Cinema Guild has acquired the North American distribution rights for the new 4K restoration of Shinji Somai’s 1993 film Moving from MK2 Films. The New York-based distributor of world cinema plans to open the film in specialist U.S. and Canada theaters in 2024.
The newly restored version of Somai’s coming-of-age classic won the best restored film prize at Venice Classics when it premiered at the Biennale in September.
One of Somai’s best-known works, Moving premiered at the Cannes Film Festival’s Un Certain Regard section in 1993. The film tells the story of Renko (Tomoko Tabata), a young girl coming to terms with her parents splitting up. Living with her mother Nazuna in Kyoto, Renko leans on her boyfriend and best friend as she tries to first get her parents to reconcile before deciding to find her own place in the world.
“Moving shows Shinji Somai’s style at...
The newly restored version of Somai’s coming-of-age classic won the best restored film prize at Venice Classics when it premiered at the Biennale in September.
One of Somai’s best-known works, Moving premiered at the Cannes Film Festival’s Un Certain Regard section in 1993. The film tells the story of Renko (Tomoko Tabata), a young girl coming to terms with her parents splitting up. Living with her mother Nazuna in Kyoto, Renko leans on her boyfriend and best friend as she tries to first get her parents to reconcile before deciding to find her own place in the world.
“Moving shows Shinji Somai’s style at...
- 10/25/2023
- by Abid Rahman
- The Hollywood Reporter - Movie News
U.S.-based distributor Cinema Guild has acquired North American rights to the newly-restored 4K version of Somai Shinji’s 1993 classic “Moving” from French sales agent MK2 Films.
The Japanese coming-of-age drama won the best restored film award, the top prize in Venice Classics, when it premiered at the Biennale in September.
Cinema Guild, which also released restorations of Somai’s “Typhoon Club” (1985) and “P.P. Rider” (1983) earlier this year, will open the film in theaters in the U.S. and Canada in 2024.
When her parents split and her father Kenichi moves out of their family home, Renko (Tabata Tomoko), a bright and energetic 6th grade girl, is left alone with her mother, Nazuna, in Kyoto. As Nazuna sets out new rules for their life together, Renko makes plans of her own, and sees to it that any changes happening in her family happen on her terms.
Since its premiere...
The Japanese coming-of-age drama won the best restored film award, the top prize in Venice Classics, when it premiered at the Biennale in September.
Cinema Guild, which also released restorations of Somai’s “Typhoon Club” (1985) and “P.P. Rider” (1983) earlier this year, will open the film in theaters in the U.S. and Canada in 2024.
When her parents split and her father Kenichi moves out of their family home, Renko (Tabata Tomoko), a bright and energetic 6th grade girl, is left alone with her mother, Nazuna, in Kyoto. As Nazuna sets out new rules for their life together, Renko makes plans of her own, and sees to it that any changes happening in her family happen on her terms.
Since its premiere...
- 10/24/2023
- by Patrick Frater
- Variety Film + TV
Despite the fact that Shinji Somai had been popular in Japan since the 80’s, his fame did not surpass the borders of Asia until the 90’s. One of the first festivals that acknowledged his skill was Cannes, with “Moving” screening in the Un Certain Regard section in 1993.
Based on the novel “Ohikkoshi”, by Hiko Tanaka, the film revolves around Renko, a girl in the sixth grade (between 11 and 12 years old) whose parents’ divorce shutters her happy but fragile life. In the beginning, the girl is rather calm, as she does not seem to realize fully, what exactly is going on. As time passes though, she begins to act out, in all aspects of her life. In school, she starts hanging out with the class’s “pariah,” a girl whose parents are also divorced, thus alienating her former friends. Furthermore, when they confront her about the fact, the...
Based on the novel “Ohikkoshi”, by Hiko Tanaka, the film revolves around Renko, a girl in the sixth grade (between 11 and 12 years old) whose parents’ divorce shutters her happy but fragile life. In the beginning, the girl is rather calm, as she does not seem to realize fully, what exactly is going on. As time passes though, she begins to act out, in all aspects of her life. In school, she starts hanging out with the class’s “pariah,” a girl whose parents are also divorced, thus alienating her former friends. Furthermore, when they confront her about the fact, the...
