Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 9/1/2022
- by Screen staff
- ScreenDaily
Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 8/30/2022
- by Screen staff
- ScreenDaily
Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 8/25/2022
- by Screen staff
- ScreenDaily
Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 8/22/2022
- by Ben Dalton¬Ellie Calnan
- ScreenDaily
Lost And Found
“The House of the Lost on the Cape,” a Japanese animated movie which was an official selection at the recent Annecy festival will have a theatrical release in North America from Sept. 7. The film is to be distributed by Los Angeles-based Eleven Arts in association with Anime Expo and Iconic Events Releasing. It tells the story of two children who lose their home to a natural disaster and are taken in by a strange old woman. The roll-out begins in Los Angeles and New York and will expand to other cities.
The film is the directorial debut of Kawatsura Shinya and was written by Yoshida Reiko as an adaptation of the award-winning novel of the same title by Kashiwaba Sachiko. Animation work was headed by David Production. Earlier this year “Cape” also won the ‘best animation film’ prize at the 76th Annual Mainichi Film Awards.
Right And Roll
Crunchyroll,...
“The House of the Lost on the Cape,” a Japanese animated movie which was an official selection at the recent Annecy festival will have a theatrical release in North America from Sept. 7. The film is to be distributed by Los Angeles-based Eleven Arts in association with Anime Expo and Iconic Events Releasing. It tells the story of two children who lose their home to a natural disaster and are taken in by a strange old woman. The roll-out begins in Los Angeles and New York and will expand to other cities.
The film is the directorial debut of Kawatsura Shinya and was written by Yoshida Reiko as an adaptation of the award-winning novel of the same title by Kashiwaba Sachiko. Animation work was headed by David Production. Earlier this year “Cape” also won the ‘best animation film’ prize at the 76th Annual Mainichi Film Awards.
Right And Roll
Crunchyroll,...
- 8/5/2022
- by Patrick Frater
- Variety Film + TV
An in-person Guadalajara Film Festival (Ficg), which has moved its traditional spring dates to the fall, runs Oct. 1-9 this year. It opens with Dennis Villeneuve’s “Dune,” following its splash in Venice, and closes with the North American premiere of the first two episodes of Netflix’s animated series “Maya and the Three” from Mexico’s Jorge Gutiérrez.
Given the ongoing pandemic that is still hampering some travel, the festival expects fewer participants. Speaking to Variety in mid-September, festival director Estrella Araiza said that at that moment the Festival had about 300 confirmed participants while it normally had as many as 1,500.
Cinemas will be at 50% capacity at the festival even though Mexico has seen most cinemas opening at 100% capacity. “We want to adhere to the strictest protocols to keep our guests safe,” Araiza noted.
Some activities, such as the Masterclasses, will be available online. A novelty this year, the live...
Given the ongoing pandemic that is still hampering some travel, the festival expects fewer participants. Speaking to Variety in mid-September, festival director Estrella Araiza said that at that moment the Festival had about 300 confirmed participants while it normally had as many as 1,500.
Cinemas will be at 50% capacity at the festival even though Mexico has seen most cinemas opening at 100% capacity. “We want to adhere to the strictest protocols to keep our guests safe,” Araiza noted.
Some activities, such as the Masterclasses, will be available online. A novelty this year, the live...
- 9/26/2021
- by Anna Marie de la Fuente
- Variety Film + TV
Led by “Persian Lessons” and “Bpm (Beats Per Minute)” star Nahuel Pérez Biscayart, Manuel Nieto’s “The Employer and Employee” has been snapped up for world sales by Latido Films.
The Madrid-based sales agent has also dropped a trailer for the film. The deal was made in the run-up to July’s Cannes Festival where the feature, Nieto’s third, will world premiere in Directors’ Fortnight.
One of the biggest new Latin American films at Cannes, “The Employer and the Employee” marks a step-up in scale for Uruguayan writer-director Nieto and enhances his reputation as one of the region’s major directors on the rise.
