It was one of the most challenging shots in Bram Stoker’s Dracula. Sitting before Roman Coppola’s second unit camera was a 50/50 mirror, the kind that was once commonplace in any illusionist’s magic shop, but which hadn’t seen the inside of a Hollywood studio in decades. On the other end of the glass lay Winona Ryder in bed, ostensibly asleep but soon to be bedeviled by a monstrous vampire.
Yet co-star Gary Oldman wasn’t on hand that day. Instead, at about a 90-degree angle away from Ryder’s boudoir, stood a duplicate set of the same size and shape, but buried in black velvet Duvetyne. And in that blackness, smoke created by dry ice was oozing its way around the velvet. When lit by green lights and reflected in the mirror, a sentient emerald mist suddenly appeared in the same room as Ryder. Dracula manifested out of thin air.
Yet co-star Gary Oldman wasn’t on hand that day. Instead, at about a 90-degree angle away from Ryder’s boudoir, stood a duplicate set of the same size and shape, but buried in black velvet Duvetyne. And in that blackness, smoke created by dry ice was oozing its way around the velvet. When lit by green lights and reflected in the mirror, a sentient emerald mist suddenly appeared in the same room as Ryder. Dracula manifested out of thin air.
- 10/16/2020
- by David Crow
- Den of Geek
When top-billed Charlton Heston pushed for co-star Orson Welles to direct this late noir, nobody imagined it would emerge as one of the key works in the Welles canon despite being recut and partially reshot by Universal. His last Hollywood studio venture stacks up as probably Welles’ most popular picture although in 1958 it was dumped into theaters as a second feature. Here’s F.X. Feeney with a great breakdown of Welles’ technique in Touch of Evil. And while we’re on the subject of Orson, here’s “The Most Complete Investigation into the Making of Citizen Kane“.
The post Touch of Evil appeared first on Trailers From Hell.
The post Touch of Evil appeared first on Trailers From Hell.
- 9/20/2019
- by TFH Team
- Trailers from Hell
When top-billed Charlton Heston pushed for co-star Orson Welles to direct this late noir, nobody imagined it would emerge as one of the key works in the Welles canon despite being recut and partially reshot by Universal. His last Hollywood studio venture stacks up as probably Welles’ most popular picture although in 1958 it was dumped into theaters as a second feature. Here’s F.X. Feeney with a great breakdown of Welles’ technique in Touch of Evil. And while we’re on the subject of Orson, here’s “The Most Complete Investigation into the Making of Citizen Kane“.
The post Touch of Evil appeared first on Trailers From Hell.
The post Touch of Evil appeared first on Trailers From Hell.
- 9/20/2019
- by TFH Team
- Trailers from Hell
Courtesy of James B. HarrisIt’s a Sunday afternoon in Los Angeles and 89-year-old writer/director/producer James B. Harris (Some Call It Loving, 1973; Fast-Walking, 1982) has agreed to meet me for brunch at Coogie’s Cafe. Coogie’s is exactly the sort of unassuming American diner where girls in pink velvet jackets and shimmery silver skirts go to blend in with the Pepto-Bismol-colored booths. There are a pair of flat screen TVs on the wall, which are mercifully muted. A radio in some far-off corner of the kitchen can be heard playing inoffensive pop tunes of yesteryear. It is also the sort of quiet place where someone like Harris is well-known, well-liked, and referred to as “Mr. James” by the entire waitstaff. The impression is one of polite reverence and earned familiarity, built up over time and solidified through an appreciation of his impressive filmography, as well as his continued business.
- 11/13/2017
- MUBI
Burbank, Calif. May 19, 2015 – On June 2, Warner Bros. Home Entertainment (Wbhe) will release The John Wayne Westerns Film Collection – featuring five classic films on Blu-ray™ from the larger-than-life American hero – just in time for Father’s Day. The Collection features two new-to-Blu-ray titles, The Train Robbers and Cahill U.S. Marshal plus fan favorites Fort Apache, The Searchers and a long-awaited re-release of Rio Bravo. The pocketbook box set will sell for $54.96 Srp; individual films $14.98 Srp.
