Roster includes Tell Me The Truth About Love [pictured] and The More You Ignore Me.
Producer Debbie Gray and real estate developer Julian Gleek have announce the initial slate on their fledgling Genesius Pictures Limited.
Robbie Little of The Little Film Company will handle sales on a number of the titles and has begun conversations with buyers here.
The roster includes Tell Me The Truth About Love, the story of composer Benjamin Britten’s affair with Peter Pears. Gray is producing with Anne Beresford and Margaret Williams will direct James Northcote and James Norton.
The More You Ignore Me comes from comedienne Jo Brand, who wrote and will star, while Reg Traviss will direct The Ladykiller from Martina Cole’s adaptation of the novel of the same name. Cole and Chris Whiteside produce.
Flush is a co-production with Robbie Little and Ellen Little of The Little Film Company adapted from the Virginia Woolf novel about Elizabeth Barrett and Robert Browning...
Producer Debbie Gray and real estate developer Julian Gleek have announce the initial slate on their fledgling Genesius Pictures Limited.
Robbie Little of The Little Film Company will handle sales on a number of the titles and has begun conversations with buyers here.
The roster includes Tell Me The Truth About Love, the story of composer Benjamin Britten’s affair with Peter Pears. Gray is producing with Anne Beresford and Margaret Williams will direct James Northcote and James Norton.
The More You Ignore Me comes from comedienne Jo Brand, who wrote and will star, while Reg Traviss will direct The Ladykiller from Martina Cole’s adaptation of the novel of the same name. Cole and Chris Whiteside produce.
Flush is a co-production with Robbie Little and Ellen Little of The Little Film Company adapted from the Virginia Woolf novel about Elizabeth Barrett and Robert Browning...
- 5/20/2014
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
Pickpockets to highwaymen, bank heists to drug smuggling, the readers' collective Robin Hood act has made a treasure chest
Under the cover of darkness they came. Precious time was snatched to deliver. One reader endured terrible pain and went to hospital, another is set to move house, but this did not stop them. And another, more delightfully, saw the delivery of a beautiful baby (I dedicate this blog to you, prolific Rr regular BeltwayBandit - congratulations!), and despite all of this, during this crazy pre-Christmas period, you still brought riches. Thank you, me hearties, for your bountiful song booty! From rampant robbery to surreptitious smuggling your treasures cascaded through the cellar door of the Readers Recommend and I spent many hours admiring, examining, analysing and enjoying. I am a man poor in time, but rich in song.
And now my turn again to stand and deliver. And indeed, among all the thieves,...
Under the cover of darkness they came. Precious time was snatched to deliver. One reader endured terrible pain and went to hospital, another is set to move house, but this did not stop them. And another, more delightfully, saw the delivery of a beautiful baby (I dedicate this blog to you, prolific Rr regular BeltwayBandit - congratulations!), and despite all of this, during this crazy pre-Christmas period, you still brought riches. Thank you, me hearties, for your bountiful song booty! From rampant robbery to surreptitious smuggling your treasures cascaded through the cellar door of the Readers Recommend and I spent many hours admiring, examining, analysing and enjoying. I am a man poor in time, but rich in song.
And now my turn again to stand and deliver. And indeed, among all the thieves,...
- 12/19/2013
- by Peter Kimpton
- The Guardian - Film News
The music we grow up with shapes our tastes in later life, according to a study by Cornell University. We asked Guardian writers to tell us about the songs that take them back to their childhood homes
'My mother would listen to the Carpenters while ironing'
Of the handful of albums my parents owned, it was The Carpenters' Singles 1969-1973 that struck me the most. I remember being particularly fascinated by Rainy Days and Mondays. With the benefit of hindsight, I suspect it was because it was the first piece of music I had ever heard that appeared to perfectly suit the circumstances in which I heard it. My mother would listen to the Carpenters in the afternoon, while doing the ironing in the front room, and I remember thinking that was what the woman in the song was probably doing too. In my head she was singing it...
'My mother would listen to the Carpenters while ironing'
Of the handful of albums my parents owned, it was The Carpenters' Singles 1969-1973 that struck me the most. I remember being particularly fascinated by Rainy Days and Mondays. With the benefit of hindsight, I suspect it was because it was the first piece of music I had ever heard that appeared to perfectly suit the circumstances in which I heard it. My mother would listen to the Carpenters in the afternoon, while doing the ironing in the front room, and I remember thinking that was what the woman in the song was probably doing too. In my head she was singing it...
