Freestyle Digital Media has debuted a new official trailer for the indie documentary film Origami in the Garden, made by filmmaker Barbara Bentree from Santa Fe, New Mexico. The film tells the story of fellow Santa Fe-based artist Kevin Box, whose life goal is simply: "I want to have a conversation with people now and hundreds of years into the future." As an artist, Kevin has studied the method of "lost wax casting" that is used to create bronze sculptures. He spent his early years being mentored by other great metal sculptors. Ultimately, he developed his own unique signature art by unfolding origami and then casting the beautiful crease patterns into museum quality wall hangings. Now "over 3 million people have visited their traveling exhibition 'Origami in the Garden'... It's truly amazing what Kevin can do starting with just a simple piece of paper!" The doc film is about Kevin and...
- 5/23/2023
- by Alex Billington
- firstshowing.net
At 86, Oscar-Winning Composer Dave Grusin Is Ready to Tour Again When the Covid-19 Pandemic Subsides
Oscar-winning composer, Grammy-winning arranger, jazz pianist and bandleader, pioneer in the digital recording world: Dave Grusin could retire on his laurels. But at 86, he’s itching to get back on the road and perform again.
“Oh, if they ever let us,” he tells Variety from his Montana ranch. “Not to have anything to do, it’s disconcerting to say the least.” Adds Grusin’s longtime bandmate, guitarist Lee Ritenour: “He’s gotten used to it, traveling the world and being appreciated. I think he enjoys that.”
And yet, if the pandemic continues to torture artists throughout 2021, there are still all those Grusin soundtracks to appreciate: the fragile beauty of “The Heart Is a Lonely Hunter” (1968), the atmospheric colors of “Three Days of the Condor” (1975), the hymn-like simplicity of “On Golden Pond” (1981), the delightfully upbeat “Tootsie” (1982), the Mexican folk influences of “The Milagro Beanfield War” (1987), the late-night jazz of “The Fabulous Baker Boys...
“Oh, if they ever let us,” he tells Variety from his Montana ranch. “Not to have anything to do, it’s disconcerting to say the least.” Adds Grusin’s longtime bandmate, guitarist Lee Ritenour: “He’s gotten used to it, traveling the world and being appreciated. I think he enjoys that.”
And yet, if the pandemic continues to torture artists throughout 2021, there are still all those Grusin soundtracks to appreciate: the fragile beauty of “The Heart Is a Lonely Hunter” (1968), the atmospheric colors of “Three Days of the Condor” (1975), the hymn-like simplicity of “On Golden Pond” (1981), the delightfully upbeat “Tootsie” (1982), the Mexican folk influences of “The Milagro Beanfield War” (1987), the late-night jazz of “The Fabulous Baker Boys...
- 11/6/2020
- by Jon Burlingame
- Variety Film + TV
The title of the just-completed documentary “Dave Grusin: Not Enough Time” reflects the subject’s lament that there aren’t enough hours in the day or days in the year for all the music that needs to be made. That desire to stretch the clock might seem hyperbolic coming from other musicians, but not for someone whose hats have included film and TV scorer, concert performer, producer and jazz label mogul, often all at once.
At a post-screening Q&A in Santa Monica this week, the great jazz bassist Marcus Miller spoke about being a youthful protege and watching Grusin casually change hats mid-day… and assuming that was normal.
“I started playing with Dave Grusin when I was 17, 18 — I don’t know how old, but I know I had braces,” Marcus laughed. “To see him run a session, and then know that he’s going to score a movie that night after the session…...
At a post-screening Q&A in Santa Monica this week, the great jazz bassist Marcus Miller spoke about being a youthful protege and watching Grusin casually change hats mid-day… and assuming that was normal.
“I started playing with Dave Grusin when I was 17, 18 — I don’t know how old, but I know I had braces,” Marcus laughed. “To see him run a session, and then know that he’s going to score a movie that night after the session…...
- 5/5/2019
- by Chris Willman
- Variety Film + TV
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