Peter White, who portrayed Linc Tyler on the ABC soap opera All My Children over four decades and starred in the original stage production and film adaptation of The Boys in the Band, has died. He was 86.
White died Wednesday at his home in Los Angeles of melanoma, his All My Children castmate Kathleen Noone (Ellen Shepherd Dalton on the show) told The Hollywood Reporter.
White also played Arthur Cates, the attorney for Sable Colby (Stephanie Beacham), on the first two seasons of the ABC primetime soap The Colbys in 1985-86, and he recurred as the deceased doctor dad of the characters played by Swoosie Kurtz, Sela Ward, Patricia Kalember and Julianne Phillips on the 1991-96 NBC drama Sisters.
White first portrayed Lincoln Tyler, son of stern Pine Valley matriarch Phoebe Tyler (Ruth Warrick), from 1974-80 — he was the third actor in the role, starting with James Karen — then returned...
White died Wednesday at his home in Los Angeles of melanoma, his All My Children castmate Kathleen Noone (Ellen Shepherd Dalton on the show) told The Hollywood Reporter.
White also played Arthur Cates, the attorney for Sable Colby (Stephanie Beacham), on the first two seasons of the ABC primetime soap The Colbys in 1985-86, and he recurred as the deceased doctor dad of the characters played by Swoosie Kurtz, Sela Ward, Patricia Kalember and Julianne Phillips on the 1991-96 NBC drama Sisters.
White first portrayed Lincoln Tyler, son of stern Pine Valley matriarch Phoebe Tyler (Ruth Warrick), from 1974-80 — he was the third actor in the role, starting with James Karen — then returned...
- 11/4/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Denise Nickerson, who played the bratty, bloated Violet Beauregarde in 1971’s Willy Wonka & the Chocolate Factory and a sweet-natured orphan bedeviled by ghosts and werewolves on the classic ’60s supernatural soap Dark Shadows, died Wednesday night at a hospital near her home in Colorado. In declining health since suffering a stroke last year, Nickerson was removed from life support by her family earlier that day. She was 62.
Nickerson’s son Josh Nickerson posted news of his mother’s death on Facebook after keeping friends and fans apprised of her health issues. Denise Nickerson was a longtime attendee at fan conventions for both Wonka and Dark Shadows.
“She’s gone,” Nickerson’s family posted on Facebook.
Born in New York City in 1957, Nickerson began acting on shows including The Doctors and Flipper before landing her breakthrough role in 1968 as little Amy Jennings on Dan Curtis’ gothic soap opera Dark Shadows. Teamed with young David Henesy,...
Nickerson’s son Josh Nickerson posted news of his mother’s death on Facebook after keeping friends and fans apprised of her health issues. Denise Nickerson was a longtime attendee at fan conventions for both Wonka and Dark Shadows.
“She’s gone,” Nickerson’s family posted on Facebook.
Born in New York City in 1957, Nickerson began acting on shows including The Doctors and Flipper before landing her breakthrough role in 1968 as little Amy Jennings on Dan Curtis’ gothic soap opera Dark Shadows. Teamed with young David Henesy,...
- 7/11/2019
- by Andreas Wiseman and Greg Evans
- Deadline Film + TV
This summer, The Boys In The Band will add a new chapter to its long life, this time as a Netflix movie. Back will be the camping, the fighting and laughing and crying, a portrait of friendship as both endurance test and saving grace that Mart Crowley got so right more than a half-century ago. Opening Off Broadway in 1968, The Boys In The Band, an unlikely hit about a group of gay New Yorkers that would have been all but unimaginable in 1967, just as William Friedkin’s 1970 film was in ’69, and just as last year’s announcement by producers Ryan Murphy and David Stone that the play would finally makes its Broadway debut was met with not exactly whispered dismissals of stunt casting. The 50th anniversary staging of The Boys In The Band would feature, for the first time in the play’s history,...
- 5/24/2019
- by Greg Evans
- Deadline Film + TV
Emmy-winning television mastermind Ryan Murphy recently announced that he is set to turn one of this year’s potential Tony contenders, “The Boys in the Band,” into a movie for Netflix. The stage production (which Murphy produced) ran a successful limited run on Broadway last summer. As the nominations announcement approaches, what could this mean for its chances in Best Play Revival?
