It was a great night for Charlotte Wells' father-daughter drama Aftersun at the British Independent Film Awards on Sunday evening, as the film—– already a favourite going into the evening after 16 nominations, won seven, including Best British Independent Film, Best Director and Best Screenplay.
Other films scoring several awards included Blue Jean, and The Origin, about a nomadic tribe that faces a terrifying ancient threat that comes when night falls.
The BIFAs continued non-gender-specific main performances categories and added one, the Joint Lead Performance, awarded to Tamara Lawrance and Letitia Wright for their roles as extraordinary real-life siblings who communicated only with each other in The Silent Twins.
Here is the full list of winners…
Best British Independent Film
Aftersun – Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson – Winner
Blue Jean – Georgia Oakley, Hélène Sifre
Good Luck To You, Leo Grande – Sophie Hyde, Katy Brand, Debbie Gray, Adrian Politowski
Living – Oliver Hermanus,...
Other films scoring several awards included Blue Jean, and The Origin, about a nomadic tribe that faces a terrifying ancient threat that comes when night falls.
The BIFAs continued non-gender-specific main performances categories and added one, the Joint Lead Performance, awarded to Tamara Lawrance and Letitia Wright for their roles as extraordinary real-life siblings who communicated only with each other in The Silent Twins.
Here is the full list of winners…
Best British Independent Film
Aftersun – Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson – Winner
Blue Jean – Georgia Oakley, Hélène Sifre
Good Luck To You, Leo Grande – Sophie Hyde, Katy Brand, Debbie Gray, Adrian Politowski
Living – Oliver Hermanus,...
- 12/5/2022
- by James White
- Empire - Movies
It has been a stellar year for British talent, as is evidenced by the amazing line up of films celebrated and championed by BIFA this evening. The British Independent Film Awards were handed out this evening in London and we were there to talk to the presenters and nominees on the red carpet.
A full list of winners follows the interviews. Colin Hart and Ethan Hart were on the red carpet, here are their interviews.
The 2022 BIFAs Red Carpet Interviews
The full list of winners is below.
Best British Independent Film
Aftersun Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson (Winner)
Blue Jean Georgia Oakley, Hélène Sifre
Good Luck to You, Leo Grande Sophie Hyde, Katy Brand, Debbie Gray, Adrian Politowski
Living Oliver Hermanus, Kazuo Ishiguro, Stephen Woolley, Elizabeth Karlsen
The Wonder Sebastián Lelio, Emma Donoghue, Alice Birch, Juliette Howell, Andrew Lowe, Tessa Ross, Ed Guiney
Best Director,...
A full list of winners follows the interviews. Colin Hart and Ethan Hart were on the red carpet, here are their interviews.
The 2022 BIFAs Red Carpet Interviews
The full list of winners is below.
Best British Independent Film
Aftersun Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson (Winner)
Blue Jean Georgia Oakley, Hélène Sifre
Good Luck to You, Leo Grande Sophie Hyde, Katy Brand, Debbie Gray, Adrian Politowski
Living Oliver Hermanus, Kazuo Ishiguro, Stephen Woolley, Elizabeth Karlsen
The Wonder Sebastián Lelio, Emma Donoghue, Alice Birch, Juliette Howell, Andrew Lowe, Tessa Ross, Ed Guiney
Best Director,...
- 12/5/2022
- by Jon Lyus
- HeyUGuys.co.uk
Charlotte Wells’ directorial feature debut, “Aftersun,” took home the most awards of any nominated film at the 25th annual British Independent Film Awards (BIFA), nabbing seven victories out of 16 nominations.
The film spans a 20-year period, beginning with 11-year-old Sophie (Frankie Corio) on a father-daughter vacation to Turkey and culminating with her reflection on that experience in adulthood. Upon its premiere at the 2022 Cannes Film Festival, “Aftersun” was winner of the French Touch Jury Prize. Most recently, Wells received a breakthrough director prize at the Gotham Awards.