- 12/22/2019
- by Panos Kotzathanasis
- AsianMoviePulse
Screening at 2008’s New York Asian Film Festival and Fantasia Film Festival, Takeshi Miike’s ‘Sukiyaki Western Django’ is an homage to the great westerns of the 60’s. Using stylised set design and tributes to just about anything to come out of Japanese popular culture, we are taken on a journey to revisit the site where the Battle of Dannoura once took place and a fabled treasure still lives to this day.
In a once sleepy mountain town, chaos reigns as the Heike and Genji gangs face off on the search for a mysterious wealth of gold. A lone gunman enters town offering his services to the highest bidder out of the red and white clans, which spurs on the already boiling tension between these warring parties. We learn that the Genji’s hold a mysterious woman with a tormented past in their possession, who our gunman...
In a once sleepy mountain town, chaos reigns as the Heike and Genji gangs face off on the search for a mysterious wealth of gold. A lone gunman enters town offering his services to the highest bidder out of the red and white clans, which spurs on the already boiling tension between these warring parties. We learn that the Genji’s hold a mysterious woman with a tormented past in their possession, who our gunman...
- 10/19/2018
- by Nathan Last
- AsianMoviePulse
The Academy of Motion Picture Arts and Sciences brings you the Oscars (yep, that's why they're called Academy Awards), and on Friday, the organization announced that it was prepared to invite 176 new folks to its fold.
In a list posted on its website, the Academy deemed Matthew McConaughey, Jean Dujardin, Terrence Malick, Jonah Hill, Berenice Bejo, Jessica Chastain, Octavia Spencer and a host of other film luminaries worthy of inclusion in its nearly 6,000-member army.
The Academy has drawn the ire of critics who bemoan its overwhelmingly male, white population. A Los Angeles Times investigation found that of all Academy members, 94 percent are Caucasian and 77 percent are male. A mere 2 percent are black, with Latinos constituting an even smaller portion. Only 14 percent of members are under the age of 50.
Full members of the Academy select and vote on Oscars nominees. The organization was started in 1927 and is now governed by a 43-person board.
In a list posted on its website, the Academy deemed Matthew McConaughey, Jean Dujardin, Terrence Malick, Jonah Hill, Berenice Bejo, Jessica Chastain, Octavia Spencer and a host of other film luminaries worthy of inclusion in its nearly 6,000-member army.
The Academy has drawn the ire of critics who bemoan its overwhelmingly male, white population. A Los Angeles Times investigation found that of all Academy members, 94 percent are Caucasian and 77 percent are male. A mere 2 percent are black, with Latinos constituting an even smaller portion. Only 14 percent of members are under the age of 50.
Full members of the Academy select and vote on Oscars nominees. The organization was started in 1927 and is now governed by a 43-person board.
- 6/29/2012
- by The Huffington Post
- Huffington Post
The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 176 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2012 to the Academy.s roster of members.
.These film professionals represent some of the most talented, most passionate contributors to our industry,. said Academy President Tom Sherak. .I.m glad to recognize that by calling each of them a fellow Academy member..
Voting membership in the organization has now held steady at just under 6,000 members since 2003.
The 2012 invitees are:
Actors
Simon Baker . .Margin Call,. .L.A. Confidential.
Sean Bean . .Flightplan,. .The Lord of the Rings: The Fellowship of the Ring.
Bérénice Bejo . .The Artist,. .Oss 117: Cairo, Nest of Spies.
Tom Berenger . .Inception,. .Platoon.
Demián Bichir . .A Better Life,. .Che.
Jessica Chastain . .The Help,. .The Tree of Life.
Clifton Collins,...
.These film professionals represent some of the most talented, most passionate contributors to our industry,. said Academy President Tom Sherak. .I.m glad to recognize that by calling each of them a fellow Academy member..
Voting membership in the organization has now held steady at just under 6,000 members since 2003.
The 2012 invitees are:
Actors
Simon Baker . .Margin Call,. .L.A. Confidential.
Sean Bean . .Flightplan,. .The Lord of the Rings: The Fellowship of the Ring.
Bérénice Bejo . .The Artist,. .Oss 117: Cairo, Nest of Spies.
Tom Berenger . .Inception,. .Platoon.
Demián Bichir . .A Better Life,. .Che.
Jessica Chastain . .The Help,. .The Tree of Life.
Clifton Collins,...
