Elwood Bredell(1902-1969)
- Cinematographer
- Camera and Electrical Department
- Actor
Indiana-born, son of stage actress Mary Palmer Nields and silent screen
actor Val Paul (1886-1962), 'Woody' Bredell
began his career in films as a lab technician. He worked as a still
photographer at RKO and Paramount (1931-34), later joining Universal,
as director of photography, 1937-46; then under contract to Warner
Brothers, 1947-49. Having served his apprenticeship under the tutelage
of veteran cinematographers
Arthur C. Miller and
Charles Lang, he became an expert
at using shadows and diffuse lighting to create expressionist-inspired,
darkly sinister imagery for thrillers and films noir. Of particular
note are Robert Siodmak's
Phantom Lady (1944) and
The Killers (1946); and
Michael Curtizs
The Unsuspected (1947). These
films are rightly hailed as among the best examples of the genre.
Bredell also effectively captured the seedy side of life for
Female Jungle (1955).
In stark contrast, Bredell was equally adept at painting richly textured romantic frames for big budget technicolor musical (Romance on the High Seas (1948)), or comedy (The Inspector General (1949)). One of his best films was the charismatic and cheerful Errol Flynn swashbuckler Adventures of Don Juan (1948). Bosley Crowther of the New York Times described Bredell's lighting and color-photography as "technically superb" (December 25,1948).
'Woody' Bredell has been variously (and incorrectly) cited as English-born and deceased, but according to his granddaughter, he lived most of his life in or around Los Angeles. He was an avid fisherman, owner of a cabin cruiser moored near his home in Newport Beach. He died, aged 66, and is interred at Forest Lawn Memorial Park, Hollywood Hills.
In stark contrast, Bredell was equally adept at painting richly textured romantic frames for big budget technicolor musical (Romance on the High Seas (1948)), or comedy (The Inspector General (1949)). One of his best films was the charismatic and cheerful Errol Flynn swashbuckler Adventures of Don Juan (1948). Bosley Crowther of the New York Times described Bredell's lighting and color-photography as "technically superb" (December 25,1948).
'Woody' Bredell has been variously (and incorrectly) cited as English-born and deceased, but according to his granddaughter, he lived most of his life in or around Los Angeles. He was an avid fisherman, owner of a cabin cruiser moored near his home in Newport Beach. He died, aged 66, and is interred at Forest Lawn Memorial Park, Hollywood Hills.