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As a youth, he produced a number of short films on Super 8 and video. After short stints as guest auditor at Filmacademy Vienna and Filmhochschule Munich, Boll studied literature and economics in Cologne and Siegen. He graduated from university in 1995 with a doctorate in literature. From 1995-2000, he was a producer and director with Taunus Film-Produktions GmbH. Boll was Chief Executive Officer of Bolu Filmproduction and Distribution GmbH which he founded in 1992. He continued to direct, write and produce feature films until 2016. His main companies are Event Films in Vancouver and Bolu Film in Germany. A longtime resident of Canada, Boll owned the restaurant "Bauhaus" in Vancouver from 2015 to 2020. Returned to Germany and resumed filming in 2020.- Director
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Jingming Guo was born on 6 June 1983 in Zigong, Sichuan, China. He is a director and writer, known for Tiny Times (2013), Tiny Times 4.0 (2015) and Tiny Times 3.0 (2014).this guy should go to hell. you know what?don't watch his shit or you will regret.- Writer
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Bi Zhifei is known for Chun jie xin ling: Zhu meng yan yi quan (2015), The Father's Secret (2022) and Rèxin de guang zhurèn (2022).- Director
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Tom Hooper was educated at one of England's most prestigious schools, Westminster. His first film, Runaway Dog, was made when he was 13 years old and shot on a Clockwork 16mm Bolex camera, using 100 feet of film. At age 18, he wrote, directed and produced the short film Painted Faces (1992), which premiered at the London Film Festival; it was released theatrically and later shown on Channel 4. He studied English at England's top university, Oxford. At Oxford University, he directed theatre productions starring his contemporaries Kate Beckinsale and Emily Mortimer, and directed his first television commercials. His father was a non-executive director at United News and Media, which owned an ITV franchise.
Hooper's father introduced him to one of British television's top directors and producers, Matthew Robinson, who gave him breaks by employing him to direct episodes of Byker Grove (1989) and EastEnders (1985), both series produced by Robinson. Further success came when he was approved by Helen Mirren to direct her in Prime Suspect: The Last Witness (2003). He then worked with her again on Elizabeth I (2005). Hooper made the difficult transition from television to film with apparent ease, directing Michael Sheen in the Brian Clough biopic The Damned United (2009) and Colin Firth in The King's Speech (2010). Both films were critical and commercial successes, quickly establishing Hooper as one of the most in demand directors of his generation.
Hooper has garnered numerous awards in his career. He won an Academy Award for directing The King's Speech. The 2010 film was nominated for 12 Oscars, more than any other film of that year, and also won the Best Picture, Best Actor (Colin Firth), and Best Original Screenplay Oscars. The King's Speech received seven BAFTA Awards, including Best Film and Outstanding British Film. Hooper also won a Directors Guild of America Award for his direction. Among other accolades worldwide, The King's Speech additionally was honored with the People's Choice Award at the Toronto International Film Festival; the Best British Film prize at the British Independent Film Awards; the Spirit Award for Best Foreign Film; the Producers Guild of America Awards' top prize; and the European Film Award for Best Film. The King's Speech earned $414 million at the worldwide box office.
Hooper was recently again a Directors Guild of America Award nominee for directing Working Title Films' Les Misérables. The 2012 film was nominated for eight Academy Awards, including Best Picture, and won the Best Supporting Actress (Anne Hathaway), Best Sound, and Best Make-up and Hair Styling Academy Awards. Les Misérables received those same accolades at the BAFTA Awards, as well as the BAFTA for Best Production Design. Among other accolades worldwide, Les Misérables was named one of the year's 10 Best Films by the American Film Institute with an AFI Award; won three Golden Globe Awards including Best Picture [Musical/Comedy]; was voted the Best Acting by an Ensemble award by the National Board of Review; and was nominated for four Screen Actors Guild Awards. Les Misérables earned $442 million at the worldwide box office.
The Damned United received a South Bank Show Award nomination for Best British Film; and he gained acclaim for the BAFTA Award-nominated Red Dust, starring Hilary Swank and Chiwetel Ejiofor.
Hooper had an unprecedented run of success at the Golden Globe Awards with his works for HBO, which won the Golden Globe for Best Mini-Series or Motion Picture Made for Television three years in a row. The actors and actresses starring in these productions - respectively, Elizabeth I, Longford, and John Adams - also won Golden Globes for their performances three years running.
Hooper won an Emmy Award for directing Elizabeth I. The HBO Films/Channel 4 miniseries won three Golden Globes and nine Emmy Awards, including Outstanding Miniseries.
Longford, written by Peter Morgan, starred Jim Broadbent and Samantha Morton. The HBO Films/Channel 4 Telefilm won three Golden Globe Awards and was nominated for five Emmy Awards.
John Adams (2008), starring Paul Giamatti and Laura Linney, won four Golden Globes and 13 Emmy Awards - the most Emmys ever awarded to a program in one year. Hooper, receiving his first Directors Guild of America Award nomination, directed all nine hours of the HBO Films miniseries.
Hooper was nominated for an Emmy Award for helming ITV's miniseries Prime Suspect 6. His television work also includes Daniel Deronda (2002), which won the award for Best Miniseries at the 2003 Banff Television Festival; the miniseries Love in a Cold Climate (2001), for which star Alan Bates received a BAFTA Award nomination; episodes of the multi-award-winning ITV comedy/drama Cold Feet (1997); and EastEnders (1985) one-hour specials that garnered BAFTA Awards two years in a row.‘cat’ is most disgusting film of the world,he's more nauseating than tom six.- Director
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Tom Six was born on 29 August 1973 in Alkmaar, Noord-Holland, Netherlands. He is a director and writer, known for The Human Centipede (First Sequence) (2009), The Human Centipede III (Final Sequence) (2015) and The Human Centipede 2 (Full Sequence) (2011).I always thought he was the most disgusting director in the world until tom hooper filmed cats.- Producer
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Wong Jing is one of Hong Kong's most prolific, talented and controversial filmmakers. His directorial style, at best, manages to combine commercial appeal and artistic aspects. Most of his films were among the biggest box office hits, partly due to possessing an amazing sense of what would play well. Some of his films have achieved groundbreaking success, artistically as well as financially.
His films are so popular that in the mid to late '90s, Wong's movies accounted for as much as thirty percent of the total box office take in Hong Kong. Genre-wise, he's done comedy, drama, romance, action (including martial arts) and even erotica. He often combines genres. His screen-writing portfolio is impressive as there is so much scope in terms of plot, historical setting and quality.
Even his credentials in the action movie genre are accomplished from films set in period China to a futuristic setting, whether it be a Chinese equivalent to Lord of the Rings, a Sci-Fi adventure that manages to be an adaptation of the famous computer game Street Fighter or a scathing satire on action films that also manages to pay tribute to films such as Reservoir Dogs, Invasion U.S.A. and Raw Deal.
Ironically, regardless of his impressive list of credentials, there came a time when the one genre Wong Jing was most famous for (in the eyes of Western fans of Hong Kong cinema) was the erotic thriller. It became commonly associated with him due to him being the producer and screenwriter for Naked Killer - an exploitation film well known for combining scenes of action, dark humor, shocking violence and lesbianism.
His true niche, however, can be found in the gambling genre (his favorite genre). He has, quite frankly created some of the best gambling scenes ever depicted on celluloid. His highest-grossing film in Hong Kong theaters was a gambling-themed genre-mixer (God of Gamblers Returns) starring Chow Yun-Fat (of Crouching Tiger, Hidden Dragon fame).
Also known as The Return of the God of Gamblers, the film is still one of Hong Kong's top ten highest-grossing films. It had even made a lot more money than Jackie Chan's Drunken Master 2 (which was released in the same year - 1994). This is saying a lot since Drunken Master 2 is constantly referred to as Jackie's best film (the quality of the fight scenes have rarely been rivaled). It had people cheering and giving standing ovations in cinemas throughout Asia which led many to suggest that Drunken Master 2 is the pinnacle of his decorated and illustrious career. However, that didn't stop Jing from delivering a larger crowd-please.
His directorial debut was a gambling film. A multi-layered caper set in the early part of the twentieth century, Challenge of the Gamesters is a prequel to the popular Hong Kong TV mini-series The Shell Game (which Wong himself wrote, with his father Wong Tin-Lam handling the directing duties).
Which brings us to Wong Jing's roots, he got his start in the entertainment industry early, since his father Wong Tin-Lam was a TV drama director and a renowned film director from the 1950s. It seemed inevitable that Jing would follow in his father's footsteps, but first Wong attended the Chinese University of Hong Kong, majoring in Chinese Literature.
He was becoming disenchanted with university and was more interested in media art so he asked his father for permission to study film in England but his father said "just observe and you will learn the craft" and that is what he proceeded to do so he became a screenwriter by writing scripts for TV. In fact, he skipped class a lot to the extent that some of his professors said that they never saw him at all during the four years it took to earn his degree.
He later said that the degree was worthless to him. Jing believed that he learned more about making movies and (perhaps more importantly) making money by cutting classes and hanging around studios, where he would get work as a director's assistant (basically a glorified errand boy) and writing scripts for his father's shows.
As a devout fan of classical Cantonese cinema, Jing impressed many of the old-timers around the studios with his knowledge of movie trivia. Combined with his high work ethic and the ability to change scripts on the fly (a necessary skill in the fast-paced world of Hong Kong's entertainment industry), Wong had found his niche.
By 1978, he made his entrance into the world of movies with his script Cunning Tendency before directing Challenge of the Gamesters in 1981. Both films were made for the Shaw Brothers film studio and were big hits but it wasn't until the late '80s where he began to show his commercial genius with Casino Raiders, which was a smash hit that actually began the gambling craze (that Wong was to capitalize on with the extremely popular God of Gamblers films).
The one thing that Jing likes about making this genre of film is being able to direct the gambling duels at the end. Besides possessing a genuine interest in gambling, his main motivation for making gambling movies was because Wong saw there was a large audience for gambling films. This revelation was found after working on two films with his father: King of Gamblers (1980) and Return of King of Gamblers (1981).
Wong Jing is also a highly influential filmmaker. Hong Kong's most popular film star - Stephen Chow - had become what he is today due to Wong. He had starred in a film, which was a parody/cash-in of God of Gamblers entitled All for the Winner, which became the highest-grossing film in Hong Kong and made Stephen a huge star in the process (virtually overnight).
Wong went out of his way to not only adapt this new star in his own franchise but to add more comedy to the proceedings. This resulted in making an even more groundbreaking success with God of Gamblers II (which was also a sequel to All for the Winner).
Chow's collaborations with Wong, which included yet another God of Gamblers movie had confirmed the basic template for Chow's films - a slightly dimwitted but talented man gets thrown into strange circumstances, where he ultimately finds redemption (and resolution) through love.
In regards to Jing's influence, there came a point when nearly one third of the films coming out of Hong Kong yearly had Wong's touch on them in some way, either as a screenwriter, producer, director or actor. The script that Wong Jing helped to write for the early '80s traditional Kung Fu film Dreadnaught had proved to be the inspiration for one scene in the Hollywood blockbuster Batman Forever, which had Chris O'Donnell doing laundry chores with the aid of his martial arts skills.
Wong Jing's New Legend of Shaolin had proved to be one of the main influences for Ang Lee's Crouching Tiger, Hidden Dragon via the use of a female duo of thieves dressed in black (one of whom is much older and proves to be an expert in poison darts) who try to steal a valuable object before confronting someone who's trying to stop them.
Like many famous directors; Wong Jing has trademarks. Besides making a slew of films referencing or based on computer games, he likes using creative POV shots.
Sometimes, Jing likes to trick the audience into thinking the film is over when it's not as a way of making things less predictable e.g. the endings of two of his films (i.e. City Hunter and Return to a Better Tomorrow) feature shots where the camera is being pulled further into the distance away from the action into an aerial shot (a shot which is accomplished either a crane or a helicopter) before concluding with an additional scene.
Another Wong Jing trademark (or Jingism) is the vertigo shot (a shot that is accomplished by zooming the lens forward whilst physically moving the camera backwards). The way he uses it is either during a revelation of a plot point or a startled reaction from one of the main characters. He has used this shot in The Romancing Star, The Big Score, The Last Blood, Royal Tramp, City Hunter, God of Gamblers 3: Back to Shanghai, Kung Fu Cult Master, Return to a Better Tomorrow, God of Gamblers Returns and High Risk.
Like Quentin Tarantino and Kevin Smith, Jing's films have plenty of pop culture references from a subtle reference to The Beatles (in City Hunter) to a blatant take on The Six Million Dollar Man.
Another Jingism is to lampoon (as opposed to just referencing) other Chinese filmmakers such as Tsui Hark, John Woo and Wong Kar Wai. Jing's Last Hero in China is a parody of Hark's Once Upon a Time in China film series (which dealt with the nineteenth century Chinese hero, Wong Fei-Hung). Woo has been well known for making action films that deal with male bonding, so Jing had lampooned John Woo's macho male bonding in Boys are Easy with a scene that parodies Woo's A Better Tomorrow. Arthouse favorite Wong Kar Wai is mocked in Jing's Those Were the Days via a character called Wong Jing Wai.
Unlike his fellow contemporaries, Jing chooses not to make films in Hollywood as he feels that most other American films directed by Hong Kong directors fail to live up to standards (considering the amount of money and time invested). Hence why he allegedly rejected Tom Cruise's offer to direct Mission: Impossible II. Coincidentally, Jing referenced Tom in The Big Score. Additionally, God of Gamblers has been described as a Chinese take on Rain Man. Also, Jing feels that he won't gain the same amount of control as he would in his Hong Kong productions.
Perhaps that is the key to Wong's continued success - while many directors craft overly 'arty' films or overly 'commercial' movies, Wong Jing's films hit a nice middle ground. Yes, there is a good deal of bloodshed and talk of sexual-related things such as bodily functions, but the films themselves are technically sound and well-written. It is quite a testament to Wong's talent that his first film, made over 20 years ago, can stand up to (and surpass) much of today's output. Those wanting to get a bit of a H.K. film industry lesson, while having fun doing it, would be well-advised to check out Challenge of the Gamesters.i hated this guy,he let Hong Kong film become a joke.- Cinematographer
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Andrew Lau Wai-Keung was born in Hong Kong in 1960, and has been fond of photography as a child. He joined Shaw Brothers (HK) Ltd. after secondary school graduation. The first film he participated in as a semi-skilled worker in cinematography was Legendary Weapons of China directed by Chia-Liang Liu.
His position rose throughout the years with film such as City on Fire, Where's Officer Tuba?, As Tears Go By, Curry and Pepper, Lee Rock and Lee Rock II. His work as a cinematographer has also garnered him several nominations at the Hong Kong Film Awards. Lau had later gotten recognition for his loose style in capturing natural light and dynamic camera movements.
His directorial debut arrived in 1990 with Against All, but he didn't give up his career as a cinematographer. He also co-directed the films To Live and Die in Tsimshatsui and Modern Romance, alongside director Jing Wong. In 1995, he took up the position of director and cinematographer once again for the films Love of the Last Emperor and The Mean Street Story.
Lau founded B.O.B. & Partners Co. Ltd. jointly with Manfred Wong and Jing Wong. The first film of this company was Young and Dangerous which was released in 1996 and became a box office hit. In the same year, the 'B.O.B. trio' produced the film's first two sequels.
From 1996 to 1998, he continued to direct films including the Young and Dangerous Saga--and "The Storm Riders." Having been involved in the Young and Dangerous films including its four sequels, Lau finished his involvement with the franchise with "Young and Dangerous: The Prequel" in 1998, and "Born to Be King" in 2000.
Lau has also made a name for himself for combining martial arts with computer-animated special effects on the movie screen in such acclaimed films as The Storm Riders and A Man Called Hero. Other films such as Sausalito and Dance of a Dream have lightened Andrew's film career.
