Happy Ever Aftrs
Rachel Perkins has been appointed as chair of the Australian Film, Television and Radio School (Aftrs) council for a period of three years. She follows previous chairs Russell Howcroft and Debra Richards. Aftrs is Australia’s leading specialist education, training and research institution, supporting excellence in Australian screen and audio storytelling.
“Rachel is one of Australia’s leading storytellers, particularly when it comes to First Nations stories,” said Minister for the Arts, Tony Burke.
A graduate of Aftrs, writer, director and producer, Perkins founded Blackfella Films, which has gone onto become one of Australia’s leading production companies. Its recent documentary series “The Australian Wars” won most outstanding factual or documentary program at the 2023 TV Week Logie Awards, as well as best documentary or factual program and best direction in nonfiction television at the 2024 Aacta awards.
Wide Screen Wider
Indian movie exhibition chain Miraj Cinemas has agreed...
Rachel Perkins has been appointed as chair of the Australian Film, Television and Radio School (Aftrs) council for a period of three years. She follows previous chairs Russell Howcroft and Debra Richards. Aftrs is Australia’s leading specialist education, training and research institution, supporting excellence in Australian screen and audio storytelling.
“Rachel is one of Australia’s leading storytellers, particularly when it comes to First Nations stories,” said Minister for the Arts, Tony Burke.
A graduate of Aftrs, writer, director and producer, Perkins founded Blackfella Films, which has gone onto become one of Australia’s leading production companies. Its recent documentary series “The Australian Wars” won most outstanding factual or documentary program at the 2023 TV Week Logie Awards, as well as best documentary or factual program and best direction in nonfiction television at the 2024 Aacta awards.
Wide Screen Wider
Indian movie exhibition chain Miraj Cinemas has agreed...
- 4/11/2024
- by Patrick Frater
- Variety Film + TV
“Talk to Me” was the runaway winner at this year’s main awards from the Australian Academy of Cinema and Television Arts.
The native production, which debuted at the Sundance Film Festival last year and was acquired by A24 for North American distribution, scored three of the evening’s top prizes, including wins for best film, best lead actress for Sophie Wilde and best direction for the filmmaking duo of brothers, Danny Philippou and Michael Philoppou.
Other winners from this year’s edition include “The New Boy” stars Aswan Reid and Deborah Mailman in lead actor and supporting actress, respectively, and Hugo Weaving in supporting actor for “The Rooster.”
The Aacta Awards were held Saturday evening at the Home of the Arts, Gold Coast in Queensland. Rebel Wilson served as host, while Australian star Margot Robbie was honored with the group’s trailblazer award.
See the full list of winners below.
The native production, which debuted at the Sundance Film Festival last year and was acquired by A24 for North American distribution, scored three of the evening’s top prizes, including wins for best film, best lead actress for Sophie Wilde and best direction for the filmmaking duo of brothers, Danny Philippou and Michael Philoppou.
Other winners from this year’s edition include “The New Boy” stars Aswan Reid and Deborah Mailman in lead actor and supporting actress, respectively, and Hugo Weaving in supporting actor for “The Rooster.”
The Aacta Awards were held Saturday evening at the Home of the Arts, Gold Coast in Queensland. Rebel Wilson served as host, while Australian star Margot Robbie was honored with the group’s trailblazer award.
See the full list of winners below.
- 2/10/2024
- by J. Kim Murphy
- Variety Film + TV
“In all my career, I’ve never felt a room like you,” said Warwick Thornton, the First Nations Australian director, after the screening of his film “The New Boy,” a story of spirituality and survival set in 1940s, that was the opening night title of the Sydney Film Festival. “The energy you give back to these children…,” he said before tailing off.
It was a churning, heartfelt moment that contrasted with Thornton’s bouncy earlier appearance on stage, when he joshed about having told the eight untrained school-age kids in his cast never to look directly at the camera while on set. And how he had to reverse that advice for when they, along with producer Kath Shelper, dominated the red carpet at Sydney’s grand State Theatre. Smile and wave for the paparazzi.
The film had premiered last month in competition at Cannes and was overlooked for major awards.
It was a churning, heartfelt moment that contrasted with Thornton’s bouncy earlier appearance on stage, when he joshed about having told the eight untrained school-age kids in his cast never to look directly at the camera while on set. And how he had to reverse that advice for when they, along with producer Kath Shelper, dominated the red carpet at Sydney’s grand State Theatre. Smile and wave for the paparazzi.
The film had premiered last month in competition at Cannes and was overlooked for major awards.
- 6/8/2023
- by Patrick Frater and Katherine Tulich
- Variety Film + TV
Festival
Japanese director Kawase Naomi will lead the international competition jury of the 44th Cairo International Film Festival (Nov. 13-22).
Kawase won the Caméra d’Or for best debut feature film at Cannes for “Moe no Suzaku” (1997) and also won awards there for “Mogari no Mori” (2007) and “Hikari” (2017). In 2000, her film “Hotaru” won the Fipresci award at Locarno.
Cairo festival president Hussein Fahmy said that Kawase has had a distinguished career and possesses great experience that qualified her to obtain prestigious awards from various international festivals.
Festival director Amir Ramses added that the presence of an award-winning female director with such a successful career and rich filmography is a great inspiration to female filmmakers in Egypt.
Solidarity
The International Coalition for Filmmakers at Risk (Icfr) has declared solidarity with all those in Iran who stand up for their basic human rights and the freedom of expression.
“This is a revolution...
Japanese director Kawase Naomi will lead the international competition jury of the 44th Cairo International Film Festival (Nov. 13-22).
Kawase won the Caméra d’Or for best debut feature film at Cannes for “Moe no Suzaku” (1997) and also won awards there for “Mogari no Mori” (2007) and “Hikari” (2017). In 2000, her film “Hotaru” won the Fipresci award at Locarno.
Cairo festival president Hussein Fahmy said that Kawase has had a distinguished career and possesses great experience that qualified her to obtain prestigious awards from various international festivals.
Festival director Amir Ramses added that the presence of an award-winning female director with such a successful career and rich filmography is a great inspiration to female filmmakers in Egypt.
Solidarity
The International Coalition for Filmmakers at Risk (Icfr) has declared solidarity with all those in Iran who stand up for their basic human rights and the freedom of expression.
“This is a revolution...
- 10/12/2022
- by Patrick Frater
- Variety Film + TV
Rahel Romahn has been named the 11th recipient of the Heath Ledger Scholarship, the richest acting prize in Australia.
The Heath Ledger Scholarship is awarded to an emerging Australian actor with extraordinary ability and dedication to their craft who wishes to work and train internationally. The scholarship has propelled many previous recipients into international careers, including Bella Heathcote (Pieces of Her), Cody Fern (American Horror Story), Ashleigh Cummings (Citadel), Mojean Aria (The Enforcer), and Charmaine Bingwa (The Good Fight).
Ledger died on January 22, 2008 as a result of an accidental overdose of medications. He had just finished filming his role as the Joker in The Dark Knight.
Romahn most recently starred in the series Shantaram, as well as Mr InBetween andLittle Monsters. He was nominated for an Aacta and Logie award for his role in The Principal. He is based in Sydney and does not, as yet, have US representation.
Announced...
The Heath Ledger Scholarship is awarded to an emerging Australian actor with extraordinary ability and dedication to their craft who wishes to work and train internationally. The scholarship has propelled many previous recipients into international careers, including Bella Heathcote (Pieces of Her), Cody Fern (American Horror Story), Ashleigh Cummings (Citadel), Mojean Aria (The Enforcer), and Charmaine Bingwa (The Good Fight).
Ledger died on January 22, 2008 as a result of an accidental overdose of medications. He had just finished filming his role as the Joker in The Dark Knight.
Romahn most recently starred in the series Shantaram, as well as Mr InBetween andLittle Monsters. He was nominated for an Aacta and Logie award for his role in The Principal. He is based in Sydney and does not, as yet, have US representation.
Announced...
- 1/28/2022
- by Bruce Haring
- Deadline Film + TV
Australian contemporary political thriller series “Total Control” has been licensed by broadcasters and streamers across Asia and Latin America, following the recent launch of a second season.
Starring Deborah Mailman and Rachel Griffiths, the show confronts a range of issues around race, diversity and First Nations rights. Produced by Blackfella Films, the narrative depicts a fearless Indigenous senator facing an election and the judgement of the people, after engineering a remarkable coup that unseated the Prime Minister.
Rights licensing outside North America is handled by independent distributor All3Media International. At the Asia Television Forum & Market in Singapore this week, the company announced that HBO Max Latin America has licensed both seasons.
In Asia, Korean streamer Watcha has secured rights for Japan. The Australian Broadcasting Corporation has signed a multi-territory deal covering territories including Bangladesh, Hong Kong, India, Indonesia, Mongolia, Pakistan and Malaysia for the second season.
Acorn premiers the show in U.
Starring Deborah Mailman and Rachel Griffiths, the show confronts a range of issues around race, diversity and First Nations rights. Produced by Blackfella Films, the narrative depicts a fearless Indigenous senator facing an election and the judgement of the people, after engineering a remarkable coup that unseated the Prime Minister.
Rights licensing outside North America is handled by independent distributor All3Media International. At the Asia Television Forum & Market in Singapore this week, the company announced that HBO Max Latin America has licensed both seasons.
In Asia, Korean streamer Watcha has secured rights for Japan. The Australian Broadcasting Corporation has signed a multi-territory deal covering territories including Bangladesh, Hong Kong, India, Indonesia, Mongolia, Pakistan and Malaysia for the second season.
Acorn premiers the show in U.
- 12/1/2021
- by Patrick Frater
- Variety Film + TV
Bunya Productions’ Mystery Road: Origin is underway in Western Australia’s Kalgoorlie-Boulder for the ABC, with a stacked ensemble cast to join Mark Coles Smith as a young Jay Swan.
They include Toby Leonard Moore, Daniel Henshall, Lisa Flanagan, Clarence Ryan, Steve Bisley, Caroline Brazier, Hayley McElhinney, Dubs Yunupingu, Kelton Pell, Leonie Whyman, Salme Geransar, Nina Young and rising stars Jayden Popik and Tuuli Narkle, who will play Jay’s first love Mary.
