It is the debut feature from Brazilian writer-director Carolina Markowicz.
Signature Entertainment has acquired UK and Ireland rights for satire Charcoal – the feature debut of Brazilian writer-director Carolina Markowicz.
The rights were picked up from Paris-based Urban Sales at this year’s American Film Market (AFM), with a theatrical release in the UK and Ireland planned for March 10 2023, followed by a digital release on March 20.
It is produced by Zita Carvalhosa’s Superfilmes (Brazil), alongside Karen Castanho of Bionica Filmes (Brazil) and Alejandro Israel of Ajimolido Films (Argentina).
A family in São Paulo’s countryside accept a mysterious guest into their home,...
Signature Entertainment has acquired UK and Ireland rights for satire Charcoal – the feature debut of Brazilian writer-director Carolina Markowicz.
The rights were picked up from Paris-based Urban Sales at this year’s American Film Market (AFM), with a theatrical release in the UK and Ireland planned for March 10 2023, followed by a digital release on March 20.
It is produced by Zita Carvalhosa’s Superfilmes (Brazil), alongside Karen Castanho of Bionica Filmes (Brazil) and Alejandro Israel of Ajimolido Films (Argentina).
A family in São Paulo’s countryside accept a mysterious guest into their home,...
- 12/13/2022
- by Mona Tabbara
- ScreenDaily
Hailed as a discovery by many critics who caught it at Toronto, where it world premiered in the Platform section, “Charcoal” adds Markowicz name very firmly to that of an exciting new young generation of women cineastes in Brazil.
It follows a family stretched thin in the smoke-enveloped Brazilian countryside, surrounded by numerous coal mines. When life becomes monotonous, matriarch Irene cuts a ludicrous deal with a local nurse. Shrugging familial responsibilities, she callously agrees to put her ailing father out of his misery to house a fleeing fugitive, earning a lump sum of money.
Darkly humorous, the film is a grim depiction of humans with nothing left to lose, coming to terms with the world around them that’s fallen deeper into roiling apathy and brutality. The project bleakly portrays a protagonist who can no longer beat back the systems that oppress them, so they figure they ought to join them instead.
It follows a family stretched thin in the smoke-enveloped Brazilian countryside, surrounded by numerous coal mines. When life becomes monotonous, matriarch Irene cuts a ludicrous deal with a local nurse. Shrugging familial responsibilities, she callously agrees to put her ailing father out of his misery to house a fleeing fugitive, earning a lump sum of money.
Darkly humorous, the film is a grim depiction of humans with nothing left to lose, coming to terms with the world around them that’s fallen deeper into roiling apathy and brutality. The project bleakly portrays a protagonist who can no longer beat back the systems that oppress them, so they figure they ought to join them instead.
- 10/4/2022
- by Holly Jones
- Variety Film + TV
Carolina Markowicz’s dark satire “Charcoal,” which world premieres on Sept. 11 at Toronto Film Festival, has debuted its teaser trailer with Variety (below). World sales are being handled by Urban Sales.
The film, which plays in the festival’s Platform section, centers on a poor family living in a remote area in Brazil, who earn a pittance from their charcoal business. When a shady nurse asks them to host a mysterious foreigner they accept. The home soon becomes a hideout as the so-called guest happens to be a highly wanted drug lord. The mother, her husband and child will have to learn how to share the same roof with this stranger, while keeping up appearances of an unchanged peasant routine.
Diana Cadavid at Toronto Film Festival commented: “For her unsettlingly precise feature-film debut, writer-director Carolina Markowicz blends biting social commentary on the pervasive forces that prey on the least fortunate...
The film, which plays in the festival’s Platform section, centers on a poor family living in a remote area in Brazil, who earn a pittance from their charcoal business. When a shady nurse asks them to host a mysterious foreigner they accept. The home soon becomes a hideout as the so-called guest happens to be a highly wanted drug lord. The mother, her husband and child will have to learn how to share the same roof with this stranger, while keeping up appearances of an unchanged peasant routine.
Diana Cadavid at Toronto Film Festival commented: “For her unsettlingly precise feature-film debut, writer-director Carolina Markowicz blends biting social commentary on the pervasive forces that prey on the least fortunate...
- 8/31/2022
- by Leo Barraclough
- Variety Film + TV
Paris-based Urban Sales has swooped on international sales rights to Brazilian writer-director Carolina Markowicz’s awaited debut feature film “Charcoal” (“Carvão”), which is set for its world premiere at at Toronto’s prestigious Platform showcase before heading to San Sebastian for a Europe bow as part of its just-revealed Horizontes Latinos lineup.
Urban Sales has also shared with Variety a first look still from the film.
Distribution in Brazil is handled by Pandora Filmes, founded by André Sturm, which launched the country’s first classic film streaming platform Belas Artes in 2019, bringing big-name, cult, and regional classics to audiences nationwide.
