Online market ran from November 30-December 3.
Nico Manzano’s Venezuelan entry Me And The Beasts picked up three out of the six Primer Corte awards at Friday’s (December 4) online awards ceremony marking the conclusion of 2020 Ventana Sur.
Beasts took home the Sofia Films Award, Nmf Y Color Front Award, and La Mayor Cine Award offering various post-production services.
Juan Carve’s Uruguayan project Olivia And The Shadows triumphed in the Animación sidebar, picking up The MIFA / Annecy Award and La Liga de la Animactón Iberoamericana Award.
Sebastian Perillo’s The Nights Belong To The Monsters from Argentina won three...
Nico Manzano’s Venezuelan entry Me And The Beasts picked up three out of the six Primer Corte awards at Friday’s (December 4) online awards ceremony marking the conclusion of 2020 Ventana Sur.
Beasts took home the Sofia Films Award, Nmf Y Color Front Award, and La Mayor Cine Award offering various post-production services.
Juan Carve’s Uruguayan project Olivia And The Shadows triumphed in the Animación sidebar, picking up The MIFA / Annecy Award and La Liga de la Animactón Iberoamericana Award.
Sebastian Perillo’s The Nights Belong To The Monsters from Argentina won three...
- 12/4/2020
- by Jeremy Kay
- ScreenDaily
Producers of “Las Acacias,” a Cannes’ Camera d’Or winner for best first feature, Juan Pablo Miller’s Tarea Fina and Ariel Rotter’s Aire Cine are now teaming on “Forest Girl” (“Niña Bosque”), their first animated feature production.
Co-written by Rotter, a distinguished writer-director in his own right whose first movie, 2007’s “The Other,” won a Berlin Festival Grand Jury Prize, “Forest Girl” also marks the debut feature of its Taiwan-born and Buenos Aires-based director Aili Chen, a co-founder with Rotter of Aire Cine.
A coming-of age fantasy adventure targeting up-scale family audiences, art house devotees, festivals and platforms, “Forest Girl” is set to be unveiled at Animation! Pitching Sessions, organized by Ventana Sur, the biggest film market in Latin America, and the Annecy Animation Festival’s MIFA market.
Conceived by Chen, who co-writes with Rotter, “Forest Girl” turns on a little girl who awakes alone in a forest land of striking wild beauty.
Co-written by Rotter, a distinguished writer-director in his own right whose first movie, 2007’s “The Other,” won a Berlin Festival Grand Jury Prize, “Forest Girl” also marks the debut feature of its Taiwan-born and Buenos Aires-based director Aili Chen, a co-founder with Rotter of Aire Cine.
A coming-of age fantasy adventure targeting up-scale family audiences, art house devotees, festivals and platforms, “Forest Girl” is set to be unveiled at Animation! Pitching Sessions, organized by Ventana Sur, the biggest film market in Latin America, and the Annecy Animation Festival’s MIFA market.
Conceived by Chen, who co-writes with Rotter, “Forest Girl” turns on a little girl who awakes alone in a forest land of striking wild beauty.
- 10/28/2020
- by John Hopewell
- Variety Film + TV
Fernanda Frick’s “Irl Squad,” the Cinema Management Group-sold “Kayara” and Brazil’s “Bring on the Revolution!” are three of the 16 film and TV animation projects at Animation!, one of the industry highlights at the upcoming Ventana Sur, Latin America’s biggest film market.
Running Nov. 30 to Dec. 4, and available on Ventana Sur online, Animation!’s pitches, organized with the Annecy Animation Festival’s MIFA market, play off a building animation scene in Latin America. Animation!’s pitches received 241 submissions this year, an all-time record.
The projects look set as ever to frame some of the strongest movie market titles at Ventana Sur: A exceptional big animated feature production from Latin America, backed by a reputable sales agent, can now spark seven-figure dollar pre-sales.
An auteur of highly crafted character-driven animation tales, who was cherry-picked by Netflix for development of her last project, “Raise the Bar,” about a stereotype-smashing female weightlifter,...
Running Nov. 30 to Dec. 4, and available on Ventana Sur online, Animation!’s pitches, organized with the Annecy Animation Festival’s MIFA market, play off a building animation scene in Latin America. Animation!’s pitches received 241 submissions this year, an all-time record.
The projects look set as ever to frame some of the strongest movie market titles at Ventana Sur: A exceptional big animated feature production from Latin America, backed by a reputable sales agent, can now spark seven-figure dollar pre-sales.
An auteur of highly crafted character-driven animation tales, who was cherry-picked by Netflix for development of her last project, “Raise the Bar,” about a stereotype-smashing female weightlifter,...
- 10/28/2020
- by John Hopewell and Jamie Lang
- Variety Film + TV
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