The third season of the series is set in 1999 and follows Constable Jay Swan, a charismatic young officer who arrives at his new station. Fresh from the city and tipped for big things, Jay might be the new copper, but he’s not new to this town. His estranged father Jack lives here, as does the woman who will change his life forever, Mary.
The Mystery Road franchise stems back to Ivan Sen’s 2013 film by the same title,...
They include Toby Leonard Moore, Daniel Henshall, Lisa Flanagan, Clarence Ryan, Steve Bisley, Caroline Brazier, Hayley McElhinney, Dubs Yunupingu, Kelton Pell, Leonie Whyman, Salme Geransar, Nina Young and rising stars Jayden Popik and Tuuli Narkle, who will play Jay’s first love Mary.
The third season of the series is set in 1999 and follows Constable Jay Swan, a charismatic young officer who arrives at his new station. Fresh from the city and tipped for big things, Jay might be the new copper, but he’s not new to this town. His estranged father Jack lives here, as does the woman who will change his life forever, Mary.
The Mystery Road franchise stems back to Ivan Sen’s 2013 film by the same title,...
- 10/12/2021
- by Staff Writer
- IF.com.au
Newly-appointed Screen Australia head of First Nations Angela Bates is taking an ‘if it ain’t broke, don’t fix it’ approach to the role, insisting her focus is on furthering the strides made by her predecessors.
Bates, who first joined the department in early 2019 as development and investment manager, had the opportunity to work closely with previous head Penny Smallacombe, who vacated the position in May after more than six years.
Speaking to If, she said she would draw on the five strategic pillars identified in The Next 25 Years, a strategy that Smallacombe developed in consultation with filmmakers and industry stakeholders during the department’s 25th anniversary year in 2018.
“I’m not trying to reinvent the wheel here,” she said.
“There are five key pillars that underpin The Next 25 Years strategy – Indigenous storytelling, identifying stories and talent, developing talent, connecting talent, and advocating for indigenous representation and leadership.
“I...
Bates, who first joined the department in early 2019 as development and investment manager, had the opportunity to work closely with previous head Penny Smallacombe, who vacated the position in May after more than six years.
Speaking to If, she said she would draw on the five strategic pillars identified in The Next 25 Years, a strategy that Smallacombe developed in consultation with filmmakers and industry stakeholders during the department’s 25th anniversary year in 2018.
“I’m not trying to reinvent the wheel here,” she said.
“There are five key pillars that underpin The Next 25 Years strategy – Indigenous storytelling, identifying stories and talent, developing talent, connecting talent, and advocating for indigenous representation and leadership.
“I...
- 10/5/2021
- by Sean Slatter
- IF.com.au
Chris Hemsworth, Jacki Weaver, UK casting director Nina Gold, Rachel Perkins, and US actor Alia Shawkat will make up the jury for this year’s Heath Ledger Scholarship.
They join a group of US and Australian casting directors that have been appointed first-round judges, including Jason Wood, Barbara McCarthy, Alyssa Weisberg, John McAlary, Ann Fay, Amanda Mitchell, and Anousha Zarkesh.
Australians in Film has also announced Ledger’s longtime friend and colleague, Gregor Jordan, as a patron of the scholarship, alongside Ledger’s father Kim, scholarship founder Susie Dobson, and casting director Ann Fay.
Jordan will provide professional support and guidance for the recipient during the 12 months of international training and professional development that the scholarship offers in Los Angeles.
Kim Ledger said Jordan’s support for the scholarship and close relationship with his son meant it was “only fitting” the Two Hands director be named as a patron.
Awarded...
They join a group of US and Australian casting directors that have been appointed first-round judges, including Jason Wood, Barbara McCarthy, Alyssa Weisberg, John McAlary, Ann Fay, Amanda Mitchell, and Anousha Zarkesh.
Australians in Film has also announced Ledger’s longtime friend and colleague, Gregor Jordan, as a patron of the scholarship, alongside Ledger’s father Kim, scholarship founder Susie Dobson, and casting director Ann Fay.
Jordan will provide professional support and guidance for the recipient during the 12 months of international training and professional development that the scholarship offers in Los Angeles.
Kim Ledger said Jordan’s support for the scholarship and close relationship with his son meant it was “only fitting” the Two Hands director be named as a patron.
Awarded...
- 9/23/2021
- by Staff Writer
- IF.com.au
Chris Hemsworth, Jacki Weaver, Alia Shawkat, Total Control director Rachel Perkins and casting director Nina Gold (Solo: A Star Wars Story) are set to judge the Heath Ledger Scholarship, Australians in Film revealed Wednesday.
Gregor Jordan, who directed Ledger in Two Hands and Ned Kelly and was a longtime friend of the late actor, will serve as Patron of the acting prize.
Prior to the decision of the aforementioned judges, a panel of first-round judges comprised of Australian and American casting directors including Barbara McCarthy (The Spectacular Now), Alyssa Weisberg (X-Men: Dark Phoenix), will determine a group of five finalists.
“We are thrilled at the ...
Gregor Jordan, who directed Ledger in Two Hands and Ned Kelly and was a longtime friend of the late actor, will serve as Patron of the acting prize.
Prior to the decision of the aforementioned judges, a panel of first-round judges comprised of Australian and American casting directors including Barbara McCarthy (The Spectacular Now), Alyssa Weisberg (X-Men: Dark Phoenix), will determine a group of five finalists.
“We are thrilled at the ...
- 9/23/2021
- The Hollywood Reporter - Movie News
Chris Hemsworth, Jacki Weaver, Alia Shawkat, Total Control director Rachel Perkins and casting director Nina Gold (Solo: A Star Wars Story) are set to judge the Heath Ledger Scholarship, Australians in Film revealed Wednesday.
Gregor Jordan, who directed Ledger in Two Hands and Ned Kelly and was a longtime friend of the late actor, will serve as Patron of the acting prize.
Prior to the decision of the aforementioned judges, a panel of first-round judges comprising Australian and American casting directors, including Barbara McCarthy (The Spectacular Now) and Alyssa Weisberg (X-Men: Dark Phoenix), will determine a group of five finalists.
“We are thrilled at the ...
Gregor Jordan, who directed Ledger in Two Hands and Ned Kelly and was a longtime friend of the late actor, will serve as Patron of the acting prize.
Prior to the decision of the aforementioned judges, a panel of first-round judges comprising Australian and American casting directors, including Barbara McCarthy (The Spectacular Now) and Alyssa Weisberg (X-Men: Dark Phoenix), will determine a group of five finalists.
“We are thrilled at the ...
- 9/23/2021
- The Hollywood Reporter - Film + TV
Members of the Australian Directors’ Guild have had the chance to hear from some of the country’s most established filmmakers over the past five months as part of the Adg-40 ‘First-Hand’ sessions.
Consisting of 40 weekly one-hour webinars fronted by industry mentors, the initiative is due to start again this week following a short break, with Claire McCarthy (The Turning) to share insights from her career on Thursday.
It comes after contributions from Gillian Armstrong, Rachel Perkins, Rolf de Heer, Samantha Lang, Corrie Chen, Ben Lawrence, Ana Kokkinos, Megan Riakos, Josephine Mackerras, Robert Connolly, Garth Davis, Sally Aitken, Jub Clerc, Kriv Stenders, Tom Zubrycki, Anna Broinowski, Peter Andrikidis, Jasmin Tarasin, and Glendyn Ivin.
The sessions are moderated by Adg strategy and development executive Ana Tiwary who is responsible for collating questions from those tuning in.
She has tried to focus on topics covering the practical aspects of directing that cannot be learned from a book,...
Consisting of 40 weekly one-hour webinars fronted by industry mentors, the initiative is due to start again this week following a short break, with Claire McCarthy (The Turning) to share insights from her career on Thursday.
It comes after contributions from Gillian Armstrong, Rachel Perkins, Rolf de Heer, Samantha Lang, Corrie Chen, Ben Lawrence, Ana Kokkinos, Megan Riakos, Josephine Mackerras, Robert Connolly, Garth Davis, Sally Aitken, Jub Clerc, Kriv Stenders, Tom Zubrycki, Anna Broinowski, Peter Andrikidis, Jasmin Tarasin, and Glendyn Ivin.
The sessions are moderated by Adg strategy and development executive Ana Tiwary who is responsible for collating questions from those tuning in.
She has tried to focus on topics covering the practical aspects of directing that cannot be learned from a book,...
- 9/6/2021
- by Sean Slatter
- IF.com.au
Mark Coles Smith is set to take the baton from Aaron Pedersen and play a young Jay Swan in Mystery Road: Origin, ABC/Bunya Productions’ latest instalment in the crime drama franchise.
Set in 1999, the series will see Constable Jay Swan as young charismatic officer at his new station. Fresh from the city and tipped for big things, Jay might be the new copper, but he’s not new to this town. His estranged father Jack lives here, as does the woman who will change his life forever, Mary.
Mystery Road: Origin will explore how a tragic death, an epic love, and the brutal reality of life as a police officer straddling two worlds, form the indelible mould out of which will emerge Detective Jay Swan.
“Audiences have long been intrigued with the enigmatic detective,” said producer Greer Simpkin.
“Now we peel back the layers of Jay Swan, to discover...
Set in 1999, the series will see Constable Jay Swan as young charismatic officer at his new station. Fresh from the city and tipped for big things, Jay might be the new copper, but he’s not new to this town. His estranged father Jack lives here, as does the woman who will change his life forever, Mary.
Mystery Road: Origin will explore how a tragic death, an epic love, and the brutal reality of life as a police officer straddling two worlds, form the indelible mould out of which will emerge Detective Jay Swan.
“Audiences have long been intrigued with the enigmatic detective,” said producer Greer Simpkin.
“Now we peel back the layers of Jay Swan, to discover...
- 8/23/2021
- by Jackie Keast
- IF.com.au
To celebrate the 40 years since its inception, the Australian Directors’ Guild (Adg) will launch a series of mentoring sessions from some of its most high profile members, starting this week.
