‘Isle Of Dogs’ and ‘Coraline’ producers among industry experts set to guide the cohort.
European organisation Ace Producers has unveiled the 18 independent producers for its upcoming animation-focused initiative, the Ace Animation Special, set to take place in June.
The programme is aimed at experienced producers who want to develop and produce long animated features and series for an international audience.
Originally meant to run March 21-26 during Ireland’s Animation Dingle festival, it has been postponed to late June 2021 in Dublin as a result of the ongoing virus crisis. However, the selected producers will kick off the initiative with a virtual session in March,...
European organisation Ace Producers has unveiled the 18 independent producers for its upcoming animation-focused initiative, the Ace Animation Special, set to take place in June.
The programme is aimed at experienced producers who want to develop and produce long animated features and series for an international audience.
Originally meant to run March 21-26 during Ireland’s Animation Dingle festival, it has been postponed to late June 2021 in Dublin as a result of the ongoing virus crisis. However, the selected producers will kick off the initiative with a virtual session in March,...
- 1/29/2021
- by Michael Rosser
- ScreenDaily
At this point, the Academy of Motion Picture Arts and Sciences’ governors election looks more like a round-up than a race; more than 180 members have declared their interest in filling 17 contested spots on the 54-member Board of Governors.
Voting in the run-off round starts on Monday and ends May 18. That will narrow the present field to a maximum of four nominees per branch in the final round, which follows.
For now, there are on average about 11 candidates in the running for each slot. In the casting directors and costume design branches, only three members have declared for each slot. But not so in the actors branch, where 17 members — including Brie Larson, Jacki Weaver and Meg Ryan — are vying for the spot being vacated by termed-out Tom Hanks; or the producers, executives, and public relations branches, all of which have a bumper crop of candidates. Marvin Levy, currently a governor in the public relations branch,...
Voting in the run-off round starts on Monday and ends May 18. That will narrow the present field to a maximum of four nominees per branch in the final round, which follows.
For now, there are on average about 11 candidates in the running for each slot. In the casting directors and costume design branches, only three members have declared for each slot. But not so in the actors branch, where 17 members — including Brie Larson, Jacki Weaver and Meg Ryan — are vying for the spot being vacated by termed-out Tom Hanks; or the producers, executives, and public relations branches, all of which have a bumper crop of candidates. Marvin Levy, currently a governor in the public relations branch,...
- 5/11/2018
- by Michael Cieply
- Deadline Film + TV
Laika, the award-winning animation studio nestled in the heart of the Pacific Northwest, celebrates 10 years of bold and memorable filmmaking this month. For a company whose name means “little barker” in Russian, Portland, Oregon-based Laika has made quite a noise in the global film industry over a relatively short time.
With its world-class filmmaking team, Laika pushes the boundaries of family entertainment and animated movies, redefining what stories can and should be told through the art form.
“When Laika began we had a simple goal: to make movies that matter,” says Travis Knight, Laika’s President and CEO, who also is lead animator and a producer on its films. “Laika is devoted to telling new and original stories in new and original ways.”
“We aspire to make films that are bold, distinctive, and enduring,” Knight continues. “We are committed to telling stories that are thematically challenging, aesthetically beautiful, emotionally resonant,...
With its world-class filmmaking team, Laika pushes the boundaries of family entertainment and animated movies, redefining what stories can and should be told through the art form.
“When Laika began we had a simple goal: to make movies that matter,” says Travis Knight, Laika’s President and CEO, who also is lead animator and a producer on its films. “Laika is devoted to telling new and original stories in new and original ways.”
“We aspire to make films that are bold, distinctive, and enduring,” Knight continues. “We are committed to telling stories that are thematically challenging, aesthetically beautiful, emotionally resonant,...
- 12/15/2015
- by Michelle McCue
- WeAreMovieGeeks.com
Exclusive: Discussions to cover development, financing, exhibition and sustainability, and will include a new distribution market.
The Edinbugh International Film Festival (Eiff) has unveiled the line-up of industry events set to take place alongside this year’s festival.
Nine days of events will be held at the Eiff Delegate Centre at the Traverse Theatre from June 18.
Topics to be discussed will range from development and financing through to exhibition and sustainability.
There will be a number of events aimed at offering support and advice to emerging writers, directors and producers including two sessions hosted by partners of the BFI Net.Work looking at progressing from shorts to features.
