Male actors either best known as bad guys or who played them perfectly well when needed.
List of bad guys
List activity
160 views
• 72 this weekCreate a new list
List your movie, TV & celebrity picks.
70 people
- Actor
- Writer
- Soundtrack
Adam Williams was born on 26 November 1922 in Manhattan, New York City, New York, USA. He was an actor and writer, known for North by Northwest (1959), The Big Heat (1953) and The Proud and Profane (1956). He was married to Marilee Phelps and Doris Frances Hollingsworth. He died on 4 December 2006 in Los Angeles, California, USA.- Actor
- Soundtrack
Blond, good looking Jason Evers played many seemingly ordinary, respectable men who often turned out to harbor malign intent, twisted motivations, or complicated personalities. Although probably best known for playing Dr. Bill Corter in the 1962 cult film The Brain That Wouldn't Die (1962), Evers did much more than meets the eye. He quit school to join the army during WWII, and later decided to become an actor after seeing such Hollywood stars as John Wayne and Humphrey Bogart. His first big break was in 1960 in the TV series Wrangler (1960) and he followed that with roles in Pretty Boy Floyd (1960), House of Women (1962), and another TV series, Channing (1963).
His career began to decline in the 1970s. He appeared with Roddy McDowall in Escape from the Planet of the Apes (1971), one of the sequels to the smash Planet of the Apes (1968), and in the made-for-TV thriller Fer-de-Lance (1974). He was a vengeful hunter out to kill a murderous grizzly bear in Claws (1977) and a biologist out to stop man-eating fish (with Wayne Crawford) in Barracuda (1978).
He made more than 65 appearances in TV series and made-for-TV films during the 1980s, and returned to the big screen in 1990 for Basket Case 2 (1990). He died of heart failure in New York City in 2005.- Actor
- Director
- Producer
Dennis Burkley was born on 10 September 1945 in Van Nuys, Los Angeles, California, USA. He was an actor and director, known for Hollywood Homicide (2003), Stop! Or My Mom Will Shoot (1992) and The Doors (1991). He was married to Laura Burkley. He died on 14 July 2013 in Sherman Oaks, Los Angeles, California, USA.- Character actor John Davis Chandler was born on January 28, 1935, in Hinton, West Virginia. He was raised in Charleston, West Virginia. Tall and thin, with fair hair, piercing blue eyes, a pale complexion and a nasal, whiny voice, Chandler specialized in portraying mean, neurotic and dangerous villains. He made an impressive film debut in his sole starring part as the titular sniveling, psychotic, homicidal weasel gangster in Mad Dog Coll (1961). He acted in a trio of Westerns for director Sam Peckinpah, and is especially memorable (and frightening) as the creepy Jimmy Hammond in the magnificent Ride the High Country (1962). He was excellent as vicious punk Arthur Reardon in The Young Savages (1961). He made an effectively loathsome appearance as a vile bushwhacker in the supremely spooky horror-western The Shadow of Chikara (1977) and had a nice bit as a bounty hunter in Clint Eastwood's terrific The Outlaw Josey Wales (1976). He even played a good guy--of sorts--in Peckinpah's Major Dundee (1965).
Chandler popped up in three entertaining drive-in exploitation features for director William Grefé: at his wacky best as the crazed, doped-up Acid in The Hooked Generation (1968), a foul shark poacher in the fun Jaws (1975) copy Mako: The Jaws of Death (1976) and an evil pot farmer in Whiskey Mountain (1977). Among the many TV shows John did guest spots on are Star Trek: Deep Space Nine (1993), Walker, Texas Ranger (1993), Chicago Hope (1994) ER (1994), Simon & Simon (1981), Hunter (1984), Murder, She Wrote (1984), Hill Street Blues (1981), T.J. Hooker (1982), Fantasy Island (1977), The Incredible Hulk (1978), Police Woman (1974), Gunsmoke (1955), Adam-12 (1968), The Fugitive (1963), Combat! (1962), The Rifleman (1958), Route 66 (1960) and The Virginian (1962). In real life he was an avid practitioner of yoga. Chandler died at age 75 on February 16, 2010 in Toluca Lake, California. - A Drama Desk Award-winning actor ("A Whistle in the Dark" [1969] ) and a Tony Award nominee (as "Monsieur Colmier", "Marat/Sade" [1967] ), he began his career as a member of New York's Neighborhood Playhouse from 1940 to 1942, where he studied with noted acting instructor, Sanford Meisner, before joining the U.S. Merchant Marine during World War II. Upon his return, he made his Broadway debut in 1945 in "The Tempest". His stepson, David Hirson, told the Los Angeles Times in an interview that his stepfather was always proudest of his stage work.
His mother died soon after his birth, during the Spanish influenza pandemic of 1918, and he was raised by his father, who was a textile worker, and his stepmother.
Most of his acting successes in films came after he reached the age of fifty, although he was a pioneering actor in the days of early television, notably as the third actor, though he had the longest tenure (1950-55),after Bram Nossen and Hal Conklin to play "Dr. Pauli", nemesis of "Captain Video" on the daily TV series, _"Captain Video and His Video Rangers" (1949-1955) over the DuMont Television Network. His portrayal of "Burt Johnson" in Arthur (1981) earned praise from the New York Times as a "standout performance". - Actor
- Additional Crew
Val Avery was born on 14 July 1924 in Philadelphia, Pennsylvania, USA. He was an actor, known for The Magnificent Seven (1960), The Amityville Horror (1979) and Cobra (1986). He was married to Margot Stevenson. He died on 12 December 2009 in Greenwich Village, Manhattan, New York City, New York, USA.- Pepper Martin was born on 20 September 1936 in Hamilton, Ontario, Canada. He was an actor, known for Superman II (1980), Superman II: The Richard Donner Cut (1980) and General Hospital (1963). He died on 18 March 2022 in Glendale, California, USA.