Adg-40 ‘First-Hand’ consists of 40 60-minute Zoom forums in a moderated Q&a format that will be held each Tuesday and Thursday from April 8.
Each Adg-40 ‘First-Hand’ webinar will be provided free-of-charge to Adg members across Australia and will include on-notice and ‘from the floor’ questions.
Adg strategy and development executive Ana Tiwary will moderate the forums, with president Samantha Lang to introduce the inaugural session mentor – Adg’s first president, Gillian Armstrong.
Armstrong said she was “delighted” to have the opportunity to “hopefully assist and inspire” the next generation of director members.
“It’s hard to believe it’s 40 years since a passionate and noisy group of us gathered around my kitchen table to form some sort of guild to protect Australian directors,...
Adg-40 ‘First-Hand’ consists of 40 60-minute Zoom forums in a moderated Q&a format that will be held each Tuesday and Thursday from April 8.
Each Adg-40 ‘First-Hand’ webinar will be provided free-of-charge to Adg members across Australia and will include on-notice and ‘from the floor’ questions.
Adg strategy and development executive Ana Tiwary will moderate the forums, with president Samantha Lang to introduce the inaugural session mentor – Adg’s first president, Gillian Armstrong.
Armstrong said she was “delighted” to have the opportunity to “hopefully assist and inspire” the next generation of director members.
“It’s hard to believe it’s 40 years since a passionate and noisy group of us gathered around my kitchen table to form some sort of guild to protect Australian directors,...
- 4/5/2021
- by Sean Slatter
- IF.com.au
While Aacta’s Byron Kennedy Award is typically given to an individual or organisation who demonstrates “outstanding creative enterprise”, this year the award will go to a film.
The nominees for the honour, which celebrates the legacy of Dr George Miller’s original producing partner and Mad Max co-creator Byron Kennedy, are a short-list of the last decade’s best indie genre features.
The films are diverse, spanning comedies, Westerns, thrillers, horrors and sci-fis, but Aacta has determined each are in line with Kennedy’s “ethos of excellence”, resourcefulness and “the can-do spirit of independent, low-budget local filmmaking.”
They include: The Babadook, Beast, Cargo, Girl Asleep, I Am Mother, The Infinite Man, Mad Bastards, Mystery Road, Red Hill, That’s Not Me, These Final Hours and Wyrmwood: Road of the Dead.
‘Girl Asleep’.
Many nominated are debut features, such as Jennifer Kent’s The Babadook and Zak Hilditch’s These Final Hours,...
The nominees for the honour, which celebrates the legacy of Dr George Miller’s original producing partner and Mad Max co-creator Byron Kennedy, are a short-list of the last decade’s best indie genre features.
The films are diverse, spanning comedies, Westerns, thrillers, horrors and sci-fis, but Aacta has determined each are in line with Kennedy’s “ethos of excellence”, resourcefulness and “the can-do spirit of independent, low-budget local filmmaking.”
They include: The Babadook, Beast, Cargo, Girl Asleep, I Am Mother, The Infinite Man, Mad Bastards, Mystery Road, Red Hill, That’s Not Me, These Final Hours and Wyrmwood: Road of the Dead.
‘Girl Asleep’.
Many nominated are debut features, such as Jennifer Kent’s The Babadook and Zak Hilditch’s These Final Hours,...
- 11/24/2020
- by Jackie Keast
- IF.com.au
To mark the release of Mystery Road Series 2 on 5th October, we’ve been given 2 copies to give away on DVD.
The first season follows on from Ivan Sen’s multi-award-winning feature film of the same name, with Rachel Perkins (Radiance) taking the reins of the traditional Western-inspired story, and now Wayne Blair (Cleverman) and Warwick Thornton (Sweet Country) take this new fork in the road, leading Detective Swan (Aaron Pedersen – Jack Irish) deeper into the corruption that mars the stunning landscape of the outback.
When a headless corpse is found floating by the shore in a remote outback town, Jay Swan (Aaron Pedersen – Jack Irish) is brought in to investigate, this time joined by colleague Fran (Jada Alberts – Cleverman). He must balance law and lore as they contend with protests over the excavation of an Indigenous site…and that’s before another body shows up. Could the murders be linked?...
The first season follows on from Ivan Sen’s multi-award-winning feature film of the same name, with Rachel Perkins (Radiance) taking the reins of the traditional Western-inspired story, and now Wayne Blair (Cleverman) and Warwick Thornton (Sweet Country) take this new fork in the road, leading Detective Swan (Aaron Pedersen – Jack Irish) deeper into the corruption that mars the stunning landscape of the outback.
When a headless corpse is found floating by the shore in a remote outback town, Jay Swan (Aaron Pedersen – Jack Irish) is brought in to investigate, this time joined by colleague Fran (Jada Alberts – Cleverman). He must balance law and lore as they contend with protests over the excavation of an Indigenous site…and that’s before another body shows up. Could the murders be linked?...
- 9/28/2020
- by Competitions
- HeyUGuys.co.uk
When settlers began opening up the wild frontier of Western Australia in the 19th century, they relied heavily on immigrant cameleers from India, Afghanistan, and Persia. The predominantly Muslim and Sikh group, commonly referred to as “Ghans,” were instrumental in settling the Outback, but their contributions to the formation of modern-day Australia have largely been scrubbed from history.
“The Furnace” is first-time writer-director Roderick MacKay’s attempt to shed light on that little-known past, with the story of a young man from Afghanistan who falls in with a mysterious bushman on the run from the law with stolen gold. The film stars Toronto Film Festival Rising Star Ahmed Malek, Jay Ryan, and David Wenham, and has its world premiere Sept. 4 in the Horizons section of the Venice Film Festival.
“The Furnace” is produced by Timothy White (“I Am Mother”) and Tenille Kennedy (“H Is For Happiness”), and co-produced by Georgia White,...
“The Furnace” is first-time writer-director Roderick MacKay’s attempt to shed light on that little-known past, with the story of a young man from Afghanistan who falls in with a mysterious bushman on the run from the law with stolen gold. The film stars Toronto Film Festival Rising Star Ahmed Malek, Jay Ryan, and David Wenham, and has its world premiere Sept. 4 in the Horizons section of the Venice Film Festival.
“The Furnace” is produced by Timothy White (“I Am Mother”) and Tenille Kennedy (“H Is For Happiness”), and co-produced by Georgia White,...
- 9/4/2020
- by Christopher Vourlias
- Variety Film + TV
Sophie Hyde, pictured here on the set of ‘Animals’, has been nominated for two Adg Awards.
First-time feature directors Thomas Wright (Acute Misfortune), John Sheedy (H is for Happiness), Ben Lawrence (Hearts and Bones) and Natalie Erika James (Relic) will vie for the Australian Directors’ Guild (Adg) Award for Best Direction in a Feature Film ($1 million or over) against Sophie Hyde (Animals) and Wayne Blair (Top End Wedding).
Up in the $1 million or under category are Josephine Mackerras for Alice, Imogen Thomas for Emu Runner, Lucy Colman for Hot Mess, Luke Sullivan for Reflections In The Dust and Samuel Van Grinsven for Sequin In A Blue Room.
The Adg announced nominees for its annual awards today, with winners to be announced in Sydney at a ceremony October 19. A record 202 entries were received this year, up from 117 in 2019.
“At these challenging times, it is more important than ever that we come...
First-time feature directors Thomas Wright (Acute Misfortune), John Sheedy (H is for Happiness), Ben Lawrence (Hearts and Bones) and Natalie Erika James (Relic) will vie for the Australian Directors’ Guild (Adg) Award for Best Direction in a Feature Film ($1 million or over) against Sophie Hyde (Animals) and Wayne Blair (Top End Wedding).
Up in the $1 million or under category are Josephine Mackerras for Alice, Imogen Thomas for Emu Runner, Lucy Colman for Hot Mess, Luke Sullivan for Reflections In The Dust and Samuel Van Grinsven for Sequin In A Blue Room.
The Adg announced nominees for its annual awards today, with winners to be announced in Sydney at a ceremony October 19. A record 202 entries were received this year, up from 117 in 2019.
“At these challenging times, it is more important than ever that we come...
- 7/14/2020
- by jkeast
- IF.com.au
Dylan River and Tanith Glynn-Maloney.
After producing She Who Must Be Loved and co-producing Robbie Hood and The Beach, Tanith Glynn-Maloney is sticking to her mission of telling “blackfella” stories.
“I only want to tell positive stories about blackfellas. I’m not interested in working for white fellas just to tick some boxes,” Glynn-Maloney told First Nations Media Australia’s Catherine Liddle in a Media Ring interview last week.
Glynn-Maloney, who is partnered with her cousin Dylan River in Since 1788 Productions, is developing multiple projects including Finding Jedda, a short film funded by the No Ordinary Black initiative, in which Screen Australia’s Indigenous department is partnered with Nitv and state agencies.
Also in the works are a prequel to Robbie Hood with Ludo Studio; The Visitors, a feature drama based on Jane Harrison’s play, a co-production with Nick Batzias’ Good Thing Productions; and Pictures in Paradise’s action-adventure-drama Musquito.
After producing She Who Must Be Loved and co-producing Robbie Hood and The Beach, Tanith Glynn-Maloney is sticking to her mission of telling “blackfella” stories.
“I only want to tell positive stories about blackfellas. I’m not interested in working for white fellas just to tick some boxes,” Glynn-Maloney told First Nations Media Australia’s Catherine Liddle in a Media Ring interview last week.
Glynn-Maloney, who is partnered with her cousin Dylan River in Since 1788 Productions, is developing multiple projects including Finding Jedda, a short film funded by the No Ordinary Black initiative, in which Screen Australia’s Indigenous department is partnered with Nitv and state agencies.
Also in the works are a prequel to Robbie Hood with Ludo Studio; The Visitors, a feature drama based on Jane Harrison’s play, a co-production with Nick Batzias’ Good Thing Productions; and Pictures in Paradise’s action-adventure-drama Musquito.
- 7/7/2020
- by The IF Team
- IF.com.au
Rachel Perkins.
