror fans are not ignored for cheap laughs, proving that L.A. comedy troupe Dr. God respects all their audiences equally.
While you’ll probably be too busy laughing hysterically or cringing at each gross vampire explosion, there are plenty of other hidden treats throughout this sublime horror comedy worth catching a glimpse of. If these scenes in particular aren't a comment on how mind-numbingly complacent we’ve become while manning empty, unfulfilling duties, I don’t know what is. These Dr. God cats thought of everything, and enhance the most mundane moments when you least expect it.
Vampires are back, people. They might not be scaring us around every turn, but with movies like “What We Do In The Shadows” and “Bloodsucking Bastards”, I’ll take having fanged comedians over the young-adult-fantasy versions tweens dream about. Add in an office setting, because someone finally connected stereotypical, bloodsucking, upper corporate hierarchy with actual bloodsuckers, and you’ve got a pretty damn funny horror flick. Work sucks, but Dr. God elevates that statement to gleefully vicious levels of genre-smashing beauty. - DirectorEkachai UekrongthamStarsDolph LundgrenTony JaaRon PerlmanAfter his family is killed by a Serbian gangster with international interests, NYC detective Nick goes to S.E. Asia and teams up with a Thai detective to get revenge and destroy the syndicates human trafficking network.Dolph Lundgren, Tony Jaa, and Michael Jai White together in one movie in a bone-crunching, adrenaline-pumping, absolutely sublime display of lethal martial arts, thrilling chase sequences, jaw- dropping stunts, and brawny charisma. Throw in an engaging screenplay, well-executed in a grim, gripping tone by Director Ekachai Uekrongtham, and a strong supporting cast including veterans such as Ron Perlman and Peter Weller, and what more could a fan of these action heroes ask for. Though past his prime now, this is Dolph’s best movie in years (it’s a pity that he didn’t do a few more films like this and “Missionary Man” in his younger days, when he looked more convincing and agile in action scenes) and also gives Tony Jaa fans a reason to cheer after a few lackluster outings, along with continuing the hot streak of Jai White after last year’s brilliant “Falcon Rising”.
- DirectorJohn Erick DowdleStarsLake BellPierce BrosnanOwen WilsonIn their new overseas home, an American family soon finds themselves caught in the middle of a coup, and they frantically look for a safe escape from an environment where foreigners are being immediately executed.Tense, exciting, unsettling, and totally unexpected - "No Escape" is one of the strongest action thrillers in recent years. The film is brutally violent and keeps you on the edge of your seat as an American family attempts to escape what appears to be an unmitigated attack by the local population of a Southeast Asian nation (which country, we're never told) to exterminate all expats.
Once the film kicks off it never lets up, ratcheting up the tension quickly, and propelling these characters into a series of outrageous cliffhanging moments. Filled with blood, gunshots, and gruesome deaths it's startlingly violent for a film with a fragile young family at the centre, which makes the peril feel all too real. Writer-Director brothers Drew and John Erik Dowdle do a terrific job at merging action movie cliches with gritty authenticity. Even though the story is not completely original, they know how to build up tension, giving us a very entertaining movie. The script may occasionally feel contrived, and you're not sure how plausible much of it is - the bit about the American embassy seems unlikely - but the suspense is often overwhelming (I found myself gripping my seat and holding my breath more than once.) thanks to astute direction and solid performances. Wilson and Bell are startlingly good and hold their own in the most fiercely life-threatening scenarios without ever turning into silly action heroes. Their family bond is believable, as is the hint of past tension between them, which adds a strong emotional undercurrent. By contrast, Brosnan is cool as a cucumber and seems to be enjoying the chaos; a salty veteran of much more dangerous missions.
The film captures both the anger of those causing the disturbance as well as the fear and frustration of the Dwyers. The story moves quickly, and you’re almost as breathless as those on the run when it ends. "No Escape" is an unexpected surprise that'll leave you breathless and on the edge of your seat. - DirectorJon DreverStarsBrett GoldsteinNatalia TenaLaura HaddockRobert Kenner is a lonely man looking for love. Today, if he can actually get his boss to give him some time off, he is going on his first date for 6 years. Oh, and he is also the world's only SuperHero.The dull side of being a superhero is sublimely and at times even touchingly explored in this independent British rom-com about Bob, a government-sanctioned caped savior who uses his day off to go out on a date.
Opting for a low-key approach, “SuperBob” wins you over with a funny script rather than elaborate action scenes. Co-writer/star Brett Goldstein is likeable in the lead – a timid everyman overwhelmed by what has happened to him, hilariously bemused as he deals with endless world-saving situations and resentful local residents. Amid the laughs there is also an appealing charm to Bob’s clumsy quest for love, as well as some clever satire of the sillier side on world politics, personified by co-star Catherine Tate (most notable as one of “Doctor Who’s” companions down the years) as Bob’s highly strung government superior. Natalia Tena, Ruth Sheen, and Laura Haddock also provide solidly entertaining support.
Drever milks the banality for laughs and unexpected sweetness, playing it to the films strengths – one scene in particular, set in a nursing home, may be the most romantic in a superhero flick since Superman took Lois Lane for a night-time flight around Metropolis. Working within its low budget limitations without ever feeling cheap, “SuperBob” is a light but impressively effective love story blended against the backdrop of some brilliantly subtle satire, offering something uniquely refreshing in the superhero genre where almost everything has been explored. - DirectorJonathan MilottCary MurnionStarsElijah WoodRainn WilsonAlison PillA mysterious virus hits an isolated elementary school, transforming the kids into a feral swarm of mass savages. An unlikely hero must lead a motley band of teachers in the fight of their lives.This subversive horror-comedy puts a fresh spin on zombie clichés, and also falls just on the right side of bad taste with its story set during summer classes at a suburban elementary school where tainted chicken nuggets lead to the gradual outbreak of a virus that turns the kiddos into bloodthirsty cannibals, and sends a substitute teacher (Elijah Wood) and his colleagues scurrying for cover before realizing they must arm themselves for the fight of their lives. Not many movies could get away with children mutilating their teachers and then the remaining teachers brutally bludgeoning their students in retaliation, but “Cooties” has the courage to follow through on its twisted convictions to amusing effect.
- DirectorJack HellerStarsKevin DurandLukas HaasBianca KajlichAn evil is unleashed in a small town when a logging company sets up shop in the neighboring woods.“Dark Was the Night” is a brilliant, little creature horror film – it’s creepy, it’s atmospheric, suspenseful, sometimes blood-soaked, and it’s got a good amount going for it with very few flaws. Director Jack Heller shows a firm grasp of horror movie mechanics, laying on the shocks and the atmosphere with assurance and vitality. His vision is given a huge boost by Tyler Hisel’s cleverly written, sparse dialogues and some excellent acting from Durand and Haas that’s perfectly suited the movie’s setting, tone, and proceedings. Another factor that works hugely in the film’s favor is the way in which it’s shot – cinematographer Ryan Samul’s use of chilly shades of grey, white, and brown lend gravitas to Heller’s vision and sets the perfect tone for the movie to unfold.