Also written by Nieto, “The Employer and The Employee” (“El Empleado y El Patrón”) charts the two parallel lives of an employer, Rodrigo (Pérez Biscayart), and an employee, teen Carlos (Cristian Borges), who is the son of a grizzled land laborer scratching out a living...
The Madrid-based sales agent has also dropped a trailer for the film. The deal was made in the run-up to July’s Cannes Festival where the feature, Nieto’s third, will world premiere in Directors’ Fortnight.
One of the biggest new Latin American films at Cannes, “The Employer and the Employee” marks a step-up in scale for Uruguayan writer-director Nieto and enhances his reputation as one of the region’s major directors on the rise.
Also written by Nieto, “The Employer and The Employee” (“El Empleado y El Patrón”) charts the two parallel lives of an employer, Rodrigo (Pérez Biscayart), and an employee, teen Carlos (Cristian Borges), who is the son of a grizzled land laborer scratching out a living...
- 6/21/2021
- by John Hopewell
- Variety Film + TV
Now in its second year, Rotterdam’s Big Screen Award Competition aims to support the distribution fo films in Dutch cinemas.
Nominees for this prize are ten new films from Iffr sections Spectrum or Bright Future with no Benelux distributor confirmed at time of invitation. An audience jury chooses the winner.
The award comes with a €10,000 prize for a distributor to support publicity efforts in releasing the winning film in the Netherlands. Last year’s winner was Italian feature Bellas mariposas by Salvatore Mereu.
Also, the Dutch Circle of Film Critics (Knf) will choose another winner from the 10 nominees for the Knf Award.
The full line-up of The Big Screen Award Competition 2014
Another Year, Oxana Bychkova, RussiaLa distancia, Sergio Caballero, SpainIt’s Us, Nick Reding, KenyaJacky au royaume des filles, Riad Sattouf, FranceThe Militant, Manolo Nieto, Uruguay/ArgentinaObvious Child, Gillian Robespierre, USR100, Matsumoto Hitoshi, JapanReimon, Rodrigo Moreno, Argentina/GermanySee No Evil, Jos de Putter, the Netherlands...
Nominees for this prize are ten new films from Iffr sections Spectrum or Bright Future with no Benelux distributor confirmed at time of invitation. An audience jury chooses the winner.
The award comes with a €10,000 prize for a distributor to support publicity efforts in releasing the winning film in the Netherlands. Last year’s winner was Italian feature Bellas mariposas by Salvatore Mereu.
Also, the Dutch Circle of Film Critics (Knf) will choose another winner from the 10 nominees for the Knf Award.
The full line-up of The Big Screen Award Competition 2014
Another Year, Oxana Bychkova, RussiaLa distancia, Sergio Caballero, SpainIt’s Us, Nick Reding, KenyaJacky au royaume des filles, Riad Sattouf, FranceThe Militant, Manolo Nieto, Uruguay/ArgentinaObvious Child, Gillian Robespierre, USR100, Matsumoto Hitoshi, JapanReimon, Rodrigo Moreno, Argentina/GermanySee No Evil, Jos de Putter, the Netherlands...
- 1/27/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
International Film Festival Rotterdam 2014
Bright Future
World Premieres
Above: The Pinkie
About Sarah (Elisa Miller, Mexico, United Kingdom)
Bella Vista (Vera Brunner-Sung, USA)
Creator of the Jungle (Jordi Morató (Spain)
La distancia (Sergio Caballero, Spain)
Dzma/Brother (Téona Mghvdeladze & Thierry Grenade, France, Georgia)
L’éclat furtif de l'ombre (Alain-Pascal Housiaux & Patrick Dechesne, Belgium, Germany)
Edén (Elise DuRant, USA, Mexico)
Helium (Eché Janga, Netherlands)
History of Eternity (Camilo Cavalcante, Brazil)
Hotel Nueva Isla (Irene Gutiérrez & Javier Labrador, Cuba, Spain)
The Iranian Film (Yassine el Idrissi, Morocco, Netherlands, Egypt)
Jacky au royaume des filles (Riad Sattouf, France)
L for Leisure (Lev Kalman & Whitney Horn, USA, Mexico, France, Iceland)
Little Crushes (Aleksandra Gowin & Ireneusz Grzyb, Poland)
Masked Monkey - The Evolution of Darwin’s Theory (Ismail Fahmi Lubish, Indonesia)
Oilfields Mines Hurricanes (Fabian Altenried, Germany, Iceland)
The Pinkie (Lisa Takeba, Japan)
The Quiet Roar (Henrik Hellström, Sweden, Norway)
Sitzfleisch (Lisa Weber, Austria)
The Songs of Rice (Uruphong Raksasad,...