Rachel Perkins has been spending lockdown working on the scripts for First Wars and wrestling with the questions she will address in the three-part Sbs docudrama about Australia’s frontier wars.
“Some of it will be just so confronting,” the writer-director told Penny Smallacombe, Screen Australia’s head of Indigenous, in a webinar today.
Smallacombe asked the filmmaker what she hopes to achieve with the series in view of the Black Lives Matter protests and the issues of slavery and black deaths in custody in Australia.
“This show will go to right into the centre of this,” she said. “So much hideous shit happened on both sides and it’s so vast.
“How do you condense that into three hours of television? How do you not use it as a weapon against non-Indigenous people?
“How do you use it as a force that will bring people together? How...
Rachel Perkins has been spending lockdown working on the scripts for First Wars and wrestling with the questions she will address in the three-part Sbs docudrama about Australia’s frontier wars.
“Some of it will be just so confronting,” the writer-director told Penny Smallacombe, Screen Australia’s head of Indigenous, in a webinar today.
Smallacombe asked the filmmaker what she hopes to achieve with the series in view of the Black Lives Matter protests and the issues of slavery and black deaths in custody in Australia.
“This show will go to right into the centre of this,” she said. “So much hideous shit happened on both sides and it’s so vast.
“How do you condense that into three hours of television? How do you not use it as a weapon against non-Indigenous people?
“How do you use it as a force that will bring people together? How...
- 6/17/2020
- by The IF Team
- IF.com.au
Ivan Sen’s ‘Mystery Road’.
Sydney Film Festival has selected Rachel Perkins’ Mabo and Ivan Sen’s Mystery Road for Tribeca Enterprises/YouTube’s free global online film festival, We Are One.
Sydney is just one of the 21 participating festivals in the event, with others including Tribeca, Cannes, Venice, Berlin, Toronto and Sundance.
More than 100 films will screen from this Friday May 29 to June 7 on YouTube, together with talks, Vr content and musical performances, all with the aim of raising money for the World Health Organisation’s Covid-19 Solidarity Response Fund and local relief partners in each region.
The programming represents over 35 countries and includes 23 narrative and eight documentary features, 57 narrative and 15 documentary short films, 15 archived talks, along with four festival exclusives and five Vr programming pieces.
In selecting films to put forward, Sydney Film Festival director Nashen Moodley was challenged by Tribeca to look to films that had an...
Sydney Film Festival has selected Rachel Perkins’ Mabo and Ivan Sen’s Mystery Road for Tribeca Enterprises/YouTube’s free global online film festival, We Are One.
Sydney is just one of the 21 participating festivals in the event, with others including Tribeca, Cannes, Venice, Berlin, Toronto and Sundance.
More than 100 films will screen from this Friday May 29 to June 7 on YouTube, together with talks, Vr content and musical performances, all with the aim of raising money for the World Health Organisation’s Covid-19 Solidarity Response Fund and local relief partners in each region.
The programming represents over 35 countries and includes 23 narrative and eight documentary features, 57 narrative and 15 documentary short films, 15 archived talks, along with four festival exclusives and five Vr programming pieces.
In selecting films to put forward, Sydney Film Festival director Nashen Moodley was challenged by Tribeca to look to films that had an...
- 5/26/2020
- by jkeast
- IF.com.au
‘New Gold Mountain’ writers Peter Cox, Benjamin Law and Yolanda Ramke.
Sbs has commissioned a 4-part drama set during the 1850s gold rush from the perspective of desperate Chinese miners from Goalpost Television, to be directed by The Hunting’s Ana Kokkinos.
The broadcaster’s 2020 slate unveiled today includes documentaries spotlighting immigration, identity, homelessness, addiction and domestic violence.
Among the returning shows, Bert Newton, Lisa Wilkinson and country music star Troy Cassar-Daley will be among the eight identities who search for their family history in Warner Bros. Australia’s Who Do You Think You Are?
In the third season of Blackfella Films’ Filthy, Rich & Homeless five high-profile Aussies including Dr Andrew Rochford will swap their privileged lives to discover what life is like for the nation’s homeless.
Scripted by creator/lead writer Peter Cox (the Kiwi’s first Australian screen credit), Benjamin Law and Yolanda Ramke, Goalpost’s New...
Sbs has commissioned a 4-part drama set during the 1850s gold rush from the perspective of desperate Chinese miners from Goalpost Television, to be directed by The Hunting’s Ana Kokkinos.
The broadcaster’s 2020 slate unveiled today includes documentaries spotlighting immigration, identity, homelessness, addiction and domestic violence.
Among the returning shows, Bert Newton, Lisa Wilkinson and country music star Troy Cassar-Daley will be among the eight identities who search for their family history in Warner Bros. Australia’s Who Do You Think You Are?
In the third season of Blackfella Films’ Filthy, Rich & Homeless five high-profile Aussies including Dr Andrew Rochford will swap their privileged lives to discover what life is like for the nation’s homeless.
Scripted by creator/lead writer Peter Cox (the Kiwi’s first Australian screen credit), Benjamin Law and Yolanda Ramke, Goalpost’s New...
- 11/19/2019
- by The IF Team
- IF.com.au
Rachel Griffiths addresses the Screen Forever conference.
Is it a coincidence that three of the highest-grossing Australian films of 2019 – Rachel Griffiths’ Ride Like A Girl, Wayne Blair’s Top End Wedding and Rachel Ward’s Palm Beach – have all been helmed by directors who have backgrounds as actors? Not according to Griffiths.
“It’s not surprising to me that, in a moment where audiences for cinema releases are getting increasingly challenging, actor-directed content is punching above its weight at the box office, because performers have unique sensitivities that we develop by being at the coalface of the final content delivery,” Griffiths told Screen Producers Australia’s Screen Forever delegates last week.
Delivering the conference’s annual Hector Crawford Memorial Lecture, the Golden Globe-winning and Emmy and Oscar-nominated actor, who in recent years has also successfully turned to producing and directing, issued a rallying call to producers to break down silos...
Is it a coincidence that three of the highest-grossing Australian films of 2019 – Rachel Griffiths’ Ride Like A Girl, Wayne Blair’s Top End Wedding and Rachel Ward’s Palm Beach – have all been helmed by directors who have backgrounds as actors? Not according to Griffiths.
“It’s not surprising to me that, in a moment where audiences for cinema releases are getting increasingly challenging, actor-directed content is punching above its weight at the box office, because performers have unique sensitivities that we develop by being at the coalface of the final content delivery,” Griffiths told Screen Producers Australia’s Screen Forever delegates last week.
Delivering the conference’s annual Hector Crawford Memorial Lecture, the Golden Globe-winning and Emmy and Oscar-nominated actor, who in recent years has also successfully turned to producing and directing, issued a rallying call to producers to break down silos...
- 11/19/2019
- by jkeast
- IF.com.au
‘Stateless.’
The ABC’s 2020 programming slate unveiled today is packed with new documentaries and factual series – but there is a distinct air of déjà vu in the categories of drama and comedy.
No new commissions were announced in either genre, but that does not necessarily mean there will be fewer local dramas or comedies on screen next year, despite budget cutbacks.
Referring to the $84 million funding reduction over three years on top of cuts of $50 million a year since 2014, Michael Carrington, ABC director, entertainment and specialist, tells If: “To date, ABC management has found ongoing savings that will total about $17 million a year from next year.
“We’ve looked carefully at non-content related initiatives such as renegotiating third-party contracts. Management will also undertake reviews of our property portfolio and our acquisitions expenditure to assess where other savings may be made.
“It’s good progress but more needs to be done to meet our savings target.
The ABC’s 2020 programming slate unveiled today is packed with new documentaries and factual series – but there is a distinct air of déjà vu in the categories of drama and comedy.
No new commissions were announced in either genre, but that does not necessarily mean there will be fewer local dramas or comedies on screen next year, despite budget cutbacks.
Referring to the $84 million funding reduction over three years on top of cuts of $50 million a year since 2014, Michael Carrington, ABC director, entertainment and specialist, tells If: “To date, ABC management has found ongoing savings that will total about $17 million a year from next year.
“We’ve looked carefully at non-content related initiatives such as renegotiating third-party contracts. Management will also undertake reviews of our property portfolio and our acquisitions expenditure to assess where other savings may be made.
“It’s good progress but more needs to be done to meet our savings target.
- 11/7/2019
- by The IF Team
- IF.com.au
Rachel Perkins (Photo credit: Leon Mead).
Director Rachel Perkins will receive the inaugural Animal Logic Entertainment Illuminate Award at the Australians in Film (AiF) Awards Gala and Benefit next week, in recognition of her work behind the camera, including recent series Total Control and Mystery Road.
Phillip Noyce will present the Award to Perkins at the ceremony which takes place in Los Angeles.
“Rachel Perkins is undoubtedly one of the most exciting and talented Australian directors of her generation,” said AiF president Kate Marks.
“AiF is thrilled to be presenting this inaugural award to Rachel with long-term partner Animal Logic Entertainment, one of Australia’s leading international production companies.”
Animal Logic CEO Zareh Nalbandian said: “As both an animation studio and production company, we are always looking for ways to celebrate the incredible and often unsung talent that exists behind the camera. In our inaugural year, Animal Logic is proud...
Director Rachel Perkins will receive the inaugural Animal Logic Entertainment Illuminate Award at the Australians in Film (AiF) Awards Gala and Benefit next week, in recognition of her work behind the camera, including recent series Total Control and Mystery Road.
Phillip Noyce will present the Award to Perkins at the ceremony which takes place in Los Angeles.
“Rachel Perkins is undoubtedly one of the most exciting and talented Australian directors of her generation,” said AiF president Kate Marks.
“AiF is thrilled to be presenting this inaugural award to Rachel with long-term partner Animal Logic Entertainment, one of Australia’s leading international production companies.”
Animal Logic CEO Zareh Nalbandian said: “As both an animation studio and production company, we are always looking for ways to celebrate the incredible and often unsung talent that exists behind the camera. In our inaugural year, Animal Logic is proud...
- 10/17/2019
- by jkeast
- IF.com.au
Diana Burnett.