Writer Tyler Hisel’s screenplay is all about the buildup with most of the knee-jerk scares saved for the final act - “Dark Was the Night” deliberately builds to a tense and superbly timed jump-from-your-seat scary climax, which finds most of the small town’s residents holed up in the local church, trying to nail down what has by this time been pretty firmly established as a bona-fide monster stalking the local woods. As for the creature itself; it could have ended up being pretty ridiculous, but a combination of smart special effects and makeup design coupled with canny cinematic discretion make the damn thing work, and work quite well. Overall, “Dark Was the Night” is a pleasant surprise, modestly mounted but very creepy. - DirectorJemaine ClementTaika WaititiStarsJemaine ClementTaika WaititiCori Gonzalez-MacuerViago, Deacon, and Vladislav are vampires who are struggling with the mundane aspects of modern life, like paying rent, keeping up with the chore wheel, trying to get into nightclubs, and overcoming flatmate conflicts."What We Do in the Shadows" is fresher, effortlessly smarter, and sublimely funnier than any vampire or found-footage film appearing these days has any right to be. Its seamless blend of swift gags and likeably eccentric characters offer a cleverly constructed riot that wrings constant laughs from its premise without bleeding it dry, while also serving a timely reminder that perhaps it's best to let independent filmmakers assume the responsibility of churning out vampire movies. This refreshingly unique take on vampire conventions exhibits adorably trashy visual effects, with copious references to centuries of vampire mythology, which has been turned on its head for wonderful comic effect. In fact, I'd be damned if someone would find one angle of vampire lore that hasn't been subverted and turned into a witty joke or humorous gag by Director-duo Taika Waititi and Jemaine Clement. "What We Do in the Shadows" is flat out one of the funniest horror-comedies to emerge in recent times, and provides great fun in all the right ways.
- DirectorDaniel LeeStarsJackie ChanJohn CusackAdrien BrodyWhen corrupt Roman leader Tiberius arrives with a giant army to claim the Silk Road, Huo An teams up his army with an elite Legion of defected Roman soldiers led by General Lucius to protect his country and his new friends.“Dragon Blade” delivers on its promise of sprawling battle scenes, meticulously crafted sword fights, intriguing culture clashes, and budding bromances, where its giddily high concept and unlikely casting may so easily have seen it fail. It’s an unparalleled meeting of Eastern and Western talent. A few of the portions serenading Roman and Chinese cultures, and their union do feel somewhat frothy and indulgent, but those are minor niggles in an otherwise fantastic period action film. Director-writer Daniel Lee’s historical blockbuster is entertainment on a grand scale backed up by engaging performances from Chan, Cusack, and Brody. It has a grand scale, lavis production, rich narrative, and gorgeous visuals - "Dragon Blade" is truly epic in every sense.
- DirectorKabir KhanStarsSalman KhanHarshaali MalhotraNawazuddin SiddiquiAn Indian man with a magnanimous heart takes a young mute Pakistani girl back to her homeland to reunite her with her family.In what has to be – and thankfully it’s finally been done – the most un-Salman Khan movie till date, the actor stars as a symbol of peace and love in this cross-border drama – a marked departure from his inexplicable image as a larger-than-life hero who lets his fists do all the talking without ever really looking threatening to begin with. The result, I’m happy to report, is that this may well be Salman Khan’s best fill till date and certainly his most coherent film in the last ten years or so.
Director Kabir Khan (equally the star of the film) gives us some charming moments between Salman and the little girl, Harshaali Malhotra, who's a scene-stealer from the get go. She has an angelic face and expressive eyes; good luck holding back your tears each time she sheds her own.
“Bajrangi Bhaijaan” really comes into its own post interval when the action shifts to Pakistan. A terrific Nawazuddin Siddiqui, playing small-time TV reporter Chand Nawab, quickly becomes an ally, joining the duo on the long journey to the girl’s home in Pakistan Occupied Kashmir. The scenes between these three are some of the best in the film, and Siddiqui coolly walks away with all the good lines. He nails his part, and brings much credibility to the proceedings.
Kabir Khan dials up the melodrama and delivers the most unabashedly manipulative climax that you can possibly think of. The film takes a simplistic view of the Indo-Pak problem and the Kashmir issue, and offers well-intentioned but frankly naive solutions. In the last ten minutes, the makers aren’t merely content with drawing tears from your eyes, the film literally squeezes a lump out of your throat.
Despite its plot holes and rudimentary politics of the region, the film doesn’t derail because we’re served up likable enough principal characters, and inspired actors in these parts. “Bajrangi Bhaijaan” is way too long at 2 hours and 35 minutes, and could have done with some serious pruning, especially in its first half. Nevertheless, it’s miles ahead of all the typical Salman Khan blockbusters released in the last 8-10 years. It has a beautiful story, stirring scenes, its heart is definitely in the right place, and ultimately it wins you over completely. - DirectorRaman HuiStarsBaihe BaiBoran JingWu JiangHuman and monsters have lived in their separate worlds, but after the birth of Wuba, the last of the monster kings, begins the adventure to bring the two races together.What makes “Monster Hunt” so appealing is its easily digestible story arc, refreshingly devoid of Confucian morality, educational historical background, or nationalistic grandstanding — in short, everything that makes most Chinese children’s films such a yawn. Stylistically, the film blends Western demon-slaying elements, Japanese yokai folklore, and even a distant echo of “Who Framed Roger Rabbit” into a fanciful Chinese setting, beefing it up with robust martial arts action with an eye toward holding the attention of adult viewers.
his jolly live-action/animated Chinese period fantasy is helmed by Raman Hui, the Hong Kong-born animation supervisor who was involved with the genesis of the “Shrek” franchise, and, not surprisingly, the toon creatures are the real stars in this zippy, technically accomplished entertainer, which has become the highest-grossing Chinese film of all time.
The narrative is at times bogged down by celebrity comedians and A-list stars jostling for attention in what are essentially glorified cameo appearances. But Raman Hui does a perfectly competent job of keeping things together, and his experience in Hollywood working for DreamWorks, including co-directing “Shrek the Third”, does give the film somewhat of an east meets west feel that differentiates it from other recent Chinese fantasies.
