- (September 2002) Designed sets for "Dead Man Walking" opera by Jake Heggie and Terrence McNally (New York State Theater, New York City, New York, USA).
- (April 2006) Sets for "On the Line" play by Joe Roland (Cherry Lane Theatre, New York City, New York, USA).
- (November 18, 2001 to December 9, 2001) He was scenic designer for Mark Hampton and Barbara J. Zitwer's play, "Paper Doll," at the Public Theater in Pittsburgh, Pennsylvania with Marlo Thomas (Jacquelin Susann); F. Murray Abraham (Irving Mansfield); Joanne Genelle (Bree, Shelly, Rainbow); Armando Rodriguez and Barney Berloni (Josephone) in the cast. Leonard Foglia was director. Martin Pakledinaz was costume designer. Brian Nason was lighting designer.
- (2002-2003 season) He was set designer for Mark Hampton and Barbara J. Zitwer's play, "Paper Doll," at the Long Wharf Theatre (Mainstage) in New Haven, Connecticut. Leonard Foglia was director. Martin Pakledinaz was costume designer. Brian Nason was lighting designer. Zach Moore was sound designer. Paul Huntley was wig designer. J. Roy Helland was make-up designer. William Berloni was animal trainer.
- (1985 to 1986 season) He was theater designer for Arthur Miller's play, "The Crucible," at the Trinity Repertory Company Theatre in Providence, Rhode Island with Trisha Mcguire, Richard Kavanaugh, Stella Reed, Jennifer Van Dyck, Cathy Cabriele, Maragot Dionne, David Kennett, Margaret Marx, Becca Lish, William Damkoehler, Ruth Maynard, Ed Hall, Tom Griffin, Cynthia Strickland, Howard London, Peter Gerety, Steven Jermanovich, Daniel Von Bargen, Barbara Blossom and Frederick Sullivan Jr. in the cast. Richard Jenkins was director. Robert D. Soule was scenery designer. John F. Custer was lighting designer. William Lane was costume designer.
- (1991 to 1992 season) He was set designer for Wendy Wasserstein's play, "The Heidi Chronicles," at the Trinity Repertory Company Theatre in Providence, Rhode Island with Cynthia Strickland, Nance Williamson, James O'Brien, Fred Sullivan Jr., Andrew Mutnick, Nanette Van Wright, Brenda Corwin and Linda Amendola in the cast. Leonard Foglia was director. Michael Giannitti was lighting designer. William Lane was costume designer. Anthony PM Ricci was audio designer.
- (1992 to 1993 season) He was set designer for Terence McNally's play, "Lips Together, Teeth Apart," at the Trinity Repertory Company Theatre in Providence, Rhode Island with Anne Scurria, Fred Sullivan Jr., Ed Shea and Cynthia Strickland in the cast. Leonard Foglia was director. William Lane was costume designer. Russell H. Champa was lighting designer. Anthony PM Ricci was audio designer.
- (1993 to 1994 season) He was set designer for Brian Friel's play, "Dancing at Lughnasa," at the Trinity Repertory Company Theatre in Providence, Rhode Island with Kurt Rhoads, Anne Scurria, Nance Williamson, Phyllis Kay, Janice Duclos, Linda Amendola, Fred Sullivan Jr and Barry Press in the cast. Barbara Damashek was director. William Lane was costume designer. Russell H. Champa was lighting designer. Tori Haring-Smith was Dramaturge.
- (1993 to 1994 season) He was set designer for William Shakespeare's play, "Measure for Measure," at the Trinity Repertory Company Theatre in Providence, Rhode Island with William Damkoehler, Robert J. Colonna, Ed Shea, John Thompson, Stephen Berenson, Eric Evenson, Jason Roth, Viola Davis, Lisa Lane, Allen Oliver, Migel Gore, Timothy Crowe, Rose Weaver and Dan Welch in the cast. Brian McEleney was director. William Lane was costume designer. Dylan Costa was lighting designer. Tori Haring-Smith was Dramaturge. Rachel Maloney and Chris Turner were music directors.
- (1994 to 1995 season) He was set designer for Lisa Loomer's play, "The Waiting Room," at the Trinity Repertory Company Theatre in Providence, Rhode Island with June Kyokolu, Anne Scurria, Rose Weaver, Janice Duclos, William Damkoehler, Ed Shea, Stephen Berenson, Dan Welch, Chil King, Gabriel Diamond and Robert Grady in the cast. Davis Schweizer was director. William Lane was costume designer. Russell H. Champa was lighting designer. Jon Gottlieb and Mitchell Greenwhill were sound designers. Deborah Nadoolman was Chinese costume designer. Mitchell Greenhill was composer. Tori Haring-Smith was Dramaturge.
