Known in Mexico and by audiences across Latin America for his humorous impressions, satirical characters, and his skills as an entertaining host for a variety of TV shows, actor and comedian Omar Chaparro has spent the past few years actively pursuing a career in film.
One of his most recent successes, both in Mexico and in the Spanish-speaking U.S. market, is the film “Pulling Strings,” which is one in a series of box-office hits for production company Pantelion. In that film, a romantic comedy with bicultural sensibilities, Chaparro played a role close to those he previously had delved into during his years in television. But for his latest project, “Compadres,” in which he is the protagonist, the performer decided to challenge himself by bringing to life a Mexican police officer who friends a young American hacker.
Because of the physicality required for the role and the dramatic undertones in the screenplay, this is a departure for Chaparro, who clearly is aiming to broaden his acting skills and the audience for his work. In our conversation with the actor we discuss his role as Garza, who deviates from the Mexican stereotypes, his relationship with co-star Joey Morgan, and yet another upcoming project with Pantelion to be released later this year.
"Compadres" opens on April 22 across the U.S.
Aguilar: Garza is a character significantly different from those you have played in the past. It feels like a real departure in your career. Tell me about the challenges of making this transition into a more serious role.
Omar Chaparro: It was a challenge for multiple reasons. Physically I had to train harder and they also wanted to make a more human character. He is a Mexican character that knows how to defend himself. They also wanted to make the actios sequences seem as realistic as possible. They didn’t want the shoot-outs, the punches, the kicks, and the explosions to look cheap, so I had to take my role very seriously. I do think that I left some aspects of what I had been doing on television behind, even though this is my eight film. I believe this is a much more serious character despite the film being an action comedy. He is an honest cop. He is strong, brave, and audacious, but he is also someone who is going through an extreme situation, which is the kidnapping of a loved one. He is definitely a character with more nuances that what I had been doing. It is a bit more distant from comedy and closer to reality.
Aguilar: One of the most refreshing elements about your role is that he is not another version of the stereotypical Mexican character we often see in American films. It's a film that takes place between Mexico and the U.S., but a Mexican lead. Was that part of the appeal for you?
Omar Chaparro: Yes of course. I loved the fact that this is a bicultural film that reflects the reality of life on the border, the differences between the "Gringos" and the Mexicans, and how we coexist and can become friends. But I also enjoyed that my character is an antihero. He is different, and I think that it will let the audience see a different type of Mexican in a Hollywood film. He is not the gardener or the one that crosses the border illegally and is being chased by Ice. He is a good cop, almost like a Mexican Bruce Willis. That’s something we hadn’t really seen before and that makes it fun.
Aguilar: Part of what makes this comedy work is the banter between you and your co-star Joey Morgan who plays Vic. Was this friendship developed organic during the set? How was the experience of working with someone from a very different background and with different experiences?
Omar Chaparro: It was very fun. We clicked right from the first day we met. I lived in the U.S. for a year many years ago - I lived in Boise, Idaho more specifically. I was living with a young guy similar to him. In real life he is kind of bipolar, very sensitive, passionate, and intense. He reminded of that kid 20 years ago when I was living in Idaho. I think that’s part of why we created such a strong bond. He became my friend. We went out partying. We went to the Gloria Trevi concert and he slept over at my place. The chemistry between us was real and you can see that in the film. There are scenes where we are improvising and playing around. The song we perform in the movie, the one called “Puto” by Molotov, wasn’t even on the screenplay. We were inside the car as the camera was rolling and I started singing it and he joined me. We didn’t even know they were recording us until we heard the director yell out, “Don’t cut.” He liked it and that’s why it’s in the film.
Aguilar: In a sense you showed him a different side of Mexican culture.
Omar Chaparro: Yes! He liked it. But he also taught me things. I feel like despite his young age he has great cinematic chops as well as an agile talent for comedy. He can also instantaneously get into a dramatic performance. He would give me advice on acting and even on my accent and English pronunciation. He was like my dialect coach.
Aguilar: How important is it for you, in the roles you choose to play, that they have an element of comedy since it's something you do so well? There is definitely much more than just fun gags in "Compadres."
Omar Chaparro: The film is very balanced. It’s a movie with a lot heart. Besides the action scenes that are also very well realized, there are lots of scenes that make you laugh. It’s a film about how these characters and these cultures intertwine. We even see the cop risking his life for this kid or the kid getting emotional in the climax of the film. That’s something very beautiful, and I think audiences will connect with these emotional aspects of the film.
