Black-and-white biopic of Thomas Brasch won best film, director and actor Albrecht Schuch
Andreas Kleinert’s Dear Thomas has swept the German Film Awards with nine wins including best film, director and actor Albrecht Schuch.
The awards, known as the Lolas, were handed out during a gala ceremony attended by 1,700 guests at Berlin’s Palais am Funkturm on Friday (June 24).
Dear Thomas, a black-and-white historical biopic of East German author and filmmaker Thomas Brasch, picked up the Golden Lola for best film and won further awards for best director, screenplay, actor, production design, costume design, supporting actress, cinematography and editing.
Andreas Kleinert’s Dear Thomas has swept the German Film Awards with nine wins including best film, director and actor Albrecht Schuch.
The awards, known as the Lolas, were handed out during a gala ceremony attended by 1,700 guests at Berlin’s Palais am Funkturm on Friday (June 24).
Dear Thomas, a black-and-white historical biopic of East German author and filmmaker Thomas Brasch, picked up the Golden Lola for best film and won further awards for best director, screenplay, actor, production design, costume design, supporting actress, cinematography and editing.
- 6/27/2022
- by Martin Blaney
- ScreenDaily
Click here to read the full article.
Dear Thomas, Andreas Kleinert’s black-and-white artistic biopic of the late poet, writer, and film director Thomas Brasch, has won the Lola for best film at the 2022 German Film Awards.
Kleinert also won best director and Albrecht Schuch took the 2022 best acting prize for his starring role as Brasch. It’s the third acting Lola in three years for Schuch, who won two Lolas in 2020, both for best actor (for System Crasher) and best-supporting actor (for Berlin Alexanderplatz). His Dear Thomas co-star Jella Haase won best supporting actress, and Thomas Wendrich took the best screenplay Lola for his script. Dear Thomas also won the Lola for best editing for Gisela Zick, best costume design for Anne-Gret Oehme, and best cinematography for Johann Feind.
Keeping Dear Thomas from a clean sweep at the 2022 Lolas in Berlin Friday night was Rabiye Kurnaz vs. George W. Bush,...
Dear Thomas, Andreas Kleinert’s black-and-white artistic biopic of the late poet, writer, and film director Thomas Brasch, has won the Lola for best film at the 2022 German Film Awards.
Kleinert also won best director and Albrecht Schuch took the 2022 best acting prize for his starring role as Brasch. It’s the third acting Lola in three years for Schuch, who won two Lolas in 2020, both for best actor (for System Crasher) and best-supporting actor (for Berlin Alexanderplatz). His Dear Thomas co-star Jella Haase won best supporting actress, and Thomas Wendrich took the best screenplay Lola for his script. Dear Thomas also won the Lola for best editing for Gisela Zick, best costume design for Anne-Gret Oehme, and best cinematography for Johann Feind.
Keeping Dear Thomas from a clean sweep at the 2022 Lolas in Berlin Friday night was Rabiye Kurnaz vs. George W. Bush,...
- 6/24/2022
- by Scott Roxborough
- The Hollywood Reporter - Movie News
Pablo Larrain’s ‘Spencer’ has been nominated for best film.
Andreas Kleinert’s Dear Thomas has emerged as the front runner at this year’s German Film Awards, known as the Lolas, with 12 nominations.
The black-and-white biopic of East German poet, dramatist and filmmaker Thomas Brasch is nominated in the best feature film category, as well as for direction, screenplay, lead actor, cinematography and production design.
Andreas Dresen’s Berlinale competition title Rabiye Kurnaz Vs. George W. Bush is not far behind Dear Thomas with 10 nominations, the same number his Gundermann attracted in 2019.
Austrian director Sebastian Meise’s Great Freedom,...
Andreas Kleinert’s Dear Thomas has emerged as the front runner at this year’s German Film Awards, known as the Lolas, with 12 nominations.
