- No one would wish to be remembered for things like Two-Man Submarine (1944) or Saddles and Sagebrush (1943), which were typical of the kind of pictures I did. The part in Detour (1945) seemed like the opportunity every actress longs for. When I first read the script by Martin Goldsmith, I knew that I was going to be part of something very exciting.
- [about director William Berke, with whom she made several pictures] [He had] a round face, but wasn't fat--nor was he too thin. A gentle man who spoke quietly. A nice, lovely man who wore glasses--he wasn't tall or short, probably around 5'8" or 5'9". Nicely built and a nice face.
- [on Tom Neal, her co-star in Detour (1945) and several previous films] He was a troublemaker, the only one I had problems with in all the years I was in movies. He would go out of his way to rub you the wrong way! Otherwise, he could be charming. He was like two different people. He wore lifts, otherwise I'd be taller than he was; and those hairstyles made me seem taller, anyway. I was 5'4¾" tall and Tom was about the same, as was Don 'Red' Barry, for that matter. Tom embarrassed me once. He had some buddies with him. I was standing there as they were lighting me for the next scene. He came into the scene, saying he had something to tell me. I leaned over and he stuck his tongue in my ear. I hit him as hard as I could! I slapped him with my hand open! I was a tough little kid and could take care of myself. I was so angry and humiliated I naturally reacted by hitting him. He staggered back, and I immediately left the set, so I didn't see his reaction, be it anger or whatever. Later, when we worked together, there was no talk at all----just did our scenes together and that was it. We stayed apart and never spoke.
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