In 2002, Lau established Basic Pictures, a company that started out with the blockbuster movie Infernal Affairs, in which he co-directed alongside co-writer Alan Mak (Alan Mak). It would be the first of many collaborations involving the directing duo.
The film starred the four top actors of its year--Andy Lau, Tony Leung Chiu-wai, Eric Tsang and Anthony Chau-Sang Wong-- along with the year's two top actresses--Kelly Chen and Sammi Cheng.
Infernal Affairs was the number one box-office hit in Hong Kong that year, breaking several box office records alone. Furthermore, the film won many Hong Kong Film Awards, including Best Picture, Best Directors (Lau and Mak), Best Screenplay (Mak and co-writer Chong), and Best Supporting Actor (Wong). Infernal Affairs also went on win awards at the 40th Golden Horse Awards and the Golden Bauhinia Awards.
Not only was the film successful worldwide, but it later became the inspiration for Martin Scorsese's 2006 film, The Departed (2006).
In 2003, Lau and Mak had completed the trilogy with the prequel Infernal Affairs II, and the sequel/prequel Infernal Affairs III. Later that year, the directing duo won the "Leaders of the Year 2003" Award in the Sports/Culture/Entertainment Category.
In 2004, Lau and Mak worked on another blockbuster, Initial D, which was shot in Japan and released in Hong Kong during the summer. Once again, it was also another successful film for Lau and Mak, winning multiple awards at the Hong Kong Film Awards, winning for Best New Performer (Jay Chou), Best Supporting Actor (Anthony Chau-Sang Wong), and Best Visual Effects.
In 2006, Lau, Mak and scriptwriter Felix Chong re-teamed to make the 2005 film, Moonlight in Tokyo. They re-teamed again for the 2006 film Confessions of Pain, once again re-teaming with Infernal Affairs star Tony Leung Chiu-wai.
With his difference in style and aspiration, Andrew Lau, as a prolific director/cinematographer continues to make good quality films that will appeal to a mass audience.except Infernal Affairs his film is bullshit- Director
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Jörg Buttgereit was born on 20 December 1963 in Berlin, West Germany. He is a director and writer, known for Lexx (1996), Captain Berlin versus Hitler (2009) and Nekromantik (1988).- Director
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Zachary Edward "Zack" Snyder (born March 1, 1966) is an American film director, film producer, and screenwriter, best known for action and science fiction films. Snyder made his feature film debut with the 2004 remake Dawn of the Dead and has gone on to be known for his comic book movies and superhero films, including 300 (2007), Watchmen (2009), Man of Steel (2013) and its upcoming sequel, Batman v Superman: Dawn of Justice (2016). Snyder is the co-founder of Cruel and Unusual Films, a production company he established in 2004, alongside his wife Deborah Snyder and producing partner Wesley Coller.except 300,Dawn of the Dead,Watchmen ,Man of Steel- Producer
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A graduate of Wesleyan University, Michael Bay spent his 20s working on advertisements and music videos. His first projects after film school were in the music video business. He created music videos for Tina Turner, Meat Loaf, Lionel Richie, Wilson Phillips, Donny Osmond and Divinyls. His work won him recognition and a number of MTV award nominations. He also filmed advertisements for Nike, Reebok, Coca-Cola, Budweiser and Miller Lite. He won the Grand Prix Clio for Commercial of the Year for his "Got Milk/Aaron Burr" commercial. At Cannes, he has won the Gold Lion for The Best Beer campaign for Miller Lite, as well as the Silver for "Got Milk". In 1995, Bay was honored by the Directors Guild of America as Commercial Director of the Year. That same year, he also directed his first feature film, Bad Boys (1995), starring Will Smith and Martin Lawrence, which grossed more than $160 million, worldwide. His follow-up film, The Rock (1996), starring Sean Connery and Nicolas Cage, was also hugely successful, making Bay the director du jour.except the rock, transformers(2007),13 hours,the island- Writer
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Roland Emmerich is a German film director and producer of blockbuster films like The Day After Tomorrow (2004), Godzilla (1998), Independence Day (1996) and The Patriot (2000). Before fame, he originally wanted to be a production designer, but decided to be a director, after watching the original Star Wars: Episode IV - A New Hope (1977). Emmerich began his career in his native Germany. In his youth, he pursued painting and sculpting. While enrolled in the director's program at film school in Munich, his student film The Noah's Ark Principle (1984) went on to open the 1984 Berlin Film Festival. The feature became a huge success and was sold to more than 20 countries. In an amazing trivia, he directed his first feature, The Noah's Ark Principle (1984), in 1984. He is openly gay and a campaigner for the LGBT community.
A director/writer/producer with a flair for special effects-driven action, German Roland Emmerich made himself at home in blockbuster-hungry 1990s Hollywood. Born and educated in West Germany, Emmerich studied production design as well as direction at the Munich Film and Television School. After his student film, The Noah's Ark Principle, debuted at the 1984 Berlin Film Festival, Emmerich formed his production company Centropolis and directed supernatural fantasies Making Contact (1986) and Ghost Chase (1987), and the straight-to-video action film Moon 44 (1990). On the latter, he met actor Dean Devlin who subsequently switched jobs to become Emmerich's writing and producing partner once Emmerich set up shop in Hollywood.
After making his solo Hollywood debut directing Jean-Claude Van Damme in the cyborg action fest Universal Soldier (1992), Emmerich and Devlin revealed a talent for conjuring A-level action spectacles out of B-movie scenarios with their first film together, Stargate (1994). A space odyssey mixing ancient Egyptiana and high-tech wizardry, Stargate became an unexpected hit. Emmerich hit his blockbuster stride with his next film, Independence Day (1996). With its eye-popping destruction of major cities and climactic annihilation of a spacecraft via portable computer, Independence Day blew away its summer movie competition on the strength of its visual flash. Geared to repeat with the endlessly- and creatively-hyped version of Godzilla (1998), Emmerich instead faced the conundrum of directing a $100 million grossing film that did not live up to box office expectations. Emmerich and Devlin next turned their epic visions to the decidedly lower-tech (but still CGI-enhanced) action of the American Revolution in the Mel Gibson summer vehicle The Patriot (2000).- Director
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Bob Clark was born on 5 August 1939 in New Orleans, Louisiana, USA. He was a director and writer, known for A Christmas Story (1983), Baby Geniuses (1999) and Porky's (1981). He died on 4 April 2007 in Pacific Palisades, California, USA.excpet A Christmas Story- Producer
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Kaige Chen was born on 12 August 1952 in Beijing, China. He is a producer and director, known for Farewell My Concubine (1993), The Battle at Lake Changjin (2021) and Yellow Earth (1984). He has been married to Hong Chen since 1996. They have two children.except Farewell My Concubine,Yellow Earth,The Emperor and the Assassin- Writer
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Hideaki Anno was born on 22 May 1960 in Ube, Japan. He is a writer and director, known for Shin Godzilla (2016), Evangelion: 1.0 You Are (Not) Alone (2007) and The Wind Rises (2013). He has been married to Moyoco Anno since 26 March 2002.what is 'Neon Genesis Evangelion'? it's unremarkable shit !- Producer
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McG was born on 9 August 1968 in Kalamazoo, Michigan, USA. He is a producer and director, known for Charlie's Angels: Full Throttle (2003), Terminator Salvation (2009) and The Babysitter: Killer Queen (2020).- Producer
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Born in 15 March 1959 as Renny Lauri Mauritz Harjola, he is the most successful Finnish film director in the history of Hollywood.
Harlin started his career in film business in the beginning of 1980s when he was directing commercials and company films for companies like Shell. Later he worked as a buyer for Finnish film distributor and met Finnish Markus Selin in Los Angeles. They became friends and started writing a screenplay called "Arctic Heat". The project started fast and soon they had Chuck Norris signed on leading role for the film. But with money problems shooting schedule didn't hold and Norris left the project, but Selin and Harlin got Mike Norris for the leading role. They wrote new script, Born American (1986), and got financial help from USA. In the year 1986 Born American (1986) was finished and the most expensive Finnish film ever opened in USA in over 1,000 theaters and reached no 9.
The film wasn't successful in Finland, where it was banned. Harlin moved to Los Angeles and got a job from Halloween (1978) producer Irwin Yablans who offered him script of "Prison" to film. Film was made with low budget and distributed with only 42 copies. In the same year 1988 he got a job from New Line Cinema to direct A Nightmare on Elm Street 4: The Dream Master (1988) after meeting producer Robert Shaye numerous times, who at the first didn't want Harlin to direct the film. It became the highest-grossing film in the series, though its budget was seven times greater than the original "A Nightmare on Elm Street" film.
20th Century Fox wanted Harlin to direct the Andrew Dice Clay rock'n roll comedy The Adventures of Ford Fairlane (1990) and also a sequel to Die Hard (1988). Harlin made the both, but only Die Hard 2 (1990) was commercially successful, with over 239 million dollar worldwide gross. Next he directed Cliffhanger (1993) with Sylvester Stallone which made $255 million worldwide and was nominated for 3 Oscar's. Before Cliffhanger (1993) Harlin was hired to direct "Alien³" but he left the project because of creative differences.
His next film Cutthroat Island (1995) was a pirate film made with $100 million budget. Unfortunately it came out without good promotion and flopped badly. It made only $10 million in USA and for a time became the biggest flop in Hollywood history. But for Harlin, it wasn't a total loss.
The Long Kiss Goodnight (1996) was a critical success, but was a box office flop, grossing only $30 million domestically with a $65 million budget.
In year 1998, Warner Bros. wanted a summer blockbuster for the year 1999 and Renny Harlin was the right name to direct. Deep Blue Sea (1999) came to theaters after costing 60 million dollars to film and made $160 million worldwide. The film never hit the top spot in the USA but still grossed $73 millions in the USA alone.
Harlin was hired to direct Exorcist: The Beginning (2004) after John Frankenheimer left the job and died shortly after it, and Paul Schrader was fired. Producers knew that Harlin could made a blockbuster even with the weak script, and so he did. With $50 million budget the film opened in number 1 and grossed $80 million worldwide.
Probably most liked Harlin's film Mindhunters (2004) was released in 2004 after years post-production. It was released in USA in 2005 in over 1,000 theaters but it only reached 10th place. In 9 weeks it grossed only $4 million dollars.
The Covenant (2006) was released in 2006. With non-famous (but attractive) actors, the film hit the top in its opening weekend and became a successful film. With a $20 million budget, it grossed $37 million worldwide and DVD sale brought $20 million more.except Die Hard 2,Cliffhanger- Director
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Marcus Nispel was born on 26 May 1963 in Frankfurt am Main, Hesse, Germany. He is a director and producer, known for Friday the 13th (2009), The Texas Chainsaw Massacre (2003) and Pathfinder (2007).- Director
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A director who is equally adept at working in television as well as features, Southern California native Ron Underwood has been making films since 5th grade and was winning Eastman Kodak filmmaking awards by the time he was in his teens. After graduating from University of Southern California, he completed a fellowship at the American Film Institute and then began his professional career in educational films. He directed more than 100 educational films before turning his attention to children's television. Underwood's ABC Weekend Special, The Mouse and the Motorcycle (1986), earned both a Peabody Award and an Emmy nomination.
The director made his feature film debut in 1990 with the science fiction comedy Tremors. The film, which starred Kevin Bacon and Fred Ward, became a sleeper hit, spawning six sequels and a USA TV series. This success was followed with the blockbuster comedy City Slickers (1991), starring Billy Crystal and Jack Palance. One of the year's top grossing films, the film earned Palance an Academy Award for Best Supporting Actor. Underwood also directed the bittersweet fantasy-comedy Heart and Souls (1993), which starred Robert Downey, Jr. and Charles Grodin. He then directed Michael Keaton and Geena Davis in the romantic comedy Speechless (1994).
In 1998, Underwood directed a remake of the classic 1949 adventure film Mighty Joe Young, starring Charlize Theron and Bill Paxton, alongside a bigger-than-life gorilla, which earned the film an Academy Award nomination for Best Visual Effects. He then directed The Adventures of Pluto Nash (2002), starring Eddie Murphy. The next feature film Underwood directed was the romantic comedy In the Mix, starring Usher Raymond and Chazz Palminteri (2005).
Underwood directed the Showtime feature Stealing Sinatra (2003), starring David Arquette and William H. Macy, who received an Emmy nomination. Underwood re-teamed with Jack Palance on the Hallmark Hall of Fame production Back When We Were Grownups (2004), based on the popular Anne Tyler book and starring Blythe Danner, who received both Golden Globe and Emmy Award nominations for her performance. Underwood directed several other TV movies.
In addition to directing long form films, Underwood has directed critically-acclaimed television series, including "Scandal", "Once Upon A Time", "Grey's Anatomy", "The Good Fight" and many others.- Writer
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Paul W.S. Anderson gained a fair bit of notoriety in his native England when he directed the ultra-violent Shopping (1994) (which he also wrote), starring Jude Law and Sean Pertwee in a story about thieves who steal by ramming a car into storefronts. The film was banned in some cinemas in England, and became a direct-to-video slightly edited release in the United States.
Shopping (1994) allowed Anderson to get the chance to direct Mortal Kombat (1995), an adaptation of the hit video game, which showcased his directorial trademarks - visually stunning scenery and quick-cut editing. The film did well enough for him to choose his next project, which was Soldier (1998) with Warner Bros., with Kurt Russell in the lead. Unfortunately, Russell decided at the time to go on hiatus, pushing the release date of that film into 1998. In the meantime, Anderson directed Event Horizon (1997) from a script by Philip Eisner, which featured Anderson regulars Sean Pertwee and Jason Isaacs. The science fiction/horror film, a Gothic horror version of Solaris (1972), was stylish and scary, but was critically panned and did not do well in the box office, which Anderson blamed on studio-enforced cuts to the story. (Anderson has promised a Director's Cut, though none has been announced as of yet).
Soldier (1998) didn't fare well with critics and box office either, and Anderson's planned 2000 remake of Death Race 2000 (1975) was canceled. This forced him to think smaller, which led to The Sight (2000), a supernatural mystery movie that was a minor hit. He then resurfaced to direct another video game adaption, Resident Evil (2002). Long rumored among fans to be a choice comeback vehicle for zombie grandfather George A. Romero, the writing and directing credits eventually transferred to Anderson. He next was given the helm for the long-awaited film adaption of the popular Dark Horse comic book, Alien vs. Predator (2004).- Writer
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Joshua Trank is an American filmmaker and screenwriter. He got his big break by directing the found footage superhero film Chronicle for 20th Century Fox in 2012. He was later hired to direct Fant4stic, an ill-fated reboot to the Tim Story Fantastic Four film series of the 2000s starring Miles Teller, Michael B. Jordan, Jamie Bell and Kate Mara. Trank's film resulted in a reevaluation of the Jessica Alba Fantastic Four films for keeping the lighthearted tone and chemistry of the Marvel franchise compared to the 2015 failure. The failure of Fant4stic resulted in Josh Trank doing small-scale projects such as Capone starring Tom Hardy.- Actor
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Dennis Barton Dugan is an American film director, actor, comedian and screenwriter from Wheaton, Illinois who directed several films featuring Adam Sandler including Happy Gilmore, Big Daddy, Jack & Jill, Grown Ups, I Now Pronounce You Chuck & Larry and You Don't Mess With the Zohan. He also directed Beverly Hills Ninja and The Benchwarmers.- Art Department
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Academy Award winner Roger Christian has had an extensive film career. He won an Academy Award for set decoration on director George Lucas's Star Wars: Episode IV - A New Hope (1977), which began a long collaboration between the filmmakers. Christian subsequently worked with Lucas on Star Wars: Episode VI - Return of the Jedi (1983) and was hand-picked by Lucas to direct the second unit on the recent Star Wars: Episode I - The Phantom Menace (1999). It was through Lucas that Christian got his first opportunity to direct a film, the short feature entitled Ángel Negro (2000), which accompanied the UK release of Star Wars: Episode V - The Empire Strikes Back (1980). Christian followed "Black Angel" with another short, The Dollar Bottom (1981), which won the 1981 Academy Award for Best Live Action Short Film. He followed that success with the thriller The Sender (1998), which received much critical acclaim and a nomination for Best Film by the Academy of Science Fiction, Fantasy and Horror Films.