Diana Burnett, the incoming executive director of the Australian Directors’ Guild (Adg), cites supporting female and other under-represented directors and helping directors to get more work internationally as among her objectives.
A Screen Australia executive for nearly 10 years, Burnett also lists building the guild’s presence in Canberra and continuing the industrial advocacy so ably handled by the Adg’s outgoing CEO Kingston Anderson as other priorities.
One of her first tasks will be to form a committee comprising the guild’s foundation members including Phil Noyce, Gillian Armstrong and Donald Crombie.
A ground-breaking industrial agreement for TV drama directors which Anderson has negotiated with Screen Producers Australia is expected to be unveiled at Screen Forever next month. Anderson tells If he hopes that will be followed by deals covering factual directors and feature directors.
Currently Screen Australia’s senior manager, business partnerships and corporate development, she starts...
Diana Burnett, the incoming executive director of the Australian Directors’ Guild (Adg), cites supporting female and other under-represented directors and helping directors to get more work internationally as among her objectives.
A Screen Australia executive for nearly 10 years, Burnett also lists building the guild’s presence in Canberra and continuing the industrial advocacy so ably handled by the Adg’s outgoing CEO Kingston Anderson as other priorities.
One of her first tasks will be to form a committee comprising the guild’s foundation members including Phil Noyce, Gillian Armstrong and Donald Crombie.
A ground-breaking industrial agreement for TV drama directors which Anderson has negotiated with Screen Producers Australia is expected to be unveiled at Screen Forever next month. Anderson tells If he hopes that will be followed by deals covering factual directors and feature directors.
Currently Screen Australia’s senior manager, business partnerships and corporate development, she starts...
- 10/9/2019
- by The IF Team
- IF.com.au
Rachel Griffiths is best known for her long-running roles as masseuse Brenda Chenowith in HBO’s Six Feet Under and Sarah Walker Laurent in ABC’s Brothers & Sisters. But now, the Australian actor, writer and director is swapping Disney-owned ABC to Australian public broadcaster ABC with controversial political drama Black Bitch.
Deadline spoke to Griffiths about the show she co-created and the way that a shift in Australian politics has informed the drama, as well as the rise of populism around the world. She also discusses stepping out from in front of the camera as she lines up a raft of projects set down under.
Black Bitch follows Alex Irving, played by Cleverman star Deborah Mailman, a charismatic and contradictory Indigenous woman who is thrust into the national limelight after a horrific shooting and is quickly chosen by Australia’s embattled Prime Minister Rachel Anderson, played by Griffiths,...
Deadline spoke to Griffiths about the show she co-created and the way that a shift in Australian politics has informed the drama, as well as the rise of populism around the world. She also discusses stepping out from in front of the camera as she lines up a raft of projects set down under.
Black Bitch follows Alex Irving, played by Cleverman star Deborah Mailman, a charismatic and contradictory Indigenous woman who is thrust into the national limelight after a horrific shooting and is quickly chosen by Australia’s embattled Prime Minister Rachel Anderson, played by Griffiths,...
- 10/9/2019
- by Peter White
- Deadline Film + TV
Deborah Mailman in ‘Total Control’.
Deborah Mailman is feeling anxious in the lead up to the Australian premiere of Blackfella Films’ Total Control on the ABC next month.
Despite being a staple on Australian screens for more than 20 years, Total Control sees Mailman in her first ever lead role, playing Senator Alex Irving, a blazing Indigenous female politician coerced into taking a role in Canberra for the greater good but used by others for political expediency.
“I am feeling the weight of it. Most [of my] work does feel ensemble and there are always other characters to carry the stories through. But the fact that I’m driving Alex’s story from beginning to end, that’s enormous pressure,” Mailman tells If.
However, standing ovations at the series premiere at the Toronto International Film Festival and rhapsodising reviews should placate Mailman’s fears. Ultimately, the actress relished the role of Senator Irving...
Deborah Mailman is feeling anxious in the lead up to the Australian premiere of Blackfella Films’ Total Control on the ABC next month.
Despite being a staple on Australian screens for more than 20 years, Total Control sees Mailman in her first ever lead role, playing Senator Alex Irving, a blazing Indigenous female politician coerced into taking a role in Canberra for the greater good but used by others for political expediency.
“I am feeling the weight of it. Most [of my] work does feel ensemble and there are always other characters to carry the stories through. But the fact that I’m driving Alex’s story from beginning to end, that’s enormous pressure,” Mailman tells If.
However, standing ovations at the series premiere at the Toronto International Film Festival and rhapsodising reviews should placate Mailman’s fears. Ultimately, the actress relished the role of Senator Irving...
- 9/26/2019
- by jkeast
- IF.com.au
‘Hearts and Bones’ stars Andrew Luri, Bolude Watson, director Ben Lawrence and star Hugo Weaving.
For director Ben Lawrence, the reaction to his feature debut Hearts and Bones at the Toronto International Film Festival (Tiff) was both “emotional and overwhelming”.
Lawrence reports the standing ovations at every screening and the outpouring of praise for the cast, particularly for South Sudanese immigrant Andrew Luri in his acting debut, made a huge impact.
Of the film’s Canadian reception, Liane Cunje, Tiff Discovery and International programming associate said: “I’ve run the gamut of audiences reactions here at Tiff for films we programme from around the world, and I’ve never witnessed such an emotional celebration after a screening as the one I saw after Hearts and Bones.”
The film, which made its world premiere in competition at the Sydney Film Festival in June, screened as part of the Tiff Discovery program,...
For director Ben Lawrence, the reaction to his feature debut Hearts and Bones at the Toronto International Film Festival (Tiff) was both “emotional and overwhelming”.
Lawrence reports the standing ovations at every screening and the outpouring of praise for the cast, particularly for South Sudanese immigrant Andrew Luri in his acting debut, made a huge impact.
Of the film’s Canadian reception, Liane Cunje, Tiff Discovery and International programming associate said: “I’ve run the gamut of audiences reactions here at Tiff for films we programme from around the world, and I’ve never witnessed such an emotional celebration after a screening as the one I saw after Hearts and Bones.”
The film, which made its world premiere in competition at the Sydney Film Festival in June, screened as part of the Tiff Discovery program,...
- 9/19/2019
- by jkeast
- IF.com.au
We present our interviews from the Tiff premiere of Australian TV Series Black Bitch (Total Control is perhaps a new title touted for the show).
The show had its premiere at the 2019 Toronto Film Festival, and those attending were director Rachel Perkins, Rachel Griffiths, Deborah Mailman, Harry Richardson. The series also stars Anthony Hayes, Sean Barker, Carolyn Dante, James Sweeny, Phillip John Hastings, David Nicoll and Graham Gall. The series is written by Jada Alberts, Angela Betzien, Pip Karmel.
Synopsis:
An Indigenous woman in Australia is thrust into the political limelight. Rachel Anderson is the embattled but cunning Prime Minister of Australia. Alex is a charismatic, indigenous up-and-coming politician who finds herself the centre of media attention following a shocking event. Rachel wants to use Alex to boost her popularity and further her own agenda. Alex is wise to the Prime Minister’s betrayal and sets out for revenge that...
The show had its premiere at the 2019 Toronto Film Festival, and those attending were director Rachel Perkins, Rachel Griffiths, Deborah Mailman, Harry Richardson. The series also stars Anthony Hayes, Sean Barker, Carolyn Dante, James Sweeny, Phillip John Hastings, David Nicoll and Graham Gall. The series is written by Jada Alberts, Angela Betzien, Pip Karmel.
Synopsis:
An Indigenous woman in Australia is thrust into the political limelight. Rachel Anderson is the embattled but cunning Prime Minister of Australia. Alex is a charismatic, indigenous up-and-coming politician who finds herself the centre of media attention following a shocking event. Rachel wants to use Alex to boost her popularity and further her own agenda. Alex is wise to the Prime Minister’s betrayal and sets out for revenge that...
- 9/7/2019
- by Jon Lyus
- HeyUGuys.co.uk
Screen Australia, Australia’s federal film and TV funding body, has made sufficient progress in furthering gender equality that it has set more ambitious targets.
The organization has exceeded its long-term Gender Matters key performance indicator, with 56% of projects receiving production funding having at least half of the key creative roles occupied by women, based on a three-year average. The Kpi was set in December 2015, and originally aimed for 50%. The Kpi considered the key creative roles of writer, director, producer, and in the case of narrative content (drama), the protagonist.
The new target is to have 50% of the key creatives across all projects that receive Screen Australia development and production funding to be women, measured across a three-year-average. For the new Kpi, the key creatives are directors, writers and producers and the tracking period is 2019/20 to 2021/22. From August 2020, the agency will also publish the headcount breakdown of key creative roles for feature drama,...
The organization has exceeded its long-term Gender Matters key performance indicator, with 56% of projects receiving production funding having at least half of the key creative roles occupied by women, based on a three-year average. The Kpi was set in December 2015, and originally aimed for 50%. The Kpi considered the key creative roles of writer, director, producer, and in the case of narrative content (drama), the protagonist.
The new target is to have 50% of the key creatives across all projects that receive Screen Australia development and production funding to be women, measured across a three-year-average. For the new Kpi, the key creatives are directors, writers and producers and the tracking period is 2019/20 to 2021/22. From August 2020, the agency will also publish the headcount breakdown of key creative roles for feature drama,...
- 8/20/2019
- by Patrick Frater
- Variety Film + TV
Rose Riley (L) and Emma Harvie in ‘Diary of an Uber Driver.’
Rose Riley is getting ready to have her first crack at Hollywood amid the most successful year of her career since graduating from Waapa in 2013.
This week the actor is heading to the Us for the first time for meetings with producers, casting directors and other players set up by her Us agent, Authentic Talent & Literary Management’s Jessica Morgulis.
Rose met Morgulis when the agent visited Sydney, arranged by her Oz rep United Management, before she started work in Stateless, the six-part ABC drama about four strangers in an immigration detention centre in the Australian desert, co-created by Cate Blanchett, Tony Ayres and Elise McCredie.
“I will always be very passionate about Australian stories and Australian cinema, TV and theatre but working overseas would be a total dream; ideally I will find a balance,” she tells If.
