BAFTA Best Cinematographer (nominations)
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- Cinematographer
- Camera and Electrical Department
Multi-Academy Award-nominated cinematographer (13 in all), Harry Stradling was unique in that he established his reputation both in America and in Europe. He was the nephew of Mary Pickford's cameraman Walter Stradling, who provided the connections for his first job in Hollywood. Walter died in 1918 and Harry went on to serve his apprenticeship, working on B-movies and short subjects for lesser companies, like Pathe and Arrow. In 1930, he journeyed to France where he established a fruitful collaboration with the director Jacques Feyder, working on films which have become classics of French cinema: Le grand jeu (1934), La dame aux camélias (1934) and, his first noteworthy success, bringing to life the Flemish paintings of Carnival in Flanders (1935).
The visual quality of this film so impressed producer Alexander Korda, that he hired both Feyder and Stradling for his London Films production, Knight Without Armor (1937), starring Marlene Dietrich - hired by Korda for the then princely sum of $350,000. Despite budgetary constraints, which meant that many sets had be improvised and stylised, Stradling's low key lighting gave the film an impressionistic feel and made it look more 'expensive' than it was. It ended up furthering Dietrich's career and led to other prestige assignments in England, including South Riding (1938), The Citadel (1938) and Alfred Hitchcock's Jamaica Inn (1939). With an impressive portfolio thus in hand, Stradling returned to Hollywood and soon worked with 'Hitch' again on Mr. & Mrs. Smith (1941) and Suspicion (1941). Who can forget that indelible scene of Cary Grant ascending a staircase with that suspicious glass of warmed milk for poor Joan Fontaine (the contents of the glass rendered even more dubious by being lit from the inside with a light bulb)? The ever- innovative Stradling also impressed critics and audiences alike with his application of double exposure, creating realistic-looking twins of Douglas Fairbanks Jr. for The Corsican Brothers (1941).
Between 1942 and 1949, Harry worked at MGM, where his close-ups of the changing face of Hurd Hatfield, in The Picture of Dorian Gray (1945), further established him as one of the most versatile cinematographers in the business. For Republic, he imbued Nicholas Ray's off-beat Trucolor western Johnny Guitar (1954) with an immense visual style which adds to the almost lyrical quality of the picture. Glamour and technicolour were also key ingredients in Stradling's musicals for MGM, foremost among them The Barkleys of Broadway (1949) and Guys and Dolls (1955). In 1955, Harry went across to Warner Brothers . During his nine year-long tenure there, he earned four Academy Award nominations, culminating in a second Oscar for his much lauded 70 mm filming of My Fair Lady (1964). Towards the end of his career, he contributed to boosting Barbra Streisand's, particularly through his meticulous soft-focus photography of Hello, Dolly! (1969) and Funny Girl (1968). Harry died on the job, during filming of another Streisand vehicle, The Owl and the Pussycat (1970), and was replaced by Andrew Laszlo.1) "Hello, Dolly!" (1/2)- Cinematographer
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Ennio Guarnieri was born on 12 October 1930 in Rome, Lazio, Italy. He was a cinematographer, known for La Dolce Vita (1960), La Traviata (1982) and Brother Sun, Sister Moon (1972). He died on 1 July 2019 in Licata, Sicily, Italy."Il giardino dei Finzi Contini" +- Camera and Electrical Department
- Cinematographer
John Alcott, the Oscar-winning cinematographer best known for his collaboration with director Stanley Kubrick, was born in 1931, in Isleworth, England, the son of movie executive Arthur Alcott, who would become the production controller at Gainsborough Studios during the 1940s.
Alcott began his film career as a clapper boy, the lowest member of a camera crew. By the early 1960s he had worked his way up to focus puller, the #3 position on a camera crew after the lighting cameraman and camera operator. As a focus puller Alcott was responsible for measuring the distances between the camera and the subject being shot, which is critical during traveling shots, and more vitally, he was tasked with adjusting the lens when the camera is following a subject.
By the mid-'60s Alcott was a member of the camera team of master cinematographer Geoffrey Unsworth, working on Kubrick's 2001: A Space Odyssey (1968). When Unsworth had to leave the project during its two-year-long shoot to meet other commitments, Alcott was elevated to lighting cameraman by Kubrick. Thus began a collaboration that would reach its zenith a decade later with Barry Lyndon (1975). His association with Kubrick propelled him to the top of his craft, in terms of both style and in pushing the technical aspects of the discipline.
Alcott preferred lighting that appeared natural and did not draw attention to itself. His ideas meshed perfectly with those of Kubrick, and the two developed their ideas about "natural" lighting in two landmark films, A Clockwork Orange (1971) and "Barry Lyndon", which incorporated scenes shot entirely by candlelight. The idea of using candlelight solely for illumination was discussed by Alcott and Kubrick after the wrap of "2001" for Kubrick's planned film about the life of Napoleon, but there wasn't a fast-enough lens in existence then.
After a search, Kubrick located three unique 50mm f/0.7 still-camera camera lenses designed by the Zeiss Corporation for use by NASA in its Apollo moon-landing program in order to shoot still pictures in the low light levels of outer space. The lens was 2 f stops faster than the fastest movie camera lens made at the time.
