Exclusive: Briarcliff Entertainment has acquired The Lost Weekend: A Love Story, the documentary feature in which May Pang discusses her whirlwind love affair with singer John Lennon, when she was just 23 years old and his assistant. The film, which premiered at Tribeca, is directed by Eve Brandstein, Richard Kaufman, and Stuart Samuels. The tale is told through May’s inside perspective, capturing a love affair that shaped a prolific period for Lennon post-Beatles.
Briarcliff will premiere the docu on digital and Blu-ray on October 13, 2023, the week of John Lennon’s birthday, from Universal Pictures Home Entertainment.
A lesser known chapter in the life of the late Beatles singer Lennon, it took 50 years for Pang to tell her story on film. She recounts her 18-month relationship with John—a relationship orchestrated by Yoko Ono herself. During this period, May helped John reunite with his son Julian Lennon, and participated firsthand in his most productive period post-Beatles.
Briarcliff will premiere the docu on digital and Blu-ray on October 13, 2023, the week of John Lennon’s birthday, from Universal Pictures Home Entertainment.
A lesser known chapter in the life of the late Beatles singer Lennon, it took 50 years for Pang to tell her story on film. She recounts her 18-month relationship with John—a relationship orchestrated by Yoko Ono herself. During this period, May helped John reunite with his son Julian Lennon, and participated firsthand in his most productive period post-Beatles.
- 8/25/2023
- by Mike Fleming Jr
- Deadline Film + TV
Chicago – One of the closest persons to John Lennon in the decade between the break up of The Beatles and his untimely death was May Pang … his lover from 1973 to 1975 … a time in Lennon’s life often called the “Lost Weekend.” Pang narrates a new documentary that sets their record straight, aptly titled “The Lost Weekend A Love Story.”
May Pang is a Manhattan-born daughter of Chinese immigrants and ardent music fan, who became the 19-year-old personal assistant to John Lennon and Yoko Ono beginning in December of 1970, shortly after The Beatles broke up. So when the couple resettled in New York City, she was indispensable to Lennon and Ono’s many wacky projects, In 1973. John began the infamous “Lost Weekend,” which included an intimate relationship with Pang, with Yoko’s blessing, and that level of connection lasted until John and Yoko reconciled in 1975. The film is a comprehensive overview...
May Pang is a Manhattan-born daughter of Chinese immigrants and ardent music fan, who became the 19-year-old personal assistant to John Lennon and Yoko Ono beginning in December of 1970, shortly after The Beatles broke up. So when the couple resettled in New York City, she was indispensable to Lennon and Ono’s many wacky projects, In 1973. John began the infamous “Lost Weekend,” which included an intimate relationship with Pang, with Yoko’s blessing, and that level of connection lasted until John and Yoko reconciled in 1975. The film is a comprehensive overview...
- 4/23/2023
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Chicago – Patrick McDonald of HollywoodChicago.com audio film review for the newly released documentary “The Lost Weekend A Love Story,” which is a chronicle of May Pang and John Lennon’s brief but historically important love affair. Currently in theaters, since April 14th.
Rating: 5.0/5.0
May Pang is a Manhattan-born daughter of Chinese immigrants and ardent music fan, who became the 19-year-old personal assistant to John Lennon and Yoko Ono beginning in December of 1970, shortly after The Beatles broke up. So when the couple resettled in New York City, she was indispensable to Lennon and Ono’s many wacky projects, In 1973. John began the infamous “Lost Weekend” the same year, which included an intimate relationship with Pang, with Yoko’s blessing, and that level of connection lasted until John and Yoko reconciled in 1975.
”The Lost Weekend A Love Story” is currently in theaters, since April 14th. Featuring interviews with May Pang and Julian Lennon,...
Rating: 5.0/5.0
May Pang is a Manhattan-born daughter of Chinese immigrants and ardent music fan, who became the 19-year-old personal assistant to John Lennon and Yoko Ono beginning in December of 1970, shortly after The Beatles broke up. So when the couple resettled in New York City, she was indispensable to Lennon and Ono’s many wacky projects, In 1973. John began the infamous “Lost Weekend” the same year, which included an intimate relationship with Pang, with Yoko’s blessing, and that level of connection lasted until John and Yoko reconciled in 1975.
