The Location Managers Guild International has named Alison Taylor, Matt Chamberlin, Mac Gordon and Dan Taylor as new board members joining the returning leadership of Kokayi Ampah, Melissa DeMonaco, Mike Fantasia, Wes Hagen, Phill Kane, Eric Klosterman, Jj Levine, Matt Palmer, Mario Ramirez, Rebecca "Puck" Stair, and Dorion Thomas, who will serve as the 2017 Lmgi Board of Directors. The new Board will meet in the next few weeks to determine its new leadership, including…...
- 6/15/2017
- Deadline TV
The Location Managers Guild International has named Alison Taylor, Matt Chamberlin, Mac Gordon and Dan Taylor as new board members joining the returning leadership of Kokayi Ampah, Melissa DeMonaco, Mike Fantasia, Wes Hagen, Phill Kane, Eric Klosterman, Jj Levine, Matt Palmer, Mario Ramirez, Rebecca "Puck" Stair, and Dorion Thomas, who will serve as the 2017 Lmgi Board of Directors. The new Board will meet in the next few weeks to determine its new leadership, including…...
- 6/15/2017
- Deadline
Batman #24
Writers: Scott Snyder and James Tynion IV
Penciller: Greg Capullo and Rafael Albuquerque (backup)
Inker: Danny Miki
Colorist: Fco Plascencia and Dave McCaig (backup)
Publisher: DC Comics
In Batman #24, Scott Snyder and Greg Capullo set out to answer the question, “Who is Batman?” How did Bruce Wayne, angry urban vigilante, become the legendary Dark Knight? Snyder and Capullo answer this question through both words and action, earnest speeches and brutal brawls. Each panel on every page acts as a building block in the larger Batman mythos. Some blocks are the same. There are respectful homages to Batman’s first appearance in Detective Comics #27 and a more recent story near the end of the comic. However, Snyder and Capullo add wrinkles into Batman’s origin told in Batman Year One and elsewhere, which make their story stand out. These insights into the character of Batman (who is often overshadowed by...
Writers: Scott Snyder and James Tynion IV
Penciller: Greg Capullo and Rafael Albuquerque (backup)
Inker: Danny Miki
Colorist: Fco Plascencia and Dave McCaig (backup)
Publisher: DC Comics
In Batman #24, Scott Snyder and Greg Capullo set out to answer the question, “Who is Batman?” How did Bruce Wayne, angry urban vigilante, become the legendary Dark Knight? Snyder and Capullo answer this question through both words and action, earnest speeches and brutal brawls. Each panel on every page acts as a building block in the larger Batman mythos. Some blocks are the same. There are respectful homages to Batman’s first appearance in Detective Comics #27 and a more recent story near the end of the comic. However, Snyder and Capullo add wrinkles into Batman’s origin told in Batman Year One and elsewhere, which make their story stand out. These insights into the character of Batman (who is often overshadowed by...
- 10/10/2013
- by Logan Dalton
- SoundOnSight
Writer: Scott Snyder, James Tynion IV (backup)
Penciller: Greg Capullo
Inker: Danny Miki
Colorist: Fco Plascencia
Publisher: DC Comics
The non-linear narrative device is one of the trickiest to use in fiction. At its best, it’s Pulp Fiction or Ulysses. At its worst, it’s The Grudge or the wacky anime Axis Powers Hetalia. However, Batman #23 uses the non-linear narrative to show Bruce Wayne at different stages of his crime fighting career and thus to reveals the struggle and events that transformed into Batman. The non-linear narrative works because it is tied together by the framing device Thomas Wayne talking to Bruce when he falls into a hole on the grounds as a child. Fco Plascencia also uses a different color scheme to distinguish between the various narrative threads. In addition to its engaging narrative structure, Batman #23 does an excellent job exploring the psyches of the villains Red Hood...
Penciller: Greg Capullo
Inker: Danny Miki
Colorist: Fco Plascencia
Publisher: DC Comics
The non-linear narrative device is one of the trickiest to use in fiction. At its best, it’s Pulp Fiction or Ulysses. At its worst, it’s The Grudge or the wacky anime Axis Powers Hetalia. However, Batman #23 uses the non-linear narrative to show Bruce Wayne at different stages of his crime fighting career and thus to reveals the struggle and events that transformed into Batman. The non-linear narrative works because it is tied together by the framing device Thomas Wayne talking to Bruce when he falls into a hole on the grounds as a child. Fco Plascencia also uses a different color scheme to distinguish between the various narrative threads. In addition to its engaging narrative structure, Batman #23 does an excellent job exploring the psyches of the villains Red Hood...