Rose Riley is getting ready to have her first crack at Hollywood amid the most successful year of her career since graduating from Waapa in 2013.
This week the actor is heading to the Us for the first time for meetings with producers, casting directors and other players set up by her Us agent, Authentic Talent & Literary Management’s Jessica Morgulis.
Rose met Morgulis when the agent visited Sydney, arranged by her Oz rep United Management, before she started work in Stateless, the six-part ABC drama about four strangers in an immigration detention centre in the Australian desert, co-created by Cate Blanchett, Tony Ayres and Elise McCredie.
“I will always be very passionate about Australian stories and Australian cinema, TV and theatre but working overseas would be a total dream; ideally I will find a balance,” she tells If.
- 8/19/2019
- by The IF Team
- IF.com.au
‘Black Bitch’ (Photo credit: John Platt).
The first two episodes of Blackfella Films’ ABC political drama Black Bitch will have their world premiere in the Primetime program at the Toronto International Film Festival.
Directed by Rachel Perkins and starring Rachel Griffiths as Australia’s embattled Prime Minister Rachel Anderson and Deborah Mailman as her rival Alex Irving, it’s one of six series from around the world in the line-up.
Perkins said: “News of our acceptance into Toronto, particularly given our series is one of the few chosen from the world, is a high point and a huge relief. Screening at Toronto is also special on a very personal level. It marks the 20th year of my collaboration with Deborah Mailman.
“My career has been built around her prodigious talent and I look forward to following our leading lady onto the red carpet.”
Among the other world premieres will be HBO’s Mrs.
The first two episodes of Blackfella Films’ ABC political drama Black Bitch will have their world premiere in the Primetime program at the Toronto International Film Festival.
Directed by Rachel Perkins and starring Rachel Griffiths as Australia’s embattled Prime Minister Rachel Anderson and Deborah Mailman as her rival Alex Irving, it’s one of six series from around the world in the line-up.
Perkins said: “News of our acceptance into Toronto, particularly given our series is one of the few chosen from the world, is a high point and a huge relief. Screening at Toronto is also special on a very personal level. It marks the 20th year of my collaboration with Deborah Mailman.
“My career has been built around her prodigious talent and I look forward to following our leading lady onto the red carpet.”
Among the other world premieres will be HBO’s Mrs.
- 8/15/2019
- by The IF Team
- IF.com.au
The Toronto Film Festival has unveiled its lineup for this year’s Primetime program, a total of six TV series from around the world including the world premieres of HBO’s Mrs. Fletcher starring Kathryn Hahn, USA Network’s Briarpatch starring Rosario Dawson, and Facebook Watch’s Limetown based on the crime podcast and starring Jessica Biel and Stanley Tucci.
Also in the mix are three international series with political themes: Australia’s Black Bitch, starring Deborah Mailman and Rachel Griffiths at the Aussie prime minister; French drama Savages, about an Arabic candidate for the France presidency; and the Czech Republic’s The Sleepers which follows a woman (Táňa Pauhofová) and her political dissident husband after they flee 1977 communist Czechoslovakia. (See full lineup details below.)
Each screening in the Primetime sidebar will be followed by an onstage Q&a with members of the creative team, the festival said Thursday.
“Episodic...
Also in the mix are three international series with political themes: Australia’s Black Bitch, starring Deborah Mailman and Rachel Griffiths at the Aussie prime minister; French drama Savages, about an Arabic candidate for the France presidency; and the Czech Republic’s The Sleepers which follows a woman (Táňa Pauhofová) and her political dissident husband after they flee 1977 communist Czechoslovakia. (See full lineup details below.)
Each screening in the Primetime sidebar will be followed by an onstage Q&a with members of the creative team, the festival said Thursday.
“Episodic...
- 8/15/2019
- by Patrick Hipes
- Deadline Film + TV
With less than a month until the Toronto International Film Festival, the annual gathering has unveiled some intriguing TV entries in its 2019 schedule.
As part of the fifth incarnation of Tiff’s Primetime section, the festival announced a half-dozen series that will join this year’s lineup. The headliner for 2019 is HBO’s “Mrs. Fletcher,” the latest TV effort from Tom Perrotta based on one of novels. Featuring a pilot directed by Nicole Holofcener, the series stars Kathryn Hahn as Eve Fletcher, in search of fulfillment while her son looks for the same during his first year at college.
After making a Tiff splash at last year’s fest with “Sorry for Your Loss,” Facebook Watch is returning with another high-profile title. “Limetown,” starring Jessica Biel and Stanley Tucci, is adapted from the scripted podcast of the same name, a fictional spin on a mysterious true-crime investigation. Rounding out the U.
As part of the fifth incarnation of Tiff’s Primetime section, the festival announced a half-dozen series that will join this year’s lineup. The headliner for 2019 is HBO’s “Mrs. Fletcher,” the latest TV effort from Tom Perrotta based on one of novels. Featuring a pilot directed by Nicole Holofcener, the series stars Kathryn Hahn as Eve Fletcher, in search of fulfillment while her son looks for the same during his first year at college.
After making a Tiff splash at last year’s fest with “Sorry for Your Loss,” Facebook Watch is returning with another high-profile title. “Limetown,” starring Jessica Biel and Stanley Tucci, is adapted from the scripted podcast of the same name, a fictional spin on a mysterious true-crime investigation. Rounding out the U.
- 8/15/2019
- by Steve Greene
- Indiewire
Tiff Industry Conference to hear from Brian Grazer and Ron Howard, Fernando Meirelles.
World premieres of crime drama Briarpatch starring Rosario Dawson and Nicole Holofcener’s empty nest drama Mrs Fletcher are among six series to screen in Toronto International Film Festival’s (Tiff) Primetime television line-up.
Tiff brass also announced on Thursday (Aug 15) the Tiff Industry Conference line-up, as well as the four international Tiff Rising Stars, each of whom stars in at least one of the festival’s selections this year.
Primetime
Five of the Primetime series, nearly two-thirds of which are created and directed by women, will...
World premieres of crime drama Briarpatch starring Rosario Dawson and Nicole Holofcener’s empty nest drama Mrs Fletcher are among six series to screen in Toronto International Film Festival’s (Tiff) Primetime television line-up.
Tiff brass also announced on Thursday (Aug 15) the Tiff Industry Conference line-up, as well as the four international Tiff Rising Stars, each of whom stars in at least one of the festival’s selections this year.
Primetime
Five of the Primetime series, nearly two-thirds of which are created and directed by women, will...
- 8/15/2019
- by John Hazelton
- ScreenDaily
Ningali Lawford-Wolf in The Secret River.
Renowned Indigenous actor Ningali Lawford-Wolf died on Sunday while touring with the Sydney Theatre Company production in Edinburgh of The Secret River, Andrew Bovell’s adaptation of the Kate Grenville novel. She was 52.
The performer and mentor was hospitalised after suffering a heart attack and died surrounded by her family.
“Ningali was an incredibly talented performer as well as a wonderfully caring and thoughtful person,” the Stc posted on its website. “We’ve lost one of Australian theatre’s greatest treasures.”
A Wangkatjungka woman born under a tree at Christmas Creek Station in the far north Kimberley region of Western Australia, her film credits included Phillip Noyce’s Rabbit-Proof Fence, Rachel Perkins’ Bran Nue Dae and Jeremy Sims’ Last Cab to Darwin.
Noyce said: “Ningali will be remembered as an extraordinarily loving artist who gave her all to everything and everyone. Without Ningali Rabbit-Proof...
Renowned Indigenous actor Ningali Lawford-Wolf died on Sunday while touring with the Sydney Theatre Company production in Edinburgh of The Secret River, Andrew Bovell’s adaptation of the Kate Grenville novel. She was 52.
The performer and mentor was hospitalised after suffering a heart attack and died surrounded by her family.
“Ningali was an incredibly talented performer as well as a wonderfully caring and thoughtful person,” the Stc posted on its website. “We’ve lost one of Australian theatre’s greatest treasures.”
A Wangkatjungka woman born under a tree at Christmas Creek Station in the far north Kimberley region of Western Australia, her film credits included Phillip Noyce’s Rabbit-Proof Fence, Rachel Perkins’ Bran Nue Dae and Jeremy Sims’ Last Cab to Darwin.
Noyce said: “Ningali will be remembered as an extraordinarily loving artist who gave her all to everything and everyone. Without Ningali Rabbit-Proof...
- 8/14/2019
- by The IF Team
- IF.com.au
Aaron Pedersen and Jada Alberts in ‘Mystery Road 2’ (Photo: David Dare Parker).
Swedish actress Sofia Helin, who starred in all four seasons of The Bridge, is co-starring with Aaron Pedersen in the second series of Bunya Productions’ ABC crime drama Mystery Road.
Helin, who played Saga Norén, a homicide detective from Malmö, in the Swedish/Danish film noir crime series which screened here on Sbs, is cast as archaeologist Professor Sondra Elmquist.
The professor is conducting a dig near a remote coastal town when she encounters Pedersen’s Detective Jay Swan, who has moved to the town to be closer to his family and is investigating a grisly case.
Warwick Thornton and Wayne Blair are sharing the directing duties on the six episodes produced by David Jowsey and Greer Simpkin, with Thornton as the Dop.
Two weeks into the 10 weeks shoot in Broome and the Dampier Peninsular, the series is...
Swedish actress Sofia Helin, who starred in all four seasons of The Bridge, is co-starring with Aaron Pedersen in the second series of Bunya Productions’ ABC crime drama Mystery Road.
Helin, who played Saga Norén, a homicide detective from Malmö, in the Swedish/Danish film noir crime series which screened here on Sbs, is cast as archaeologist Professor Sondra Elmquist.
The professor is conducting a dig near a remote coastal town when she encounters Pedersen’s Detective Jay Swan, who has moved to the town to be closer to his family and is investigating a grisly case.
Warwick Thornton and Wayne Blair are sharing the directing duties on the six episodes produced by David Jowsey and Greer Simpkin, with Thornton as the Dop.
Two weeks into the 10 weeks shoot in Broome and the Dampier Peninsular, the series is...