At the Sunday evening ceremony, “Normal People” actor Daisy Edgar-Jones presented the award for best British independent film to Wells. Also added to the feature’s list of accolades were awards for best director, best debut director, best screenplay, best cinematography, best editing and best music supervision.
Director Georgia Oakley’s “Blue Jean” saw a surge of recognition as well, with wins in...
The film spans a 20-year period, beginning with 11-year-old Sophie (Frankie Corio) on a father-daughter vacation to Turkey and culminating with her reflection on that experience in adulthood. Upon its premiere at the 2022 Cannes Film Festival, “Aftersun” was winner of the French Touch Jury Prize. Most recently, Wells received a breakthrough director prize at the Gotham Awards.
At the Sunday evening ceremony, “Normal People” actor Daisy Edgar-Jones presented the award for best British independent film to Wells. Also added to the feature’s list of accolades were awards for best director, best debut director, best screenplay, best cinematography, best editing and best music supervision.
Director Georgia Oakley’s “Blue Jean” saw a surge of recognition as well, with wins in...
- 12/4/2022
- by Katie Reul
- Variety Film + TV
Scottish filmmaker Charlotte Wells’s acclaimed debut feature Aftersun swept the board, snagging seven wins at the British Independent Film Awards (BIFA) in London this evening.
The film won Best British Independent Film, Best Director, Best Screenplay, and The Douglas Hickox Award for Best Debut Director. This evening’s four wins were added to the film’s previously announced haul in the craft categories with three wins including Best Cinematography, Best Editing, and Best Music Supervision.
Georgia Oakley’s 1980s Section 28 era set Blue Jean, which trailed only Aftersun for the most nominations, picked up three awards on the night: Best Lead Performance for Rosy McEwen, Best Supporting Performance for Kerrie Hayes, and Oakley took home the Best Debut Screenwriter award sponsored by Film4.
Elsewhere, Safia Oakley-Green won the Breakthrough Performance award for her role in Andrew Cumming’s debut feature The Origin and Tamara Lawrance and Letitia Wright picked...
The film won Best British Independent Film, Best Director, Best Screenplay, and The Douglas Hickox Award for Best Debut Director. This evening’s four wins were added to the film’s previously announced haul in the craft categories with three wins including Best Cinematography, Best Editing, and Best Music Supervision.
Georgia Oakley’s 1980s Section 28 era set Blue Jean, which trailed only Aftersun for the most nominations, picked up three awards on the night: Best Lead Performance for Rosy McEwen, Best Supporting Performance for Kerrie Hayes, and Oakley took home the Best Debut Screenwriter award sponsored by Film4.
Elsewhere, Safia Oakley-Green won the Breakthrough Performance award for her role in Andrew Cumming’s debut feature The Origin and Tamara Lawrance and Letitia Wright picked...
- 12/4/2022
- by Zac Ntim
- Deadline Film + TV
Click here to read the full article.
Charlotte Wells’ debut feature Aftersun, starring Paul Mescal and Frankie Corio, was the big winner at this year’s British Independent Film Awards in London, earning seven honors from 16 nominations.
The drama about a father and daughter’s complex relationship won the awards for best British independent film, presented by Daisy Edgar-Jones (Normal People, Where the Crawdads Sing), best director, best debut director and best screenplay on Sunday night.
The film, which became a breakout hit in Cannes, where it was nabbed by A24 and Mubi, previously also won three craft awards: in the best cinematography category for Gregory Oke, for best editing for Blair McClendon and in the best music supervision category, a new honor introduced this year, for Lucy Bright.
Georgia Oakley’s debut film Blue Jean, about a young teacher forced to lead a double life, earned 13 nominations and four BIFAs.
Charlotte Wells’ debut feature Aftersun, starring Paul Mescal and Frankie Corio, was the big winner at this year’s British Independent Film Awards in London, earning seven honors from 16 nominations.
The drama about a father and daughter’s complex relationship won the awards for best British independent film, presented by Daisy Edgar-Jones (Normal People, Where the Crawdads Sing), best director, best debut director and best screenplay on Sunday night.