Born Marion Robert Morrison in Winterset, Iowa, John Wayne first worked in the film business as a laborer on the Fox lot during summer vacations from University of Southern California, which he attended on a football scholarship. He met and was befriended by John Ford, a young director who was beginning to make a name for himself in action films, comedies and dramas. It was Ford who recommended Wayne to director Raoul Walsh for the male lead in the 1930 epic Western,...
Born Marion Robert Morrison in Winterset, Iowa, John Wayne first worked in the film business as a laborer on the Fox lot during summer vacations from University of Southern California, which he attended on a football scholarship. He met and was befriended by John Ford, a young director who was beginning to make a name for himself in action films, comedies and dramas. It was Ford who recommended Wayne to director Raoul Walsh for the male lead in the 1930 epic Western,...
- 5/13/2015
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
The poster for Apichatpong Weerasethakul's Cemetery of Splendour, bound for Cannes.Great news for fans of Louis Ck the actor and the director: the comedian-auteur is gearing up to make a new feature film, titled I'm a Cop.Producer Bero Beyer has been appointed the new General and Artistic Director of the International Film Festival Rotterdam Above: A vintage nitrate release print of John M. Stahl's Leave Her to Heaven. The print screened at the first ever Nitrate Picture Show at the George Eastman House last weekend. You'll hear more about this wonderful festival soon on the Notebook.A new issue of Film Comment is out, with many articles available online.That's Stanley Kubrick, above, talking to Jeremy Bernstein in 1965.At Reverse Shot, Nick Pinkerton considers under-appreciated French New Waver Luc Moullet's A Girl Is a Gun.Author F.X. Feeney has not one but two videos celebrating...
- 5/6/2015
- by Notebook
- MUBI
Director Charles Laughton’s and screenwriter James Agee’s adaptation of the novel The Night of the Hunter has become a reverently admired and extremely influential film in the 60 years since the ‘failure’ of its initial release. The film has placed very highly in many international critical polls, including Cahier du Cinema’s 2007 listing of the ‘100 Most Beautiful Films’, where it sits at #2. Many filmmakers have cited it as a key inspiration, and Steven Spielberg showed it to the crew of E.T. in order to help them understand the child’s perspective from which he wanted the film to be told. It was even re-made as a virtually unwatchable 1991 TV movie with Richard Chamberlain as Harry Powell, and a musical stage version was created in the late ‘90s for which a soundtrack CD is available.
Perhaps the most important indication of the esteem in which the film is now held...
Perhaps the most important indication of the esteem in which the film is now held...
- 11/1/2013
- by Ian Gilchrist
- HeyUGuys.co.uk
(Note: This review pertains to the UK Region 2 Pal format release available on www.amazon.co.uk)
By Adrian Smith
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Cecil B. DeMille will always be remembered for his lavish historical epics like The Ten Commandments (1923 and again in 1956), Sign of the Cross (1932) and Samson and Delilah (1949). However, with over one hundred and sixty credits as either director or producer, he also worked in plenty of other genres. Following two flops, This Day and Age (1933) and Four Frightened People (1934), Paramount head Adolph Zukor insisted he try to replicate the success of Sign of the Cross with another visual spectacle. DeMille agreed and cast Claudette Colbert in the lead role of Cleopatra (she had already starred in both Sign of the Cross and Four Frightened People and was about to win the Oscar for It Happened one Night (1934)).
The plot focuses on Cleopatra's...
By Adrian Smith
Normal 0 false false false En-us X-none X-none
Cecil B. DeMille will always be remembered for his lavish historical epics like The Ten Commandments (1923 and again in 1956), Sign of the Cross (1932) and Samson and Delilah (1949). However, with over one hundred and sixty credits as either director or producer, he also worked in plenty of other genres. Following two flops, This Day and Age (1933) and Four Frightened People (1934), Paramount head Adolph Zukor insisted he try to replicate the success of Sign of the Cross with another visual spectacle. DeMille agreed and cast Claudette Colbert in the lead role of Cleopatra (she had already starred in both Sign of the Cross and Four Frightened People and was about to win the Oscar for It Happened one Night (1934)).
The plot focuses on Cleopatra's...