The black-and-white biopic of East German poet, dramatist and filmmaker Thomas Brasch is nominated in the best feature film category, as well as for direction, screenplay, lead actor, cinematography and production design.
Andreas Dresen’s Berlinale competition title Rabiye Kurnaz Vs. George W. Bush is not far behind Dear Thomas with 10 nominations, the same number his Gundermann attracted in 2019.
Austrian director Sebastian Meise’s Great Freedom,...
- 5/13/2022
- by Martin Blaney
- ScreenDaily
Eliza Hittman’s ’Never Rarely Sometimes Always’ wins Silver Bear Grand Jury Prize.
Mohammad Rasoulof’s There Is No Evil has become the latest film from Iran to win the Berlinale’s top honour, the Golden Bear, following Asghar Farhadi’s A Separation in 2012 and Jafar Panahi’s Taxi Tehran in 2015.
Rasoulof was not able to attend this year’s festival because he is banned from leaving Iran following his arrest last year. The film’s producers Farzad Pak and Kaveh Farnam, and the director’s daughter Baran Rasoulof (an actress who lives in Hamburg) collected the award on his...
Mohammad Rasoulof’s There Is No Evil has become the latest film from Iran to win the Berlinale’s top honour, the Golden Bear, following Asghar Farhadi’s A Separation in 2012 and Jafar Panahi’s Taxi Tehran in 2015.
Rasoulof was not able to attend this year’s festival because he is banned from leaving Iran following his arrest last year. The film’s producers Farzad Pak and Kaveh Farnam, and the director’s daughter Baran Rasoulof (an actress who lives in Hamburg) collected the award on his...
- 2/29/2020
- by 158¦Martin Blaney¦40¦
- ScreenDaily
The 2020 Berlin Film Festival, which kicked off on February 20, handed out its top prizes today as the fest comes to a close in Germany. The night’s top winner, Iranian filmmaker Mohammad Rasoulof for “There Is No Evil,” could not attend the ceremony due to an Iran-sanctioned travel ban and possible prison sentence for his politically charged film (read IndieWire’s review here). See all this year’s winners below.
As is befitting for a festival season marked by tension, activists were gathered outside the festivities in front of the Berlinale Palast, where the honors took place, demonstrating for climate change. The 70th edition of the Berlinale weathered its share of controversies this year, too, from jury president Jeremy Irons digging up past controversial remarks to the revelation that late festival chief Alfred Bauer had ties to the Nazi party. The first edition assembled by artistic director Carlo Chatrian and...
As is befitting for a festival season marked by tension, activists were gathered outside the festivities in front of the Berlinale Palast, where the honors took place, demonstrating for climate change. The 70th edition of the Berlinale weathered its share of controversies this year, too, from jury president Jeremy Irons digging up past controversial remarks to the revelation that late festival chief Alfred Bauer had ties to the Nazi party. The first edition assembled by artistic director Carlo Chatrian and...
- 2/29/2020
- by Ryan Lattanzio
- Indiewire
Iranian filmmaker Mohammad Rasoulof’s “There Is No Evil,” a drama about the impact of capital punishment on society and the human condition, won the Golden Bear at this year’s Berlin Film Festival on Saturday.
The seven-person festival jury, headed by Jeremy Irons, spread the prizes far and wide, with no single filmmaker dominating the awards.
American writer-director Eliza Hittman won the Silver Bear Grand Jury Prize for “Never Rarely Sometimes Always,” a drama about teen pregnancy, while the Silver Bear for best director went to South Korea’s Hong Sang Soo for his Seoul-set drama “The Woman Who Ran.”
Rasoulof, who is unable to leave Iran due to a travel ban, faces a one-year prison sentence for “spreading propaganda.” The filmmaker released a statement on Friday expressing his sorrow at missing the premiere of “There Is No Evil”: “I am sorry that I will not be able...
The seven-person festival jury, headed by Jeremy Irons, spread the prizes far and wide, with no single filmmaker dominating the awards.
