With Lars von Trier’s The Kingdom Exodus due to world premiere at the upcoming Venice Film Festival, Zentropa has dropped a look at the kinetic opening sequence as well as a set of new posters (check out the video above and see photos below).
The Danish release for the series has also been set with Viaplay premiering it on October 9 before it airs on Dr at a later date.
The opening sequence introduces the large cast, which includes old acquaintances from previous seasons as well as new faces in the supernatural universe.
This is the final season of von Trier’s cult series which completes the trilogy that initially began in the 1990s. The Kingdom was set in a hospital built on top of the old bleaching ponds in Copenhagen, where evil has taken root.
The Kingdom Exodus tells the story of a sleepwalker named Karen (Bodil Jørgensen) who...
The Danish release for the series has also been set with Viaplay premiering it on October 9 before it airs on Dr at a later date.
The opening sequence introduces the large cast, which includes old acquaintances from previous seasons as well as new faces in the supernatural universe.
This is the final season of von Trier’s cult series which completes the trilogy that initially began in the 1990s. The Kingdom was set in a hospital built on top of the old bleaching ponds in Copenhagen, where evil has taken root.
The Kingdom Exodus tells the story of a sleepwalker named Karen (Bodil Jørgensen) who...
- 8/23/2022
- by Nancy Tartaglione
- Deadline Film + TV
Towards the end of the new limited series “The Investigation,” the show’s central police inquiry seems stalled. Nothing is moving in the right direction, and all players seem understandably frustrated. One cop (Laura Christensen) sets things right with an unlikely note of encouragement. “This isn’t a perfect crime,” she tells her boss (Søren Malling). “It’s a clumsy, disgusting crime. So we must have overlooked something.”
This is an unexpected note for the TV procedural — which thrives on the sleuth as genius, seeing through a case that comes as a shock to the viewer. But “The Investigation,” written and directed by Tobias Lindholm and airing stateside on HBO after having debuted overseas, is no ordinary show. For one thing, the outcome will be known already to readers of the news: These Danish-speaking cops, in Copenhagen, are looking into the real-life 2017 killing of Swedish journalist Kim Wall, reported missing...
This is an unexpected note for the TV procedural — which thrives on the sleuth as genius, seeing through a case that comes as a shock to the viewer. But “The Investigation,” written and directed by Tobias Lindholm and airing stateside on HBO after having debuted overseas, is no ordinary show. For one thing, the outcome will be known already to readers of the news: These Danish-speaking cops, in Copenhagen, are looking into the real-life 2017 killing of Swedish journalist Kim Wall, reported missing...
- 1/29/2021
- by Daniel D'Addario
- Variety Film + TV
HBO has acquired the rights to “The Investigation,” Tobias Lindholm’s limited series regarding the 2017 murder of journalist Kim Wall. The premium cabler unveiled the trailer for the six-episode show on Monday.
“The Investigation” will explore the complex real-life investigation surrounding the murder of Wall, who boarded a submarine built by former entrepreneur Peter Madsen for an interview in 2017. The submarine was found sunken the following morning and Wall’s dismembered body parts were found throughout the area; Madsen was convicted of the murder in 2018 and sentenced to life imprisonment in a highly-publicized court case.
The Danish-language series will premiere on HBO on February 1.
Søren Malling (“A Hijacking”) leads the cast as Jens Møller, the Head of Homicide for the Copenhagen Police, alongside Pilou Asbæk (“Game of Thrones”) as the prosecutor Jakob Buch-Jepsen. Pernilla August (“Star Wars: Episode I – The Phantom Menace”) and Rolf Lassgård (“The Hunters”) star as Kim Wall’s parents,...
“The Investigation” will explore the complex real-life investigation surrounding the murder of Wall, who boarded a submarine built by former entrepreneur Peter Madsen for an interview in 2017. The submarine was found sunken the following morning and Wall’s dismembered body parts were found throughout the area; Madsen was convicted of the murder in 2018 and sentenced to life imprisonment in a highly-publicized court case.