- 2/25/2013
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
By Lee Pfeiffer
While most film historians consider She Wore a Yellow Ribbon to be the best of John Ford's fabled "Cavalry Trilogy", for my money Fort Apache was far and away the strongest of the films. Ribbon and Rio Grande are certainly excellent films but they are primarily compromised by Ford's penchant for overt sentimentality. Fort Apache, however, is a far more sinister look at the West, one that was decades ahead of its time in terms of presenting the case of the Native Americans in a sympathetic fashion. It's ironic that people like Marlon Brando, who extolled the cause of Native American rights, would cite Ford's films as having been detrimental to the Indian cause. In fact, Ford was so highly regarded by the Navajo that he was made an honorary member of the tribe, primarily because of his consistent efforts to improve their lives. Ford became...
While most film historians consider She Wore a Yellow Ribbon to be the best of John Ford's fabled "Cavalry Trilogy", for my money Fort Apache was far and away the strongest of the films. Ribbon and Rio Grande are certainly excellent films but they are primarily compromised by Ford's penchant for overt sentimentality. Fort Apache, however, is a far more sinister look at the West, one that was decades ahead of its time in terms of presenting the case of the Native Americans in a sympathetic fashion. It's ironic that people like Marlon Brando, who extolled the cause of Native American rights, would cite Ford's films as having been detrimental to the Indian cause. In fact, Ford was so highly regarded by the Navajo that he was made an honorary member of the tribe, primarily because of his consistent efforts to improve their lives. Ford became...
- 4/11/2012
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Reservoir Dogs was the first independent film I ever saw, and I remember being completely blown away by it. I think I was around 15 years old when I watched the movie on VHS. I watched it over at a friend's house, and we couldn't believe what we were seeing. I loved this film, and to this day, I still enjoy watching it. The film was released in 1992, and it took movies to a new level. The movie was not only incredibly cool, but at the time it seemed to break the rules of conventional storytelling.
This tribute includes footage for the film and interviews with people such as Scott Aukerman, Q. Allan Brocka, Edward Bunker, Kevin Eastman, F.X. Feeney, Richard Gladstein, Chris Hardwick, Monte Hellman, Michael Jace, Tad Lumpkin, Christopher McDonald, Drew McWeeny, Gregory Nicotero, Brett Ratner, Andrea Savage, Rob Schmidt, Julie Strain, SuicideGirls, Quentin Tarantino, Judy Tenuta, Steven Wright,...
This tribute includes footage for the film and interviews with people such as Scott Aukerman, Q. Allan Brocka, Edward Bunker, Kevin Eastman, F.X. Feeney, Richard Gladstein, Chris Hardwick, Monte Hellman, Michael Jace, Tad Lumpkin, Christopher McDonald, Drew McWeeny, Gregory Nicotero, Brett Ratner, Andrea Savage, Rob Schmidt, Julie Strain, SuicideGirls, Quentin Tarantino, Judy Tenuta, Steven Wright,...
- 3/7/2012
- by Venkman
- GeekTyrant
Like the double-wide premiere for HBO's Boardwalk Empire, the pilot for the network's new horse-racing series Luck—first broadcast December 11th, and then re-run this past Sunday—represents a meeting of two distinctive authorial voices. In the case of the Boardwalk Empire pilot—a high-water mark of style and efficiency that the frequently-frustrating series has never managed to live up to, aside from a couple of episodes neatly directed by Carpenterite horror specialist Brad Anderson—it was episode director / series executive producer Martin Scorsese and episode writer / series creator Terrence Winter; in the case of Luck, it's episode director / series executive producer Michael Mann and episode writer / series creator David Milch.
The interplay of low-lifes and big spenders in Luck's pilot is distinctly Milch's. It's clear from the episode's structure alone—a lot of jargony horse-racing intrigue spinning around a story about four track regulars who finally win it...
The interplay of low-lifes and big spenders in Luck's pilot is distinctly Milch's. It's clear from the episode's structure alone—a lot of jargony horse-racing intrigue spinning around a story about four track regulars who finally win it...