- Actor
- Animation Department
- Soundtrack
He had one of Hollywood's most distinctive faces and a stentorian baritone voice to match. Character actor John Dehner, was born John Forkum in Staten Island, New York, the son of a globe-trotting artist. He attended school in France and Norway, in the process learning to speak four languages fluently. Back in the U.S., he graduated from high school in New York and proceeded to study for a diploma in art at the University of California. Any plans he might have had of following in his father's footsteps were derailed, however, when the acting bug suddenly took hold. In short order, the cash-strapped Dehner relocated to sunny California in search of a job. He worked for a while as a professional pianist and band leader but was then able to finagle a position as an assistant animator with Disney Studios for a salary of $18 a week. Dehner had a hand in several classic feature sequences, including Fantasia (1940) and Bambi (1942), as well as a few Donald Duck and Pluto cartoons. He returned to Disney in later years as a narrator and also played the part of Viceroy Don Esteban in an episode of the TV series Zorro (1957).
After leaving the Disney art department, Dehner did a stint as a public relations officer in the army during World War II and then returned to California as a radio announcer and news editor for stations KMBC and KFWB. In the course of many years, Dehner amassed a remarkable series of radio acting credits, most notably starring as Paladin in "Have Gun - Will Travel" and in similarly popular action programs like "Gunsmoke" and "Fort Laramie" (this, in spite of turning down several offers to play Marshall Matt Dillon on TV because he did not want to be typecast in westerns!). In films from the mid-40s, Dehner served a lengthy apprenticeship in assorted bit parts before graduating as one of Hollywood's most reliable villains, be they suave gamblers, crooked bankers, grifters or gunslingers. Just as often, his authoritarian demeanor proved perfect casting for stern fathers, military brass or cops. In The Left Handed Gun (1958), Dehner received second billing as Pat Garrett, co-starring opposite Paul Newman's Billy the Kid. On the small screen, he invariably made an impact as guest star in myriad classic TV shows, including Yancy Derringer (1958), Tales of Wells Fargo (1957), The Roaring 20's (1960), Maverick (1957), Bronco (1958), 77 Sunset Strip (1958), Rawhide (1959) and The Doris Day Show (1968) (a regular part during seasons four and five, as Doris's editor Cy Bennett). Dehner appeared in three episodes of The Twilight Zone (1959), reserving one of his best performances (displaying a wonderfully dry comic talent) as the titular huckster in late 1800s Arizona, in the episode "Mr. Garrity and the Graves" (1963).
One of Hollywood's most hard-working character actors, John Dehner died in Santa Barbara, California, on February 4 at the age of 76.- Actor
- Producer
- Director
Richard Widmark established himself as an icon of American cinema with his debut in the 1947 film noir Kiss of Death (1947), in which he won a Best Supporting Actor Academy Award nomination as the killer Tommy Udo. Kiss of Death (1947) and other noir thrillers established Widmark as part of a new generation of American movie actors who became stars in the post-World War II era. With fellow post-War stars Kirk Douglas and Robert Mitchum, Widmark brought a new kind of character to the screen in his character leads and supporting parts: a hard-boiled type who does not actively court the sympathy of the audience. Widmark was not afraid to play deeply troubled, deeply conflicted, or just downright deeply corrupt characters.
After his debut, Widmark would work steadily until he retired at the age of 76 in 1990, primarily as a character lead. His stardom would peak around the time he played the U.S. prosecutor in Judgment at Nuremberg (1961) as the 1950s segued into the 1960s, but he would continue to act for another 30 years.
Richard Weedt Widmark was born in Sunrise Township, Minnesota, to Ethel Mae (Barr) and Carl Henry Widmark. His father was of Swedish descent and his mother of English and Scottish ancestry. He has said that he loved the movies from his boyhood, claiming, "I've been a movie bug since I was 4. My grandmother used to take me". The teenaged Widmark continued to go to the movies and was thrilled by Dracula (1931) and Frankenstein (1931). "I thought Boris Karloff was great", Widmark said. Although he loved the movies and excelled at public speaking while attending high school, Widmark attended Lake Forest College with the idea of becoming a lawyer. However, he won the lead role in a college production of, fittingly enough, the play "Counsellor-at-Law", and the acting bug bit deep. After taking his bachelor of arts degree in 1936, he stayed on at Lake Forest as the Assistant Director of Speech and Drama. However, he soon quit the job and moved to New York to become an actor, and by 1938 he was appearing on radio in "Aunt Jenny's Real Life Stories". He made his Broadway debut in 1943 in the play "Kiss and Tell" and continued to appear on stage in roles that were light-years away from the tough cookies he would play in his early movies.