“The Boys in the Band” centers on a group of gay men who gather in an NYC apartment for a friend’s birthday party. After the drinks are poured and the music is turned up the fault lines beneath their friendships are exposed, as well as the self-inflicted heartache that threatens their solidarity. When Mart Crowley’s play originally premiered Off-Broadway in 1968, it helped spark a revolution by putting gay men’s lives onstage unapologetically and without judgement in a world that was not yet willing to fully accept them.
“The Boys in the Band” centers on a group of gay men who gather in an NYC apartment for a friend’s birthday party. After the drinks are poured and the music is turned up the fault lines beneath their friendships are exposed, as well as the self-inflicted heartache that threatens their solidarity. When Mart Crowley’s play originally premiered Off-Broadway in 1968, it helped spark a revolution by putting gay men’s lives onstage unapologetically and without judgement in a world that was not yet willing to fully accept them.
- 4/29/2019
- by Jeffrey Kare
- Gold Derby
Actor Ken Kercheval, best known as Texas businessman Cliff Barnes on the CBS series Dallas, has died. A cause of death is not known, but a spokesperson at the Frist Funeral Home in the actor’s hometown of Clinton, Indiana, told Deadline that Kercheval died Sunday. He was 83.
Kercheval’s character was a signature presence on Dallas — along with his bitter rival J.R. Ewing (Larry Hagman), Barnes was the only character to appear in all 14 seasons (1978-1991) of the soapy saga about Texas crude and crude Texans. The character was originally modeled on Robert F. Kennedy but that template didn’t hold for long. Instead Barnes was defined by his family’s rivalry with the Ewings and his character was spun in varied directions as needed — his job title, for instance, changed a dozen times over the course of the series.
Kercheval was also in the 1986 prequel Dallas: The Early Years, a TV movie that fleshed out the franchise’s central conflict, the rivalry between the two oil industry families. Kercheval also returned to the character for the 1996 television movie Dallas: J.R. Returns and then again for three seasons (2012-2014) of a Dallas revival, which presented the career-bouncing Barnes as a casino industry player.
Dallas also gave Kercheval a chance to experiment with job directions himself: He went behind the camera to direct an episode of the series in each of its final two seasons.
Kercheval was born July 15, 1935, in Wolcottville, Ind., and raised in nearby Clinton. A music and drama major at Indiana University he later studied at the Neighborhood Playhouse in New York. Kercheval began his professional acting career on the stage, making his Broadway debut in the 1962 play Something About A Soldier. He went on to appear Off-Broadway in 1972’s Berlin to Broadway with Kurt Weill revue. His other theatre credits include The Apple Tree, Cabaret (replacing Bert Convy as Cliff), and Here’s Where I Belong. He also appeared as the title character in the original Broadway production of Fiddler on the Roof, co-starring with Herschel Bernardi, Maria Karnilova, Julia Migenes, Leonard Frey, and Pia Zadora.
It was television, however, where Kercheval became a face familiar to millions. His credits included appearances on E.R., L.A. Law,, Murder She Wrote, CHiPs, Highway to Heaven, Kojak, The Love Boat, Matlock, and Starsky & Hutch. His film credits include Network, The Seven-Ups and F.I.S.T. in the 1970s.
Kercheval’s character was a signature presence on Dallas — along with his bitter rival J.R. Ewing (Larry Hagman), Barnes was the only character to appear in all 14 seasons (1978-1991) of the soapy saga about Texas crude and crude Texans. The character was originally modeled on Robert F. Kennedy but that template didn’t hold for long. Instead Barnes was defined by his family’s rivalry with the Ewings and his character was spun in varied directions as needed — his job title, for instance, changed a dozen times over the course of the series.
Kercheval was also in the 1986 prequel Dallas: The Early Years, a TV movie that fleshed out the franchise’s central conflict, the rivalry between the two oil industry families. Kercheval also returned to the character for the 1996 television movie Dallas: J.R. Returns and then again for three seasons (2012-2014) of a Dallas revival, which presented the career-bouncing Barnes as a casino industry player.
Dallas also gave Kercheval a chance to experiment with job directions himself: He went behind the camera to direct an episode of the series in each of its final two seasons.