”The Lost Weekend A Love Story” is currently in theaters, since April 14th. Featuring interviews with May Pang and Julian Lennon,...
- 4/18/2023
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
Yoko Ono and John Lennon’s marriage may be the stuff of rock ‘n roll history, but new details of an affair are shedding light on the eccentric partnership.
Former employee May Pang exposes her extramarital relationship with late Beatle Lennon, alleging the two dated for 18 months during his marriage to Ono. Documentary “The Lost Weekend: A Love Story” features interviews with Pang, Ono’s son Julian Lennon, and archived footage of Lennon himself calling the idea of his affair with Pang “ridiculous.”
Pang was 19 years old when she began working at Apple Records and soon started an affair with Lennon while employed as his and Ono’s personal assistant. Ono’s rocky marriage to Lennon inspired her to ask Pang to be intimate with her husband. Ono and Lennon were married in 1969, one year before the Beatles disbanded in 1970. Lennon later was shot and killed in 1980.
“Yoko walked into my office and said,...
Former employee May Pang exposes her extramarital relationship with late Beatle Lennon, alleging the two dated for 18 months during his marriage to Ono. Documentary “The Lost Weekend: A Love Story” features interviews with Pang, Ono’s son Julian Lennon, and archived footage of Lennon himself calling the idea of his affair with Pang “ridiculous.”
Pang was 19 years old when she began working at Apple Records and soon started an affair with Lennon while employed as his and Ono’s personal assistant. Ono’s rocky marriage to Lennon inspired her to ask Pang to be intimate with her husband. Ono and Lennon were married in 1969, one year before the Beatles disbanded in 1970. Lennon later was shot and killed in 1980.
“Yoko walked into my office and said,...
- 2/27/2023
- by Samantha Bergeson
- Indiewire
New York – After the big Red Carpet Opening last Wednesday on June 8th, the Tribeca Film Festival has begun to roll out its diverse and international screenings of narrative films, documentaries and shorts. Film screenings at home are available in this hybrid fest format by clicking TRIBECAatHOME.
The 2022 Tribeca Festival, presented by Crypto Platform Okx, brings artists and diverse audiences together to celebrate storytelling in all its forms, including film, TV, VR, gaming, music, and online work. With strong roots in independent film, Tribeca is a platform for creative expression and immersive entertainment. Throughout the festival, Patrick McDonald of HollywoodChicago will be reviewing the films of Tribeca.
Still from ‘The Lost Weekend: A Love Story’
Photo credit: TribecaFilm.com
The Tribeca Film Festival was founded in 2002 by Jane Rosenthal, Craig Hatkoff and actor Robert De Niro as a reactive strike back at the September 11th attack in 2001 on New York...
The 2022 Tribeca Festival, presented by Crypto Platform Okx, brings artists and diverse audiences together to celebrate storytelling in all its forms, including film, TV, VR, gaming, music, and online work. With strong roots in independent film, Tribeca is a platform for creative expression and immersive entertainment. Throughout the festival, Patrick McDonald of HollywoodChicago will be reviewing the films of Tribeca.
Still from ‘The Lost Weekend: A Love Story’
Photo credit: TribecaFilm.com
The Tribeca Film Festival was founded in 2002 by Jane Rosenthal, Craig Hatkoff and actor Robert De Niro as a reactive strike back at the September 11th attack in 2001 on New York...
- 6/13/2022
- by adam@hollywoodchicago.com (Adam Fendelman)
- HollywoodChicago.com
The so-called Lost Weekend, when John Lennon, from late 1973 through ’74, separated from Yoko Ono and relocated to Los Angeles, where he became a hard-drinking rock-club night owl while carrying on an affair with the 22-year-old May Pang (who had been John and Yoko’s assistant), has long been part of rock mythology. It’s been covered by everything from E! documentaries to Albert Goldman’s “The Lives of John Lennon.” Like many Lennon observers, I’ve always felt like I knew the basic bones of it.
I knew that John and Yoko, after marrying in 1969 and seeming like inseparable soulmates in art and life, began to have problems as a couple. That Yoko, trying to save the marriage, made the decision to set up John with May Pang, basically instructing the two of them to have a romantic affair. That in L.A., John, for the first time since the...