The film, which became a breakout hit in Cannes, where it was nabbed by A24 and Mubi, previously also won three craft awards: in the best cinematography category for Gregory Oke, for best editing for Blair McClendon and in the best music supervision category, a new honor introduced this year, for Lucy Bright.
Georgia Oakley’s debut film Blue Jean, about a young teacher forced to lead a double life, earned 13 nominations and four BIFAs.
- 12/4/2022
- by Georg Szalai
- The Hollywood Reporter - Movie News
Charlotte Wells’ debut scooped seven prizes, including best British independent film and best director.
Charlotte Wells’ directorial debut feature Aftersun was the big winner of the 2022 British Independent Film Awards (Bifas), taking seven prizes at Sunday night’s (December 4) ceremony in London.
Wells’ drama won the award for best British independent film, best director, the Douglas Hickox Award for best debut director, and best screenplay, adding to the three craft awards already announced – best cinematography, best editing and best music supervision.
The Cannes premiere follows a daughter as she reflects on her relationship with her complicated father, through memories of a summer holiday in Turkey,...
Charlotte Wells’ directorial debut feature Aftersun was the big winner of the 2022 British Independent Film Awards (Bifas), taking seven prizes at Sunday night’s (December 4) ceremony in London.
Wells’ drama won the award for best British independent film, best director, the Douglas Hickox Award for best debut director, and best screenplay, adding to the three craft awards already announced – best cinematography, best editing and best music supervision.
The Cannes premiere follows a daughter as she reflects on her relationship with her complicated father, through memories of a summer holiday in Turkey,...
- 12/4/2022
- by Mona Tabbara
- ScreenDaily
The awards ceremony takes place today (December 4), starting at 8pm UK time.
The 2022 British Independent Film Awards (Bifas) ceremony is taking place today (December 4) at London’s Old Billingsgate.
The show starts at 8pm UK time, finishing at approximately 10pm.
Screen will be posting all the winners on this page as they are announced during the live ceremony (refresh the page for latest updates).
Leading the pack for nominations is Charlotte Wells’ Aftersun, with 16 mentions – the second-most ever for a film at the Bifas, behind only Saint Maud’s record 17 from 2020. The feature has already won three of those awards,...
The 2022 British Independent Film Awards (Bifas) ceremony is taking place today (December 4) at London’s Old Billingsgate.
The show starts at 8pm UK time, finishing at approximately 10pm.
Screen will be posting all the winners on this page as they are announced during the live ceremony (refresh the page for latest updates).
Leading the pack for nominations is Charlotte Wells’ Aftersun, with 16 mentions – the second-most ever for a film at the Bifas, behind only Saint Maud’s record 17 from 2020. The feature has already won three of those awards,...
- 12/4/2022
- by Mona Tabbara
- ScreenDaily
Scottish filmmaker Charlotte Wells’s debut feature Aftersun leads the nominations for this year’s British Independent Film Awards with a sweeping 16 nods, including Best Director and Best film.
The film’s impressive nominations haul includes Best Director, Best Screenplay, Best Debut Director (the Douglas Hickox Award) and Best Debut Screenwriter nods for Wells and a Best Joint Lead Performance nomination for stars Paul Mescal and newcomer Frankie Corio, who received a Breakthrough Performance nomination. The Barry Jenkins-produced pic is also up for Best British Independent Film and racked up a further nine craft nominations, including Best Casting and Cinematography.
Inspired by, but not based on, Wells’s experiences as the child of young parents, the poignant ’90s-set film explores a father and daughter’s complex relationship against the backdrop of a simmering holiday the pair have taken to a resort in Turkey.
Georgia Oakley’s debut film Blue Jean trails behind with 13 nominations.