- 6/29/2012
- by Michelle McCue
- WeAreMovieGeeks.com
The Academy of Motion Picture Arts and Sciences extended their 2012 membership invitations today to 176 lucky actors, directors, cinematographers, and other members of the filmmaking industry.
Terrence Malick, who somehow wasn’t already a member, received an invitation, as did fellow directors Rodrigo Garcia and Asghar Farhadi.
For actors, Melissa McCarthy’s invitation continues her incredible post-Bridesmaids rise. In addition, actors Jonah Hill, Matthew McConaughey, Andy Serkis, Jessica Chastain, and Octavia Spencer were all invited to be members, among others.
Voting membership in the organization has now held steady at just under 6,000 members since 2003, according to the Academy’s website.
Terrence Malick, who somehow wasn’t already a member, received an invitation, as did fellow directors Rodrigo Garcia and Asghar Farhadi.
For actors, Melissa McCarthy’s invitation continues her incredible post-Bridesmaids rise. In addition, actors Jonah Hill, Matthew McConaughey, Andy Serkis, Jessica Chastain, and Octavia Spencer were all invited to be members, among others.
Voting membership in the organization has now held steady at just under 6,000 members since 2003, according to the Academy’s website.
- 6/29/2012
- by Erin Strecker
- EW - Inside Movies
HollywoodNews.com: The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 176 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2012 to the Academy’s roster of members.
“These film professionals represent some of the most talented, most passionate contributors to our industry,” said Academy President Tom Sherak. “I’m glad to recognize that by calling each of them a fellow Academy member.”
Voting membership in the organization has now held steady at just under 6,000 members since 2003.
The 2012 invitees are:
Actors
Simon Baker – “Margin Call,” “L.A. Confidential”
Sean Bean – “Flightplan,” “The Lord of the Rings: The Fellowship of the Ring”
Bérénice Bejo – “The Artist,” “Oss 117: Cairo, Nest of Spies”
Tom Berenger – “Inception,” “Platoon”
Demián Bichir – “A Better Life,” “Che”
Jessica Chastain – “The Help,” “The Tree of Life”
Clifton Collins,...
“These film professionals represent some of the most talented, most passionate contributors to our industry,” said Academy President Tom Sherak. “I’m glad to recognize that by calling each of them a fellow Academy member.”
Voting membership in the organization has now held steady at just under 6,000 members since 2003.
The 2012 invitees are:
Actors
Simon Baker – “Margin Call,” “L.A. Confidential”
Sean Bean – “Flightplan,” “The Lord of the Rings: The Fellowship of the Ring”
Bérénice Bejo – “The Artist,” “Oss 117: Cairo, Nest of Spies”
Tom Berenger – “Inception,” “Platoon”
Demián Bichir – “A Better Life,” “Che”
Jessica Chastain – “The Help,” “The Tree of Life”
Clifton Collins,...
- 6/29/2012
- by Josh Abraham
- Hollywoodnews.com
By Kevin Crust
If you measure Summer by big budget, effects-driven movies, then Summer has arrived. We have a Greek mythology remake that fits the bill and some counter-programming in the form of Hannah Montana-meets-Nicholas Sparks and a semi-annual offering from Tyler Perry. If you’re looking for something with good reviews, on the other hand, you’re best advised to stick with the art house.
Clash Of The Titans
Sam Worthington, hot off “Avatar,” stars as the demigod Perseus, stepping into the familial squabbling involving Zeus (Liam Neeson) and Hades (Ralph Fiennes). Louis Leterrier (“Transporter 2,” “The Incredible Hulk” reboot) directs from a script credited to Phil Hay & Matt Manfredi and Travis Beacham, based on the 1981 movie that starred Harry Hamlin and Laurence Olivier and developed a cult following over the years.
Even critics who find the movie moderately entertaining don’t agree on the visual appeal.
If you measure Summer by big budget, effects-driven movies, then Summer has arrived. We have a Greek mythology remake that fits the bill and some counter-programming in the form of Hannah Montana-meets-Nicholas Sparks and a semi-annual offering from Tyler Perry. If you’re looking for something with good reviews, on the other hand, you’re best advised to stick with the art house.