The Danish-language series will premiere on HBO on February 1.
Søren Malling (“A Hijacking”) leads the cast as Jens Møller, the Head of Homicide for the Copenhagen Police, alongside Pilou Asbæk (“Game of Thrones”) as the prosecutor Jakob Buch-Jepsen. Pernilla August (“Star Wars: Episode I – The Phantom Menace”) and Rolf Lassgård (“The Hunters”) star as Kim Wall’s parents,...
- 1/5/2021
- by Tyler Hersko
- Indiewire
HBO has acquired the Scandinavian limited series “The Investigation,” about the murder of Swedish journalist Kim Wall.
The series will explore the complex real-life investigation surrounding Wall’s 2017 murder, which made international headlines around the world as one of the most notorious criminal cases in Danish media history.
In 2017, Wall went missing after she boarded a submarine to interview Danish entrepreneur Peter Madsen in what became known as “The Submarine Case.” The Submarine was found sunken the morning after the August 10 interview and Madsen was charged, and later convicted, of Wall’s murder.
You can watch a trailer for the series above.
Søren Malling (“A Hijacking”) leads the cast as Jens Møller, the Head of Homicide for the Copenhagen Police, alongside Pilou Asbæk (HBO’s “Game of Thrones”) as the prosecutor Jakob Buch-Jepsen. Pernilla August (“Star Wars”) and Rolf Lassgård (“The Hunters”) star as Kim Wall’s parents, Ingrid and Joachim Wall.
The series will explore the complex real-life investigation surrounding Wall’s 2017 murder, which made international headlines around the world as one of the most notorious criminal cases in Danish media history.
In 2017, Wall went missing after she boarded a submarine to interview Danish entrepreneur Peter Madsen in what became known as “The Submarine Case.” The Submarine was found sunken the morning after the August 10 interview and Madsen was charged, and later convicted, of Wall’s murder.
You can watch a trailer for the series above.
Søren Malling (“A Hijacking”) leads the cast as Jens Møller, the Head of Homicide for the Copenhagen Police, alongside Pilou Asbæk (HBO’s “Game of Thrones”) as the prosecutor Jakob Buch-Jepsen. Pernilla August (“Star Wars”) and Rolf Lassgård (“The Hunters”) star as Kim Wall’s parents, Ingrid and Joachim Wall.
- 1/4/2021
- by Tim Baysinger
- The Wrap
Hit Scandinavian crime drama The Investigation, from A War and Mindhunter director Tobias Lindholm, is getting a U.S. airing after HBO acquired the limited series.
The premium cable network has bought the linear and streaming rights to the six-part series, which comes from Miso Film, the Danish production company owned by Fremantle.
The Investigation explores the case of the 2017 murder of Swedish journalist Kim Wall, who was killed after boarding a homemade submarine. The case was one of the most notorious in Denmark’s history and made international headlines after Wall’s body parts were found in different locations and the owner of the submarine Peter Madsen was charged and convicted of her murder.
The series follows Jens Møller, played by A Hijacking’s Søren Malling, the Head of Homicide, and his team in the pursuit of the truth. With the hope of being able to provide the prosecutor,...
The premium cable network has bought the linear and streaming rights to the six-part series, which comes from Miso Film, the Danish production company owned by Fremantle.
The Investigation explores the case of the 2017 murder of Swedish journalist Kim Wall, who was killed after boarding a homemade submarine. The case was one of the most notorious in Denmark’s history and made international headlines after Wall’s body parts were found in different locations and the owner of the submarine Peter Madsen was charged and convicted of her murder.
The series follows Jens Møller, played by A Hijacking’s Søren Malling, the Head of Homicide, and his team in the pursuit of the truth. With the hope of being able to provide the prosecutor,...
- 1/4/2021
- by Peter White
- Deadline Film + TV
For a third consecutive year, the 10 Oscar-nominated shorts hit the theatrical circuit thanks to Magnolia Pictures and Shorts International.
