Dick Nunis was a Disney legend in more ways than one.
“Today, we mourn the passing of Dick Nunis, a true Disney Legend whose contributions to The Walt Disney Company have touched the lives of millions of people all over the world,” said Disney CEO Bob Iger. “What started as a summer job training future Disneyland employees would ultimately become a storied 44-year career at Disney. Dick took the values and philosophies he learned directly from Walt and incorporated them into everything he did at Disney. We are grateful for his many achievements and we extend our deepest sympathies to his family and loved ones.”
The company said in a statement that Nunis died December 13 surrounded by his family in his adopted hometown of Orlando. He was 91.
Nunis first heard about plans for a new park in Anaheim from a classmate named Ron Miller, who just happened to be Walt Disney’s son-in-law.
“Today, we mourn the passing of Dick Nunis, a true Disney Legend whose contributions to The Walt Disney Company have touched the lives of millions of people all over the world,” said Disney CEO Bob Iger. “What started as a summer job training future Disneyland employees would ultimately become a storied 44-year career at Disney. Dick took the values and philosophies he learned directly from Walt and incorporated them into everything he did at Disney. We are grateful for his many achievements and we extend our deepest sympathies to his family and loved ones.”
The company said in a statement that Nunis died December 13 surrounded by his family in his adopted hometown of Orlando. He was 91.
Nunis first heard about plans for a new park in Anaheim from a classmate named Ron Miller, who just happened to be Walt Disney’s son-in-law.
- 12/13/2023
- by Tom Tapp
- Deadline Film + TV
Randy Fullmer, an effects animator, visual effects supervisor, artistic coordinator and producer who worked at Disney for almost 20 years, has died after a lengthy battle with cancer. He was 73.
Over his nearly two decades at Disney, he did everything from work on the Toon Town portion of “Who Framed Roger Rabbit?” (his first gig at the studio) to working as an artistic coordinator on “The Lion King” to producing full Disney features like “The Emperor’s New Groove” and “Chicken Little.” A key and unsung player in the Disney Renaissance of the ‘80s and ‘90s, Fullmer’s legacy will live on.
Fullmer, who died July 10, in Woodland Hills, California, attended the California Institute of the Arts, a school co-founded by Walt Disney. After Fullmer graduated in 1974, he spent time working with Don Bluth, the Disney hotshot whose departure from the studio nearly crippled the animation department. Fullmer joined Bluth on his...
Over his nearly two decades at Disney, he did everything from work on the Toon Town portion of “Who Framed Roger Rabbit?” (his first gig at the studio) to working as an artistic coordinator on “The Lion King” to producing full Disney features like “The Emperor’s New Groove” and “Chicken Little.” A key and unsung player in the Disney Renaissance of the ‘80s and ‘90s, Fullmer’s legacy will live on.
Fullmer, who died July 10, in Woodland Hills, California, attended the California Institute of the Arts, a school co-founded by Walt Disney. After Fullmer graduated in 1974, he spent time working with Don Bluth, the Disney hotshot whose departure from the studio nearly crippled the animation department. Fullmer joined Bluth on his...
- 7/26/2023
- by Drew Taylor
- The Wrap
Randy Fullmer, a veteran Walt Disney Animation Studios animator and producer who worked on “The Little Mermaid” and “Chicken Little,” died of cancer on July 10. He was 73. Walt Disney Animation confirmed the news in a statement to Variety.
“Most people are good at one thing in their lives. Randy was good at a lot of things,” wrote Don Hahn, whom Fullmer worked with on “Beauty and the Beast” and “The Lion King.” “He could draw and paint beautifully, but he had the mind of an engineer, and the heart of an artisan. He was great at animation; great at producing movies, too. He was at the very center of the Disney renaissance in animation, then when he needed a new chapter in his life, he started making exquisite and much sought-after bass guitars with that same engineer’s mind and artistic soul he brought to Disney animated movies. His masterful...
“Most people are good at one thing in their lives. Randy was good at a lot of things,” wrote Don Hahn, whom Fullmer worked with on “Beauty and the Beast” and “The Lion King.” “He could draw and paint beautifully, but he had the mind of an engineer, and the heart of an artisan. He was great at animation; great at producing movies, too. He was at the very center of the Disney renaissance in animation, then when he needed a new chapter in his life, he started making exquisite and much sought-after bass guitars with that same engineer’s mind and artistic soul he brought to Disney animated movies. His masterful...