Markowicz has written and directed six short films that have been selected by 400 festivals including Locarno, SXSW, Toronto and AFI. Her short film,“The Orphan,” a gritty tale about a young queer boy who tries to navigate his most recent adoption after being placed with a well-off conservative family, premiered...
Urban Sales has also shared with Variety a first look still from the film.
Distribution in Brazil is handled by Pandora Filmes, founded by André Sturm, which launched the country’s first classic film streaming platform Belas Artes in 2019, bringing big-name, cult, and regional classics to audiences nationwide.
Markowicz has written and directed six short films that have been selected by 400 festivals including Locarno, SXSW, Toronto and AFI. Her short film,“The Orphan,” a gritty tale about a young queer boy who tries to navigate his most recent adoption after being placed with a well-off conservative family, premiered...
- 8/11/2022
- by Holly Jones
- Variety Film + TV
The film will debut in the new Karlovy Vary Proxima section.
Paris-based sales firm Loco Films has boarded world sales rights on Gregorio Graziosi’s Tinnitus, a Brazilian thriller which has its world premiere in Karlovy Vary’s new Proxima strand this afternoon (July 7).
Screen can reveal a first trailer for the film, above.
Tinnitus follows a former diver suffering from the eponymous hearing condition, typically a ringing or buzzing coming from within the ears. After an accident in the last Olympics, she puts her life at risk by returning to competition.
It is a second feature from Brazilian filmmaker Graziosi,...
Paris-based sales firm Loco Films has boarded world sales rights on Gregorio Graziosi’s Tinnitus, a Brazilian thriller which has its world premiere in Karlovy Vary’s new Proxima strand this afternoon (July 7).
Screen can reveal a first trailer for the film, above.
Tinnitus follows a former diver suffering from the eponymous hearing condition, typically a ringing or buzzing coming from within the ears. After an accident in the last Olympics, she puts her life at risk by returning to competition.
It is a second feature from Brazilian filmmaker Graziosi,...
- 7/7/2022
- by Ben Dalton
- ScreenDaily
Brazilian Gregorio Graziosi’s “Tinnitus” is co-written by Andrés Julian Vera and Marco Dutra, a Locarno best director winner for “Good Manners”; its Dp is Rui Poças, whose credits include Lucrecia Martel’s “Zama” and upcoming “Tabu.”
Its score is from David Boulter, who played keyboard on Claire Denis’ “Bastards,” collaborated on the score of her “High Life.”
Such credentials will make, almost inevitably, for one of the most polished of entries at Copia Final, Ventana Sur’s pix-in-post competition, where it screens on-site at the Cinemark Puerto Madero on Wednesday.
Developed at the Cannes Festival’s Résidence, “Tinnitus” looks set to weigh in as high art in the service of what on paper may seem a classic sports comeback narrative involving Marina, a high-board synchronized diver, who suffers a serious diving accident caused by tinnitus. She is encouraged by her substitute Teresa, she stages a comeback, though still terrorized...
Its score is from David Boulter, who played keyboard on Claire Denis’ “Bastards,” collaborated on the score of her “High Life.”
Such credentials will make, almost inevitably, for one of the most polished of entries at Copia Final, Ventana Sur’s pix-in-post competition, where it screens on-site at the Cinemark Puerto Madero on Wednesday.
Developed at the Cannes Festival’s Résidence, “Tinnitus” looks set to weigh in as high art in the service of what on paper may seem a classic sports comeback narrative involving Marina, a high-board synchronized diver, who suffers a serious diving accident caused by tinnitus. She is encouraged by her substitute Teresa, she stages a comeback, though still terrorized...
- 12/1/2021
- by John Hopewell
- Variety Film + TV
Los Angeles-based sales company Cinema Management Group has acquired international distribution rights to Jose Roberto Torero's Como Fazer Um Filme de Amor (Manual for Love Stories) from Brazilian distributor Lumiere, which is releasing the film in Brazil Oct. 29. The romantic comedy, which had its world premiere at the recent Montreal World Film Festival, was produced by Zita Carvalhosa and Lumiere with financial support from Brazilian tax funds and the support of the Brazilian Film Agency. It was acquired by CMG's Edward Noeltner after the Montreal screening. "For a first-time director, Jose Roberto Torero shows considerable talent and craftsmanship as well as a thorough understanding of the Genre," Noeltner said. "Only when you know film and the conventions of genre can you have so much fun with turning things upside down -- and what has come out is wall-to-wall laughter right through the end credits of this film." The deal marks CMG's third acquisition of a Latin American film in as many months. In July, it picked up Elia Schneider's Venezuelan hit Step Forward, which is Venezuela's contender for a best foreign language Academy Award nimination. In August, CMG acquired international rights to Gonzalo Justiniano's award-winning Chilean feature B-Happy.
- 10/5/2004
- The Hollywood Reporter - Movie News
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