Kubrick tasked Cinema Products Corp. to adapt a standard 35mm non-reflexed Mitchell BNC movie camera so that the camera could accept the lens. The camera was outfitted with a side viewfinder from one of the old Technicolor three-strip cameras that used mirrors rather than prisms (like a modern camera) to show what it "sees", the mirrors providing a much brighter image than did a prism-based single-lens reflex system, which could not obtain enough light to register an image. There was no real problem with parallax, as the viewfinder was mounted close to the lens.
Cinema Products also created two special lenses by mating a 70mm projection lens with the remaining 0.7 Zeiss 50mm lenses. This battery of three lenses allowed Kubrick and Alcott to shoot the indoor scenes using nothing but candlelight. It was a formidable task, as the lenses could not be focused by eye. Metal shields also had to be installed above the sets, which were filmed in actual castles and manor houses in Ireland and England, to keep the heat and smoke from the candles from damaging the ceilings. Fortitously, the shields also reflected the candlelight back into the scene (this approach was later used successfully by lighting cameraman Alwin H. Küchler on the western The Claim (2000), which shot its saloon interiors in very low light). The candles had to be constantly replaced to keep continuity during the scenes, and shooting was hampered by the fact that many of the manor houses were open to the public and the crew had to wait until the intervals between tours to film a scene.
Alcott told "American Cinematographer" in a December 1975 interview that the ultra-fast lens had no depth of field at all. This necessitated the scaling of the lens by doing hand tests. Alcott's focus puller, Douglas Milsome (who would succeed him as Kubrick's cinematographer), used a closed-circuit video camera at a 90-degree angle to the film camera to keep track of the distances to maintain focus. A grid was placed over the TV screen and, by taping the various actors' positions in the set, the distances could be transferred to the TV grid to allow the actors a limited scope of movement during the scene, while keeping in focus.
Alcott won an Academy Award for his work on "Barry Lyndon", which is considered one of the most visually beautiful movies ever made. (Three of Alcott's movies were ranked in the top 20 of "Best Shot" movies in the period after 1950-97 by the American Society of Cinematographers: "2001" at #3, "Barry Lyndon" at #16, and "A Clockwork Orange", for which he won the British Academy Award, at #19.) Alcott realized Kubrick's vision by evoking the paintings of Corot, Gainsborough, and Watteau, creating gorgeous tableaux. It was the aesthetic opposite of the cubism evoked by "A Clockwork Orange",
While shooting what would turn out to be his last film for Kubrick, The Shining (1980), Alcott lit the hotel sets with "practicals" (sources of lighting that are visible on screen as part of the set, such as lighting fixtures). As on "Barry Lyndon", Alcott supplemented the lighting with illumination coming into the set from outside the windows, though the "windows" on "The Shining" were part of a set. The high temperatures (110 degrees Fahrenheit) caused by the 700,000 watts of illumination outside the set's "windows" Alcott used to create the high white effect favored by Kubrick caused the set to burn down.
Alcott, who shot films and TV commercials for other directors in the UK, moved to the US in 1981 in order to obtain more steady work than was possible in the ailing British film industry. His non-Kubrick projects as a cinematographer included three films with director Stuart Cooper and two with Roger Spottiswoode. Alcott could not shoot Kubrick's Full Metal Jacket (1987), which commenced shooting in 1985 and -- like any Kubrick shoot -- would involved a substantial commitment of time, as Alcott was committed to other projects (Kubrick hired Douglas Milsome, who had been Alcott's focus puller on "Barry Lyndon" and "The Shining", to shoot "Jacket"). His non-Kubrick oeuvre was eccentric, and included the Canadian slasher film My Bloody Valentine (1981), but he was able to bring his outstanding visual quality to such movies as Fort Apache the Bronx (1981), The Beastmaster (1982), Under Fire (1983) and Hugh Hudson's Greystoke: The Legend of Tarzan, Lord of the Apes (1984).
Alcott suffered a massive heart attack and died on July 28, 1986, in Cannes, France. At the time of his death he was considered one of the film industry's great artist-technicians, someone who through his ability to push back the boundaries of what was technically possible, linked technology to aesthetic needs and contributed to the development of cinema as an art form. His last film, No Way Out (1987), was dedicated to his memory. The British Society of Cinematographers named one of its awards the "BSC John Alcott ARRI Award" in his honor to commemorate his role as a lighting cameraman in the development of film as an art form.1) "A Clockwork Orange" (1/2)- Cinematographer
- Camera and Electrical Department
- Actor
Along with László Kovács, a fellow student who fled Hungary in 1956, Zsigmond rose to prominence in the 1970s. He is known for his use of natural light and vivid use of color on features such as The Long Goodbye (1973) and Close Encounters of the Third Kind (1977).1) "McCabe & Mrs. Miller", "Images" (1/2)- Cinematographer
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Oscar-winning cinematography Oswald Morris was one of the most outstanding directors of photography of the 20th Century, making his reputation by expanding the parameters of color cinematography. Born in November 1915 in Hillingdon, Middlesex, England, a month short of his 17th birthday, he became a factotum and clapper boy at Wembley Studios, which churned out quota quickies. The studio made one movie a week at a cost of one pound per foot of film. He left the studio in the spring of 1933 to go to work at British International Pictures at Elstree Studios, but soon returned to Wembley after it was taken over by Fox and became a camera assistant.