- 8/14/2013
- by Logan Dalton
- SoundOnSight
Batman #22
Writer: Scott Snyder, James Tynion IV (backup)
Pencillers: Greg Capullo, Rafael Albuquerque (backup)
Inker: Danny Miki
Colorists: Fco Plascencia, Dave McCaig (backup)
Though Batman #22 may lack the big action set pieces and reveals of last month’s issues, it has a good deal of visual experimentation from Greg Capullo, Danny Miki, and Fco Plascencia as well developing the characters of Bruce Wayne, his supporting cast, and rogues gallery. Capullo’s art also reinforces Scott Snyder’s themes and dialogue. There are callbacks to last issue, and the backup story perfectly ties into the main story even though Rafael Albuquerque’s art style is much different than Capullo’s.
Greg Capullo’s art style always complements and adds layer to Scott Snyder’s writing and dialogue. He adds subtle background details to develop characters or simply gives characters something to do while delivering dialogue. For example, Alfred and Bruce get...
Writer: Scott Snyder, James Tynion IV (backup)
Pencillers: Greg Capullo, Rafael Albuquerque (backup)
Inker: Danny Miki
Colorists: Fco Plascencia, Dave McCaig (backup)
Though Batman #22 may lack the big action set pieces and reveals of last month’s issues, it has a good deal of visual experimentation from Greg Capullo, Danny Miki, and Fco Plascencia as well developing the characters of Bruce Wayne, his supporting cast, and rogues gallery. Capullo’s art also reinforces Scott Snyder’s themes and dialogue. There are callbacks to last issue, and the backup story perfectly ties into the main story even though Rafael Albuquerque’s art style is much different than Capullo’s.
Greg Capullo’s art style always complements and adds layer to Scott Snyder’s writing and dialogue. He adds subtle background details to develop characters or simply gives characters something to do while delivering dialogue. For example, Alfred and Bruce get...
- 7/10/2013
- by Logan Dalton
- SoundOnSight
These days, going to the movies can feel a lot like going to the airport. Theaters offer all kinds of “premium” upgrades—3-D, IMAX, reserved seating—and all of them send ticket prices soaring. Moviegoers in urban areas regularly spend up to $20 for a single ticket. In fact, a ticket to see Man of Steel in IMAX 3D at a reserved seating show at AMC’s Lincoln Square theater in New York City ran for $23.50 last weekend. But Paramount wants to know if moviegoers would spend even more than that. Last week, the studio and Regal Cinemas announced a $50 “Mega Ticket” for World War Z,...
- 6/21/2013
- by Grady Smith
- EW - Inside Movies
Batman 21
Writers: Scott Snyder, James Tynion IV (backup)
Artists: Greg Capullo, Rafael Albuquerque (backup)
Colorist: Fcd Plascencia
Publisher: DC Comics
“Batman” only appears in one page of Batman #21, but the reader won’t mind. What made this comic such a good read was that it distilled what it means to be Batman and then traveled in time six years to show how this idea has developed over the years. It does this through action, world and theme building, and a compelling character study of Bruce Wayne over the years from child to Caped Crusader.
Even though dialogue and exposition help develop characters, move the plot, and catch up new readers on things they may not understand, too much of it, especially in a visual medium like comics, can lead to a less than satisfactory reading experience. Scott Snyder manages to sprinkle plenty of action in the story, like Batman taking...
Writers: Scott Snyder, James Tynion IV (backup)
Artists: Greg Capullo, Rafael Albuquerque (backup)
Colorist: Fcd Plascencia
Publisher: DC Comics
“Batman” only appears in one page of Batman #21, but the reader won’t mind. What made this comic such a good read was that it distilled what it means to be Batman and then traveled in time six years to show how this idea has developed over the years. It does this through action, world and theme building, and a compelling character study of Bruce Wayne over the years from child to Caped Crusader.
Even though dialogue and exposition help develop characters, move the plot, and catch up new readers on things they may not understand, too much of it, especially in a visual medium like comics, can lead to a less than satisfactory reading experience. Scott Snyder manages to sprinkle plenty of action in the story, like Batman taking...
- 6/12/2013
- by Logan Dalton
- SoundOnSight
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