Kercheval was born July 15, 1935, in Wolcottville, Ind., and raised in nearby Clinton. A music and drama major at Indiana University he later studied at the Neighborhood Playhouse in New York. Kercheval began his professional acting career on the stage, making his Broadway debut in the 1962 play Something About A Soldier. He went on to appear Off-Broadway in 1972’s Berlin to Broadway with Kurt Weill revue. His other theatre credits include The Apple Tree, Cabaret (replacing Bert Convy as Cliff), and Here’s Where I Belong. He also appeared as the title character in the original Broadway production of Fiddler on the Roof, co-starring with Herschel Bernardi, Maria Karnilova, Julia Migenes, Leonard Frey, and Pia Zadora.
It was television, however, where Kercheval became a face familiar to millions. His credits included appearances on E.R., L.A. Law,, Murder She Wrote, CHiPs, Highway to Heaven, Kojak, The Love Boat, Matlock, and Starsky & Hutch. His film credits include Network, The Seven-Ups and F.I.S.T. in the 1970s.
- 4/24/2019
- by Geoff Boucher
- Deadline Film + TV
How much baggage does The Boys in the Band, Mart Crowley’s 50-year-old groundbreaker, tote onto its first-ever Broadway stage? How many memories of early Off Broadway notoriety, dismissive reappraisals and late-in-the-day charges of antiquated self-loathing?
Oh Mary, don’t ask.
Or actually, do. Because director Joe Mantello, a production team that includes Ryan Murphy and Scott Rudin, and a cast led by the full-of-surprises Jim Parsons as well as Zachary Quinto and Matt Bomer, have revived and revitalized a play that for all its imperfections throws a party at the Booth Theatre that shouldn’t be missed.
And not just as some musty, the-way-we-were study guide. After all the lacerating barbs – what shocks most today might be the depiction of horrendously casual racism – we’re reminded that Crowley wrote a fierce and funny drama about the damage done when society’s hate works its way into the souls of its outcasts.
Oh Mary, don’t ask.
Or actually, do. Because director Joe Mantello, a production team that includes Ryan Murphy and Scott Rudin, and a cast led by the full-of-surprises Jim Parsons as well as Zachary Quinto and Matt Bomer, have revived and revitalized a play that for all its imperfections throws a party at the Booth Theatre that shouldn’t be missed.
And not just as some musty, the-way-we-were study guide. After all the lacerating barbs – what shocks most today might be the depiction of horrendously casual racism – we’re reminded that Crowley wrote a fierce and funny drama about the damage done when society’s hate works its way into the souls of its outcasts.
- 6/1/2018
- by Greg Evans
- Deadline Film + TV
Review by Mark Longden
The Boys In The Band screens Wednesday, Mar. 29 at 9:00pm at the .Zack (3224 Locust St., St. Louis, Mo 63103) as part of this year’s QFest St. Louis. Ticket information can be found Here
As well as new movies, St Louis’ wonderful Qfest (now in its tenth year) also shows classics of queer cinema that blazed a trail and inspire all sorts of different reactions today. “The Boys In The Band”, an off-Broadway play that was transplanted with the entirety of its cast to the screen, is one such. A review from a revival in 1999 said that, even at the time of its release, it had “the stain of Uncle Tomism”, and it’s been called a minstrel show. But it’s much more than that.
Despite occasionally wonderful direction from William Friedkin (who made “The French Connection” the next year) , its origins as a stage play are very evident,...
The Boys In The Band screens Wednesday, Mar. 29 at 9:00pm at the .Zack (3224 Locust St., St. Louis, Mo 63103) as part of this year’s QFest St. Louis. Ticket information can be found Here
As well as new movies, St Louis’ wonderful Qfest (now in its tenth year) also shows classics of queer cinema that blazed a trail and inspire all sorts of different reactions today. “The Boys In The Band”, an off-Broadway play that was transplanted with the entirety of its cast to the screen, is one such. A review from a revival in 1999 said that, even at the time of its release, it had “the stain of Uncle Tomism”, and it’s been called a minstrel show. But it’s much more than that.
Despite occasionally wonderful direction from William Friedkin (who made “The French Connection” the next year) , its origins as a stage play are very evident,...