I knew that John and Yoko, after marrying in 1969 and seeming like inseparable soulmates in art and life, began to have problems as a couple. That Yoko, trying to save the marriage, made the decision to set up John with May Pang, basically instructing the two of them to have a romantic affair. That in L.A., John, for the first time since the...
- 6/11/2022
- by Owen Gleiberman
- Variety Film + TV
May Fung Lee Pang will be 72 in October, but was barely out of her teens when she boldly entered Apple’s New York offices, lied about being able to type, and secured a job at the Beatles’ multimedia company. She would soon become famous for a much more intimate tie to the group than that, as her very public 18-month affair with John Lennon in the mid-’70s is still a subject of great fascination to his fans, 50 years later.
“Music was my passion,” explains the Spanish Harlem-born author and subject of the upcoming documentary, “The Lost Weekend: A Love Story,” premiering at the Tribeca Film Festival for a sold-out show on June 10. “It was something I loved. I had no real abilities,” she admits of getting her start at Apple, “but answering the phone was easy enough. My mother used to tell me, ‘You have a mouth. You speak English.
“Music was my passion,” explains the Spanish Harlem-born author and subject of the upcoming documentary, “The Lost Weekend: A Love Story,” premiering at the Tribeca Film Festival for a sold-out show on June 10. “It was something I loved. I had no real abilities,” she admits of getting her start at Apple, “but answering the phone was easy enough. My mother used to tell me, ‘You have a mouth. You speak English.
- 6/9/2022
- by Roy Trakin
- Variety Film + TV
This week is Ben Barenholtz' birthday.
We'd like to celebrate by running 2 pieces on his amazing wonderful life.
This is his public bio, which in itself, tells of a rich wonderful career in film.
In the next days we'll publish his amazing memoir of his European childhood when he narrowly escaped from the hands of Jew killers during the War.
I personally owe Ben a lot. When I was producing some years back Ben was working for Almi and bought an indie film I produced 'Home Free All' by Director Stewart Bird for that company. The money from that deal paid our investors and took us out of a deep financial hole. I am always grateful to Ben for his vision and belief in us then.
Now for his professional bio -
Biography for Ben Barenholtz
Birth Name Benjamin Barenholtz
Mini Biography
As an exhibitor, distributor, and producer, Ben Barenholtz has been a key presence in the independent film scene since the late 1960s, when he opened the Elgin Cinema in New York City.
Barenholtz secured his first job in the film business when he became assistant manager of the Rko Bushwick Theater in Brooklyn in 1958. From 1966-68 he managed and lived in the Village Theater, which ultimately became the Filmore East. At the Village Theater Barenholtz provided a home for the counterculture, with appearances by Timothy Leary, Stokley Carmichael, Rap Brown, and Paul Krasner. Some of the first meetings of the anti-Vietnam War movement, including the Poets Against Vietnam, were held at the Village Theater. It was also a major music venue, with performances by The Who, Cream, Leonard Cohen, John Coltrane, Ornette Coleman, Nina Simone and many others.
In 1968 he opened the Elgin Cinema. The theater became the world's most innovative specialty and revival house, relaunching the films of Buster Keaton and D.W. Griffith, running a variety of independent films by young American directors, and screening cult, underground, and experimental films for the emerging countercultural audience. The films of Stan Brakhage, Jack Smith, Maya Deren, Kenneth Anger, Jonas Mekas, and Andy Warhol, as well as early works by Jonathan Demme and Martin Scorsese, all played at the Elgin.
Barenholtz also developed new ways of screening movies. He started screening dance and opera films on Saturday and Sunday mornings. He created the "All Night Show" - movies started at midnight and ended at dawn. Most notably, Barenholtz originated the "Midnight Movie" in 1970 with Alexander Jodorowsky's El Topo, which ran for 6 months, 7 days a week, to sold out audiences.
The film was eventually bought by John Lennon. El Topo was followed at midnight by John Waters' Pink Flamingoes and Perry Henzell's The Harder They Come. Barenholtz formed the specialty distributor Libra Films in 1972.
The first film Libra distributed was a revival of Jean-Pierre Melville's Les Enfants Terrible, followed by Claude Chabrol's Just Before Nightfall, and Jean-Charles Tacchella's Cousin, Cousine, which became one of the largest grossing foreign films in the Us and was nominated for 3 Academy Awards.
