Legendary British singer Vera Lynn died Thursday. She was 103.
“We are devastated that we have lost our President, Dame Vera Lynn, who passed away peacefully, aged 103, surrounded by her close family,” read a statement published on the Dame Vera Lynn Children’s Charity website.
A resident of Ditchling, East Sussex, England, Lynn was best known for her songs “We’ll Meet Again” and “The White Cliffs of Dover,” which were recorded during World War II and became popular ballads with the Allied forces. Her songs have been used across films and TV shows in the decades since, with one notable example being Stephen Colbert picking “We’ll Meet Again” for his big signoff number at the end of “The Colbert Report” finale in 2014.
Also Read: 'Westworld' EPs on Dolores' Finale Fate, Hale's New Plan and Jumping Into the Future for Season 4
Lynn was a hit in both her native United Kingdom and the United States,...
“We are devastated that we have lost our President, Dame Vera Lynn, who passed away peacefully, aged 103, surrounded by her close family,” read a statement published on the Dame Vera Lynn Children’s Charity website.
A resident of Ditchling, East Sussex, England, Lynn was best known for her songs “We’ll Meet Again” and “The White Cliffs of Dover,” which were recorded during World War II and became popular ballads with the Allied forces. Her songs have been used across films and TV shows in the decades since, with one notable example being Stephen Colbert picking “We’ll Meet Again” for his big signoff number at the end of “The Colbert Report” finale in 2014.
Also Read: 'Westworld' EPs on Dolores' Finale Fate, Hale's New Plan and Jumping Into the Future for Season 4
Lynn was a hit in both her native United Kingdom and the United States,...
- 6/18/2020
- by Jennifer Maas
- The Wrap
“The Ruler Of Ambrosia”
By Raymond Benson
Director John Schlesinger emerged from the so-called British New Wave, or “Free Cinema Movement,” of the late 1950s/early 60s, that was typified by pictures made by maverick filmmakers working with low budgets and concentrating on working-class heroes in often bleak settings of smaller towns around Britain.
Billy Liar, based on the novel by Keith Waterhouse and the stage play by Waterhouse and Willis Hall (with a screenplay by Waterhouse and Hall), was Schlesinger’s second film, and it is an exhilarating demonstration of the director’s confidence and talent. Schlesinger would go on to direct such classics as Darling (1965) and Midnight Cowboy (1969).
Filmed in widescreen black and white, the tale focuses on Billy Fisher a young man who still lives with his stodgy parents and a grandmother in a Yorkshire town. He juggles three girlfriends and a job at a mortuary that he hates,...
By Raymond Benson
Director John Schlesinger emerged from the so-called British New Wave, or “Free Cinema Movement,” of the late 1950s/early 60s, that was typified by pictures made by maverick filmmakers working with low budgets and concentrating on working-class heroes in often bleak settings of smaller towns around Britain.
Billy Liar, based on the novel by Keith Waterhouse and the stage play by Waterhouse and Willis Hall (with a screenplay by Waterhouse and Hall), was Schlesinger’s second film, and it is an exhilarating demonstration of the director’s confidence and talent. Schlesinger would go on to direct such classics as Darling (1965) and Midnight Cowboy (1969).
Filmed in widescreen black and white, the tale focuses on Billy Fisher a young man who still lives with his stodgy parents and a grandmother in a Yorkshire town. He juggles three girlfriends and a job at a mortuary that he hates,...
- 4/28/2020
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Do you ever lapse into daydream fantasies to escape from everyday life? Tom Courtenay and John Schlesinger changed their destinies and that of Julie Christie with this brilliant (black?) comedy about what ought to be a tragic situation. The frustrated Billy rebels against his dull routine with outrageous lies and chicanery, but hasn’t the courage to strike forth on his own — even when invited to do so by the girl of his dreams. Schlesinger’s delightful directorial style applies brash New Wave editing to Billy’s grandiose ‘Walter Mitty’ fantasies.
Billy Liar
Blu-ray
Kl Studio Classics
1963 / B&w / 2:35 widescreen / 98 min. / Street Date April 28, 2020 / available through Kino Lorber / 29.95
Starring: Tom Courtenay, Julie Christie, Wilfred Pickles, Mona Washbourne, Ethel Griffies, Finlay Currie.
Cinematography: Denys N. Coop
Film Editor: Roger Cherrill
Original Music: Richard Rodney Bennett
Written by Keith Waterhouse, Willis Hall from their play
Produced by Joseph Janni
Directed by...
Billy Liar
Blu-ray
Kl Studio Classics
1963 / B&w / 2:35 widescreen / 98 min. / Street Date April 28, 2020 / available through Kino Lorber / 29.95
Starring: Tom Courtenay, Julie Christie, Wilfred Pickles, Mona Washbourne, Ethel Griffies, Finlay Currie.
Cinematography: Denys N. Coop
Film Editor: Roger Cherrill
Original Music: Richard Rodney Bennett
Written by Keith Waterhouse, Willis Hall from their play
Produced by Joseph Janni
Directed by...
- 4/21/2020
- by Glenn Erickson
- Trailers from Hell
On the day a U.S. appeals court lifted an injunction that blocked a Mississippi “religious freedom” law – i.e., giving Christian extremists the right to discriminate against gays, lesbians, bisexuals, transgender people, etc. – not to mention the publication of a Republican-backed health care bill targeting the poor, the sick, the elderly, and those with “pre-existing conditions” – which would include HIV-infected people, a large chunk of whom are gay and bisexual men, so the wealthy in the U.S. can get a massive tax cut, Turner Classic Movies' 2017 Gay Pride or Lgbt Month celebration continues (into tomorrow morning, Thursday & Friday, June 22–23) with the presentation of movies by or featuring an eclectic – though seemingly all male – group: Montgomery Clift, Anthony Perkins, Tab Hunter, Dirk Bogarde, John Schlesinger, Tennessee Williams, Gore Vidal, Arthur Laurents, and Jerome Robbins. After all, one assumes that, rumors or no, the presence of Mercedes McCambridge in one...
- 6/23/2017
- by Andre Soares
- Alt Film Guide
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