Representatives from Creative England, Film London and the Scottish Film Talent Network will take part in the events including an opportunity for filmmakers to practice their feature pitch to get feedback on making their future applications stronger.
There will be events focussing on areas of interest specifically for producers...
The Edinbugh International Film Festival (Eiff) has unveiled the line-up of industry events set to take place alongside this year’s festival.
Nine days of events will be held at the Eiff Delegate Centre at the Traverse Theatre from June 18.
Topics to be discussed will range from development and financing through to exhibition and sustainability.
There will be a number of events aimed at offering support and advice to emerging writers, directors and producers including two sessions hosted by partners of the BFI Net.Work looking at progressing from shorts to features.
Representatives from Creative England, Film London and the Scottish Film Talent Network will take part in the events including an opportunity for filmmakers to practice their feature pitch to get feedback on making their future applications stronger.
There will be events focussing on areas of interest specifically for producers...
- 6/3/2015
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Oscar-nominated creative duo planning interactive book, app, educational merchandise and first feature-length film. London-based Nexus producing.
British animation directors Alan Smith and Adam Foulkes have unveiled a new cross-media project that could also become the basis for their first feature-length film.
Entitled Radio Jones: Roboteer, the project revolves around a genius boy who builds himself the perfect robotic father.
Smith and Foulkes – who were Oscar-nominated for their short film This Way Up in 2009 and are also well known in the ad world for their Coca Cola and Honda spots — have just started production on an interactive children’s book based on the story and plan to start developing a related feature later this summer.
The production is a joint work with long-time collaborator Chris O’Reilly, co-founder alongside Charlotte Bavasso of London-based animations studio Nexus Production and digital sister unit Nexus Interactive Arts, which fosters collaboration between programmers and filmmakers.
Nexus Productions...
British animation directors Alan Smith and Adam Foulkes have unveiled a new cross-media project that could also become the basis for their first feature-length film.
Entitled Radio Jones: Roboteer, the project revolves around a genius boy who builds himself the perfect robotic father.
Smith and Foulkes – who were Oscar-nominated for their short film This Way Up in 2009 and are also well known in the ad world for their Coca Cola and Honda spots — have just started production on an interactive children’s book based on the story and plan to start developing a related feature later this summer.
The production is a joint work with long-time collaborator Chris O’Reilly, co-founder alongside Charlotte Bavasso of London-based animations studio Nexus Production and digital sister unit Nexus Interactive Arts, which fosters collaboration between programmers and filmmakers.
Nexus Productions...
- 6/17/2013
- ScreenDaily
First come the nominations for the 82nd Annual Academy Awards … then come the thanks.
Here’s statements from people with Coraline and A Serious Man.
“We are very happy to have received these nominations and would like to thank the Academy and everyone that made this film possible – a special thanks to Focus Features and Working Title Films. Thank you very much.”
– Joel Coen and Ethan Coen
Nominees: Best Picture; Original Screenplay – A Serious Man
________________________________
“I feel very lucky and very grateful that Coraline is nominated. There were more excellent animated features released in 2009 than in any year before, so being included makes all of us from Laika and Focus Features very proud. And the diversity of the nominees in both storytelling and animation techniques gladdens my heart: The Princess and the Frog and The Secret of Kells, done in hand-drawn animation; Coraline and Fantastic Mr. Fox, in stop-motion; and Up,...
Here’s statements from people with Coraline and A Serious Man.
“We are very happy to have received these nominations and would like to thank the Academy and everyone that made this film possible – a special thanks to Focus Features and Working Title Films. Thank you very much.”
– Joel Coen and Ethan Coen
Nominees: Best Picture; Original Screenplay – A Serious Man
________________________________
“I feel very lucky and very grateful that Coraline is nominated. There were more excellent animated features released in 2009 than in any year before, so being included makes all of us from Laika and Focus Features very proud. And the diversity of the nominees in both storytelling and animation techniques gladdens my heart: The Princess and the Frog and The Secret of Kells, done in hand-drawn animation; Coraline and Fantastic Mr. Fox, in stop-motion; and Up,...
- 2/3/2010
- by Jeff Bayer
- The Scorecard Review
"A Serious Man" and "Coraline" from Focus Features received Oscar nominations today. "A Serious Man" scored Best Picture and Best Original Screenplay nominations while "Coraline" received Best Animated Feature nomination.