Libra also launched and distributed, among others, George Romero's Martin, John Sayles' first feature Return of the Secaucus Seven, David Lynch's first feature Eraserhead, Karen Arthur's first feature Legacy, Earl Mack's first feature Children of Theater Street, and Peter Gothar's first feature Time Stands Still.
Barenholtz sold Libra Films to the Almi Group in 1982, but stayed with the company to become the President of Libra-Cinema 5 Films. In 1984 he left Almi and joined with Ted and Jim Pedas to form Circle Releasing. Among the films released by Circle were Yoshimitsu Morita's The Family Game, Guy Maddin's first feature Tales From the Gimli Hospital, Vincent Ward's The Navigator, John Woo's The Killer, Catherine Breillat's 36 Fillette, DeWitt Sage's first feature Pavarotti In China, Alain Cavalier's Therese, and Blood Simple, the first film by Joel and Ethan Coen.
His involvement in film production began with Wynn Chamberlain's Brand X and George Romero's Martin. He continued working with the Coens on the production of Raising Arizona, and as executive producer of Miller's Crossing and Barton Fink, which won the Palme d'Or at the 1991 Cannes Film Festival, as well as awards for Best Director and Best Actor. This was the first and last time the three top honors have all gone to the same film at Cannes.
Barenholtz went on to produce George Romero's Bruiser, J Todd Anderson's The Naked Man, Adek Drabinski's Cheat, executive-produced Gregory Hines' directorial debut Bleeding Hearts and Ulu Grossbard's Georgia, which earned an Academy Award nomination for Mare Winningham. He served as co-executive producer of Darren Aronofsky's Requiem for a Dream, which earned Ellen Burstyn an Academy Award nomination for Best Actress in 2000.
Barenholtz appeared in the documentary The Hicks in Hollywood, had a bit role in Liquid Sky, and appeared as a zombie in Romero's classic Dawn of the Dead. He was the main subject of Stuart Samuels' 2005 documentary Midnight Movies: From the Margin to the Mainstream.
Barenholtz directed his first feature, Music Inn, a documentary about the famed jazz venue.
Barenholtz was the producer of Jamie Greenberg's feature film Stags.
In 2012, Barenholtz produced Suzuya Bobo's first feature Family Games.
Barenholtz has recently completed directing and post production on Wakaliwood the Documentary, which was shot entirely in Kampala, Uganda. The film will be released in 2013.
He is now developing two feature fiction films which begin production in 2013.
IMDb Mini Biography By: Ben Barenholtz...
We'd like to celebrate by running 2 pieces on his amazing wonderful life.
This is his public bio, which in itself, tells of a rich wonderful career in film.
In the next days we'll publish his amazing memoir of his European childhood when he narrowly escaped from the hands of Jew killers during the War.
I personally owe Ben a lot. When I was producing some years back Ben was working for Almi and bought an indie film I produced 'Home Free All' by Director Stewart Bird for that company. The money from that deal paid our investors and took us out of a deep financial hole. I am always grateful to Ben for his vision and belief in us then.
Now for his professional bio -
Biography for Ben Barenholtz
Birth Name Benjamin Barenholtz
Mini Biography
As an exhibitor, distributor, and producer, Ben Barenholtz has been a key presence in the independent film scene since the late 1960s, when he opened the Elgin Cinema in New York City.
Barenholtz secured his first job in the film business when he became assistant manager of the Rko Bushwick Theater in Brooklyn in 1958. From 1966-68 he managed and lived in the Village Theater, which ultimately became the Filmore East. At the Village Theater Barenholtz provided a home for the counterculture, with appearances by Timothy Leary, Stokley Carmichael, Rap Brown, and Paul Krasner. Some of the first meetings of the anti-Vietnam War movement, including the Poets Against Vietnam, were held at the Village Theater. It was also a major music venue, with performances by The Who, Cream, Leonard Cohen, John Coltrane, Ornette Coleman, Nina Simone and many others.
In 1968 he opened the Elgin Cinema. The theater became the world's most innovative specialty and revival house, relaunching the films of Buster Keaton and D.W. Griffith, running a variety of independent films by young American directors, and screening cult, underground, and experimental films for the emerging countercultural audience. The films of Stan Brakhage, Jack Smith, Maya Deren, Kenneth Anger, Jonas Mekas, and Andy Warhol, as well as early works by Jonathan Demme and Martin Scorsese, all played at the Elgin.