- 1/31/2012
- MUBI
The first thing to say about the two-part, 3-hour-and-15-minute American Masters special Woody Allen: A Documentary, which airs tonight and tomorrow on PBS, is that it mixes things you already know with things you didn’t know in an avidly enjoyable, Woody-nostalgia way. Here’s something, for instance, that I didn’t know: Allen still does all his writing on the same tiny typewriter he has owned since he was 16 — a German-made Olympia portable that he purchased for $40 in 1952. He’s written all his movies on it, all his plays, and all his New Yorker pieces. The typewriter is missing its top,...
- 11/20/2011
- by Owen Gleiberman
- EW - Inside Movies
DVD Playhouse December 2010
By
Allen Gardner
America Lost And Found: The Bbs Story (Criterion) Perhaps the best DVD box set released this year, this ultimate cinefile stocking stuffer offered up by Criterion, the Rolls-Royce of home video labels, features seven seminal works from the late ‘60s-early ‘70s that were brought to life by cutting edge producers Bert Schneider, Steve Blauner and director/producer Bob Rafelson, the principals of Bbs Productions. In chronological order: Head (1968) star the Monkees, the manufactured (by Rafelson, et al), American answer to the Beatles who, like it or not, did make an impact on popular culture, particularly in this utterly surreal piece of cinematic anarchy (co-written by Jack Nicholson, who has a cameo), which was largely dismissed upon its initial release, but is now regarded as a counterculture classic. Easy Rider (1969) is arguably regarded as the seminal ‘60s picture, about two hippie drug dealers (director Dennis Hopper...
By
Allen Gardner
America Lost And Found: The Bbs Story (Criterion) Perhaps the best DVD box set released this year, this ultimate cinefile stocking stuffer offered up by Criterion, the Rolls-Royce of home video labels, features seven seminal works from the late ‘60s-early ‘70s that were brought to life by cutting edge producers Bert Schneider, Steve Blauner and director/producer Bob Rafelson, the principals of Bbs Productions. In chronological order: Head (1968) star the Monkees, the manufactured (by Rafelson, et al), American answer to the Beatles who, like it or not, did make an impact on popular culture, particularly in this utterly surreal piece of cinematic anarchy (co-written by Jack Nicholson, who has a cameo), which was largely dismissed upon its initial release, but is now regarded as a counterculture classic. Easy Rider (1969) is arguably regarded as the seminal ‘60s picture, about two hippie drug dealers (director Dennis Hopper...
- 12/20/2010
- by The Hollywood Interview.com
- The Hollywood Interview
If you're a regular reader of this site you're familiar with my weekly What I Watched columns, where I detail the films outside of my regular work schedule that I've watched each week. The primary reasons I started the feature, outside of giving readers a place to discuss and recommend films they've watched, was to begin watching older films I had not seen and creating a starting point with each one. Films are never same the second, third and fourth time you watch them and one thing necessary to gain a better perspective on film's history is to have a greater understanding, and a first-hand understanding, of the film's that came before rather than always relying on what others have said.
As bad luck would have it, I didn't write up my thoughts on Charles Laughton's The Night of the Hunter when I watched it for the first time a couple of years ago.
As bad luck would have it, I didn't write up my thoughts on Charles Laughton's The Night of the Hunter when I watched it for the first time a couple of years ago.
- 12/8/2010
- by Brad Brevet
- Rope of Silicon
Chicago – Charles Laughton directed one movie in his entire career, the terrifying and brilliant “The Night of the Hunter,” a modern Grimm’s fairy tale in which the evil witch in the forest has come to life and taken the form of one of society’s most trusted figures. Laughton’s masterpiece was a critical and commercial failure on its release but history has wisely recognized the lyrical power and sheer terror of one of the best domestic horror movies ever made.
Blu-Ray Rating: 5.0/5.0
The Criterion Collection has had a spectacular year in the world of Blu-ray and their two-disc set for “The Night of the Hunter” stands as one of the best. With hours of fascinating special features, a perfect video transfer, and quite simply one of the best movies of its kind ever made, this is a must-own. The fact that “The Night of the Hunter” was widely-dismissed...
Blu-Ray Rating: 5.0/5.0
The Criterion Collection has had a spectacular year in the world of Blu-ray and their two-disc set for “The Night of the Hunter” stands as one of the best. With hours of fascinating special features, a perfect video transfer, and quite simply one of the best movies of its kind ever made, this is a must-own. The fact that “The Night of the Hunter” was widely-dismissed...