In World War II, he served as a Royal Air Force bomber pilot, flying missions over France and Germany before being transferred to transport planes. After being demobilized, Morris joined Independent Producers at Pinewood Studios in January 1946, where he became a camera operator for director of photography Ronald Neame. When Neame became a director, he was promoted to d.p. on Golden Salamander (1950) (1950). He soon made his name shooting Moulin Rouge (1952) (1952) for John Huston, which was famous for its use of color suggesting the palette of Henri de Toulouse-Lautrec, the subject of the film. The British Society of Cinematographers awarded him its Best Cinematography Award for his work on the film.
"Ossie" Morris had a distinguished career as a director of photography for 30 years, working with some of the top directors in English-language film, including Huston, Stanley Kubrick and Sidney Lumet. He was nominated three times for an Academy Award, for Oliver! (1968), Fiddler on the Roof (1971), and The Wiz (1978). He won an Oscar for "Fiddler" plus three BAFTA Awards and was honored with the International Award by the American Society of Cinematographers in 2000.1) "Sleuth" (1/3)- Cinematographer
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John A. Alonzo was born on 12 June 1934 in Dallas, Texas, USA. He was a cinematographer and actor, known for Chinatown (1974), The Magnificent Seven (1960) and Star Trek: Generations (1994). He was married to Suzanne L. Heltzel and Jan Murray. He died on 13 March 2001 in Beverly Hills, California, USA."Chinatown" +- Cinematographer
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- Actor
Goeffrey Unsworth was one of the great cinematographers of the 20th Century, the winner of two Oscars, five BAFTA awards, and three awards from the British Society of Cinematographers for his work as a director of photography. Born in 1914 in Lancashire, England, Unsworth started in the industry in 1932 at Gaumont-British before joining Technicolor in 1937. He worked as a camera assistant and operator on a many of the most important color movies made in England.
In contrast to the Technicolor aesthetic, when Unsworth became a director of photography (starting in 1946 with the musical The Laughing Lady (1946), he used a somber palette. Moving to Rank at Pinewood Studios, he shot adventure films, comedies, and thrillers in black and white.
His breakthrough into the top ranks of cinematographers was Becket (1964) in 1964, for which he received his first Academy Award nomination. He did not get Oscar-nominated for his spectacular work on 2001: A Space Odyssey (1968) because Stanley Kubrick generally was given credit for the visual style of the film, but his ability to integrate cinematography and special effects was put to great effect with Superman (1978) (1978). He was in demand for period pieces, winning his first Oscar for Bob Fosse's Cabaret (1972) and his second Oscar posthumously for shooting Roman Polanski's Tess (1979).
Geoffrey Unsworth died in Brittany on the set of "Tess" after suffering a heart attack. He was 64 years old.1) "Murder on the Orient Express" (1/2)- Cinematographer
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Two-time Academy Award-winning cinematographer Haskell Wexler was adjudged one of the ten most influential cinematographers in movie history, according to an International Cinematographers Guild survey of its membership. He won his Oscars in both black & white and color, for Who's Afraid of Virginia Woolf? (1966) (1966) and Bound for Glory (1976) (1976). He also shot part of Days of Heaven (1978) (1978), for which credited director of photography Nestor Almendros -- won a Best Cinematography Oscar that Wexler initially felt should have been jointly shared by both. Later he admitted he was just finishing the work of Almendros and when Bert Schneider offer him more credit in the Criterion Dvd release of the film, he turned down the offer. In 1993, Wexler was awarded a Lifetime Achivement award by the cinematographer's guild, the American Society of Cinematographers. He received five Oscar nominations for his cinematography, in total, plus one Emmy Award in a career that has spanned six decades.
In addition to his masterful cinematography, Wexler directed the seminal late Sixties film Medium Cool (1969) and has directed and/or shot many documentaries that display his progressive political views. He was the subject of a 2004 documentary shot by his son Mark Wexler, Tell Them Who You Are (2004)."One Flew Over the Cuckoo's Nest" (with Bill Butler & William A. Fraker) +- Cinematographer
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Bill Butler was born on 7 April 1921 in Cripple Creek, Colorado, USA. He was a cinematographer, known for One Flew Over the Cuckoo's Nest (1975), Jaws (1975) and Grease (1978). He was married to Iris Butler and Alma Hortense Smith. He died on 5 April 2023 in Los Angeles, California, USA."One Flew Over the Cuckoo's Nest" (with Haskell Wexler & William A. Fraker) +- Cinematographer
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Christopher was very keen on films when he was at school and made 16mm films so when his father met the managing director of Gaumont British News he was told to send the lad along resulting in him becoming a camera assistant,' sound was just starting to come in. A year later he was ferrying film from the cameramen back to the studio for processing but going by tube instead of by taxi, as he was told to do but charging for a taxi on his expenses, making more money that way than his £1 a week wages, After that he wanted to get into features. When technicolor arrived in Britain he was asked to direct the first one at Denham which was Wings of the Morning, He went to see the head of Technicolor and talked his way into a job mainly in the labs and became the first permanent employee when new labs were built at Denham, working on Thief of Baghdad, With the outbreak of war he went into the RAF but in their film unit and found his friend Jack Cardiff there making A Matter of Life and Death and got Christopher in working as lighting cameraman with Geoffrey Unsworth on The River then as camera operator on The Red Shoes, When Jack left Christopher became a fixture with The Archers film producers firstly on The Small Back Room with Freddie Francis as his operator, Sound on Colonel Blimp took 4 men to lift the Technicolor camera which could only go up and down because of its weight and size. If it had gone sideways it would have tipped over, It took over 2 weeks walking round Shropshire looking for suitable locations for Gone to Earth as there were no jeeps in those days so everything had to be carried over fields, Jennifer Jones had married Selznick 2 weeks previously so he was more or less blackmailed into using her as he financed most of the film, Powell refused to direct and Pressburger to write but Christopher went over as representative but was unable to take any of his crew so the gaffer was Gregg Toland ,, In one instance Jennifer was in a candle lit bedroom scene when Selznick came in and said there was too much light, Christopher said he'd brought him over and if he wasn't happy he'd go back home. Selznick saw the rushes next day & publicly apologised. Technicolor, on the strength of the film decided to build labs over here and employed staff who in the main had all been educated to university level He served time in the RAF but in their film unit"The Deep" +- Cinematographer
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Vittorio Storaro, the award-winning cinematographer who won Oscars for "Apocalypse Now (1979)", "Reds (1981)" and "The Last Emperor (1987)". He was born on June 24, 1940 in Rome, where his father was a projectionist at the Lux Film Studio. At the age of 11, he began studying photography at a technical school. He enrolled at C.I.A.C (Italian Cinemagraphic Training Centre) and subsequently continued his education at the state cinematography school Centro Sperimentale di Cinematografia. When he enrolled at the school at the age of 18, he was one of its youngest students ever.