Here are statements from the nominees:
"We are very happy to have received these nominations and would like to thank the Academy and everyone that made this film possible . a special thanks to Focus Features and Working Title Films. Thank you very much."
- Joel Coen and Ethan Coen
Nominees: Best Picture; Original Screenplay - A Serious Man
________________________________
"I feel very lucky and very grateful that Coraline is nominated. There were more excellent animated features released in 2009 than in any year before, so being included makes all of us from Laika and Focus Features very proud. And the diversity of the nominees in both storytelling and animation techniques gladdens my heart: The Princess and the Frog and The Secret of Kells,...
Here are statements from the nominees:
"We are very happy to have received these nominations and would like to thank the Academy and everyone that made this film possible . a special thanks to Focus Features and Working Title Films. Thank you very much."
- Joel Coen and Ethan Coen
Nominees: Best Picture; Original Screenplay - A Serious Man
________________________________
"I feel very lucky and very grateful that Coraline is nominated. There were more excellent animated features released in 2009 than in any year before, so being included makes all of us from Laika and Focus Features very proud. And the diversity of the nominees in both storytelling and animation techniques gladdens my heart: The Princess and the Frog and The Secret of Kells,...
- 2/3/2010
- by Manny
- Manny the Movie Guy
Today, the Oscar nominations were announced and definitely revealed a few surprises in many different categories. This is the biggest award show of the season, but it might also be this year's most interesting as well. The Academy Awards will be televised on Sunday, March 7th at 8pm Est. Here's some reactions from A Serious Man and Coraline. Both films were produced by Focus Features.
As a member of the Florida Film Critics Circle, I did screen both these movies in Tampa before our critic association had to submit our award picks. A Serious Man could be a serious contender for Best Original Screenplay, but one can't see the Coen's gettting another Best Picture win. Coraline was innovative using the old-school stop-motion animation, but as an overall movie, it won't be strong enough to top the other nominations.
A Serious Man
Best Picture
Best Original Screenplay
Coraline
Best Animated Feature...
As a member of the Florida Film Critics Circle, I did screen both these movies in Tampa before our critic association had to submit our award picks. A Serious Man could be a serious contender for Best Original Screenplay, but one can't see the Coen's gettting another Best Picture win. Coraline was innovative using the old-school stop-motion animation, but as an overall movie, it won't be strong enough to top the other nominations.
A Serious Man
Best Picture
Best Original Screenplay
Coraline
Best Animated Feature...
- 2/2/2010
- Tampa Film Examiner
No surprise there. It goes without saying that James Cameron's sci-fi spectacle Avatar has the potential to clean house at the 8th Annual Ves Awards for its breath taking visuals by the acclaimed Weta Digital. Cameron will also be picking up a well-deserved Lifetime Achievement Award. In the outstanding animated feature category, the nominees include Up, 9, Coraline, Cloudy with a Chance of Meatballs and Ice Age: Dawn of the Dinosaurs.
The official press release is as followed:
3-D Films Dominate With Most Noms as Avatar grabs 11, Coraline 4, and Visual Effects Company Weta Digital Snags Most Company Noms with 9
Los Angeles, January 19, 2010 - The Visual Effects Society (Ves) today announced the nominees for the 8th Annual Ves Awards ceremony recognizing outstanding visual effects artistry in over twenty categories of film, animation, television, commercials and video games. Nominees were chosen Saturday, January 16, 2010, by numerous blue ribbon panels of Ves members who...
The official press release is as followed:
3-D Films Dominate With Most Noms as Avatar grabs 11, Coraline 4, and Visual Effects Company Weta Digital Snags Most Company Noms with 9
Los Angeles, January 19, 2010 - The Visual Effects Society (Ves) today announced the nominees for the 8th Annual Ves Awards ceremony recognizing outstanding visual effects artistry in over twenty categories of film, animation, television, commercials and video games. Nominees were chosen Saturday, January 16, 2010, by numerous blue ribbon panels of Ves members who...
- 1/22/2010
- Screen Anarchy
James Cameron's "Avatar" led the list of nominations announced Monday by the Visual Effects Society, scooping up 11.
The animated "Coraline," another movie released in 3D, followed with four nominations.