After World War II, he was signed by 20th Century-Fox to a seven-year contract. After seeing his screen test for the role of Tommy Udo, 20th Century-Fox boss Darryl F. Zanuck insisted that the slight, blonde Widmark - no one's idea of a heavy, particularly after his stage work - be cast as the psychopath in Kiss of Death (1947), which had been prepared as a Victor Mature vehicle. Even though the role was small, Widmark stole the picture. The publicity department at 20th Century-Fox recommended that exhibitors market the film by concentrating on thumping the tub for their new antihero. "Sell Richard Widmark" advised the studio's publicity manual that an alert 20th Century-Fox sent to theater owners. The manual told local exhibitors to engage a job printer to have "wanted" posters featuring Widmark's face printed and pasted up. He won a Golden Globe and an Oscar nod for the part, which led to an early bout with typecasting at the studio. Widmark played psychotics in The Street with No Name (1948) and Road House (1948) and held his own against new Fox superstar Gregory Peck in the William A. Wellman western Yellow Sky (1948), playing the villain, of course. When his pressuring the studio to let him play other parts paid off, his appearance as a sailor in Down to the Sea in Ships (1949) made headlines: Life magazine's March 28, 1949, issue featured a three-page spread of the movie headlined "Widmark the Movie Villain Goes Straight". He was popular, having captured the public imagination, and before the decade was out, his hand- and footprints were immortalized in concrete in the court outside Grauman's Chinese Theatre in Hollywood.
The great director Elia Kazan cast Widmark in his thriller Panic in the Streets (1950), not as the heavy (that role went to Jack Palance) but as the physician who tracks down Palance, who has the plague, in tandem with detective Paul Douglas. Widmark was establishing himself as a real presence in the genre that later would be hailed as film noir. Having proved he could handle other roles, Widmark didn't shy away from playing heavies in quality pictures. The soon-to-be-blacklisted director Jules Dassin cast him in one of his greatest roles, as the penny-ante hustler Harry Fabian in Night and the City (1950). Set in London, Widmark's Fabian manages to survive in the jungle of the English demimonde, but is doomed. Widmark was masterful in conveying the desperation of the criminal seeking to control his own fate but who is damned, and this performance also became an icon of film noir. In that same year, he appeared in Oscar-winning writer-director Joseph L. Mankiewicz's No Way Out (1950) as a bigot who instigates a race riot.
As the 1950s progressed, Widmark played in westerns, military vehicles, and his old stand-by genre, the thriller. He appeared with Marilyn Monroe (this time cast as the psycho) in Don't Bother to Knock (1952) and made Pickup on South Street (1953) that same year for director Samuel Fuller. His seven-year contract at Fox was expiring, and Zanuck, who would not renew the deal, cast him in the western Broken Lance (1954) in a decidedly supporting role, billed beneath not only Spencer Tracy but even Robert Wagner and Jean Peters. The film was well respected, and it won an Oscar nomination for best screenplay for the front of Hollywood 10 blacklistee Albert Maltz. Widmark left Fox for the life of a freelance, forming his own company, Heath Productions. He appeared in more westerns, adventures and social dramas and pushed himself as an actor by taking the thankless role of the Dauphin in Otto Preminger's adaptation of George Bernard Shaw's Saint Joan (1957), a notorious flop that didn't bring anyone any honors, neither Preminger, his leading lady Jean Seberg, nor Widmark. In 1960, he was appearing in another notorious production, John Wayne's ode to suicidal patriotism, The Alamo (1960), with the personally liberal Widmark playing Jim Bowie in support of the very conservative Wayne's Davy Crockett. Along with character actor Chill Wills, Widmark arguably was the best thing in the movie.
In 1961, Widmark acquitted himself quite well as the prosecutor in producer-director Stanley Kramer's Judgment at Nuremberg (1961), appearing with the Oscar-nominated Spencer Tracy and the Oscar-winning Maximilian Schell, as well as with superstar Burt Lancaster and acting genius Montgomery Clift and the legendary Judy Garland (the latter two winning Oscar nods for their small roles). Despite being showcased with all this thespian firepower, Widmark's character proved to be the axis on which the drama turned. A little later, Widmark appeared in two westerns directed by the great John Ford, with co-star James Stewart in Two Rode Together (1961) and as the top star in Ford's apologia for Indian genocide, Cheyenne Autumn (1964). On Two Rode Together (1961), Ford feuded with Jimmy Stewart over his hat. Stewart insisted on wearing the same hat he had for a decade of highly successful westerns that had made him one of the top box office stars of the 1950s. Both he and Widmark were hard-of-hearing (as well as balding and in need of help from the makeup department's wigmakers), so Ford would sit far away from them while directing scenes and then give them directions in a barely audible voice. When neither one of the stars could hear their director, Ford theatrically announced to his crew that after over 40 years in the business, he was reduced to directing two deaf toupees. It was testimony to the stature of both Stewart and Widmark as stars that this was as far as Ford's baiting went, as the great director could be extraordinarily cruel.
Widmark continued to co-star in A-pictures through the 1960s. He capped off the decade with one of his finest performances, as the amoral police detective in Don Siegel's gritty cop melodrama Madigan (1968). With Madigan, one can see Widmark's characters as a progression in the evolution of what would become the late 1960s nihilistic antihero, such as those embodied by Clint Eastwood in Siegel's later Dirty Harry (1971). In the 1970s, he continued to make his mark in movies and, beginning in 1971, in television. In movies, he appeared primarily in supporting roles, albeit in highly billed fashion, in such films as Sidney Lumet's Murder on the Orient Express (1974), Robert Aldrich's Twilight's Last Gleaming (1977), and Stanley Kramer's The Domino Principle (1977). He even came back as a heavy, playing the villainous doctor in Coma (1978).
In 1971, in search of better roles, he turned to television, starring as the President of the U.S. in the TV miniseries Vanished (1971). His performance in the role brought Widmark an Emmy nomination. He resurrected the character of Madigan for NBC in six 90-minute episodes that appeared as part of the rotation of "NBC Wednesday Mystery Movie" for the fall 1972 season. Widmark was married for 55 years to playwright Jean Hazlewood, from 1942 until her death in 1997 (they had one child, Anne, who was born in 1945). He lived quietly and avoided the press, saying in 1971, "I think a performer should do his work and then shut up". Los Angeles Times critic Kevin Thomas thought that Widmark should have won an Oscar nomination for his turn in When the Legends Die (1972) playing a former rodeo star tutoring Frederic Forrest's character.