At the age of 20, he was employed as an assistant cameraman and was promoted to camera operator within a year. Storaro spent several years visiting galleries and studying the works of great painters, writers, musicians and other artists. In 1966, he went back to work as an assistant cameraman on Before the Revolution (1964), one of the first films directed by Bernardo Bertolucci. Storaro earned his first credit as a cinematographer in 1968 for "Giovinezza, giovinezza". His third film was "The Spider's Stratagem (1970)" which began his long collaboration with Bertolucci. He also shot "The Conformist (1970)", "Last Tango in Paris (1972)", "Luna (1979)", "The Sheltering Sky (1990)_", "Little Buddha (1993)," for Bertolucci.
He won his first Oscar for the cinematography of "Apocalypse Now (1979)", for which director Francis Ford Coppola gave him free rein to design the visual look of the picture. Storaro originally had been reluctant to take the assignment as he considered Gordon Willis to be Coppola's cinematographer, but Coppola wanted him, possibly because of his having shot "Last Tango in Paris (1972), which had starred Marlon Brando. Brando's performance in the film had been semi-improvised, and Coppola has planned on a similar tack for his scenes in the jungle with Brando's character Colonel Kurtz.
The results of their collaboration were masterful, and he later shot the 3-D short "Captain EO (1986)", the feature films "One from the Heart (1981)" and "Tucker: The Man and His Dream (1988)," and the "Life without Zoe" segment of "New York Stories (1989)" for Coppola. He won his second Oscar as the director of photography on Warren Beatty's "Reds (1981)" and subsequently shot "Dick Tracy (1990)" and "Bulworth (1998)" for Beatty He won his third Oscar as the director of photography on Bertolucci's Best Picture Academy Award-winner "The Last Emperor (1987)".
"All great films are a resolution of a conflict between darkness and light," Storaro says. "There is no single right way to express yourself. There are infinite possibilities for the use of light with shadows and colors. The decisions you make about composition, movement and the countless combinations of these and other variables is what makes it an art."
According to Storaro, "Some people will tell you that technology will make it easier for one person to make a movie alone but cinema is not an individual art." Storaro disagrees. "It takes many people to make a movie. You can call them collaborators or co-authors. There is a common intelligence. The cinema never has the reality of a painting or a photograph because you make decisions about what the audience should see, hear and how it is presented to them. You make choices which super-impose your own interpretations of reality."
Storaro believes that, "It is our obligation to defend the audiences' rights to see the images and to hear the sounds the way we have expressed ourselves as artists,".
During the 1970s, the metaphor of cinematography as 'painting with light' took hold. Storaro, however, adds motion to the mix. Cinematography, to the great D.P., is writing with light and motion, the literal translation of the word cinematography, which derives from Greek
"It describes the real meaning of what we are attempting to accomplish," Storaro says. "We are writing stories with light and darkness, motion and colors. It is a language with its own vocabulary and unlimited possibilities for expressing our inner thoughts and feelings."
As a cinematographer, he is highly innovative. He had Rosco International fabricate a series of custom color gels for his lighting, which he used to implement his theories about emotional response to color. The "Storaro Selection" of color gels is available for other cinematographers from Rosco.
He created the "Univision" film system, which is a 35mm format based on film stock with three perforation that provides an aspect ratio of 2:1, which Storaro feels is a good compromise between the 2.35:1 and 1.85:1 wide-screen ratios favored by most filmmakers. Storaro developed the new technology with the intention of 2:1 becoming the universal aspect ratio for both movies and television in the digital age. He first shot the television mini-series "Dune" with the Univision system.