- 7/24/2019
- by The IF Team
- IF.com.au
Anni Browning accepts the 2017 Spa Award to Film Finances for Best Service and Facilities.
In 22 years with Film Finances Australasia, Anni Browning experienced numerous highs and faced a few challenges as the cinema industry ebbed and flowed.
Browning, who has stepped down as MD of the completion bond company but is still a consultant, supported Rachel Perkins’ debut feature Radiance.
She took one of her biggest risks on a Rolf de Heer movie, which she counts as one of her proudest achievements.
The biggest trend during her time has been the proliferation of low budget films, despite the need to pay crews and allocate reasonable money for post- production. Film Finances bonded a lot of films budgeted at $1 million- $1.5 million and one-off feature docs costing as little as $100,000- $200,000.
One thing which has not remained constant is the insurance bond premium. When she started it was as high as 6 per cent of the budget.
In 22 years with Film Finances Australasia, Anni Browning experienced numerous highs and faced a few challenges as the cinema industry ebbed and flowed.
Browning, who has stepped down as MD of the completion bond company but is still a consultant, supported Rachel Perkins’ debut feature Radiance.
She took one of her biggest risks on a Rolf de Heer movie, which she counts as one of her proudest achievements.
The biggest trend during her time has been the proliferation of low budget films, despite the need to pay crews and allocate reasonable money for post- production. Film Finances bonded a lot of films budgeted at $1 million- $1.5 million and one-off feature docs costing as little as $100,000- $200,000.
One thing which has not remained constant is the insurance bond premium. When she started it was as high as 6 per cent of the budget.
- 7/7/2019
- by The IF Team
- IF.com.au
“Parasite,” the South Korean black drama that previously won the Palme d’Or at Cannes, was Sunday named as the winner of the Sydney Film Festival.
After collecting a cash prize of A$60,000, at Sydney’s State Theatre, “Parasite” director said: “This Festival is really amazing, especially the audience…really special and extraordinary. This is the most meaningful prize for me – in this beautiful city and beautiful theatre, and one of the most beautiful audiences in the world.”
The film charts the intersection of two families from different ends of the economic scale and has been hailed for its biting commentary on Korea’s social woes. After three weekends on commercial release it has grossed $60.3 million.
“She Who Must Be Loved” (aka “She Who Must Be Obeyed”), directed by Erica Glynn, won Sydney’s documentary award. “All These Creatures” picked up both of the festival’s awards for short films.
After collecting a cash prize of A$60,000, at Sydney’s State Theatre, “Parasite” director said: “This Festival is really amazing, especially the audience…really special and extraordinary. This is the most meaningful prize for me – in this beautiful city and beautiful theatre, and one of the most beautiful audiences in the world.”
The film charts the intersection of two families from different ends of the economic scale and has been hailed for its biting commentary on Korea’s social woes. After three weekends on commercial release it has grossed $60.3 million.
“She Who Must Be Loved” (aka “She Who Must Be Obeyed”), directed by Erica Glynn, won Sydney’s documentary award. “All These Creatures” picked up both of the festival’s awards for short films.
- 6/17/2019
- by Patrick Frater
- Variety Film + TV
Bong Joon-ho with the Sydney Film Prize. (Photo: Enzo Amato)
Korean director Bong Joon-ho’s Parasite has won the Sydney Film Festival’s $60,000 Sydney Film Prize.
The dark comedy, which also won the Palme D’or at the Cannes Film Festival, was selected out of 12 competition films.
Bong Joon-ho, who was in attendance at the festival, accepted the award at last night’s Closing Night Gala awards ceremony at the State Theatre, ahead of the Australian premiere screening of Danny Boyle’s Yesterday.
Accepting the award, he said: “This festival is really amazing, especially the audience… really special and extraordinary. This is the most meaningful prize for me – in this beautiful city and beautiful theatre, and one of the most beautiful audiences in the world.”
The festival jury was comprised of Australian producer John Maynard (president); Australian filmmaker Ana Kokkinos; Brazilian actor and director Wagner Moura; Kiwi filmmaker Gaylene Preston...
Korean director Bong Joon-ho’s Parasite has won the Sydney Film Festival’s $60,000 Sydney Film Prize.
The dark comedy, which also won the Palme D’or at the Cannes Film Festival, was selected out of 12 competition films.
Bong Joon-ho, who was in attendance at the festival, accepted the award at last night’s Closing Night Gala awards ceremony at the State Theatre, ahead of the Australian premiere screening of Danny Boyle’s Yesterday.
Accepting the award, he said: “This festival is really amazing, especially the audience… really special and extraordinary. This is the most meaningful prize for me – in this beautiful city and beautiful theatre, and one of the most beautiful audiences in the world.”
The festival jury was comprised of Australian producer John Maynard (president); Australian filmmaker Ana Kokkinos; Brazilian actor and director Wagner Moura; Kiwi filmmaker Gaylene Preston...
- 6/17/2019
- by jkeast
- IF.com.au
Huw Higginson.
Huw Higginson often plays admirable, upstanding characters but sometimes he gets more of a kick out of tackling villains.
In the past year the English-born actor has portrayed a brutish magistrate in Jennifer Kent’s The Nightingale and a serial killer truck driver in Playmaker Media’s Mandarin series Chosen directed by Tony Tilse.
He played more nuanced characters including the abandoned husband and father of Miranda Tapsell’s bride-to-be in Wayne Blair’s Top End Wedding; a lawyer who represents the family of a missing priest (Sam Reid) in Lingo Pictures/Foxtel’s drama Lambs of God; and a wealthy gentleman who sends his ward to boarding school in Fremantle/Foxtel’s Picnic at Hanging Rock.
“Unpleasant characters are often more interesting to play,” says the actor who played the well-meaning Constable George Garfield in The Bill for 10 years. “You have to try to find something to...
Huw Higginson often plays admirable, upstanding characters but sometimes he gets more of a kick out of tackling villains.
In the past year the English-born actor has portrayed a brutish magistrate in Jennifer Kent’s The Nightingale and a serial killer truck driver in Playmaker Media’s Mandarin series Chosen directed by Tony Tilse.
He played more nuanced characters including the abandoned husband and father of Miranda Tapsell’s bride-to-be in Wayne Blair’s Top End Wedding; a lawyer who represents the family of a missing priest (Sam Reid) in Lingo Pictures/Foxtel’s drama Lambs of God; and a wealthy gentleman who sends his ward to boarding school in Fremantle/Foxtel’s Picnic at Hanging Rock.
“Unpleasant characters are often more interesting to play,” says the actor who played the well-meaning Constable George Garfield in The Bill for 10 years. “You have to try to find something to...
- 6/4/2019
- by The IF Team
- IF.com.au
Anthony Hayes in ‘Danger Close: The Battle of Long Tan’.
Anthony Hayes has been acting since he was nine. While there is no danger of him giving up that stellar career, for the present he is concentrating more on his other passions: writing and directing.
In the past five or six years he has been in the fortunate position of choosing roles he really wanted to do – in the movies Cargo, War Machine and The Light Between Oceans and TV’s Mystery Road and Seven Types of Ambiguity – rather than just for a pay cheque.
Now his primary focus is writing and directing, starting with Gold, a thriller in which he will co-star with Sam Worthington about two guys who discover the world’s biggest gold nugget in the Australian desert. After that he hopes to make Stingray, a crime thriller he wrote and was set to direct in 2016 until the financing fell through.
Anthony Hayes has been acting since he was nine. While there is no danger of him giving up that stellar career, for the present he is concentrating more on his other passions: writing and directing.
In the past five or six years he has been in the fortunate position of choosing roles he really wanted to do – in the movies Cargo, War Machine and The Light Between Oceans and TV’s Mystery Road and Seven Types of Ambiguity – rather than just for a pay cheque.
Now his primary focus is writing and directing, starting with Gold, a thriller in which he will co-star with Sam Worthington about two guys who discover the world’s biggest gold nugget in the Australian desert. After that he hopes to make Stingray, a crime thriller he wrote and was set to direct in 2016 until the financing fell through.
- 5/22/2019
- by jkeast
- IF.com.au
Warwick Thornton and Sam Neill on the set of ‘Sweet Country’.
Warwick Thornton took home the top gong at last night’s Australian Directors’ Guild (Adg) Awards for outback Western Sweet Country.
It joins a slew of other prizes for the film, which follows an Aboriginal stockman who a kills white station owner in self-defence, including the Venice Film Festival Special Jury Prize, the Toronto International Film Festival Platform Prize, and six Aacta Awards, including Best Film and Best Direction.
Competing against Thornton for Best Direction in a Feature Film (budget $1 million or over) were Joel Edgerton for Boy Erased, Anthony Maras for Hotel Mumbai, and Garth Davis for Mary Magdelene.
The Adg Awards were held at Sydney’s City Recital Hall, with presenters including Rachel Griffiths, Claudia Karvan, Bryan Brown and Rachel Ward.
This year also saw the guild divide the feature film category for the first time, introducing...
Warwick Thornton took home the top gong at last night’s Australian Directors’ Guild (Adg) Awards for outback Western Sweet Country.
It joins a slew of other prizes for the film, which follows an Aboriginal stockman who a kills white station owner in self-defence, including the Venice Film Festival Special Jury Prize, the Toronto International Film Festival Platform Prize, and six Aacta Awards, including Best Film and Best Direction.
Competing against Thornton for Best Direction in a Feature Film (budget $1 million or over) were Joel Edgerton for Boy Erased, Anthony Maras for Hotel Mumbai, and Garth Davis for Mary Magdelene.
The Adg Awards were held at Sydney’s City Recital Hall, with presenters including Rachel Griffiths, Claudia Karvan, Bryan Brown and Rachel Ward.
This year also saw the guild divide the feature film category for the first time, introducing...
- 5/7/2019
- by jkeast
- IF.com.au
Jolene Anderson and Remy Hii in ‘Harrow’ 2.
Here’s a shout-out to producers: The ABC is keen to find another genre series to fill a gap as Matchbox Pictures’ Glitch comes to its conclusion after three seasons.