It is surprising to think that Kiss of Death (1947) represented his sole Oscar nomination, but with the rise of respect for film noir around the time his career began tapering off in the '70s, he began to be reevaluated as an actor. Unlike Bogart, who did not live to see his reputation flourish after his death, Widmark became a cult figure well before he retired.- After graduating from high school in 1923, Thomas Sabino Gomez answered a help wanted ad, which resulted in his joining the Alfred Lunt and Lynn Fontanne theater group. Prior to that time he had not considered acting as a career. He continued working as an actor with the Lunts, traveling across country and honing his acting skills. Eventually he began performing in New York's legitimate theater. His film debut occurred in 1942 in Sherlock Holmes and the Voice of Terror (1942) as, of course, a bad guy. While shooting that film he lived at the Hollywood Roosevelt Hotel. He gained a reputation as a methodical man, who would have his daily newspaper brought to his room, where it was placed on the top of an ever growing stack. When he had time to read, he would have a bellboy come to the room and lift the stack of papers, from which he would withdraw the bottom paper.
Gomez was a strong union man and served on the board of directors of the Screen Actors Guild for more than 40 years. In the late 1940s he purchased a home in the Hollywood Hills, and lived there until his death. While his film career consisted most of supporting roles, on the Broadway stage he was a star, playing lead roles in such productions as "A Man for All Seasons". He was also known as a devotee of gourmet dining, and was well known at most of the best restaurants in Hollywood and New York. He was a heavyset man, weighing over 290 pounds during most of his lifetime. Just prior to his death his doctor had placed him on a diet. At the time of his death his weight was less than 150 pounds. He was survived by a sister who lived in New York. - Actor
- Writer
- Director
Peter Lorre was born László Löwenstein in Rózsahegy in the Slovak area of the Austro-Hungarian Empire, the son of Hungarian Jewish parents. He learned both Hungarian and German languages from birth, and was educated in elementary and secondary schools in the Austria-Hungary capitol Vienna, but did not complete. As a youth he ran away from home, first working as a bank clerk, and after stage training in Vienna, Austria, made his acting debut at age 17 in 1922 in Zurich, Switzerland. He traveled for several years acting on stage throughout his home region, Vienna, Berlin, and Zurich, including working with Bertolt Brecht, until Fritz Lang cast him in a starring role as the psychopathic child killer in the German film M (1931).
After several more films in Germany, including a couple roles for which he learned to speak French, Lorre left as the Nazis came to power, going first to Paris where he made one film, then London where Alfred Hitchcock cast him as a creepy villain in The Man Who Knew Too Much (1934), where he learned his lines phonetically, and finally arrived in Hollywood in 1935. In his first two roles there he starred as a mad scientist in Mad Love (1935) directed by recent fellow-expatriate Karl Freund, and the leading part of Raskolnikov in Crime and Punishment (1935), by another expatriate German director Josef von Sternberg, a successful movie made at Lorre's own suggestion. He returned to England for a role in another Hitchcock film, Secret Agent (1936), then back to the US for a few more films before checking into a rehab facility to cure himself of a morphine addiction.
After shaking his addiction, in order to get any kind of acting work, Lorre reluctantly accepted the starring part as the Japanese secret agent in Thank You, Mr. Moto (1937), wearing makeup to alter his already very round eyes for the part. He ended up committed to repeating the role for eight more "Mr. Moto" movies over the next two years.
Lorre played numerous memorable villain roles, spy characters, comedic roles, and even a romantic type, throughout the 1940s, beginning with his graduation from 30s B-pictures The Maltese Falcon (1941). Among his most famous films, Casablanca (1942), and a comedic role in the Broadway hit film Arsenic and Old Lace (1944).
After the war, between 1946 and '49 Lorre concentrated largely on radio and the stage, while continuing to appear in movies. In Autumn 1950 he traveled to West Gemany where he wrote, directed and starred in the critically acclaimed but generally unknown German-language film The Lost Man (1951), adapted from Lorre's own novel.
Lorre returned to the US in 1952, somewhat heavier in stature, where he used his abilities as a stage actor appearing in many live television productions throughout the 50s, including the first James Bond adaptation Casino Royale (1954), broadcast just a few months after Ian Fleming had published that first Bond novel. In that decade, Lorre had various roles, often to type but also as comedic caricatures of himself, in many episodes of TV series, and variety shows, though he continued to work in motion pictures, including the Academy Award winning Around the World in 80 Days (1956), and a stellar role as a clown in The Big Circus (1959).
In the late 50s and early 1960s he worked in several low-budget films, with producer-director Roger Corman, and producer-writer-director Irwin Allen, including the aforementioned The Big Circus and two adventurous Disney movies with Allen. He died from a stroke the year he made his last movie, playing a stooge in Jerry Lewis' The Patsy (1964).- Actor
- Writer
- Producer
Towering 7' 2" tall actor who cornered the market on playing giants, intimidating henchmen, bayou swamp monsters and steel toothed villains! Kiel worked in numerous jobs including as a night club bouncer and a cemetery plot salesman, before breaking into film & TV in several minor roles in the late 1950s / early 1960s. Noted among these was the alien "Kanamit" in the classic The Twilight Zone (1959) episode "To Serve Man", and terrorizing Arch Hall Jr. while clad in a loincloth in the prehistoric caveman meets virile teenage drama Eegah (1962).