Barenholtz also developed new ways of screening movies. He started screening dance and opera films on Saturday and Sunday mornings. He created the "All Night Show" - movies started at midnight and ended at dawn. Most notably, Barenholtz originated the "Midnight Movie" in 1970 with Alexander Jodorowsky's El Topo, which ran for 6 months, 7 days a week, to sold out audiences.
The film was eventually bought by John Lennon. El Topo was followed at midnight by John Waters' Pink Flamingoes and Perry Henzell's The Harder They Come. Barenholtz formed the specialty distributor Libra Films in 1972.
The first film Libra distributed was a revival of Jean-Pierre Melville's Les Enfants Terrible, followed by Claude Chabrol's Just Before Nightfall, and Jean-Charles Tacchella's Cousin, Cousine, which became one of the largest grossing foreign films in the Us and was nominated for 3 Academy Awards.
Libra also launched and distributed, among others, George Romero's Martin, John Sayles' first feature Return of the Secaucus Seven, David Lynch's first feature Eraserhead, Karen Arthur's first feature Legacy, Earl Mack's first feature Children of Theater Street, and Peter Gothar's first feature Time Stands Still.
Barenholtz sold Libra Films to the Almi Group in 1982, but stayed with the company to become the President of Libra-Cinema 5 Films. In 1984 he left Almi and joined with Ted and Jim Pedas to form Circle Releasing. Among the films released by Circle were Yoshimitsu Morita's The Family Game, Guy Maddin's first feature Tales From the Gimli Hospital, Vincent Ward's The Navigator, John Woo's The Killer, Catherine Breillat's 36 Fillette, DeWitt Sage's first feature Pavarotti In China, Alain Cavalier's Therese, and Blood Simple, the first film by Joel and Ethan Coen.
His involvement in film production began with Wynn Chamberlain's Brand X and George Romero's Martin. He continued working with the Coens on the production of Raising Arizona, and as executive producer of Miller's Crossing and Barton Fink, which won the Palme d'Or at the 1991 Cannes Film Festival, as well as awards for Best Director and Best Actor. This was the first and last time the three top honors have all gone to the same film at Cannes.
Barenholtz went on to produce George Romero's Bruiser, J Todd Anderson's The Naked Man, Adek Drabinski's Cheat, executive-produced Gregory Hines' directorial debut Bleeding Hearts and Ulu Grossbard's Georgia, which earned an Academy Award nomination for Mare Winningham. He served as co-executive producer of Darren Aronofsky's Requiem for a Dream, which earned Ellen Burstyn an Academy Award nomination for Best Actress in 2000.
Barenholtz appeared in the documentary The Hicks in Hollywood, had a bit role in Liquid Sky, and appeared as a zombie in Romero's classic Dawn of the Dead. He was the main subject of Stuart Samuels' 2005 documentary Midnight Movies: From the Margin to the Mainstream.
Barenholtz directed his first feature, Music Inn, a documentary about the famed jazz venue.
Barenholtz was the producer of Jamie Greenberg's feature film Stags.
In 2012, Barenholtz produced Suzuya Bobo's first feature Family Games.
Barenholtz has recently completed directing and post production on Wakaliwood the Documentary, which was shot entirely in Kampala, Uganda. The film will be released in 2013.
He is now developing two feature fiction films which begin production in 2013.
IMDb Mini Biography By: Ben Barenholtz...
- 10/8/2013
- by Peter Belsito
- Sydney's Buzz
- Midnight Movies: From The Margins To The Mainstream is a documentary on cult cinema, specifically that which found its audience in the midnight timeslot of American cinemas. The Canadian funded film is directed by filmmaker Stuart Samuels, who has previously worked on the television documentary Cartier: Jewelers to the King and Visions of Light, and a praised documentary on cinematography. The subject of Midnight Movies is certain to peak the interests of any film geek. As Samuels is obviously a film geek himself, it should make sense for him to tackle this strand of cult cinema but instead it proves to be a problem. The film explains the decisions made by cinema owners, and by the cinemagoers, of certain cities that turned the midnight session into a thriving environment for controversial cinema. With this basis, Samuel recounts the success of six midnight films, Night of the Living Dead, El Tropo,
- 11/30/2006
- IONCINEMA.com
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