The film’s status as a genuine home-grown blockbuster is cemented through some excellent production values and heartwarming character designs, with some top notch special effects, sets and costumes making it visually impressive from start to finish. There’s really a great deal to like about “Monster Hunt”, and it should have a much wider appeal than most other fantasy or family films from Asia. An important benchmark of sorts as a smash hit Chinese blockbuster made primarily for Chinese audiences, it’s well-deserving of its success, and hopefully the inevitable sequels will attain the same level of highly enjoyable tomfoolery. - DirectorEtan CohenStarsWill FerrellKevin HartAlison BrieWhen millionaire James King is jailed for fraud and bound for San Quentin, he turns to Darnell Lewis to prep him to go behind bars.Outrageously funny, despite bordering on the offensive most of the way, “Get Hard” confirms the star-making talent shown by Kevin Hart in “The Wedding Ringer” and “Ride Along” as well as the consistently funny-film streak of Will Ferrell. Both are at the top of their game here, and their chemistry is quite obvious. What’s refreshing is that both men are constantly entertaining and the script offers them scope to drive the film forward with a turbo thrust by feeding off each other’s contrasting comic styles. Watch out for the scenes where Hart gives a one-man performance of “Boys in the Hood” when cornered by his family to tell Ferrell the story of how he went to prison, or when he enacts three different stereotypical inmates to give Ferrell a low-down on prison life. For Ferrell, his best scene occurs when he’s urged by Hart to pick a fight with three beefed-up men in a park as part of his prison training. You’re guaranteed to laugh yourself hoarse at their antics in these scenes.
The script, co-written by director Cohen and Jay Martell along with Ian Roberts is constantly funny, even when it approaches the lines of race, homosexual, and other prejudicial stereotypes. Also, in spite of all the R-rated jokes and gags, there are some nice moments between Ferrell and Hart as well as Hart and his on-screen family. If you’re looking for a rollicking laugh, “Get Hard” is the film to see. - DirectorBrad BirdStarsGeorge ClooneyBritt RobertsonHugh LaurieBound by a shared destiny, a teen bursting with scientific curiosity and a former boy-genius inventor embark on a mission to unearth the secrets of a place somewhere in time and space that exists in their collective memory.In the modern world, youngsters are decreasingly optimistic about their chances of having an impact on the world in which they live. “Tomorrowland” hopes to turn that concept on its head by giving the youth around the world a lofty goal to which to aspire. It's ambitious, visually stunning, evocative, and strikes a major cord.
Tomorrowland was envisioned as a part of Disneyland that would highlight the future, focus on scientific discovery,and act as a catalyst for impressionable minds. Disney’s feature version, directed by gifted action-helmer Brad Bird, strives to encapsulate Walt’s massive vision of a bright and optimistic future and Bird, along with co-writers Damon Lindelof and Jeff Jensen, largely succeed. Aided in no small part by the talented Robertson, “Tomorrowland” keeps the action intense for large parts of the film, slowing down just long enough to give the audience an idea of what’s going on.
“Tomorrowland’s” loving appreciation for the strength of its characters’ passions enables the audience to feel emotionally invested in their success. It’s a Disney film, so their success is largely guaranteed even if the obstacles in the way are particularly onerous. This inevitability isn’t a detriment in this case. It improves the film’s credibility as a visionary exploration of bolstered self-confidence. It wants the audience to identify with the characters so that they’ll be inspired to break out of the conformity that seems to be constantly pressing in on them in today’s society It wants us all to see that the future can only happen if we fight for it. - DirectorNick RobertsonStarsJack CampbellAnna Lise PhillipsKatie MooreA farmer and his family must fight for survival after a ferocious pack of wild dogs infiltrates their isolated farmhouse. Through a series of frightening and bloody encounters they are forced into survival mode to make it through the night.The Australians do animal attack horror movies really well, and “The Pack” is no different. Just like other great Aussie creature-features involving animal attacks (“Black Water”, “Bait”, “The Reef” to name a few), it emphatically addresses an unshakable feeling that there’s nothing scarier than real, living animals we’ve seen or read about going on an inexplicable or vaguely explained killing spree.
“The Pack” also embodies all the qualities that make Australian creature-features exciting and disturbing at the same time – it gets the tone just right, keeps the suspense palpable, doesn’t ever go over-the-top with the gore, restricts the humor to strictly tongue-in-cheek affair without venturing into silly territory, and spends time in weaving some semblance of a plot and establishing the characters before unleashing the action and horror.
It perhaps doesn’t instill the same sense of fleeting aversion towards dogs as “The Breed” did, and maybe includes a few questionable scenes of judgment taken by the characters towards the end, but it still packs a resounding wallop, and demands the undivided attention of anyone looking for a truly scary and relatively unknown animal attack movie. - DirectorDon Michael PaulStarsBrandon AuretNatalie BeckerEmmanuel CastisBurt and Travis battle ass-blasters and graboids in South Africa.Heading into “Tremors 5: Bloodlines”, I had hopes for something mildly entertaining, but little faith in the product itself if we’re bringing complete honesty to the table. The third and fourth “Tremors” features were very underwhelming – they didn’t look particularly impressive, they didn’t feel particularly well thought out, and the thrills of the inaugural franchise flick were nowhere to be found. They were decent little pictures that didn’t work for many outside of those who have been entirely addicted to everything related to the “Tremors” universe. Imagine the joy I felt when all my apprehensions were allayed – “Tremors 5: Bloodlines” is a giddily entertaining thrill ride for 90 wicked minutes.
While the script, witty dialogues, and onscreen performances prove very surprising, the most shocking aspect of the flick may actually be the special effects. Virtually all CGI, this movie looks fantastic. This isn’t your average direct-to-DVD level digital fare; this is digital work with a fair bit of money, attention, and true talent behind it. There are some genius shots of both the Graboids and the Ass Blasters, and the action sequences are put together beautifully. All in all, the flick looks bad ass, and fans are going to be pleasantly surprised by that! It's a total zany blast of awesome insanity! - DirectorGeorge Tillman Jr.StarsScott EastwoodBritt RobertsonAlan AldaSophia and Luke make an unexpected and fateful connection with Ira, a 90-years old man, when they save him from a car crash. Ira's memories of his own decades-long romance with his beloved wife deeply inspire the young couple.For once, a movie based on a Nicholas Sparks novel appears to be populated by relatively realistic approximations of human beings dealing with relationship conflict in realistic ways. Like all of Sparks’s stories, “The Longest Ride” is corny as hell, but there’s an unabashed, old-fashioned charm that gradually warms the cockles and moistens the eye.
Though saccharine and hopelessly contrived on the surface, the film is far less manipulative than the average Nicholas Sparks adaptation, and it does appeal to the romantic within you, especially to those who still believe in the power of love and are susceptible to the charms of a good, old-fashioned romance. However contrived this tenth Sparks-to-screen adaptation becomes, the emotions and chemistry outweigh the bull. - DirectorBenni DiezStarsMatt O'LearyJessica CookLance HenriksenA fancy garden party turns into upper class prey when a colony of killer wasps mutates into seven foot tall predators.Director Benni Diez takes audiences on a thrilling, gory rollercoaster ride from campy to creepy, in this delightful and dreadful creature-feature. The headliners, of course, are the monsters, and Mr. Diez, a former effects specialist, skillfully blends viscous textures with cheesy digital flourishes. Kudos to his entire special-effects team, who relied less on CGI and more on practical effects. Another smart hand played by the filmmakers is their decision to maintain a tone that’s mostly ideal for the contemporary equivalent of a drive-in movie: of reverent, parodic irreverence.