Aguilar: Speaking of that, it seems like the relationship between you and Joey in the film is almost like that of a father and a son. He doesn't have a father and Garza is a afraid of starting a family and losing his freedom.
Omar Chaparro: They complement each other. He is a kid that spends his time locked in his room behind a computer. He doesn’t know anything else. He is a lonely kid that takes care of his grandfather. His parents died when he was very young and he never had a father figure in his life besides his grandfather, who is in a home. Garza, on the other hand, is a lone wolf that lives in a camper and that doesn’t think about having a family. They complement each other and they quickly develop a beautiful and affectionate friendship in the midst of the shoot-outs and chases.
Aguilar: Have you found it difficult to get work in bigger films, in particular in the U.S. where non-white actors tend to have a harder time getting leading roles?
Omar Chaparro: I don’t like to use the word difficult, I prefer to say “not so easy.” This is a country with so much diversity and where there’s a lot of competition. When there is a casting call for a TV show or a film, besides the actors that are already in Hollywood, there are also actors from Ireland, Australia, Guatemala, and elsewhere trying to get the part. The tapes come from all over the world for any role. The competition is arduous and it’s not very easy to get a lead role. I’m very fortunate to be in a film of this size as the protagonist, even though I’m aware that I still have a long way to go I’m enjoying this moment. I’m enjoying everything, from the reviews to the fact that people are supporting the film. It’s almost a miracle that this is actually happening, so I really want to enjoy this moment.
Aguilar: Is there any specific character that you would like to play in the future now that your career has broadened beyond comedy?
Omar Chaparro: As an actor, an also because I’m very hyperactive, I don’t think I’ll ever be satisfied. I think happiness exists in the middle ground between appreciating what you have and always wanting more. That’s what I’m doing. I’m appreciating this action comedy right now, but I want to know what’s next. I want to play roles that challenge me. I’m very comfortable in comedies, but I’d love to play perhaps a boxer, someone from another country, or even a famous drug dealer. Maybe star in a movie about the life of El Chapo Guzman, why not? [Laughs}.
Aguilar: Where you hesitant about embarking in this project because of the demands in involved, included the fighting sequences and the physical strength and abilities that would entail?
Omar Chaparro: I believe that when Francisco González, the producer of the film, thought of me for this leading role, he knew that he wanted an actor that had experience doing comedy but that could also be believable during the action sequences. I have the pleasure of being his friend, and he knows that throughout most of my life I trained in karate Shotokai. Probably that also motivated him to think of me. I did tell him, “I’m a little rusty because I haven’t trained in a while,” but they say that what you learn well you never forget. In any case we trained boxing and Krav Maga, a different martial art style, for several weeks before we started shooting. I think that helped a lot while choreographing the sequences.
Aguilar: Given that the film will play in both sides of the border, was there any concern about whether the comedy would work for both Spanish-speaking audiences and those who only speak English?
Omar Chaparro: Comedy is always different in Spanish and in English. American comedy is different, so the biggest challenge for this film was for it to be understandable in both cultures. The film is about to be released in the U.S, but in Mexico the film is already a success. It did so well that there has been talks of a sequel, “Compadres 2.” We are waiting to see how people here in the U.S. react to it. One of the writers,Ted Perkins, is a gringo, and the other is Gabriel Ripstein, who is Mexican, so they were very careful so the comedy could work for both cultures. That has a lot to do with the story itself. If the characters are real and the story is authentic, then the comedy will work in any country.
Aguilar: What are your future plans? Will you go back to television or continue seeking roles in films? I understand you already have another upcoming film.
Omar Chaparro: I want to continue learning. I’m excited to make more films and I want to improve my English. We also just shot a film called “No Manches Frida,” which will open in theaters on September 2nd, and it also stars Marta Higareda. It’s based on a very famous German story that was adapted into Spanish. I believe that it can become a box-office success both in Mexico and in the U.S. I’m very happy, we are just now finishing promotion for “Compadres,” and we are going to start promoting this other film in August. Cinema is opening its doors to me and I’m very excited.
Aguilar: Would you say part of this increased in opportunities and production in terms of Mexican films with bicultural appeal has to do with Pantelion's efforts?