His directing credits include the 1994 Orion Pictures release _Nostradamus (1994/I)_, starring Julia Ormond and F. Murray Abraham, the HBO premiere movie The Final Cut (1995), Underworld (1996) starring Annabella Sciorra and Masterminds (1997) starring Patrick Stewart. Christian has also directed numerous high profile commercials, including worldwide campaigns for SEGA, Taco Bell, Jeep, Lancia, Fiat and Chrysler/Dodge, among others. Christian's work as an art director and production designer was highly regarded. He was nominated for an Academy Award for his art direction on Ridley Scott's Alien (1979). His other art direction credits include Life of Brian (1979), Ken Russell's Mahler (1974) and Peter Hall's Akenfield (1974). Roger also directed Battlefield Earth (2000), with John Travolta and Forest Whitaker.
Roger Christian recently wrapped production on Bandido (2004), starring Angie Everhart, for Fries Film Group. Written by Carlos Gallardo, who also wrote El Mariachi, Bandidos continues the saga of the stylish Mexican thief who remains nameless. The same character was also portrayed by Antonio Banderas in Desperado (a remake of El Mariachi). In Bandidos, Carlos Gallardo reprises the starring role as the most infamous thief in Mexico.Battlefield Earth- Director
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Timothy Kevin Story was born on March 13, 1970 in Los Angeles, California. Attended Westchester High School in Los Angeles, California with jazz pianist Eric Reed and actresses Regina King and Nia Long. Graduated from USC film school.- Producer
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Brian Michael Levant is an American filmmaker and producer known for directing many films such as The Flintstones, Jingle All the Way, Snow Dogs, Scooby-Doo: The Mystery Begins, The Flintstones: Viva Rock Vegas, Scooby-Doo: Curse of the Lake Monster, Are We There Yet?, The Spy Next Door and Max 2: White House Hero.- Writer
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James Nguyen is director & creator of the successful film franchise, BIRDEMIC. Currently, he is directing SEA RISING - Mavericks. James has been in the movie business for over 20 years. His films are influenced by Hitchcock's cinema & they are often about the harms of climate change (Climate Fix, Birdemic - Shock & Terror, Birdemic - Sea Eagle, Sea Rising - Mavericks, Cosmic Beauty).Birdemic: Shock and Terror- Writer
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Perry was born and raised in New Orleans, to Willie Maxine (Campbell) and Emmitt Perry, Sr. His mother was a church-goer and took Perry along with her once a week. His father was a carpenter and they had a very strained and abusive relationship, which led Perry to suffer from depression as a teenager.
In 1991, he was working an office job, when he saw an episode of The Oprah Winfrey Show (1986) discussing the therapeutic nature of writing. This inspired him to begin writing and he worked through his bad experiences by writing letters to himself. He adapted his letters into a play, "I Know I've Changed", about domestic abuse. Unfortunately, after renting a theater in Atlanta to put on the play, he failed to attract audiences.
He took on a series of odd jobs and found himself living in his car. But, in 1998, he was given a second chance to stage his play and, this time, he was more business-savvy with his marketing. The play was sold-out and drew attention from investors.
Tyler has gone on to established a successful career as a writer, director and producer for stage, television and film.he is good actor,but not a good director.- Director
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Brian A. Miller is a Los Angeles based feature film writer and director known for Reprisal (2018), Backtrace, Vice (2015), The Prince (2014), and Officer Down (2015) and the upcoming "Price of Valor". He's worked with such name actors as Sylvester Stallone, Bruce Willis, John Cusack, Jason Patric, James Woods, Matthew Modine and Dave Bautista.- Editor
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Raja Gosnell started his film career as an assistant editor in the late 1970s. His first credit as a film's main editor was the romantic comedy "The Lonely Guy" (1984), for director Arthur Hiller. During the 1980s, Gosnell served as editor in films directed by Tom Laughlin, David Worth, Bob Dahlin, Bert Convy, Christopher Leitch, Annabel Jankel, Rocky Morton, Phillip Schuman, and Chris Columbus.
For Columbus he edited the comedy film "Heartbreak Hotel" (1988), which features a 1970s teenager kidnapping singer Elvis Presley, to bring home as a gift for his mother. During the 1990s, Gosnell would serve as editor in several more film by Columbus.
The 1990s started with Gosnell working as editor in two high-profile projects: "Pretty Woman" (1990) by Garry Marshall, and "Home Alone" (1990) by Chris Columbus. Both turned out to be among the major hits of the year 1990. He then worked in the Columbus' films "Only the Lonely" (1991), "Home Alone 2: Lost in New York" (1992), "Mrs. Doubtfire" (1993), and "Nine Months" (1995). Gosnell had few other editing credits during the 1990s and retired as an editor in 1995.
Gosnell resurfaced as a film director in his own right, hired to direct "Home Alone 3" (1997). The film was intended to continue the "Home Alone" franchise with a new set of characters and no connection to the events of the previous films. The film was a minor box office hit, and the series next continued with a television film. Gosnell was not asked to direct further "Home Alone" films.
His next directorial credit was the romantic comedy film "Never Been Kissed" (1999). The premise of the film is that a 25-year-old female newspaper editor poses as high school student to get a story. She ends up revisiting traumas from her teenage years and finding new love interests. The film was another minor box office hit.
Gosnell's next film was the action comedy "Big Momma's House" (2000). The premise is that a young, male FBI agent impersonates the elderly grandmother of a suspect, in order to investigate a case. The film was an unexpected box office hit (earning about 174 million at the worldwide box office), and received two sequels of its own. Gosnell had nothing to do with the sequels, but the film cemented his reputation as a commercially successful director.
Gosnell was next hired to direct "Scooby-Doo" (2002), an adventure comedy-film, combining live action with computer animation. The film earned about 275 million at the worldwide box office, and became one of the most commercially successful films released in 2002. It was the biggest hit yet in Gosnell's career.
Gosnell was next assigned to direct the sequel film "Scooby-Doo 2: Monsters Unleashed" (2004), which also combined live action with computer animation. The film performed decently at the box office, but failed to match the commercial success of the original. Gosnell was not asked to direct further "Scooby-Doo films", and no further live-action "Scooby-Doo" productions were released for several years.
Gosnell's next film was the family comedy "Yours, Mine & Ours" (2005). The premise was the difficulties faced by a newlywed couple, whose children from previous relationships stand opposed to their marriage. The film stood out for an unusually large cast of child actors, as the premise was that the couple has 18 kids from previous relationships. Its box office performance was unremarkable.
Gosnell returned with a relatively low-budget film. the comedy "Beverly Hills Chihuahua" (2008). The premise of the film is that the pet dog of a wealthy American heiress is dog-napped and ends up wandering in Mexico. The film features live-action dogs with voice actors providing their dialogue. The film was an unexpected box office hit, and received two sequels. Gosnell was not involved with the sequels.
Gosnell's next film was more high-profile: the comic book adaptation "The Smurfs" (2011), combining live-action with animation. The premise was that a small group of Smurfs and their opponents were accidentally transported to modern day New York City, resulting in a culture clash. The film earned about 564 million dollars at the worldwide box office, the greatest hit yet in Gosnell's career.
Gosnell was next assigned to direct the sequel "The Smurfs 2" (2013). which has the Smurfs be confronted by the Naughties, evil counterparts of them created by magic. While the film earned about 347 million dollars at the worldwide box office, it failed to match the success of the original and performed bellow expectations at most markets. The live-action Smurf films were discontinued and Gosnell was left with no ongoing projects for a while.
Gosnell is supposed to make a comeback in 2018 with new comedy films. Most of his films as a director have been comedy films and he is strongly associated with the genre.- Actor
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Kevin Connolly was born on 5 March 1974 in New York City, New York, USA. He is an actor and director, known for Entourage (2004), The Notebook (2004) and John Q (2002).gotti- Producer
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As Chairman and Chief Executive Officer of Threshold Entertainment Group, Lawrence Kasanoff is a renowned producer in the world of film, television, live stage, animation, and technological advances in the next generation of entertainment, both domestically and overseas. With expertise in developing dynamic content for the most recognizable brands in entertainment, Kasanoff is a forward-thinking entrepreneur who has established a competitive advantage with innovative ways to top the market and find success in both the creative and business side of the industry.
Under his Threshold Entertainment Group banner, Kasanoff oversees the company's subsidiaries which include Threshold Entertainment, Threshold Animation Studios and Blackbelt TV. As a producer or studio head, Kasanoff has raised well over a billion dollars in the film business. He and his executive team have been instrumental in the production of over 250 feature films, including Dirty Dancing, and the Academy Award® winning Best Picture, Platoon.
Collectively, in the music world, they hold over 200 Gold and Platinum Records, and have worked with several of the world's biggest artists, including Michael Jackson, The Rolling Stones, and Guns 'n Roses. Kasanoff and Threshold Entertainment Group have been profiled in The New York Times, The Wall St. Journal, USA Today, Time Magazine, Wired, Maxim and Playboy and have been featured on CNN, FOX News, ABC World News Tonight, CNBC, The Howard Stern Show, and more.
As an Executive Producer, Kasanoff made such box-office smash hits as James Cameron's True Lies, starring Arnold Schwarzenegger. As president and co-founder of Lightstorm Entertainment, Kasanoff supervised production, marketing, publicity, and merchandising for the four-time Academy Award® winning film, Terminator 2: Judgment Day. He produced two films, Blue Steel and Strange Days, with Academy Award® winning director, Kathryn Bigelow.
Kasanoff's most prominent and widely regarded success of his intellectual property management model is Mortal Kombat. He produced all Mortal Kombat media including the two number one box office hit films, Mortal Kombat and Mortal Kombat: Annihilation. Kasanoff also produced a Mortal Kombat live-action television series, an animated series, platinum-selling soundtracks, a Radio City Music Hall Live Stage show, and a live tour. The Mortal Kombat franchise has grossed approximately $5 billion.
Kasanoff oversees all facets of Threshold Entertainment, which produces live-action feature films and then produces that intellectual property on multiple media platforms. The company has several films in the pipeline, focused largely on sci-fi, fantasy, and action genres.
Threshold Animation Studios develops computer-generated animated films, television series, and location-based entertainment, largely based on some of the world's biggest brands, including Star Wars, Lego, Marvel, and Star Trek. Through a unique technology alliance with IBM, Threshold built one of the most advanced digital production facilities in the world.
Threshold Animation Studios productions include Lego Star Wars: The Empire Strikes Out, which received a 2013 Annie Award nomination for Best Children Television Production; The Amazing Adventures of Spider-Man theme park 3D ride film for Universal Studios Florida; Star Trek: Borg Invasion 4D location-based entertainment film for the Las Vegas Hilton and Justice League: Alien Invasion 3D for Warner Brothers Movie World.
Threshold's Marvel Superheroes 4D is a first of its kind, immersive, 360 degree dome, 4D (stereoscopic 3D plus physical effects) show now playing in its third year in Madame Tussauds London.
BLACKBELT TV is an SVOD service that targets 18-34-year-old guys in Emerging Markets via a proprietary MICROSOFT deal which allows the same delivery cost to consumers anywhere in the world. Its Martial Arts content appeals worldwide and universally to the target audience.
Kasanoff holds an MBA from the Wharton School of Business and a BA from Cornell University.Foodfight!- Actor
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Sicheng Chen was born on 22 February 1978 in Shenyang, Liaoning, China. He is an actor and writer, known for Detective Chinatown (2015), Beijing Love Story (2014) and Lost in the Stars (2022). He was previously married to Liya Tong.this men made three shit,watch his film is a nightmare.- Writer
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Mark Neveldine was born in Watertown, New York, USA. He is a writer and director, known for Gamer (2009), Crank (2006) and Crank: High Voltage (2009). He has been married to Alison Lohman since 19 August 2009. They have three children.- Writer
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Brian Taylor grew up in the suburban wastelands of Southern California. After a gloriously well-spent youth traveling around the world in punk bands he took an abrupt change of direction in the early naughts, enrolling in a ten-month film program to study camera. Brian wrote, shot and edited what may well have been the first full H.D. student film, the acclaimed Charles Bukowski adaptation The Man Who Loved Elevators.
He shot two independent features as a director of photography before teaming up with Mark Neveldine to form the gonzo camera/directing duo neveldine/taylor. The team signed with @radicalmedia in 2004 as commercial directors, knocking out campaigns for Nike, Powerade, Budweiser etc. before setting sights on the big screen.
Crank (2006) was written as a guerrilla attack on studio film-making. "If they love the script they've got to hire us, because there's no one else that could possibly make the thing," said Brian at the time. The film spawned a sequel, Crank: High Voltage (2009) that Quentin Tarantino called "The Gremlins 2 of action movies." The team pioneered the Red camera on the bonkers dystopian sci-fi mashup Gamer (2009) and trampled through Europe with Nicolas Cage on Ghost Rider: Spirit Of Vengeance (2011).
Brian teamed up with comics legend Grant Morrison to adapt the graphic novel Happy! for Original Films as writer, director and producer. The series premiered on SyFy in 2017. Brian and Grant went on to adapt Aldous Huxley's masterpiece Brave New World with Amblin/UCP as a USA series in 2018.
His first solo feature as a writer-director, the twisted satire Mom and Dad premiered at TIFF 2017 as a part of the Midnight Madness line-up.- Director
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Herman Yau was born in 1961 in Guangzhou, China. He is a director and cinematographer, known for Shock Wave 2 (2020), Jing xin dong po (2004) and Shock Wave (2017).- Production Designer
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Bo Welch was born on 24 December 1951 in Yardley, Pennsylvania, USA. He is a production designer and director, known for Edward Scissorhands (1990), Men in Black (1997) and A Little Princess (1995). He has been married to Catherine O'Hara since 25 April 1992. They have two children.The Cat in the Hat- Director
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Yen-Ping Chu was born in 1950 in Taiwan. He is a director and writer, known for Me and You and a Girl Named Ugly (1997), Yi shi er niao (2005) and The Treasure Hunter (2009).he also should go to hell, his film is disgusting.- Writer
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Xiaogang Feng was born on 18 March 1958 in Beijing, China. He is a writer and producer, known for Mr. Six (2015), A World Without Thieves (2004) and Assembly (2007).- Writer
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Etan Cohen was born on 14 March 1974 in Israel. He is a writer and producer, known for Holmes & Watson (2018), Idiocracy (2006) and Men in Black³ (2012). He has been married to Emily Bowen-Cohen since 14 June 1998. They have three children.- Visual Effects
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Pitof started his career in 1976 as photographer, assistant director and editor for films and commercials. He then branched out into musical scoring, software design and graphic design for televisions, music videos and commercials.
A pioneer of digital imaging in France, Pitof made his debut in visual effect in 1986. Co-founder of Duran Duboi the digital postproduction company leader in France, Pitof worked on commercials, videos and feature films for recognized directors such as Jean-Pierre Jeunet, Lars Von Trier, Wim Wenders, Bertrant Travernier, Jean-Baptiste Mondino, Jean-Paul Goude, Alain Chabat , Luc Besson...
Pitof then achieved the first French software for digital visual effects used in feature films.
In 1994, Pitof won the Technical Grand Prize for visual effects at the Cannes Film Festival for his work in "Dead Tired".
In 1995, the Minister of Culture in France honored him with the Medal of Arts and Letters.
Pitof went on to direct commercials and short films, most notably " A Tribute to Jessie Owens and Carl Lewis", for which he won the Gold Podium medal at MIFED in 1996 and the Gold Teapot medal at Imagina in 1996.
In 1997, Pitof took on the role of second unit director for Jean-Pierre Jeunet's "Alien: Resurrection", and consequently won second prize for visual effects at Imagina that year. It was Pitof's third collaboration with Jeunet after working together on the Jeunet-Caro films "Delicatessen" and "City of Lost Children".