- (1995 to 1996 season) He was set designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Kent Gash was director. William Lane was costume designer. Russell Champa was lighting designer.
- (1996 to 1997 season) He was set designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. William Lane was costume designer. Russell Champa was lighting designer.
- (1997 to 1998 season) He was set designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Amanda Dehnert was director. William Lane was costume designer. Russell Champa was lighting designer.
- (1998 to 1999 season) He was set designer for Leslie Ayvazian's play, "Nine Armenians," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Oskar Eustis was director. William Lane was costume designer. D.M. Wood was lighting designer. Peter Sasha Hurowitz was sound designer.
- (1998 to 1999 season) He was set designer for Terrence McNally's play, "Master Class," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. WIlliam Lane was costume designer. Russell Champa was lighting designer. Peter Sasha Hurowitz was sound designer.
- (1999 to 2000) He was set designer for George Bernard Shaw's play, "Mrs. Warren's Profession," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. Russell Champa was lighting designer. William Lane was costume designer.
- (1999 to 2000) He was set designer for David Mamet's play, "The Cryptogram," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Oskar Eustis was director. William Lane was costume designer. D.M. Wood was lighting designer. Peter Sasha Hurowitz was sound designer.
- (1999 to 2000 season) He was set designer for Martin McDonagh's play, "The Beauty Queen of Leenane," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. William Lane was costume designer. Russell Champa was light designer. Peter Sasha Hurowitz was sound designer.
- (1999 to 2000 season) He was set designer for Emily Mann's adaptation of Isaac Bashevis Singer's novel, "Meshugah," in a world premiere Providence New Play Festival production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Emily Mann was adapter. Oskar Eustis was director. William Lane was costume designer. D.M. Wood was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2000 to 2001 season) He was set designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode island. Kevin Moriarty was director. William Lane was costume designer. Jeff Croiter was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2000 to 2001 season) He was set designer for August Wilson's play, "The Piano Lesson," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Edris Cooper-Anifowoshe was director. Andre Harrington was costume designer. Yael Lubetsky was lighting designer. Mitch Greenhill was sound designer.
- (2000 to 2001 season) He was set designer for Christopher Hampton's translation of Yasmina Reza's play, "Art," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Lenny Foglia was director. William Lane was costume designer. Russell Champa was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2001 to 2002 season) He was set designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Michael Baron was director. William Lane was costume designer. Deb Sullivan was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2002 to 2003 season) He was set designer for Marie Jones' play, "Stones in His Pockets," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. Willian Lane was costume designer. John Ambrosone was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2003 to 2004 season) He was set designer for David Auburn's play, "Proof," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. William Lane was costume designer. John Ambrosone was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2003 to 2004 season) He was set designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Peter Sampieri was director. William Lane was costume designer. Deb Sullivan was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2004 to 2005 season) He was set designer for William Shakespeare's play, "Richard II," in The Henriad: Shakespeare's Kings production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Kevin Moriarty was director. John Ambrosone was lighting designer. Peter Sasha Hurowitz. William Lane was costume designer.
- (2004 to 2005 season) He was set designer for William Shakespeare's play, "Henry IV," in The Henriad: Shakespeare's Kings production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Amanda Dehnert was director. Michael McGarty was set designer. John Ambrosone was lighting designer. Peter Sasha Hurowitz. William Lane was costume designer.
- (2004 to 2005 season) He was set designer for William Shakespeare's play, "Henry V," in The Henriad: Shakespeare's Kings production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Oskar Eustis was director. Michael McGarty was set designer. John Ambrosone was lighting designer. Peter Sasha Hurowitz. William Lane was costume designer.
- (2006 to 2007 season) He was set designer for Thornton Wilder's play, "Our Town," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. William Lane was costume designer. Brian J. Lilienthal was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2006 to 2007 season) He was set designer for Edward Albee's play, "A Delicate Balance," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Kevin Moriarty was director. Ron Cesario was costume designer. Deb Sullivan was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2007 to 2008 season) He was set designer for Robert Penn Warren's novel, "All The King's Men," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. Adrian Hall was adapter. William Lane was costume designer. John Ambrosone was lighting designer. Peter Sasha Hurowitz was sound designer. David Tessier was music director.
- (2007 to 2008 season) He was set designer for William Shakespeare's play, "Richard III," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Kevin Moriarty was director. William Lane was costume designer. Tyler Micoleau was lighting designer. Ryan Rumery was sound designer. Craig Handel was fight choreographer.