Omar Chaparro: Yes. Pantelion has been taking chances on good and different stories like “Comapadres.” It’s a film that is working with a genre that hadn’t been done in Mexico in a long time and with a unique tone, and I think the audiences really appreciate that. Gringos are going to enjoy the film as well because about 60% of the dialogue in the film is in English. We can only hope that the film does as well here as it did in Mexico.
One of his most recent successes, both in Mexico and in the Spanish-speaking U.S. market, is the film “Pulling Strings,” which is one in a series of box-office hits for production company Pantelion. In that film, a romantic comedy with bicultural sensibilities, Chaparro played a role close to those he previously had delved into during his years in television. But for his latest project, “Compadres,” in which he is the protagonist, the performer decided to challenge himself by bringing to life a Mexican police officer who friends a young American hacker.
Because of the physicality required for the role and the dramatic undertones in the screenplay, this is a departure for Chaparro, who clearly is aiming to broaden his acting skills and the audience for his work. In our conversation with the actor we discuss his role as Garza, who deviates from the Mexican stereotypes, his relationship with co-star Joey Morgan, and yet another upcoming project with Pantelion to be released later this year.
"Compadres" opens on April 22 across the U.S.
Aguilar: Garza is a character significantly different from those you have played in the past. It feels like a real departure in your career. Tell me about the challenges of making this transition into a more serious role.
Omar Chaparro: It was a challenge for multiple reasons. Physically I had to train harder and they also wanted to make a more human character. He is a Mexican character that knows how to defend himself. They also wanted to make the actios sequences seem as realistic as possible. They didn’t want the shoot-outs, the punches, the kicks, and the explosions to look cheap, so I had to take my role very seriously. I do think that I left some aspects of what I had been doing on television behind, even though this is my eight film. I believe this is a much more serious character despite the film being an action comedy. He is an honest cop. He is strong, brave, and audacious, but he is also someone who is going through an extreme situation, which is the kidnapping of a loved one. He is definitely a character with more nuances that what I had been doing. It is a bit more distant from comedy and closer to reality.
Aguilar: One of the most refreshing elements about your role is that he is not another version of the stereotypical Mexican character we often see in American films. It's a film that takes place between Mexico and the U.S., but a Mexican lead. Was that part of the appeal for you?
Omar Chaparro: Yes of course. I loved the fact that this is a bicultural film that reflects the reality of life on the border, the differences between the "Gringos" and the Mexicans, and how we coexist and can become friends. But I also enjoyed that my character is an antihero. He is different, and I think that it will let the audience see a different type of Mexican in a Hollywood film. He is not the gardener or the one that crosses the border illegally and is being chased by Ice. He is a good cop, almost like a Mexican Bruce Willis. That’s something we hadn’t really seen before and that makes it fun.
Aguilar: Part of what makes this comedy work is the banter between you and your co-star Joey Morgan who plays Vic. Was this friendship developed organic during the set? How was the experience of working with someone from a very different background and with different experiences?
Omar Chaparro: It was very fun. We clicked right from the first day we met. I lived in the U.S. for a year many years ago - I lived in Boise, Idaho more specifically. I was living with a young guy similar to him. In real life he is kind of bipolar, very sensitive, passionate, and intense. He reminded of that kid 20 years ago when I was living in Idaho. I think that’s part of why we created such a strong bond. He became my friend. We went out partying. We went to the Gloria Trevi concert and he slept over at my place. The chemistry between us was real and you can see that in the film. There are scenes where we are improvising and playing around. The song we perform in the movie, the one called “Puto” by Molotov, wasn’t even on the screenplay. We were inside the car as the camera was rolling and I started singing it and he joined me. We didn’t even know they were recording us until we heard the director yell out, “Don’t cut.” He liked it and that’s why it’s in the film.
Aguilar: In a sense you showed him a different side of Mexican culture.
Omar Chaparro: Yes! He liked it. But he also taught me things. I feel like despite his young age he has great cinematic chops as well as an agile talent for comedy. He can also instantaneously get into a dramatic performance. He would give me advice on acting and even on my accent and English pronunciation. He was like my dialect coach.
Aguilar: How important is it for you, in the roles you choose to play, that they have an element of comedy since it's something you do so well? There is definitely much more than just fun gags in "Compadres."