In the meantime the immense success of Duran Duboi brought the company on the stock market in Paris.
In September 2001, "Vidocq", starring Gerard Depardieu and Guillaume Canet, premiered in France. It was Pitof's feature film directorial debut.
"Vidocq" was the first feature film ever made in High Definition. The film was an international commercial success and garnered many awards including five honors: The Citizen Kane Award, Best Film, Best Director, Best Visual Effects, Best Music, and Best Makeup from the Catalonian International Film Festival in Sitges, Spain.
Pitof makes his Hollywood debut in 2003, directing "Catwoman" for Warner Brothers, starring Halle Berry and Sharon Stone.
While developing and shooting projects with major producers in Hollywood, in 2008 Pitof is called in Beijing, China to help the development and the pre-production of an epic effect driven feature film.
Back in Hollywood Pitof has been developing various film projects and producing cutting edge commercials and music videos as well as developing Virtual Reality content.
Recently he co-produced 3 feature films in Los Angeles and produced a 10' by 10 episodes Mobile-Ready Series for Studio Plus, a French studio pioneer in the mobile content for Vivendi.
Decorations
Chevalier des Arts et des Lettres 1995 One of the French highest cultural honors Awarded by the Minister of Culture
Awards
Kid's Choice Award (nominated) USA 2005 "Catwoman" dir. Pitof
CNOMA Award Best Make-Up Canada 2005 "Catwoman" dir. Pitof
World Stunt Award (nominated) USA 2005 "Catwoman" dir. Pitof
Grand Prize of European Fantasy Film in Silver Porto 2001 "Vidocq" dir. Pitof
International Fantasy Film Award Best Special Effects Porto 2001 "Vidocq" dir. Pitof
International Fantasy Film Award Best Film (nominated) Porto 2001 "Vidocq" dir. Pitof
Best Film Sitges 2001 "Vidocq" dir. Pitof
Citizen Kane Award to the Director Revelation Sitges 2001 "Vidocq" dir. Pitof
Best Visuals Effects Sitges 2001 "Vidocq" dir. Pitof
Best Make Up Effects Sitges 2001 "Vidocq" dir. Pitof
Best Banda Original Soundtrack Sitges 2001 "Vidocq" dir. Pitof
Achievement in Post Production Solutions Productions 1999 "Asterix & Obelix vs Ceasar " dir. Claude Zidi
Saturn Award (nominated) USA 1998 « Alien Resurrection » dir. Jean Pierre Jeunet
Best Visual Effects 2nd prize in Imagina 1997 « Alien Resurrection » dir. Jean Pierre Jeunet
Golden Teapot in Imagina 1996 « Homage to Jesse and Carl » dir. Pitof
Golden Prize in MIFED 1996 « Homage to Jesse and Carl » dir. Pitof
Master Of Visual Effects in Paris 1996 « Orangina the flipper » dir. Alain Chabat
Best Use Of Visual Effects - Spotitalia 1995 « Mulino Bianco » dir. Jean Paul Seaulieu
Technical Grand Prize in Cannes Festival 1994 « Dead tired » dir. Michel Blanc- Writer
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Hacks are nothing new in Hollywood. Since the beginning of the film industry at the turn of the 20th century, thousands of untalented people have come to Los Angeles from all over America and abroad to try to make it big (as writers, producers, directors, actors, talent agents, singers, composers, musicians, artists, etc.) but who end up using, scamming and exploiting other people for money as well as using their creative ability (either self-taught or professional training), leading to the production of dull, bland, mediocre, unimaginative, inferior, trite work in the forlorn hope of attaining commercial success. Had Edward D. Wood, Jr. been born a decade or two earlier, it's easy to imagine him working for some Poverty Row outfit in Gower Gulch, competing with the likes of no-talent and no-taste producers and directors--such as Victor Adamson, Robert J. Horner and Dwain Esper--for the title of all-time hack. He would have fit in nicely working at Weiss Brothers-Artclass Pictures in the early 1930s in directing low budget Western-themed serials, or directing low budget film noir crime drama features at PRC (Producers Releasing Corporation) in the following decade from 1940 to 1946. Ed Wood is the probably the most well known of all the Hollywood hacks because he is imprisoned in his own time, and in the 1950s, Ed Wood simply had no competition. He was ignored throughout his spectacularly unsuccessful film making career and died a penniless alcoholic, only to be "rediscovered" when promoters in the early 1980s tagged him "The Worst Director of All Time" (mostly thanks to the Medveds' hilarious book, "Golden Turkey Awards") and he was given the singular honor of a full-length biopic by Tim Burton (Ed Wood (1994)). This post-mortem celebrity has made him infinitely more famous today than he ever was during his lifetime.
Wood was an exceedingly complex person. He was born on October 10, 1924, in Poughkeepsie, NY, where he lived most of his childhood. He joined the US Marine Corps in 1943 at the height of World War II and was, by all accounts, an exemplary marine, wounded in ferocious combat in the Pacific theater (a transgender, he claimed to have been wearing a bra and panties under his uniform while storming ashore during the bloody beachhead landing at Tarawa in November 1943). He was habitually optimistic, even in the face of the bleak realities that would later consume him. His personality bonded him with a small clique of outcasts who eked out life on the far edges of the Hollywood fringe.
After settling in Los Angeles in the late 1940s, Wood attempted to break into the film industry, initially without success, but in 1952 he landed the chance to direct a film based on the real-life Christine Jorgensen sex-change story, then a hot topic. The result, Glen or Glenda (1953), gave a fascinating insight into Wood's own personality and shed light on his transgender identity (an almost unthinkable subject for an early 1950s mainstream feature). Although devoutly heterosexual, Wood was an enthusiastic cross-dresser, with a particular fondness for angora. On the debit side, though, the film revealed the almost complete lack of talent that would mar all his subsequent films, his tendency to resort to stock footage of lightning during dramatic moments, laughable set design and a near-incomprehensible performance by Bela Lugosi as a mad doctor whose presence is never adequately explained. The film deservedly flopped miserably but Wood, always upbeat, pressed ahead.
Wood's main problem was that he saw himself as a producer-writer-director, when in fact he was spectacularly incompetent in all three capacities. Friends who knew Wood have described him as an eccentric, oddball hack who was far more interested in the work required in cobbling a film project together than in ever learning the craft of film making itself or in any type of realism. In an alternate universe, Wood might have been a competent producer if he had better industry connections and an even remotely competent director. Wood, however, likened himself to his idol, Orson Welles, and became a triple threat: bad producer, poor screenwriter and God-awful director. All of his films exhibit illogical continuity, bizarre narratives and give the distinct impression that a director's job was simply to expose the least amount of film possible due to crushing budget constraints. His magnum opus, Plan 9 from Outer Space (1957), features visible wires connected to pie-pan UFOs, actors knocking over cardboard "headstones", cars changing models and years during chase sequences, scenes exhibiting a disturbing lack of handgun safety and the ingenious use of shower curtains in airplane cockpits that have virtually no equipment are just a few of the trademarks of that Edward D. Wood Jr. production. When criticized for their innumerable flaws, Wood would cheerfully explain his interpretation of the suspension of disbelief. It's not so much that he made movies so badly without regard to realism--the amazing part is that he managed to get them made at all.
His previous film with Lugosi, Bride of the Monster (1955), was no better (unbelievably, it somehow managed to earn a small profit during its original release, undoubtedly more of a testament to how cheaply it was produced than its value as entertainment), and Wood only shot a few seconds of silent footage of Lugosi (doped and dazed, wandering around the front yard of his house) for "Plan 9" before the actor died in August 1956. What few reviews the film received were brutal. Typically undaunted, Wood soldiered on despite incoherent material and a microscopic budget, peopling it with his regular band of mostly inept actors. Given the level of dialog, budget and Wood's dismal directorial abilities, it's unlikely that better actors would have made much of a difference (lead actor Gregory Walcott made his debut in this film and went on to have a very respectable career as a character actor, but was always embarrassed by his participation in this film)--in fact, it's the film's semi-official status as arguably the Worst Film Ever Made that gives it its substantial cult following. The film, financed by a local Baptist congregation led by Wood's landlord, reaches a plateau of ineptitude that tends to leave viewers open-mouthed, wondering what is it they just saw. "Plan 9" became, whether Wood realized it or not, his singular enduring legacy. Ironically, the rights to the film were retained by the church and it is unlikely that Wood ever received a dime from it; his epic bombed upon release in 1959 and remained largely forgotten for years to come.
After this career "peak," Wood went into, relatively speaking, a decline. Always an "enthusiastic"--for lack of a better word--drinker, his alcohol addiction worsened in the 1960s due to his depression of not achieving the worldwide fame he had always sought. He began to draw away from film directing and focused most of his time on another profession: writing. Beginning in the early 1960s up until his death, Wood wrote at least 80 lurid crime and sex paperback novels in addition to hundreds of short stories and non-fiction pieces for magazines and daily newspapers. Thirty-two stories known to be written by Wood (he sometimes wrote under pseudonyms such as "Ann Gora" and "Dr. T.K. Peters") are collected in 'Blood Splatters Quickly', published by OR Books in 2014. Novels include Black Lace Drag (1963) (reissued in 1965 as Killer in Drag), Orgy of the Dead (1965), Devil Girls (1967), Death of a Transvestite (1967), The Sexecutives (1968), The Photographer (1969), Take It Out in Trade (1970), The Only House in Town (1970), Necromania (1971), The Undergraduate (1972), A Study of Fetishes and Fantasies (1973) and Fugitive Girls (1974).
In 1965, Wood wrote the quasi-memoir 'Hollywood Rat Race', which was eventually published in 1998. In it, Wood advises new writers to "just keep on writing. Even if your story gets worse, you'll get better", and also recounts tales of dubious authenticity, such as how he and Bela Lugosi entered the world of nightclub cabaret.
In the 1970s, Wood directed a number of undistinguished softcore and later hardcore adult porno films under various aliases, one of which is the name "Akdov Telmig" ("vodka gimlet" spelled backwards; it helps to imagine that you're a boozy dyslexic, as Ed Wood was). His final years were spent largely drunk in his apartment and occasionally being rolled stumbling out of a local liquor store. Three days before his death, Wood and his wife Kathy were evicted from their Hollywood apartment due to failure to pay the rent and moved into a friend's apartment shortly before his death on the afternoon of December 10, 1978, at age 54. He had a heart attack and died while drinking in bed.
Due to his recent resurgence in popularity, many of his equally interesting transgender - themed sex novels have been republished. The gravitational pull of Planet Angora remains quite strong.- Producer
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Jon Turteltaub was born on 8 August 1963 in New York City, New York, USA. He is a producer and director, known for Cool Runnings (1993), While You Were Sleeping (1995) and Phenomenon (1996). He has been married to Amy Eldon since 6 July 2006. They have three children.- Director
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Steven C. Miller was born in Decatur, Ga. His love for film began early when his father bought him a VHS video camera. Miller started off small with multiple music videos and short films. In 2005 Miller attended and graduated Full Sail University.
In 2005, immediately after graduating film school at Full Sail University, Steven moved from Florida to Hollywood where he and two close friends raised the money to fund his feature film debut. "Automaton Transfusion." The no-budget cult phenomenon (which Miller also wrote and edited) was shot in 9 days and had a budget of under 30k.
In October 2007, "Automaton Transfusion" premiered at the "ScreamFest" horror festival at the Mann's Chinese Theater. It was purchased and distributed by Dimension films.
Over the next several years, Steven was attached to several studio films including MGM's remake of "Motel Hell," Paramount Vantage's "Ink" and "Area 52" that never materialized into actual films. He learned the meaning of "development hell."
In 2011, Steven decided to return to his roots, work outside of the studio system and shot two independent low budget features: "Under The Bed" and "The Aggression Scale."
The Amblin-esque "Under The Bed" premiered at the 2012 Fantasia Film Festival and played film festivals around the globe. "The Aggression Scale" premiered to rave reviews at the 2012 South By Southwest Film Festival and was described as "Home Alone" meets "Straw Dogs" and was purchased by Anchor Bay.
In April of 2012 Miller began shooting the remake of "Silent Night, Deadly Night" starring Malcolm McDowell and Jaime King. Anchor Bay is set to distribute in December 2012.
In October 2013 Miller finished his first action thriller "Submerged". The film was bought by IFC films and is being released in theaters Nov 27th 2015.
In 2015, Emmitt/Furla Films and Grindstone Entertainment hired Miller to helm two Bruce Willis films back to back, Extraction and Marauders. Extraction hits Theaters December 18th 2015.- Producer
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James Wong is known for The X-Files (1993), The One (2001) and Space: Above and Beyond (1995). He is married to Teena Wong. They have three children.- Producer
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Robert Anthony Rodriguez was born and raised in San Antonio, Texas, USA, to Rebecca (Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. His family is of Mexican descent.
Of all the people to be amazed by the images of John Carpenter's 1981 sci-fi parable, Escape from New York (1981), none were as captivated as the 12-year-old Rodriguez, who sat with his friends in a crowded cinema. Many people watch films and arrogantly proclaim "I can do that." This young man said something different: "I WILL do that. I'm gonna make movies." That day was the catalyst of his dream career. Born and raised in Texas, Robert was the middle child of a family that would include 10 children. While many a child would easily succumb to a Jan Brady sense of being lost in the shuffle, Robert always stood out as a very creative and very active young man. An artist by nature, he was very rarely seen sans pencil-in-hand doodling some abstract (yet astounding) dramatic feature on a piece of paper. His mother, not a fan of the "dreary" cinema of the 1970s, instills a sense of cinema in her children by taking them on weekly trips to San Antonio's famed Olmos Theatre movie house and treats them to a healthy dose of Hollywood's "Golden Age" wonders, from Sergio Leone to the silent classic of Charles Chaplin and Buster Keaton.
In a short amount of time, young Robert finds the family's old Super-8 film camera and makes his first films. The genres are unlimited: action, sci-fi, horror, drama, stop-motion animation. He uses props from around the house, settings from around town, and makes use of the largest cast and crew at his disposal: his family. At the end of the decade, his father, a salesman, brings home the latest home-made technological wonder: a VCR, and with it (as a gift from the manufacturer) a video camera. With this new equipment at his disposal, he makes movies his entire life. He screens the movies for friends, all of whom desperately want to star in the next one. He gains a reputation in the neighborhood as "the kid who makes movies". Rather than handing in term papers, he is allowed to hand in "term movies" because, as he himself explains, "[the teachers] knew I'd put more effort into a movie than I ever would into an essay." He starts his own comic strip, "Los Hooligans". His movies win every local film competition and festival. When low academic grades threaten to keep him out of UT Austin's renowned film department, he proves his worth the only way he knows how: he makes a movie. Three, in fact: trilogy of short movies called "Austin Stories" starring his siblings. It beats the entries of the school's top students and allows Robert to enter the program. After being accepted into the film department, Robert takes $400 of his own money to make his "biggest" film yet: a 16mm short comedy/fantasy called Bedhead (1991).
Pouring every idea and camera trick he knew into the short, it went on to win multiple awards. After meeting and marrying fellow Austin resident Elizabeth Avellan, Robert comes up with a crazy idea: he will sell his body to science in order to finance his first feature-length picture (a Mexican action adventure about a guitarist with no name looking for work but getting caught up in a shoot-'em-up adventure) that he will sell to the Spanish video market and use as an entry point to a lucrative Hollywood career. With his "guinea pig" money he raises a mere $7,000 and creates El Mariachi (1992). But rather than lingering in obscurity, the film finds its way to the Sundance film festival where it becomes an instant favorite, wins Robert a distribution deal with Columbia Pictures and turns him into an icon among would-be film-makers the world over. Not one to rest on his laurels, he immediately helms the straight-to-cable movie Roadracers (1994) and contributes a segment to the anthology comedy Four Rooms (1995) (his will be the most lauded segment).
