It’s another CineSavant review of a movie largely unavailable, especially the original Japanese version. This third Ishirô Honda / Eiji Tsuburaya outer space action epic is probably the best Toho science fiction feature ever, an Astral Collision tale in which the drama and characters are as compelling as the special effects. Nothing can stop a colossal planetoid heading toward Earth, but science comes to the rescue with the biggest construction job ever undertaken by mankind. The fine screenplay generates thrills, suspense and human warmth. It also takes place in the far, far future: 1980.
Gorath
CineSavant Revival Screening Review
Not On Region A Home Video
1962 / Color / 2:35 widescreen / 88 83 min. / Yôsei Gorasu
Starring: Ryô Ikebe, Yumi Shirakawa, Akira Kubo, Kumi Mizuno, Akihiko Hirata, Kenji Sahara, Jun Tazaki, Ken Uehara, Takashi Shimura, Seizaburô Kawazu, Takamaru Sasaki, Kô Nishimura, Eitarô Ozawa, Hideyo Amamoto, George Furness, Ross Benette, Nadao Kirino, Fumio Sakashita, Ikio Sawamura, Haruo Nakajima.
Gorath
CineSavant Revival Screening Review
Not On Region A Home Video
1962 / Color / 2:35 widescreen / 88 83 min. / Yôsei Gorasu
Starring: Ryô Ikebe, Yumi Shirakawa, Akira Kubo, Kumi Mizuno, Akihiko Hirata, Kenji Sahara, Jun Tazaki, Ken Uehara, Takashi Shimura, Seizaburô Kawazu, Takamaru Sasaki, Kô Nishimura, Eitarô Ozawa, Hideyo Amamoto, George Furness, Ross Benette, Nadao Kirino, Fumio Sakashita, Ikio Sawamura, Haruo Nakajima.
- 3/30/2021
- by Glenn Erickson
- Trailers from Hell
Stars: Masayuki Mori, Eitaro Ozawa, Kinuyo Tanaka, Mitsuko Mito, Machiko Kyō | Written by Matsutarō Kawaguchi, Yoshikata Yoda | Directed by Kenji Mizoguchi
Kenji Mizoguchi was one part of the Holy Trinity of directors – alongside Akira Kurosawa and Yasujirō Ozu – spearheading the Golden Age of Japanese cinema in the 1950s. Released in 1953, Ugetsu is based on the book by Ueda Akinari, written in the 18th century (one of two known works by the author). Mizoguchi states upfront that he’s “refreshing the fantasies” of Akinari, which is a nice way of putting it.
The story opens in the village of Nakanogō in Omi Province, sometime in the 16th century. Genjūrō (Masayuki Mori) and Tōbei (Eitaro Ozawa) are best pals. Genjūrō is a potter; Tōbei is a clutz who dreams of being a samurai. One day the village is attacked by soldiers. Genjūrō and Tōbei flee with their wives, Miyagi (Kinuyo Tanaka) and...
Kenji Mizoguchi was one part of the Holy Trinity of directors – alongside Akira Kurosawa and Yasujirō Ozu – spearheading the Golden Age of Japanese cinema in the 1950s. Released in 1953, Ugetsu is based on the book by Ueda Akinari, written in the 18th century (one of two known works by the author). Mizoguchi states upfront that he’s “refreshing the fantasies” of Akinari, which is a nice way of putting it.
The story opens in the village of Nakanogō in Omi Province, sometime in the 16th century. Genjūrō (Masayuki Mori) and Tōbei (Eitaro Ozawa) are best pals. Genjūrō is a potter; Tōbei is a clutz who dreams of being a samurai. One day the village is attacked by soldiers. Genjūrō and Tōbei flee with their wives, Miyagi (Kinuyo Tanaka) and...
- 3/5/2019
- by Rupert Harvey
- Nerdly
Yojimbo
Written by Ryuzo Kikushima and Akira Kurosawa
Directed by Akira Kurosawa
Japan, 1961
It is the mid 19th century in Japan as a wandering ronin (the term designated to samurai who no longer have a master to follow), Kuwabatake Sanjuro (Toshiro Mifune), roams the windy, autumnal countryside, unsure as to the direction he should head next in search for food and money. Gambling on one particular route takes him to a small town awash in corruption and gamesmanship between two warring factions, one commandeered by Seibi (Seizaburo Kawazu) and the other by Ushitora (Kyu Sazanka). Each has associated themselves with one of the two major industries the sullen town calls its own, a sake brewery run by Tokuemon (Takashi Shimura) and a silk factory owned by Tazaemon (Katamari Fujirawa). Despite the consternation and warnings of a local tavern owner, Goji (Eijiro Tono), the ronin sees a window of glorious opportunity...
Written by Ryuzo Kikushima and Akira Kurosawa
Directed by Akira Kurosawa
Japan, 1961
It is the mid 19th century in Japan as a wandering ronin (the term designated to samurai who no longer have a master to follow), Kuwabatake Sanjuro (Toshiro Mifune), roams the windy, autumnal countryside, unsure as to the direction he should head next in search for food and money. Gambling on one particular route takes him to a small town awash in corruption and gamesmanship between two warring factions, one commandeered by Seibi (Seizaburo Kawazu) and the other by Ushitora (Kyu Sazanka). Each has associated themselves with one of the two major industries the sullen town calls its own, a sake brewery run by Tokuemon (Takashi Shimura) and a silk factory owned by Tazaemon (Katamari Fujirawa). Despite the consternation and warnings of a local tavern owner, Goji (Eijiro Tono), the ronin sees a window of glorious opportunity...
- 4/12/2014
- by Edgar Chaput
- SoundOnSight
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