Our friends over at Terror Vision are celebrating Halloween in a Massive way this year with #13WeeksOfHalloween, which will run from August 1 straight through October 31.
Starting August 1st and running through October 31st, Terror Vision will be dropping titles every single Tuesday (#TerrorVisionTuesday) with exciting new releases ranging from the early 1900s to brand new 2023 titles. Most of the releases will be horror or horror adjacent and many of them new to disc. Here’s everything you need to know, from the press release…
Terror Vision will be releasing a definitive triple LP edition of the score to The Monster Squad, the score to Rumplestiltskin on cassette and LP, and, following their Blu-ray release of Copperhead earlier this year, will be releasing the film on VHS… along with the its recently-announced LP!
In addition, Linnea Quigley’S Horror Workout (1990) will finally be available on VHS and Blu-ray, with its outrageous...
Starting August 1st and running through October 31st, Terror Vision will be dropping titles every single Tuesday (#TerrorVisionTuesday) with exciting new releases ranging from the early 1900s to brand new 2023 titles. Most of the releases will be horror or horror adjacent and many of them new to disc. Here’s everything you need to know, from the press release…
Terror Vision will be releasing a definitive triple LP edition of the score to The Monster Squad, the score to Rumplestiltskin on cassette and LP, and, following their Blu-ray release of Copperhead earlier this year, will be releasing the film on VHS… along with the its recently-announced LP!
In addition, Linnea Quigley’S Horror Workout (1990) will finally be available on VHS and Blu-ray, with its outrageous...
- 8/1/2023
- by John Squires
- bloody-disgusting.com
Terror Vision has quickly become one of my go-to labels for obscure horror titles, and they're getting a jump-start on the Halloween season with #13WeeksOfHalloween, offering an eclectic mix of new, rare, and cult releases on VHS, Blu-ray, 4K Uhd, LP, and cassette:
"Halloween is Terror Vision's favorite time of the year but it's always a bummer when it's over. Much like many of you, the beloved genre distributor begins celebrating the spooky season in September... but this year, that's not good enough - and that's why they've created #13WeeksOfHalloween.
Starting August 1st and running through October 31st, Terror Vision will be dropping titles every single Tuesday (#TerrorVisionTuesday) with exciting new releases ranging from the early 1900s to brand new 2023 titles. Most of the releases will be horror or horror adjacent and many of them new to disc, so if you're ready for a mountain of Halloween treats, read on!
"Halloween is Terror Vision's favorite time of the year but it's always a bummer when it's over. Much like many of you, the beloved genre distributor begins celebrating the spooky season in September... but this year, that's not good enough - and that's why they've created #13WeeksOfHalloween.
Starting August 1st and running through October 31st, Terror Vision will be dropping titles every single Tuesday (#TerrorVisionTuesday) with exciting new releases ranging from the early 1900s to brand new 2023 titles. Most of the releases will be horror or horror adjacent and many of them new to disc, so if you're ready for a mountain of Halloween treats, read on!
- 8/1/2023
- by Jonathan James
- DailyDead
Since the birth of the medium, films have ventured intrepidly into hell. From the moment Georges Méliès put Satan’s lair on screen in 1903’s The Damnation of Faust, all manner of filmmakers have wrangled with their own visions of the netherworld—from the minds behind myriad torturous horrors and screwball comedies to art-house behemoths such as Jean-Luc Godard, in Notre musique (2004). Canadian filmmaker Stephen Broomer’s entry into this century-old pantheon, Tondal’s Vision, is a tribute to one early cinematic journey into the underworld and to various other artistic katabasis while remaining a truly singular rendering. At once thrilling and terrifying, the film seems to recall that line in Milton’s Paradise Lost: “The mind is its own place, and in itself can make a heaven of hell, a hell of heaven…”The physical source material for Broomer’s vision is Giuseppe de Liguoro, Francesco Bertolini, and...
- 8/12/2019
- MUBI
Warner Bros. has snapped up the feature rights for a new take on Dante’s Inferno. Deadline reports that the publisher has acquired the pitch from scribe Dwain Worrell, best known for 2010 low-budget zombie film, Walking the Dead – not to be confused by Robert Kirkman’s genre juggernaut.
Based on Dante Alighieri’s 14th century epic poem, The Divine Comedy, Warner’s adaptation will depict the first third of the seminal tale in which our titular protagonist descends through the nine circles of Hell in order to rescue his beloved Beatrice. Siding with Virgil, the mythic tale begins on Easter weekend in the year 1300.
There’s little-to-no information regarding the style or approach of WB’s modern take on an old classic, considering that an attempt to save Beatrice from the fiery pits of damnation didn’t factor into the original poem. Rather, this arc didn’t become a tenet...
Based on Dante Alighieri’s 14th century epic poem, The Divine Comedy, Warner’s adaptation will depict the first third of the seminal tale in which our titular protagonist descends through the nine circles of Hell in order to rescue his beloved Beatrice. Siding with Virgil, the mythic tale begins on Easter weekend in the year 1300.