The only real niggle I had the film lay with its persistent and contrived attempts to encourage us to root for the good guy who is essentially a man-child until crisis mode kicks in, and he suddenly and abruptly becomes a badass, composed, think-on-your-feet, know-it-all. That minor, incredulous bit aside, ‘Stung” is still a welcome breath of fresh air in the creature-feature horror genre – a rare, unpolished stone, unearthed from a deep, dark crevice, which all too frequently supplies us with hokum and drivel. It delights in its own stupidity the way a dog rolls in dirt, but is nearly as difficult to get mad at after it muddies up the rug. - DirectorLiz GarbusStarsNina SimoneLisa Simone KellyRoger NupieA documentary about the life and legend Nina Simone, an American singer, pianist, and civil rights activist labeled the "High Priestess of Soul.""What Happened, Miss Simone?" is an often electric, mostly pulsating, well-presented, heartfelt, but at times, too simplistic, unchallenging, and hurried documentary on a great singer's and enigmatic showperson's troubled and complex life. It overreaches in casting Nina Simone as a standard-bearer against racism and sexism, but, at the same time, it's filled with mesmerizing clips from throughout her performing career as well as numerous interviews of the artist and those closest to her, both through audio and on film. Director Liz Garbus is not just satisfied with recounting a biography; instead she presents to us a very painful journey through the career and motives of an ambivalent woman whose anger always exploded on stage, usually leaving a lump in the audience's throat and rapture in its eyes. Nevertheless, this is an intimate examination of the tragic life of the High Priestess of Soul.
- DirectorFrançois SimardAnouk WhissellYoann-Karl WhissellStarsMunro ChambersLaurence LeboeufMichael IronsideIn a post-apocalyptic wasteland in 1997, a comic book fan adopts the persona of his favourite hero to save his enthusiastic friend and fight a tyrannical overlord.With nods to the “Mad Max” series and “Escape from New York”, “Turbo Kid” packs plenty of retro affection, loopy fun, and a brilliant synth soundtrack while eyeing the best of 80’s cinema through an entertaining – albeit postmodern and surprisingly gory lens, but its over-the-top violence, admittedly, can get a tad tiresome. Still, it’s a lovingly assembled, fist-pumping fun-ride, and a treat for those who like their triumph-over-adversity drenched in buckets of blood. In its endearingly goofy way, “Turbo Kid” metaphorically says good things about the power reserves of our childhood – an inner superhero we can call upon when needed. At its heart, the film is a crazy and engaging postmodern pastiche of 80’s excess, setting its extreme sadism and gore alongside a great deal of sweetness and genuine charm.
- DirectorJalmari HelanderStarsSamuel L. JacksonOnni TommilaRay StevensonA young teenager camping in the woods helps rescue the President of the United States when Air Force One is shot down near his campsite.Finnish Director, Jalmari Helander’s follow-up to the dark, cult Christmas thriller “Rare Exports: A Christmas Tale” is a more than pleasant escapist diversion. Taken in a lighthearted spirit, it’s all good fun with some well-handled action sequences. Some of the scenes and dialogues in “Big Game” are funny on purpose, but it hardly matters when the action is so slick and the interplay so ripe. The film’s tongue-in-cheek humor and lapidary one-liners are boosted by some exceptionally staged stunts. Ultimately, “Big Game’s” fashioned with such charm that it ends up being lovable, funny, and exciting all at the same time. And yes, Samuel L. Jackson does get to call someone *beep* right before shooting him.
- DirectorNaji Abu NowarStarsJacir Eid Al-HwietatHussein Salameh Al-SweilhiyeenHassan Mutlag Al-MaraiyehIn the Ottoman province of Hijaz during World War I, a young Bedouin boy experiences a greatly hastened coming-of-age as he embarks on a perilous desert journey to guide a British officer to his secret destination.Shepherded by a rivetingly innocent performance from Jacir Eid Al-Hwietat in the eponymous character, “Theeb” is an assured, measured, and insightful debut from Director/cowriter Naji Abu Nowar. In fact, it unfolds like a contrasting version of “Lawrence of Arabia”, narrated from the perspective of Arab Bedouins rather than the colonial adventurers; ending up as a scrappy coming of age story rather than an epic yarn of grand, colonial designs. This is a disarmingly intricate coming-of-age adventure told against the backdrop of harsh beauty and filled with tense moments. Its poignancy will compel you to ponder and the spectacular landscape will leave you in awe. Yet, the effectiveness of the movie rests mostly on Al-Hwietat, whose portrayal of the titular character is both convincingly impressionable and justifiably compound. He’s a complete natural, showing us Theeb’s inquisitiveness, faithfulness, and street-smarts while still retaining the naivety of a boy who has been shielded from the outside world. Ultimately, “Theeb’s” most remarkable feature lies in its dependence on the misinterpreted.
- DirectorSpike BrandtTony CervoneStarsReese HartwigArnie PantojaJames HongTwo groups of classic cartoon characters come together in this fun-filled crossover with the popular action-adventure animated series Jonny Quest. Fans of all ages won't want to miss this heart-stopping adventure as tussling twosome Tom and Jerry join Jonny Quest and his pal Hadji and embark on a dangerous spy mission in order to save the world. It's just another day at the beach for the dueling Tom and Jerry ... until they bump into world-class junior spies Jonny Quest and Hadji and their canine companion, Bandit. When longtime Quest family nemesis Dr. Zin discovers that Jonny's father, Dr. Benton Quest, possesses a device that could solve the world's energy problems, Zin sends his evil cat army to steal it and capture Benton and his bodyguard, Race Bannon. That's when Jonny and his new furry friends spring into action! Get set for intrigue, thrills and suspense for the whole family. Tia Carrere and Tim Matheson lend their voices.A wonderful, nostalgic trip for those who grew up on Tom and Jerry and/or Johnny Quest cartoons. The smart decision by Warner Bros. to unite these legendary animated characters in one movie is given further credence by Directors Spike Brandt and Tony Cervone’s confident, tight, and easy-on-the-eye style that’s perfectly suited to Heath Corson and James Krieg’s witty, zany, fun-filled, and bonkers of a script. Pure nostalgia and laidback fun for all ages.
- DirectorJoel EdgertonStarsJason BatemanRebecca HallJoel EdgertonA married couple, Simon and Robyn, run into Gordo, an old classmate. Things take a turn when Gordo begins to drop in unannounced at their house and inundates them with mysterious gifts.A very well-made thriller full of unsettling twists and dramatic tension, “The Gift” is essentially a bleak drama with a strong message about bullying and the disturbing lows that humans can succumb to. Though it’s a relatively small film, and doesn’t quite evoke the Hitchcockian feel it aspires to embody, this chilling little game of cat and mouse packs a strong emotional impact, and augurs well for Edgerton’s future on either side of the camera.