- 3/27/2017
- by Movie Geeks
- WeAreMovieGeeks.com
Troubling fact: the great director Otto Preminger's worst film is not Skidoo. Three physical misfits form an alternative family as a defense against the world. It's a good idea for a movie, but the writer and director do just about everything wrong that a writer and director can do. Tell Me That You Love Me, Junie Moon Blu-ray Olive Films 1970 / Color / 2:35 widescreen / 113 min. / Street Date August 16, 2016 / available through the Olive Films website / 29.98 Starring Liza Minnelli, Ken Howard, Robert Moore, James Coco, Kay Thompson, Fred Williamson, Anne Revere, Pete Seeger, Pacific Gas & Electric, Ben Piazza, Emily Yancy, Leonard Frey, Clarice Taylor, Julie Bovasso, Barbara Logan, Nancy Marchand, Angelique Pettyjohn. Cinematography Boris Kaufman, Stanley Cortez Production Design Lyle R. Wheeler Charles Schramm Makeup effects Charles Schramm Film Editors Dean Ball, Henry Berman Original Music Philip Springer Written by Marjorie Kellogg from her novel Produced and Directed by Otto Preminger
Reviewed...
Reviewed...
- 8/20/2016
- by Glenn Erickson
- Trailers from Hell
Ron Moody as Fagin in 'Oliver!' based on Charles Dickens' 'Oliver Twist.' Ron Moody as Fagin in Dickens musical 'Oliver!': Box office and critical hit (See previous post: "Ron Moody: 'Oliver!' Actor, Academy Award Nominee Dead at 91.") Although British made, Oliver! turned out to be an elephantine release along the lines of – exclamation point or no – Gypsy, Star!, Hello Dolly!, and other Hollywood mega-musicals from the mid'-50s to the early '70s.[1] But however bloated and conventional the final result, and a cast whose best-known name was that of director Carol Reed's nephew, Oliver Reed, Oliver! found countless fans.[2] The mostly British production became a huge financial and critical success in the U.S. at a time when star-studded mega-musicals had become perilous – at times downright disastrous – ventures.[3] Upon the American release of Oliver! in Dec. 1968, frequently acerbic The...
- 6/19/2015
- by Andre Soares
- Alt Film Guide
In 1973, William Friedkin directed The Exorcist and frightened a generation, creating a horror movie classic. Three years earlier, before The French Connection launched Friedkin onto the A-list, he directed The Boys in the Band, an adaptation of an off-Broadway play about a group of gay men at a birthday party. The Boys in the Band is at least as much a horror movie as The Exorcist. Instead of demonic possession, the terror comes from the characters’ palpable hatred for themselves and each other, thinly disguised as friendship. The villain is homosexuality itself and society’s reaction to it, which slowly turn these men into delusional, self-pitying, hateful monsters.
I’m really struggling to figure out what Friedkin and screenwriter (and the original playwright) Mart Crowley wanted audiences to feel about these characters. The only two emotions I can muster up are pity and disgust. Based on the play’s astonishing...
I’m really struggling to figure out what Friedkin and screenwriter (and the original playwright) Mart Crowley wanted audiences to feel about these characters. The only two emotions I can muster up are pity and disgust. Based on the play’s astonishing...
- 5/23/2014
- by Bryan Rucker
- SoundOnSight
Brace yourselves. This list of the Top 100 Greatest Gay Movies is probably going to generate some howls of protest thanks to a rather major upset in the rankings. Frankly, one that surprised the hell out of us here at AfterElton.
But before we get to that, an introduction. A few weeks ago we asked AfterElton readers to submit up to ten of their favorite films by write-in vote. We conducted a similar poll several years ago, but a lot has happened culturally since then, and a number of worthy movies of gay interest have been released. We wanted to see how your list of favorites had changed.
We also wanted to expand our list to 100 from the top 50 we had done previously. We figured there were finally enough quality gay films to justify the expansion. And we wanted to break out gay documentaries onto their own list (You'll find the...
But before we get to that, an introduction. A few weeks ago we asked AfterElton readers to submit up to ten of their favorite films by write-in vote. We conducted a similar poll several years ago, but a lot has happened culturally since then, and a number of worthy movies of gay interest have been released. We wanted to see how your list of favorites had changed.
We also wanted to expand our list to 100 from the top 50 we had done previously. We figured there were finally enough quality gay films to justify the expansion. And we wanted to break out gay documentaries onto their own list (You'll find the...
