Kirk Douglas grits his teeth and goes full macho, wrasslin’ with that beautiful Sioux up in the high country — the Sioux miss in question being the Italian model Elsa Martinelli in her screen debut. Kirk can’t decide if he wants to stay with Elsa, or lead what must be the most shameful bunch of pioneer bigots ever to cross the plains. Walter Matthau and Diana Douglas are standouts in this vigorous action western directed by André de Toth.
The Indian Fighter
Blu-ray
Kl Studio Classics
1955 / Color / 2:35 widescreen / 88 min. / Street Date May 9, 2017 / available through Kino Lorber / 29.95
Starring: Kirk Douglas, Elsa Martinelli, Walter Matthau, Diana Douglas, Walter Abel, Lon Chaney Jr., Eduard Franz, Alan Hale Jr., Elisha Cook Jr., Ray Teal, Frank Cady, Michael Winkelman, William Phipps.
Cinematography: Wilfrid M. Cline
Art Direction: Wiard Ihnen
Film Editor: Richard Cahoon
Original Music: Irving Gordon, Franz Waxman
Written by Robert L. Richards,...
The Indian Fighter
Blu-ray
Kl Studio Classics
1955 / Color / 2:35 widescreen / 88 min. / Street Date May 9, 2017 / available through Kino Lorber / 29.95
Starring: Kirk Douglas, Elsa Martinelli, Walter Matthau, Diana Douglas, Walter Abel, Lon Chaney Jr., Eduard Franz, Alan Hale Jr., Elisha Cook Jr., Ray Teal, Frank Cady, Michael Winkelman, William Phipps.
Cinematography: Wilfrid M. Cline
Art Direction: Wiard Ihnen
Film Editor: Richard Cahoon
Original Music: Irving Gordon, Franz Waxman
Written by Robert L. Richards,...
- 5/5/2017
- by Glenn Erickson
- Trailers from Hell
Cult filmmaker Larry Cohen is, and has always been, an idea man. Whether commenting on rampant consumerism (The Stuff), religious fanaticism (God Told Me To), or vigilantism (Maniac Cop), Cohen’s films (as director or screenwriter, often both) show an ambition beyond the zippered monsters and flying serpents. And while the biggest caveat regarding Cohen is that his reach often exceeds his grasp, that’s not always true. Case in point: It’s Alive (1974), Cohen’s potent take on abortion, the pharmaceutical industry, and (extremely) unconditional love.
Produced by Warner Bros. and Larco Productions, and distributed by WB, It’s Alive did not wow the executives, who gave it an obligatory release in October with little fanfare. And it did okay business for the small release it was granted. When a new regime came in to WB in ’77, Cohen asked them to take another look at the film – he felt...
Produced by Warner Bros. and Larco Productions, and distributed by WB, It’s Alive did not wow the executives, who gave it an obligatory release in October with little fanfare. And it did okay business for the small release it was granted. When a new regime came in to WB in ’77, Cohen asked them to take another look at the film – he felt...
- 7/30/2016
- by Scott Drebit
- DailyDead
Stars: Burt Lancaster, Paul Scofield, Jeanne Moreau, Suzanne Flon, Michel Simon, Wolfgang Preiss, Albert Rémy, Charles Millot, Richard Münch, Jacques Marin, Paul Bonifas, Jean Bouchaud, Donald O’Brien, Jean-Pierre Zola, Arthur Brauss | Written by Franklin Coen, Frank Davis | Directed by John Frankenheimer, Arthur Penn (uncredited)
What is more precious, art or human life? Your first reaction is probably to say human life and that would be the most logical answer, but for cultural worth the answer may not be so easy. During World War 2 precious works of art were stolen and still to this day are found and become big news. Arrow Academy’s latest Burt Lancaster release The Train creates a story loosely based on real life events, looking at the protection of French masterpieces, and the human cost of war.
In 1944 during the last gasps of Germany’s occupation of France, art lover and fanatical Nazi Colonel...
What is more precious, art or human life? Your first reaction is probably to say human life and that would be the most logical answer, but for cultural worth the answer may not be so easy. During World War 2 precious works of art were stolen and still to this day are found and become big news. Arrow Academy’s latest Burt Lancaster release The Train creates a story loosely based on real life events, looking at the protection of French masterpieces, and the human cost of war.
In 1944 during the last gasps of Germany’s occupation of France, art lover and fanatical Nazi Colonel...
- 5/11/2015
- by Paul Metcalf
- Nerdly
Film noir. What is it? What are its defining characteristics? What films best express its qualities? Sex appeal, violence, cynicism, anti-heroes, femmes fatales, bleak commentary on modern society, maddening twists of fate that perpetuate one’s misery, running away from danger yet never making any ground…noir is and represents a wide variety of things, so much so that film experts do not even agree on whether it is a genre unto itself. (Two of the leading voices, James Ursini and Alain Silver, agree that it represents a movement rather than a definable genre.) For well over two years now, Sound on Sight has hosted the Friday Noir column which, on a near-weekly basis, has covered a great many noir entries of the commonly recognized classic period (1941 to 1959) as well as sizable portion of neo-noirs. Slowly and steadily, the column has explored the extremely exhaustive catalogue of titles with still many to come.
- 5/2/2014
- by Edgar Chaput
- SoundOnSight
With the exit from Iraq and the draw-down of troops in Afghanistan, the numbers of Americans killed continues to drop. Still, loved ones are mourning 311 lost, and as of Dec. 17, the wars' toll since 2001 now stands at 6,656. Edward Joseph Acosta, 21 Trevor Brandon Adkins, 21 Ahmed Kousay al-Taie, 46 Erica Paige Alecksen, 21 Tobias Christoph Alexander, 30 Joseph James Altmann, 27 Mabry James Anders, 21 Joshua Ryan Ashley, 23 Bradley Wayne Atwell, 27 Daniel Benjamin Bartle, 27 Jon-Luke Bateman, 22 Jonathan Batista, 22 Rayvon Battle Jr., 25 Taylor John Baune, 21 Jordan Logan Bear, 25 Clayton Ross Beauchamp, 21 Genaro Bedoy, 20 Bryan Richard Bell, 23 Russell Ryan Bell, 37 Jose Oscar Belmontes, 28 Kenneth Wade Bennett, 26 Keith David Benson,...
- 12/22/2012
- by Daniel S. Levy
- PEOPLE.com
I’ve always been a war film buff, maybe because I grew up with them at a time when they were a regular part of the cinema landscape. That’s why I read, with particular interest, my Sound on Sight colleague Edgar Chaput’s recent pieces on The Flowers of War (“The Flowers of War Is an Uneven but Interesting Chinese Ww II Film” – posted 2/20/12) and The Front Line (The Front Line Rises to the Occasion to Overcome Its Familiarity” – 2/16/12) with such interest. An even more fun read was the back-and-forth between Edgar and Sos’s Michael Ryan over the latter (“The Sound on Sight Debate on Korea’s The Front Line” – 2/12/12), with Michael unimpressed because the movie had “…nothing new to add to the war genre,” and Edgar coming back with “…‘new’ is not always what a film must strive for. So long as it does well what it set out to do…...
- 2/28/2012
- by Bill Mesce
- SoundOnSight
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