- 9/10/2013
- by Dorian Lynskey, Tim Jonze, Bim Adewunmi, Rebecca Nicholson, Alexis Petridis, Michael Hann, Paula Cocozza, John Crace, Lucy Mangan, Tim Dowling, Nosheen Iqbal
- The Guardian - Film News
(Gonzo Multimedia)
What better way to start Benjamin Britten's centenary year than with these four historic films by Tony Palmer, which capture so much of the essence of Britten's music-making. The classic A Time There Was… interviews relatives and housekeepers and includes extensive performance footage. Then there are two full performances: The Burning Fiery Furnace and Death in Venice, the latter atmospherically shot on site (except for Peter Pears who oddly only appears partway through the opera). Freshest of all, the 1967 Benjamin Britten and his Festival captures the excitement of Aldeburgh and the opening of Snape Maltings before the fire that temporarily destroyed it.
Benjamin BrittenClassical musicDVD and video reviewsNicholas Kenyon
guardian.co.uk © 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds...
What better way to start Benjamin Britten's centenary year than with these four historic films by Tony Palmer, which capture so much of the essence of Britten's music-making. The classic A Time There Was… interviews relatives and housekeepers and includes extensive performance footage. Then there are two full performances: The Burning Fiery Furnace and Death in Venice, the latter atmospherically shot on site (except for Peter Pears who oddly only appears partway through the opera). Freshest of all, the 1967 Benjamin Britten and his Festival captures the excitement of Aldeburgh and the opening of Snape Maltings before the fire that temporarily destroyed it.
Benjamin BrittenClassical musicDVD and video reviewsNicholas Kenyon
guardian.co.uk © 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds...
- 1/13/2013
- by Nicholas Kenyon
- The Guardian - Film News
Shortly after 9/11, and very definitely as a personal response to that event, I wrote an article about Requiems for Cdnow, where I worked at the time (just a few blocks away from Ground Zero; fortunately our workday started at 10 Am, so I wasn't there yet that day, but in the weeks that followed there were days where, if the wind came from the wrong direction, we would go home early, it made us so sick). In the years since, I have written about music composed in response to that tragedy, such as John Adams's On the Transmigration of Souls. But now I find myself being drawn back to the Requiem idea. Here's a much-expanded take on it.
This roughly chronological list confines itself to works with a sacred basis, though the 20th century yielded secular Requiems, most notably Paul Hindemith's When Lilacs Last in the Door-yard Bloom...
This roughly chronological list confines itself to works with a sacred basis, though the 20th century yielded secular Requiems, most notably Paul Hindemith's When Lilacs Last in the Door-yard Bloom...
- 9/11/2012
- by SteveHoltje
- www.culturecatch.com
February House Public Theater, NY
In a theater season dominated by musicals adapted from movies, it is nice to see an original new musical, but originality alone is no guarantee of a fully realized and satisfying entertainment. February House, the new musical opening at the Public Theater, is indeed original. It has its assets, including intelligence and an impressive score, but it is also uneven. While the musical has moments that are close to magical, it ultimately left me wishing it had delivered more than it did.
February House is inspired by real-life events. In 1940, flamboyant editor George Davis took a house in Brooklyn and turned it into a bohemian commune for writers and artists, including such icons as Carson McCullers, Benjamin Britten, W.H. Auden, and Gypsy Rose Lee. The musical depicts life at what was called February House -- because so many of those artists had February birthdays --...
In a theater season dominated by musicals adapted from movies, it is nice to see an original new musical, but originality alone is no guarantee of a fully realized and satisfying entertainment. February House, the new musical opening at the Public Theater, is indeed original. It has its assets, including intelligence and an impressive score, but it is also uneven. While the musical has moments that are close to magical, it ultimately left me wishing it had delivered more than it did.
February House is inspired by real-life events. In 1940, flamboyant editor George Davis took a house in Brooklyn and turned it into a bohemian commune for writers and artists, including such icons as Carson McCullers, Benjamin Britten, W.H. Auden, and Gypsy Rose Lee. The musical depicts life at what was called February House -- because so many of those artists had February birthdays --...
- 5/26/2012
- by James Miller
- www.culturecatch.com
February House (Playing at the Public Theater through June 10) February House is an ambitious artistic experiment about an ambitious artistic experiment: An attempt by Harpers fiction editor George Davis (Julian Fleisher) to found an art commune in Brooklyn Heights in 1940. Davis’s incandescent brood of tinderbox souls included wunderkind novelist Carson McCullers (the adorable Kristen Sieh), composer Benjamin Britten (Stanley Bahorek) and his lover-muse, the tenor Peter Pears (Ken Barnett), anti-fascist firebrand Erika Mann (Stephanie Hayes), “thinking-man’s stripper” Gypsy Rose Lee (Kacie Sheik), and, as elder statesman (at 33), the revered poet W.H. Auden (Erik Lochtefeld, subtly and sustainedly wrong for a disagreeable and miswritten role).To capture the brilliant din, composer-lyricist Gabriel Kahane, a narrative songwriter of great skill and ample wit, has attempted a simultaneous dialogue with the yearning poetry of Auden, the modern musical decouplings of Britten, McCullers’s Southern longings, and Gypsy’s brass. It’s...
- 5/25/2012
- by Scott Brown
- Vulture
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