- 9/11/2012
- by AfterElton.com Staff
- The Backlot
Time for an anomaly in the "Best Movies Ever?" canon: I'm not saying I completely adore the 1970 gay ensemble curio The Boys in the Band, but I am saying it's essential. It's also bizarre, provocative, embarrassing, really senseless, and sometimes totally funny. Since its release, the movie has been so discussed, ballyhooed, and reviled that you can never what quite tell what its official reputation is. It's a movie that's more often referenced than seen (at least nowadays, unless you caught the "making of" documentary that came out last year), and the thing is, you should really see it. Because I'm willing to bet there's a large percentage of gay dudes today who can't even imagine what being gay in the New York of the late '60s looked or sounded like. Even if this movie's pat, often self-loathing characters don't pierce the heart of that reality, it's nice to...
- 7/10/2012
- by virtel
- The Backlot
Tevye (Topol) is a Russian Jew, eking out a meagre living as a milkman in the early 20th century, in what is now the Ukraine. He is married with five children and wishes to marry them all off as well as he can, given he has no money for the sort of dowry that would secure the most eligible (i.e. wealthy) suitors. But the times are changing and each of his eldest three daughters have other ideas, setting their sights on a poor but kind tailor, a “modern” intellectual with seemingly fanciful notions of development and even revolution and (horror of horrors) a non-Jew Ukrainian. As all of the match-making progresses, Tevye must also reckon with a further spectre hanging over him and his family, the prospect of the entire village being moved on and displaced by increasingly inhospitable and anti-Semitic forces within Tsarist Russia.
*****
Fiddler on the Roof...
*****
Fiddler on the Roof...
- 11/15/2011
- by Dave Roper
- HeyUGuys.co.uk
Somehow, Norman Jewison still doesn't quite seem to get enough recognition. But, despite the fact that his name doesn't leap to mind when thinking about legendary directors, many of his films make the list of all-time greats. One of those classics (missing out on many of the Oscars it was nominated for due to the domination of The French Connection) is now available on Blu-Ray, and the 40th Anniversary Edition of Fiddler on the Roof is an absolute must own title.
Few films have ever managed to stir such emotion and deliver such complexity of theme, especially when you consider Fiddler on the Roof's ability to balance the oppressive setting with the joy and vibrancy of life embodied by Tevye (in Topol's brilliant performance).
Eyeing marriages for their five daughters, each with the fire and spark of youth tempered into various manifestations by the determined good cheer of their father,...
Few films have ever managed to stir such emotion and deliver such complexity of theme, especially when you consider Fiddler on the Roof's ability to balance the oppressive setting with the joy and vibrancy of life embodied by Tevye (in Topol's brilliant performance).
Eyeing marriages for their five daughters, each with the fire and spark of youth tempered into various manifestations by the determined good cheer of their father,...
- 5/17/2011
- by Marc Eastman
- AreYouScreening.com
Chicago – Norman Jewison’s 1971 adaptation of the Broadway smash “Fiddler on the Roof” offers a textbook example of the best possible way to make a musical for the big screen. It came out at a time when movie musicals were quickly becoming a dying art form, and yet Jewison somehow managed to avoid all the mistakes that marred so many other filmmakers.
His first excellent decision was to avoid casting any big names. Topol was a 35-year-old actor who first played the main role of Tevye in a 1967 West End production. In the massive array of extras contained on this sensational 40th anniversary Blu-Ray edition, Jewison claims that he utilized clipped fragments of his own graying hair to age his preferred leading man. Yet the director’s efforts were obviously not in vain. Topol turned out to be such an indelible choice that it’s practically impossible to think of anyone else in the role.
His first excellent decision was to avoid casting any big names. Topol was a 35-year-old actor who first played the main role of Tevye in a 1967 West End production. In the massive array of extras contained on this sensational 40th anniversary Blu-Ray edition, Jewison claims that he utilized clipped fragments of his own graying hair to age his preferred leading man. Yet the director’s efforts were obviously not in vain. Topol turned out to be such an indelible choice that it’s practically impossible to think of anyone else in the role.