Kiel turned up in two episodes of the classic horror TV series Kolchak: The Night Stalker (1974). On one occasion playing a Native American evil spirit with the ability to transform into various animals. On his second appearance, Kiel was unrecognizable as a Spanish moss covered, Louisiana swamp monster brought to life by a patient involved in deep sleep therapy.
However, his biggest break came in 1977 when he was cast as the unstoppable, steel toothed henchman "Jaws" in the finest Roger Moore film of the Bond series The Spy Who Loved Me (1977). Such was Kiel's popularity with movie audiences, that his character was brought back for the next Bond outing Moonraker (1979). However, audiences were quite split on opinions when Kiel's "Jaws" character changes sides near the film's conclusion and assists 007, Roger Moore, in saving the Earth.
Over the next few years, Kiel appeared in relatively non-demanding comedy or fantasy type films taking advantage of his physical stature and presence. Kiel then decided to try his hand behind the camera and co-wrote and produced, plus took the lead role, in the well received family movie The Giant of Thunder Mountain (1990). Demand for Kiel's unique attributes dropped very sharply in the 1990's, leading to only a handful of roles including reprising his "Jaws" character in the Matthew Broderick film Inspector Gadget (1999). In 2002, Kiel penned his informative autobiography entitled "Making it BIG in the movies". He passed away in 2014.- Actor
- Soundtrack
Sydney Greenstreet's father was a leather merchant with eight children. Sydney left home at age 18 to make his fortune as a Ceylon tea planter, but drought forced him out of business and back to England. He managed a brewery and, to escape boredom, took acting lessons. His stage debut was as a murderer in a 1902 production of "Sherlock Holmes". From then on he appeared in numerous plays in England and the US, working through most of the 1930s with Alfred Lunt and Lynn Fontanne at the Theatre Guild. His parts ranged from musical comedy to Shakespeare. His film debut, occurring when he was 62 years old and weighing nearly 300 pounds, was as Kasper Guttman in the classic The Maltese Falcon (1941), with Humphrey Bogart and Peter Lorre. He teamed with Lorre in eight more movies after that. In eight years he made 24 films, all while beset by diabetes and Bright's disease. In 1949 he retired from films, and died four years later. He was 75.- Actor
- Producer
- Additional Crew
Robert Knepper, the son of a veterinarian, was born in Fremont, Ohio, and was raised in Maumee (near Toledo). When he was growing up, his mother worked in the props department for the community theater, and because of her involvement, he became interested in acting. Robert began his career in theater in his hometown before majoring in theater at Northwestern University. He has performed in over one hundred professional theatrical productions around the world. He is a resident of Southern California.- Henry Silva was born on September 23, 1926 in Brooklyn, New York. He quit public school to attend drama classes at age 13, supporting himself as a dishwasher in a Manhattan hotel. By 1955, Silva had moved up from dishwasher to waiter, and felt ready to audition for the Actors Studio. He was one of five students chosen out of more than 2500 applicants. When the Actors Studio staged Michael V. Gazzo's play "A Hatful of Rain" as a classroom project, it proved so successful it came to Broadway--with students Ben Gazzara, Shelley Winters, Harry Guardino, Anthony Franciosa and, of course, Silva in key roles. Called to Hollywood, he played a succession of heavies in films, including The Bravados (1958), Green Mansions (1959), Ocean's Eleven (1960), The Manchurian Candidate (1962) and Johnny Cool (1963).
An Italian producer made Henry an offer he could not refuse--to star as a hero for a change--and he moved his family overseas. Silva's turning-point picture was a spaghetti Western, The Hills Run Red (1966), which made him a hot box office commodity in Spain, Italy, Germany and France. His popularity was enhanced by a gift for languages. He speaks Italian and Spanish fluently and has a flair for the kind of gritty, realistic roles that also catapulted Charles Bronson to European stardom. Returning to the United States, he co-starred with Frank Sinatra in the film Contract on Cherry Street (1977), then signed on as Buck Rogers' evil adversary Kane in Buck Rogers in the 25th Century (1979) and the television series of the same name. Silva now calls the San Fernando Valley home, but makes continual film forays back to Europe's production centers. A dedicated jogger, he puts in five miles a day "to keep in shape and relieve tension". - Actor
- Writer
- Soundtrack
Burly, talented character actor who remained consistently busy playing "rough edged" or scary characters, often on the wrong side of the law. Young was born on April 30, 1940, in New York City, the son of a high school shop teacher. He is of Italian descent. Young received his dramatic arts training under acting coach Lee Strasberg at the Actors Studio.
Young first gathered notice playing tough thugs in such films as The Gang That Couldn't Shoot Straight (1971), Across 110th Street (1972), Chinatown (1974) and The Gambler (1974). Director Sam Peckinpah cast Young as the getaway driver/assassin, "Mac", in The Killer Elite (1975), and Young came to the attention of newcomer Sylvester Stallone, who cast him as future brother-in-law "Paulie" in the 1976 sleeper hit Rocky (1976).
Young was nominated for an Oscar, and has gone on to reprise the role in all five "Rocky" sequels to date! Peckinpah re-hired him to play renegade trucker "Pigpen" in the moderately successful Convoy (1978) (watch for "Pigpen's" Mack truck where the writing on the door states "Paulie Hauling"!).