American writer-director Eliza Hittman won the Silver Bear Grand Jury Prize for “Never Rarely Sometimes Always,” a drama about teen pregnancy, while the Silver Bear for best director went to South Korea’s Hong Sang Soo for his Seoul-set drama “The Woman Who Ran.”
Rasoulof, who is unable to leave Iran due to a travel ban, faces a one-year prison sentence for “spreading propaganda.” The filmmaker released a statement on Friday expressing his sorrow at missing the premiere of “There Is No Evil”: “I am sorry that I will not be able...
- 2/29/2020
- by Ed Meza
- Variety Film + TV
It is no use of hyperbole to suggest that Dau. Natasha already looks like one of the most provocative art films ever made. The first strictly theatrical feature to be released from Ilya Khrzhanovsky’s gargantuan, unprecedented Dau project (12 other films were shown at an immersive exhibition in Paris last year), it offers the viewer a kind of Westworld-style trip into a fully realized Stalinist world; a frighteningly believable place where seemingly no act is deemed unfit for the screen. Further installments are alleged to be on their way to Cannes and Venice. May God help us all.
Has a production ever been so shrouded in mystery? Substantial security and non-disclosure agreements have, for the most part, succeeded in keeping a lid on Khrzhanovsky’s universe: a living, working Soviet town (with running water and electricity) that has apparently been in operation for years; populated with hundreds of cast members who live,...
Has a production ever been so shrouded in mystery? Substantial security and non-disclosure agreements have, for the most part, succeeded in keeping a lid on Khrzhanovsky’s universe: a living, working Soviet town (with running water and electricity) that has apparently been in operation for years; populated with hundreds of cast members who live,...
- 2/28/2020
- by Rory O'Connor
- The Film Stage
“Dau. Natasha” has no credits to explain the wild concept behind its existence, but context is everything. The sophomore feature from Russian director Ilya Khrzhanovskiy follows his well-received 2004 debut “4,” but this is the rare case of an extensive delay that makes complete sense. The movie takes the form of a sexually explicit drama with a jarring Orwellian turn in its final act, and ends with a harrowing sexual assault, but the circumstances behind the scenes deepen the queasy intrigue that has defined the life of this project for more than a dozen years.
Khrzhanovskiy initially set out to make a traditional biopic of Soviet-era physicist Lev Landau, but the production later transformed into an epic installation piece, and eventually the most ambitious filmmaking experiment in history. The filmmaker built a sprawling 42,000-square-foot set in Kharkiv, Ukraine, and cast some 352,000 people to live 24 hours a day in a meticulous recreation of a Soviet science institute.
Khrzhanovskiy initially set out to make a traditional biopic of Soviet-era physicist Lev Landau, but the production later transformed into an epic installation piece, and eventually the most ambitious filmmaking experiment in history. The filmmaker built a sprawling 42,000-square-foot set in Kharkiv, Ukraine, and cast some 352,000 people to live 24 hours a day in a meticulous recreation of a Soviet science institute.
- 2/26/2020
- by Eric Kohn
- Indiewire
“Dau. Natasha,” the Russian art project-turned-movie franchise competing at the Berlinale, has triggered headlines in the local and international press over the years due to its epic scale, scenes of graphic violence and anecdotes of an allegedly oppressive work environment for women.
Hours before the film’s premiere at a presser on Wednesday, Ilya Khrzhanovsky, who co-directed “Dau. Natasha” with Jekaterina Oertel, addressed several questions from journalists about claims of harassment and a difficult on-set environment for women, saying that such accusations were “a bit fashionable” and a byproduct of the immersive nature of the film.
“I think what you’re referring to didn’t happen. It’s a rather odd project, so people go digging around, ‘Surely someone raped someone,’” he said. “This project was running for a long time and we worked with a lot of different people, and there were various conflict situations — but they all had...
Hours before the film’s premiere at a presser on Wednesday, Ilya Khrzhanovsky, who co-directed “Dau. Natasha” with Jekaterina Oertel, addressed several questions from journalists about claims of harassment and a difficult on-set environment for women, saying that such accusations were “a bit fashionable” and a byproduct of the immersive nature of the film.