There’s little-to-no information regarding the style or approach of WB’s modern take on an old classic, considering that an attempt to save Beatrice from the fiery pits of damnation didn’t factor into the original poem. Rather, this arc didn’t become a tenet...
- 8/20/2015
- by Michael Briers
- We Got This Covered
The hit sound film The Jazz Singer (1927), starring Al Jolson and directed by Alan Crosland, fueled the mainstream appetite for newfangled "talkies"... and brought on the death throes of the ol' fashioned silent film. Over the next few years, silent motion picture production around the world slowed, withered, and died. Before this era came to a close, however, the horror genre took root, clawed its way into mainstream popularity, and spawned a wealth of atmospheric and unsettling thrillers. These films built the foundation upon which a century of horror movies would be constructed. The art of film was still in its infancy, and this silent era of experimentation gave rise to some of the most striking and fascinating horror movies ever made. While Germany would soon rise to dominate horror of the silent era, Italy helped get the ball rolling with their first feature length film, Dante's Inferno (1911), directed by Giuseppe de Liguoro.
- 7/4/2013
- by Eric Stanze
- FEARnet
Today's classic from horror cinema's dawning days is an Italian film from 1911, based on the literary masterpiece The Inferno by Dante Allegheri. If you've taken any literature classes, or just love dark fantasy tales, you probably have at least some knowledge of this segment of long-form poem The Divine Comedy penned by Dante in the early 14th Century, whose narrator is given a guided tour of the nine levels (or circles) of Hell. As a morality tale, or just a straight-up scary story, It's perfect horror movie material; director Giuseppe de Liguoro and his creative partners knew that, and crafted the first feature film adaptation, which went on to shock and horrify audiences around the world. The film's plot, like the story, is simple: the main character is Dante himself (Salvatore Papa), who is taken on a literal trip through Hell by the poet Virgil (Arturo Pirovano) so that he...
- 5/3/2013
- by Gregory Burkart
- FEARnet
14th Mumbai Film Festival (Mff) announced its complete lineup today in a press conference. Mff will be held from October 18th to 25th at the National Centre for the Performing Arts (Ncpa) and Inox, Nariman Point, Liberty Cinemas, Marine Lines as the main festival venues and Cinemax, Andheri and Cinemax Sion as the satellite venues. Click here to watch trailers and highlights from the festival.
Here is the complete list of films to be screened during the festival (October 18-25)
International Competition for the First Feature Films of Directors
1. From Tuesday To Tuesday (De Martes A Martes)
Dir.: Gustavo Fernandez Triviño (Argentina / 2012 / Col. / 111′)
2. The Last Elvis (El Último Elvis)
Dir.: Armando Bo (Argentina / 2012 / Col. / 91′)
3. The Sapphires
Dir.: Wayne Blair (Australia / 2012 / Col. / 103′)
4. The Wall (Die Wand)
Dir.: Julian Pölsler (Austria-Germany / 2012 / Col. / 108′)
5. Teddy Bear (10 timer til Paradis)
Dir.: Mads Matthiesen (Denmark / 2012 / Col. / 93′)
6. Augustine
Dir.: Alice Winccour (France / 2012 / Col.
Here is the complete list of films to be screened during the festival (October 18-25)
International Competition for the First Feature Films of Directors
1. From Tuesday To Tuesday (De Martes A Martes)
Dir.: Gustavo Fernandez Triviño (Argentina / 2012 / Col. / 111′)
2. The Last Elvis (El Último Elvis)
Dir.: Armando Bo (Argentina / 2012 / Col. / 91′)
3. The Sapphires
Dir.: Wayne Blair (Australia / 2012 / Col. / 103′)
4. The Wall (Die Wand)
Dir.: Julian Pölsler (Austria-Germany / 2012 / Col. / 108′)
5. Teddy Bear (10 timer til Paradis)
Dir.: Mads Matthiesen (Denmark / 2012 / Col. / 93′)
6. Augustine
Dir.: Alice Winccour (France / 2012 / Col.
- 9/24/2012
- by NewsDesk
- DearCinema.com
Your weekly fix of great movies made before you were born that you should check out before you die. This week’s Old Ass Movies celebrates the birthday of a movie that saw theaters for the first time a century ago. On March 10, 1911 (one hundred years and three days ago), L’Inferno played at the Teatro Mercandante in Naples, Italy. It was the first Italian feature-length film, it was a massive financial success, and it still exists for our viewing pleasure today. The question is, can it be seen for pure enjoyment or solely as a curious historical artifact of a more primitive filmmaking time? Can an audience in 2011 love a movie from 1911? L’Inferno (1911) Directed by: Francesco Bertolini, Adolpho Padovan, and Giuseppe de Liguoro Starring: Salvatore Papa, Arturo Pirovano, Giuseppe de Liguoro, and Augusto Milla Production Design by: Francesco Bertolini It’s a testament to mankind’s dedication to art that this film is available on...
- 3/13/2011
- by Cole Abaius
- FilmSchoolRejects.com
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