Storaro is the youngest person to receive the American Society of Cinematographer's Lifetime Achievement Award, and only the second recipient after Sven Nykvist not to be a U.S. citizen."The Last Emperor" (1/3)- Cinematographer
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Dean Semler was born on 26 May 1943 in Renmark, South Australia, Australia. He is a cinematographer and assistant director, known for Apocalypto (2006), Dances with Wolves (1990) and Mad Max 2: The Road Warrior (1981). He is married to Annie Semler."Dances with Wolves" +- Cinematographer
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- Actor
Tak Fujimoto was born on 12 July 1939 in San Diego, California, USA. He is a cinematographer and actor, known for The Silence of the Lambs (1991), The Sixth Sense (1999) and Star Wars: Episode IV - A New Hope (1977)."The Silence of the Lambs" +- Cinematographer
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Adrian Biddle was born on 20 July 1952 in Woolwich, London, England, UK. He was a cinematographer, known for V for Vendetta (2005), Thelma & Louise (1991) and 1492: Conquest of Paradise (1992). He was married to Mo. He died on 7 December 2005 in London, England, UK."Thelma & Louise" +- Camera and Electrical Department
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Jack N. Green was born on 18 November 1946 in San Francisco, California, USA. He is a cinematographer and director, known for Unforgiven (1992), The Bridges of Madison County (1995) and Twister (1996)."Unforgiven" +- Cinematographer
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Stuart Dryburgh was born on 30 March 1952 in London, England, UK. He is a cinematographer, known for The Piano (1993), The Great Wall (2016) and The Painted Veil (2006)."The Piano" +- Cinematographer
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Don Burgess was born on 28 May 1956 in Santa Monica, California, USA. He is a cinematographer and actor, known for Forrest Gump (1994), Cast Away (2000) and Contact (1997). He has been married to Bonnie Ann Burgess since 4 December 1982. They have three children."Forrest Gump" +- Cinematographer
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Andrzej Sekula was born in Wroclaw, Dolnoslaskie, Poland. He is a cinematographer and director, known for Pulp Fiction (1994), American Psycho (2000) and Reservoir Dogs (1992)."Pulp Fiction" +- Cinematographer
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Michael Coulter was born in 1952 in Glasgow, Scotland, UK. He is a cinematographer, known for Sense and Sensibility (1995), Four Weddings and a Funeral (1994) and Love Actually (2003)."Sense and Sensibility" +- Cinematographer
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Multiple award-winning cinematographer Dean Cundey, ASC, CSC who was nominated for an Oscar for "Who Framed Roger Rabbit" and took home the BAFTA for the same film, has a career spanning decades with awards and nominations including a Primetime Emmy (2023 "The Mandalorian") a Daytime Emmy (2001 "The Face: Jesus in Art"), a Chicago Film Critics Association award ("Apollo 13"), to American Society of Cinematographers awards ("Apollo 13," "Hook"). His prolific career also includes a Lifetime Achievement Award from the ASC and a President's Award from the SOC, and he's still not done shooting. Born in Alhambra, California, Cundey spent his childhood building miniature sets and reading "American Cinematographer." Following graduation from UCLA film school, where he was taught by James Wong Howe, ASC, Cundey's first job on set was as a makeup artist on Roger Corman's "Gas!" or "It Became Necessary to Destroy the World in Order to Save It." Cundey's first assignment as a director of photography was on the revenge film "The No Mercy Man." He continued with other horror and exploitation movies, then began a collaboration with director John Carpenter on five films for which he received accolades: "Halloween," "The Fog," "Escape from New York," "The Thing" and "Big Trouble in Little China." Cundey transitioned into a collaboration with Robert Zemeckis on impressive features such as "Romancing the Stone," all three "Back to the Future" films, "Who Framed Roger Rabbit" and "Death Becomes Her." Not content to settle for that, he also dabbled in directing with his debut on "Honey, We Shrunk Ourselves" and was also the second-unit director on "Deep Rising" and "Garfield: A Tail of Two Kitties." .1) "Apollo 13" (1/2)- Cinematographer
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Russell Carpenter was born on 9 December 1950 in Van Nuys, California, USA. He is a cinematographer and producer, known for Avatar: The Way of Water (2022), Titanic (1997) and Ant-Man (2015)."Titanic" +- Cinematographer
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Peter Biziou was born on 8 August 1944 in Bangor, Caernarvonshire, Wales, UK. He is a cinematographer and producer, known for Mississippi Burning (1988), The Truman Show (1998) and Time Bandits (1981)."The Truman Show" +- Cinematographer
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Richard Greatrex was born in 1947 in Swansea, Wales, UK. He is a cinematographer and producer, known for Shakespeare in Love (1998), A Knight's Tale (2001) and Chaos (2005)."Shakespeare in Love" +- Cinematographer
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Bill Pope was born on 19 June 1952 in Bowling Green, Kentucky, USA. He is a cinematographer and director, known for The Matrix (1999), The Jungle Book (2016) and Bound (1996). He is married to Sharon Oreck. They have one child."The Matrix" +- Cinematographer
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British cinematographer Brian Tufano began his career at the BBC, working with such directors as Stephen Frears and Alan Parker. In 1992 he was assigned to the series Mr. Wroe's Virgins (1993) and worked with director Danny Boyle. Boyle took him along on his feature debut, Shallow Grave (1994), and continued to work with Tufano on such films as Trainspotting (1996) and A Life Less Ordinary (1997). In 2001 Tufano won the BAFTA Award for Outstanding Contribution to Film and Television."Billy Elliot" +- Cinematographer
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Slawomir Idziak was born on 25 January 1945 in Katowice, Slaskie, Poland. He is a cinematographer and writer, known for Three Colors: Blue (1993), Black Hawk Down (2001) and Gattaca (1997). He was previously married to Maria Gladkowska."Black Hawk Down" +- Cinematographer
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Pawel Edelman was born on 26 June 1958 in Lódz, Lódzkie, Poland. He is a cinematographer, known for The Pianist (2002), Oliver Twist (2005) and The Ghost Writer (2010)."The Pianist" +- Cinematographer
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Dion Beebe is an Australian-South African cinematographer. He is best known for his collaboration with Rob Marshall in the films Chicago (2002), Memoirs of a Geisha (2005), Nine (2009), Into the Woods (2014) and Mary Poppins Returns (2018);
Beebe also worked with Michael Mann in Collateral (2004) and Miami Vice (2006).