New Zealand-based Weta Digital, which worked on "Avatar," led the company noms with nine.
For visual effects in an effects-driven motion picture feature, the nominees are "2012," "Avatar," "District 9," "Star Trek" and "Transformers: Revenge of the Fallen."
Noms for supporting visual effects in a movie went to "Angels & Demons," "The Box," "Invictus," "The Road" and "Sherlock Holmes."
"9," "Cloudy With a Chance of Meatballs," "Coraline," "Ice Age: Dawn of the Dinosaurs" and "Up" were nominated for outstanding animation in an animated feature.
Ves noms in 20 categories, covering film, animation, TV, commercials and video games were chosen Saturday by blue-ribbon panels of Ves members, meeting in Burbank, San Francisco and London.
The eighth annual Ves Awards will be handed out on Feb.
The animated "Coraline," another movie released in 3D, followed with four nominations.
New Zealand-based Weta Digital, which worked on "Avatar," led the company noms with nine.
For visual effects in an effects-driven motion picture feature, the nominees are "2012," "Avatar," "District 9," "Star Trek" and "Transformers: Revenge of the Fallen."
Noms for supporting visual effects in a movie went to "Angels & Demons," "The Box," "Invictus," "The Road" and "Sherlock Holmes."
"9," "Cloudy With a Chance of Meatballs," "Coraline," "Ice Age: Dawn of the Dinosaurs" and "Up" were nominated for outstanding animation in an animated feature.
Ves noms in 20 categories, covering film, animation, TV, commercials and video games were chosen Saturday by blue-ribbon panels of Ves members, meeting in Burbank, San Francisco and London.
The eighth annual Ves Awards will be handed out on Feb.
- 1/18/2010
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
It’s awards season. The Golden Globes will air January 17, with Ricky Gervais hosting.
67th Annual Golden Globes nominees – the complete list
It’s not the nomination, but the thank you that matters, right?
“A huge thank you to the Hollywood Foreign Press Association, I am truly humbled and grateful. This whole ride has been such an unbelievable blessing, I am honored to share this with the Coen Brothers and the rest of the A Serious Man family.”
-Michael Stuhlbarg (Best Actor Comedy or Musical) for A Serious Man
“This Golden Globe nomination is sweet validation for the years of hard work it took to bring Coraline to life using stop-motion animation with the greatest crew of animators, artists, and technicians I’ve ever been privileged to work with. I share this nomination with all of them and we all share our thanks to the Hollywood Foreign Press.”
- Henry Selick,...
67th Annual Golden Globes nominees – the complete list
It’s not the nomination, but the thank you that matters, right?
“A huge thank you to the Hollywood Foreign Press Association, I am truly humbled and grateful. This whole ride has been such an unbelievable blessing, I am honored to share this with the Coen Brothers and the rest of the A Serious Man family.”
-Michael Stuhlbarg (Best Actor Comedy or Musical) for A Serious Man
“This Golden Globe nomination is sweet validation for the years of hard work it took to bring Coraline to life using stop-motion animation with the greatest crew of animators, artists, and technicians I’ve ever been privileged to work with. I share this nomination with all of them and we all share our thanks to the Hollywood Foreign Press.”
- Henry Selick,...
- 12/16/2009
- by Jeff Bayer
- The Scorecard Review
Henry Selick (Coraline, James and the Giant Peach, The Nightmare Before Christmas) will not renew his deal with Laika, the Oregon-based animation studio that where he wrote, directed, designed and produced Coraline (2/6/09) and the short-film Moongirl, per The Oregonian. You may recall that Laika laid-off 60+ of its CG animation artists in September. Selick will continue to work closely with Laika and Coraline distributor Focus Features to continue to promote the movie during the forthcoming awards season. Coraline is based on the eponymous book by author Neil Gaiman. The studio, established by Nike co-founder Phil Knight after acquiring Will Vinton Studios in 2003, opened its doors in 2005 with the mission of developing both stop motion and CG animated feature films as well as content for other outlets. Selick joined Laika in 2004. Earlier this year, Laika named Travis Knight as President and CEO, he was a lead animator on Coraline and had also toiled for Vinton Studios,...
