Exclusive: London-based company have brought the first four features of their ten film $30m slate to Cannes.
Mike Downey and Sam Taylor’s Film and Music Entertainment (F&Me) are in Cannes with the first four completed features of their 2014 slate.
The ten film $30m slate is led by Julien Temple’s Rio 50 Degrees, broadcasts today [May 18] on the BBC, and is sold in Cannes by Metro International Entertainment. Produced by Downey and Taylor, the film will broadcase on Arte after its German theatrical release in June.
Downey commented: “The F&Me team have been working on the picture up until Friday afternoon to fine tune it for the Sunday broadcast, and the workd is a testament to the brilliant editing of Caroline Richards.
“The film has great chances of an international theatrical and festival life prior to settling down into ancillaries prior to the Olympic games.”
F&Me has also just delivered Ben Hopkins’ Welcome to Karastan to Stealth...
Mike Downey and Sam Taylor’s Film and Music Entertainment (F&Me) are in Cannes with the first four completed features of their 2014 slate.
The ten film $30m slate is led by Julien Temple’s Rio 50 Degrees, broadcasts today [May 18] on the BBC, and is sold in Cannes by Metro International Entertainment. Produced by Downey and Taylor, the film will broadcase on Arte after its German theatrical release in June.
Downey commented: “The F&Me team have been working on the picture up until Friday afternoon to fine tune it for the Sunday broadcast, and the workd is a testament to the brilliant editing of Caroline Richards.
“The film has great chances of an international theatrical and festival life prior to settling down into ancillaries prior to the Olympic games.”
F&Me has also just delivered Ben Hopkins’ Welcome to Karastan to Stealth...
- 5/19/2014
- by ian.sandwell@screendaily.com (Ian Sandwell)
- ScreenDaily
Invoking "Babylon" in the title of Julien Temple's documentary on London seems bleak, but it's really a dare. This is a montage spanning 100 years, from the turn of the 20th century to the 2012 Olympics. Temple splices in anachronistic images and music throughout, so that the future cuts into the past and the past is ever-present. He has a penchant for punk, a subject he's covered before, and when Edwardian-era suffragettes smash windows to X-Ray Spex's "Oh Bondage! Up Yours!" it's not the first or last time the movie feels like one long music video, something else Temple's spent time on. T.S. Eliot and William Blake have their say, and a pigeon-capturing lady on the streets gets more screen time than Lady Diana. But this is no crazy quilt. Temple and editor Caroline Richards demonstra...
- 5/30/2013
- Village Voice
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