He studied cinematography at the Australian Film Television and Radio School from 1987 to 1989.
For his work on Memoirs of a Geisha he won an Oscar for best achievement in cinematography."Chicago" +- Cinematographer
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Russell Boyd was born on 21 April 1944 in Victoria, Australia. He is a cinematographer and director, known for Master and Commander: The Far Side of the World (2003), Picnic at Hanging Rock (1975) and Gallipoli (1981)."Master and Commander: The Far Side of the World" +- Cinematographer
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After studying film and photography at the San Francisco Art Institute, Lance moved to New York to assist photographer/filmmaker Bruce Weber. He began his career as a cinematographer shooting music videos and commercials with close friend and collaborator Spike Jonze. Lance quickly became one of the industry's most sought after cinematographers and shot seminal music videos for directors Michel Gondry, Mark Romanek, Stéphane Sednaoui, and Dayton Faris. In 2001 he won the MTV Music Award for Best Cinematography for Fatboy Slim's Weapon of Choice.
Lance's feature Cinematography debut was Vincent Gallo's cult classic Buffalo 66. His long list of credits include Sofia Coppola's Lost in Translation (BAFTA nomination for Best Cinematography), Marie Antoinette as well as Spike Jonze's Being John Malkovich, Adaptation and Where the Wild Things Are.
In the late 90's Lance began his transition into directing and in 1998, together with his business partner Jackie Kelman Bisbee, founded the production company Park Pictures. Over the years, he has received 35 Cannes Lions for his work with clients such as Nike, Apple, HP, VW, P&G, Subaru and more. He was nominated Best Commercial Director by the DGA in 2003, 2011, 2012, and 2017. In 2011, Lance's Super Bowl spot for Volkswagen, The Force, became the undisputed highlight of the year's Super Bowl broadcast. The Force was named the best ad of 2011 by AdWeek, Creativity, and YouTube, and consistently ranks on lists of the greatest Super Bowl ads of all time.
His Apple film "Misunderstood" won the 2014 Emmy Award for Outstanding Commercial. In 2019 Lance won his second Emmy Award for Nike "Dream Crazy," starring Colin Kaepernick."Lost in Translation" +- Cinematographer
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Roberto Schaefer, A.S.C., is a BAFTA-nominated Cinematographer who began his film career in Europe working for Martin Scorsese, Joe Pykta and Nestor Almendros. He eventually moved to Los Angeles to shoot for Director Chris Guest. Schaefer shot classic films for Guest such as Waiting for Guffman, Best in Show and For Your Consideration.
Soon thereafter, Schaefer and Director Marc Forster began an extensive collaboration, shooting nine films together including Monster's Ball, Finding Neverland, Stranger Than Fiction, Stay, The Kite Runner, Quantum of Solace, and Machine Gun Preacher. Schaefer has also collaborated with a variety of other directors including Lee Daniels for 2012's The Paperboy, Andrew Niccol for 2013's The Host, Don Cheadle for 2015's Miles Ahead, and Gideon Raff for 2019's Red Sea Diving Resort.
Other recent credits include 2021's Creation Stories directed by Nick Moran for Burning Wheel Productions and 2019's Rattlesnake directed by Zak Hilditch for Netflix.
Schaefer is fluent in Italian and resides in Los Angeles with his wife Caroline Eselin."Finding Neverland" +- Cinematographer
- Camera and Electrical Department
- Director
J. Michael Muro was born in 1966 in New York, USA. He is a cinematographer and director, known for Crash (2004), The Chronicles of Riddick (2004) and The Abyss (1989). He is married to Tamara Guthrie."Crash" +- Cinematographer
- Director
- Camera and Electrical Department
César Charlone was born on 19 April 1958 in Montevideo, Uruguay. He is a cinematographer and director, known for The Constant Gardener (2005), Blindness (2008) and City of God (2002)."The Constant Gardener" +- Cinematographer
- Director
- Producer
Guillermo Navarro was born in 1955 in Mexico City, Distrito Federal, Mexico. He is a cinematographer and director, known for Pan's Labyrinth (2006), Cronos (1992) and I Am Number Four (2011)."El laberinto del fauno" +- Cinematographer
- Camera and Electrical Department
- Actor
Oliver Wood was born on 21 February 1942 in London, England, UK. He was a cinematographer and actor, known for The Bourne Ultimatum (2007), The Other Guys (2010) and Morbius (2022). He was married to Jane Forth and Sabine Groh. He died on 13 February 2023 in Hollywood, California, USA."The Bourne Ultimatum" +- Cinematographer
- Camera and Electrical Department
- Actor
Harris Savides was born on 28 September 1957 in New York City, New York, USA. He was a cinematographer and actor, known for Elephant (2003), Zodiac (2007) and Birth (2004). He was married to Medine Chenet. He died on 9 October 2012 in Manhattan, New York City, New York, USA."American Gangster" +- Cinematographer
- Visual Effects
- Camera and Electrical Department
Robert Elswit is an American cinematographer. He is best known for Boogie Nights (1997), Magnolia (1999), Good Night, and Good Luck (2005), There Will Be Blood (2007), Mission: Impossible - Ghost Protocol (2011), Inherent Vice (2014), and Nightcrawler (2014).