- 10/8/2009
- by gwen@cynopsis.com
Laika, Inc. names Travis Knight as President and CEO. Knight succeeds Dale Wahl (65) who is stepping down and will now serve as Vice-Chairman until his retirement in October 2009, and on a more temporary basis he will fill the role of Evp/Business Operations and Cfo. Knight has served on the Laika board and been head of Animation since 2007; he was also one of the lead animators on the studio's stop-motion 3D animated feature Coraline. Knight previously toiled for Vinton Studios, which was acquired by Philip H. Knight and renamed Laika. The studio has also appointed Claire Jennings, producer of Coraline and Wallace and Gromit: Curse of the Were Rabbit, to the new position of President/Entertainment. Philip H. Knight (Travis' Dad) is Laika's owner and Chairman of the board. The senior Knight is also Chairman and Co-Founder of Nike.
http://enews.cynopsis.com/html.asp?XZY1499037UTF60...
http://enews.cynopsis.com/html.asp?XZY1499037UTF60...
- 3/6/2009
- by gwen@cynopsis.com
Controversial movie Brokeback Mountain was named Best Picture at the 17th annual Producers Guild Of America (Pga) awards Sunday night, keeping it on track for Oscar glory in March. The Ang Lee-directed film's producers, Diana Ossana and James Schamus, collected the award at the event at the Universal Hilton Hotel in Los Angeles. Previous PGA form now points towards Brokeback Mountain being a likely Best Picture winner at the Academy Awards - 11 out of the 16 films to take the top PGA prize have gone on to win the Oscars equivalent. Producers Claire Jennings and Nick Park picked up the Best Animated Picture award for Wallace & Gromit: The Curse Of The Were-Rabbit. The Ellen DeGeneres Show won Best TV Series, while the award for Best Long-Form TV Show went to The Life And Death Of Peter Sellers. Lost picked up Best TV Drama while Entourage picked up Best Comedy TV series. 60 Minutes won Best Nonfiction TV Series. Veteran film-maker Clint Eastwood was presented with the Milestone Award, while producer Grant Heslov took home the Stanley Kramer Award for George Clooney film Good Night, And Good Luck. Legendary B-movie producer Roger Corman collected the Lifetime Achievement Award. He told the audience, "Today, with the new methods of delivering our films on the internet etcetera, we may see the power of the major (studios) diminish a little more and we may see the producers assume their rightful place." Norman Lear won the PGA Achievement Award In Television, and AOL boss Jon Miller took home the Vanguard Award.
- 1/24/2006
- WENN
TORONTO -- After breaking in their act in several hilarious shorts -- two won Oscars -- and a TV series, Wallace and Gromit get their very own feature film in “Wallace & Gromit: The Curse of the Were-Rabbit.” Wallace, of course, is that cheerful but daft inventor extraordinaire and Gromit is his silent though sage canine, who quietly cleans up his master’s disasters. Most fans of the U.K.-based Aardman Animations’ magical claymation technique think of these two as the studio’s best creations. They certainly live up to that reputation in “The Curse of the Were-Rabbit.”
Aardman’s first feature for DreamWorks, “Chicken Run” in 2000, didn’t completely manage the trick of maintaining the laughs and stylish glee of its shorts in a film nearly three times their length. The studio now hits its stride in a second outing, displaying the same technical flair, wonderful British wit and a sharper story sense. Since “Curse” is both a family movie and a date movie, DreamWorks should enjoy a long theatrical run followed by a lively ancillary afterlife.
This adventure is scripted by the two co-directors, Steve Box and Nick Park, along with Bob Baker and Mark Burton. Wallace (voiced by Peter Sallis) & Gromit run a humane extermination company called Anti-Pesto, which collects rabbits savaging vegetable patches in a comfy British suburb and brings them back to the house. (The basement is getting rather overrun by rabbits, the truth be told.)
Anti-Pesto faces its greatest challenge when a monster rabbit devours patch after patch in the days leading up to the annual Giant Vegetable Competition, sponsored by Lady Tottington (an aristocratically bubbly Helena Bonham Carter). The team must also outwit the blustery Victor Quartermaine (Ralph Fiennes in a delightfully over-the-top caricature), who means to kill the monster rabbit with a gold bullet, a 24-carat one. (The Aardman crew is truly addicted to puns.)