Young also appeared in Once Upon a Time in America (1984), The Pope of Greenwich Village (1984), Last Exit to Brooklyn (1989), Mickey Blue Eyes (1999) and The Adventures of Pluto Nash (2002).- Actor
- Writer
Don Gordon was born on 13 November 1926 in Los Angeles, California, USA. He was an actor and writer, known for The Towering Inferno (1974), Papillon (1973) and Bullitt (1968). He was married to Denise Farr, Bek Nelson, Nita Talbot and Helen Westcott. He died on 24 April 2017 in Los Angeles, California, USA.- Bruce Gordon was born on 1 February 1916 in Fitchburg, Massachusetts, USA. He was an actor, known for Piranha (1978), Tower of London (1962) and The Buccaneer (1958). He was married to Mary Jane Farrar Falvey and Marla Gordon. He died on 20 January 2011 in Santa Fe, New Mexico, USA.
- Actor
- Soundtrack
Character actor Anthony James was born on July 22, 1942 in Myrtle Beach, South Carolina. Unusually tall (6' 6½) and lanky, with a rough, pockmarked face, a lean, stringy build, and an extremely intense screen presence, James was often cast in Westerns as scary, sleazy villains. He was especially memorable as the racist diner counterman in the outstanding In the Heat of the Night (1967). Other noteworthy parts include a gay hitchhiker in the cult classic Vanishing Point (1971), a priest in The Culpepper Cattle Co. (1972), an outlaw in High Plains Drifter (1973), a deranged psycho in The Teacher (1974), the chauffeur from hell in the chiller Burnt Offerings (1976), and the vicious leader of a gang of ferocious barbarians in the science fiction film Ravagers (1979).
James was hilarious in a rare change-of-pace good guy role as a heroic cannibal (!) in the post-nuke sci-fi romp World Gone Wild (1987), and also parodying his evil persona in The Naked Gun 2½: The Smell of Fear (1991). Among the many television shows in which he appeared in guest roles were Married... with Children (1987), Beauty and the Beast (1987), Star Trek: The Next Generation (1987), Simon & Simon (1981), The A-Team (1983), Riptide (1984), The Fall Guy (1981), Hunter (1984), Buck Rogers in the 25th Century (1979), Quincy M.E. (1976), Charlie's Angels (1976), Vega$ (1978), Starsky and Hutch (1975), S.W.A.T. (1975), Ironside (1967), Hawaii Five-O (1968), Bonanza (1959), Gunsmoke (1955) and The Big Valley (1965).
James's last film appearance to date was as the owner of a seedy bordello in Clint Eastwood's Unforgiven (1992). After quitting acting in the early 1990s, he pursued a successful career as an artist. His paintings have been exhibited in galleries in such major cities as New York, Boston and Miami.- Actor
- Soundtrack
Warren William, the stalwart leading man of pre-Production Code talkies, was born Warren William Krech on December 2, 1894 in Aitkin, Minnesota, the son of a newspaper publisher. William originally planned to become a journalist, but he had a change of heart, and instead went to the American Academy of Dramatic Arts and trained to become an actor. He served in the military in France during World War I, remaining in that country after the Armistice to tour with a theatrical company.
He made his Broadway debut as William Warren in the H.G. Wells play "The Wonderful Visit" in 1924. While appearing in 17 more plays on Broadway from 1924 to 1930, he also managed to appear in three silent pictures under his own name, Warren Krech. His only substantial role was in his first flicker, Fox's The Town That Forgot God (1922). In 1923, he played a credited bit part in support of "Perils of Pauline" star Pearl White in her last serial photoplay, Plunder (1923) but he went uncredited in a bit part in the Roaring Twenties/John Gilbert-as-bootlegger movie, Twelve Miles Out (1927).
Possessed of a first-rate speaking voice, rich, deep, and mellifluous, he was a natural for the talkies, and in 1931, he joined the stock company at Warner Bros., the studio that gave the world cinema sound. Projecting a patrician persona, Warren William initially thrived in the all-talking pictures. He appeared in a lead role in his first talkie, Honor of the Family (1931), an adaptation Honoré de Balzac's novel "Cousin Pons." Subsequently, he appeared as second leads and leads in support of the likes of Dolores Costello (Drew Barrymore's grandmother), H.B. Warner, Walter Huston, and Marian Marsh, before headlining The Mouthpiece (1932) as a district attorney who quits for the other side of the law, defending mobsters before a last reel conversion. It was his break-through role, followed up by a turn as a crooked campaign manager with more than just the affairs of state on his mind in The Dark Horse (1932). He then moved on to leading roles in A-list pictures, including the high-suds soap opera Three on a Match (1932), the classic musical Gold Diggers of 1933 (1933), Frank Capra's Lady for a Day (1933), and the original Imitation of Life (1934) starring Claudette Colbert and Louise Beavers.
William's outstanding performances in these roles include Skyscraper Souls (1932), The Match King (1932), and Employees' Entrance (1933). He also broadened his range to play the fraudulent clairvoyant in The Mind Reader (1933).
The early 30s was the apogee of William's career. He appeared opposite strong female stars, including Barbara Stanwyck, Claudette Colbert, Bette Davis, Ann Dvorak and Loretta Young.
With his patrician looks and bearing, William was loaned out to Cecil B. DeMille to play the patrician's patrician, Julius Caesar, again opposite of Ms. Colbert in Cleopatra (1934), a typical prodigal DeMille production in which Henry Wilcoxon avenged his mentor's assassination by rousing the rabble. William went on as the second Sam Spade (renamed Ted Shayne) in the "Maltese Falcon" remake Satan Met a Lady (1936) with Bette Davis. He eventually found himself in B-films. The same year he played Caesar, he made his inaugural and terminal appearance as William Powell's premier replacement in the role of Philo Vance in The Dragon Murder Case (1934), a character he would resurrect five years later in The Gracie Allen Murder Case (1939).