- DirectorLana WachowskiLilly WachowskiStarsChanning TatumMila KunisEddie RedmayneA young woman discovers her destiny as an heiress of intergalactic nobility and must fight to protect the inhabitants of Earth from an ancient and destructive industry.So, is “Jupiter Ascending” a masterpiece? No, but I doubt the Wachowskis ever intend to make one of those. Sadly, "The Matrix" had astronomically raised expectations more than 15 years ago, and they haven’t been able to recreate that magic ever since. Still, if you’re not going in to deride the movie because it’s the cool thing to do, then you’re going to miss a thoroughly enjoyable ride of pulpy old-school fun.
The Wachowskis told us from the onset that this was a space opera – in other words, a horse opera (cowboy picture) in space. That is also what they delivered. They’ve given us a big, somewhat gaudy, colorful sci-fi adventure that is tethered to nothing other than their imaginations and influences. This is not to say that “Jupiter Ascending” is – as many have claimed – hard or impossible to follow.
One of the most depressing things about the release of “Jupiter Ascending” is the virtual feeding frenzy of criticism surrounding the film. The Wachowskis – who were once considered the golden children of science fiction, destined to lead a city of sequels, reboots and remakes out of the dark ages – have become two of the most maligned filmmakers for doing exactly what they’re supposed to do: make original and stimulating science fiction cinema. Yeah, I know a lot of people have taken issue with some clunky writing and poor casting (looking at you, “Cloud Atlas”). I don’t deny those things exist in their films. However, there’s still a lot of greatness in the Wachowskis’ vision.
Kunis and Tatum are entirely serviceable in the film, especially Tatum, with his naturally oozing, laidback star-appeal he so effortlessly brings to all his characters. Kunis’s character is sadly underwritten, and some of the silly decisions she makes throughout the film appear to be a result of the aforementioned bad writing that inherently plagues all post-Matrix Wachowski endeavors. The other thing that stands out as silly in this movie is Eddie Redmayne’s breathy villain. It’s an over-the-top performance and a calculated misfire, but I could easily look past it and enjoy the film itself.
“Jupiter Ascending” ultimately is a big, goofy sci-fi/action spectacle. Yes, it has some serious overtones, but you’re most likely to come away from it with images of its fantastical worlds, and the indelible vision of Channing Tatum zipping around on anti-gravity roller blades. In other words, it’s meant to be a big, highly imaginative, goofy, eye-popping spectacle, and it more than delivers and succeeds on these accounts. Ignore the snarky, misguided naysayers, grab your popcorn, and zip to your nearest theater to enjoy Tatum zooming across the screen in this lavish, fun sci-fi film. - DirectorTodd Strauss-SchulsonStarsTaissa FarmigaMalin AkermanAdam DevineA young woman grieving the loss of her mother, a famous scream queen from the 1980s, finds herself pulled into the world of her mom's most famous movie. Reunited, the women must fight off the film's maniacal killer.A horror comedy that proves that with the right actors you can make an amusing movie even if a lot of your ideas are borrowed - "The Final Girls" offers an affectionate nod to slasher tropes while adding a surprising layer of genuine emotion to go with its meta-amusement. It's a playful deconstruction of the slasher film that ultimately packs a surprisingly affecting punch. What's also refreshing is that "The Final Girls" trades in the slasher film staples of gore and wanton dismemberment for an unforced emotional depth that cuts deeper than any wound their killer could inflict. It also has genuine fun with itself by wickedly satirizing the mechanics of B-movies. "The Final Girls" is a fun mash-up of past and present, and any slasher fan should find themselves enamored with its nostalgic touches, new tweaks, and pure enthusiasm. It also serves as a surprisingly sweet send-up of one of Hollywood's most tedious yet celebrated sub- genres: the slasher horror film.
- DirectorChris CarrRoland HolmesNeil Mcenery-WestStarsLee RossSheila ReidGabriel SeniorWhat happens when an epidemic breaks out, but you're kept in the dark? Anything can happen. Slowly the residents realize that they will all die unless they come together.“Containment” gets by purely on resourcefulness and sincerity. It’s a niftily executed viral-outbreak thriller that, true to its title, makes good use of a confined space to ratchet up the drama of the situation, while working hard to bypass the more obvious narrative traps it creates for itself. Strong attention to detail and a disquieting score set this directorial debut feature apart, but some of the characters’ motivations aren’t entirely convincing. There’s nothing groundbreaking in this low-budget British thriller, but newbie director Neil Mcenery-West makes excellent use of his claustrophobic setting. Eventually, “Containment” succeeds in proving that you don’t need a whopping great budget, nor an A-list cast to produce an accomplished piece of work.
- DirectorCharles Stone IIIStarsViola DavisAml AmeenRon CaldwellTwo distraught mothers, whose children were gunned down in a drive-by, team up to avenge their deaths after local authorities fail to take action.Viola Davis is a formidable presence in “Lila & Eve”, playing the grieving mother of a teenage son killed in a drive-by shooting by a drug gang. Lila’s (Davis) grief is a pain that no parent should ever experience, and Davis plumbs the depths of that anguish in a stern, electrifying performance that transforms the film into something far beyond a mundane revenge thriller. While on the surface “Lila & Eve” resembles a grief-stricken mom picking up a gun and wreaking vengeance on the men responsible for her son’s death, the movie has much more in mind than purveying violent thrills.
Understated, naturalistic, gut-wrenching, and wholly real, Davis is spellbinding as a woman who surprises even herself by how much rage and darkness she has inside her. Lopez’s character is the more challenging one in some senses, for the film’s tonal consistency largely depends on Eve’s temptress role. The supporting actress occasionally seems more like an id-fueled sprite than a real person, but a late twist satisfactorily reveals why Eve is so sociopathically unbothered by the murders they commit.
Though more conflicted about their killing spree, Lila too has her moral compass broken by anguish that affects her far more than she had realized was possible. The movie unexpectedly shades into the surreal as the two women unleash their wrath on a variety of gangsters, but through it all Davis’ portrayal of a mother’s pain, moving from hopelessness and despair to revenge and regret, gives the picture its impressive power. Though a standard-issue vigilante thriller on the surface, “Lila & Eve” is also a profound portrait of loss without recourse or justice, and thus an important depiction of a state in which too many people suffer today without much being done about it. - DirectorBrandon ViettiStarsDiedrich BaderTroy BakerJohn DiMaggioIt's up to the Justice League to team up with their bizarre counterparts to stop Darkseid and save the galaxy!Breezy, superhero fun that's especially a treat for kids and adults who grew up on comic books. It harks back to a time that was simpler, more innocent, and campier - akin to the old cartoon shows based on these iconic characters. The animation, too, is more than decent considering that this isn't a staple DC, direct-to-home, video feature, but more of a commercial tie-in with a popular toy franchise. Overall, if you're a fan of superhero movies, comic book enthusiast, or ever played with LEGOs, you're sure to dig this short-and-snappy home-video.