His first "genuine" studio effort would soon have people referring to him as "John Woo from south-of-the-border". It is the "Mariachi" remake/sequel Desperado (1995). More lavish and action-packed than its own predecessor, the movie--while not a blockbuster hit--does decent business and launches the American film careers of Antonio Banderas as the guitarist-turned-gunslinger and Salma Hayek as his love interest (the two would star in several of his movies from then on). It also furthers the director's reputation of working on low budgets to create big results. In the year when movies like Batman Forever (1995) and GoldenEye (1995) were pushing budgets past the $100 million mark, Rodriguez brought in "Desperado" for just under $7 million. The film also featured a cameo by fellow indie film wunderkind, Quentin Tarantino. It would be the beginning of a long friendship between the two sprinkled with numerous collaborations. Most notable the Tarantino-penned vampire schlock-fest From Dusk Till Dawn (1996). The kitschy flick (about a pair of criminal brothers on the run from the Texas Rangers, only to find themselves in a vamp-infested Mexican bar) became an instant cult favorite and launched the lucrative film career of ER (1994) star George Clooney.
After a two-year break from directing (primarily to spend with his family, but also developing story ideas and declining Hollywood offers) he returned to "Dusk till Dawn" territory with the teen sci-fi/horror movie The Faculty (1998), written by Scream (1996) writer, Kevin Williamson. Although it's developed a small following of its own, it would prove to be Robert's least-successful film. Critics and fans alike took issue with the pedestrian script, the off-kilter casting and the flick's blatant over-commercialization (due to a marketing deal with clothing designer Tommy Hilfiger). After another three-year break, Rodriguez returned to make his most successful (and most unexpected) movie yet, based on his own segment from Four Rooms (1995). After a string of bloody, adult-oriented action fare, no one anticipated him to write and direct the colorful and creative Spy Kids (2001), a movie about a pair of prepubescent Latino sibs who discover that their lame parents (Antonio Banderas and Carla Gugino) are actually two of the world's greatest secret agents. The film was hit among both audiences and critics alike.
After quitting the Writers' Guild of America and being introduced to digital filmmaking by George Lucas, Robert immediately applied the creative, flexible (and cost-effective) technology to every one of his movies from then on, starting with an immediate sequel to his family friendly hit: Spy Kids 2: Island of Lost Dreams (2002) which was THEN immediately followed by the trilogy-capper Spy Kids 3: Game Over (2003). The latter would prove to be the most financially-lucrative of the series and employ the long-banished movie gimmick of 3-D with eye-popping results. Later the same year Rodriguez career came full circle when he completed the final entry of the story that made brought him to prominence: "El Mariachi". The last chapter, Once Upon a Time in Mexico (2003), would be his most direct homage to the Sergio Leone westerns he grew up on. With a cast boasting Antonio Banderas (returning as the gunslinging guitarist), Johnny Depp (as a corrupt CIA agent attempting to manipulate him), Salma Hayek, Mickey Rourke, Willem Dafoe and Eva Mendes, the film delivered even more of the Mexican shoot-'em-up spectacle than both of the previous films combined.
Now given his choice of movies to do next, Robert sought out famed comic book writer/artist Frank Miller, a man who had been very vocal of never letting his works be adapted for the screen. Even so, he was wholeheartedly convinced and elated when Rodriguez presented him with a plan to turn Miller's signature work into the film Sin City (2005). A collection of noir-ish tales set in a fictional, crime-ridden slum, the movie boasted the largest cast Rodriguez had worked with to that date. Saying he didn't want to mere "adapt" Miller's comics but "translate" them, Rodriguez' insistence that Miller co-direct the movie lead to Robert's resignation from the Director's Guild of America (and his subsequent dismissal from the film John Carter (2012) as a result). Many critics cited that Sin City was created as a pure film noir piece to adapt Miller's comics onto the screen. Co-directing with Frank Miller and bringing in Quentin Tarantino to guest-direct a scene allowed Rodriguez to again shock Hollywood with his talent.
In late 2007, Rodriguez again teamed up with his friend Tarantino to create the double feature Grindhouse (2007). Rodriguez's offering, Planet Terror (2007), was a film made to be "hardcore, extreme, sex-fueled, action-packed." Rodriguez flirts with his passion to make a showy film exploiting all of his experience to make an extremely entertaining thrill ride. The film is encompassed around Cherry (Rose McGowan), a reluctant go-go dancer who is found wanting when she meets her ex-lover El Wray (played by Freddy Rodríguez) who turns up at a local BBQ grill. They then, after a turn of events, find themselves fending off brain-eating zombies whilst trying to flee to Mexico (here we go off to Mexico again). Apart from directing, Rodriguez also involves himself in camera work, editing and composing music for his movies' sound tracks (he composed Planet Terror's main theme). He also shoots a lot of his own action scenes to get a direct idea from his eye as the director into the film. In El Mariachi (1992), Rodriguez spent hours in front of a pay-to-use, computer editing his film. This allowed him to capture the ideal footage exactly as he wanted it. Away from the filming aspect of Hollywood, Rodriguez is an expert chef who cooks gourmet meals for the cast and crew. Rodriguez is also known for his ability to turn a low-budgeted film with a small crew into an example of film mastery. El mariachi was "the movie made on seven grand" and still managed to rank as one of Rodriguez' best films (receiving a rating of 92% on the Rotten Tomatoes film review site).
Because Rodriguez is involved so deeply in his films, he is able to capture what he wants first time, which saves both time and money. Rodriguez's films share some similar threads and ideas, whilst also having differences. In El Mariachi (1992), he uses a hand-held camera. He made this decision for several reasons. First, he couldn't afford a tripod and secondly, he wanted to make the audience more aware of the action. In the action sequences he is given more mobility with a hand-held camera and also allows for distortion of the unprofessional action sequences (because the cost of all special effects in the film totaled $600). However, in Sin City (2005) and Planet Terror (2007), the budget was much greater, and Rodriguez could afford to spend more on special affects (especially since both films were filmed predominately with green screen) and, thus, there was no need to cover for error.
Playing by his own rules or not at all, Robert Rodriguez has redefined what a filmmaker can or cannot do. Shunning Hollywood's ridiculously high budgets, multi-picture deals and the two most powerful unions for the sake of maintaining creative freedom are decisions that would (and have) cost many directors their careers. Rodriguez has turned these into his strengths, creating some of the most imaginative works the big-screen has ever seen.except El Mariachi,Desperado,From Dusk till Dawn,Once Upon a Time in Mexico and Sin City- Producer
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Born and raised in Southern California, York Shackleton took up snowboarding and skateboarding at age 10. By 19 he was on the professional snowboarding circuit, where he wowed legions of young fans and popularized a move called the "rodeo flip." Inspired to tap into the commercial aspect of the sport, York and a friend started the company groove snowboards. In the late 1990s, York took his tricks in front of the camera, appearing in several national commercials for Mountain Dew and Taco Bell. York got his first taste of straight acting the next year, when he turned up alongside Dominique Swain as a teenage skater in Johnathan Kahn's "Girl".
York's movie career began in earnest when he landed a lead role in Emilio Ferrari's "White Out" (at his very first audition, according to Ferrari). While the film was almost universally panned, York received high marks from critics and audiences for his turn as "a cocky king of the mountain" Kelly Powers. Ferrari was so pleased with York that he wrote a part for him in his next film, "I Know What You Did Last Winter".
After appearing in several Indies and the MTV series "Undressed", York crossed over into mainstream circles with his directorial debut. "Las Paraditas", a feature documentary exposing the violence and corruption that surrounds the prostitutes of Tijuana. In 2005, York wrote and directed the critically acclaimed cult film, "Kush" Starring William Atherton, Mike Erwin and Lyn Shea.
York maintains a relatively low profile, but cohorts insist that he's one of the funniest and most gentlemanly directors in the business.211- Producer
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Danny Cannon is an Emmy-nominated film and television producer, director and writer, known for executive producing and directing Pennyworth (2019), Gotham (2014), Nikita (2010), I Still Know What You Did Last Summer (1998), Judge Dredd (1995), and is responsible for executive producing the billion dollar CSI: Crime Scene Investigation (2000) series franchise (which he directed the pilot of), along with the subsequent spinoffs CSI: Miami (2002) and CSI: NY (2004).
One of the top paid television directors in the entertainment industry and the only TV pilot director to also operate as a key writer, Cannon has directed 15 television pilots, 12 of which have been ordered to series including (in addition to the above): Training Day (2017), The Tomorrow People (2013), Dark Blue (2009), The Forgotten (2009), and Eleventh Hour (2008). At one time, Cannon had five television series on-air, while acting as executive producer.
Cannon is currently the executive producer (and a writer/director) of FOX's superhero series Gotham (2014-2019), which won the Critics Choice Award for Most Exciting New Series in 2014. His newest endeavor, as of 2019, is a 10-episode straight-to-series Batman prequel for the Epix Network, titled Pennyworth (2019), which he is currently executive producing and writing/directing in London.- Music Artist
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Robert Bartleh Cummings, more famously known as Rob Zombie, was born in Haverhill, Massachusetts on January 12, 1965. He is the oldest son of Louise and Robert Cummings, and has a younger brother, Michael David (aka Spider One; b. 1968), who is the lead singer of Powerman 5000. Growing up, Zombie loved horror movies, which have greatly influenced his music and filmmaking career; in 1983, he graduated from Haverhill High School. After graduating, he moved to New York City to attend Parsons School of Design, also briefly working as a production assistant on Pee-wee's Playhouse (1986).
Zombie and his then-girlfriend, Sean Yseult, co-founded the band White Zombie, named after the Bela Lugosi classic horror film of the same name (White Zombie (1932)). The band released their debut studio album, 'Soul-Crusher', in 1987; their second, 'Make Them Die Slowly', followed in 1989, but generated little buzz.
Following the release of their fourth extended play, however, White Zombie caught the attention of Geffen Records, who in 1992 went on to release their third studio album, 'La Sexorcisto: Devil Music Volume One'. This album sold over two million copies in the U.S., becoming the band's breakout hit. White Zombie's fourth and final album, 'Astro-Creep: 2000 - Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head', was released in 1995 to critical and commercial success, ultimately becoming their most successful album. The band released a remix album in 1996 and disbanded the same year, officially breaking up in 1998.
Rob Zombie began working on a debut album in 1997; 'Hellbilly Deluxe: 13 Tales of Cadaverous Cavorting Inside the Spookshow International' came out in 1998, selling over three million copies. Zombie formed his own record label, Zombie-A-Go-Go Records, in 1998.
Zombie composed the original score for the video game Twisted Metal III (1998) and designed a haunted attraction for Universal Studios in 1999. In 2000, he began working on his directional debut, House of 1000 Corpses (2003). Inspired mainly by classics such as The Texas Chain Saw Massacre (1974), the film was delayed until 2003 due to distributional issues. Though criticized for its explicit depictions of violence and gore, it went on to gross over $16 million and has garnered a cult following.
Zombie's second studio album, 'The Sinister Urge', was released in 2001 and sold over a million copies. In 2002, he married his longtime girlfriend Sheri Moon Zombie, who has appeared in all of his movies to date and often accompanies him on tour to choreograph dance routines and create costumes. Zombie released a sequel to 'House of 1000 Corpses' in 2005, entitled The Devil's Rejects (2005). Although it received much more positive reviews than its predecessor, it was still criticized for its violent content. He released his third studio album, 'Educated Horses', the following year.
In 2007, Zombie decided to focus on his work as a filmmaker for a while; the same year, he would release his most polarizing movie to date: Halloween (2007), a remake of the 1978 classic of the same name (Halloween (1978)). It received a mixed reception, but was a box office hit, and still currently resides as the top Labor Day weekend grosser. Zombie directed a fictitious trailer entitled 'Werewolf Women of the SS' (inspired by the exploitation flick Ilsa: She Wolf of the SS (1975)) for Grindhouse (2007). In 2009, Zombie directed Halloween II (2009), which was critically panned, and The Haunted World of El Superbeasto (2009), which was based upon one of his comic book series.
Also in 2009, Zombie began working on a new album; 'Hellbilly Deluxe 2: Noble Jackals, Penny Dreadfuls and the Systematic Dehumanization of Cool' came out the following year. In 2011, he directed a horror-themed commercial for Woolite, and began work on a new film, The Lords of Salem (2012). Unlike Zombie's previous efforts, 'The Lords of Salem' focused more on building suspense and a nightmarish, surreal atmosphere and less on brutal violence and excessive profanity. It ultimately received mixed reviews; just after its release, Zombie came out with his fifth studio album, 'Venomous Rat Regeneration Vendor', his lowest-selling to date.
Zombie lent his voice to the superhero movie Guardians of the Galaxy (2014). He also began work on 31 (2016), which tells the story of five carnival workers who are trapped and forced to fight for survival against a gang of murderous clowns. It premiered at the 2016 Sundance Film Festival in January, and will be released in September. In April, Zombie's sixth studio album, 'The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser', was released. Additionally, he has signed on to direct a film on the life of zany comic Groucho Marx, though a release date is uncertain.
Zombie is most recognized for his heavy metal style of music, influenced by his love of classic horror, and his exploitation/splatter-type movies. Overall, he has sold an estimated fifteen million albums worldwide, and his films have grossed over $150 million in total.His music is great, but his movie is terrible.- Director
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Vince Marcello is known for The Kissing Booth (2018), The Kissing Booth 2 (2020) and Zombie Prom (2006).The Kissing Booth- Director
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Eli Raphael Roth was born in Newton, Massachusetts, to Cora (Bialis), a painter, and Sheldon H. Roth, a psychoanalyst, psychiatrist, and clinical professor. His family is Jewish (from Austria, Hungary, Russia, and Poland). He began shooting Super 8 films at the age of eight; after watching Ridley Scott's Alien (1979) and vomiting, and deciding he wanted to be a producer/director. With his brothers and friends, ketchup for blood, and his father's power tools, he made over 50 short films before attending film school at NYU, where he won a student Academy Award and graduated summa cum laude in 1994.
Eli worked in film and theater production in New York City for many years, doing every job from production assistant to assistant editor to assistant to the director. At the age of 20, Roth was development head for producer Fred Zollo, a position he soon left to write full time. To earn a living, Roth did budgets and schedules for the films A Price Above Rubies (1998) and Illuminata (1998), and often worked as a stand-in, where he could watch directors work with the actors. In 1995, Roth co-wrote the script that would eventually become Cabin Fever (2002) with friend Randy Pearlstein, and the two spent many years unsuccessfully trying to get the film financed. Roth left New York in 1999 to live in Los Angeles, and within four months got funding for his animation series Chowdaheads (1999). Roth and friend Noah Belson (Cabin Fever (2002)'s Guitar Man) wrote and voiced the episodes, which Roth produced, directed, and designed. The episodes were due to run on WCW's #1 rated series WCW Monday Nitro (1995) but the CEO was fired a day before they were scheduled to air, and the episodes never ran. Roth used the episodes to set up a stop motion series called The Rotten Fruit (2003) which he produced, directed, and animated, as well as co-wrote and voiced with friend Belson. Between the two animated series, Roth worked closely with director David Lynch, producing content for the website davidlynch.com.
In 2001, Roth filmed Cabin Fever (2002) on a shoestring budget of $1.5 million, with private equity he and his producers raised from friends and their family. The film was the subject of a bidding war at the 2002 Toronto Film Festival, eventually won by Lion's Gate, instantly doubling their investors' money. It went on to not only be the highest-grossing film for Lion's Gate in 2003, but the most profitable horror film released that year, garnering critical acclaim from The New York Times, Rolling Stone, Empire Magazine, and such filmmakers as Peter Jackson, Quentin Tarantino, and Tobe Hooper. Roth used the film's success to launch a slew of projects, including The Box (2009), a horror thriller he co-wrote with Richard Kelly. In May 2003, Roth joined forces with filmmakers Boaz Yakin, Scott Spiegel, and Greenestreet Films in New York to form Raw Nerve, LLC, a horror film production company.