Clash Of The Titans
Sam Worthington, hot off “Avatar,” stars as the demigod Perseus, stepping into the familial squabbling involving Zeus (Liam Neeson) and Hades (Ralph Fiennes). Louis Leterrier (“Transporter 2,” “The Incredible Hulk” reboot) directs from a script credited to Phil Hay & Matt Manfredi and Travis Beacham, based on the 1981 movie that starred Harry Hamlin and Laurence Olivier and developed a cult following over the years.
Even critics who find the movie moderately entertaining don’t agree on the visual appeal.
- 4/2/2010
- by Kevin Crust
- Hollywoodnews.com
MADRID - Tarsem Singh's fantastical epic "The Fall" won the top honor for best film at Sitges' International Film Festival of Catalonia, an important fantasy film event, organizers announced Saturday.
The Indian/US/U.K. co-production tells of the relationship between a little girl with a broken collar bone who meets a bedridden man in a hospital. The man starts telling her a story that intertwines fiction and reality.
Jaume Balaguero and Paco Plaza's horror film "REC" did well at the festival, earning its directorial team the best director nod and seeing its Manuela Velasco take the best actress award.
Sam Rockwell won the best actor award for his role in George Ratliff's horror film "Joshua", featuring the traumatic arrival of a newborn sister for a nine-year-old boy.
Chung Seo-Kyung and Park Chan-Wook took the best script award for "I'm a Cyborg but That's OK", while Esmir Filho's "Saliva" won the best short.
Japanese films took a handful of awards. Takashi Miike's "Sukiyaki Western Django" won best cinematography (Toyomichi Kurita) and production design (Takashi Sasaki), while Katsuhiro Otomo's "Mushishi" won the special effects and soundtrack (Kuniaki Haishima).
The Indian/US/U.K. co-production tells of the relationship between a little girl with a broken collar bone who meets a bedridden man in a hospital. The man starts telling her a story that intertwines fiction and reality.
Jaume Balaguero and Paco Plaza's horror film "REC" did well at the festival, earning its directorial team the best director nod and seeing its Manuela Velasco take the best actress award.
Sam Rockwell won the best actor award for his role in George Ratliff's horror film "Joshua", featuring the traumatic arrival of a newborn sister for a nine-year-old boy.
Chung Seo-Kyung and Park Chan-Wook took the best script award for "I'm a Cyborg but That's OK", while Esmir Filho's "Saliva" won the best short.
Japanese films took a handful of awards. Takashi Miike's "Sukiyaki Western Django" won best cinematography (Toyomichi Kurita) and production design (Takashi Sasaki), while Katsuhiro Otomo's "Mushishi" won the special effects and soundtrack (Kuniaki Haishima).
- 10/15/2007
- The Hollywood Reporter - Movie News
SEOUL -- This year's Asian Film Academy, a three-week program for aspiring filmmakers from around Asia, will include 24 participants from 15 countries, organizers announced today.
Applicants for the program, which runs concurrently with the Pusan International Film Festival each year, included countries as diverse as Mongolia, Nepal, Bangladesh, Afghanistan and Kazakhstan.
The 117 applicants this year represent a smaller number than last year, but organizers emphasized that this was because the eligibility requirements had been raised.
The AFA is co-hosted by the Pusan International Film Festival, Dongseo University and the Korean Academy of Film Arts.
This is the third year the AFA has been held. Iranian filmmaker Mohsen Makhmalbaf will serve as the dean of this year's program. Also participating will be Japanese cinematographer Toyomichi Kurita and Thai director Penek Ratanaruang.
The AFA runs Sept. 27-Oct. 13 and PIFF runs Oct. 4-12.
Applicants for the program, which runs concurrently with the Pusan International Film Festival each year, included countries as diverse as Mongolia, Nepal, Bangladesh, Afghanistan and Kazakhstan.
The 117 applicants this year represent a smaller number than last year, but organizers emphasized that this was because the eligibility requirements had been raised.
The AFA is co-hosted by the Pusan International Film Festival, Dongseo University and the Korean Academy of Film Arts.
This is the third year the AFA has been held. Iranian filmmaker Mohsen Makhmalbaf will serve as the dean of this year's program. Also participating will be Japanese cinematographer Toyomichi Kurita and Thai director Penek Ratanaruang.
The AFA runs Sept. 27-Oct. 13 and PIFF runs Oct. 4-12.
- 7/13/2007
- The Hollywood Reporter - Movie News
SEOUL -- Iranian director Mohsen Makhmalbaf will lead the third annual Asian Film Academy, a three-week program that runs alongside the Pusan International Film Festival, organizers said Wednesday.