The film’s impressive nominations haul includes Best Director, Best Screenplay, Best Debut Director (the Douglas Hickox Award) and Best Debut Screenwriter nods for Wells and a Best Joint Lead Performance nomination for stars Paul Mescal and newcomer Frankie Corio, who received a Breakthrough Performance nomination. The Barry Jenkins-produced pic is also up for Best British Independent Film and racked up a further nine craft nominations, including Best Casting and Cinematography.
Inspired by, but not based on, Wells’s experiences as the child of young parents, the poignant ’90s-set film explores a father and daughter’s complex relationship against the backdrop of a simmering holiday the pair have taken to a resort in Turkey.
Georgia Oakley’s debut film Blue Jean trails behind with 13 nominations.
- 11/4/2022
- by Zac Ntim
- Deadline Film + TV
Charlotte Wells’ “Aftersun” and Georgia Oakley’s “Blue Jean” led the nominations at the 2022 British Independent Film Awards (BIFA) with 16 and 13 nods respectively.
Sebastián Lelio’s “The Wonder” followed with 12 nominations, Oliver Hermanus’ “Living” nine and Peter Strickland’s “Flux Gourmet” seven.
From this year, the awards are permanently going gender neutral for acting categories with the traditional best and supporting actress and actor awards being replaced by best lead performance, best supporting performance, best joint lead performance — for performances that are the joint focus of the film — and best ensemble.
The nominations were revealed at London’s Everyman Broadgate cinema by hosts, actors Sam Clafin (“Peaky Blinders”) and Kosar Ali (double BIFA winner for “Rocks”).
BIFA Nominations 2022
The Richard Harris Award For Outstanding Contribution By An Actor To British Film
To Be Announced
Best British Independent Film
“Aftersun” – Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson
“Blue Jean” – Georgia Oakley,...
Sebastián Lelio’s “The Wonder” followed with 12 nominations, Oliver Hermanus’ “Living” nine and Peter Strickland’s “Flux Gourmet” seven.
From this year, the awards are permanently going gender neutral for acting categories with the traditional best and supporting actress and actor awards being replaced by best lead performance, best supporting performance, best joint lead performance — for performances that are the joint focus of the film — and best ensemble.
The nominations were revealed at London’s Everyman Broadgate cinema by hosts, actors Sam Clafin (“Peaky Blinders”) and Kosar Ali (double BIFA winner for “Rocks”).
BIFA Nominations 2022
The Richard Harris Award For Outstanding Contribution By An Actor To British Film
To Be Announced
Best British Independent Film
“Aftersun” – Charlotte Wells, Barry Jenkins, Mark Ceryak, Adele Romanski, Amy Jackson
“Blue Jean” – Georgia Oakley,...
- 11/4/2022
- by Naman Ramachandran
- Variety Film + TV
Wissam Charaf’s Dirty Difficult Dangerous also won the Europa Cinemas Label.
Graham Foy’s The Maiden has won Venice’s Giornate degli Autori (GdA) Cinema of the Future award.
The Canadian-us film was among seven titles from the GdA sidebar, all first or second features, competing for the €3,000 prize.
Foy’s debut follows three suburban teenagers whose lives are intertwined when one of them disappears and strange occurrences begin cropping up.
The jury was made up of five students from an Italian film school who said: “The film impressed us with its emotional density and the immediacy of its unrestrained,...
Graham Foy’s The Maiden has won Venice’s Giornate degli Autori (GdA) Cinema of the Future award.
The Canadian-us film was among seven titles from the GdA sidebar, all first or second features, competing for the €3,000 prize.
Foy’s debut follows three suburban teenagers whose lives are intertwined when one of them disappears and strange occurrences begin cropping up.
The jury was made up of five students from an Italian film school who said: “The film impressed us with its emotional density and the immediacy of its unrestrained,...
- 9/9/2022
- by Ellie Calnan
- ScreenDaily
The Lebanese film will now receive promotional support from Europa Cinemas.
Wissam Charaf’s Dirty Difficult Dangerous has won the Europa Cinemas Label at Venice Film Festival.