- DirectorSpike BrandtTony CervoneStarsFrank WelkerMindy CohnGrey GriffinWhen a ghoul begins to terrorize an amusement park, the Mystery Inc. gang and legendary rock group, KISS, work together as the clues lead them on a cosmic journey to another dimension.“Scooby-Doo! and KISS: Rock and Roll Mystery” brings a self-aware silliness to the table that excuses many of its more far-fetched moments. With all of the references to their songs scattered about along with a dig on their own brand-merchandising gimmicks down the years, and the soundtrack blasting said tunes constantly, KISS fans (or the KISS army like we like to call ourselves) are liable to get as much enjoyment out of this movie as would Scooby fans, if not a bit more. Unfortunately, this is also sort of a problem, for while the rocking music and psychedelic animation are great, the presence of Scooby and the gang ends up downplayed as a result.
There really isn’t much of an investigation towards unfolding the mystery, which is a downer as along with all the madcap chase sequences, goofy fun, and witty humor the Mystery Machine gang has always been synonymous with unearthing good, old-fashioned, interesting mysteries; sort of living up to their moniker. This time they just assist KISS in chasing the easily-identifiable villain around before a rather unceremonious unmasking at the end. Still, “Scooby-Doo! and KISS: Rock and Roll Mystery” is about on par with most of the eponymous pooch’s escapades even though it doesn’t scale the heights of some of the gang’s superior outings (like last year’s “Scooby-Doo! WrestleMania Mystery” for instance); it’s really simple and zany, but it’s a harmless and genuinely funny little ditty all the same, and scores extra points for providing pure nostalgia to KISS and Scooby-Doo fans alike. - DirectorRadha Krishna JagarlamudiStarsAkshay KumarShruti HaasanKareena KapoorAfter a vengeful college professor targets corruption in the government, he adopts the name "Gabbar" and becomes a hero to a weary public.A good package of Akshay Kumar’s stardom and Bollywood’s action-masala formula. The action scenes leave a strong impact and the climax is good. The editing and cinematography suit the nature of the film. On the whole, the movie is largely entertaining, fast-paced, and flows well.
Akshay is absolutely incredibly in such roles! Charisma, superstar screen-presence, he’s got it all! He’s the headlining act of “Gabbar is Back”, and rightly so, because he’s indubitably the heart and soul of the movie. By the end of the film, you won’t be able to think of anyone better suited for this role. He doesn’t overplay his role and keeps it subtle in spite of having powerful scenes and over-the-top dialogues to deliver. Akshay showcases a complete exhibition of why his aura is still so strong after 2 decades in the movie business. Sunil Grover is good, too. He seamlessly merges into his character of the intellectual constable, Sadhu, and ensures that you forget his popular Gutthi act from television. In future, we hope to see more of this talented actor in film roles.
On the downside, the music and Shruti Haasan are the biggest disappointments. The dialogues, too, are quite bland and invoke a sense of 90’s Bollywood potboilers, while the production design gives the film a dated appearance. Also, SSuman Talwar is monotonous as the lead villain and doesn’t bring anything new to the film.
Still, it’s a must-watch if you’re an Akshay Kumar fan, and love full-blown, well-executed, commercial Bollywood entertainers. - DirectorRobert MondStarsTosh GreensladePaul HenriKatharine InnesEight strangers go into a locked room for clinical trials on a new drug that gives them superpowers.There’s something quite different about writer-director Robert Mond’s self-professed “anti-superhero” movie, “The Subjects”. This energetic, low-budget venture strips away the romantic idea that superpower-enhanced humans are blessed by fate and views them instead as lab rats embroiled in a cause out of their control. It's clear how much thought Mond has invested in his screenplay, particularly its structure, which is more intelligent than it initially appears. Experimentation with time travel, teleportation, and the impact new superpowers have are among the film’s most interesting thought-bubbles.
Where “The Subjects” really falters is in its technical aspects. It’s lit and graded blandly and brightly – a moodier or higher contrast look might have better suited the script’s dark elements. It could have also done with a better background score and more realistic sound effects in places.
However, “The Subjects” works an antidote to the standard-rate, cookie cutter superhero format audiences know all too well. It’s presented in a colorful way and loaded with kooky ideas. And while budgetary constraints are apparent – particularly in the special effects – so is Mond’s madly inventive brainstorming, which approaches the superhero genre with refreshing ambition. Worth a watch for his uniquely refreshing albeit unfulfilled take on the tried-and-tested superhero genre alone. - DirectorMichael MedagliaStarsSean McGrathAnne SorceDenise PoirierAn aspiring sculptor falls in love with a talking hole in the wall when it starts to produce award winning art.Michael Medaglia’s “Deep Dark” is a strong metaphor for the holes that artists must face – and fill – in their darkest hours of the soul. It's a Faustian pact with a talking, precarious, lascivious hole in a dingy basement studio/apartment/room-of-solitude-and-stimulation. The icky emptiness behind the wall produces a strange horror movie about the creative process (think Eraserhead or Barton Fink), as well as a mostly-hit-and-sometimes-miss satire of that sweet spot where art pushes hard against commerce.
- DirectorTed GeogheganStarsAndrew SensenigBarbara CramptonLarry FessendenIn the cold, wintery fields of New England, a lonely old house wakes up every thirty years - and demands a sacrifice."We Are Still Here" is the latest iteration of people unwittingly stumbling upon an ancient haunted house, and it succeeds more than it fails, thanks largely to the competent work of first-time director Ted Geoghegan. The Director does a great job in keeping the tension high, teasing his ghastly ghosts with escalating bouts of gore infested violence to make a film that will satisfy both haunted house and gore horror fans. That's not saying that "We Are Still Here" is up there with some of the best haunted house movies like "The Exorcist", "The Shining", "Poltergeist", or "The Conjuring", but it does offer enough decent scares and some moments of high tension to push it past pastiche. The film mixes stylish, subtle filmmaking with sudden gore effects to deliver a twisted take on the stale and anemic haunted house formula. And though it doesn't match up to the aforementioned classics, "We Are Still Here" stands on its own as a memorable and utterly creepy genre offering that deserves to be seen by horror fans that appreciate something out of the ordinary.
- DirectorPaul HyettStarsElliot CowanRosie DayCalvin DeanWhen passengers on a train are attacked by a creature, they must band together in order to survive until morning."Howl" might not break any horror conventions or revamp the werewolf genre - lending it a much-needed shot in the arm (and in abandoning conventional and mythologically established werewolf tropes, it could also slightly put off purists - me included - of this horror sub-genre) - but what it does have is a good, straightforward, engaging story with decently designed werewolves, well-written characters, and smooth direction. Director Paul Hyett keeps the drama visually interesting and entertaining despite the very contained location of a train – a long sausage of a space to work with. He also absolutely delivers on the key action sequences when the hapless passengers go toe to toe with his creatures. "Howl" keeps you on edge for most of its run-time, and also succeeds in evoking a degree of care for the characters on screen, but it will even have you cheering when the despicable or inane ones get their comeuppance.
