Film Utilitar Master I, Sem.2
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- DirectorHarun FarockiStarsGerd Volker BussäusHarun FarockiCaroline GremmShort film which explores the origins of napalm, it's use in the Vietnam war, and it's evil effects on society.C1
- DirectorHarun FarockiC2
- DirectorHarun FarockiC2
- DirectorHarun FarockiAn oddity: a mock-documentary, satirizing West German life, from the perspective of a leftwing East German filmmaker.C3
- DirectorHarun FarockiStarsKaja SilvermanAre today's advertising photographers continuing in the tradition of 17th century Flemish painters? This is one theory director Harun Farocki poses in his documentary STILL LIFE. According to Harun Farocki, today's photographers also depict objects from everyday life - the "still life". The filmmaker illustrates this intriguing hypothesis with three documentary sequences showing photographers at work creating a contemporary STILL LIFE: a cheese-board, beer glasses and an expensive watch.C3
- DirectorHarun FarockiStarsHarun FarockiIn the documentary INTERFACE media artist and director Harun Farocki examines his own media work and explores what it means to work with existing imagery rather than producing one's own, new images. Harun Farocki was commissioned by the Lille Museum of Modern Art in France to produce a video "about his work". His creation was an installation for two screens that was presented within the scope for the 1995 exhibition "The World of Photography". The film INTERFACE developed out of that installation. The German title of the film is SCHNITTSTELLE and it plays on the double meaning of "Schnitt" (cut), referring both to Farocki's workplace, the editing table, as well as the "human-machine interface", where a person operates a computer using a keyboard and a mouse. (3sat, September 1995)C4
- DirectorHarun FarockiStarsHarun FarockiA hundred years of scenes in which workers are seen leaving their factory spaces are used to deconstruct the ideology behind representations of such workers in both fiction and non fiction films.C5
- DirectorHarun FarockiStarsHarun FarockiC5
- DirectorHarun FarockiImages from the films of Robert Bresson and Jean Genet as well as documentaries of the Nazi period exist in dialogue with discarded surveillance recordings from maximum-security prisons in the United States.