Then the unthinkable happens: Wallace & Gromit meet the enemy and it is … Wallace? Yes, in a foolish attempt to rehab rabbits from their desire for veggies in his laboratory, things went horribly wrong. Now, when the moon comes out, Wallace transforms into the Were-Rabbit in a delightful sequence that captures the best of claymation.
Park and Box can now spoof all the old monster movies, everything from werewolves to King Kong himself. From here on the movie rolls merrily along with slapstick action and whimsical characters. And always there’s Gromit working feverishly to prevent disaster after disaster.
Julian Nott’s jolly music with its mock epic swells just barely keeps up with the breakneck pace, one-liners and jokey signs that fly by too fast for the eye to catch every one.
WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT
DreamWorks Pictures
DreamWorks Animation presents an Aardman Animations production
Credits: Directors: Nick Park, Steve Box; Writers: Steve Box, Nick Park, Bob Baker, Mark Burton; Producers: Claire Jennings, Carla Shelley, Peter Lord, David Sporxton, Nick Park; Executive producers: Michael Rose, Cecil Kramer; Director of photography: Tristan Oliver, Dave Alex-Riddett; Production designer: Phil Lewis; Music: Julian Nott; Editor: Dave McCormick, Greg Perler.
Cast: Wallace: Peter Sallis; Victor Quatermaine: Ralph Fiennes; Lady Tottington: Helena Bonham Carter; Rev.Hedges: Nicholas Smith; PC McIntosh: Peter Kay; Mrs. Mulch: Liz Smith.
MPAA rating G, running time 80 minutes.
Aardman’s first feature for DreamWorks, “Chicken Run” in 2000, didn’t completely manage the trick of maintaining the laughs and stylish glee of its shorts in a film nearly three times their length. The studio now hits its stride in a second outing, displaying the same technical flair, wonderful British wit and a sharper story sense. Since “Curse” is both a family movie and a date movie, DreamWorks should enjoy a long theatrical run followed by a lively ancillary afterlife.
This adventure is scripted by the two co-directors, Steve Box and Nick Park, along with Bob Baker and Mark Burton. Wallace (voiced by Peter Sallis) & Gromit run a humane extermination company called Anti-Pesto, which collects rabbits savaging vegetable patches in a comfy British suburb and brings them back to the house. (The basement is getting rather overrun by rabbits, the truth be told.)
Anti-Pesto faces its greatest challenge when a monster rabbit devours patch after patch in the days leading up to the annual Giant Vegetable Competition, sponsored by Lady Tottington (an aristocratically bubbly Helena Bonham Carter). The team must also outwit the blustery Victor Quartermaine (Ralph Fiennes in a delightfully over-the-top caricature), who means to kill the monster rabbit with a gold bullet, a 24-carat one. (The Aardman crew is truly addicted to puns.)
Then the unthinkable happens: Wallace & Gromit meet the enemy and it is … Wallace? Yes, in a foolish attempt to rehab rabbits from their desire for veggies in his laboratory, things went horribly wrong. Now, when the moon comes out, Wallace transforms into the Were-Rabbit in a delightful sequence that captures the best of claymation.
Park and Box can now spoof all the old monster movies, everything from werewolves to King Kong himself. From here on the movie rolls merrily along with slapstick action and whimsical characters. And always there’s Gromit working feverishly to prevent disaster after disaster.
Julian Nott’s jolly music with its mock epic swells just barely keeps up with the breakneck pace, one-liners and jokey signs that fly by too fast for the eye to catch every one.
WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT
DreamWorks Pictures
DreamWorks Animation presents an Aardman Animations production
Credits: Directors: Nick Park, Steve Box; Writers: Steve Box, Nick Park, Bob Baker, Mark Burton; Producers: Claire Jennings, Carla Shelley, Peter Lord, David Sporxton, Nick Park; Executive producers: Michael Rose, Cecil Kramer; Director of photography: Tristan Oliver, Dave Alex-Riddett; Production designer: Phil Lewis; Music: Julian Nott; Editor: Dave McCormick, Greg Perler.
Cast: Wallace: Peter Sallis; Victor Quatermaine: Ralph Fiennes; Lady Tottington: Helena Bonham Carter; Rev.Hedges: Nicholas Smith; PC McIntosh: Peter Kay; Mrs. Mulch: Liz Smith.
MPAA rating G, running time 80 minutes.
- 9/17/2005
- The Hollywood Reporter - Movie News
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