The pubcaster is also looking for a multi-generational relationship drama, comedies for Wednesday nights and shows with diverse casts and creatives across all genres.
It is less interested in programs set in small country towns and procedural crime series, particularly with the second series of Hoodlum Entertainment’s Harrow premiering on May 12 and the second season of Bunya Productions’ Mystery Road due to shoot later this year in Broome.
That’s the word from ABC head of scripted production Sally Riley. She hopes the funding for her domain – drama, comedy and Indigenous content – for the next financial year will not be less than the last couple of years, despite the federal government-imposed three-year $83.7 million funding cut.
Here’s a shout-out to producers: The ABC is keen to find another genre series to fill a gap as Matchbox Pictures’ Glitch comes to its conclusion after three seasons.
The pubcaster is also looking for a multi-generational relationship drama, comedies for Wednesday nights and shows with diverse casts and creatives across all genres.
It is less interested in programs set in small country towns and procedural crime series, particularly with the second series of Hoodlum Entertainment’s Harrow premiering on May 12 and the second season of Bunya Productions’ Mystery Road due to shoot later this year in Broome.
That’s the word from ABC head of scripted production Sally Riley. She hopes the funding for her domain – drama, comedy and Indigenous content – for the next financial year will not be less than the last couple of years, despite the federal government-imposed three-year $83.7 million funding cut.
- 5/6/2019
- by The IF Team
- IF.com.au
Warwick Thornton, Garth Davis, Joel Edgerton and Anthony Maras go head to head at the Australian Directors Guild Awards. They are each nominated as best director in the category of films with a budget of A$1 million Donna McRae Dustin Feneley (“Stray”) and Jason Perini (“Chasing Comets”).
Some of Australia’s most respected directors have been recognized in the television/SVoD categories. Rachel Perkins, Nash Edgerton, Tony Krawitz and Emma Freeman all receive nominations in the best direction in a TV or Svod drama series episode category.
Ben Lawrence Catherine Scott Mark Joffe Matthew Sleeth Paul Damien Williams (“Gurrumul”) and Richard Tood (“Dying to Live”) are nominated for best direction in a documentary feature.
Some of Australia’s most respected directors have been recognized in the television/SVoD categories. Rachel Perkins, Nash Edgerton, Tony Krawitz and Emma Freeman all receive nominations in the best direction in a TV or Svod drama series episode category.
Ben Lawrence Catherine Scott Mark Joffe Matthew Sleeth Paul Damien Williams (“Gurrumul”) and Richard Tood (“Dying to Live”) are nominated for best direction in a documentary feature.
- 4/8/2019
- by Patrick Frater
- Variety Film + TV
Sophie Hyde, Rachel Perkins.
Warwick Thornton, Garth Davis, Joel Edgerton and Anthony Maras have been nominated for best direction in a feature film budgeted at $1 million or more in the 2019 Australian Directors’ Guild Awards.
So Sweet Country, Mary Magdalene, Boy Erased and Hotel Mumbai will compete in the awards to be announced on Monday May 6 at the City Recital Hall in Sydney.
In the new category of best direction in a feature budgeted below $1 million, the nominees are Christopher Kay (Just Between Us), Donna McRae (Lost Gully Road), Dustin Feneley (Stray) and Jason Perini (Chasing Comets).
The nominees for best direction in a TV or SVoD drama series episode are Rachel Perkins (Mystery Road series 1), Nash Edgerton (Mr Inbetween series 1), Tony Krawitz and Emma Freeman.
Jeffrey Walker (Riot), Daina Reid and Shannon Murphy (On The Ropes) have been nominated for best direction in a TV or SVoD miniseries and telefeature.
Warwick Thornton, Garth Davis, Joel Edgerton and Anthony Maras have been nominated for best direction in a feature film budgeted at $1 million or more in the 2019 Australian Directors’ Guild Awards.
So Sweet Country, Mary Magdalene, Boy Erased and Hotel Mumbai will compete in the awards to be announced on Monday May 6 at the City Recital Hall in Sydney.
In the new category of best direction in a feature budgeted below $1 million, the nominees are Christopher Kay (Just Between Us), Donna McRae (Lost Gully Road), Dustin Feneley (Stray) and Jason Perini (Chasing Comets).
The nominees for best direction in a TV or SVoD drama series episode are Rachel Perkins (Mystery Road series 1), Nash Edgerton (Mr Inbetween series 1), Tony Krawitz and Emma Freeman.
Jeffrey Walker (Riot), Daina Reid and Shannon Murphy (On The Ropes) have been nominated for best direction in a TV or SVoD miniseries and telefeature.
- 4/8/2019
- by The IF Team
- IF.com.au
Deborah Mailman.
Deborah Mailman has been appointed to the Screen Australia board for three years, the second Indigenous person to serve in that role following Rachel Perkins.
The stage and screen actor currently serves on Screen Australia’s Gender Matters task force and has been a member of the Sydney Opera House Trust since 2015.
In 2017 she received an Order of Australia Medal for her services to the performing arts and as a role model for Indigenous performers.
Currently she is starring in Blackfella Films’ Black B*tch (working title), a six-part drama for the ABC directed by Rachel Perkins.
She plays Alex Irving, a charismatic and contradictory Indigenous woman who is thrust into the national limelight after a horrific event. Rachel Griffiths co-stars as Australia’s embattled Prime Minister Rachel Anderson, who, seeing a publicity goldmine for her party, makes Alex a captain’s pick for the Senate.
In Seth Larney...
Deborah Mailman has been appointed to the Screen Australia board for three years, the second Indigenous person to serve in that role following Rachel Perkins.
The stage and screen actor currently serves on Screen Australia’s Gender Matters task force and has been a member of the Sydney Opera House Trust since 2015.
In 2017 she received an Order of Australia Medal for her services to the performing arts and as a role model for Indigenous performers.
Currently she is starring in Blackfella Films’ Black B*tch (working title), a six-part drama for the ABC directed by Rachel Perkins.
She plays Alex Irving, a charismatic and contradictory Indigenous woman who is thrust into the national limelight after a horrific event. Rachel Griffiths co-stars as Australia’s embattled Prime Minister Rachel Anderson, who, seeing a publicity goldmine for her party, makes Alex a captain’s pick for the Senate.
In Seth Larney...
- 3/26/2019
- by The IF Team
- IF.com.au
Deborah Mailman and Rachel Griffiths.
Blackfella Films’ Black B*tch (working title), a six-part drama for the ABC revolving around high stakes ambition, betrayal and treachery in the nation’s capital, started shooting today.
Directed by Rachel Perkins, the series stars Deborah Mailman as Alex Irving, a charismatic and contradictory Indigenous woman who is thrust into the national limelight after a horrific event.
Rachel Griffiths co-stars as Australia’s embattled Prime Minister Rachel Anderson, who, seeing a publicity goldmine for her party, makes her a captain’s pick for the Senate.
But Alex wants to be more than just a political stunt: she wants to make a difference. So after Alex is betrayed by the Pm she sets out for revenge that will send the political establishment into meltdown.
The supporting cast includes Harry Richardson, William McInnes, Aaron Pedersen, Rob Collins, Anthony Hayes, Celia Ireland, Trisha Morton-Thomas, James Sweeny, David Roberts,...
Blackfella Films’ Black B*tch (working title), a six-part drama for the ABC revolving around high stakes ambition, betrayal and treachery in the nation’s capital, started shooting today.
Directed by Rachel Perkins, the series stars Deborah Mailman as Alex Irving, a charismatic and contradictory Indigenous woman who is thrust into the national limelight after a horrific event.
Rachel Griffiths co-stars as Australia’s embattled Prime Minister Rachel Anderson, who, seeing a publicity goldmine for her party, makes her a captain’s pick for the Senate.
But Alex wants to be more than just a political stunt: she wants to make a difference. So after Alex is betrayed by the Pm she sets out for revenge that will send the political establishment into meltdown.
The supporting cast includes Harry Richardson, William McInnes, Aaron Pedersen, Rob Collins, Anthony Hayes, Celia Ireland, Trisha Morton-Thomas, James Sweeny, David Roberts,...
- 3/4/2019
- by The IF Team
- IF.com.au
(L-r) James Bradley and artist Jiawei Shen.
Editor, producer and director James Bradley will receive the Stanley Hawes Award, which recognises outstanding contribution to the Australian documentary sector, at the Australian International Documentary Conference (Aidc) next week.
Bradley’s editing credits include Rachel Perkins’ first feature Radiance and documentaries Whispering in Our Hearts, Dhakiyarr vs The King, Mr Patterns, 5 Seasons, In My Father’s Country, First Australians, art + soul and Occupation: Native.
Bradley shared the 1994 AFI Best Documentary Award for 50 Years Of Silence and won the 2005 AFI Non-Feature Editing Award for Mr Patterns.
His work as producer includes Sonja Dare’s comedic documentary Destiny In Alice, Ochre and Ink, which he wrote, co‐produced and directed, and Blown Away, which he co-produced and edited.
Over his career he has taught at Metro Screen, Western Sydney University, Aftrs and Macquarie University, and was a regular mentor at workshops for the Screen Australia Indigenous department.
Editor, producer and director James Bradley will receive the Stanley Hawes Award, which recognises outstanding contribution to the Australian documentary sector, at the Australian International Documentary Conference (Aidc) next week.
Bradley’s editing credits include Rachel Perkins’ first feature Radiance and documentaries Whispering in Our Hearts, Dhakiyarr vs The King, Mr Patterns, 5 Seasons, In My Father’s Country, First Australians, art + soul and Occupation: Native.
Bradley shared the 1994 AFI Best Documentary Award for 50 Years Of Silence and won the 2005 AFI Non-Feature Editing Award for Mr Patterns.
His work as producer includes Sonja Dare’s comedic documentary Destiny In Alice, Ochre and Ink, which he wrote, co‐produced and directed, and Blown Away, which he co-produced and edited.
Over his career he has taught at Metro Screen, Western Sydney University, Aftrs and Macquarie University, and was a regular mentor at workshops for the Screen Australia Indigenous department.
- 2/27/2019
- by jkeast
- IF.com.au
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