They're nearly all films whose craftsmanship and detail fill the big screen, and to varying degrees their stories compel. The shorts arrive in about 50 cities today, with the Rain Network providing digital distribution.
Among the five live-action nominees, three deal in some aspect with the everyday world of work. Italy's The Substitute, by Andrea Jublin, is a spirited 17-minute collision between a typically self-absorbed group of teens and the strangely confrontational man who's subbing as their teacher -- and who has a hidden agenda that's as much about his own needs as theirs. For all its energy, the film is more concerned with an idea than characters and leaves the least impression of the bunch.
But the office drones in the Belgian film Tanghi argentini are vividly drawn. Before his date with a woman he met online, nebbishy Andre (Dirk van Dijck) enlists the help of an aloof colleague (Koen van Impe) for tango lessons. Elegantly lensed and crisply edited, the 14-minute tale unfolds with wit as the unlikely duo perfect terpsichorean flourishes amid the filing cabinets. The film by Guido Thys provides a nice twist.
For the hapless protagonists of The Mozart of Pickpockets, the workday involves city streets and acts of petty crime. French writer-director Philippe Pollet-Villard co-stars with Richard Morgieve, and their terrific sad-sack chemistry as these clownish thieves gives the half-hour its punch. Their luck changes after a homeless deaf boy latches on to them, but it's a less-than-convincing narrative element.
The two most affecting live-action entries are the spare Western The Tonto Woman (U.K.) and the heartrending hospital-set drama At Night (Denmark). The former, based on a story by Elmore Leonard, centers on a high-plains Hester Prynne (Charlotte Asprey), a woman physically marked by her Mojave captors and ostracized by her community after her release. She finds unexpected human connection in the form of a Mexican drifter (Francesco Quinn). The half-hour film by Daniel Barber uses archetypal widescreen desert vistas to strong effect.
In a far different setting, three young women have formed a community within the coolly lit rooms of a cancer ward in At Night. The 43-minute film by Christian E. Christiansen is direct and intimate but never maudlin. Restrained performances by Julie Olgaard, Laura Christensen and Neel Ronholt -- and Henrik Prip as one girl's father -- have a devastating emotional power.
The animated contenders deliver an array of imaginative narrative filmmaking. I Met the Walrus (Canada) is the exception in the sense that it's a documentary snippet. Josh Raskin uses audiotape of John Lennon, recorded in 1969 when 14-year-old Jerry Levitan sneaked into the Beatle's Toronto hotel room and coaxed an interview out of him. In its brief five minutes, the film free-associates line drawings and other playful 2-D visuals to Lennon's down-to-earth intelligence and subversive humor.
Offering its own brand of playful subversion is France's Even Pigeons Go to Heaven, by Samuel Tourneux. A wily priest-cum-huckster, brandishing a list of his would-be customer's sins, urges an old man to buy a contraption built of "celestial titanium" that's guaranteed to transport him to heaven.
A mood of dark mystery pervades another Canadian entry, Chris Lavis and Maciek Szczerbowski's Madame Tutli-Putli. The silent claymation fantasy unfolds on a night train, where a woman in cloche and pearls, surrounded by her precariously stacked belongings, faces her fears. The imagery is rich with texture and atmosphere.
Four-time Oscar nominee Alexander Petrov (who won for The Old Man and the Sea) takes a classical approach in My Love, a fever dream set in 19th century Russia, where a pampered 16-year-old boy is attracted to his glamorous neighbor and his family's good-natured servant. At 25 minutes, the piece feels a bit long, and its melodrama is not always absorbing, but with their watercolor shimmer and nightmare depths, the impressionistic visuals are fluent.
Most successful is Peter & the Wolf (U.K.-Poland), by Suzie Templeton, which fills its affecting half-hour with a delightfully rendered array of human and animal characters. Precisely choreographed and edited to Prokofiev's music, the piece is a ballet both comical and poignant and a triumph of CG personality.