- 11/26/2010
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
The Film:
Love. Hate. Two of the most polar opposite emotions a human has, yet ones that can be interestingly intertwined into a gray area, like how “Preacher” Harry Powell intends to use for evil. Night of the Hunter might be one of the most misunderstood American classics; a critical and box office failure at its time of release, only to find its (and how thematically fitting) resurrection to its masterpiece status. It’s a simple picture, yet its mixture of genres – ranging from horror to black comedy to its Christmas ending – makes for a rich, complex experience, worthy of the time down the river.
With its Southern Gothic style, Night of the Hunter is a horror film with a Recession as its backdrop (well, here it’s the Great Depression), which makes for its horrors to come vividly to life. The “Preacher” uses His word for no good, a clever Father of Lies,...
Love. Hate. Two of the most polar opposite emotions a human has, yet ones that can be interestingly intertwined into a gray area, like how “Preacher” Harry Powell intends to use for evil. Night of the Hunter might be one of the most misunderstood American classics; a critical and box office failure at its time of release, only to find its (and how thematically fitting) resurrection to its masterpiece status. It’s a simple picture, yet its mixture of genres – ranging from horror to black comedy to its Christmas ending – makes for a rich, complex experience, worthy of the time down the river.
With its Southern Gothic style, Night of the Hunter is a horror film with a Recession as its backdrop (well, here it’s the Great Depression), which makes for its horrors to come vividly to life. The “Preacher” uses His word for no good, a clever Father of Lies,...
- 11/23/2010
- by Jon Peters
- Killer Films
The Night of the Hunter: Criterion Collection [Blu-Ray]
The Film
While researching the aspect ratio of Charles Laughton's The Night of the Hunter (1955) on DVDBeaver.com, I noticed something rather telling in the review. In each DVDBeaver review, there are links to books related to the film. For instance, if you look at the review of 2001: A Space Odyssey (1968), you'll find links to books on Kubrick. For the review of Night of the Hunter, DVDBeaver supplied a list of film noir book titles including Alain Silver's appropriately titled Film Noir, which features Hunter's antagonist Rev. Harry Powell (Robert Mitchum) on the cover. Re-watching the film, I couldn't help but wonder what classified it as noir (for my classical noir retrospective, click here).
Sure, I can see on the surface where one might brand the film a noir. The film owes its aesthetic to German Expressionism, is shot in black and white,...
The Film
While researching the aspect ratio of Charles Laughton's The Night of the Hunter (1955) on DVDBeaver.com, I noticed something rather telling in the review. In each DVDBeaver review, there are links to books related to the film. For instance, if you look at the review of 2001: A Space Odyssey (1968), you'll find links to books on Kubrick. For the review of Night of the Hunter, DVDBeaver supplied a list of film noir book titles including Alain Silver's appropriately titled Film Noir, which features Hunter's antagonist Rev. Harry Powell (Robert Mitchum) on the cover. Re-watching the film, I couldn't help but wonder what classified it as noir (for my classical noir retrospective, click here).
Sure, I can see on the surface where one might brand the film a noir. The film owes its aesthetic to German Expressionism, is shot in black and white,...
- 11/17/2010
- by Drew Morton
DVD Playhouse—August 2009
By
Allen Gardner
Watchmen—Director’S Cut (Warner Bros.) Director Zack Snyder’s film of Alan Moore and Dave Gibbons’ landmark graphic novel is as worthy an adaptation of a great book that has ever been filmed. In an alternative version of the year 1985, Richard Nixon is serving his third term as President and super heroes have been outlawed by a congressional act, in spite of the fact that two of the most high-profile “masks,” Dr. Manhattan (Billy Cruddup) and The Comedian (Jeffrey Dean Morgan) helped the U.S. win the Vietnam War. When The Comedian is found murdered, many former heroes become concerned that a conspiracy is afoot to assassinate retired costumed crime fighters. Former masks Nite Owl (Patrick Wilson), Silk Spectre (Malin Akerman) and still-operating Rorschach (Jackie Earle Haley, in an Oscar-worthy turn) launch an investigation of their own, all while the Pentagon’s “Doomsday...
