Luke Matheny, who directs Apple TV+’s Ghostwriter, has signed up to serve as head writer and exec producer on HBO Max’s remake of Charlotte’s Web.
The series, which comes from Sesame Workshop, is set to start production next month and will air on HBO Max and Cartoon Network in 2024.
Charlotte’s Web tells the story of a livestock pig named Wilbur and his friendship with a barn spider named Charlotte. When Wilbur’s life is in danger, Charlotte weaves messages in her web praising Wilbur in order to drum up public support and persuade the farmer to let him live.
The adaptation is the latest remake of E.B. White’s classic; an animated feature was produced by Hanna-Barbera in 1973 and Nickelodeon and Paramount rebooted it again with Dakota Fanning and Julia Roberts teamed up for a 2006 movie.
It is the latest project between Sesame Workshop and WarnerMedia Kids & Family,...
The series, which comes from Sesame Workshop, is set to start production next month and will air on HBO Max and Cartoon Network in 2024.
Charlotte’s Web tells the story of a livestock pig named Wilbur and his friendship with a barn spider named Charlotte. When Wilbur’s life is in danger, Charlotte weaves messages in her web praising Wilbur in order to drum up public support and persuade the farmer to let him live.
The adaptation is the latest remake of E.B. White’s classic; an animated feature was produced by Hanna-Barbera in 1973 and Nickelodeon and Paramount rebooted it again with Dakota Fanning and Julia Roberts teamed up for a 2006 movie.
It is the latest project between Sesame Workshop and WarnerMedia Kids & Family,...
- 3/22/2022
- by Peter White
- Deadline Film + TV
Thursday's episode of Scandal ended with a shocking twist and a major cliffhanger – even by the show's crazy standards.
At the end of "I'm Just a Bill," with a fan favorite's fate hanging in the balance, the Internet (egged on by Scandal's social media-savvy stars and producers) did what it does best: Hit the panic button.
Spoiler alert for those who haven't seen the latest episode: Pivotal plot details will be revealed.
Yes, Gladiators, the end of the hour found Jake Ballard (Scott Foley) stabbed and apparently dead at the hands of Olivia Pope's (Kerry Washington) new man (Brian J. White...
At the end of "I'm Just a Bill," with a fan favorite's fate hanging in the balance, the Internet (egged on by Scandal's social media-savvy stars and producers) did what it does best: Hit the panic button.
Spoiler alert for those who haven't seen the latest episode: Pivotal plot details will be revealed.
Yes, Gladiators, the end of the hour found Jake Ballard (Scott Foley) stabbed and apparently dead at the hands of Olivia Pope's (Kerry Washington) new man (Brian J. White...
- 4/17/2015
- by Lanford Beard, @lanfordbeard
- People.com - TV Watch
Tennessee Williams: In the Bar of a Tokyo Hotel
292 Theater
March 7-31, Wednesday-Saturday, 8:30 Pm
For those who are up to a fascinating venture into an emotionally dark treadmill fun/horror house, one created by Tennessee Williams in 1969, I highly recommend 292 Theater's production of In the Bar of a Tokyo Hotel. For those who are merely up to fine theater, I once again recommend experiencing this example of Williams's later oeuvre, where themes of his earlier great plays are explored within the walls of a demure red-toned Tokyo hotel bar in the late '60s.
The set provides the physical mood: a white clad Bar-Man (Brandon Lim) slowly pulls back screens stage right and left accompanied by soft lounge music, and takes his place behind the bar. The emotional mood is set by the bar's single patron, a midlife woman with too much hair piled up and far too many bracelets,...
292 Theater
March 7-31, Wednesday-Saturday, 8:30 Pm
For those who are up to a fascinating venture into an emotionally dark treadmill fun/horror house, one created by Tennessee Williams in 1969, I highly recommend 292 Theater's production of In the Bar of a Tokyo Hotel. For those who are merely up to fine theater, I once again recommend experiencing this example of Williams's later oeuvre, where themes of his earlier great plays are explored within the walls of a demure red-toned Tokyo hotel bar in the late '60s.
The set provides the physical mood: a white clad Bar-Man (Brandon Lim) slowly pulls back screens stage right and left accompanied by soft lounge music, and takes his place behind the bar. The emotional mood is set by the bar's single patron, a midlife woman with too much hair piled up and far too many bracelets,...
- 3/17/2012
- by Jay Reisberg
- www.culturecatch.com
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