- 4/22/2011
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Starring: Topol, Norma Crane, Leonard Frey
Director: Norman Jewison
The Scoop: (1971) Based on the wildly popular Broadway musical of the same name, "Fiddler on the Roof" tells the story of a Jewish dad at the turn of the 20th century who is trying to cope with his daughters drifting away from both him and his faith. The solution? Well, we don't want to give any spoilers, but it involves a fiddle. The film won three Oscars.
Special Features: Commentary, featurettes, deleted song
Rated G, 181 min. | Watch the trailer...
Director: Norman Jewison
The Scoop: (1971) Based on the wildly popular Broadway musical of the same name, "Fiddler on the Roof" tells the story of a Jewish dad at the turn of the 20th century who is trying to cope with his daughters drifting away from both him and his faith. The solution? Well, we don't want to give any spoilers, but it involves a fiddle. The film won three Oscars.
Special Features: Commentary, featurettes, deleted song
Rated G, 181 min. | Watch the trailer...
- 4/8/2011
- by NextMovie Staff
- NextMovie
Hitting movie theaters this weekend:
Arthur – Russell Brand, Helen Mirren, Jennifer Garner
Hanna – Saoirse Ronan, Cate Blanchett, Eric Bana
Soul Surfer – AnnaSophia Robb, Dennis Quaid, Helen Hunt
Your Highness – Danny McBride, James Franco, Natalie Portman
Movie of the Week
Hanna
The Stars: Saoirse Ronan, Cate Blanchett, Eric Bana
The Plot: A 16-year-old (Ronan) who was raised by her father to be the perfect assassin is dispatched on a mission across Europe, tracked by a ruthless intelligence agent and her operatives.
The Buzz: I’m moderately excited to see Your Highness, but Hanna wins ‘movie of the week’ here, as it looks to be a better film to see on the big screen. Director David Gordon Green (Pineapple Express) looks to have another great comedy on his hands in Your Highness, but if I had to pick just one to see in the theater, Hanna would be it. The premise...
Arthur – Russell Brand, Helen Mirren, Jennifer Garner
Hanna – Saoirse Ronan, Cate Blanchett, Eric Bana
Soul Surfer – AnnaSophia Robb, Dennis Quaid, Helen Hunt
Your Highness – Danny McBride, James Franco, Natalie Portman
Movie of the Week
Hanna
The Stars: Saoirse Ronan, Cate Blanchett, Eric Bana
The Plot: A 16-year-old (Ronan) who was raised by her father to be the perfect assassin is dispatched on a mission across Europe, tracked by a ruthless intelligence agent and her operatives.
The Buzz: I’m moderately excited to see Your Highness, but Hanna wins ‘movie of the week’ here, as it looks to be a better film to see on the big screen. Director David Gordon Green (Pineapple Express) looks to have another great comedy on his hands in Your Highness, but if I had to pick just one to see in the theater, Hanna would be it. The premise...
- 4/6/2011
- by Aaron Ruffcorn
- The Scorecard Review
In honor of the opening of the film Burlesque, starring Cher, Christina Aguilera and Stanley Tucci, the Movie Geeks are presenting what we feel are the best motion picture musicals.
Honorable Mention: Mary Poppins
“Practically Perfect in Every Way”, this is how the incomparably magical nanny Mary Poppins describes herself with nary a boastful smirk on a revealing tape measure in the still-charming 1964 Disney classic musical set in post-Victorian London circa 1910. Mary Poppins is the first movie I can remember seeing in a theater as a child I still feel genuine warmth about this movie as an adult. Such was the impact of Julie Andrews in her big screen debut, as she epitomizes the title character with equal quantities of starch and sugar. There are so many delightful scenes in Mary Poppins that it’s hard to choose which to highlight, though one of the best ones has to be...
Honorable Mention: Mary Poppins
“Practically Perfect in Every Way”, this is how the incomparably magical nanny Mary Poppins describes herself with nary a boastful smirk on a revealing tape measure in the still-charming 1964 Disney classic musical set in post-Victorian London circa 1910. Mary Poppins is the first movie I can remember seeing in a theater as a child I still feel genuine warmth about this movie as an adult. Such was the impact of Julie Andrews in her big screen debut, as she epitomizes the title character with equal quantities of starch and sugar. There are so many delightful scenes in Mary Poppins that it’s hard to choose which to highlight, though one of the best ones has to be...
- 11/23/2010
- by Movie Geeks
- WeAreMovieGeeks.com
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