“I think what you’re referring to didn’t happen. It’s a rather odd project, so people go digging around, ‘Surely someone raped someone,’” he said. “This project was running for a long time and we worked with a lot of different people, and there were various conflict situations — but they all had...
- 2/26/2020
- by Rebecca Davis and Elsa Keslassy
- Variety Film + TV
The catalyst behind Ulli Lommel's perverse horror masterpiece might be writer-actor-art director Kurt Raab. He's almost too convincing as Fritz Haarmann, an infamous real-life serial killer of young men who masks his abominable activities behind a snitch relationship with the police. He's an obscene cross between Peter Lorre's child-murderer and the ghoul Nosferatu. Tenderness of the Wolves Region B Blu-ray + Pal DVD Arrow Video (UK) 1973 / Color / 1:85 widescreen / 80 min. / Die Zärtlichkeit der Wölfe / Street Date November 2, 2015 / £12.99 Starring Kurt Raab, Jeff Roden, Margit Carstensen, Ingrid Caven, Wolfgang Schenck, Brigitte Mira, Rainer Hauer, Barbara Bertram, Rainer Werner Fassbinder. Cinematography Jürgen Jürges Production Design Kurt Raab Makeup Elfie Kruse Editing Thea Eymèsz Original Music Peter Raben Written by Kurt Raab Produced by Rainer Werner Fassbinder, Michael Fengler Directed by Ulli Lommel
Reviewed by Glenn Erickson
Movie horrors can't compete with real life any more, in an overcrowded, often hostile world that seems to encourage terrible crimes.
Reviewed by Glenn Erickson
Movie horrors can't compete with real life any more, in an overcrowded, often hostile world that seems to encourage terrible crimes.
- 11/10/2015
- by Glenn Erickson
- Trailers from Hell
Blu-ray Release Date: Sept. 30, 2014
Price: Blu-ray $39.95
Studio: Criterion
Brigitte Mira and El Hedi ben Salem star in Fassbinder's Ali: Fears Eats the Soul.
The wildly prolific German filmmaker Rainer Werner Fassbinder (World on a Wire) paid homage to his cinematic hero Douglas Sirk with the 1974 drama Ali: Fear Eats the Soul, an update of Sirk’s 1955 All That Heaven Allows.
A lonely widow (Brigitte Mira) meets a much younger Arab worker (El Hedi ben Salem) in a bar during a rainstorm. They fall in love, to their own surprise—and to the outright shock of their families, colleagues, and drinking buddies.
In the movie Ali: Fear Eats the Soul, Fassbinder expertly uses the emotional power of classic Hollywood melodrama to expose the racial tensions underlying contemporary German culture.
Criterion issued a DVD edition of Ali: Fear Eats the Soul back in 2003. This new Blu-ray version includes the following features, all...
Price: Blu-ray $39.95
Studio: Criterion
Brigitte Mira and El Hedi ben Salem star in Fassbinder's Ali: Fears Eats the Soul.
The wildly prolific German filmmaker Rainer Werner Fassbinder (World on a Wire) paid homage to his cinematic hero Douglas Sirk with the 1974 drama Ali: Fear Eats the Soul, an update of Sirk’s 1955 All That Heaven Allows.
A lonely widow (Brigitte Mira) meets a much younger Arab worker (El Hedi ben Salem) in a bar during a rainstorm. They fall in love, to their own surprise—and to the outright shock of their families, colleagues, and drinking buddies.
In the movie Ali: Fear Eats the Soul, Fassbinder expertly uses the emotional power of classic Hollywood melodrama to expose the racial tensions underlying contemporary German culture.
Criterion issued a DVD edition of Ali: Fear Eats the Soul back in 2003. This new Blu-ray version includes the following features, all...
- 6/24/2014
- by Laurence
- Disc Dish
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