- 7/25/2023
- by McKinley Franklin
- Variety Film + TV
Randy Fullmer, the wildly creative effects animator, visual effects supervisor, artistic coordinator and producer who contributed to films including Who Framed Roger Rabbit, The Little Mermaid and The Lion King at Walt Disney Animation Studios, has died. He was 73.
Fullmer died July 10 at his home in Woodland Hills following a long battle with cancer, his family announced.
From 1983-84, Fullmer worked for Don Bluth Studios, creating special effects for Dragon’s Lair and Space Ace, the first video games to be produced on laserdisc. He later was employed at John Dykstra’s live-action special effects house Apogee and at Filmation, where he handled animation for such TV shows as Happily Ever After, BraveStarr, She-Ra: Princess of Power and Ghostbusters from 1985-87.
In 1987, Fullmer was hired by Walt Disney Feature Animation (now known as Walt Disney Animation Studios) for a three-month contract to animate the Toon Town section of Who Framed Roger Rabbit...
Fullmer died July 10 at his home in Woodland Hills following a long battle with cancer, his family announced.
From 1983-84, Fullmer worked for Don Bluth Studios, creating special effects for Dragon’s Lair and Space Ace, the first video games to be produced on laserdisc. He later was employed at John Dykstra’s live-action special effects house Apogee and at Filmation, where he handled animation for such TV shows as Happily Ever After, BraveStarr, She-Ra: Princess of Power and Ghostbusters from 1985-87.
In 1987, Fullmer was hired by Walt Disney Feature Animation (now known as Walt Disney Animation Studios) for a three-month contract to animate the Toon Town section of Who Framed Roger Rabbit...
- 7/25/2023
- by Mike Barnes
- The Hollywood Reporter - Movie News
Randy Fullmer, a Walt Disney Animation Studios effects animator, VFX supervisor and producer who worked on such classics as The Lion King and Beauty and the Beast, has died. He was 73. The studio said he died July 10 at his home in Woodland Hills, CA, after a long cancer battle.
Fullmer worked at the Disney toon studio for nearly 20 years, racking up credits that also include effects animator on Oliver & Company (1988) and The Little Mermaid (1989), effects supervisor on The Rescuers Down Under (1990), artistic coordinator on The Hunchback of Notre Dame (1996) and producer on The Emperor’s New Groove (2000) and Chicken Little (2005). He served as artistic coordinator on 1994’s The Lion King and as VFX supervisor on 1991’s Beauty and the Beast.
“Most people are good at one thing in their lives. Randy was good at a lot of things,” said Don Hahn, producer of Beauty and the Beast and The Lion King.
Fullmer worked at the Disney toon studio for nearly 20 years, racking up credits that also include effects animator on Oliver & Company (1988) and The Little Mermaid (1989), effects supervisor on The Rescuers Down Under (1990), artistic coordinator on The Hunchback of Notre Dame (1996) and producer on The Emperor’s New Groove (2000) and Chicken Little (2005). He served as artistic coordinator on 1994’s The Lion King and as VFX supervisor on 1991’s Beauty and the Beast.
“Most people are good at one thing in their lives. Randy was good at a lot of things,” said Don Hahn, producer of Beauty and the Beast and The Lion King.
- 7/25/2023
- by Erik Pedersen
- Deadline Film + TV
Though they end up on screen as cheery, bright eyed films for the whole family to enjoy, the truth is that behind the scenes, bringing an animated film to life is an arduous, exhausting journey. Freed from the constraints and demands of live action filmmaking in which you have a set script and a short window of time to make it happen, animation studios will routinely spend months and years developing, tweaking, editing and refining a project before voicework and production begins. But few films faced when Disney went through on 2000's "The Emperor's New Groove."
You can find a more detailed version of what happened with a quick Google search, but we'll give you the condensed version. Originally planned to be a musical entitled "The Kingdom Of The Sun," the film had Roger Allers ("The Lion King") directing with Sting contributing six songs, in what was an Incan retelling...
You can find a more detailed version of what happened with a quick Google search, but we'll give you the condensed version. Originally planned to be a musical entitled "The Kingdom Of The Sun," the film had Roger Allers ("The Lion King") directing with Sting contributing six songs, in what was an Incan retelling...
- 3/23/2012
- by Kevin Jagernauth
- The Playlist
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