In 2014, Eli married Chilean model and actress Lorenza Izzo.- Director
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Born in Hong Kong, Ronny Yan-Tai Yu dreamed of making films since he was a child. At only 9 months of age, Yu contracted polio, resulting in a long recovery that prevented him from developing an active childhood and had to spend much time in isolation. To cope with the loneliness, Yu created fantasy worlds of his own, with furniture as props. As he grew older, his world of escape became the cinema, where he could immerse in grander, more exciting adventures. It was then that his passion to become a director began to grow.
However, as the only son of a traditional Chinese family, film making was cast aside by the time he started college. Under pressure to take up the family business, Yu studied business instead and earned an MBA from Ohio University.
Soon after graduation, a pivotal turning point occurred for Yu. His friend Philip Chan, a police lieutenant with acting ambitions, persuaded Yu to direct The Servant, a screenplay that he wrote based on his experiences in the police force. Yu took up the opportunity and learned the craft as the filming proceeded. The film became the No.1 box office hit for the summer, and Yu's future seemed destined to be in film after all.
Throughout the 1980s Yu directed and produced many other box office successes in Hong Kong. In 1993, the romantic swordplay epic The Bride with White Hair (1993) (The Bride with White Hair) established his signature style of kinetically-paced story-telling through sumptuous imagery. Bride was a huge summer hit in Hong Kong, and also became an art house theater favorite in the U.S. and Europe, leading to international critical acclaim. It also won the Grand Prize at the Fantastica film festival in Belgium.
In 1995 came the equally ravishing The Phantom Lover (1995) (The Phantom Lover), a love story inspired by the original novel of The Phantom of the Opera, and the Chinese movie Songs of Midnight from the 1920s.
Following these two stunning films, Yu launched his Hollywood career. His flair for visually rich narration appealed immediately to broader Western audiences and has been associated mostly with the horror film genre, as he has revived three franchises - with Bride of Chucky (1998); then Freddy vs. Jason (2003), of the Nightmare on Elm Street and Friday the 13th franchises, respectively, where its box office total is more than the two franchises'combined earnings.
Never one who confines himself to a genre, Yu went on to direct Fearless (2006) (Fearless), a film starring Jet Li, based on the true story of the martial arts master Huo Yuanjia.except Huo Yuan Jia- Director
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Eskandari immigrated to the United States as a child with his family, following the Iranian revolution. He is an alumnus of the University of Southern California, and would direct several award-winning shorts; including "The Taking" (Screamfest Award for Best Student Short). The film propelled him to nationwide exposure when he was chosen by Steven Spielberg and Mark Burnett; from a pool of 12,000 candidates, to participate in the Fox filmmaker competition 'On the Lot.'
Matt would go on to make his feature directorial debut with the psychological thriller "Victim." The controversial work was distributed by Ifc Films for theatrical release and hailed by Ain't it Cool News as, "a thinking man's Saw" and "both original and disturbing." Eskandari's next feature, "The Gauntlet," starring international stars Bai Ling and Dustin Nguyen was produced and shot entirely in China. It was one of the first China/US co-productions recognized by the Beijing Film Bureau and after a successful worldwide festival run was distributed as "Game of Assassins" by Lionsgate Studios
Matt's third feature, the self-contained swimming pool thriller "12 Feet Deep," starring Tobin Bell and Alexandra Park was praised by critics as, "a tensely directed hidden gem that will leave you struggling to breathe," and has gone on to become the single top selling title for MarVista - having amassed a record 40 million trailer views in its first months release.
Coming from a unique cultural perspective and honing his directorial craft in genre films, Eskandari is ready to use his distinct voice to embark into a further exploration of human nature and delve into the relevant fears and themes of our modern day world.- Actor
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Benjamin Scott Falcone is an American actor, comedian and filmmaker. He is married to actress Melissa McCarthy, with whom he has two children and co-starred in What to Expect When You're Expecting, Enough Said, and God's Favorite Idiot. He has also had cameos in Bridesmaids, Identity Thief, The Heat, Spy, and Can You Ever Forgive Me?, all of which starred his wife.
Falcone made his directorial debut in 2014 with Tammy, which he co-wrote with McCarthy, and he also directed, co-wrote, and produced The Boss, Life of the Party, Superintelligence, and Thunder Force, all of which starred McCarthy.- Writer
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Tony Leondis was born in New York City, New York, USA. He is a writer and director, known for The Emoji Movie (2017), Igor (2008) and The Prince of Egypt (1998).The Emoji Movie- Writer
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Harold P. Warren was born on 23 October 1923 in New Haven, Connecticut, USA. He was a writer and director, known for Manos: The Hands of Fate (1966). He died on 26 December 1985 in Scottsdale, Arizona, USA.- Director
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Albert Pyun was an award-winning US filmmaker best known for his contributions to the science-fiction and action genres. He is credited with pioneering the cyborg sub-genre and is considered to be a maverick and renegade in independent genre cinema. With over 50 titles to his name, he has enjoyed a prolific career spanning 30+ years and has earned himself a fevered cult following.
His first film, The Sword and the Sorcerer (1982), was the highest-grossing independent film of 1982, earning $36,714,025 in the US. The film's success led to Pyun being attached to various large sci-fi projects, including Total Recall (1990) (eventually directed by Paul Verhoeven) and he became a much sought-after director by several studios. His follow-up film was the post-apocalyptic sci-fi Radioactive Dreams (1984), which helped launch the careers of Michael Dudikoff and John Stockwell, and cemented Pyun's reputation for being an edgy and creative filmmaker. The 1980s was a highly productive decade for him, with the release of Dangerously Close (1986), Vicious Lips (1986), Down Twisted (1987), Alien from L.A. (1988), Journey to the Center of the Earth (1988), Cyborg (1989) and Deceit (1990).
Pyun's work with Cannon Pictures saw him direct more films for the company than any other filmmaker and his involvement with "Spider-Man" and "Masters of the Universe 2" became legendary. When both films were canceled mid-way into their productions, Pyun devised a breakneck strategy to combine the sets and costume designs from both to salvage the lost money and deliver a single stand-alone film. The result was Cyborg (1989), which opened in 1989 as the fourth highest grossing film in the United States. It grossed $10,166,459 and gave Jean-Claude Van Damme his Hollywood superstar status.
The 1990s proved to be an even more prolific decade, with Pyun directing a further 24 films. Notable throughout those years include Captain America (1990), Nemesis (1992), Nemesis 2: Nebula (1995), Nemesis 3: Time Lapse (1996), Nemesis 4: Death Angel (1996), Kickboxer 2: The Road Back (1991), Knightriders (1981), Omega Doom (1996), Adrenalin: Fear the Rush (1996), Hong Kong 97 (1994), Postmortem (1998) and Mean Guns (1997). His work with Charles Band's Full Moon Pictures saw him direct Dollman (1991) and Arcade (1993), both of which continue to hold a strong cult following.
The 2000s marked a new era for Pyun, as he moved away from the independent studio system and began making films much more independently by way of self-funding and outsourcing money personally. This allowed for greater creative freedoms as a filmmaker, despite his budgets being drastically reduced. His new approach to filmmaking has divided audiences, however; those who have followed his career closely agree that his films since 2000 have been far more audacious and personal, none more so than his 2013 film Road to Hell (2008) (shot in 2008). Inspired by Walter Hill's classic Streets of Fire (1984), the film acts as a spiritual sequel and presents the two protagonists in an alternative future. Michael Paré and Deborah Van Valkenburgh reprised their roles of Tom and Reva Cody and their characters are pitted against a vibrant and surreal purgatory landscape. The film has enjoyed a steady run on the festival circuit and is slated for a home-entertainment release. Other notable films from this decade include the stunning one-shot horror film Invasion (2004) (aka "Infection"), the brutal drug trade thriller Bulletface (2010) and the long-awaited Abelar: Tales of an Ancient Empire (2010), a follow up to "The Sword and the Sorcerer". Investor and distributor interference on this film jeopardized the final theatrical cut and the film is slated, along with several of his other films, for an upcoming director's cut release.
The 2010s have proven to be a difficult time in Pyun's career due to declining health and difficulties getting a major project released. His film Cyborg Nemesis: The Dark Rift was shot, but remains unfinished due to pending post-production issues. An incomplete version of the film was screened for an audience at the Yellow Fever Independent Film Festival. His health took a turn for the worst in 2012 when he was diagnosed with multiple sclerosis. The effect of the illness took an emotional and physical toll on him and in early 2013 he announced his retirement. Following a brief hiatus he concluded that the best remedy was filmmaking and he made a triumphant return with The Interrogation of Cheryl Cooper (2014). While he endured medical tests and treatments, the film had an incredibly fast turnaround and was written, shot and completed within a matter of weeks. The story line was a direct follow-up to "Invasion" and continued the one-shot concept. It was entirely filmed over the course of a single day and showcased Pyun's ability to think outside the box, both practically and creatively.
As of 2015 Pyun had attempted to develop various other projects, while maintaining ongoing treatment for his multiple sclerosis. These projects include "Napoleon", "The Kickboxer": "City of Blood" and "Algiers". In maintaining a strong relationship with his fan base Pyun has shared the production details of these projects on his Facebook page and maintains that he is still actively pursuing them. Their further development will depend on his ongoing health. He attributes his relationship with his fans as a driving force in fighting his illness and he has shared his medical journey with them almost every step of the way.
November of 2015 saw the release of a conceptual teaser trailer for a brand-new film titled "Star Warfare Rangers" and the "Cyborg Witch of Endor" (later retitled Interstellar Civil War: Shadows of the Empire (2017)). Having evolved from various attempts to revive his "Cyborg" saga, the film is an original story detailing the search for a missing Cyborg child. The film marked Albert's 33rd collaboration with his long-standing composer Tony Riparetti and boasts an impressive cast including Brad Thornton, Glenn Maynard, Ellie Church, Tommie Vegas, Shane Ryan and Morgan Weisser, among others.
Pyun's career has seen him work with some of the biggest stars in Hollywood, many of whom got their first break with him. He has worked with the likes of Jean-Claude Van Damme, Sasha Mitchell, Christopher Lambert, Natasha Henstridge, Brion James, Tim Thomerson, Jackie Earle Haley, Teri Hatcher, Rutger Hauer, Olivier Gruner, Charlie Sheen, Burt Reynolds, Steven Seagal, Rob Lowe, Ice-T, Snoop Dogg, Kevin Sorbo, Tom Sizemore, Andrew Dice Clay, Dennis Hopper, Kevin Gage, Robert Patrick, Seth Green, Dennis Chan, Ned Beatty, Darren McGavin, Ronny Cox, Kris Kristofferson, George Kennedy, Richard Lynch, Lee Horsley, Richard Moll, Courteney Cox, Tom Matthews, Nicholas Guest, Kathy Ireland, Deep Roy, Michel Qissi, Andrew Divoff, David Carradine, Vincent Klyn, Mitch Pileggi, Yuji Okumoto, Cary-Hiroyuki Tagawa, Michael Pare and Deborah Van Vulkenburgh. His most frequent actor collaborations have been with Norbert Weisser and Scott Paulin, who have worked alongside Albert in dozens of films spanning several decades.
Albert passed away on November 22, 2022 in Las Vegas, NV, where he lived with his wife and producer, Cynthia Curnan.R.I.P. love his Cyborg,Nemesis, The Sword and the Sorcerer. other is bad.- Director
- Actor
- Producer
Charles Herman-Wurmfeld was born on 5 July 1966 in the USA. He is a director and actor, known for Kissing Jessica Stein (2001), Legally Blonde 2: Red, White & Blonde (2003) and Rage Room.- Director
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A 25-year veteran in the Hollywood exploitation field, writer/producer/director Jim Wynorski is responsible for over 150 varied motion pictures in a myriad of genres. Leaving behind a successful commercial business in New York, Wynorski relocated to California in 1980 and soon found himself on the doorstep of his childhood idol, B-film king Roger Corman. "The rest was destiny," recounts Wynorski, who soon found himself hired by the renowned movie mogul to cut "coming attractions" for all of the company's new action and horror films. "It was like grasshopper learning from the kung-fu master," says Wynorski, who claims his six-months internship with Corman taught him more than four years at film school.
"It wasn't long after that Corman offered me the first of many writing/directing assignments. Some distributor wanted a flick about a killer in a shopping mall," recalls Wynorski, "and Roger trusted me enough to say 'come up with something good, and you can direct it." Well, a couple days later, the director walked in with the first treatment to a film called Chopping Mall (1986), and the rest was history. From then on, Jim Wynorski turned out an average of three to five films a year as a director, and even more as a producer/writer. Throughout the 1980s came a steady stream of wild exploitation titles like Big Bad Mama II (1987) with Angie Dickinson, Not of This Earth (1988) with Traci Lords and The Return of Swamp Thing (1989) with Heather Locklear. On into the 1990s, Wynorski continued to climb to the top of the B-Film mountain with flicks like Hard Bounty (1995) starring Kelly LeBrock, Point of Seduction: Body Chemistry III (1994) & Body Chemistry 4: Full Exposure (1995) with Shannon Tweed and Morgan Fairchild and Munchie (1992), which featured the first film appearance of the then-unknown 12-year-old child actress Jennifer Love Hewitt.
As the years peeled by and tastes changed, Jim Wynorski kept hip by innovating new special effects techniques that landed the director no less than seven world premieres on the Sci-Fi Channel. His credits there include films like Gargoyle (2004), The Curse of the Komodo (2004), Project Viper and Cry of the Winged Serpent (2007).
As for the future, the 59-year-old Wynorski feels the audience for alternative cinema made away from the studio system will continue to grow thanks to new advances in Internet and Cable technologies. In fact, he is in post-production on another thriller, Vampire in Vegas (2009). "And you can bet I'll be there," he offers with a big smile, "with some really fun stuff." Jim has a huge following in the MidWest and is beloved in Franklin, Indiana, Home of The B Movie Celebration.- Animation Department
- Actor
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- Producer
- Actor
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Brian Robbins is President of Kids & Family Entertainment for ViacomCBS Domestic Media Networks, with oversight of all strategy, creative and business operations for the company's kids and young-adult focused brands including Nickelodeon, Nick at Nite, Nick Jr., TeenNick, Nicktoons, Nickelodeon Studios and Awesomeness. He also has purview over The Nick Experience, Nickelodeon's experiential division which includes live shows, as well as Nick's domestic consumer products business.
Robbins most recently served as President of Nickelodeon, responsible for evolving the global brand leader in kids and family entertainment for a new generation of young audiences by enhancing its robust content offerings and expanding its cultural footprint on next-generation platforms and in film.
Prior to that, Robbins was President of Paramount Players, a production division of Paramount Pictures that develops, produces and markets feature films from original source material and in collaboration with Viacom flagship brands Nickelodeon, MTV, Comedy Central and BET.
Projects led by Robbins under the Paramount Players division include: Nobody's Fool, directed by Tyler Perry and starring Tiffany Haddish; What Men Want directed by Adam Shankman and starring Taraji P. Henson; the adaptation of Trevor Noah's autobiography Born a Crime; and film versions of classic Nickelodeon shows Rugrats and Dora the Explorer, among others.
Prior to establishing Paramount Players, Robbins founded multi-platform media company Awesomeness, which Viacom purchased in July 2018. As Founder & CEO, he drove all Awesomeness creative, producing hit web series and films Expelled, Guidance, Foursome, t@gged, and Freakish, as well as theatrical release Before I Fall.
A prolific producer of television, film and digital media, Robbins is best known for executive producing numerous popular and critical television hits aimed at teens and young audiences, including the long-running CW series Smallville and One Tree Hill; Nickelodeon's All That and Kenan and Kel; Disney Channel's Sonny With a Chance and So Random; and Spike TV's Blue Mountain State. He also produced the popular WB series What I Like About You and HBO's Arli$$.
