Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSAbove: Shiva Baby (2020) Emma Seligman's Bottoms now has a cast, which includes Shiva Baby star Rachel Sennott, Havana Rose Liu, Ayo Edebiri, and former NFL player Marshawn Lynch. Written by Seligman and Sennott, the film is a high school sex comedy about "two unpopular queer girls in their senior year who start a fight club to try to impress and hook up with cheerleaders." Michel Bouquet, the prolific French film and theater actor, has died at 96. Early in his film career, Bouquet narrated Alain Resnais' Night and Fog (1955), then went on to appear in films by François Truffaut, Claude Chabrol, Jacques Deray, and many more. Among his later performances was the role of the tiular painter in Gilles Bourdos's Renoir (2013). Submissions are now open for "The Video Essay," the annual collaborative section of...
- 4/13/2022
- MUBI
In a festival whose dedication to celluloid is readily apparent, why not declare it directly? And so one of the Vienna International Film Festival's Special Programs this year is a bastion of that most wonderful format, 16mm film. Programmed by Katja Wiederspahn and Haden Guest with an admirably variegated range, the programs were gathered around collective films, war films, sex films, expanded cinema, and more. Key to the section's expanse, which begins in the 1920s and touches every decade between here and there, is also in highlighting new work done in this increasingly outmoded, "out of date," and unprojectionable format. Included amongst these are films every bit as exciting as the history and canon "Revolution in 16mm" touches on: Jodie Mack's Razzle Dazzle (written about here), Richard Touhy's masterpiece of color Ginza Strip, and, most excitingly, a quartet of new films by Nathaniel Dorsky, the film poet who makes...
- 11/3/2014
- by Daniel Kasman
- MUBI
A look at what's new on DVD today:
"Meskada" (2010)
Directed by Josh Sternfeld
Released by Anchor Bay Entertainment
When this thriller premiered at Tribeca this past spring, Alison Willmore wrote, "the second film from writer/director Josh Sternfeld ("Winter Solstice") has ambitions reaching beyond being a straightforward police procedural," though critics, including her, were mixed about the end result. Nick Stahl and Rachel Nichols star as small-town sleuths who investigate a botched home invasion case that claims the life of a young child in an affluent community and enflames class divisions when the main suspects are from the poorer community nearby. Grace Gummer, Meryl Streep's second daughter to go into the family profession, makes her film debut.
"Anywhere USA" (2008)
Directed by Chusy Haney-Jardine
Released by Cinevolve Studios
Winner of a Spirit of Independence prize at the 2008 Sundance Film Festival, Chusy Haney-Jardine's collection of three comic vignettes involves a...
"Meskada" (2010)
Directed by Josh Sternfeld
Released by Anchor Bay Entertainment
When this thriller premiered at Tribeca this past spring, Alison Willmore wrote, "the second film from writer/director Josh Sternfeld ("Winter Solstice") has ambitions reaching beyond being a straightforward police procedural," though critics, including her, were mixed about the end result. Nick Stahl and Rachel Nichols star as small-town sleuths who investigate a botched home invasion case that claims the life of a young child in an affluent community and enflames class divisions when the main suspects are from the poorer community nearby. Grace Gummer, Meryl Streep's second daughter to go into the family profession, makes her film debut.
"Anywhere USA" (2008)
Directed by Chusy Haney-Jardine
Released by Cinevolve Studios
Winner of a Spirit of Independence prize at the 2008 Sundance Film Festival, Chusy Haney-Jardine's collection of three comic vignettes involves a...
- 3/22/2011
- by Stephen Saito
- ifc.com
We here at Filmmaker have been big fans of Alexander Olch's experimental memoir/documentary The Windmill Movie since seeing it at the New York Film Festival in '08. If you missed it in theaters over the summer it will premiere on HBO2 tonight @ 8pm. For those who don't know about it, the film is about the 300 hours of autobiographical footage left behind by filmmaker/professor Richard P. Rogers after his death in 2001. Olch (who was a student of Rogers's) was calling in to look over the footage and finish the film his mentor never could. What he delivers is a fascinating essay filled with Rogers's footage (including beautiful landscapes of the Hamptons), audio recordings, actors like Wallace Shawn playing Rogers, and Olch's narration....