Each year, the AFA -- in conjunction with PIFF, Dong Seo University and the Korean Academy of Film Arts -- appoints a leading Asian filmmaker as dean of its cinema course, which is designed to foster new cinema talent from around Asia.
Previous deans are Hou Hsiao Hsien and Im Kwon-taek.
Makmalbaf has directed and written more than 30 movies since his first in 1981, including "Kandahar" in 2001 and "Gabbeh" in 1996. He has a long history with PIFF, including receiving the Asian Filmmaker of the Year Award in 2003.
Along with Makhmalbaf, Japanese cinematographer Toyomichi Kurita and Thai director Penek Ratanaruang will participate as mentors.
The AFA will begin Sept. 27 this year and culminate with the making of two short films, to be premiered at PIFF.
The application deadline to this year's AFA is May 31.
Each year, the AFA -- in conjunction with PIFF, Dong Seo University and the Korean Academy of Film Arts -- appoints a leading Asian filmmaker as dean of its cinema course, which is designed to foster new cinema talent from around Asia.
Previous deans are Hou Hsiao Hsien and Im Kwon-taek.
Makmalbaf has directed and written more than 30 movies since his first in 1981, including "Kandahar" in 2001 and "Gabbeh" in 1996. He has a long history with PIFF, including receiving the Asian Filmmaker of the Year Award in 2003.
Along with Makhmalbaf, Japanese cinematographer Toyomichi Kurita and Thai director Penek Ratanaruang will participate as mentors.
The AFA will begin Sept. 27 this year and culminate with the making of two short films, to be premiered at PIFF.
The application deadline to this year's AFA is May 31.
- 6/14/2007
- The Hollywood Reporter - Movie News
''Grand Isle'' is a gentle, forthright film about a 19th century woman's self-awakening. A fine selection as the opening night film at this past weekend's Festival of Women Directors held at the AFI, ''Grand Isle'' is a luminously delicate story that should transcend gender barriers, touching all those who can identify with the overpowering need for personal expression and identity.
Set amid the seascaped swirls of Creole society, circa late 19th century, ''Grand Isle'' is an entrancing tapestry of cross-cultural waves and Southern currents. Set on the wind-soothed Louisiana resort of Grand Isle, the story centers on Edna (Kelly McGillis), a 28-year-old mother of two whose marriage to a wealthy older broker (Joe DeVries) affords her no outlet other than familial task-etry.
A playful, Grand Isle friendship with a younger Creole gentleman Robert (Adrian Pasdar) stimulates long lost urges in her -- sexual and artistic pangs that she has not, seemingly, experienced since her dreamy youth. She takes to etching, partially, it seems, as a sublimation for her obvious sexual attraction to Robert, partially, because, she once dreamed of being an artist.
But her somewhat smug bubble of artistic self-expression is smartly punctured by an eccentric, and thoroughly independent pianist, Mademoiselle Reisz (Ellen Burstyn) who, while admiring her audacity in spreading her wings, also discredits her conceit that she possesses the soul and the ''gifts'' to be an artist.
Indeed, this hard challenge from such a liberated spirit is what lifts screenwriter Hesper Anderson's adaptation of Kate Chopin's novel ''The Awakening'' beyond the singular dimension of feminist dogma to a grander story of personal growth and individuality.
Undeniably, there is a discernible editorial slant to this story: throughout, Edna's family life is portrayed as offering not one iota of emotional sustenance to her. In this stacked-story deck, husband Leonce is a merely a one-dimensional burgher while her two children are merely underfoot on the porch. As such, her choice to sacrifice her family life to her ''art'' and love for Robert is diminished by the fact that this difficult decision is way too easy, merely a black-and-white issue here.
Under director Mary Lambert's strong hand, Edna's personal turmoils and triumphs waft together in a swirling succession of conflicting emotions and challenges. Using the soft but explosive colors of Grand Isle's seascape as textural punctuation, Lambert fuses Edna's surging emotional states to the ebb-and-flow of nature's tides.
While ''Grand Isle's'' narrative is transparently blunt, the film is, nevertheless, awash with tonal nuance: cinematographer Toyomichi Kurita's radiant, late-afternoon hues are in sync with Edna's personal timetable, while Elliot Goldenthal's orginal music and savvy score selection, primarily Chopin's Nocture in E minor, lend a melancholy but strong cadence to Edna's resolve.