In feature film, his director and producer credits include Paramount Pictures' Coach Carter, Hardball, Varsity Blues and Good Burger; Disney's Wild Hogs and Shaggy Dog; DreamWorks' A Thousand Words; and Sony's Radio, along with many other works.
Robbins is the recipient of a Directors Guild Award, a Peabody Award, and the Pioneer Prize by the International Academy of Television Arts and Sciences. He is based in Los Angeles, CA.- Writer
- Special Effects
- Producer
- Director
- Producer
- Actor
Simon West is a British born and Hollywood based film director and producer. His films include CON AIR starring Nicholas Cage, "THE GENERAL'S DAUGHTER" starring John Travolta and "LARA CROFT: TOMB RAIDER" starring Angelina Jolie. West is the only live action director ever whose first three 3 films all grossed over $100m at the US box office.
West also served as an executive producer on the Oscar nominated BLACK HAWK DOWN. He will be reteaming with BLACK HAWK DOWN writer Ken Nolan to direct THUNDER RUN based on the book "Thunder Run" written by Pulitzer Prize winning journalist David Zucchino. His television company has produced acclaimed series such as Fox's "KEEN EDDIE", the CBS series "CLOSE TO HOME", Fox's "HUMAN TARGET" and the NBC series "THE CAPE".
West directed the action-packed remake of "THE MECHANIC" starring Jason Statham and Ben Foster and "THE EXPENDABLES 2" starring almost every action star in the movie world. This film grossed over $300m in worldwide box office.- Director
- Producer
- Writer
Walt Becker was born on 16 September 1968 in Hollywood, California, USA. He is a director and producer, known for Old Dogs (2009), Wild Hogs (2007) and National Lampoon's Van Wilder (2002). He has been married to Lindsay Becker since 2005. They have two children.- Mike Bigelow is known for Deuce Bigalow: European Gigolo (2005).
- Producer
- Writer
- Script and Continuity Department
Simon Kinberg is a British film producer, director and screenwriter who is known for producing the X-Men films, Fant4stic, Logan, the Deadpool films, Cinderella and The Martian. He directed Dark Phoenix, the finale of the X-Men Beginnings films. He created Star Wars Rebels, an animated series set after Revenge of the Sith and before Rogue One. He also wrote Mr. and Mrs. Smith, X-Men: The Last Stand and Jumper.- Writer
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- Director
Writer/director Fred Dekker was born on April 9, 1959 in San Francisco, California. An avid comic book fan, monster movie buff, and film nerd from an early age, Dekker was rejected by both USC and UCLA film schools. He wound up attending UCLA as an English major instead. His fellow UCLA classmates included future screenwriters Shane Black (who collaborated with Dekker on the script for "The Monster Squad"), Ed Solomon, and Chris Matheson. One of Dekker's early projects in Hollywood was a 3-D "Godzilla" picture that sadly never panned out. Fred's first film credit was writing the story for the amusing horror comedy "House." He made his promising debut as writer/director with the terrific "Night of the Creeps," which paid affectionate homage to the blithely silly low-budget horror flicks he grew up loving as a kid. He followed this fine feature with the equally delightful tongue-in-cheek pastiche "The Monster Squad." Alas, both movies received mixed reviews from the critics and flopped at the box office, but have fortunately gone on to acquire huge cult followings. Dekker wrote five episodes of the immensely enjoyable cable TV horror anthology series "Tales from the Crypt": "Split Personality," "And All Through the House," "Lower Berth," "Only Sin Deep," and "The Thing From the Grave" (Fred directed this episode as well). He wrote the stories for the exciting revenge thriller "Ricochet" and the failed spy spoof "If Looks Could Kill." More recently Fred Dekker wrote several episodes of and served as a consulting producer on the science fiction TV show "Enterprise."- Writer
- Director
- Producer
Jeffrey Lau is known for A Chinese Odyssey: Part 2 - Cinderella (1995), A Chinese Odyssey: Part One - Pandora's Box (1995) and Kung Fu Hustle (2004).- Stunts
- Second Unit Director or Assistant Director
- Additional Crew
Nick's work has received twelve Taurus World Stunt Award nominations, winning five of them. He also won the fight choreographer of the year for his work on The Bourne Identity where he choreographed and shot all of the fights. Having studied a number of Martial arts he was a member of the British Wu Shu team (placing 2nd in the European Championships) as well as being London Fencing Champion. Nick began his stunt work in the UK in 1986 after initially training and working as an actor.- Special Effects
- Director
- Additional Crew
James Isaac was born on 5 June 1960 in San Francisco, California, USA. He was a director, known for Pig Hunt (2008), Jason X (2001) and eXistenZ (1999). He was married to Harriet Isaac. He died on 6 May 2012 in Sausalito, California, USA.- Visual Effects
- Director
- Producer
Since moving to Hollywood as teens in the mid-90s, Colin and his brother, Greg have charted a meteoric rise from self-taught artists working on local cable commercials in the suburbs of Chicago, to renowned visual effects gurus. Their careers began on the original run of The X-Files television show before working their way onto early CG-driven features, The Nutty Professor, Volcano, and the iceberg sequence of James Cameron's Titanic. Founding their own VFX house, Hydraulx in 2002, the brothers have worked on visionary sequences for over ninety feature films including Avatar, The Avengers, Skyfall, 300, Captain America, 2012, Iron Man 2, Battle: Los Angeles and The Day After Tomorrow. Their work on the latter brought Greg a BAFTA for Best Achievement in Special Visual Effects.
In 2000, Colin won a MTV Video Music Award for Best Art Direction for the Red Hot Chili Pepper's video, "Californication." This led to Greg and Colin stepping behind the camera the following year, crafting an instantly recognizable aesthetic on some of the decade's most imaginative music videos. Including Linkin Park's multiple VMA nominated Crawling, A Perfect Circle's Weak and Powerless, 50 Cent's Get Up and Usher's Love in this Club, also a VMA nominee. Their storytelling talents quickly garnered attention in the ad world where they directed campaigns for Toyota, Universal Studios, PlayStation, Gatorade, Coca-Cola, Ford, Pennzoil and Shell.
In 2007, Colin and Greg co-directed their first feature for 20th Century Fox, Aliens vs. Predator: Requiem which went on to gross over $156 million worldwide. For their directorial follow up, the Brothers produced Skyline independently under their Hydraulx Entertainment banner. It was acquired by Relativity Media at Cannes Film Festival and distributed by Universal Studios. The $10 million indie went on to gross over $80 million worldwide theatrically. Colin and Greg recently produced the even more ambitious sequel Beyond Skyline, starring Frank Grillo and Iko Uwais set to premiere later this year.
In 2015, Colin served as the lead Visual Effects Supervisor, overseeing over eleven hundred visual effect shots for Brad Peyton's, San Andreas. The Dwayne Johnson earthquake blockbuster went on to gross over $470 million worldwide while earning four nominations from the Visual Effects Society Awards. The following year Colin supervised Adam Wingard's Death Note and reunited with Dwayne Johnson, co-supervising on the upcoming comedy Baywatch for Paramount Pictures. Colin is currently serving as the lead supervisor Brad Peyton's epic monster mash Rampage, marking the third Johnson collaboration in as many years.
Recently Hydraulx worked on X-Men: Apocalypse, The Conjuring 2, Midnight Special, X-Men: Days of Future Past, The Secret Life of Walter Mitty, and Into the Storm. They served as the lead vendor on Rian Johnson's Looper, created the opening set piece for Marvel's The Avengers and completed more than a third of the revolutionary age-altering shots in the Academy Award®-winning feature The Curious Case of Benjamin Button. Colin and Greg executive produced The Bay, directed by Barry Levinson and the critically acclaimed Cannes Film Festival-winner Take Shelter, starring Michael Shannon and directed by Jeff Nichols. Future producing projects include The Mighty 8th co-written by Kurt Johnstad and Alien Ark with Ratpac and Warner Brothers.- Actor
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- Cinematographer
John Derek was born on 12 August 1926 in Hollywood, Los Angeles, California, USA. He was an actor and director, known for The Ten Commandments (1956), Ghosts Can't Do It (1989) and Bolero (1984). He was married to Bo Derek, Linda Evans, Ursula Andress and Pati Behrs. He died on 22 May 1998 in Santa Maria, California, USA.- Producer
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Luis Llosa was born in 1951 in Lima, Peru. He is a producer and director, known for Anaconda (1997), The Specialist (1994) and Crime Zone (1988). He is married to Roxana Valdivieso. They have two children. He was previously married to Patricia Pinilla Cisneros.- Director
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- Producer
Dante Lam was born on 1 July 1964 in Hong Kong, China. He is a director and writer, known for Unbeatable (2013), Operation Mekong (2016) and Operation Red Sea (2018).- Director
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Hired after Steven Spielberg saw his USC Thesis Film "Headless!" (which won Grand Jury Prize for best short at the Houston Int'l Film Festival) to direct Dreamworks Interactive's "Goosebumps: Escape from Horrorland", Guterman was then hired to direct sequences on "Antz", the company's first C.G.I. feature starring the voices of Woody Allen, Sharon Stone, and Christopher Walken. Next, he developed and prepped a live-action/CGI version of "Curious George" for producer Ron Howard, Imagine Entertainment, and Universal Studios. When that project was put on hold by the studio, Guterman went on to direct "Cats and Dogs" for Warner Bros., which earned more than $200 Million in worldwide box office revenue. (source: Variety, BoxOfficeMojo.com) The BBC said about the film that it "succeeds both as a parody of the spy genre, and in stretching the boundaries of what you believe is possible," and A.O. Scott of the New York Times called it "exuberant fun." Guterman received an undergraduate degree in physics from Harvard University after attending M.I.T. his freshman year.- Producer
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Keoni Waxman is an American filmmaker who was born and raised in Honolulu, Hawaii. He is known for writing, directing and producing action films, dark thrillers and indie dramas which he shoots all over the world for his company ActionHouse Pictures. Keoni currently resides with his family in Santa Monica, California.- Director
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Fred Olen Ray spent most of his childhood in Florida, where he was always a fan of horror movies on TV. He collected autographs of many of the actors in those films where he met Christopher Lee and Peter Cushing. His early career was filled with low-budget horror and science-fiction films, but the market eventually dried up and he switched to producing softcore "T&A" videos of the type shown late at night on Showtime and Cinemax. His films rarely cost more than $500,000, and he has written under at least 30 different pen names; he was one of the first to fill time at the end of his films with outtakes, now a common practice in other comedy films. The outdoor sets are often CGI backdrops and many sets are in his own home or near it. Ray often can share credit for his softcore film success with the late cinematographer/director Gary Graver, big shoes for him to fill while working with an excess of tattooed and body-beaded new performers in this genre.- Writer
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- Producer
Mark Steven Johnson is an American film director, screenwriter and producer. He is known for writing and directing the hit Marvel films "Daredevil" and "Ghost Rider" as well as writing "Grumpy Old Men" and its successful sequel "Grumpier Old Men." Johnson recently wrote, directed and produced "Love in the Villa" for Netflix.- Cinematographer
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Esteemed cinematographer known for his long, durable association with Sidney Lumet. Trained at the Polish Film School in his native Lódz. After he immigrated to the U.S.A. he began working in commercials filming hundreds of memorable spots for IBM, Xerox, American Express, Pepsi ,Coca Cola, Chrysler revival with Lee Iacocca, Toyota and hundreds more. Breakthrough film was his work on the gritty urban thriller Prince of the City his first collaboration with Sidney Lumet. Bartkowiak worked on the director's next 11 films over the next 12 years. Bartkowiak became much in demand after his taut camera work in Speed and has worked three times for Barbra Streisand in Broadway Album Video, Nuts and The Mirror Has Two Faces. Some of the directors that Bartkowiak collaborated with are James Ivory, John Huston, Tony Scott, Billy Friedkin James Brooks, Ivan Reitman, Jan de Bont, Dick Donner, Taylor Hackford Producer Joel Silver started his directorial career with Romeo Must Die. And continued with Exit Wounds, Cradle to the Grave. Recently re released DOOM on Netflix, was called one of the best 15 action films .- Visual Effects
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Steve Michael Beck is an award winning commercial Director.
He directed commercials for First union, GMC and Chevrolet, McDonalds and Gatorade.
He has spend several years working for ILM as an Visual effects art Director on Films like "Indiana Jones and the last Crusade", "The Abyss" and "The Hunt for red October".- Director
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- Actor
Born and raised in Lansing, Michigan, William Malone was inspired by films during weekly trips to the Lucian Theater to see the latest releases of horror films. By age 14 he was making home movies with an 8mm camera and designing monster masks for himself and friends to wear for Halloween.
Malone moved to Los Angeles at age 19 to become a rock star, but a friend's request drew him back into mask-making, which led him to a job with Don Post Studios in makeup and costume, as well as mask making. It was Malone who designed and sculpted the mask used for the character of Michael Myers for Halloween (1978), which he used from the mold of a previous design used by William Shatner.
Malone also worked as a make up artist for Dan Curtis NBC TV movie The Norliss Tapes (1973) and even acted in a few credited and uncredited parts in films, mostly notably playing Beatle George Harrison in I Wanna Hold Your Hand (1978), which recreated the Fab Four's 1964 appearance on The Ed Sullivan Show (1948). Malone also developed a reputation as a collector of old movie props left over from various science-fiction films.
After attending classes at UCLA to study directing under the tutelage of Gilbert Cates--a former DGA president--Malone decided to make a gamble with his first movie. Scraping together around $74,000, he wrote and directed the sci-fi horror shocker Scared to Death (1980), which was clearly inspired by the Ridley Scott movie film Alien (1979), which was a terror tale of a genetic creature haunting the sewers of Los Angeles. Despite being a mild box-office his, Malone was not recognized by major film studios. In 1984, with grant of more than $1 million, Malone went back to the director's chair with Creature (1985) (aka "Titan Find"), which starred Klaus Kinski and was also inspired by "Alien". The film was nominated for a Saturn Award at the 1985 Academy of Science Fiction and Horror films.
Malone spent the next 14 years as a director for episodic TV series, beginning with such projects as the anthology series Freddy's Nightmares (1988) and a few episodes of the HBO series Tales from the Crypt (1989). He also directed a short-lived TV series called Sleepwalkers (1997) as well as the made-for-TV movie W.E.I.R.D. World (1995). In 1999 Joel Silver and Robert Zemeckis hired Malone to direct the SFX-studded House on Haunted Hill (1999). a remake of the Vincent Price film House on Haunted Hill (1959), which Malone clearly remembered from repeated viewings from his childhood and was happy to come on board as director.
In 2002 Malone pressed ahead with his own feature Feardotcom (2002), about a police detective's investigation of a website that kills its viewers. Malone's work on that film gave him the opportunity to join the Director's Guild, where in 2005 he was invited by Masters of Horror (2005) creator Mick Garris to direct an episode for the series, "The Fair Haired Child", adapted from a screen play my Matt Greenberg.
He is currently in development of Thallium's Box, a new independent feature film that will shoot in the winter of 2019.- Cinematographer
- Camera and Electrical Department
- Producer
Jan de Bont was one of 17 children born into a Roman Catholic Dutch family in Eindhoven on 22 October 1943. Credited with being creative and having a good mentality for camera techniques, he became a popular cinematographer. He worked on a huge number of films before finding himself on the production of Speed (1994), his first film as a director. He has resided in Los Angeles since 1968.