The Lebanese film, which opened the programme, entwines multiple love stories against the backdrop of Lebanon’s near collapse and stars Clara Couturent, Ziad Jallad, Rifaat Tarabey and Darina Al Joundi.
A jury of European exhibitors crowned the film as the best in the Giornate degli Autori (GdA) sidebar.
European cinemas will now receive financial incentives from Europa Cinema if they include Dirty Difficult Dangerous in their programming.
This is Charaf’s second feature film,...
Wissam Charaf’s Dirty Difficult Dangerous has won the Europa Cinemas Label at Venice Film Festival.
The Lebanese film, which opened the programme, entwines multiple love stories against the backdrop of Lebanon’s near collapse and stars Clara Couturent, Ziad Jallad, Rifaat Tarabey and Darina Al Joundi.
A jury of European exhibitors crowned the film as the best in the Giornate degli Autori (GdA) sidebar.
European cinemas will now receive financial incentives from Europa Cinema if they include Dirty Difficult Dangerous in their programming.
This is Charaf’s second feature film,...
- 9/9/2022
- by Ellie Calnan
- ScreenDaily
Dedicated to the events of 2006 in Iraq, “Our River… Our Sky” – previously known as “Another Day in Baghdad” – shows people who suddenly don’t recognize their own country anymore. Trying to carry on with their normal routines, they are “acting life,” says director Maysoon Pachachi. As the conflict in Afghanistan rages on, the world premiere – in the Sarajevo Film Festival’s Dealing with the Past section – of her first fiction feature seems timely.
“I have been watching the news just like everybody else, trying to make sense of it. Somebody asked me the other day if I planned for my film to come out this way. Obviously, I didn’t know this was going to happen,” she says, describing 2006 as the year of “uncertainty and fear,” starting with an attack on a Shia shrine orchestrated by Al-Qaeda.
“It ignited the most extraordinary violence. People were looking in the mirror, thinking: ‘Is this us?...
“I have been watching the news just like everybody else, trying to make sense of it. Somebody asked me the other day if I planned for my film to come out this way. Obviously, I didn’t know this was going to happen,” she says, describing 2006 as the year of “uncertainty and fear,” starting with an attack on a Shia shrine orchestrated by Al-Qaeda.
“It ignited the most extraordinary violence. People were looking in the mirror, thinking: ‘Is this us?...
- 8/20/2021
- by Marta Balaga
- Variety Film + TV
The Man Who Sold His Skin (L’homme qui vendu sa peau) Samuel Goldwyn Films Reviewed for Shockya.com & BigAppleReviews.net linked from Rotten Tomatoes by: Harvey Karten Director: Kaouther Ben Hania Writer: Kaouther Ben Hania Cast: Yahya Mahayni, Dea Liane, Koen De Bouw, Monica Bellucci, Saad Lostan, Darina Al Joundi, Jan Dahdouh, Christian Vadim Screened at: […]
The post The Man Who Sold His Skin Movie Review appeared first on Shockya.com.
The post The Man Who Sold His Skin Movie Review appeared first on Shockya.com.
- 3/11/2021
- by Harvey Karten
- ShockYa
Ben Geurens in ‘Locusts.’
Typifying the challenges facing the vast majority of Australian films, Heath Davis’ suspense-drama Locusts and Partho Sen-Gupta’s thriller Slam were released on a handful of screens last weekend.
Working with limited marketing budgets the distributors and producers relied primarily on reviews and publicity, and the weekend figures were commensurately modest.
Ben Geurens and Nathaniel Dean play estranged brothers who are the targets of an extortion racket in Locusts, which grossed $11,000 on 11 screens and $14,000 with previews.
Film Ink Presents is handling the theatrical release of the privately-financed film, which co-stars Jessica McNamee, Steve Le Marquand, Justin Rosniak, Andy McPhee, the late Damian Hill and Alan Dukes, while Jonathan Page’s Bonsai Films will sell the ancillary rights.
“It’s difficult for independent films to secure screens and marketing exposure,” Angus Watts, who produced and wrote Locusts, tells If. “We’re happy with the support from exhibitors...