After making his first appearance as the cinema sleuth Vance, William returned to his roots as a court-room advocate, cast as the first Perry Mason in The Case of the Howling Dog (1934). After four films, he was replaced as Erle Stanley Gardner's A-#1 attorney in 1936 by former silent screen heart-throb Ricardo Cortez, the man who had first played Sam Spade, in the original The Maltese Falcon (1931). Before leaving the studio, William appeared in one more picture under contract at Warners Bros., the A-list Stage Struck (1936); then the erstwhile Warners trouper trooped over to Metro-Goldwyn-Mayer for a few years, to work as a character actor.
Another movie series beckoned and William appeared as Michael Lanyard's "The Lone Wolf," in nine movies made by Columbia from 1939 to 1943 beginning with The Lone Wolf Spy Hunt (1939). Of the ten actors who appeared as "The Lone Wolf" in the 30 years the series ran, off and on, from 1919 until 1949, he made twice as many films as his nearest competitor (which included such top stars as Thomas Meighan and Melvyn Douglas). William continued to act in character parts calling for a patrician presence until his premature death in 1948.
Personally, Warren William was a shy and retiring type. Speaking of him, five-time Warners co-star Joan Blondell said that William "was an old man even when he was a young man." According to San Francisco critic Mick LaSalle's 2002 book "Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man" (New York: St. Martin's Press, 2002), William, who quite unlike his early Warner Bros.' stereotype as a heartless "love 'em and leave 'em"-style seducer, remained married to one woman throughout his adult life. He was an active inventor with multiple patents, designing one of the first recreational vehicles, reportedly so he could continue to sleep while being driven to the studio in the morning.
Warren William died in Hollywood on September 24, 1948, of multiple myeloma.- Dark-haired, rugged-looking Stephen McNally forsook a thriving career as an attorney in the late 1930s in order to pursue an acting career. This impulsive decision to switch gears in mid-life was rewarded in the end, playing a steady stream of hard-edged, noirish characters and more than his share of cold-hearted villains and thugs for nearly four decades.
Born Horace Vincent McNally on July 29, 1911 in New York City of Irish descent, he attended Fordham University Law School. Like fellow Irish-American performers J. Farrell MacDonald, Pat O'Brien, and Dennis Day, McNally's voice often carried at least the trace of an innate, rather than acquired, working-class/transatlantic Irish accent. He practiced law until the late 1930s when the acting bug finally hit hard. Beginning on the stage, Horace made his Broadway debut in a bit part as a waiter in "The Man Who Killed Lincoln" (1940). This was immediately followed by more prominent roles in the plays "Johnny Belinda" (1940) and "The Wookey" (1941).
MGM took an interest in the nascent actor during the war-era years. Continuing to use his real name of Horace McNally, he appeared in a series of film shorts while moving gradually up the credits ranks with featured roles in such full-length films as Grand Central Murder (1942), The War Against Mrs. Hadley (1942), Eyes in the Night (1942), For Me and My Gal (1942), Dr. Gillespie's New Assistant (1942), the Tracy/Hepburn drama Keeper of the Flame (1942), the Laurel & Hardy comedy Air Raid Wardens (1943), The Man from Down Under (1943), Thirty Seconds Over Tokyo (1944), An American Romance (1944), and Bewitched (1945).
By 1948, the actor was freelancing and made a strong impression in the Warner Bros. movie version of the Canadian-set Johnny Belinda (1948), playing menacing brute "Locky McCormick", a fisherman who sexually assaults deaf mute Belinda played by Jane Wyman (who won the Academy Award for Best Actress for her performance), who bears his child. This was a far different role than the doctor part he played years earlier on Broadway. With this movie, Horace also changed his marquee name to Stephen McNally, taking the first name of his then-2-year-old son.
Alternating between anti-heroes and villains, Stephen is best recalled for his sturdy niche of "bad guy" roles. He played a Nazi war criminal pursued by Army agent Dick Powell in the action adventure Rogues' Regiment (1948); a casino owner who prods Barbara Stanwyck's gambling habit in The Lady Gambles (1949); a foreign terrorist in the historical action pic Sword in the Desert (1949); Ida Lupino's murderous husband in Woman in Hiding (1950); a rifle-stealing bully in the James Stewart western Winchester '73 (1950); a gambler who uses his hot-headed brother Jeff Chandler for prizefighting profit in Iron Man (1951); a murderous Austrian count in the swashbuckler The Black Castle (1952); an escaped killer on the lam in Split Second (1953); a paroled gangster out to exact revenge on Dorothy McGuire and her daughter in Make Haste to Live (1954); a bank robber in Violent Saturday (1955); an avenging ranch hand in Tribute to a Bad Man (1956); and a wanted member of the James gang in the western Hell's Crossroads (1957).
In his first top-billed role, McNally starred as a decent guy who runs a youth center in an effort to save kids from a life of crime in the dramatic film City Across the River (1949). Other "good guy" leads and second leads came with such parts as Sidney Poitier's doctor boss in No Way Out (1950); a government agent in Wyoming Mail (1950); an exiled town gambler who returns to warn and assist his town pending an Indian attack in Apache Drums (1951); another casino owner who tries to help and falls for weak-willed teacher/gambler Linda Darnell in the romantic film The Lady Pays Off (1951); a marshal after a gang of claim jumpers in the Audie Murphy western The Duel at Silver Creek (1952); a sheriff battling Indians in The Stand at Apache River (1953); and a plant engineer whose family his threatened by disgruntled ex-employee Vic Morrow in Hell's Five Hours (1958).