By
Allen Gardner
Watchmen—Director’S Cut (Warner Bros.) Director Zack Snyder’s film of Alan Moore and Dave Gibbons’ landmark graphic novel is as worthy an adaptation of a great book that has ever been filmed. In an alternative version of the year 1985, Richard Nixon is serving his third term as President and super heroes have been outlawed by a congressional act, in spite of the fact that two of the most high-profile “masks,” Dr. Manhattan (Billy Cruddup) and The Comedian (Jeffrey Dean Morgan) helped the U.S. win the Vietnam War. When The Comedian is found murdered, many former heroes become concerned that a conspiracy is afoot to assassinate retired costumed crime fighters. Former masks Nite Owl (Patrick Wilson), Silk Spectre (Malin Akerman) and still-operating Rorschach (Jackie Earle Haley, in an Oscar-worthy turn) launch an investigation of their own, all while the Pentagon’s “Doomsday...
- 8/10/2009
- by The Hollywood Interview.com
- The Hollywood Interview
DVD Playhouse—April 2009
By
Allen Gardner
Milk (Universal) Sean Penn deservedly captured his second Best Actor Oscar (and Dustin Lance Black a statuette for his original screenplay) in director Gus Van Sant’s portrait of San Francisco Supervisor Harvey Milk, the first openly gay man to hold public office in the U.S. Alternately heartbreaking, infuriating and very funny, a film that both captures a bygone era and is still very timely. Fine support from Josh Brolin, Victor Garber, James Franco and Emile Hirsch. Also available on Blu-ray disc. Bonuses: Three featurettes. Widescreen. Dolby and DTS 5.1 surround.
Slumdog Millionaire (20th Century Fox) The Best Picture of 2008 is a kinetic, clever audience-pleaser about a determined lad (Dev Patel) from the slums of Mumbai, who has his chance at literal and financial redemption as a contestant on India’s version of Who Wants to be a Millionaire. Best Director Danny Boyle dazzles...
By
Allen Gardner
Milk (Universal) Sean Penn deservedly captured his second Best Actor Oscar (and Dustin Lance Black a statuette for his original screenplay) in director Gus Van Sant’s portrait of San Francisco Supervisor Harvey Milk, the first openly gay man to hold public office in the U.S. Alternately heartbreaking, infuriating and very funny, a film that both captures a bygone era and is still very timely. Fine support from Josh Brolin, Victor Garber, James Franco and Emile Hirsch. Also available on Blu-ray disc. Bonuses: Three featurettes. Widescreen. Dolby and DTS 5.1 surround.
Slumdog Millionaire (20th Century Fox) The Best Picture of 2008 is a kinetic, clever audience-pleaser about a determined lad (Dev Patel) from the slums of Mumbai, who has his chance at literal and financial redemption as a contestant on India’s version of Who Wants to be a Millionaire. Best Director Danny Boyle dazzles...
- 4/11/2009
- by The Hollywood Interview.com
- The Hollywood Interview
Blu-Ray Rating: 4.0/5.0 Chicago – It might be a generational thing, but I’ll never understand why people watch movies on smaller and smaller screens like their laptop, cell phone, or iPod. Maybe it’s because I grew up thinking of classic movies as epic adventures that should be larger than life. Movies were arguably never “bigger” than they were in the era of “Quo Vadis,” now available on Blu-Ray.
Based on the novel by Henryk Sienkiwicz, “Quo Vadis” has already been made three times before as a silent film (and would be made two times after as a mini-series), but the massive MGM version from 1951 is the classic take on the legendary story of Nero and Rome.
Quo Vadis was released on Blu-Ray on March 17th, 2009.
Photo credit: Warner Brothers
The film was nominated for eight Oscars, including Best Picture, two for Best Actor in a Supporting Role, and Best Cinematography.
Based on the novel by Henryk Sienkiwicz, “Quo Vadis” has already been made three times before as a silent film (and would be made two times after as a mini-series), but the massive MGM version from 1951 is the classic take on the legendary story of Nero and Rome.
Quo Vadis was released on Blu-Ray on March 17th, 2009.
Photo credit: Warner Brothers
The film was nominated for eight Oscars, including Best Picture, two for Best Actor in a Supporting Role, and Best Cinematography.
- 3/23/2009
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
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