The title of Fruit Chan’s Made in Hong Kong cheekily references a phrase you might have seen printed on the packaging for an action figure way back in 1997, the year of the film’s original release. But it also refers to the young, wannabe triad member with the unlikely name of Autumn Moon (Sam Lee), as well as to the production circumstances of the film itself. Its declarative label is somewhat excessive, though, as there’s no mistaking where and when Moon’s misadventures take place: Chan’s quirky, gangster-adjacent flick, so infused with washed-out and blue-filtered imagery, presents a portrait of Hong Kong that bears more than a passing resemblance to Wong Kar-wai and Christopher Doyle’s early collaborations.
From its handheld shots racing through open-air markets, to its use of expressionistic step-printed slow motion, to the way its perspectives on the city take inspiration from the cramped...
From its handheld shots racing through open-air markets, to its use of expressionistic step-printed slow motion, to the way its perspectives on the city take inspiration from the cramped...
- 12/13/2023
- by Pat Brown
- Slant Magazine
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