Omar Chaparro: The film is very balanced. It’s a movie with a lot heart. Besides the action scenes that are also very well realized, there are lots of scenes that make you laugh. It’s a film about how these characters and these cultures intertwine. We even see the cop risking his life for this kid or the kid getting emotional in the climax of the film. That’s something very beautiful, and I think audiences will connect with these emotional aspects of the film.
Aguilar: Speaking of that, it seems like the relationship between you and Joey in the film is almost like that of a father and a son. He doesn't have a father and Garza is a afraid of starting a family and losing his freedom.
Omar Chaparro: They complement each other. He is a kid that spends his time locked in his room behind a computer. He doesn’t know anything else. He is a lonely kid that takes care of his grandfather. His parents died when he was very young and he never had a father figure in his life besides his grandfather, who is in a home. Garza, on the other hand, is a lone wolf that lives in a camper and that doesn’t think about having a family. They complement each other and they quickly develop a beautiful and affectionate friendship in the midst of the shoot-outs and chases.
Aguilar: Have you found it difficult to get work in bigger films, in particular in the U.S. where non-white actors tend to have a harder time getting leading roles?
Omar Chaparro: I don’t like to use the word difficult, I prefer to say “not so easy.” This is a country with so much diversity and where there’s a lot of competition. When there is a casting call for a TV show or a film, besides the actors that are already in Hollywood, there are also actors from Ireland, Australia, Guatemala, and elsewhere trying to get the part. The tapes come from all over the world for any role. The competition is arduous and it’s not very easy to get a lead role. I’m very fortunate to be in a film of this size as the protagonist, even though I’m aware that I still have a long way to go I’m enjoying this moment. I’m enjoying everything, from the reviews to the fact that people are supporting the film. It’s almost a miracle that this is actually happening, so I really want to enjoy this moment.
Aguilar: Is there any specific character that you would like to play in the future now that your career has broadened beyond comedy?
Omar Chaparro: As an actor, an also because I’m very hyperactive, I don’t think I’ll ever be satisfied. I think happiness exists in the middle ground between appreciating what you have and always wanting more. That’s what I’m doing. I’m appreciating this action comedy right now, but I want to know what’s next. I want to play roles that challenge me. I’m very comfortable in comedies, but I’d love to play perhaps a boxer, someone from another country, or even a famous drug dealer. Maybe star in a movie about the life of El Chapo Guzman, why not? [Laughs}.
Aguilar: Where you hesitant about embarking in this project because of the demands in involved, included the fighting sequences and the physical strength and abilities that would entail?
Omar Chaparro: I believe that when Francisco González, the producer of the film, thought of me for this leading role, he knew that he wanted an actor that had experience doing comedy but that could also be believable during the action sequences. I have the pleasure of being his friend, and he knows that throughout most of my life I trained in karate Shotokai. Probably that also motivated him to think of me. I did tell him, “I’m a little rusty because I haven’t trained in a while,” but they say that what you learn well you never forget. In any case we trained boxing and Krav Maga, a different martial art style, for several weeks before we started shooting. I think that helped a lot while choreographing the sequences.
Aguilar: Given that the film will play in both sides of the border, was there any concern about whether the comedy would work for both Spanish-speaking audiences and those who only speak English?
Omar Chaparro: Comedy is always different in Spanish and in English. American comedy is different, so the biggest challenge for this film was for it to be understandable in both cultures. The film is about to be released in the U.S, but in Mexico the film is already a success. It did so well that there has been talks of a sequel, “Compadres 2.” We are waiting to see how people here in the U.S. react to it. One of the writers,Ted Perkins, is a gringo, and the other is Gabriel Ripstein, who is Mexican, so they were very careful so the comedy could work for both cultures. That has a lot to do with the story itself. If the characters are real and the story is authentic, then the comedy will work in any country.
Aguilar: What are your future plans? Will you go back to television or continue seeking roles in films? I understand you already have another upcoming film.
Omar Chaparro: I want to continue learning. I’m excited to make more films and I want to improve my English. We also just shot a film called “No Manches Frida,” which will open in theaters on September 2nd, and it also stars Marta Higareda. It’s based on a very famous German story that was adapted into Spanish. I believe that it can become a box-office success both in Mexico and in the U.S. I’m very happy, we are just now finishing promotion for “Compadres,” and we are going to start promoting this other film in August. Cinema is opening its doors to me and I’m very excited.