Elswit frequently works with director Paul Thomas Anderson and has worked with George Clooney several times. He shot Clooney's black and white, multiple-Oscar nominated film Good Night, and Good Luck. Notably, Elswit shot the film in color, then converted the film into black and white in post production.
He received his first Academy Award nomination for Best Cinematography in 2006 for his work on the movie Good Night, and Good Luck. Two years later, he would again be nominated and this time win the Oscar for Best Cinematography, for his work on There Will Be Blood."There Will Be Blood" +- Cinematographer
- Camera and Electrical Department
- Actor
Claudio Miranda was born in March 1965 in Valparaíso, Chile. He is a cinematographer and actor, known for Life of Pi (2012), Top Gun: Maverick (2022) and The Curious Case of Benjamin Button (2008). He has been married to Kelli Bean since February 2009."The Curious Case of Benjamin Button" +- Camera and Electrical Department
- Cinematographer
- Director
Tom Stern was born on 16 December 1946 in Palo Alto, California, USA. He is a cinematographer and director, known for Changeling (2008), Flags of Our Fathers (2006) and Mystic River (2003). He was previously married to Françoise Combadière."Changeling" +- Cinematographer
- Camera and Electrical Department
Mauro Fiore was born on 15 November 1964 in Marzi, Calabria, Italy. He is a cinematographer, known for Avatar (2009), Training Day (2001) and The Island (2005). He has been married to Christine Vollmer since 2000. They have three children."Avatar" +- Cinematographer
- Actor
- Camera and Electrical Department
Trent Opaloch is a Canadian cinematographer best known for his work with directors Neill Blomkamp and the Russo brothers.
His major works include District 9 (2009), Elysium (2013), Captain America: The Winter Soldier (2014), Chappie (2015), Captain America: Civil War (2016) Avengers: Infinity War (2018) and Avengers: End Game (2019).
He also had small roles in the short film Terminus (2007) and Pearl Jam's Retrograde music video in which he was also the cinematographer."District 9" +- Cinematographer
- Camera and Electrical Department
- Producer
Matthew Libatique is an American cinematographer. He is best known for his work with director Darren Aronofsky on the films Pi (1998), Requiem for a Dream (2000), The Fountain (2006), Black Swan (2010), Noah (2014) and Mother! (2017). He also shot Bradley Cooper's directorial debut film, A Star Is Born (2018).
Libatique also work as an cinematographer in the films Tigerland (2000), Phone Booth (2002), Iron Man (2008), Iron Man 2 (2010) and Venom (2018).
He has received two Academy Awards nominations for Best Achievement in Cinematography, one for Black Swan and the other for A Star Is Born."Black Swan" +- Cinematographer
- Camera and Electrical Department
Danny Cohen was born in London in 1963. He took a social sciences degree at Sheffield Polytechnic and had a long time interest in photography, particularly stills work. He became a photographic technician at Middlesex Polytechnic and then a camera assistant on documentaries, commercials and films for eight years. His first credit as a Director of Photography was for Dead Babies directed by Bill Marsh. He has collaborated with Shane Meadows on the films 'Dead Man's Shoes' and 'This is England' and the latter's television spin-off. With Tom Hooper he worked on Longford, the HBO TV series John Adams and Les Miserables, gaining an Academy Award nomination for 'The King's Speech'.1) "The King's Speech" (1/2)- Cinematographer
- Camera and Electrical Department
- Location Management
Anthony Dod Mantle was born on 14 April 1955 in Oxford, Oxfordshire, England, UK. He is a cinematographer, known for Slumdog Millionaire (2008), Antichrist (2009) and The Last King of Scotland (2006)."127 Hours" (with Enrique Chediak) +- Cinematographer
- Camera and Electrical Department
- Producer
Chediak was born in Quito, Ecuador. He studied communication science in Santiago de Chile and photography in Madrid before studying film at New York University from 1992 to 1996. He participated in the production of American Southern-released in 1995 and directed by John Joshua Clayton-as a Cameraman. Another film he worked on in 2010, the drama 127 Hours, was based on a true story. Chediak collaborated with the British cinematographer Anthony Dod Mantle and was subsequently nominated for several awards, including the 2011 British Academy Film Award for the Best Cinematography."127 Hours" (with Anthony Dod Mantle)- Cinematographer
- Camera and Electrical Department
- Director
Jeff Cronenweth was born on 14 January 1962 in Los Angeles County, California, USA. He is a cinematographer and director, known for Gone Girl (2014), The Social Network (2010) and The Girl with the Dragon Tattoo (2011)."The Girl with the Dragon Tattoo" +- Cinematographer
- Camera and Electrical Department
- Director
Barry Ackroyd was born on 12 May 1954 in Oldham, Lancashire, England, UK. He is a cinematographer and director, known for The Hurt Locker (2008), Captain Phillips (2013) and United 93 (2006).1) "Captain Phillips" (1/2)- Cinematographer
- Camera and Electrical Department
- Actor
Robert D. Yeoman was born on 10 March 1951 in Philadelphia, Pennsylvania, USA. He is a cinematographer and actor, known for The Grand Budapest Hotel (2014), Asteroid City (2023) and Moonrise Kingdom (2012)."The Grand Budapest Hotel" +- Cinematographer
- Camera and Electrical Department
- Director
Edward Lachman was born on 31 March 1948 in Morristown, New Jersey, USA. He is a cinematographer and director, known for Far from Heaven (2002), Carol (2015) and Ken Park (2002)."Carol" +- Cinematographer
- Producer
- Camera and Electrical Department
Greig Fraser was born on 3 October 1975 in Melbourne, Australia. He is a cinematographer and producer, known for Dune (2021), Rogue One: A Star Wars Story (2016) and Zero Dark Thirty (2012). He is married to Jodie Fried. They have three children."Lion" +- Cinematographer
- Camera and Electrical Department
- Director
Bradford Young is an American cinematographer. His feature films as director of photography include White Lies, Black Sheep (2007), Pariah (2011), Restless City (2011), Middle of Nowhere (2012), Ain't Them Bodies Saints (2013), Mother of George (2013), and Arrival (2016).