Bright Future
World Premieres
Above: The Pinkie
About Sarah (Elisa Miller, Mexico, United Kingdom)
Bella Vista (Vera Brunner-Sung, USA)
Creator of the Jungle (Jordi Morató (Spain)
La distancia (Sergio Caballero, Spain)
Dzma/Brother (Téona Mghvdeladze & Thierry Grenade, France, Georgia)
L’éclat furtif de l'ombre (Alain-Pascal Housiaux & Patrick Dechesne, Belgium, Germany)
Edén (Elise DuRant, USA, Mexico)
Helium (Eché Janga, Netherlands)
History of Eternity (Camilo Cavalcante, Brazil)
Hotel Nueva Isla (Irene Gutiérrez & Javier Labrador, Cuba, Spain)
The Iranian Film (Yassine el Idrissi, Morocco, Netherlands, Egypt)
Jacky au royaume des filles (Riad Sattouf, France)
L for Leisure (Lev Kalman & Whitney Horn, USA, Mexico, France, Iceland)
Little Crushes (Aleksandra Gowin & Ireneusz Grzyb, Poland)
Masked Monkey - The Evolution of Darwin’s Theory (Ismail Fahmi Lubish, Indonesia)
Oilfields Mines Hurricanes (Fabian Altenried, Germany, Iceland)
The Pinkie (Lisa Takeba, Japan)
The Quiet Roar (Henrik Hellström, Sweden, Norway)
Sitzfleisch (Lisa Weber, Austria)
The Songs of Rice (Uruphong Raksasad,...
- 1/13/2014
- by Notebook
- MUBI
Picks include the latest documentary from Ai Weiwei [pictured].
The International Film Festival Rotterdam has unveiled the selections for its Bright Future and Spectrum programmes (list of premiere titles below).
Across both sections there are 37 world premieres.
Bright Future is comprised of 63 films, all first and second features. Bright Future includes five films supported by the Hubert Bals Fund, including Carlos Armella’s Las voces.
Five films from Bright Future will compete in the Big Screen Award Competition, including telepathic dwarf thriller La distancia by Sergio Caballero; and Riad Sattouf’s Jacky au royaume des filles starring Charlotte Gainsbourg.
Other notable seelctions include Burrowing director Henrik Helstrom’s second feature The Quiet Roar, about a dying woman who reconnects with her past through an acid trip.
Spectrum, focusing on artistic and experimental cinema, includes 69 films, including three supported by the Hubert Bals Fund. Five Spectrum Films, including Jos de Putter’s See No Evil and Oxana Bychkova’s Another...
The International Film Festival Rotterdam has unveiled the selections for its Bright Future and Spectrum programmes (list of premiere titles below).
Across both sections there are 37 world premieres.
Bright Future is comprised of 63 films, all first and second features. Bright Future includes five films supported by the Hubert Bals Fund, including Carlos Armella’s Las voces.
Five films from Bright Future will compete in the Big Screen Award Competition, including telepathic dwarf thriller La distancia by Sergio Caballero; and Riad Sattouf’s Jacky au royaume des filles starring Charlotte Gainsbourg.
Other notable seelctions include Burrowing director Henrik Helstrom’s second feature The Quiet Roar, about a dying woman who reconnects with her past through an acid trip.
Spectrum, focusing on artistic and experimental cinema, includes 69 films, including three supported by the Hubert Bals Fund. Five Spectrum Films, including Jos de Putter’s See No Evil and Oxana Bychkova’s Another...
