Biography for
Ridley Scott

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Stunning visuals.

His films often feature strong female characters

Being the actors' director that he is, Scott favors extensive use of the two-camera 'V' set-up, thus enabling his actors to play more fluidly off one another without being constantly interrupted by calls to "Cut!".

Frequently uses music by Hans Zimmer.

Begins most films with an info card sequence/montage (i.e. Alien, Blade Runner, Gladiator, Black Hawk Down)

Frequently casts Russell Crowe.

Trivialidades

Education, West Hartlepool College of Art; Royal College of Art, London (art, film).

Brother of director Tony Scott.

Father of music video director Jake Scott.

Whilst working as a set designer at the BBC, Scott was assigned to design the Daleks for the popular BBC TV serial "Doctor Who" (1963). Scott passed the work on to his friend Raymond Cusick, as he was unable to attend the filming at Ealing.

Owns the visual effects company Mill Film, based in London. They did the majority of the effects work on Gladiator (2000).

2001: Ranked #31 in Entertainment Weekly's Power List.

1986: Enya's recording "Aldebaran" is dedicated to him.

2002: Ranked #30 in Premiere's annual Power 100 List.

1990s: He was developing a film adaptation of the Richard Matheson novel, "I Am Legend". This project was never finished.

Is the father of "director's cut".

Owns Shepperton Studios in the UK with his brother Tony Scott.

Has made over 2000 commercials.

Son of Elizabeth Jean Scott.

2003: Knighted in the New Year's Honours List.

2003: Ranked #25 in Premiere's annual Power 100 List. Had ranked #30 in 2002.

Father of actress Jordan Scott

Black Hawk Down (2001) is dedicated to his mother, who died in 2001.

Directed a Maxwell House coffee commercial that starred Shakira Caine. Michael Caine saw the commercial and was so taken by her beauty, he desperately searched for her. They have been married 30 years.

He cast his partner in life, Giannina Facio, in all of his films since Gladiator (2000).

Usually casts / works with actors who have a strong theatre background and are graduates of drama school.

Of all the professional actors he has hired / worked with for his films, over 50% come from elite drama schools and the theatre, such as the Royal Shakespeare Company in Stratford Upon Avon, The Globe Theatre, The Old Vic and the National Theatre in London, which he feels brings as large a presence to the screen as the actors do to the stage.

Graduated from the prestigious Royal College of Art in London, England, with a B.A. from the Film Arts school.

Graduated from the London International Film School's one year master's program where two of his short films won awards.

Is the only director, other than George Lucas, who has directed both Harrison Ford and Ewan McGregor in a movie.

He and Michael Mann have both directed a Hannibal Lecter film. They have also both worked frequently with an actor who has played Jack Crawford. Mann directed Dennis Farina's first film, Thief (1981), and he also used him on "Miami Vice" (1984). Scott cast Harvey Keitel in The Duellists (1977) and Thelma & Louise (1991). Keitel went on to play Jack Crawford in Red Dragon (2002).

Is left-handed and personally sketches most of his own storyboards with great artistic style

Likes to be personally involved with the casting of his movies

April 2005: The most successful British director in Hollywood in terms of box office to date.

Has worked with three Aragorns. His first theatrical film, The Duellists (1977), featured Sir Robert Stephens, who played Aragorn in the BBC radio adaptation. His breakthrough film, Alien (1979), featured John Hurt, who voiced the character in the Ralph Bakshi animated film The Lord of the Rings (1978). G.I. Jane (1997) featured Viggo Mortensen, who played the part in Peter Jackson's live-action adaptation.

He and his brother Tony Scott have worked with several of the same actors. Ridley cast Tom Skerritt as Capt. Dallas in Alien (1979), while Tony cast him as Mike Metcalf, mentor to Tom Cruise's character in Top Gun (1986). Cruise appeared in "Top Gun" for Tony, and Legend (1985) for Ridley. Giancarlo Giannini played a police officer in Hannibal (2001), and again in Man on Fire (2004). Gary Oldman appeared in True Romance (1993) for Tony and "Hannibal" for Ridley. Brad Pitt appeared in "True Romance" for Tony and Thelma & Louise (1991) for Ridley. Viggo Mortensen appeared in Crimson Tide (1995) for Tony, and G.I. Jane (1997) for Ridley. Denzel Washington appeared in "Crimson Tide", "Man on Fire" and Deja Vu (2006) for Tony, and American Gangster (2007) for Ridley. In addition, Tim Robbins, who appeared in "Top Gun", has been involved in a long-term relationship with Susan Sarandon, who appeared in "Thelma and Louise", since 1988.

His first feature film, The Duellists (1977) is based on a Joseph Conrad story. In his next film, Alien (1979), the spaceship was known as the Nostromo and its escape ship as the Narcissus. Both are names taken from Conrad stories.

2005: Ranked #5 in Empire (UK) magazine's "The Greatest directors ever!".

2005: Ranked #28 on Premiere's Power 50 List. Had ranked #32 in 2004.

While in college at the Royal College of Art, he was a contributor to the college magazine ARK. He also helped establish a film studies department at the school.

1984: Directed the Famous Apple Macintosh commercial that was shown during the 1984 Superbowl.