- 10/28/2009
- by Jason Guerrasio
- Filmmaker Magazine - Blog
Every Tuesday on Vf.com, filmmaker Jamie Johnson offers a glimpse into the secret lives of the super-rich. Richard P. Rogers, c. 1970's, courtesy Scm Productions. Still from The Windmill Movie, directed by Alexander Olch. Last fall, when I arrived at Manhattan’s magnificent Ziegfeld Theatre for the premiere of my friend Alexander Olch’s film The Windmill Movie, I didn’t know what to expect. Only a few months earlier, I had screened a rough cut of the film with Alex and learned two things: first, that he was running out of patience for the project after investing five year time on it; and second, that his filmmaking endeavor required him to use actors and a script to complete an autobiographical documentary that his late film professor at Harvard had failed to finish before contracting a fatal case of brain cancer. At the time, it seemed that his depleted enthusiasm,...
- 6/23/2009
- Vanity Fair
More than once in Alexander Olch’s documentary The Windmill Movie, the late filmmaker Richard P. Rogers explains to his friends how his envy of Steven Spielberg related to a general fascination with anyone who made different life choices than he. Yet judging by Rogers’ 1970 short film “Quarry”—which screens prior to The Windmill Movie—Rogers’ aesthetic sensibility ran far closer to cinéma vérité than to Spielberg. “Quarry” is a strikingly lovely film, shifting gradually from shots of Vietnam-bound boys swimming in a gravel pit to a shot of the pit frozen over and abandoned. The movie ...
- 6/18/2009
- avclub.com
“Why is it so hard to make a film about yourself?” asks Richard Rogers in Alexander Olch’s The Windmill Movie. He shortly thereafter unwittingly answers his own question via another question: “Is there anything to say?” Opening today at Film Forum in New York, Windmill is a kind of personal documentary by proxy. After his teacher/mentor/collaborator Rogers died of cancer, Olch was invited by Rogers’ widow, world-renowned photographer Susan Meiselas, to comb through the Harvard professor/documentarian’s vast archives of film and video, shot towards a hypothetical autobiographical movie that Rogers was never able to put together. For Rogers, self-examination lead to a kind of tunnel-vision, embodied by an oft-seen image in Windmill ...
- 6/17/2009
- by Karina Longworth
- Spout
He hated his family and loved women. Those are the two bits of information that stick in my mind after watching "The Windmill Movie," a warm portrait of the fascinating Richard P. Rogers, an experimental filmmaker.
For decades, Rogers had worked on a filmed autobiography, but he was never able to finish it.
When he died of cancer in 2001, his widow, photographer Susan Meiselas, asked one of his former students, Alexander Olch, to go through 200 hours of her husband's film and video, going...
For decades, Rogers had worked on a filmed autobiography, but he was never able to finish it.
When he died of cancer in 2001, his widow, photographer Susan Meiselas, asked one of his former students, Alexander Olch, to go through 200 hours of her husband's film and video, going...
- 6/17/2009
- by By V.A. MUSETTO
- NYPost.com
Richard P. Rogers (1943-2001) was a NYC baby boomer, born to privilege: a Harvard-educated Wasp who became a first-rate independent filmmaker (“Quarry” and “Elephants” both opened at Film Forum in the ‘70s) and a gifted film teacher. But he was also a tortured, neurotic soul who freely admitted to being jealous of Steven Spielberg and simultaneously ashamed of the impulse. Torn between narrow class loyalties and broader professional goals and political …...
- 6/16/2009
- indieWIRE - People
Richard P. Rogers (1943-2001) was a NYC baby boomer, born to privilege: a Harvard-educated Wasp who became a first-rate independent filmmaker (“Quarry” and “Elephants” both opened at Film Forum in the ‘70s) and a gifted film teacher. But he was also a tortured, neurotic soul who freely admitted to being jealous of Steven Spielberg and simultaneously ashamed of the impulse. Torn between narrow class loyalties and broader professional goals and political …...
- 6/16/2009
- indieWIRE - People
Alexander Olch is best known as a men's neckwear designer (a niche role, certainly)—but expect that to change starting Wednesday, when The Windmill Movie, his feature-film debut, premieres at Film Forum. (It will also run on HBO this winter.) An affectionate, deeply personal portrait of the late Richard Rogers, an experimental filmmaker who was also Olch's film professor at Harvard, it's already earned a Writer's Guild nomination for Best Documentary Screenplay. Interview talked to the multi-tasking director about juggling film and fashion, and the emotional experience of sifting through a departed friend's "creative artifacts."
Darrell Hartman: The Windmill Movie is about a guy who struggled for 25 years to make a film that was a completely honest portrait of himself. Is this always a hard thing to do? Or was it especially difficult for him?
Alexander Olch: I think it's a little bit of both. This guy had no...
Darrell Hartman: The Windmill Movie is about a guy who struggled for 25 years to make a film that was a completely honest portrait of himself. Is this always a hard thing to do? Or was it especially difficult for him?
Alexander Olch: I think it's a little bit of both. This guy had no...
- 6/16/2009
- Interview Magazine
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