Aguilar: Would you say part of this increased in opportunities and production in terms of Mexican films with bicultural appeal has to do with Pantelion's efforts?
Omar Chaparro: Yes. Pantelion has been taking chances on good and different stories like “Comapadres.” It’s a film that is working with a genre that hadn’t been done in Mexico in a long time and with a unique tone, and I think the audiences really appreciate that. Gringos are going to enjoy the film as well because about 60% of the dialogue in the film is in English. We can only hope that the film does as well here as it did in Mexico.
- 4/21/2016
- by Carlos Aguilar
- Sydney's Buzz
The Toronto and Other Fall Festivals Rights RoundUp list looks quite sizeable for what is claimed to have been a quiet festival season. Though it's true business down, the large number of acquisitions has not been viewed as such and yet is the result of a new trend which has been sneaking up over the past few years and has now taken hold. Distributors and sales agents now acquire Before the festivals rather than during. It developed out of Cannes' prescreenings which have mostly been discontinued, and it could go so far as to change the pre-Sundance adage Not to show the film to anyone before Sundance.
This Rights RoundUp for acquisitions executives, distributors, international sales agents, investors and producers is different from my previous Rr Reports. It is no longer a report based on data and FilmFinders is out of the equation. This listing of rights acquired Before the actual festival,...
This Rights RoundUp for acquisitions executives, distributors, international sales agents, investors and producers is different from my previous Rr Reports. It is no longer a report based on data and FilmFinders is out of the equation. This listing of rights acquired Before the actual festival,...
- 9/25/2009
- by Sydney@SydneysBuzz.com (Sydney)
- Sydney's Buzz
The Toronto and Other Fall Festivals Rights Round Up for acquisitions executives, distributors, international sales agents, investors and producers is different from my previous Rr Reports. It is no longer a report based on data and FilmFinders is out of the equation. This listing of rights acquired preliminary to the actual festival, during the festival and for a couple of months afterward can also be found on MDbPro who acquired FilmFinders in 2008 and where SydneysBuzz resides on the landing page and on IMDbPro's News Desk. Whenever possible, the list is alphabetical by international sales agent (linked to IMDbPro), and the Isa's titles are also linked to IMDbPro.
If you do not yet subscribe to IMDbPro, I would advise plunking down $100 for a year's subscription. You'll get more than your money's worth I promise. By going into Pro, you will be able to see all the territorial distributors for a particular title,...
If you do not yet subscribe to IMDbPro, I would advise plunking down $100 for a year's subscription. You'll get more than your money's worth I promise. By going into Pro, you will be able to see all the territorial distributors for a particular title,...
- 9/2/2009
- by Sydney@SydneysBuzz.com (Sydney)
- Sydney's Buzz
NEW YORK -- Debra Messing is rounding out the ensemble cast of the Latino family drama Humboldt Park for Overture Films.
In Alfredo De Villa's film, Messing plays the wife of John Leguizamo's character and joins him on a trip back to his parent's home. Executive producer Freddy Rodriguez, Alfred Molina, Jay Hernandez, Mercedes Ruehl, Luis Guzman, Melonie Diaz and Vanessa Ferlito also star.
The State Street Pictures and 2DS Productions feature was written by Rick Najera, Ted Perkins and Alison Swan. Robert Teitel and George Tillman Jr. are producing. Filming is set to begin Feb. 13 in Chicago.
Former Will & Grace star Messing recently earned a SAG Award nomination for the miniseries The Starter Wife, and will appear in a USA Network series version of the project this summer. She will also be seen in Picturehouse's remake of The Women this fall.
Messing is repped by Gersh and 3 Arts.
In Alfredo De Villa's film, Messing plays the wife of John Leguizamo's character and joins him on a trip back to his parent's home. Executive producer Freddy Rodriguez, Alfred Molina, Jay Hernandez, Mercedes Ruehl, Luis Guzman, Melonie Diaz and Vanessa Ferlito also star.
The State Street Pictures and 2DS Productions feature was written by Rick Najera, Ted Perkins and Alison Swan. Robert Teitel and George Tillman Jr. are producing. Filming is set to begin Feb. 13 in Chicago.