In 1994, he was slated to direct "Hot Zone" from a screenplay by James V. Hart based on the 1992 New Yorker article "Crisis in the Hot Zone" by Richard Preston. The film was to star Robert Redford and Jodie Foster and was based on the true story of the discovery of the deadly Ebola virus. Various factors, including the development of the similarly-plotted Outbreak (1995), led to the project being cancelled.

Has done four films with Russell Crowe: Gladiator (2000), A Good Year (2006), American Gangster (2007), and Body of Lies (2008).

Suffers from claustrophobia, a condition he actively sought to instill in his Alien (1979) cast by making their Nostromo living quarters as cramped as possible.

Coming from an army and fine arts background, he is an inveterate stickler for detail who tackles each movie project with the vehemence of a general with a battle plan. His persistent scrutiny of minutiae on the Alien (1979) shoot prompted Sigourney Weaver to complain that he cared more about his props and sets than he did about his cast.

Divides his time among his homes in Hampstead (UK), France and Los Angeles.

Like his brother Tony Scott, he is an avid smoker of Montecristo Cuban cigars.

In late 2005, he was preparing to direct "The Invisible World" from a screenplay by Dana Stevens based on a treatment by Washington Post correspondent David Ignatius. The film was to star Angelina Jolie, and was based on the abduction of a female journalist in Iraq. However, Jolie's pregnancy at the time halted production, putting off the project altogether. This sudden opening in Ridley Scott's schedule allowed him to direct American Gangster (2007) the following year.

Ranked #35 in the 2008 Telegraph's list "the 100 most powerful people in British culture".

Directed 5 actors in Oscar nominated performances: Geena Davis, Susan Sarandon, Russell Crowe, Joaquin Phoenix and Ruby Dee. Crowe is the only one to win an Oscar for a performance directed by Scott.

Personal Quotes

[On why his movies don't have sex scenes] Sex is boring unless you're doing it.

I'm a moviemaker, not a documentarian. I try to hit the truth.

A friend of mine says, "Art's like a shark. You've got to keep swimming, or else you drown." Keep bouncing around. People always ask me, "What's the plan?" There is no plan. I go to what fascinates me next.

When I first said I wanted to make a film about Rome and cast 'Russell Crowe', everyone had a good old snigger. I thought, "You wait." They've done the same with Kingdom of Heaven (2005) and Orlando Bloom. I now say, "Take a look at this".

Balian [Orlando Bloom's character in Kingdom of Heaven (2005)] is an agnostic, just like me. I am not fighting another holy war here, I am trying to get across the fact that not everyone in the West is a good guy, and not all Muslims are bad. The tragedy is that we still have a lack of understanding between us, and it is 900 years since the Crusades. We have never truly resolved our differences.

Audiences are less intrigued, honestly, by battle. They're more intrigued by human relations. If you're making a film about the trappings of the period, and you're forgetting that human relationships are the most engaging part of the storytelling process, then you're in trouble.

[August 2005] We're suffering from saturation, overkill. The marketplace is flooded by demand, and there are too many films, so everything gets watered down. Demand is the boss and everything bends to that will. Bigger and not necessarily better shows seem to be the order of the day. I can't watch most of them.

The digital and theatrical markets are two different marketplaces. I think the digital marketplace - thank God for it! - is like having a book on the shelf: so you can actually go to that book and if it's four hours long, you can put it on pause, you can have a beer - no one's counting.

[October 2006] [William Monahan] is maybe one of the two best writers I have ever worked with and I am developing something with him now that will take us back to Muslim countries next year. It's called "Tripoli", is set in 1805 and is about the bad behavior of Pasha of Tripoli, who was kidnapping ships, particularly American ships, and demanding ransoms while Jefferson was broke, having emptied his coffers of $11 million to complete the Louisiana Purchase from Napoleon, who needed the money to feed his army. It is a fascinating period.

The fundamental of anything as a director is material, material, material - script, script, script - once you have the script everything else is straightforward.

The person that probably stopped me in my tracks as a child - because I used to love to go to the cinema - was David Lean with Great Expectations (1946). I thought everything was somehow better than most of the other movies in terms of the way it looked - the way it was dramatised and the way it was photographed. In fact he was detailed from corner to corner and that is what I picked up with John Ford and then Kurosawa (Akira Kurosawa) - then Carol Reed, Michael Powell - those were all the fundamental characters at that time - and Orson Welles of course. There are Frenchmen too of course who will be remembered as well but I wasn't open to the French cinema at that point - so it was American and English film directors - so those were the influences.

I think it's remarkable that people will give you 10 million dollars to go and get your rocks off.

Never let yourself be seen in public unless they pay for it.

I think movies are getting dumber, actually. Where it used to be 50/50, now it's 3% good, 97% stupid.

I'm not criticizing Hollywood because I work there, I partly live there. But I'm saying this is the way it is, commerce is taking over art. Commerce has become the most important thing in the film industry. Hollywood is an industry, it's not an art form, therefore they have to address the bottom line. But in a way it's sad when you get a remake, isn't it?

I think I have less patience, mainly because I'm so experienced. Because I'm so experienced I need the very best people around me. Because people say, "Well you don't need a terribly good camera" or, "You can go and do this," and I say, "No, no, no, no, you don't understand. I want the Earth. And I want the Earth in 10 minutes."

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