- 1/13/2014
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
The 38th Toronto International Film Festival has released an incredible guest list of celebrated talent from around the globe. Filmmakers expected to present their world premieres in Toronto include: Catherine Breillat, Nicole Garcia, Pawel Pawlikowski, Bertrand Tavernier, Steve McQueen, Godfrey Reggio, Denis Villeneuve, Bill Condon, Jean-Marc Vallée, John Wells, Ralph Fiennes, Richard Ayoade, Atom Egoyan, Matthew Weiner, John Carney, Jason Reitman, Jason Bateman, Yorgos Servetas, Liza Johnson, Megan Griffiths, Fernando Eimbcke, Alexey Uchitel, Johnny Ma, Biyi Bandele, Rashid Masharawi, Paul Haggis, Ron Howard, Eli Roth, Álex de la Iglesia, Bruce McDonald, Jennifer Baichwal, John Ridley, and Justin Chadwick.
The Festival also welcomes thousands of producers and other industry professionals bringing films to us.
The following filmmakers and artists are expected to attend the Toronto International Film Festival:
Ahmad Abdalla, Hany Abu-Assad, Yuval Adler, Akosua Adoma Owusu, Alexandre Aja, Bruce Alcock, Gianni Amelio, Thanos Anastopoulos, Madeline Anderson, Nimród Antal, Louise Archambault,...
The Festival also welcomes thousands of producers and other industry professionals bringing films to us.
The following filmmakers and artists are expected to attend the Toronto International Film Festival:
Ahmad Abdalla, Hany Abu-Assad, Yuval Adler, Akosua Adoma Owusu, Alexandre Aja, Bruce Alcock, Gianni Amelio, Thanos Anastopoulos, Madeline Anderson, Nimród Antal, Louise Archambault,...
- 8/21/2013
- by Ricky
- SoundOnSight
In the last wave of Tiff announcements, it’s the Discovery section that we’re most curious about as it normally is loaded up with the rookies, many first-time and second time filmmakers breaking into world film festival circuit programming with genuine gems. Among the 25 plus selected films that make up the programme, we’ve got a handful of U.S. independent films in the likes of Mark Phinney’s Fat, a pair of Us in Progress Paris projects in Aron Gaudet and Gita Pullapilly’s Beneath The Harvest Sky and Tommy Oliver’s 1982, while a newbie filmmaker part of the clan in Gia Coppola makes the trip from Venice Film Festival’s Horizon section to Toronto with the book to film adapation of James Franco Palo Alto (see pic above). Also from Venice, we have the Venice Days included Bethlehem, from Israeli helmer Yuval Adler and an item that...
- 8/20/2013
- by Eric Lavallee
- IONCINEMA.com
Festival organisers announced the Discovery, Mavericks and Masters sections, details of the David Cronenberg: Transformation exhibition, a tenth Midnight Madness entry and introduced the Glenn Gould Studio to the festival’s stable of venues.
The programming strands feature new work from Catherine Breillat and on-stage conversations with Spike Jones, Irrfan Khan, Harvey Weinstein and Ron Howard.
The final entry in Midnight Madness will be the world premiere of Alex de la Iglesia’s Witching & Bitching (Las brujas De Zugarramurdi) (Spain-France).
The Glenn Gould Studio will serve as a venue for various public and industry programming during the festival and will function as a main location for the Tiff Industry Conference, set to run from Sept 6-12.
Programming will include the industry conference keynote session, Master Class, Moguls, Mavericks, Telefilm Canada Pitch This! on Sept 9 and the Doc Conference from Sept 10-11.
“As the jewel of the Canadian Broadcast Centre, Glenn Gould Studio...
The programming strands feature new work from Catherine Breillat and on-stage conversations with Spike Jones, Irrfan Khan, Harvey Weinstein and Ron Howard.
The final entry in Midnight Madness will be the world premiere of Alex de la Iglesia’s Witching & Bitching (Las brujas De Zugarramurdi) (Spain-France).