GRAND ISLE
Turner Pictures
Producers Kelly McGillis, Carolyn Pfeiffer
Director Mary Lambert
Screenwriter Hesper Anderson
Based on the novel ''The Awakening'' by Kate Chopin
Director of photography Toyomichi Kurita
Costume designer Martin Pakeldinaz
Production designer Michelle Minch
Original music and adaptation Elliot Goldenthal
Editor Tom Finan
Casting Fern Champion
Color/Stereo
Cast:
Edna Pontellier Kelly McGillis
Leonce Pontellier Jon DeVries
Robert LeBrun Adrian Pasdar
Mademoiselle Reisz Ellen Burstyn
Alcee Arobin Julian Sands
Victor LeBrun Anthony DeSando
Adele Ratignolle Glenne Headly
Running time -- 87 minutes
No MPAA rating
(c) The Hollywood Reporter...
Set amid the seascaped swirls of Creole society, circa late 19th century, ''Grand Isle'' is an entrancing tapestry of cross-cultural waves and Southern currents. Set on the wind-soothed Louisiana resort of Grand Isle, the story centers on Edna (Kelly McGillis), a 28-year-old mother of two whose marriage to a wealthy older broker (Joe DeVries) affords her no outlet other than familial task-etry.
A playful, Grand Isle friendship with a younger Creole gentleman Robert (Adrian Pasdar) stimulates long lost urges in her -- sexual and artistic pangs that she has not, seemingly, experienced since her dreamy youth. She takes to etching, partially, it seems, as a sublimation for her obvious sexual attraction to Robert, partially, because, she once dreamed of being an artist.
But her somewhat smug bubble of artistic self-expression is smartly punctured by an eccentric, and thoroughly independent pianist, Mademoiselle Reisz (Ellen Burstyn) who, while admiring her audacity in spreading her wings, also discredits her conceit that she possesses the soul and the ''gifts'' to be an artist.
Indeed, this hard challenge from such a liberated spirit is what lifts screenwriter Hesper Anderson's adaptation of Kate Chopin's novel ''The Awakening'' beyond the singular dimension of feminist dogma to a grander story of personal growth and individuality.
Undeniably, there is a discernible editorial slant to this story: throughout, Edna's family life is portrayed as offering not one iota of emotional sustenance to her. In this stacked-story deck, husband Leonce is a merely a one-dimensional burgher while her two children are merely underfoot on the porch. As such, her choice to sacrifice her family life to her ''art'' and love for Robert is diminished by the fact that this difficult decision is way too easy, merely a black-and-white issue here.
Under director Mary Lambert's strong hand, Edna's personal turmoils and triumphs waft together in a swirling succession of conflicting emotions and challenges. Using the soft but explosive colors of Grand Isle's seascape as textural punctuation, Lambert fuses Edna's surging emotional states to the ebb-and-flow of nature's tides.
While ''Grand Isle's'' narrative is transparently blunt, the film is, nevertheless, awash with tonal nuance: cinematographer Toyomichi Kurita's radiant, late-afternoon hues are in sync with Edna's personal timetable, while Elliot Goldenthal's orginal music and savvy score selection, primarily Chopin's Nocture in E minor, lend a melancholy but strong cadence to Edna's resolve.
GRAND ISLE
Turner Pictures
Producers Kelly McGillis, Carolyn Pfeiffer
Director Mary Lambert
Screenwriter Hesper Anderson
Based on the novel ''The Awakening'' by Kate Chopin
Director of photography Toyomichi Kurita
Costume designer Martin Pakeldinaz
Production designer Michelle Minch
Original music and adaptation Elliot Goldenthal
Editor Tom Finan
Casting Fern Champion
Color/Stereo
Cast:
Edna Pontellier Kelly McGillis
Leonce Pontellier Jon DeVries
Robert LeBrun Adrian Pasdar
Mademoiselle Reisz Ellen Burstyn
Alcee Arobin Julian Sands
Victor LeBrun Anthony DeSando
Adele Ratignolle Glenne Headly
Running time -- 87 minutes
No MPAA rating
(c) The Hollywood Reporter...
- 11/18/1991
- The Hollywood Reporter - Movie News
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