The film was a success and took him onto the next set for Twister (1996), which he also directed. But then the total flops started coming his way: firstly, Speed 2: Cruise Control (1997), which he wrote and directed but without the company of Keanu Reeves. He also directed the star-packed The Haunting (1999) but that also failed at the box office. Later, he directed Lara Croft: Tomb Raider - The Cradle of Life (2003). He is still active in cinema.except speed- Writer
- Producer
- Director
Lana Wachowski and her sister Lilly Wachowski, also known as the Wachowskis, are the duo behind such ground-breaking movies as The Matrix (1999) and Cloud Atlas (2012). Born to mother Lynne, a nurse, and father Ron, a businessman of Polish descent, Wachowski grew up in Chicago and formed a tight creative relationship with her sister Lilly. After the siblings dropped out of college, they started a construction business and wrote screenplays. Their 1995 script, Assassins (1995), was made into a movie, leading to a Warner Bros contract. After that time, the Wachowskis devoted themselves to their movie careers. In 2012, during interviews for Cloud Atlas and in her acceptance speech for the Human Rights Campaign's Visibility Award, Lana spoke about her experience of being a transgender woman, sacrificing her much cherished anonymity out of a sense of responsibility. Lana is known to be extremely well-read, loves comic books and exploring ideas of imaginary worlds, and was inspired by Stanley Kubrick's 2001: A Space Odyssey (1968) in creating Cloud Atlas.she ruined the matrix!- Producer
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Demian has amassed a vast body of work in the music video industry since receiving his BFA from New York University in 1988, leading to his current status as a major up-and-comer in Feature Film Direction. Some past projects include directing Music Videos for Sting & Eric Clapton, Grandmaster Caz, Shabba Ranks, Queen Latifah, West of Eden (Best Independent Video/MTV 1987), Cypress Hill, Gloria Estefan, Sony, Warner Bros, Columbia Pictures, MCA, Epic, Island, Atlantic, Tommy Boy, IRS Records, World Hunger Project, and the Multiple Sclerosis Society. Demian was Chairman of the New York Independent Film Coalition for two years, and has directed, produced, written, photographed, taped and/or recorded audio on over 225 features, short films, music videos, commercials and concerts.- Director
- Writer
Born in Christchurch, New Zealand, Ellory Elkayem began making films as a teenager. At 18, he attended a film school designed to give students practical experience and preparation for a career in the film business. He learned the ropes first hand while, working in the camera department on commercials, music videos, and TV shows such as 'The New Adventures of the Black Stallion' starring Mickey Rooney.
During this time, Ellory also made several short films with support from the New Zealand Arts Council. His big break came with, 'Larger Than Life', a 13 minute, black and white, VFX-driven homage to the 1950's Hollywood horror genre featuring a giant, man-eating spider.
Produced by Academy Award winner Jamie Selkirk and financed with a grant from the New Zealand Film Commission, 'Larger Than Life' received critical acclaim at the 1998 Telluride Film Festival and later caught the eye of heavyweight Hollywood producers, Dean Devlin and Roland Emmerich. ('Independence Day'). Emmerich and Devlin then hired Ellory to write and direct 'Eight-Legged Freaks', a 30 million dollar feature film based on 'Larger Than Life', starring David Arquette and Scarlett Johansson, and distributed by Warner Brothers.
In 2000, while in development on Eight Legged Freaks, Ellory directed 'They Nest', a television movie for USA Networks starring Dean Stockwell and John Savage. The movie, also known as 'Creepy Crawlers', told the tale of a small New England town infested with an exotic breed of killer cockroaches.
In 2001 Ellory directed 'Eight Legged Freaks' and in 2002, the film was released to rave reviews.
In 2004 Ellory went to Romania to direct two zombie movies, back to back. 'Return of the Living Dead - Necropolis', and 'Return of the Living Dead - Rave from the Grave', starring Peter Coyote.
In 2008 Ellory directed the comedy sequel 'Without A Paddle-Nature's Calling' for Paramount.
In 2009 Ellory returned to New Zealand to develop feature film projects with local writers and producers.- Director
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- Camera and Electrical Department
Tom Dey, born in New England, graduated from Brown University in 1987, and then went to study film in Paris at the Centre des Etudes Critiques. In 1990 he moved to Los Angeles and began attending the American Film Institute (AFI). He became a writer for American Cinematographer magazine. He graduated from AFI in 1993, and made commercials for Ridley Scott Associates. He made his feature film directing debut on Touchstone Pictures' Shanghai Noon (2000).- Director
- Producer
- Additional Crew
John Whitesell was born on 2 December 1953 in Iowa Falls, Iowa, USA. He is a director and producer, known for Guiding Light (1952), Holidate (2020) and Deck the Halls (2006). He has been married to Jolie Barnett since July 1999. They have two children. He was previously married to Emily Whitesell.- Producer
- Writer
- Actor
Dean Devlin has produced and co-written some of the most successful feature films of all time -- Independence Day, Stargate, and Godzilla -- which collectively grossed more than 1.4 billion dollars worldwide. In May of 2001, he founded Electric Entertainment, where he serves as chairman and CEO. The full-service film, television and worldwide sales and distribution company also houses Electric Post, a state-of-the-art digital effect and postproduction facility.
Electric is rapidly expanding under Devlin's leadership. The company recently launched its OTT app and FAST channel, ElectricNOW, which is a one-stop shop for fans to enjoy all their favorite shows free, also available in a 24/7 live streaming broadcast. ElectricNOW hosts Electric's newly launched podcast network, Electric Surge, and is available on numerous platforms including The Roku Channel, Plex, STIRR, Local Now, Sling TV, TiVo Plus, IMDb TV, Redbox, XUMO, Distro TV, and Select TV.
Electric Entertainment is in production with several highly anticipated films and TV series. Devlin recently served as executive producer, writer, and director on the smash hit reboot of "Leverage", "Leverage: Redemption", which is now streaming on Amazon's IMDb TV. He also serves as co-showrunner, co-creator, and writer for "Almost Paradise," starring Christian Kane, which aired on WGNA spring 2020 and is available on IMDb TV. He is executive producer of "The Outpost", which aired its fourth season on The CW in July 2021.
Devlin executive-produced five seasons of the action-packed TNT series, "Leverage," three "The Librarian" movies of the week for TNT, starring Noah Wyle, which led to four seasons of "The Librarians" series starring Wyle, Rebecca Romijn and John Larroquette. In 2005, he executive produced, along with Bryan Singer, the Emmy-winning SyFy project, "The Triangle".
Devlin directed and produced Bad Samaritan, which stars David Tennant and Robert Sheehan, and was released on 2,000 screens through Electric's distribution arm. Also, under the Electric banner, Devlin produced the upcoming full-length feature, The Deal, the dystopian drama directed by Orsi Nagypál.
Prior to forming Electric Entertainment, Devlin produced the Mel Gibson period drama, The Patriot, which was nominated for three Academy Awards® and earned Gibson a People's Choice Award for Best Actor.- Director
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- Writer
Ken Kwapis is an award-winning director of motion pictures and television. He has directed eleven feature films, among them A Walk In The Woods, based on Bill Bryson's acclaimed comedic memoir; He's Just Not That Into You, inspired by the New York Times bestselling advice book; and The Sisterhood of the Traveling Pants, adapted from the beloved young adult novel. Other films include the rescue adventure Big Miracle, and the romantic comedies License to Wed and He Said, She Said (co-directed with Marisa Silver). His feature debut was Sesame Street Presents: Follow That Bird, starring Jim Henson's Muppets.
For television, Kwapis helped launch nine series, including the groundbreaking HBO comedy The Larry Sanders Show, Fox's Emmy Award-winning The Bernie Mac Show, and NBC's The Office. Kwapis directed the pilot of The Office and its series finale, along with many memorable episodes -"Casino Night," Booze Cruise," "Diversity Day," to name a few. He earned an Emmy nomination for directing the episode "Gay Witch Hunt."
Kwapis also earned an Emmy nomination for his work as a producer-director of Fox's Malcolm In The Middle. Other series Kwapis helped launch include NBC's Outsourced, Showtime's Happyish, and Netflix's #blackAF. He directed numerous episodes of shows such as Freaks and Geeks, One Mississippi, and Santa Clarita Diet.
Kwapis studied filmmaking at Northwestern University and the University of Southern California. He won the Student Academy Award in Dramatic Achievement for his USC thesis film "For Heaven's Sake," an adaptation of Mozart's one-act comic opera Der Schauspieldirektor ("The Impresario").- Composer
- Editor
- Director
Jamie Blanks is known for Crawlspace (2012), Urban Legend (1998) and Valentine (2001). He is married to Simone Chin. They have one child.- Animation Department
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- Director
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- Editor
Director Jesse Vaughan - 27-time Emmy Award Winner
Before directing his first feature film Juwanna Mann for Warner Bros./Morgan Creek, starring Vivica A. Fox, Miguel Nunez and Tommy Davidson, American film director & producer Jesse Vaughan started his career as a director for WTVR-TV6 in Richmond, Virginia where he directed local news and produced his first television show at the ripe age of 19-years-old. He later moved on to produce nine nationally syndicated educational documentaries distributed to PBS stations all across America entitled "Fourth R: Rights." NBC took notice of his precocious accomplishments offering him a job at age 22. While there for over ten years he directed The Jesse Jackson Show for Quincy Jones Entertainment and America's Black Forum with Julian Bond. In addition to his work on Meet The Press, President Reagan's Inauguration, Reagan's State of The Union Addresses and major White House Press Conferences, Vaughan also worked on NBC Nightly News, The Today Show, The Charlie Rose Show, The McGlaughlin Group and Headlines on Trial with Arthur Miller. Vaughan also directed WRC-TV News Center 4's 5pm News to it first number one position in over ten years.
Vaughan followed his 10 year career at NBC with a season five stint, directing the sketch comedy series "In Living Color," starring Jim Carey, Jamie Fox, Tommy Davidson and David Alan Grier. Vaughan then moved on to directing numerous music documentaries for MTV Networks, including music specials on Rod Stewart, Stevie Wonder, Paula Abdul, Melissa Etheridge and Steve Winwood. He has directed music videos for 'N Sync, featuring Justin Timberlake, Eric Benet, Master P, Mya, Raphael Saadiq, and SWV featuring Missy Elliot. Vaughan won two national Emmys for his work on the "NBC Sports Barcelona Olympics" and "The World Track and Field Games" in Tokyo where the pool of talent included Elton John, Tina Turner, Will Smith, Anita Baker, Rod Stewart, En Vogue, Tevin Campbell, Keith Sweat, and many more.
Vaughan also was commissioned and wrote "The Bob Marley Story" for Warner Bros./Island World based on the Timothy White book "Catch a Fire." He has been nominated for 42 Emmy Awards during his career for which he has garnished 27.- Visual Effects
- Second Unit Director or Assistant Director
- Director
Eric Brevig was born in 1957. He is an assistant director and director, known for Men in Black (1997), Total Recall (1990) and Pearl Harbor (2001).- Producer
- Writer
- Director
Brad Peyton was born on 27 May 1978 in Gander, Newfoundland and Labrador, Canada. He is a producer and writer, known for Daybreak (2019), Rampage (2018) and San Andreas (2015).- Producer
- Cinematographer
- Director
Wych Kaosayananda was born in 1974 in Thailand. He is known for One Night in Bangkok (2020), Ballistic: Ecks vs. Sever (2002) and The Driver (2019).- Director
- Writer
- Second Unit Director or Assistant Director
Eric Valette was born in 1967 in Toulouse, France. He is a director and writer, known for Saturday, Sunday and Monday Too (1999), One Missed Call (2008) and It's Hard Killing Someone Even on a Monday (2001).- Director
- Cinematographer
- Editor
Joseph Kahn was born on 12 October 1972. He is a director and cinematographer, known for Bodied (2017), Detention (2011) and Torque (2004).- Director
- Producer
- Writer
Todd Lincoln was born in Tulsa, Oklahoma, USA. Todd is a director and producer, known for Gorgeous Vortex (2015), V/H/S Viral (2014) and The Apparition (2012).- Producer
- Writer
- Director
Courtney Solomon is an accomplished writer, director, producer and entrepreneur who is responsible for the creation of several franchises and has been involved with the production, marketing and distribution of over 80 films creating a significant film library.
Solomon grew up in Toronto, Canada where he spent much of his childhood on film sets where is mother worked in various film crew capacities. At the age of 19, Solomon formed Sweetpea Entertainment, the first of what would become many production companies, to fulfill his vision to acquire the rights and bring the world famous "DUNGEONS & DRAGONS" property to the big screen. At the age of 26, Dungeons and Dragons became his first producing and directing project and went on to gross over $75M globally. Two other D&D films were made in cooperation with Silver Pictures, and in 2023 "DUNGEONS & DRAGONS: HONOR AMONG THIVES" which banked $208M Worldwide at the box office for Paramount Pictures, starring Chris Pine, Michelle Rodriguez & Regé-Jean Page.
Thereafter, Solomon formed After Dark Films a label to produce horror, thriller and action titles. He launched After Dark with "AN AMERICAN HAUNTING" starring Donald Sutherland and Sissy Spacek based on the well-known Bell Witch legend. He wrote, produced, and directed the film. Solomon became one of the first producers to raise funds to market and distribute the film theatrically wide in the US. Personally handling the entire release campaign with no prior experience, Haunting was released on over 1750 screens and opened #2 in US staying in the top ten films for six weeks. The success of An American Haunting resulted in a long term distribution and co-production arrangement with Lionsgate Films.
Another of Solomon's creations, "8 FILMS TO DIE FOR" a one weekend only Rocky Horror Like Horror film festival which played 8 Films in hundreds of theaters nationwide over one weekend. 8 Films encouraged horror fans to dress as their favorite horror characters and "make a weekend of it" while they took over theaters across the country. 8 Films To Die For became an annual event for six years. Using the same format, Solomon also created a spin-off series of five action films ("ActionFest") in co-operation with Warner Bros. Today, After Dark's film library includes over 80 films.
In 2014, Solomon partnered with Mark Canton one of Hollywood's most prolific studio heads (Sony) and Producers (300) on a slate of Dramatic Feature films which included the critically acclaimed "CAKE" starring Jennifer Aniston who was nominated for best actress by SAG, BFCA and the Golden Globes for her performance. Other films in the slate included "MR.CHURCH" starring Eddie Murphy, "THE COMEDIAN" Starring Robert DeNiro and Leslie Mann, "THE YELLOW BIRDS" starring Tye Sheridan, Alden Ehrenreich, Jack Huston, Jennifer Aniston and Toni Collette and "BURN YOUR MAPS" which won multiple film festivals and stars Vera Farmiga and Jacob Trembley.
In 2018, Solomon acquired the rights and produced the first film based on the world wide phenomenon and bestselling novel series "AFTER" . The film was released in April 2019 and became an international hit opening #1 in 22 countries grossing $80M Worldwide at theaters. The sequel, "AFTER WE COLLIDED", will be released in 2020.
In 2018, Solomon acquired the rights to the world famous underground comic universe of the "Fabulous Furry Freak Brothers". Created by Gilbert Shelton in 1968 and distributed through underground presses because of the racy nature of the comics, the Freak Brothers and their unnamed Cat became the hilarious and witty voice for Cannabis around the world. The series "THE FREAK BROTHERS" debuted in 2020. Through the series, Solomon is making his first foray into the amazing world of Adult Animation with a super talented team of seasoned writers and actors to bring the Freaks to life.
Solomon recently wrapped production on the cult classic remake of "THE STRANGERS," a trilogy of movies with Lionsgate directed by Renny Harlin starring Madelaine Petsch, Froy Gutierrez & Gabriel Basso.
Simultaneously he wrapped production as well on Millenium's "RED SONJA" based on the world famous character and comic book; directed by MJ Bassett starring Matilda Lutz.
He is also in post on "ARTHUR THE KING", based on Mikael Lindnord's book, starring Mark Wahlberg, Nathalie Emmanuel, and Simu Liu.- Producer
- Writer
- Director
Michael Tollin was born on 6 October 1955 in Philadelphia, Pennsylvania, USA. He is a producer and writer, known for Radio (2003), Coach Carter (2005) and Hank Aaron: Chasing the Dream (1995).- Animation Department
- Director
- Writer
Frederik Du Chau was born on 15 May 1965 in Belgium. He is a director and writer, known for Racing Stripes (2005), Underdog (2007) and Hong Kong Phooey.- Visual Effects
- Second Unit Director or Assistant Director
- Director