The Glenn Gould Studio will serve as a venue for various public and industry programming during the festival and will function as a main location for the Tiff Industry Conference, set to run from Sept 6-12.
Programming will include the industry conference keynote session, Master Class, Moguls, Mavericks, Telefilm Canada Pitch This! on Sept 9 and the Doc Conference from Sept 10-11.
“As the jewel of the Canadian Broadcast Centre, Glenn Gould Studio...
- 8/20/2013
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
#97. Manuel Nieto Zas’ El Lugar Del Hijo (The Militant)
Gist: Workshopped at Cannes’ Cinefondation Residence in 2008′, this is about a college student involved in militant leftist activism is faced with some difficult decisions when his father suddenly dies, leaving him in charge of their troubled ranch and forcing him to take on the role of a middle class bourgeois.
Prediction: Un Certain Regard: Right on cue, we should meet with a new figure in Uruguayan cinema and logically the launching pad might be in the same lieu where his first director work on films from Juan Pablo Rebella and Pablo Stoll (25 Watts and Whisky), Lisandro Alonso (Los Muertos and Liverpool) and Paz Encina (Hamaca Paraguaya) were presented. His first feature film, The Dogpound showed at the Rotterdam International Film Festival 2006, where it won the Vpro Tiger Award, and work on this sophomore film actually began in late 2011 – so this is...
Gist: Workshopped at Cannes’ Cinefondation Residence in 2008′, this is about a college student involved in militant leftist activism is faced with some difficult decisions when his father suddenly dies, leaving him in charge of their troubled ranch and forcing him to take on the role of a middle class bourgeois.
Prediction: Un Certain Regard: Right on cue, we should meet with a new figure in Uruguayan cinema and logically the launching pad might be in the same lieu where his first director work on films from Juan Pablo Rebella and Pablo Stoll (25 Watts and Whisky), Lisandro Alonso (Los Muertos and Liverpool) and Paz Encina (Hamaca Paraguaya) were presented. His first feature film, The Dogpound showed at the Rotterdam International Film Festival 2006, where it won the Vpro Tiger Award, and work on this sophomore film actually began in late 2011 – so this is...
- 4/2/2013
- by Eric Lavallee
- IONCINEMA.com
#91. The Militant Director/Writer: Manolo NietoProducers: Lisandro Alonso and Andy KleinmanDistributor: Rights Available The Gist: Unknown...(more) Cast: Unknown List Worthy Reasons...: Part of the New Uruguayan Cinema movement (he was as assistant director on both "25 Watts" and "Whisky"), Manolo Nieto's sophomore picture after 2006's The Dog Pound (Best Film at Rotterdam) is being produced by the great Lisandro Alonso. Release Date/Status?: We think this will show in Cannes at either the Un Certain Regrd, Directors' Fortnight or Critics' Week section. Tiff premiere should follow. ...
- 1/4/2012
- IONCINEMA.com
“This year’s program captures how eclectic and varied in genre and style Latin American cinema has become,” says the Film Society of Lincoln Center’s Marcela Goglio, who, along with colleague Richard Pena, programs the films that play at the Walter Reade Theater during the 12th edition of Latin Beat (August 10-24). “In spite of ongoing financial struggle, good commercial films coexist with low-budget and more experimental ones.”
Even though it is the oldest of all, Latin Beat has not received its just due in a community that hosts so many mediocre Latin American and Latino film festivals and exhibitions. (Check out the Havana Film Festival New York and the New York International Latino Film Festival, if you’re in doubt. And just to pose a question: Is there a high enough percentage of quality films coming out of any one Latin American country to justify a New York...
Even though it is the oldest of all, Latin Beat has not received its just due in a community that hosts so many mediocre Latin American and Latino film festivals and exhibitions. (Check out the Havana Film Festival New York and the New York International Latino Film Festival, if you’re in doubt. And just to pose a question: Is there a high enough percentage of quality films coming out of any one Latin American country to justify a New York...
- 8/6/2011
- by Howard Feinstein
- Filmmaker Magazine - Blog
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