In January 2017, Young became the first African-American cinematographer to be nominated for an Academy Award, for his work on Arrival. He is also the first person of color to be nominated in the Academy Award cinematography category since 1998 when Remi Adefarasin was nominated for Elizabeth."Arrival" +- Cinematographer
- Camera and Electrical Department
- Director
Giles Nuttgens was born in 1960. He is a cinematographer and director, known for Hell or High Water (2016), Hallam Foe (2007) and The Deep End (2001)."Hell or High Water" +- Cinematographer
- Camera and Electrical Department
- Producer
Ben Davis was born in 1961 in London, England, UK. He is a cinematographer and producer, known for Three Billboards Outside Ebbing, Missouri (2017), The Banshees of Inisherin (2022) and Guardians of the Galaxy (2014). He is married to Camille Griffin. They have three children."Three Billboards Outside Ebbing, Missouri" +- Cinematographer
- Camera and Electrical Department
Dan Laustsen is a Danish cinematographer. He is best known for Crimson Peak (2015), John Wick: Chapter 2 (2017) and The Shape of Water (2017) for which he received an Academy Award nomination.
He studied at the National Film School of Denmark from 1976 to 1979, to pursue a career of cinematography. Laustsen has been involved in the production of feature films, documentaries, and advertisements, and is a member of the Danish Society of Cinematographers.1) "The Shape of Water" (1/2)- Camera and Electrical Department
- Cinematographer
- Director
Lukasz Zal is an Academy Award-nominated cinematographer based in Poland. Cold War, directed by Pawel Pawlikowski, landed Lukasz Zal not only the Oscar nomination but also ASC Award, the Silver Frog Award for cinematography at the 2018 Camerimage Festival in Poland, as well as a nomination for BAFTA Award.
For the first time, Lukasz was nominated for the Academy Award in 2016 for Pawlikowski's Ida and was one of two cinematographers of an Oscar- nominated animation Loving Vincent (dir. Dorota Kobiela, Hugh Welchman) in 2017.
Cinematographer on Dovlatov (dir. Aleksiej German Jr.), which premiered at the Berlinale 2018 and The Here After (dir. Magnus von Horn), which premiered at Quinzaine des Réalisateurs (Directors' Fortnight) at Cannes Film Festival in 2015.
Most recently, Lukasz was responsible for the cinematography in Charlie Kaufman's film I'm Thinking of Ending Things, available on Netflix.1) "Zimna wojna" (1/2)- Cinematographer
- Camera and Electrical Department
- Director
Robbie Ryan is an Irish cinematographer. He is best known for his work in Fish Tank (2009), Slow West (2015), American Honey (2016) and The Favourite (2018) for which he was nominated for an Oscar for Best Achievement in Cinematography.
Ryan has already work in more than 90 projects as an Cinematographer, including feature length, short films, commercials, and music videos."The Favourite" +- Cinematographer
- Camera and Electrical Department
- Art Department
Linus Sandgren is an Academy Award winning Swedish cinematographer. He is best known for his work with Damien Chazelle on La La Land (2016) and his collaboration with David O Russell on the films American Hustle (2013) and Joy (2015).
He also worked with Gus Van Sant on Promised Land where he shot the film in a unique format, Super 35mm 1.3x anamorphic.
In La La Land he shot in the classic Cinemascope ratio 2.55:1.1) "First Man" (1/2)- Cinematographer
- Camera and Electrical Department
- Director
Newton Thomas Sigel was born in August 1955 in Detroit, Michigan, USA. He is a cinematographer and director, known for Cherry (2021), Da 5 Bloods (2020) and Bohemian Rhapsody (2018). He is married to Lisa Chang."Bohemian Rhapsody" +- Cinematographer
- Director
- Producer
Lawrence Sher was born in Teaneck, New Jersey, USA. He is a cinematographer and director, known for Joker (2019), The Hangover (2009) and Garden State (2004)."Joker" +- Camera and Electrical Department
- Cinematographer
Erik Messerschmidt was born on 23 October 1980 in Portland, Maine, USA. He is a cinematographer, known for Mank (2020), The Killer (2023) and Ferrari (2023)."Mank" +