On the CBS comedy “Ghosts,” young couple Samantha (Rose McIver) and Jay (Utkarsh Ambudkar) inherit a decaying country estate and decide to convert it into a bed and breakfast — the only problem is that it’s inhabited by the spirits of all the people who have died on the property over the past several centuries. The eclectic group of ghosts includes a Prohibition-era crooner (Danielle Pinnock), a 1700s militiaman (Brandon Scott Jones), a ‘60s flower child (Sheila Carrasco), a ‘90s yuppie (Asher Grodman), a sarcastic Lenape tribesman from the 1500s (Román Zaragoza), and others who provided a wealth of opportunities for Heather Pain, who costume designed the series pilot.
They also provided major challenges, given that each character — like their counterparts in the show’s British predecessor — would be wearing whatever costume Pain conceived for them for the duration of the series. “I had to ask myself, ‘How do you...
They also provided major challenges, given that each character — like their counterparts in the show’s British predecessor — would be wearing whatever costume Pain conceived for them for the duration of the series. “I had to ask myself, ‘How do you...
- 5/13/2022
- by Jim Hemphill
- Indiewire
by Nathaniel R
One of the most satisfying moments of Emmy nomination morning was the contemporary costume nomination for Grace & Frankie. The Netflix sitcom starring Jane Fonda and Lily Tomlin is hot off its third and best season. The writers and creative team seem to know the characters and their interpersonal dynamics, in and out at this point. That intimacy is abundanctly evidence in the terrific costuming. Until the television Academy split off their costume design category into period and contemporary, their was little opportunity for designers who specialize in contemporary clothing to be honored no matter how strong their work - exceptions like Sex and the City were all too rare.
I had the opportunity to discuss Grace & Frankie's worthy and vibrant work with its three nominees Allyson B Fanger the costume designer, Heather Pain, her assistant costume designer, and Lori DeLapp the costume supervisor. Their overlapping answers, despite their separate duties,...
One of the most satisfying moments of Emmy nomination morning was the contemporary costume nomination for Grace & Frankie. The Netflix sitcom starring Jane Fonda and Lily Tomlin is hot off its third and best season. The writers and creative team seem to know the characters and their interpersonal dynamics, in and out at this point. That intimacy is abundanctly evidence in the terrific costuming. Until the television Academy split off their costume design category into period and contemporary, their was little opportunity for designers who specialize in contemporary clothing to be honored no matter how strong their work - exceptions like Sex and the City were all too rare.
I had the opportunity to discuss Grace & Frankie's worthy and vibrant work with its three nominees Allyson B Fanger the costume designer, Heather Pain, her assistant costume designer, and Lori DeLapp the costume supervisor. Their overlapping answers, despite their separate duties,...
- 8/27/2017
- by NATHANIEL R
- FilmExperience
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