- DirectorIsaac FlorentineStarsScott AdkinsNick ChinlundCaitlin KeatsA rogue soldier turned outlaw is thrust into a fight with a dirty sheriff and the cartel he works for to protect his niece and sister.Scott Adkins is cinema’s reigning B-movie badass, and he again teams with his frequent director Isaac Florentine (“Undisputed II” and “Undisputed III”, “Ninja”, and “Ninja: Shadow of a Tear”) for “Close Range”, a neo-western in which the star displays his gifts for leaping in slow motion, roundhouse-kicking bad guys in the face, and stabbing crotches with belt-buckle blades.
The flimsy plot isn’t enough to sustain even the film’s fleeting 85 minutes, something Florentine had done admirably well in the aforementioned B-movie classics. Fortunately, Florentine pads his material with one combative set piece after another involving anonymous adversaries (who are pointlessly but hilariously given actual names), all of them marked by Adkins’s use of lethal martial-arts moves and by handheld camerawork that captures mayhem in lucid, up-close-and-personal long takes.
Like its star, whose facial expressions range from grimaces to scowls, “Close Range” is a one-note throwback infused with the spirit of Bronson’s, Stallone’s, Schwarzenegger’s, Seagal’s, Norris’, and Van Damme’s most brutal 70s and 80s kill-’em-all sagas. It’s as unsubtle as a boot to the head, but its dour-and-campy lo-fi style is far preferable to the spastic flash of its big-budget genre compatriots. - DirectorAnees BazmeeStarsJohn AbrahamAnil KapoorNana PatekarA pair of reformed gangsters try to find a husband for their newly discovered sister, but complications arise due to mistaken identities.A completely madcap, zany, in-your-face silly comedy peppered with good production values and all the typical goofy ingredients that only a quintessential Bollywood masala movie can pull off. If for nothing else, “Welcome Back” should be viewed at least once for Raaj Shaandilyaa’s hilarious dialogues, and Nana Patekar and Anil Kapoor’s rib-tickling performances.
- DirectorDavid M. RosenthalStarsSanaa LathanMichael EalyMorris ChestnutAfter breaking up with her boyfriend, a professional woman gets involved with a man who seems almost too good to be true.“The Perfect Guy” isn’t exploring new territory in the “psycho-stalker” subgenre (although it’s notably more sensual than most films in this category). While the cast is capable and there are several moments of nail-biting tension, the plot leans too heavily on obvious clichés like the crazy collage of photos in the villain’s lair signifying his unhinged mental state, victims standing dumbfounded as the bad guy advances when they should be scrambling for their phone, and the laziest trope of all in American cinema: A gun will solve this.
But the end result is elevated by the stylish direction of David M. Rosenthal, who gives this Lifetime-esque movie a higher gloss than it usually receives. The film wouldn’t work if audiences didn’t believe that Leah’s passion for Carter was the real deal, and Rosenthal makes their animal attraction tangible in a scene in which they dance at an underground reggae venue, grinding against each other until they — and the audience — are at a fever pitch, culminating in a wide romp in the basement’s dingy, dank washroom. Moody shots of the golden haze hovering over Los Angeles in the morning might not be strictly necessary in a plot-driven feature like this, but when Rosenthal juxtaposes them with hungry coyotes roaming the canyon streets, he reminds us that there are all kinds of unscrupulous animals on the loose in L.A.
“The Perfect Guy” might be high melodrama, and its conclusion isn’t as pleasingly airtight as the ending in a thriller needs to be. Yet despite its faults and superficiality, it’s an effective and somewhat engrossing time-killer. - DirectorIan KessnerStarsSarah FisherMark WiebeJesse CamachoIn this clever homage to '80s slasher films, a group of teenagers looking to party get stranded when their ride breaks down and end up being stalked by a cannibalistic killer.“Lost After Dark” is shot in the style of cheesy ‘80s horror movies – the “Friday the 13th” and “Texas Chainsaw Massacre” knockoffs that we love for their sheer audacity and ability to poke fun at themselves. Writer/director Ian Kessner along with co-writer Bo Ransdell get the tone exactly right. “Lost After Dark” is a loving homage that is all sincere, no snark. It does break the rules for some clever twists, but it never makes fun of the horror movies it’s inspired from. Rather, the film celebrates those movies in a way that shows we don’t have to give this style up just yet – it can still be as much fun as it used to be. You might also recognize a few of the gags from “Grindhouse” but they are arguably better done here. The picture is treated with an effect to simulate a dirty film print, but it’s minor and only in the beginning and to simulate splices and reel changes.
Along with being as brutal and graphic as any other straight-faced horror movie out there, “Lost After Dark” is also an intriguing attempt to recreate the style of a slasher straight out of the 80s, and for the better part succeeds in its attempt. - DirectorButch LukicStarsTroy BakerEric BauzaSteve BlumThe Joker is aided in his Halloween quest to render modern technology useless and take over Gotham City by Solomon Grundy, Silver Banshee, Clayface and Scarecrow.A glorified toy commercial that’s actually fun. With this year’s colorful but unexciting “Batman Unlimited: Animal Instincts” proving such a bummer, my hopes for its follow-up, “Monster Mayhem”, tripping any triggers were fairly dim. Luckily, this futuristic take on the Dark Knight is a marked improvement in terms of humor, action, and overall style. It has a far less rocky go at making sure its tone isn’t too gloomy for kids but still flashy and chaotic enough not to give older viewers a lame impression. Using monster-themed members of Batman’s infamous rogues gallery seems a novel way to do just that, allowing the movie to have fun while still retaining a freaky edge.
The film still experiences some of the tired quips that plagued its predecessor, and while all of its crazy sci-fi imagery appears cool for the most part, I'd be fibbing if I said the story doesn't get too hokum in the second half or that the Caped Crusader's climactic virtual reality showdown against the Joker didn't absolutely go off-the-rails. Overall, "Batman Unlimited: Monster Mayhem" isn't among the be-cowled one's most sterling adventures as far as DC's animated, direct-to-video universe goes, but for something that will be dismissed by many as a glorified toy commercial, it's more lively and inventive than it lets on. - DirectorJames McTeigueStarsMilla JovovichPierce BrosnanDylan McDermottA Foreign Service Officer in London tries to prevent a terrorist attack set to hit New York City, but is forced to go on the run when she is framed for crimes she did not commit.When you’ve played a role as seminal as James Bond, which Pierce Brosnan did in four films over eight years from 1997 to 2005, it can’t be easy to shake off the shackles of what is your career-defining role. Brosnan has made a remarkably good job of it, though, appearing in various films from the daft-as-it gets albeit thoroughly enjoyable Abba musical “Mamma Mia!” to the Roman Polanski Silver Bear-winning “The Ghost Writer”. More recently, Brosnan has taken something of a return to his roots. Last year’s “The November Man” was an enjoyable if unspectacular romp that saw Brosnan’s retired spy team up with former Bond girl Olga Kurylenko to foil a worldwide terrorist plot. Now, “Survivor” sees him back in the spy-terrorist-evil plot fold in the character of a notorious assassin known as The Watchmaker.