Former Will & Grace star Messing recently earned a SAG Award nomination for the miniseries The Starter Wife, and will appear in a USA Network series version of the project this summer. She will also be seen in Picturehouse's remake of The Women this fall.
Messing is repped by Gersh and 3 Arts.
Jay Hernandez, Melonie Diaz and Alfred Molina are moving to Humboldt Park, Overture's ensemble family comedy being directed by Alfredo De Villa.
Also joining the cast are Mercedes Ruehl, Luis Guzman and Vanessa Ferlito.
Robert Teitel and George Tillman Jr. are producing.
The script, written by Rick Najera, Alison Swan and Ted Perkins-Lopez, follows a family reunion during the holidays in the Chicago neighborhood of Humboldt Park. John Leguizamo and Freddy Rodriguez already have been cast as brothers in the clan.
Molina is the father who owns a bodega, and Hernandez plays a friend of the family who works there. Diaz is a former lover of Rodriguez's character and friends with the clan's daughter (Ferlito). Ruehl is the matriarch.
Shooting is set to begin Feb. 13 in Chicago.
Molina, repped by Endeavor and Joan Hyler Management, recently wrapped Pink Panther 2 as well as The Lodger, a thriller with Hope Davis and Simon Baker.
Diaz is coming off a strong showing at Sundance where she appeared in four movies, including Hamlet 2. She is repped by UTA and Framework Entertainment.
Also joining the cast are Mercedes Ruehl, Luis Guzman and Vanessa Ferlito.
Robert Teitel and George Tillman Jr. are producing.
The script, written by Rick Najera, Alison Swan and Ted Perkins-Lopez, follows a family reunion during the holidays in the Chicago neighborhood of Humboldt Park. John Leguizamo and Freddy Rodriguez already have been cast as brothers in the clan.
Molina is the father who owns a bodega, and Hernandez plays a friend of the family who works there. Diaz is a former lover of Rodriguez's character and friends with the clan's daughter (Ferlito). Ruehl is the matriarch.
Shooting is set to begin Feb. 13 in Chicago.
Molina, repped by Endeavor and Joan Hyler Management, recently wrapped Pink Panther 2 as well as The Lodger, a thriller with Hope Davis and Simon Baker.
Diaz is coming off a strong showing at Sundance where she appeared in four movies, including Hamlet 2. She is repped by UTA and Framework Entertainment.
Overture Films has signed on to produce and distribute "Humboldt Park", a family dramedy starring John Leguizamo and Freddy Rodriguez.
State Street Pictures ("Barbershop") and 2DS Prods. are behind the film, which focuses on a family reunion over the holidays in the Chicago neighborhood of Humboldt Park.
The script -- which was penned by Rick Najera, Ted Perkins and Alison Swan -- was completed before the strike, which will allow production to move forward early next year. Overture is tentatively planning a fall 2008 release. Alfredo De Villa will direct the picture, which in addition to Leguizamo and Rodriguez is expected to feature a large ensemble cast.
Robert Teitel and George Tillman Jr. will produce for State Street, while Rodriguez, Rene Rigal, Reid Brody and Paul Kim will executive produce.
The movie continues a relationship between State Street and Overture execs Chris McGurk and Danny Rosett, who while with MGM collaborated with State Street on the "Barbershop" movies.
Overture, a unit of Liberty Media-owned Starz, has been beefing up its slate as it prepares to release its first batch of movies next year.
State Street Pictures ("Barbershop") and 2DS Prods. are behind the film, which focuses on a family reunion over the holidays in the Chicago neighborhood of Humboldt Park.
The script -- which was penned by Rick Najera, Ted Perkins and Alison Swan -- was completed before the strike, which will allow production to move forward early next year. Overture is tentatively planning a fall 2008 release. Alfredo De Villa will direct the picture, which in addition to Leguizamo and Rodriguez is expected to feature a large ensemble cast.
Robert Teitel and George Tillman Jr. will produce for State Street, while Rodriguez, Rene Rigal, Reid Brody and Paul Kim will executive produce.
The movie continues a relationship between State Street and Overture execs Chris McGurk and Danny Rosett, who while with MGM collaborated with State Street on the "Barbershop" movies.
Overture, a unit of Liberty Media-owned Starz, has been beefing up its slate as it prepares to release its first batch of movies next year.
- 12/4/2007
- The Hollywood Reporter - Movie News
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