- (2008 to 2009 season) He was set designer for Richard Cumming and Adrian Hall's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Liesl Tommy was director. Ron Cesario was costume designer. Brian J. Lilienthal was lighting designer. Peter Sasha Hurowitz was sound designer. Doug Brandt was music director. Christopher Windom was choreographer.
- (2008 to 2009 season) He was set designer for Lorraine Hansberry's play, "A Raisin in the Sun," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. William Lane was costume designer. John Ambrosone was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2008 to 2009 season) He was set designer for Oscar Wilde's play, "The Importance of Being Earnest," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Beth F. Milles was director. William Lane was costume designer. Russell Champa was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2009 to 2010 season) He was set designer for the musical, "Cabaret," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Curt Columbus was director. Joe Masteroff wrote the book. John Kander was composer. Fred Ebb was lyricist. William Lane was costume designer. Russell Champa was lighting designer. Peter Sasha Hurowitz was sound designer. Michael Rice was music director. Sharon Jenkins was choreographer.
- (2009 to 2010 season) He was set designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Birgitta Victorson was director. William Lane was costume designer. Dan Scully was lighting designer. Peter Sasha Hurowitz was sound designer. Michael Rice was music director. Jude Sandy was choreographer.
- (2009 to 2010 season) He was set designer for Sarah Ruhl's play, "Dead Man's Cell Phone," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Beth F. Milles was director. William Lane was costume designer. Russell H. Champa was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2010 to 2011 season) He was set designer for Alan Ayckbourn's play, "Absurd Person Singular," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. William Lane was costume designer. John Ambrosone was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2010 to 2011 season) He was set designer for Joe Landry's adaptation of the play, "It's a Wonderful Life: A Live Radio Play," At the Trinity Repertory Company Theatre in Providence, Rhode Island. Alison Walker Carrier was costume designer. John Ambrosone was lighting designer. Peter Sasha Hurowitz was sound designer. Curt Columbus and Tyler Dobrowsky was director.
- (2010 to 2011 season) He was set designer for Robert Harling's play, "Steel Magnolias," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian Mertes was director. William Lane was costume designer. Dan Scully was lighting designer. Broken Chord was sound designer.
- (2011 to 2012 season) He was set designer for Adrian Hall and Richard Cumming's adaptation of Charles Dickens' novel, "A Christmas Carol," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Christopher Windom was director. William Lane was costume designer. John Eckert was lighting designer. Peter Sasha Hurowitz was sound designer. Jeremy Fenn-Smith was music director. Jude Sandy was choreographer.
- (2011 to 2012 season) He was set designer for Joe Landry's adaptation of the play, "It's a Wonderful Life: A Live Radio Play," At the Trinity Repertory Company Theatre in Providence, Rhode Island. Alison Walker Carrier was costume designer. John Ambrosone was lighting designer. Peter Sasha Hurowitz was sound designer. Tyler Dobrowsky was director.
- (2011 to 2012 season) He was set designer for Curt Columbus' play, "Sparrow Grass," in a world premiere part of Three by Three in Repertory production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. William Lane was costume designer. Dan Scully was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2011 to 2012 season) He was set designer for Tyler Dobrowsky and Deborah Salem Smith's play, "Love Alone," in a world premiere part of Three by Three in Repertory production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Deborah Salem Smith was director. William Lane was costume designer. Dan Scully was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2011 to 2012 season) He was set designer for George Brant's play, "The Mourners' Bench," in a world premiere part of Three by Three in Repertory production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Michael Perlman was director. William Lane was costume designer. Dan Scully was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2012 to 2013 season) He was set designer for William Shakespeare's play, "King Lear," in a Dallas Theater Center production at the Trinity Repertory Company Theatre in Providence, Rhode Island. Kevin Moriarty was director. William Lane was costume designer. Seth Reiser was lighting designer. Broken Chord was sound designer.
- (2014 to 2015 season) He was set designer for Frank Galati's adaptation of John Steinbeck's novel, "The Grapes of Wrath," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Brian McEleney was director. William Lane was costume designer. John Ambrosone was lighting designer. Peter Sasha Hurowitz was sound designer.
- (2014 to 2015 season) He was set designer for Christopher Durang's play, "Vanya and Sasha and Masha and Spike," at the Trinity Repertory Company Theatre in Providence, Rhode Island. Curt Columbus was director. Olivera Gajic was costume designer. Josh Epstein was lighting designer. Peter Sasha Hurowitz was sound designer.
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