In a break from tradition, Brosnan is the baddie this time, and he’s even developed a nervous twitch at the corner of his mouth, surely the method actor’s way of saying: “I am slightly unstable and definitely not James Bond or Remington Steele.” The film fits into the same enjoyable, if unspectacular slot as “The November Man”. Milla Jovovich is the usual rogue security operative, framed for a crime she didn’t commit and forced to go on the run from her own employers. Dylan McDermott portrays the loyal boss who knows she is innocent even though all around him have passed their judgment. And Brosnan is the international hitman hired to take her out before she can stop the evildoers in their tracks.
It’s a well-worn formula, and in fairness it’s been done better plenty of times. The holes in the plot are many, but it doesn’t really matter, because “Survivor” is 96 minutes of rip-roaring action, with heavyweight actors managing to paper over some of the glaring plot holes with their performances. Watch without prejudice, and you’ll enjoy it. - DirectorSooraj R. BarjatyaStarsSalman KhanSonam KapoorNeil Nitin MukeshWhile recovering from an assassination attempt four days before his coronation, a stern prince is replaced by a romantic lookalike.“Prem Ratan Dhan Payo” flows freely and the story moves along nicely whilst establishing the characters. However, the biggest problem with the film lies in its conflict, which doesn’t seem to be too problematic to really evoke concern later on when everything gets resolved. But this doesn’t create an issue with the proceedings because Salman Khan’s Prem Dilwale character keeps us entertained with his innocent antics and simplistic charm.
The climax between the dual characters of Salman and Neil Nitin Mukesh, and the scene where the doppelganger Prem posing as Prince Vijay Singh mends ties with the prince’s step-sisters stand out as real tearjerkers. There are a few absurdities like the placement of a palace on the edge of a waterfall, and a few dialogues and actions sound and feel regressive as well as outdated. Additionally, though the movie looks opulent, and clearly a lot of money has been spent on the sets and the costumes, the visual effects aren’t the best you’ve seen as compared to recent Bollywood fare, and the editing could have been tighter, too, but as we all know, Director Sooraj Barjatya believes in excesses, which isn’t such a bad thing considering the timing of the film’s release.
Nevertheless, at the end of its 160 minute duration, “Prem Ratan Dhan Payo” manages to make everyone smile, and the emotional moments work in their own innocuous, innocent, albeit naive way. The film thoroughly entertains with very few dull moments if you can immerse yourself in the world depicted on-screen. - DirectorIsaac GabaeffStarsBrooke ButlerCleo BerryCynthia MurellAfter an all-night graduation beach party, a group of hung-over twenty-somethings awake to a beating sun, and a seemingly carnivorous beach that devours anything with a heartbeat that touches the sand.It takes a degree of skill to make a cheesy creature-feature well. “The Sand” is actually quite a bit smarter that it looks on the surface. The suspense is palpable, the tension is surprisingly nerve-wracking at points, and the characters are written well enough to come across as rational individuals rather than a bunch of dumb, scantily clad teenagers. The plot does have it share of cringe-inducing dialogues and inexplicable moments, but, then again, it’s evident from the outset that the filmmakers were taking a cheesy route as stated in the beginning. What’s important is that they know the merits and strengths of their material, and waste no time in using them and toying with them well. Give “The Sand” some time, and it might just pull you in.
- DirectorBobby KhanStarsSunny LeoneRahul DevMohit AhlawatTwo lovers, having been denied true love 300 years ago, are reincarnated in order to correct that wrong.Ek Paheli Leela is exactly what it set out to be, and for that reason alone it’s entertaining and worth watching, because it serves its purpose. Yes, the plot is nothing out of the ordinary, but it was never meant to be to begin with, and more importantly, Director Bobby Khan does a good job of presenting the story in a linear, uncomplicated, easy-to-follow manner.
Sunny Leone’s sensuousness has been put to full use, and she’s made to strut her curvaceous form and oodles of oomph in bikinis, lingerie, scanty garbs, and sporadic sex scenes for the most part of the film’s runtime. However, somewhere in-between there’s also a decent thriller that not only fairly engages you but also ensures that Leone isn’t the only object of your attention. Kudos to the Director and Producer for not fixating on Leone’s sex appeal alone, and blending it cleverly within the storyline.
So, if you don’t expect too much out of the film (and frankly, you’d be quite inane to go in with high expectations), and enjoy it for its tangy little twists and soft-core elements, you’ll actually come away being pleasantly surprised. - DirectorJim WeedonStarsStanley WeberAnnabelle WallisKarel RodenVengeance is the driving force behind a shadow walker's return to Norman conquered Saxon lands after the Battle of Hastings and a brutal repression of it's people by a cruel lord.“Sword of Vengeance” showcases a great use of color, making the battlefield look hazy and depressing. It’s also heavy on style, has a great production design (considering its budget), and boasts impressive sets. There is an interesting background score to boot – very electronic and not at all what you might expect from a film set one thousand years ago, but nevertheless refreshing and merged well with the scenes.
The bleak and desolate landscape, the depiction of the silent warrior, and the tyranny of the Normans over the Saxons are all well-portrayed. Unfortunately, the plot feels scattered, and the character development, subpar. The audience is only treated to flashbacks of our prince’s past; how he got to where he is remains open to conjecture (and not of the less known the better kind). Though Weber does a good job of portraying his character, the writing and story does not provide adequate depth for the audience to sympathize with him, nor to be wholly engaged in his pursuit.
Among the pros of ‘Sword Of Vengeance’ are its scenery, costumes, and score, which are pretty good, considering it’s limited budget. The battle scenes are engrossing, barring certain portions where the use of slow-motion becomes excessive. The final battle looks epic with arrows, flames, pits, swords, axes, and plenty of mayhem. If you can look past the weak narrative and lack of character development, the film is worthy of an Itunes or Amazon download, especially for action buffs. - DirectorNima NourizadehStarsJesse EisenbergKristen StewartConnie BrittonA stoner - who is in fact a government agent - is marked as a liability and targeted for extermination. But he's too well-trained and too high for them to handle.“American Ultra” has a good concept and some interesting scenes, but like its stoned protagonist, it’s too easily distracted to live up to its true potential. There are patches where the film stalls and crumbles under too much explanation. That’s a shame, because the movie does have bite and entertaining moments. But you shouldn’t have to be stoned to appreciate the whole product. Eventually, “American Ultra” will go down as a movie that got lost in its own mashup of genres. It alternates laughs, love, explosions, and Steven Seagal-esque killings – only it’s not as good as all that sounds.