McNally made a notably adjustment to TV in the late 1950's with such anthologies as "Lux Video Theatre," "Goodyear Playhouse," "Schlitz Playhouse," "Ford Theatre Playhouse," "Zane Grey Theatre" and "Climax!" Into the 1960's he was frequent guest on a number of popular rugged westerns and suspense series including "Wagon Train," "The Texan," "Laramie", "Rawhide", "The Alfred Hitchcock Hour", "The Outer Limits", "Burke's Law", "Ben Casey", "The Big Valley", "Gunsmoke", "Branded", and "Iron Horse." He starred in the short-lived drama series Target: The Corruptors (1961) as a news reporter and earned a brief, recurring part on Run for Your Life (1965). He went on to be seen in such 1970s TV series as "Mission: Impossible", "The Rockford Files", "Medical Story", "Policy Story", "Police Woman", "The F.B.I.", "Starsky & Hutch", and "Charlie's Angels", he was spotted on a 1980s episode of "Fantasy Island" before retiring.
Long married to Rita Wintrich, with whom he had eight children, McNally was a one-time president of the Catholic Actors Guild. He died of heart failure on June 4, 1994, at age 82, at his Beverly Hills home. - Actor
- Writer
- Director
Charles Aidman originally planned a career as an attorney, but was sidetracked during World War II and naval officer training at DePaul university. During a speech class the instructor, who also headed the drama department, saw Aidman as ideal for a role in an upcoming play. "I did the play and enjoyed it. It was the first play I was in, in my life...I've been acting ever since."- Actor
- Director
- Writer
Born in Buffalo, N.Y. but raised in the Garden State, Fredric first appeared in small theater productions at the age of six, and in his teens spent weekends studying at The Neighborhood Playhouse and HB Studios in NYC. During the summer he apprenticed at The Peterborough Players in N.H. - New England's oldest summer stock company. At the age of 21 he debuted on Broadway in Ibsen's John Gabriel Borkman while one of his first films, Ordinary People, ran in theaters. In the decades since, Mr. Lehne has amassed a considerable resume, been hired by some of the industry's best directors (Hal Ashby, Robert Redford, Kathryn Bigelow, Christopher Nolan, Adrian Lyne, Barry Sonnenfeld) and become a very familiar face to television audiences for his work on such shows as Lost, American Horror Story, X-Files and Supernatural, to name just a few.- A stage actor from 1927, Albert Dekker was an established Broadway star when he made his film debut ten years later. Tall and with rugged good looks, he often played aggressive character roles, a prime example being his double-crossing gang leader in the classic The Killers (1946). From 1944-46 he served a term in the California legislature representing the Hollywood district. As he got older Dekker, unlike many actors, turned to the stage rather than television, and achieved great success there and on the college lecture circuit. His last role, in The Wild Bunch (1969), was one of his most memorable: the tough railroad detective Harrigan, who hires a murderous group of bounty hunters to track down and kill a gang of outlaws who've been robbing his company's trains.
- Actor
- Director
- Producer
Richard Allen Boone was born in Los Angeles, California, to Cecile Lillian (Beckerman) and Kirk Etna Boone, a wealthy corporate lawyer. His maternal grandparents were Russian Jewish immigrants, while his father was descended from a brother of frontiersmen Daniel Boone and Squire Boone.
Richard was a college student, boxer, painter and oil-field laborer before ending up in the U.S. Navy during World War II. After the war he used the G.I. Bill to study acting with the Actor's Studio in New York. Serious and methodical, Boone debuted on Broadway in the play "Medea". Other plays followed, as did occasional TV work. In 1950 20th Century-Fox signed him to a contract and he made his screen debut in Halls of Montezuma (1951), playing a Marine Corps officer. Tall and craggy, Boone was continually cast in a number of war and western movies. He also tackled roles such as Pontius Pilate in The Robe (1953) and a police detective in Vicki (1953). In 1954 he was cast as Dr. Konrad Styner in the pioneering medical series Medic (1954), which was a critical but not a ratings success. This role lasted for two years, though in the meantime, he continued to appear in westerns and war movies.
In 1957 he played Dr. Wright, who treats Elizabeth for her memory lapses, in Lizzie (1957). It was also in that year that Boone was cast in what is his best-known role, the cultured gunfighter Paladin in the highly regarded western series Have Gun - Will Travel (1957). Although a gun for hire, Paladin was usually a moral one, did the job and lived at the Hotel Carlton in San Francisco. Immensely popular, the show made Boone a star. The series lasted six years, and in addition to starring in it, Boone also directed some episodes. He still kept busy on the big screen during the series' run, appearing as Sam Houston in the John Wayne epic The Alamo (1960), and as a weary cavalry captain fighting Indians in A Thunder of Drums (1961). After Have Gun - Will Travel (1957) ended in 1963, Boone hosted a dramatic anthology series, The Richard Boone Show (1963), but it was not successful.
Boone moved to Hawaii for the next seven years. During this time he made a few Westerns, including the muscular Rio Conchos (1964), but he was largely absent from the screen. In the 1970s he moved to Florida, and resumed his film and TV career with a vengeance. In 1972 he again appeared on television in the Jack Webb-produced series Hec Ramsey (1972) (years before he had played a police captain in Webb's first "Dragnet" film, Dragnet (1954)). Based on a real man, Hec was a tough, grizzled old frontier sheriff at the turn of the 20th century who, late in life, has studied the newest scientific theories of crime detection. His new boss, a much younger man, doesn't always approve of Hec, his nonconformist style or his new methods. The series lasted for two years. Boone continued working until the end of the decade but died as a result of throat cancer in 1981.