They're nearly all films whose craftsmanship and detail fill the big screen, and to varying degrees their stories compel. The shorts arrive in about 50 cities today, with the Rain Network providing digital distribution.
Among the five live-action nominees, three deal in some aspect with the everyday world of work. Italy's The Substitute, by Andrea Jublin, is a spirited 17-minute collision between a typically self-absorbed group of teens and the strangely confrontational man who's subbing as their teacher -- and who has a hidden agenda that's as much about his own needs as theirs. For all its energy, the film is more concerned with an idea than characters and leaves the least impression of the bunch.
But the office drones in the Belgian film Tanghi argentini are vividly drawn. Before his date with a woman he met online, nebbishy Andre (Dirk van Dijck) enlists the help of an aloof colleague (Koen van Impe) for tango lessons. Elegantly lensed and crisply edited, the 14-minute tale unfolds with wit as the unlikely duo perfect terpsichorean flourishes amid the filing cabinets. The film by Guido Thys provides a nice twist.
For the hapless protagonists of The Mozart of Pickpockets, the workday involves city streets and acts of petty crime. French writer-director Philippe Pollet-Villard co-stars with Richard Morgieve, and their terrific sad-sack chemistry as these clownish thieves gives the half-hour its punch. Their luck changes after a homeless deaf boy latches on to them, but it's a less-than-convincing narrative element.
The two most affecting live-action entries are the spare Western The Tonto Woman (U.K.) and the heartrending hospital-set drama At Night (Denmark). The former, based on a story by Elmore Leonard, centers on a high-plains Hester Prynne (Charlotte Asprey), a woman physically marked by her Mojave captors and ostracized by her community after her release. She finds unexpected human connection in the form of a Mexican drifter (Francesco Quinn). The half-hour film by Daniel Barber uses archetypal widescreen desert vistas to strong effect.
In a far different setting, three young women have formed a community within the coolly lit rooms of a cancer ward in At Night. The 43-minute film by Christian E. Christiansen is direct and intimate but never maudlin. Restrained performances by Julie Olgaard, Laura Christensen and Neel Ronholt -- and Henrik Prip as one girl's father -- have a devastating emotional power.
The animated contenders deliver an array of imaginative narrative filmmaking. I Met the Walrus (Canada) is the exception in the sense that it's a documentary snippet. Josh Raskin uses audiotape of John Lennon, recorded in 1969 when 14-year-old Jerry Levitan sneaked into the Beatle's Toronto hotel room and coaxed an interview out of him. In its brief five minutes, the film free-associates line drawings and other playful 2-D visuals to Lennon's down-to-earth intelligence and subversive humor.
Offering its own brand of playful subversion is France's Even Pigeons Go to Heaven, by Samuel Tourneux. A wily priest-cum-huckster, brandishing a list of his would-be customer's sins, urges an old man to buy a contraption built of "celestial titanium" that's guaranteed to transport him to heaven.
A mood of dark mystery pervades another Canadian entry, Chris Lavis and Maciek Szczerbowski's Madame Tutli-Putli. The silent claymation fantasy unfolds on a night train, where a woman in cloche and pearls, surrounded by her precariously stacked belongings, faces her fears. The imagery is rich with texture and atmosphere.
Four-time Oscar nominee Alexander Petrov (who won for The Old Man and the Sea) takes a classical approach in My Love, a fever dream set in 19th century Russia, where a pampered 16-year-old boy is attracted to his glamorous neighbor and his family's good-natured servant. At 25 minutes, the piece feels a bit long, and its melodrama is not always absorbing, but with their watercolor shimmer and nightmare depths, the impressionistic visuals are fluent.
Most successful is Peter & the Wolf (U.K.-Poland), by Suzie Templeton, which fills its affecting half-hour with a delightfully rendered array of human and animal characters. Precisely choreographed and edited to Prokofiev's music, the piece is a ballet both comical and poignant and a triumph of CG personality.
- 2/15/2008
- The Hollywood Reporter - Movie News
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