Typifying the challenges facing the vast majority of Australian films, Heath Davis’ suspense-drama Locusts and Partho Sen-Gupta’s thriller Slam were released on a handful of screens last weekend.
Working with limited marketing budgets the distributors and producers relied primarily on reviews and publicity, and the weekend figures were commensurately modest.
Ben Geurens and Nathaniel Dean play estranged brothers who are the targets of an extortion racket in Locusts, which grossed $11,000 on 11 screens and $14,000 with previews.
Film Ink Presents is handling the theatrical release of the privately-financed film, which co-stars Jessica McNamee, Steve Le Marquand, Justin Rosniak, Andy McPhee, the late Damian Hill and Alan Dukes, while Jonathan Page’s Bonsai Films will sell the ancillary rights.
“It’s difficult for independent films to secure screens and marketing exposure,” Angus Watts, who produced and wrote Locusts, tells If. “We’re happy with the support from exhibitors...
- 10/21/2019
- by The IF Team
- IF.com.au
The disappearance of a fearless female Palestinian-Australian slam poet triggers suspense and powerful social and political commentary in “Slam,” an outstanding slow-burn thriller by expat Indian filmmaker Partho Sen-Gupta (“Sunrise”). Starring Palestinian actor Adam Bakri as the missing woman’s conflicted brother, and leading Aussie performer Rachael Blake as a troubled cop, Opening Down Under on Oct. 17 after generating plenty of buzz at Sydney and Melbourne film festivals earlier this year, “Slam” has valuable things to say about the times in which we live and deserves to be seen on a much wider stage.
“Slam” slams into action with Ameena Nasser (Danielle Horvat) staring into the camera. Wearing a headscarf and addressing her speech “to mother,” Ameena delivers a ferocious denunciation of colonization, patriarchy, intolerance and the misuse of power, all the while asserting her right and need as a woman to speak out. At first her delivery has the...
“Slam” slams into action with Ameena Nasser (Danielle Horvat) staring into the camera. Wearing a headscarf and addressing her speech “to mother,” Ameena delivers a ferocious denunciation of colonization, patriarchy, intolerance and the misuse of power, all the while asserting her right and need as a woman to speak out. At first her delivery has the...
- 10/17/2019
- by Richard Kuipers
- Variety Film + TV
By Peter BelsitoFestival Winners Kuwait Film Festival
I was invited in March by my friend Talal Al-Muhanna, Manager, Industry Program, Kuwait Film Festival — 1st edition March 24–28, 2017 to be an industry panelist during the Fest’s workshops.
View from my hotel window
Above, the view from my hotel window, is one aspect of today’s Kuwait. Building is going on everywhere, the old is coming down and new arising up to great heights. When I asked what this is based on I was answered with one word — ‘oil’.
You get the feeling there’s a lot of money here. But this is definitely the Mid East. The Fest films and attendees were from Kuwait, Lebanon, Egypt, Europe — all over. I was treated very graciously and all were interesting, talkative and open.
This is a Muslim society. There are people dressed in traditional gowns, hijabs, etc. Many of the women I saw...
I was invited in March by my friend Talal Al-Muhanna, Manager, Industry Program, Kuwait Film Festival — 1st edition March 24–28, 2017 to be an industry panelist during the Fest’s workshops.
View from my hotel window
Above, the view from my hotel window, is one aspect of today’s Kuwait. Building is going on everywhere, the old is coming down and new arising up to great heights. When I asked what this is based on I was answered with one word — ‘oil’.
You get the feeling there’s a lot of money here. But this is definitely the Mid East. The Fest films and attendees were from Kuwait, Lebanon, Egypt, Europe — all over. I was treated very graciously and all were interesting, talkative and open.
This is a Muslim society. There are people dressed in traditional gowns, hijabs, etc. Many of the women I saw...
- 4/12/2017
- by Sydney Levine
- Sydney's Buzz
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